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The Being (Un)Known \\ S. Reid x fem!reader



You never meant to orbit Spencer Reid, but somehow, you always do. The space between you is filled with quiet observations, lingering glances, and a tension that hums beneath every near miss. A brush of hands, a breath caught mid-sentenceâsmall moments that build into something undeniable. It takes a near-disaster to bring you closer, but itâs the nights spent tangled in conversation, stolen glances over case files, and the weight of his name in your mouth that seal your fate.
12.1k, fem!reader. Slow-burn, lingering tension, quiet devotion, and Spencer being insufferably charming without realizing it.
CW: mutual pining, near-miss injury, brief emotional vulnerability, mild anxiety, excessive overthinking, cannon-typical violence, references to religion.
Spencer Reid is an enigma you never mean to chase, a sun you donât realize youâve been orbiting until the pull of his gravity is undeniable. Heâs not someone youâre supposed to know, not reallyâhe works in profiling, a world built on instinct and razor-sharp deduction, while youâre still buried in textbooks, an academy student trying to shape yourself into something worthy.
Heâs only a few years older, but the distance between you feels vast, like a canyon carved by time and experience. And yet, no matter how often you tell yourself that heâs just another name, just another agent, you keep finding him. Or maybeâjust maybeâhe lets himself be found.
You donât think much of it at first, the way your paths cross in quiet placesâhallways humming with fluorescent light, libraries steeped in dust and silence, moments that seem incidental but never quite are. And then, without warning, that quiet fascination tilts your entire world:
Itâs Spencer who speaks your name when SSA Hotchner asks for a student to shadow the team.
âItâs only a few cases,â he tells you, voice warm with something like certainty. Thereâs a rare kind of confidence in the way he smilesâsmall, knowing. âBut Rossi and I agreeâyouâve got too much potential to stay in a classroom much longer.â
âYouâre sharp,â Rossi agrees, stepping in with the weight of experience, his approval easy but meaningful. âPlay this right, kid, and youâll be glad you did.â
Rossiâs words settle over you, weighty with promise, but reality is heavier.
Your first case comes fastâtoo fast. One moment, youâre standing in the bullpen with a crisp folder in your hands, the next, youâre on a jet with seasoned agents, listening as crime scene photos flick past on the monitor. Itâs a triple homicide, the kind of case youâve only studied in theory, where the victimology is murky and the suspect is still a shadow. The words feel clinical in the briefing, just patterns and deductions, but then youâre standing in a house that doesnât feel like a crime scene yet, where someone left dishes in the sink and a jacket draped over the back of a chair, never to be touched again.
You swallow hard.
âDeep breath,â Spencer murmurs beside you, so quiet you almost miss it.
Your fingers curl into fists at your sides. You donât want him to noticeâdonât want anyone to noticeâbut Spencerâs eyes are too sharp, always catching things before they surface. You inhale, steadying yourself.
âThis is different than the academy,â you admit, voice just above a whisper.
âIt should be.â Spencer doesnât sound condescending, doesnât sound like heâs telling you anything you donât already know. Just a simple, grounding fact. âBut youâre still here.â
You are. And for now, thatâs enough.
Slowly, you become accustomed to it. The days fly by while the hours drag on. \\
âOkay,â you tell the team, throwing your folders on the table to begin organizing them in the order youâll present them. âJJ gave me four cases flagged as urgent,â you say, clicking the remote in your hand. The screen behind you flickers to life, displaying a title screen verging on too childish, nearly girly. You built the theme last night, sipping dregs of coffee, clinging to something that makes you feel human. A colorful border is enough to make you feel better about plastering victims' faces on a PowerPoint slide. âEach presents a significant threat, and each has something that warrants immediate intervention.â
CASE ONE: THE RITUALIST
Youâre following the curriculum exactly, formatting how your professor told you to, but coming up with titles for the cases felt exaggerated, almost picturesque. You hesitated to do so last night, fingers flinching above your keyboard.
Your favorite professor, kindly answering your 3 am email, assured you it was natural. Par for the course. Identify the cases, give them a name to be referred to. It feels childish, she conceded in her response, but itâs what they want students to do.
âIn Savannah, Georgia, three women have been found buried in shallow graves near the riverfront, all posed identically and dressed in wedding gowns.â
Emily crosses her arms, frowning. âThatâs theatrical.â
âIt is,â you agree, clicking to the next slideâa zoomed-in shot of the delicate lace on one victimâs gown, carefully arranged over stiff, lifeless hands. âThe unsub is mimicking a local legendâone about a grieving bride who drowned herself in the river in the 1800s.â
âAn emerging pattern?â JJ asks.
You nod. âThe first body was found two weeks ago. The second, one week ago. The third, two days ago.â
âWhich means heâs escalating,â Hotch observes.
âYes. If the unsub continues following this timeline, we could see another victim within days.â
Morgan exhales, shaking his head. âA guy like this? Heâs loving the attention. Heâs not gonna stop on his own.â
âNo,â you agree. âAnd if his rituals are as important to him as they seem, he wonât just pick random victims. Heâs looking for somethingâsomeoneâto fit his narrative.â
Spencer leans forward, fingers tapping absently on the table. âThat level of organization suggests a highly controlled personality. Heâs not just killingâheâs curating.â
âHeâs hand-stitching the dresses, too. Each is perfectly tailored to fit the victims.â The thought leaves a bitter taste in your mouth. You switch the slide.
CASE TWO: THE FAMILY ANNIHILATOR
âIn Tulsa, Oklahoma, three families have been murdered in their homes over the course of the past two days.â You keep your voice steady, clicking through the crime scene imagesâtoo much blood, overturned furniture, a dinner table frozen mid-meal. âIn all of the cases, the father was restrained and forced to watch before he was killed last.â
A grim silence settles over the room.
Rossi rubs a hand over his jaw. âHeâs not just taking them outâheâs making them suffer.â
Morgan exhales sharply. âWhich means this is personal.â
âPossibly,â you say. âThere was no forced entry in either case, which suggests the unsub is either someone the victims trusted or someone who knew how to manipulate his way inside.â
âA service worker, maybe?â Emily muses. âSomeone posing as law enforcement?â
âThatâs a strong possibility,â you admit. âAnd if the pattern holds, weâre looking at another family being targeted in a few hours.â
JJâs expression hardens. âWe canât let that happen.â
The weight in her voice lingers as you switch to the next slide.
CASE THREE: THE PHANTOM ABDUCTOR
âDenver, Colorado,â you say, clicking to a map marked with four red pins. âFour people have vanished over the last five monthsâone woman, two men, and a child. No bodies, no forensic evidence, no trace of them after the moment they disappeared.â
Spencer tilts his head. âNo pattern in victim selection?â
âNone that we can see,â you agree. âDifferent ages, different backgrounds. The only common thread is that they all vanished from public places.â
JJ frowns. âSecurity footage?â
You shake your head. âIn each case, cameras malfunctioned or lost power at the exact moment the victim disappeared.â
âThatâs not a coincidence,â Hotch says.
âNo,â you agree. âWhich means weâre looking at an unsubâor possibly multipleâwho is incredibly meticulous, well-prepared, and willing to wait for the perfect conditions.â
Morgan exhales. âDamn. If heâs this careful, we might not even know how many victims weâre missing.â
You nod, the reality of it settling into your gut like lead. You click to the final slide.
CASE FOUR: THE JANE DOE MURDERS
âPhoenix, Arizona,â you begin. âFive women have been found dead in the last six months. None have been identified.â
Emily shifts in her seat. âThatâs a long time for that many women to go without names.â
âExactly,â you say, flipping through the slidesâmalnourished bodies, identical scars along their spines. âWe suspect the victims were held for an extended period before being killed. Medical reports indicate malnutrition and signs of prolonged restraint.â
Rossi exhales slowly. âTorture?â
âMaybe. But what stands out are these.â You zoom in on the marks along the victimsâ backsâprecise, deliberate incisions. âThe wounds suggest medical knowledge. Someone who knew what they were doing.â
JJâs face tightens. âHeâs experimenting.â
âThatâs the concern.â You glance at the team, your stomach twisting. âThe unsub could still have others in captivity.â
A beat of silence.
Then, Hotch clears his throat. âAlright. Youâve presented four cases, all high priority. Now comes the hard part.â The part where you choose.
You inhale. Exhale. The weight of the decision presses against your ribs, but you donât let it show.
âTake a moment,â Hotch says, voice even. âDecide which one we handle first.â
The room is quiet as you grip the remote a little tighter, eyes flicking between the slides, between the horrors laid out before you. Whichever case you choose, the others will wait. But not forever. You swallow hard and decide. The weight of it sits heavy in your chest, pressing against your ribs like a vice.
You shift your gaze between the slides still illuminated on the monitorâeach one a tragedy waiting to unfold, each one a door closing on lives youâll never be able to save if you donât act now.
You exhale slowly, steadying yourself. How awful that the fate of lives rests on a test for a student. You know itâs important â they have to test you. Youâre here because Rossi and Spencer see potential, kept around because, according to Hotchâs last report, youâre proving to be irreplaceable. Still, the decision feels too big to be handed off to you.
You have to make a case, despite. You bite your lip, wrinkle your nose. Tells everyone around you can see, signals theyâre noting and remembering. âThe Tulsa case,â you say, finally, voice firm, but not as even as you want it to be. âThatâs where we go first.â
Across the room, the team absorbs your choice in silence.
Hotch nods once, expression unreadable. âWalk us through your reasoning.â
You click back to the slide, the images of two shattered families staring back at you. You resist the urge to look away. âThe unsubâs pattern is clear. Three families, mere hours apart. If he keeps to his timeline, another family is in dangerâpossibly right nowâ
JJâs jaw tightens, her fingers tapping lightly against the table. âAnd this isnât just about killing them,â she adds. âThe way he makes the fathers watchâitâs personal.â
âExactly.â You glance at Spencer, whoâs already nodding in agreement. âThe level of control, the methodical natureâit suggests military or law enforcement training. Someone used to hierarchy, dominance.â
Morgan folds his arms. âWhich means heâs not picking his victims at random.â
âNo,â you agree. âIf we can find the connection between the families, we can narrow down potential targets before he chooses his next one.â You click to the next slide, where the family structures are laid out side by side. âRight now, we have limited victimology, but the fathers were in leadership positions. One was a high-ranking bank manager, the other an attorney, the most recent one a sheriff.â
Emily tilts her head, considering. âA grudge? Financial ruin, a court case, something that connects them?â
âPossibly,â you say. âBut we wonât know for sure until we dig deeper. And we donât have time to wait for another murder to give us more evidence.â
Hotch doesnât hesitate. âAgreed.â He turns to the team. âIf we leave within the hour, weâll be in Tulsa by tonight. JJ, contact the local PD and get us access to the crime scenes. Morgan, start looking into the victimsâ professional historiesâsee if thereâs overlap. Prentiss, work with Garcia to pull any major financial or legal disputes in the last six months. Rossi, coordinate with victim servicesâwe need to talk to the families.â
Everyone moves into action around you, gathering files, pushing back chairs, murmuring in low voices.
Then, Spencer speaks, âYou made the right call.â You glance up to find him watching you, head tilted slightly, something unreadable in his expression.
You swallow. âI hope so.â Because it doesnât feel like the right call. It just feels like the least wrong one.
Spencer studies you for a moment longer, then nods, as if he understands something you havenât said aloud. The decision is made.Â
You catch the guy â youâre with the best team in the world, of course, you do â and subsequently pass the âtestâ JJ posed for you. This is the deal with your professors: aid in exchange for grades. Itâs not totally unheard of, accepting an academy student onto a team for a brief trial to test-run them. Especially a student top of their class like you are.
Whatâs unusual is how long you stay on the team.Â
Itâs long enough to catch more sightings of Spencer, scattered across the building, like watching a dove rest.
You donât mean to linger, but you do. A moment too long, just enough to feel like a pause in a conversation neither of you started. His fingers drum against the ceramic of his mugâquick, controlled, an absent rhythm. You canât help but wonder if he hears the world like that, like patterns waiting to be unraveled. Like music waiting to be played.
You scamper away, like a startled animal, afraid of what the mundane action awakens.Â
You donât have time to be entranced by Spencer Reid. You really, really donât, but you still feel the beginnings of it pool in your belly.Â
\\
 The air in the bullpen is thick with the low hum of voices, the shuffle of papers, the occasional ring of a phone cutting through the din before being silenced by a hurried answer. Stale coffee lingers in the air, curling around the sharper scent of printer ink and the faintest traces of cologne clinging to coats draped over chairs. It smells like exhaustion, like long hours pressed into fabric, like something too lived-in to ever be fully washed away. The air conditioning murmurs somewhere overhead, cooling the space unevenly so that certain corners feel frigid while others remain stubbornly warm, weighted by too many bodies moving too slowly.
You should be focused. You should be finishing the report in front of you, should be paying attention to the pages you keep flipping through but not actually reading. But instead, your gaze drifts, betraying you before you can stop it. Across the room, at the coffee station, Spencer stands with his back to you, one hand in the pocket of his slacks, the other wrapped loosely around a ceramic mug, fingers curled just slightly, resting on the smooth surface in a way that seems absentminded. His thumb moves in slow, methodical circles against the ridges of the cup, a rhythm so small and controlled that you might have missed it if you werenât watching. If you werenât, despite every part of you screaming not to, noticing. The fluorescent lights overhead cast a pale glow over the angles of his face, sharpening the cut of his cheekbones, catching in the strands of his hair that are just slightly disheveled, like heâs run his fingers through them one too many times.
He doesnât look up.
Not at you, not at anyone. His focus is turned inward, lost somewhere else, eyes fixed on the dark surface of his coffee as if heâs reading something in it, tracing the shape of a thought that hasnât yet fully formed. His brow furrows slightly, just enough for you to notice, and then his fingers drum onceâtwiceâagainst the ceramic, a quick tap-tap before stilling again. A habit, you think. A rhythm he follows without meaning to, the kind of movement that comes from a mind that never truly rests.
It is only then, only in the moment before you force yourself to look away, that he lifts his head. Not in your direction, not searching for you, but simply breaking free from whatever thought had been holding him captive. His lips part slightly, as if he might say something, but no sound comes. He just breathes, slow and measured, before lifting the mug to his mouth, taking a small sip, swallowing in a way that seems almost careful, like heâs weighing the warmth of the liquid against the feeling of it settling in his throat. You shouldnât be watching this. Itâs too small, too insignificant, and yet you canât help but be transfixed by the way something as simple as drinking coffee becomes a deliberate act with him.
You realize that youâre still staring but youâre struggling to stop. You need to, you really need to, but the impulse to look at him is strong. Itâs beyond physical attraction â something in him calls to you. A hunger to understand him, to be near him, to listen to him talk. He soothes something inside of you just by existing, piques your interest without trying, captivates your attention and hardly notices.
You tear your gaze away, back to your report, blinking rapidly, but itâs too late. The image of him is already burned into your mind, curling itself around your ribs, slipping into the spaces between thoughts like ink seeping into paper.
You tell yourself itâs nothing.
But you donât look up again.
The scent of rain clings to his clothes when he sits beside you. Not the sharp, metallic bite of a downpour, but the softer, earthier remnants of a drizzle that has already passed, leaving only damp fabric and the faintest trace of petrichor in its wake. His coat is slung over the back of his chair, sleeves still holding the ghost of the movement he made when shrugging it off, the fabric folded in on itself in a way that suggests he hadnât given it much thought before sitting down. He smells like paper and ink, like something faintly sweet beneath itâmaybe cinnamon, maybe something darker, warmer, something that lingers just long enough to make you yearn to lean closer, to breathe in deeply enough to decipher it. You donât, of course. You force yourself to stay still, to keep your eyes on your screen, your hands resting on the keyboard even though you havenât typed anything in at least five minutes.
Spencer doesnât notice. Or if he does, he doesnât say anything.
Instead, he flips open a case file, fingers moving fluidly over the pages, eyes scanning the text with a kind of quiet intensity that makes it look effortless. The silence between you is thick, but not uncomfortable. It is the kind of silence that settles rather than lingers, the kind that feels less like absence and more like something tangible, something with weight, something wet and dripping, something shared. You wonder if he feels it, too.
After a while, he shifts, just slightly, and the movement is enough to break the stillness.
âDid you know,â he says, without preamble, voice smooth and even, âthat the human olfactory system can distinguish over a trillion different scents?â
You blink, glancing at him, and heâs still looking at the file in front of him, fingers tracing the edge of the page like heâs only half-aware that heâs doing it.
âA trillion?â you echo. You hope you hadnât inhaled too deeply when he sat down, pray to a god you donât believe in that you donât smell, start to attempt to calculate the probability of him simply thinking similar thoughts to you about the rain. The roof has been leaking, the scent of the sky is impossible to ignore.Â
His lips twitch slightly, not quite a smile but something close to it. âMost studies used to claim it was around ten thousand, but newer research suggests itâs significantly higher. The brain can recognize scent combinations even in extremely small concentrations, which meansââ
âThat weâre capable of identifying more smells than we ever actually register.â
His head turns slightly toward you, just enough for his eyes to flicker up, catching yours for the briefest second before he nods. âExactly.â
There is something about the way he looks at you in that momentâsomething unreadable, something lingering just beneath the surfaceâthat makes your breath catch in your throat.
You glance away first. Spencer exhales through his nose, quiet, considering. He doesnât continue with the tangent.
But the scent of rain still clings to him, even now. And for some reason, you canât stop thinking about it.
After stretched moments, the scent of rain and dirt and musk and sweet lingering between the two of you while you try your hardest to get actual work done, Spencer clears his throat. âYou know, you have a tell,â he says, voice thoughtful, not teasing.
You turn to him, brow lifting. âA tell?â
âWhenever youâre thinking about something but donât want to say it, you press your thumb to your middle finger. Like youâre holding something between them.â His gaze flickers downward. Sure enough, youâre doing it now.
You exhale, glancing out at the room in front of you. âI didnât realize you paid that much attention.â
Spencer smiles, small and knowing. Nearly sad, it twinges at your heart. The organ aches to leap out of your chest and fall into his hands. âI always do.â
The silence returns, but itâs different now. Heâs looking at you like heâs already memorized the way your hands move, the way your breath catches, the way your thoughts betray themselves in the smallest, most inconsequential gestures. And maybe he has. Maybe you shouldnât be surprised that he sees you so clearly, that he can read the shape of your hesitations as easily as words printed on a page. Itâs his job, of course he does.
The weight of his attention sits heavy on your skin, not uncomfortable but warm, seeping into the spaces between your ribs, something close to reverence but not quite. You donât know what to do with it.
So you do what you always do. You look away.
Itâs nothing more than what heâs trained to do. Youâve noticed his habit of clinking his nails against his coffee mugs. Beyond that, ignoring your fascination with him, you know Hotch only ever sleeps on the plane after a case is solved, never on the way even though the rest of the team will if it's convenient. Emily has a cat that she never talks about, one she methodically lint rolls hair from off of her pants. JJ smoothes her hair when sheâs happy. Morgan flares his nostrils often when heâs tired.
You all notice things, itâs natural. Thereâs nothing more to it than that. Spencer Reid isnât watching you for any reason other than itâs a habit heâs developed to survive, to thrive, in this line of work.Â
The night outside is thick with the slow hush of passing cars, headlights dragging shadows across the pavement, the distant murmur of a city that never quite sleeps. The rain has stopped, but its remnants remain, clinging to the asphalt, to the scent of damp earth rising in waves from the ground, to the fabric of Spencerâs shirt, the faint musk of it curling in the space between you.
You curl your fingers tighter, pressing your thumb to your middle finger again, not even thinking.
Spencerâs breath shifts, barely audible, and when you glance back at him, his eyes are still on your hands, watching, studying, something flickering behind his expressionâsomething unreadable, something you donât think you have the courage to name.
âWhat is it?â He asks instead of taking the leap.Â
âWhat is what?â
He gestures at your hands, veins flexing at the movement. âWhatâre you thinking and not saying?â
You flounder for a moment, lost in what to say. I think youâre beyond attractive, I canât believe youâve been staring at my hands, can you tell how often I stare at your hands, did you know sometimes I fall asleep thinking about you, that I have your smell memorized, that Iâm sure this means nothing and I just admire you as a person and there are definitely no fluttery feeling in my gut begging me to put my mouth on you? Also, do I reak? Are you spewing facts about smells, about something so unavoidable, because your desk is next to mine and Iâm simply putrid?
âIâm allergic to oranges,â you blurt out instead.Â
Spencer seems shocked, blinking at you, mouth slightly open. You can see the pink of his tongue between his teeth, slowly pressing into the bone as he begins to smile, pinching the soft skin there in reflex. You hadnât noticed it in detail before, but you suppose he does that often â bites the tip of his tongue when heâs fighting to keep that full-mouthed smile at bay.Â
âWhat?â
âIâm allergic. And Garcia gives one to me every week and Rossi noticed and assumed I love them so heâs started giving them to me, too, and, well,â you push back your desk chair and pull your drawer open. Orange scent wafts out, perfuming the air and making your nose wrinkle.Â
Sitting in the desk are five oranges, collected over the week, that youâve been waiting on a clear office to throw away.Â
âYouâre kidding!â Spencer cries, peering over your shoulder and snickering. âI thought you loved them, too. You always smell like them.â
âOh, ew.â
Spencer waves you off, plucking the fruit from your desk and cradling them in his arms, âItâs lovely, donât worry. Why didnât you say anything? You could get sick.â
You swallow the lovely comment, feeling it hit the base of your skull and sink into your blood, warming you all the way down. âItâs only a problem if I eat them, nothing happens if they touch me. Shove a slice down my throat, though, and I break out in hives.â
âIâll keep that in mind,â Spencer says, snickering and tossing the oranges away for you.Â
You make it through the rest of the evening. You get back to work. You pretend like none of it happened, like you didnât just let him glimpse a piece of you that you didnât mean to reveal. You tell yourself that itâs fine, that the moment is already dissolving into the rest of the day, folding itself into the pile of interactions that mean nothing, that donât linger.
But later, when youâre in bed, staring up at the ceiling, you realize two things.
OneâSpencer noticed your scent.
And twoâhe thinks itâs lovely.
âYou lied, earlier,â Spencer tells you, hours later in the elevator.Â
âHm?â
âAbout the oranges.â
âDo you want to see a doctors note?â Youâre tired, struggling to remember what heâs talking about. You two are the last in the office usually â youâre just a student and Spencer is vocal about not doing much outside of work.Â
âNo, I believe youâre allergic, itâs just not what you were thinking about.â Heâs leaning against the wall of the elevator, golden hair illuminated by the fluorescent lights. Itâs not the most flattering â the harsh lighting gives him a sickly complexion, deepening the dark circles under his eyes. Frankly, he looks nearly sick.Â
Frankly, he still looks so handsome that you feel slightly overwhelmed with it.Â
You decide to give him a piece of the truth to satiate him, knowing thereâs not much use in lying to a seasoned profiler. Thereâs a reason why heâs only a few years older than you with years more experience under his belt.Â
âYou freaked me out. I was thinking about how you smelled like the rain and cinnamon and then you started talking about smells. I thought I either smelled so bad that you couldnât think of any other way to tell me or you suddenly learned how to read minds.â
Spencer chuckles, motioning forward with his hand as the door opens. You walk forward, keeping your head turned to the side slightly to catch how his eyes crinkle as she smiles. His eyes drift up and then down, a habit he has before he speaks when heâs tired, and then he pushes himself off of the wall to follow you.Â
âI mentioned it because I could smell you, but itâs not bad, I promise.â
âReassuring.â
âIâm telling the truth!â
âSure. Just say I reak and Iâll change my shampoo or something, promise!â
âOh, please donât,â Spencer pleads, laughing. âWhat will I do without your Pantene-y scent filling the office every morning!â
\\
The safe house is supposed to be secure.
Itâs supposed to be a temporary holding place, a nondescript home tucked into a quiet neighborhood just far enough from the city that no one should be looking. The doors are reinforced, the blinds drawn tight, the exits mapped and double-checked. A necessary precaution. A routine assignment. A night of keeping a witness safe until she can testify in the morning.
You tell yourself all of this, but none of it changes the sharp tug of unease curling in your gut.
You donât let it show. Not when you check your watch for the third time in twenty minutes. Not when you shift your stance near the window, your fingers flexing at your sides like your body is already preparing for a fight you havenât seen yet. Not when Spencer, who has spent the better part of the evening reviewing case notes at the kitchen table, finally lifts his head and looks at you like heâs about to ask whatâs wrong.
âNothing,â you say before he can speak.
He doesnât believe you.
He tilts his head, studying you, eyes flickering across your face like he can read the tension there. Maybe he can. Maybe he has been for longer than you realize. You press your thumb to your middle finger, grounding yourself, and Spencer notices that, too.
You roll your eyes as you notice his noticing but say nothing, turning your attention back to the window. The street outside is still. Too still. The kind of silence that doesnât settle right, that carries the weight of something unseen pressing against it. It makes your stomach twist.
Spencer shifts behind you. âThe odds of an actual attack on a safe house are statistically low. Most unsubs wonât risk a direct confrontation in a location they canât control.â
âMost,â you echo.
He hesitates. âThere are exceptions.â
âAnd this feels like an exception.â
Spencer doesnât answer right away, but the flicker in his expression is enough. The same unease thatâs gnawing at you has made its way under his skin, too. He may not operate on instinct the way the others do, may rely on numbers and data and probabilities before action, but he isnât blind to the feeling in the airâthe one that says something is coming.
And then, something does.
The first gunshot cracks through the silence like a splintering branch, tearing the night open. The second follows immediately after, embedding into the window frame centimeters from where you were standing just seconds before. You donât think. You move.
Spencer is already on his feet when you shove him down, his body colliding with yours as the two of you hit the floor. The room erupts into chaosâglass shattering, bullets puncturing drywall, the distant, terrified gasp of the witness as she ducks behind the couch. Your heart pounds, adrenaline splashing hot and fast through your veins as you press against Spencer, shielding as much of him as you can. Heâs speaking, but you barely hear him over the sound of your own pulse roaring in your ears. The ringing of the gunshot so close to your head has left you dizzy and deaf.
âMove!â you manage to shout, grabbing his wrist and pulling him with you, keeping low as another round of gunfire splinters the table where he was sitting just moments before. You donât know how many shooters there are. You donât know where they are. But you know you have to get out.
Spencer doesnât hesitate. His fingers tighten around yours, and together you bolt for the hallway, ducking as another window bursts inward. You shove him ahead of you, searching for cover, for an escape, for anything but the open target the living room has become.
âBasement,â Spencer says, voice sharp, focused. It warbles against your pulsing ears, barely understood. Youâre mostly relying on lip reading and context clues. âWe need to get underground.â
You donât argue. You barely register the movement of your own body as you drag the witness with you, shoving open the basement door and practically throwing Spencer down the stairs before following, slamming it shut just as more bullets spray against the frame. Your breath is ragged, too loud in the thick darkness, the only light coming from the single flickering bulb overhead. The space is small, cluttered with storage boxes and old furniture, but itâs shelter. For now.
Youâre still gripping Spencerâs arm. Hard. You can feel the hammering of his pulse beneath your fingers, mirroring your own. It takes effort to release him, to force your hands to unclench.
He doesnât move away.
The witness is shaking, her breath coming in uneven gasps. Spencer kneels beside her, murmuring something soft, something steadying. You press your back against the door, listening for movement above, trying to piece together a plan while your body still thrums with leftover adrenaline.
Spencer looks up at you. His eyes are dark in the dim light, sharp with something between urgency and something else, something you donât have time to name.
âTheyâll breach soon,â he says, quiet but certain.
You nod, swallowing hard. The air is thick. The scent of dust and damp wood clings to it, mixing with the faint trace of Spencerâs cologne, something warm and familiar despite the chaos above. You focus on it, on the grounding presence of him beside you, close enough that you could reach out and touch the fabric of his shirt if you wanted to.
You donât.
You grip your gun tighter.
âThen we make sure weâre ready.â
Spencer exhales through his nose, slow and deliberate, and shifts closer, just slightly, his shoulder brushing against yours. The contact is brief but solid, enough to remind you that heâs here, that heâs real, that this isnât just a moment suspended in panic but something unfolding, something with weight.
The witness sniffles, drawing both of your attention back. Spencer softens his voice, murmuring reassurances, quiet, steady things meant to anchor her. You keep your focus on the door, ears tuned to the movements above, but some part of you latches onto his words, the cadence of them, the way they smooth over the jagged edges of the moment.
Another creak from upstairs. A shuffle of movement. Your fingers flex around your gun. Spencer glances at you again, expression unreadable in the dim light, but his meaning is clear.
Hold.
Wait.
And when the moment comes, move together.
Then the door bursts inward, and everything moves at once. Gunfire explodes, too close, too loud. You fire off two rounds before a sharp pain sears through your side, white-hot and immediate. The impact sends you stumbling back against the cold concrete floor, breath catching as a wave of dizziness threatens to pull you under.
Spencer is there before you even register falling. His hands are on you, pressing against the wound, urgent and shaking, his breath coming fast.
âYouâre hit,â he says, voice tight, edged with something near panic.
You grit your teeth. âI noticed.â
Spencer doesnât laugh. He just presses harder, trying to slow the bleeding, his fingers slick with warmth that doesnât belong to him. He glances up, scanning the dark corners of the basement, the outline of the intruder slumping forward as your shots take effect. The danger isnât over, not yet, but Spencer isnât moving away from you.
âYouâll be fine,â he mutters, more to himself than you.
You try for a smirk but only manage a wince. âWorried about me, Reid?â
His jaw tightens. âAlways.â
A crash echoes upstairs, heavy footsteps pounding against the floor. Reinforcements. You and Spencer exchange a glance, unspoken understanding passing between you. You both know that staying here is no longer an option.
Spencer shifts, keeping one hand pressed against your wound while the other reaches for the gun at his side. âWe need to move.â
The witness, still trembling in the corner, looks between you both with wide, terrified eyes. âWhat do we do?â
You grit your teeth, swallowing the pain threatening to pull you under. âThereâs a cellar door. Side of the house.â
Spencer nods sharply, adjusting his grip. âWe go now.â
He helps you up, his arm sliding under yours, bracing you against him. The movement sends fire through your side, but thereâs no time to dwell on it. The sound of approaching footsteps upstairs is growing louder, more deliberate. Whoever is coming isnât planning to leave survivors.
The three of you move as quickly as you can, Spencer leading the way with his gun raised, the witness keeping close behind. The basement door groans on its hinges as you push through, emerging into the damp night air. The rain has started again, a fine mist clinging to your skin as you stumble forward.
Headlights slice through the darkness just as the first gunshot erupts behind you. Spencer pulls you down, shielding you as best he can while the FBI-issued SUV skids to a stop at the curb. The doors burst open, Morgan and Hotch emerging with their weapons drawn.
âSheâs hit!â Spencer shouts, his grip on you tightening as the gunfire continues behind you.
Morgan doesnât hesitate. He returns fire, his stance steady, controlled. Hotch moves to cover you and the witness, his eyes sweeping over your injury before snapping back to the fight. âGet her in the car!â he orders.
Spencer doesnât wait. He all but lifts you into the backseat, the witness scrambling in after you. You can feel how his muscles strain to lift you, flexing and rolling as he lifts you as carefully as possible, refusing to allow you to help. The slam of the door barely muffles the chaos outside. Your breath comes in shallow gasps, the weight of adrenaline keeping you upright.It takes your swimming mind time to process that Spencer is curling the van instead of allowing you to move over. You should protest but your mind continues to jump around, straining to pay attention to the scene outside. Have they caught him? The witness is safe, sheâs sobbing beside you, but is the rest of the team?
Then the passenger door swings open, and Spencer climbs in beside you. Heâs breathing hard, his knuckles white where they grip his gun, but his eyes are locked on yours. âYou still with me?â
You nod, though exhaustion is dragging at your limbs, pulling you under. âStill here.â
His shoulders sag, just slightly. âGood.â
Morgan jumps into the driver's seat and peels away from the curb, tires screeching against wet pavement. You glance out the window just in time to see Hotch and the rest of the team securing the scene, the last of the gunfire fading into the distance.
Spencer exhales, finally lowering his weapon, and turns back to you. âLetâs get you home.â
\\
The jet hums beneath you, a steady vibration you feel in your bones. Most of the team is asleep, exhaustion weighing heavy after the mission. The overhead lights are dimmed, casting the cabin in soft shadows. You should be asleep, too, but the throbbing ache in your side keeps you from finding rest.
Spencer hasnât left your side. He sits next to you, his book open but untouched, his fingers drumming against the cover in restless patterns. Every so often, you catch him glancing at you, eyes flicking toward your face, your side, your hands.
âYouâre staring,â you murmur, not opening your eyes.
Spencer shifts. âIâm not.â
You crack an eye open, giving him a pointed look. âReid.â
He presses his lips together. âIâm just⌠observing.â
You huff a quiet laugh, shifting slightly, wincing at the sharp pull of your injury. Spencer moves before you can stop him, adjusting the blanket draped over you, tucking it carefully around your shoulders. His touch is light, careful.
âYou lost a lot of blood,â he says, voice soft but firm. âAnd, statistically, someone in your condition should be experiencing lightheadedness, muscle fatigue, and an increased need for rest. Your body is trying to compensate for the blood loss by increasing your heart rate, which is why youâre still feeling so warm despite the cabin temperature being nearly ten degrees lower than standard room temperature.â
You blink at him, half amused, half exhausted. âYou always talk this much when youâre worried?â
Spencer huffs. âIâm not worried.â
âYouâre quoting medical statistics at me, Reid.â
He shifts uncomfortably but doesnât argue. âI just think you should be resting.â
âThen stop talking and let me sleep.â
A pause. Then, almost reluctantly, he nods. âRight. Okay.â
You sigh, closing your eyes, exhaustion creeping in. Just as your body starts to go heavy with sleep, you feel movement beside youâthe soft rustle of fabric. Something warm drapes over your shoulders, heavier than the blanket.
You crack an eye open and see Spencer shrugging out of his jacket, carefully settling it around you.
âSpenceââ you start, but he shakes his head.
âJust sleep,â he murmurs, voice softer now. âYou need it.â
You donât argue. The warmth of his jacket, the steady hum of the jet, and the quiet presence of Spencer beside you lull you under.
The last thing you hear before sleep takes over is the sound of him turning another pageânot reading, just waiting.
\\
The bullpen is buzzing with the familiar hum of keyboards clacking, quiet conversations murmuring through the space, and the occasional scrape of a chair against the floor. Itâs one of those rare in-between daysâno pressing cases, no jet waiting on the tarmac, just paperwork and coffee refills. A brief, deceptive calm before the inevitable storm.
Youâre at your desk, fingers drumming absently against a stack of reports youâve been meaning to go through for the past half hour. You should be working, but your attention keeps driftingâparticularly to the desk across from yours, where Spencer is deep in thought, a book propped open against his keyboard. Heâs not even pretending to do his paperwork.
You tilt your head, watching him for a beat. His lips move slightly as he reads, fingers tapping a rhythm on his desk, entirely lost in whatever tangent heâs found himself in. You fight a giggle.
âShould I be concerned that youâve been staring at that same page for the last fifteen minutes?â
Spencer blinks, snapping out of his reverie. He looks at you, then down at his book, then back at you, brow furrowing like heâs just realized heâs been caught.
âI wasnâtâI mean, I was reading. But I was also thinking.â
You raise an eyebrow. âAbout?â
He hesitates, glancing toward his book as if debating whether to explain. Then, with a small sigh, he leans back in his chair, pushing his hair out of his face. âDid you know that the average person speaks about sixteen thousand words per day? But in reality, most of our daily conversations are filled with repetition, small talk, and pleasantries that donât contribute much meaningful information.â
You blink at him. âSo, what, youâre saying we all talk too much?â
His lips twitch. âNot exactly. Just that⌠statistically, most conversations are redundant. People say the same things over and over again, sometimes just for the sake of filling silence.â
You smirk. âAnd yet, youâre one of the most talkative people I know.â
Spencer narrows his eyes, but thereâs amusement flickering there. âThatâs different. I provide new information.â
You hum, pretending to consider that. âDebatable.â The joke dances on your tongue and you see the edge of a smile fight to peel its way across his cheeks.
Before he can argue, a coffee cup appears in your peripheral vision, and you glance up to see JJ setting it on your desk with a knowing smile. âFlirting through statistics again?â she teases before apologetically placing another file on your desk next to the coffee-offering and walking off.
Spencer clears his throat, suddenly very interested in his book again, while you just chuckle, lifting the cup in silent thanks, adding the case to your impending pile.
âFace it, Reid,â you say, taking a sip. âYou talk a lot. Donât worry, itâs endearing.â
He exhales, shaking his head, but thereâs the hint of a smile playing at his lips. âYouâre impossible.â
You grin. âAnd yet, youâre still talking to me.â
You turn back to your work, flipping through the pages stuck in your folder. You werenât on the assignment youâre tasked with processing, the curse of being lowest on the totem pole, but the case is interesting enough. Still, you find your eyes skimming, fingers tapping on the desk.Â
âNow whoâs zoning out?â Spencer asks. When you look up, heâs smiling at you.
âSorry, I was just wondering. Were you saying that because you feel like our conversations are actually redundant?â
Spencer tilts his head, considering. âNo. If anything, our conversations are anomalous.â
You arch a brow. âAnomalous?â
âYes.â He shifts in his seat, leaning slightly toward you. âMost daily conversations consist of formulaic exchangesâsmall talk, routine inquiries, expected responses. But ours deviate. We donât follow typical social scripts.â
You take another sip of coffee, fighting a grin. âSo what youâre saying is⌠weâre special? Different? Not like other coworkers?â
Spencer huffs, clearly trying to fight back a smile of his own. âStatistically speaking, yes.â
You hum thoughtfully. âThatâs a very fancy way of admitting you enjoy talking to me.â
Spencer opens his mouth, then closes it, before finally shaking his head. âYouâre impossible.â
You smirk, leaning back in your chair. âYou already said that.â
âIâm repeating myself,â he says, deadpan. âWhich, as I previously stated, most people do without realizing.â
You burst into laughter, shaking your head. âSee? Redundant.â
Spencer exhales, feigning exasperation, but you catch the way his lips twitch, like heâs barely containing his amusement. He glances down at his book again, but itâs obvious heâs no longer reading. Instead, his fingers tap absently against the desk, his gaze drifting back to you as if heâs waiting for whatever youâll say next.
After a beat, you shift slightly in your chair, hesitating before asking, âIf most conversations are menial and redundant, is there anything youâd actually like to know about me?â
Spencerâs fingers stop tapping. His head tilts slightly, eyes brightening with interest. âYes.â
You blink, caught off guard by his immediate answer. âOh. Okay.â
He leans forward, forearms resting on his desk. âWhatâs your favorite color?â
The question is so simple, so unexpected, that you laugh softly. âThatâs what you want to know?â
He shrugs. âI like colors. Theyâre associated with memory and emotion. The colors we gravitate toward can tell a lot about how we perceive the world.â
You consider it. âHm. Blue, I think. The kind of blue right before the sun sets.â
Spencerâs lips twitch, like heâs cataloging that information for later. âThat makes sense.â
You raise a brow. âAnd yours?â
âYellow,â he says easily. âStatistically, itâs associated with intelligence and optimism. But mostly, I just like how warm it feels.â
You nod, smiling. âThat checks out.â
Spencer watches you for a beat before continuing, âDo you like to cook?â
âI can cook,â you say hesitantly. âDo I enjoy it? Debatable.â
His eyes crinkle at the corners. âSo, a reluctant chef.â
âMore like a survivalist cook,â you amend. âYou?â
âI actually do like cooking. Itâs methodical. Precise.â
You snort. âOf course, youâd say that.â
His lips twitch again. âWhat about books? Do you read for fun, or do you avoid it since we deal with enough research at work?â
You glance at the stack of case files on your desk before meeting his gaze. âI do read. But nothing⌠analytical. I like stories. Ones that pull you out of reality.â
Spencer hums, clearly pleased by that. âEscapism.â
âSomething like that. What about you?â
âIâm currently translating a Russian novel written in the 16th century.â
âAh. So you research at work and at home.â
Spencer hums, tilting his head to the side. âNo, I think itâs still escapism. Itâs something to focus on that takes just enough of my focus that I can let the world fade away. General novels donât do enough to âpull me out of reality.ââ
Your conversation continues, the questions growing deeperâfavorite childhood memory, biggest irrational fear, if you believe in fate. The air between you shifts, still lighthearted but threaded with something more thoughtful, something lingering. Neither of you notice how much time has passed, how the rest of the bullpen has faded into the background. Neither of you seem to mind.
âAre you two actually planning on doing work today, or just nerding out over here?â Morgan saunters over, arms crossed, a teasing grin plastered across his face. âSeriously, I donât think Iâve ever seen two people more excited to talk about words.â
You roll your eyes but play along immediately, sitting up straighter. âWeâre conducting an in-depth analysis of human conversation patterns, actually. Very important work.â
Spencer nods solemnly. âItâs a highly valuable study in linguistic redundancy.â
Morgan snorts. âRight. And how many case files have you two managed to process between all this very valuable research?â
You glance at the untouched stack of paperwork on your desk. âDefine âprocess.ââ
Morgan barks out a laugh, shaking his head. âUnbelievable. Youâre really letting him rub off on you, huh?â
Your grin falters, just slightly, something warm settling in your chest at the thought. You donât want to just be letting it happenâyou want to belong here, to be part of this team in every way that matters. And for the first time, it feels like maybe you already do.
Later that evening, Rossi hosts a team dinner at his house, a tradition that has somehow become a staple among the group. His kitchen is full of the warm scent of garlic and herbs, the clinking of dishes, the comfortable laughter of people who have seen the worst parts of the world together and still choose to sit at the same table.
When you arrive, the house is already brimming with conversation. Morgan greets you first, throwing an arm around your shoulders with an easy grin. "Look who finally decided to show up. We thought you might be hiding out, avoiding us."
You roll your eyes. "As if I could ever avoid all this chaos."
"Chaos?" JJ chimes in, nudging you playfully as she passes by with three drinks balanced between her two hands. "This is tradition."
Emily smirks, leaning against the counter as she sips her wine. "Some traditions involve singing. Others involve roasting marshmallows. Ours? A fine mix of sarcasm and psychological analysis."
âAnd food,â Rossi interrupts.
"And some of us even make an effort to discuss more elevated topics," Spencer adds, stepping into the kitchen with a book tucked under his arm.
Morgan groans. "Oh God, donât tell me you brought a book to dinner."
"Itâs not for dinner," Spencer says, offended. "Itâs just something I was reading earlier. Did you know that communal meals have historically played a significant role in human bonding? Anthropologists argue that the act of sharing food helped shape early societal structures, reinforcing a sense of trust and cooperation."
You smile, all warm edges and fuzzy thoughts. "So what you're saying is, this dinner is historically significant?"
Spencer nods, pleased. "Exactly."
Morgan shakes his head. "Yeah, alright, professor. How about instead of a lecture, you help set the table?"
Rossi moves through the kitchen with practiced ease, stirring sauces and pulling fresh bread from the oven, effortlessly hosting while still engaging in every conversation. He waves you over at one point, nudging a wine bottle toward you. "Since you brought such a good one last time, how about you do the honors?"
You take the bottle from him, grateful for something to do, something to focus on besides the bubbling warmth of the evening settling under your skin. As you work the cork from the bottle, Spencer sidles up beside you, watching with quiet amusement.
"You know," he starts, "thereâs actually a method to opening wine that prevents cork residue from contaminating the liquid."
You glance up at him with a self-conscious smile. "Is that your way of telling me Iâm doing it wrong?"
His lips twitch, a near-smile. "Not wrong. Just⌠suboptimal."
You roll your eyes, finally freeing the cork and handing him the bottle. "Then, by all means, Dr. Reid, show me the optimal way."
Spencer takes the bottle, hands brushing against yours. You find yourself still looking up at him for a moment, fingers gently touching, a moment collapsing into itself. You watch as his pupils dilate, slightly, a normal reaction to eye contact and nothing further (a notion your body refuses to acknowledge, filled with the silly idea that maybe itâs attraction pushing his eyes open further to observe more of you). His mouth opens, ready to explain what heâs doing. But, before he can launch into an explanation, Morganâs voice carries across the room. "Oh great, the nerds found each other again. Should we all just clear out and let you guys talk statistics over dinner?"
Emily snorts from where sheâs leaning against the counter, sipping her drink. "Honestly, Iâd pay to watch that."
You play along easily, shaking your head in faux exasperation. "We were having a very riveting discussion about wine physics, actually. Life-altering shit."
Morgan grins. "Yeah, I bet. Whatâs next, the molecular breakdown of garlic bread?"
Spencer straightens slightly. "Actuallyâ"
You elbow him lightly before he can get started, and his mouth snaps shut. Itâs the smallest moment, but it sends a ripple of warmth through youâthis unspoken understanding, the ease of teasing him without making him feel small.
Youâve noticed before when the gentle teasing goes too far. When the team pushes a bit too much, makes him feel like a burden instead of a fountain of knowledge. The painful edge of it digs into your stomach more often than you would care to admit. A significant amount of your energy when talking to Spencer is spent toeing that line. You canât help but tease but you never want to make him feel like his interests and knowledge are a burden.
Rossi chuckles, setting a tray of pasta on the counter. "Alright, everyone, grab a plate before the food gets cold."
The group disperses into easy movement, laughter trailing behind as plates are filled and seats are taken around the long wooden dining table. You settle beside Spencer again, your knees brushing under the table. The proximity is unintentional, but you donât move away, and neither does he.
The meal is indulgent, the flavors rich and familiar, but itâs not the food that lingersâitâs the feeling. The warmth of being gathered around this table, among these people, feels sacred in a way youâre not sure youâve ever experienced before. Like communion, like breaking bread with disciples who have seen you bleed and stayed anyway. You wonder if Spencer feels it, too, if he sees the holiness in shared meals and easy laughter, in the way the team fills the spaces between each other like stained glass fitted carefully into its frame.
You and this team have been through so much together â the rest more than you. The past months shadowing the team have been insightful, exciting, and have done more than anything else to solidify that this is what you want to be doing with your career. Beyond that, the time has been tough. Your grit, your ability to persevere and persist, and your skills, have been tested day beyond day.Â
Beyond the toughness though, youâve found a home. Community. Family. You see through their exteriors to admire them, the people around you. Itâs more than you could have ever thought it to be, this life. Before this, youâve been floating. Drifting through life, living for exams and physicals and finals. Studying, working for a result you were unfamiliar with. Now, though, the taste of the life youâve ground yourself to the bone for glistening on the tip of your tongue, youâre hungry. Starving for life to continue, salivating at the mouth for any and all opportunities to stay here, in this moment, with the team.Â
Conversations flow freely around you, a mix of teasing and genuine storytelling, warmth curling in your chest as you sip your wine and let yourself exist in this moment. Spencer doesnât talk much, but he listensâreally listensâhis attention flickering between the voices around the table, occasionally back to you.
At one point, Rossi taps his glass, drawing attention. "Since weâve got everyone here tonight, Iâd like to make a toast. To this team, to good food, and to the fact that somehow, against all odds, we manage to stay sane."
A chorus of laughter follows, glasses raised and clinking together. You catch Spencer watching you again over the rim of his glass, something unreadable in his gaze. Not quite curiosity, not quite something else. Whatever it is, it lingers between you like the space between notes in a songâpresent, felt, but not yet fully realized.
You take another sip of wine, and the flavor sits heavy on your tongue, tart and deep, reminiscent of something older than yourself. You wonder if this is what devotion feels likeâlingering in a moment you donât want to leave, knowing that if you close your eyes, youâll still hear the echoes of this laughter in your bones.
Spencer shifts beside you, his knee pressing just a little more firmly against yours. He doesnât look away this time. And for the first time, you let yourself believe that maybe, just maybe, this is where you belong.
\\
It starts over coffee, late in the afternoon when the sky has begun its slow descent into gold. The cafĂŠ is small, tucked between a used bookstore and a florist, the kind of place that smells like roasted beans and cinnamon, where the music is just quiet enough to let conversation breathe. You meet there often, sometimes after work, sometimes on weekends when neither of you have anywhere urgent to be. It feels like neutral groundâsafe, familiar, but tonight, something feels different.
Spencer is fidgeting.
His fingers curl and uncurl around his coffee cup, tracing patterns in the ceramic like heâs working up to something. His gaze flickers to the window, the steam curling from his drink, your hands resting on the table. Anywhere but your face.
You sip your drink slowly, watching him with quiet apprehension. âYou look like youâre debating something incredibly complicated.â
He huffs a breath, almost a laugh, but it doesnât quite land. âI am.â
âMust be serious, then.â
âIt is.â He shifts, finallyâfinallyâmeets your gaze, something fragile and certain flickering in the warm depths of his eyes. âWould youââ he stops, swallows, starts again. âWould you want to go to dinner with me?â
The words settle between you, weighty but delicate, like something precious placed carefully in waiting hands. You can see the way he braces for impact, his fingers tightening around his cup, his breath just a little too still.
You tilt your head, letting the moment stretch, just to watch him squirm. Then, softly, âIn what way? A date?â
You are hesitant, voice barely audible. Youâre scared to ask, feeling childish, the words tasting forbiddenly sweet on your lips. You tell yourself you canât have been imagining everything between you two the past weeks â months, even. The lingering touches, the connection that sits at the base of your spine and ignites you with something far beyond holiness.Â
Spencer watches you for a moment before ducking his head. He looks shy, uncertain. âIf thatâs okay, yes.â
The words hit you in the center of your chest. Youâre certain youâve heard wrong for a full second, sure that he couldnât possibly be confirming your wildest dreams.Â
âI would really like that.â
His shoulders loosen, just slightly. Relief unwinds in the smallest of waysâthe way his fingers flex, the subtle shift in his posture. He nods, barely, taking a slow sip of his coffee like he needs to ground himself against the movement.
You donât miss the small, pleased smile he hides behind the rim of his cup.
\\
The evening of the date arrives, and your apartment is a disaster zone.
Clothes are strewn across your bed in varying states of rejection, your closet door hanging half-open as if it, too, is exhausted from your indecision. You tell yourself itâs not nervesâitâs just a normal dinner, just Spencerâbut your pulse betrays you, humming under your skin like an electric current.
You tug at the hem of your sweater, second-guessing, then third-guessing, your reflection offering no clarity. A date. The word itself feels foreign on your tongue, weighty in your mind. The possibility of something more, something unknown, something irreversibleâ
Then, the knock at your door.
You exhale sharply, pressing your hands against your thighs like itâll steady you, before crossing the room. You hesitate for just a moment, long enough to gather breath, then open it.
Spencer stands there, scarf wrapped around his neck, cheeks flushed from the cold. Heâs holding flowers, wrapped in delicate brown paper, not random but deliberate, purposeful. His fingers tighten around them as his lips part, ready to explain, but you reach out first, brushing your fingers over the petals.
âTheyâre beautiful.â
His gaze flickers to yours, searching. âThey, uh⌠they all have different meanings. I can tell you, if you want.â
Your chest feels warm, full. âIâd like that.â
He nods once, clearing his throat. âWell, the blue cornflowersâthey mean âhope in love,â and the lavender represents devotion. And the ivy, thatâs for fidelity, and umââ he stops, shifting awkwardlyââI wanted it to mean something. To you.â
Your fingers tighten just slightly around the bouquet, breath catching.
âIt does.â
The drive to the restaurant is wrapped in quiet conversation, the kind that feels like warmth on a winter evening. Spencer talksâof course he talksâhis voice weaving through facts about the historical significance of first dates, how certain cultures believed that sharing a meal was an intimate ritual, a way of binding souls together.
âYouâre romanticizing it,â you tease, studying the way the streetlights paint fleeting golden patterns across his profile.
He huffs a soft laugh. âItâs just history.â
âHistory can be romantic.â
He glances at you then, something unreadable settling in his features. âI suppose it can.â
You watch him as he drivesâthe way his fingers flex against the wheel, the small furrow between his brows when he concentrates. Thereâs something in the ease of this, in the soft lull of conversation and the quiet hum of the road beneath you, that feels like itâs teetering on the edge of something significant.
When you arrive, he moves to open your door but nearly smacks you in the face in his haste. He freezes, mortified, clears his throat. âSorry.â
You bite back a laugh. âItâs okay. I appreciate the effort.â
The restaurant is intimate, the kind of place that makes everything feel softerâlow candlelight, warm wood paneling, the steady murmur of quiet conversation. A flickering candle sits at the center of your table, casting shifting patterns along the surface, making everything feel just a little dreamlike, just a little surreal.
Spencer shifts in his seat, his fingers tapping once against the table before stilling. He exhales a quiet laugh. âThis is⌠nice.â
You nod, the candlelight catching in his eyes. âYeah. It is.â
The menu is filled with dishes just unfamiliar enough to make you both pause, debating choices. Spencer, of course, has read about half of them before.
âYou know, the origins of risotto actually trace back to the Middle Ages. It was influenced by Arabic rice cultivation techniques brought to Sicily, andââ he stops himself, clearing his throat. âSorry. I can, uh, get carried away.â
You shake your head, smiling. âI like when you get carried away.â
His gaze lingers, just a second too long.
The night stretches in slow, golden increments, conversation winding through shared stories, quiet laughter, the clink of silverware against plates. He tells you about childhood books that meant something to him, you tell him about the first time you realized you loved what you do. The space between you narrows, not in distance, but in something deeper, something quieter.
And then it happens.
The realization strikes like a bolt of lightning, sharp and electric. You want to kiss him. It isnât a slow realization, isnât something that builds over timeâit hits all at once, undeniable.
The candlelight flickers, catching the sharp cut of his jaw, the way his lips move around words. His fingers curl around his coffee cup, knuckles flexing. Something about it feels holy.
You realize, suddenly, that youâre staring. That youâre leaning in.
Spencer pauses mid-sentence, blinking at you. âWhat?â
You exhale, a slow smile tugging at your lips. âNothing.â
He watches you for a beat longer, his gaze searching, curious, like heâs trying to decipher something just out of reach. The air between you thickens, humming with something unspoken, something waiting.
But he doesnât press. Instead, he picks up his coffee again, takes a slow sip, and when he speaks next, itâs with the same easy rhythm as before.
And you let yourself sink into it, into him, into the quiet certainty of being here, together.
\\
The knock comes late. Too late for pleasantries, too late for anything but something raw, something that has been waiting to surface.
You arenât asleep. Havenât even tried. The air in your apartment feels too thick, the weight of the last case pressing into the spaces between your ribs, making every breath feel just a little too shallow. So when the knock sounds again, quieter this time but insistent, you already know who it is before you even reach for the door.
Spencer stands on the other side, hands buried in his pockets, his shoulders hunched like heâs been standing there for too long, debating whether or not to knock again. The dim hallway lighting casts shadows under his eyes, exhaustion lining his face, but thereâs something else, tooâsomething hesitant, something that flickers behind his expression like a barely-contained thought.
âSpencer?â you ask, brow furrowing.
He exhales, slow, measured, the way he does when heâs trying to pick the right words before speaking. âIââ He hesitates, shakes his head. âI donât know why Iâm here.â
A lie. You see it in the way his fingers twitch, in the way his breath stumbles. You see it in the way his eyes donât quite meet yours, how they flicker toward your shoulder, your collarbone, before darting away again, like heâs afraid of being caught.
You step aside, let him in.
The silence between you stretches, thick and heavy, but not uncomfortable. It settles, wraps around you both as he moves past you, as he lingers near the kitchen counter without quite leaning against it, as you close the door and turn to face him.
You should say something. Should ask him why heâs here, why he looks like heâs spent hours convincing himself not to be. But the words donât come. They tangle in your throat, unwilling to break the moment that is already unraveling between you.
Instead, itâs him who speaks first.
âI think about you.â
The words are soft, careful, but steady. Not a confession, not quite, but something close. Something that shifts the air between you, makes it sharper, makes it real.
You inhale, slow, deliberate, but it doesnât steady you the way you hope it will. Your pulse jumps, a small stutter beneath fragile skin, and you know he sees it, knows heâs cataloging it the way he does everything.
Spencer exhales, a quiet, disbelieving laugh escaping him, and when he finally looks at you, really looks at you, thereâs something unguarded in his gaze. âI think about you all the time.â
You watch as he sways slightly, like heâs resisting the pull, like gravity itself is urging him closer.
And then he stops resisting.
He moves carefully, like heâs giving you space to step back, to stop him, but you donât. You stay rooted where you stand, watching as his hands hover at your sides, reverent, hesitant. His fingers flex once, a brief curl like heâs debating whether or not to touch you, whether or not to let himself have this.
âTell me to stop,â he murmurs, barely more than a breath.
You donât.
Instead, you reach for him first.
Your fingers brush against his wrist, a featherlight touch, tentative, but itâs enough. Enough for him to let out a slow, shaky breath, enough for him to tilt his head, just slightly, enough for his handsâhovering, waitingâto finally settle at your waist. His touch is a whisper of warmth, hesitant, reverent, the weight of it barely there as if afraid that pressing too hard will shatter whatever fragile thing exists between you in this moment.
His skin is fever-warm beneath your fingertips, the heat of him bleeding through the fabric of his sleeves, seeping into your own. The air between you hums, thick with something unspoken, a tension so finely drawn it feels like it might snap at the slightest movement. You donât know who moves first. Maybe itâs him, maybe itâs you, maybe itâs the inevitable force that has been pulling you together for longer than either of you has been willing to admit. But suddenly, impossibly, there is no more space left to close.
He is close. Close enough that you can see the flicker of uncertainty in his gaze, the way his pupils darken like ink spilling into warm honey. Close enough that you can feel the tremor in his fingers where they rest against you, like heâs bracing himself against something too big to name. Close enough that his breathâuneven, shallow, shakingâghosts across your cheek, the warmth of it sinking into your skin like an imprint that will never leave. His fingers flexâbarely, just a littleâbut the movement is enough to send a ripple down your spine, enough to make your stomach dip like a held note in a song unfinished.
He exhales again, something like a laugh but softer, more fragile, like he canât quite believe this is happening. Like he is standing at the edge of something vast and unknown, and for once in his life, he is hesitating.
âI donât know how to do this,â he admits, voice barely above a whisper, almost swallowed by the quiet between you.
You smile, small and real, the kind of smile meant only for him. âMe either.â
Spencer swallows hard, his throat bobbing. His gaze dropsâto your lips, flickers back to your eyesâsearching, waiting, still holding himself back. The space between you crackles with electricity, the kind that comes before a storm, before the sky splits open and the world drowns in something relentless, inescapable.
You make the choice for him.
You lift your chin just slightly, tilt forward just enough, and thatâs all it takes.
The first touch of his mouth to yours is hesitant, uncertain, the kind of kiss that feels like a question. A quiet, careful can I? rather than I will. His lips are warm, softer than you imagined, and his breath stumbles against yours as he presses just a little closer, as if afraid you might pull away. You feel it the moment something in him gives way, the moment the tension in his body unwinds and he stops second-guessing himself and simply lets go.
His fingers tighten at your waist, just barely, but enough to make you shiver. His other hand drifts, fingertips skimming up the curve of your spine like a whisper of a prayer, settling lightly at the back of your neck, a delicate anchor. He kisses you like heâs memorizing the shape of it, like heâs afraid heâll forget how you fit against him if he doesnât take his time.
He tastes like coffee, like exhaustion, like something sweeter underneath it all, something uniquely him. You drink him in, slow, deliberate, every second stretched thin and precious. The world has narrowed to thisâhis breath, his touch, the way he exhales so quietly when you sigh against his lips.
And then he pulls you closer, deepening it just slightly, just enough to steal whatever air was left between you.
When you part, neither of you move away. Your foreheads rest together, breaths mingling, still wrapped in the hush of the moment, still holding on, just for a little longer.
Spencer exhales, barely more than a whisper. âI donât want this to be a mistake.â
You press your fingers against the back of his hand, grounding. âItâs not.â
Something eases in his expression. He nods, just once, before his fingers trace lightly over your jaw, tilting your face back up toward his.
And then, he kisses you again.
#bubbs.writes#criminal minds#cm#x reader#spencer reid#fluff#criminal minds x reader#spencer reid x reader#reid x reader#fem!reader#spencer reid x rem!reader#spencer reid fanfiction#dr spencer reid#bau team#criminal minds fanfiction#dr reid#doctor spencer reid#fluff and angst#mutual pining#cannon typical violence#mentions of blood#mentions of injuries#mentions of injury#cw: guns
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A Time To Heal: Leonard McCoy x Reader
Note: This is a sequel to A Time To Hurt. I couldnât leave them apart, so I wrote this one.
Three years after you left the Enterprise, youâd worked your way up to Commander and were thriving in your post on your new ship, the Bradford, exploring new worlds and learning about fascinating rocks and minerals. Youâd tried dating again, but each time quickly fizzled out and you realized you werenât ready, so you gave up the attempt. You thought about Leonard every so often, wondering how he was and if he still jabbed Jim with hypos and griped about bleeding eyeballs.
Once in a while, youâd have a vivid dream about him and his gorgeous eyes and gentle hands and wake up sad all over again. You hadnât heard from him since youâd left, so you assumed heâd probably moved on by now.
And then all hell broke loose. The Bradford was attacked by pirates and sustained heavy damage and casualties, including your captain. Thrust into the chair, you did your best to keep calm even as the hits kept coming and the shields were damaged. You barely had time to send out a call to Starfleet for help between shots. Two of the pirate ships were destroyed, but the other two disabled your engines, leaving you sitting ducks. It wasnât fair, you thought wildly.
Just as it looked hopeless, the remaining pirate ships were blown to smithereens by a rapidly approaching ship and the remaining bridge crew cheered tiredly.
âWeâre being hailed!â announced the comms officer. His face was bruised and his arm was in a sling, but he was the most functional of all the others.
âPut them on screen,â you said. A second later, the famous face of Jim Kirk was looking at you and you could have cried for joy. It was the Enterprise that had come to your rescue.
âThis is Captain James Kirk of the USS Enterprise. What is your status?â he asked.
âI am acting captain Y/L/N and our engines are crippled, shields are less than forty percent and we sustained significant casualties. I couldnât be happier to see you, Jim.â
Jim started as he recognized you.
âLong time no see, Y/N. Howâs your captain?â
You swallowed hard.
âIâm afraid Captain Stokes was one of the casualties, sir. As First Officer, I got the gig.â
You grimaced.
âSorry to hear that, Y/N. He was a good man,â Jim said soberly. âWhere do you need the most help right now?â
âWhere do I start?â You gestured wildly at the battered bridge crew.
âMedbay is overwhelmed right now and engineering could definitely use help,â you told him. âTo quote a certain southern doctor, Space is disease and danger wrapped in darkness and silence.â
Jim grinned at you.
âSit tight, Y/N, weâll send over some reinforcements in a little bit.â
âThanks, Jim,â you said gratefully. âThat was quite an entrance, by the way.â
A few minutes later, three people beamed onto your bridge. You tried to get up from the chair out of respect for Jim, but sank back after a burst of pain from your injured leg. In the adrenaline of the moment, youâd almost forgotten about it.
âSorry,â you apologized through gritted teeth. âIâd stand up, but my leg objects.â
A blue shirted figure was instantly in front of you, kneeling to take a look at your leg. You blinked away a few tears. There he was: your ex-boyfriend and forever favorite doctor.
âHi, Len,â you said softly.
âHey, Commander,â he returned. âSee youâre climbing the ladder.â
He didnât look freaked out by seeing you, so you allowed yourself to relax a bit.
âUgh. Thatâs what I get for being too good at my job,â you sighed. âIâm much happier studying rocks than trying to outthink space pirates. I donât know how Jim does it.â
âMe neither,â Len agreed. âYouâre going to need some stitches, Iâm afraid. This is a pretty deep gash.â
âThatâs what I thought,â you sighed. âItâs been all chaos. They were out for blood and they got it.â
You shuddered at the bad memories that would haunt you for a long time.
âOh, hey, Scotty!â you greeted the third figure, who was currently looking aghast at the damaged bridge.
âHey, Y/N! Good to see you, though Iâm sorry it was under such rough conditions. Iâll be glad to help out wherever I can.â
âThank you,â you replied. âOur engineers are overwhelmed right now. Chief Gâlok would really appreciate the help. Heâs down there now trying to patch some holes.â
âAhh. Iâll head that way, then.â He headed toward the lift and Jim joined you by the chair.
âWeâll help you to Medbay, Y/N..â
âThanks, Jim,â you said with a weak smile.
Jim and Len hoisted you up between them and you hobbled toward the lift, trying not to think about how good it felt to be so close to Len again.
âI didnât recognize you for a second with the new hair, but itâs a good look,â Jim commented.
âIâve just finished my mid-life crisis,â you laughed. âI changed EVERYTHING: my hair, my style, my makeup, even wore colored contacts. And there was a whole goth phase too.â
âI would have loved to have seen that,â Jim laughed.
âIt was pretty cringe,â you admitted. âTherapy helped me learn to tell what was actually me, and what was me subconsciously trying to distance myself from past events by trying to look as different as possible. I didnât realize just how hard I was punishing myself until my therapist pointed it out. It was really freeing, learning to let go of it all.â
âBeen there,â Jim said sympathetically. âIâm glad youâre in a better place, but we still miss you, donât we, Bones?â
He winked at his friend, who nodded, but shot you a concerned look.
The lift stopped and you pointed your human crutches in the direction of Medbay.
Medbay was very full, but not as chaotic as earlier. After some discussion with your CMO, Jim returned to the Bridge to help the crew put it to rights and Len prepared to help with the flood of patients, approaching you first.
âIt looks like they can use all the help they can get,â he sighed. âDo you mind if I stitch you up? I know itâs not ideal, but it might be a bit of a wait otherwise.â
âOf course I donât mind, Len,â you smiled reassuringly. âYouâre one of the best doctors in the Fleet. You always had the steadiest hands.â
A hint of a flush crossed his face and he shook his head as he got to work.
âFor about a year I didnât,â he mentioned. âAfter you left, things got worse before they got better. I ended up taking an extended leave to try to heal and get my mind right. It took almost a year, but I finally felt confident again. Like you, Therapy was a godsend.â
He was quiet for a little bit and you stared at the ceiling as you were stitched back together.
âBut just so you know, I missed you every day,â he added quietly. âThree years was not enough to get over you.â
Your heart melted as he finished bandaging you up.
âSame,â you admitted. âNo other man ever did it for me. I tried dating a couple times, but it never worked. They werenât you.â
Len looked at you searchingly and you let yourself get lost in his fabulous eyes for a second or two. They were just as gorgeous as you remembered.
He finally sighed.
âI should get back to work, but could we continue this conversation later?â
âAbsolutely,â you declared. âWe have so much to catch up on. Iâve missed you like crazy, Len.â
âSame. Be careful on that leg, now.â
With this added warning in mind, you carefully returned to the bridge, feeling a bit lighter inside.
After two days of work, the engines were at least workable again, though warp drive was out of the question. Jim informed you that The Enterprise would be escorting your ship back to the nearest Starbase for repairs and that they were sending a captain to replace Stokes. You almost wilted from relief.
âYouâre really not a fan of the chair, are you?â Jim asked with a touch of amusement.
âNope,â you declared. âNot my cup of tea. Give me piles of rocks any day.â
You didnât have a chance to see Leonard again until after the ships had arrived at the Starbase and Starfleet had been briefed about what had happened. It was an emotionally exhausting time for you, forced to describe the terrifying moments over and over again. When they finally were finished with you, you snuck out, found a secluded corner in the lobby and began to shake, tears pouring down your cheeks.
âY/N?â
You raised your eyes to see Leonard standing there, looking worried.
âLen,â you sniffled. âHow did you find me?â
You wiped your swollen eyes.
âJim sent me. He was in the meeting and was concerned about you after that grilling they put you through. Câmere.â
He reached for your hand and helped you to your feet. You let him pull you into his arms and melted into his comforting hug.
âIt was so awful, Len. I saw him get impaled and I couldnât do anything to help. He died right there.â
You sobbed again.
âIâm so sorry, Y/N,â Leonard sighed, kissing the top of your head the way he always used to when you were sad. âThose images are hell to deal with.â
When youâd finally stopped shaking, he led you to a more private lounge area and you cozied up to him on the couch.
âOh, how the tables turned,â you sniffed. âI hope I wonât trigger you anymore, being so close.â
âYou wonât. Donât worry about me, Y/N,â he assured you. âIt sounds like you spent a long enough time beating yourself up for what happened. It was never your fault. Not then, and not what happened now.â
He hugged you almost fiercely.
âBut if Iâd been better at the whole command thing, I might have been able to make quicker decisions,â you sighed.
âYou put in the distress call as soon as you could, so we could get there in time. You knew when you were outmanned. Some commanders never learn that.â
You smiled appreciatively.
âWith almost all of the command track officers dead or out of commission, It was kind of an impossible situation. I donât know if I want to go back to the Bradford after this.â
âCanât blame you, Y/N. I bet Jim would happily take you back in a heartbeat. Spock, too.â
âAnd what about you, Leonard. Would you take me back?â
You didnât just mean the starship this time.
âI never stopped loving you, Y/N,â he said softly. âEven during the worst of the recovery, my heart was still yours. I was pissed that theyâd broken us apart like that.â
âSo youâd feel safe with me?â you questioned hopefully.
âAlways,â he said simply, bringing more tears to your eyes. Leonardâs hand came up to cup your face just before he kissed you very sweetly.
When Jim left his meeting, he found you and Len holding hands and flirting like you had in the old days. You were smiling, despite your splotchy tear-stained face and the Captain couldnât help but grin at the sight.
âYou recruiting her back to the Enterprise, Bones?â he asked.
His friend glanced over for a second, then looked back at you happily.
âWorking on it, Jim,â he replied, kissing your hand.
âYouâre very convincing, Len,â you purred. âStill got all that southern charm, I see. If he keeps this up, youâll see my request in your inbox by tomorrow!â you said to Jim.
âIâll leave you to it, then,â The Captain replied with a thumbs up, before going on his way with a much lighter heart.
#star trek aos#leonard mccoy x reader#fem! reader#angst with a happy ending#mentions of injuries#space pirates#reader insert
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Deltarune has given us a lot of striking images, but Susie touching Ralsei's face in a gesture of forgiveness and leaving a bloody handprint on his cheek because she punched a stained-glass window might just take the cake in terms of getting thematically freaky with it.
#gaming#video games#deltarune chapter 4#deltarune#susie deltarune#ralsei deltarune#injury mention#blood mention#deltarune chapter 4 spoilers#deltarune spoilers#spoilers
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can life series mumbo k jumbo stop seeking for grian everytime he starts burning im gonna start having delusions again
#tw injury#tw lava#tw fire#well hes only burnt up infront of him like. two out of three life series hes in#its really just weird how hes burnt up in front of him twice. /j#wild life series spoilers#secret life#secret life mention#wild life smp#life series smp#life series spoilers#wild life fanart#grian#grian fanart#mumbo jumbo#mumbo jumbo fanart#grumbo#waffle duo#trafficshipping#kinda#Ichikarume Art#secret life smp#secret life fanart
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I think it might be the concussions talking. Or not. Who knows â¤ď¸
Second panel drawn by @rushcolor
#prince's doodle vault#rise of the teenage mutant ninja turtles#rise of the tmnt#rottmnt#rottmnt movie#rottmnt post-movie#rise movie#rottmnt raphael#rottmnt leonardo#rottmnt raph#rottmnt leo#rise raphael#rise leonardo#rise raph#rise leo#raphael hamato#leonardo hamato#injury mention tw#injury mention#this was made almosy immediately after we watched the movie so. dies#our first hashtag collab :]
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okay letâs invert the already-painful âBatman hits his kidsâ trope: one of the kids hits Bruce. like straight up, wham, across the face during a fight. itâs a line Bruce will never cross during an argument (in this world at least) but he never expected it to come up the other way around. and since heâs so accustomed to trusting his kids, his allies, he doesnât even flinch. He doesnât duck, or try to soften the blow, because he never expected it to come at all. And maybe the batkid expected him to, because he always knows when a hit is coming. But now Bruce is holding a split cheekbone, thereâs blood pouring down his face, and the batkid stumbles back a step, breathing hard and fast and barely remembering what their argument had even been.
#tw abuse#tw abuse mention#batman#bruce wayne#dc#batfamily#yes I know Iâm making my Bruce my special little blorbo in my last 48 hours of post#shhhhh#Bruce doesnât hit his kids#but#what if his kids hit him?#fic ideas#tw injuries#tw injury mention#is this Jason? dick?#just losing it and decking Bruce
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Holy Ghosts: Chapter 1. Part 2.











part 2 aka Noel has no energy to give a fuck anymore <3 he will suffer <333
#YUPPEEEE SO EXCITED TO START THE NEXT PART TEEHEE#bro raw dogging his injury. he loves to suffer#artists on tumblr#malevolent#malevolent fanart#holy ghosts#noel malevolent#detective noel#charlie dowd#Larson mentioned đđđđđđđ
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Veilguard fails to realise that for those who believe, faith is stronger than anything, even facts.
Right in the beginning of Veilguard all the Dalish/veil jumpers are so nonchalant and against their gods returning, as if they were convinced offscreen that their whole faith was based on a lie (even though they all still wear vallaslin) and their gods were Evilâ˘. This, again, fails to consider that the vast majority of the Dalish would either not believe or not care because it's their religion, their faith.
Morally ambiguous gods exist in real life religions too and it didn't stop people from believing in them. Divine morality transcends mortal understanding, so their actions are always rightful. This also leads to the concept of a 'god-fearing' person - even the term used (θξοĎξβΎĎ) can mean both respect and fear. Mortals are humbled by the gods' power and greatness, and willfully submit to their divine authority.
You needn't go further than the goddamn Bible itself to see countless examples of unethical things that God did/supported including legitimization of slavery and punishment (Exodus 21:20-21 âAnyone who beats their male or female slave with a rod must be punished if the slave dies as a direct result, but they are not to be punished if the slave recovers after a day or two, since the slave is their property." is one unhinged example), cannibalism, many kinds of violence, war, and of course, genocide, one of which was literally the deliberate destruction of nearly all humanity and living creatures on earth. The god of the most widely practiced religion in the world for millenia. Ask a devout Christian if they would stop believing in God just because 'um actually he is bad'.
Mystery is also a great aspect of religion, which also makes it an excellent worldbuilding element for writers. Mystery adds to the immersion because just like the characters, we donât know everything except the beliefs and unanswered questions. And we're not supposed to, because this is how religion works in real life, where faith is about belief rather than whatâs fully understood. It makes the story feel more real and engaging. Professional writers - of a AAA title no less - should know this.
Religion was one of the greatest themes in all previous games, especially Andrastianism and the Elven pantheon. Reducing it all to 'the Evanuris did it' is disappointing to say the least, and even if it was the truth that only the writers knew, they should have kept it that way, or at least some of the mystery. It adds immersion, drama, nuance, it encourages thought and discussion. For all Veilguard failed in the 'show, don't tell' rule, in this case this is too much exposure, and not even done in a good way. ''Religion is fake, so now everyone's atheist or unfazed. Oh, except for one (1) person who is mildly upset'' is not how faith works, especially in a setting so religious as Thedas.
#and to add salt to the injury they didn't care about the Imperial Chantry#nor the Andrastian Chantry of course#and butchered one of my favourite mysteries - the Forgotten Ones#but i'm not gonna expand on that now#veilguard critical#dragon age#andraste#evanuris#bioware critical#and please spare me lore that was only mentioned on codex entries.#that's even worse than not saying anything at all#it speaks#long post sorry#mine
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Super sweet! â¤ď¸â¤ď¸đđ
In Your Arms
Pairing: Bucky Barnes x reader
Word Count: ~900
Summary: Bucky's been away on a mission and when he returns, you're all he wants.
Author's Note: There are NO spoilers here. Just was so happy to see Bucky and enjoyed Thunderbolts and his beefiness! Those arms...my god. đŤ đĽThank you all so much for reading! Much love always! â¤ď¸â¤ď¸â¤ď¸Divider by the lovely @firefly-graphics thank you Daisy! đĽ°
Warnings: soft sweetness, kisses, mentions of minor injuries

The silence in the room is broken only by the soft pitter patter of rain on the large window that overlooks the gray skies blanketing the city. Your book lays limp in your hand as you stare out through the mottled glass, Alpine curled in your lap, warm against your stomach.
You reach for your phone but stop yourself with a sigh. How many minutes could have passed since the last time you checked? Instead, you lift your book and open to your book-marked page, the note he left you sliding down onto Alpineâs fur. You brush your fingers over his scrawled handwriting, smiling at his little doodles and sweet words. Settling back into the couch you start to read again.
âIf I didnât need to kiss you so badly Iâd stand here and stare at you forever.â
Your head shoots up and you turn toward the sound of his deep and raspy voice. He leans against the doorframe casually, still in full gear and looking deadly but for the soft smile that pulls at his lips.
âYouâre the most beautiful thing Iâve ever seen.â
The book is discarded in seconds and much to Alpineâs displeasure you hastily remove him from your lap, walking straight toward Bucky.
âHi.â
âHiya doll face,â he replies, wrapping his arms around your waist and dragging you against him.
Your pulse skitters as you soak in every detail of him. Only one minor cut on his forehead and nothing else, but who knows whatâs beneath his gear.
âYouâre ok?â
âI am now.â His voice softens to the tone he only ever uses with you as he lowers his mouth.
He kisses you slowly and gently and you lean up to get closer, taking his stubbled cheeks between your palms. With more pressure from his lips, he slides his hand up your back, grabbing the nape of your neck and angling your face to claim more of your mouth. Your fingers slide higher and into his hair.
You feel his abs tense when you press yourself closer and you reluctantly pull back. He frowns, his eyes holding enough promise to make your entire body heat.
âAre you hurt?â
Your hands fall from his face, and you start to work open the buckles of his tack vest. He doesnât stop you, keeping his hands settled firmly on your waist. You tug it open and rip his black shirt from his pants, lifting it until you can see his skin. Thereâs a large bruise just under his ribs and you dig your teeth into your bottom lip to stop your gasp, pressing your fingertips softly to the spot.
âLooks worse than it is,â he says softly.
You bend at the waist and kiss his stomach, feeling the muscles shift and flex. As you stand you grab the knife at this waist and pull it free, setting it behind him on the counter. Your hands slide behind his back, fingers curling around the hilt of a second knife that you remove and place down next to the first.
A slow, beautiful smile curves his mouth as he watches you. âThree more.â
Your fingers dance down his thighs, stopping at the hidden pocket on the left side. You carefully reach inside and pull out the third knife. Knowing there must be one in his boot you fall to your knees, your eyes lifting to meet his just in time to see them grow darker.
âI love you like this,â he murmurs.
You lift your shoulder demurely and pluck out the fourth knife in his right boot, sliding slowly back up his body.
âOne more,â he whispers, running his knuckles along your cheek.
His gaze drops to your mouth, then skims over your features before his head dips and he brushes his lips to yours.
âNo fair,â you whisper against them. âNo distractions.â
He smiles but kisses you anyway. Itâs soft and quick but still steals your breath.
You recover enough to slip your hands inside his tack vest, feeling around for the handle of the last knife. His own hands begin to wander, one cool and smooth, and the other grazing over your skin in a way that you can feel every callous heâs built from mastering the very blades youâre removing. You shiver in his arms but continue your search, a triumphant smile pulling your lips upward when you find the hidden spot near his ribs where his last knife is safely tucked away.
With practiced deftness you pull it free and set it down with the others then push his vest from his shoulders, letting it fall to the floor. Your lips part to tell him exactly what you want to remove next, but his mouth is on yours before a word gets out.
A gasp catches in your throat at the heat of his skin radiating through the fabric of his clothing and then again when he deepens the kiss, like doing it is more vital than his next breath. Your hands slide over his biceps, fingernails digging into the bulging muscles as his lips slip down your throat, and he whispers, âfuck, Iâve missed the taste of youâŚthe feel of you in my arms.â

#bucky barnes x reader#bucky barnes fanfiction#bucky barnes x female reader#marvel fanfic#fluff#fic rec#mentions of injuries
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Can you write something where the reader is badly injured in some way and jason rushes her to the manor for help and everybody is confused on who she is bc they didnt even know he was in a relationship (despite them being together for awhile) but they see how soft and cute he is with her. (Iâve never made a request so sorry if it got kinda rambley)
anon youâve got me TEEMING with ideas I LOVE the trope of nobody knowing jason has a girlfriend and they find out but it is NOT by Jasonâs choice nor readerâs.
Also omg? Your first ask is to lil ol me?? That means this is a special occassion. And youâre doing great Iâve def sent worse asks.
Out of the Bag

Jason Todd x Fem!Reader || Hurt and Comfort.
Word Count: 1,862
Warnings: Injuries, swearing, near death experience, blood, knife mention, stabbing, canon-typical violence, use of pet names (princess, baby), drug (pain med) use
You were sat in an alleyway, vision going in and out.
âTell me something, princess. Anything.â Jasonâs voice rang out in your ear.
Thatâs right. In your right hand, you held your phone, to your ear. Your other hand was pressing the fabric of your coat to the side of your stomach. The blood had soaked through, becoming sticking on your palm and fingers.
You shouldâve listened to Jason. You shouldnât have walked home alone, at night. Luckily your phone had been in your pocket and not your purse, which had been stolen from you by the same guy who decided to stab you.
âPrincess,â he sounded panicked.
Right. âWish I had kicked him harder.â
You heard a sigh of relief leave him, âThatâs my girl.â
The phone slipped from your grip a little as your head swam. The sight of blood coming from your own abdomen made no help in quelling your nausea.
You fixed the phone. You had called Jason the second the guy ran off, leaving you to bleed out. He was driving, you think. Tracking your phone to try and get to you. âHow far?â
He said something you didnât hear. Your vision was swimming, your side was aching, and you couldnât help but keep this funny understanding out of your mind that you were dying.
That this is something Jason had come back to your apartment with a few times, claiming it was nothing. It was something.
You heard him call your name, âWhatâs around you?â
âIâm tired,â you mumbled.
It seemed to happen in a blink of an eye. Jason was trying to tell you to stay awake, to look at the alley around you. To look out towards the street and tell him what you saw. Then he was there, standing in front of you, his helmet hiding his face.
âIâm here. Iâm here, baby.â He cupped your face, tapping your cheek to get you to open up your eyes. He crouched down, pulling your hand from your side to assess the damage.
You smiled lazily and leaned forward, resting your forehead against his shoulder.
Jason muttered a slew of swears as he pressed something soft yet hard against your agonizing wound. You let out a yelp before Jason was picking you up, placing you on his bike.
Heâs talking fast, âFuck. Okay, listen to me. Weâre going to go somewhere new, okay? Thereâs nowhere around here except there for me to get you safe.â
You passed out nearly as soon as he started the bike.
Jasonâs freaking. He had tried to keep you safe from anything like this. From everything less than this. And here you were, bleeding out in his arms as he carried you through the batcave. He beelined for the cots and the medical supplies off to the side. He knows his motorcycle couldnât have been the smoothest of rides for someone in your condition, but itâs all he had in such a short time span.
Heâll apologize when you wake up.
When. He repeats. When she wakes up and when we can get the hell out of this place again and when I can remind her I love her.
No one was back from patrol yet. He set you down on the cot before tearing off his helmet. He tossed it aside, pulling out a med bag and ripping it open. He pushed up your shirt, examining your side and where he had placed the military-grade gauze pad. He curses at the amount of blood.
His hands are shaking. Jasonâs hands donât shake, but youâve proven to him a lot of things you could make him do that he hadnât known he was capable of in the last year and (almost) a half of your relationship.
Jason nearly drops the suture thread before another hand is reaching out from just behind him. It catches the thread and Jason looks back over his shoulder. Alfredâs there, moving up to you.
âAllow me. You keep checking her vitals.â
Jason hadnât even heard him come up. Heâs nodding, stepping back to let Alfred take over the stitching. He moves to the other side of the bed.
Thatâs when he catches sight of the dark figure moving closer from behind Alfred. Jason immediately fixes him with a deadly glare, pointing at Bruce, âDo not come closer!â
Bruce stills. Heâs in his bat suit, his cowl hanging behind his head, exposing his face. He looks down to your body, âWho is she?â
Jason doesnât want him here. Rather, he doesnât want to be here. You shouldâve been home by now. Getting ready for bed and sending him a goodnight text. He turns his gaze back to you.
Thereâs some hair across your face that he hadnât noticed. He moves it out of your way without a second thought, âMy girlfriend.â
âFinally feel some remorse for sending someone to their grave, Todd?â Damianâs voice spoke up, walking up and stopping beside Bruce, âHeâs probably trying to just reverse what he did.â
Jason ignores him. He wants to yell, scream, and maybe shoot the little bastard, but he was right. In a way, this was his fault. He didnât look after you. He shouldâve offered you a ride. Called you a taxi. An uber. Anything.
Jason grips your hand into his. Itâs a way to count your heartbeat, and another way to ground himself. To reassure that youâll be okay. His other hand stays on your cheek. His thumb gently moves back and forth, stroking your skin.
He barely registers Bruce telling Damian to go wash up. When the brat is gone, Bruce speaks up again, âWhat happened?â
Jason doesnât take his eyes off of you, âShe was walking home from her friendâs. A mugger got her purse, she fought back. He stabbed her.â Jason takes a deep breath, âShe still had her phone. She called me. I brought her here because it was closest.â
A beat of silence. Still stitching you up, Alfred speaks, âHow come weâve never been introduced?â
Jason shakes his head, âI didnât want her near any of this. Sheâs bad off enough sticking with me.â
Once you stabilize, Jason brings you up to his room in the manor. He walks past Dick, Tim, Duke, Cass, and Steph without looking at them. They sit around the batcomputer, watching Jason gently carry you out ot the cave.
He changes you out of your dirty clothes once he makes a run back to your apartment to grab you some of your own spare clothes.
Asides from that, he doesnât leave your side.
He lets you have the bed to yourself. He pulls up a chair beside it, waiting for you to wake up. He didnât want you to be alone when you did, in a strange place after a traumatic event. It was a recipe for disaster.
The sunâs been up for a long while and Jason hasnât budged. He sits there, your hand gripped in both of his, held up and pressed against his mouth. His lips brush over your knuckles whenever he speaks up. Uttering a âIâm sorry.â every now and then.
Thereâs a light knock at the door before itâs cracking open. Jason turns his head to find Dick poking his head in. Jason glares at him.
Dick steps further in, presenting the tray he was holding. There were two glasses of water, some solid foods, and lighter ones, probably for you. Jason looked back down at you, letting his older brother enter.
âJust⌠figured since youâve been cooped up in here all day,â Dick begins, setting the tray down on the beside table beside Jason.
Dick moves back around. He stands at the end of the bed, leaning against the tall bed post that was meant to hold up a canopy. âI heardâŚâ he trails off, before nodding and your body in the bed, still unconscious, âWho is she?â
Jason looks up at his brother, not letting go of your hand, âSo you havenât heard.â
Dick rolls his eyes, âYou know what I mean.â
Jason raises his brows a little. He looks back down at you. His hand reaches out to brush along your forehead, moving away imaginary stray hairs, âMy girl.â
Dick nods in understanding, âHow long you two been together.â
Jason pauses in thought, âOver a year. Our anniversary was in December.â
A small, choked sound comes from outside the door, in the hallway. âA year?â
Jason looks up at Dick, who makes a face that shows heâs knows heâs been caught.
âAre they seriously listening right now?â
Steph poked her head in first, an apologetic smile on her face, âWe wanted to know!â
Duke pokes his head in next, just above Stephâs, âAnd we wanted to meet her.â
Timâs head in next, above Dukeâs, âYou canât carry a random bleeding woman into the cave and expect the family of detectives to not be curious.â
Cassâ head appears below Stephâs. She nods in agreement.
Jason letâs one hand go of yours to wave his hand through the air, âWhat the fuck? Sheâs not even awake!â
âWell thatâs why we sent Dick as bait.â
âFor the record,â Dick held up a finger, âThey built off of my original, innocent idea of bringing you snacks.â
âJesus Christ,â Jason stands up, taking a few steps forward. He points them all back towards the door as they start to filter into the room, âGetââ
âWhatâs going onâŚ?â
Jasonâs whole body whipped back around at the sound of your groggy, rough voice. The others watch as heâs back at your side in a millisecond, his whole demeanour changed. âHey, youâre okay. Everythingâs okay. Remember how I said we were going somewhere new? You thirsty, baby? Here, I got you some water.â
âOh, you certainly did not get the water,â Dick piped up.
Jason glared back over his shoulder as he held the glass of water for you, keeping the straw Dick had added placed in your mouth.
You stopped drinking, your eyes now on the other people in the room. You turned your head, propped up against pillows Jason had put there for you. You weakly raised your left hand to wave, âHi⌠oh?â your gaze turned down to your hand. A heart monitor clip sitting on your finger grabbed your attention. You gave a confused pout at it, âI feel funny.â
Jason set the water aside again. His glare was gone. He leaned in, kissing your forehead, âYouâre hopped up on pain meds. Thatâs why, princess.â
âDamn,â Steph spoke up, âI wish I got the literal princess treatment.â
Jason turned back around, pointing out the door, âGet. Out. Leave my girlfriend alone until sheâs better.â
You looked at the strangers, pointing at Jason with your left hand, âIâm his girlfriend.â Your head tilted back against the pillows as you stared up at Jason, pursing your lips, "Iâm tired.â
âI know,â Jason said softly. The others began to filter out of the room as he leaned down and gave you a soft kiss, this time on the lips.
From the exit, a collective, âAwwww,â sounded out.
âOut!â
Your drugged up voice came after his, once they were all back in the hall, âNice to meet you!â
#jason todd#jason todd x reader#jason todd x y/n#jason todd x fem!reader#jason todd fic#red hood#red hood x fem!reader#red hood x you#red hood x y/n#jason todd x you#ask missy#cw injury#cw blood#cw knife mention#cw knife#tw knife mention#cw near death experience#tw near death experience#dc fic#dc#red hood x reader#dc x reader#missy writes
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im dedicating this to @detectivedarling. i felt inspired after seeing their little ficlet yesterday sadhjfl đŤś
-
Danny's grip on his cane tightens.
"Whatâ"
His voice cracks. He stops, clears it, then tries again in spite of the nausea twisting in his gut. "What are â you, uh, watching, Bruce?" He sounds horribly far away.
Bruce doesn't look at him, his attention laser-focused on the screen. Which isâ fine. It's usually not a problem, Bruce gets like that when he hyper-focuses on a case, and unless it's urgent â or he's been at it for hours â Danny sees no need to pull him away from it. He likes the quiet camaraderie they have, it's companionable and unique to the two of them.
He wishes he was right now though. Looking at him, that is.
That way he wasn't watching what was clearly one of Danny's ghost fights. One of the nastier ones, if the collateral damage and rubble on the street is of any indication.
Danny tries to remember which one that is. He shuffles a little closer to the desk, ignoring the rock in his stomach or the ugly weightlessness in his arms. It's not the blood blossoms, that much he knows. He just recently had an injection so it shouldn't be bothering him this soonâ
So it's just nerves. Perfect.
Most footage of his fights areâ messy, at best. Unusable at worst. Amity Park was obsessed with appearing 'normal' when they first started happening, and typical news stations censor the worst of the fights anyways for publishing, since they can get pretty gory at times. And ghosts move too fast to be caught on regular standard cameras, not including distance and light andâ
That is to sayâ finding usable ghost fight videos is hard.
Danny wonders how Bruce got his hands on this one, and then stops wondering.
The audio is muted, which is - good. Good, because the fight is ugly and chaotic and clearly this was taken on someone's phone. Fuck, he can't remember if he ever saw that before â clearly not. They're hiding behind an overturned car, and Danny grits his teeth so he doesn't tell that idiot to run.
The camera turns up, and focuses on two figures in the air. It takes a few seconds, but when it does, Danny gets hit with a wave of vertigo. His grip tightens and he leans heavily on his cane, he waits for the black dots to disappear.
He- uh, he remembers this fight now. Uh, sort of.
He remembers being twelve at the time, and he remembers some of the injuries he got out of it. His eyelid spasms abruptly. This ghost wasn't one of his regulars, so he doesn't remember whatever name they had, barely remembered what they looked like up until- uh. Now.
Was he always that small? Wellâ Phantom's never been particularly big, perks of being a dead kid, butâ it's - different. Seeing it from an outsider perspective. Was he that small? Or is it just because he's wearing a jumpsuit clearly too big for him that casts the illusion of being small?
Doesn't really - matter. Now. He can't access his ghost form, and he already knows the answers to his appearance.
Phantom is clearly bleeding, viscous and violently green like the bubbles of a lava lamp, clutching onto a limp shoulder that's missing an arm from the elbow down. Half his face is drenched in similar blood, the eye on the drenched side is closed â not because he can't see through the ectoplasm.
Danny's memories of that fight slowly come in a bit clearer. Right. He took a pole to the eye in that one. That had - hurt. A lot. Getting an eye gouged out usually does. It and the missing arm took hours to grow back.
He rubs his eye with his palm for no other reason than it itches.
The other ghost isn't untouched of any injury either, but he's not in a state of dismemberment like Phantom is.
Danny drops his gaze down at Bruce, whose sitting in his chair with his hands threaded together, looking so tense that Danny half expects to meet solid steel if he were to touch his back. His face is - blank. Terribly blank, with an intensity in his eyes that Danny doesn't see often.
He looks terribly distressed.
He opens his mouth, and finds that nothing comes out. His throat is thick with an ugly, tar-like feeling that makes his eyes sting. Kinda reminds him of when someone wraps their hands around your throat and presses. He closes his mouth, then tries again.
"Bâ" hhhhhh, "Buzz."
Finally Bruce looks at him, one hand slaps the space button on the keyboard, and the video pauses. His expression doesn't shift, but there's a weight in the lines of his face that reminds Danny of a set of weights sagging.
He looks quite like he's grieving something.
Bruce opens his mouth, his voice comes out terribly soft and heartbroken: "He looks like you."
Which isâ a terrifying sentence in and of itself. One that makes Danny's legs shake and ignite his ragged, poison-chewed nerves alight with the need to run. An instinctive urge to deny, deny, deny.
How could he? He could say, that's a ghost, Bruce. I'm not a ghost. He could crack a joke, and ask, 'do I look dead to you?' or say something about how he knows that his parents studied ghosts, but that didn't make him one.
He could say that, and he could say it knowing full well that Bruce would see right through it. He'd probably let Danny too.
Danny closes his eyes. They sting, you see? So does his nose, right in the back like someone popped him in the face. And his throat is thick and gross and like someone stuck a spider, the big fat tarantula kind, right down into his esophagus.
He breathes in â through his mouth, because his nose stings and so it'd be best not to irritate it further with air â and it's terribly shaky and uneven. But it clears a pathway to his lungs big enough for him to say â whisper, really:
"You know, I think you're the first person to notice that."
#danny fenton is not the ghost king#dpxdc#dpxdc crossover#dp x dc crossover#blood blossom au#dpxdc au#cw injury#cw gore mention#just to be safe#i got hit with brainworms#blame detectivedarling >:D their ficlet yesterday made me SO happy and i couldn't help but keep thinking about it#and then i was thinking about blood blossom again and couldn't help but want to write something#iii don't know if this is canon to the fic but i DID think it would be a fun 'what-if this is how danny and bruce find out' to make#im not sure how ~that~ reveal will go in fic but i like the idea that danny actually *tells* bruce about being phantom himself#bc throughout the show i dont think he's really had much of a say in the matter of who knows and who doesnt?#like vlad found out when danny passed out and untransformed in front of him. jazz found out via spying and then other times were forced#so there's been a bit of a lack of autonomy in terms of danny revealing his halfa status to people. it'd be a good show of trust for him#to be able to *tell* bruce himself outright rather than bruce find out on his own. and in this context bruce wasn't trying to seek out#phantom's identity either. no he was just looking into amity park and this 'ghost situation' danny told him about. its just that when he#found the ghost fight videos he saw phantom and got this horrible pit in his stomach and promptly went 'oh my god thats my kid'
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"You look... different. Hair cut?"
"I lost an arm."
"I know. The hair cut thing was a farce. I just didn't want to be rude. But since you brought it up, what the hell happened to you?"
#writing prompt#writing prompts#dialogue prompt#dialogue prompts#writblr#writeblr#writerblr#injury prompt#dismemberment mention
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Adorable! â¤ď¸â¤ď¸
Another one for your I love you 3000 Bonanza đđ
Johnny Storm, Emergency Service AU, "I said I'd take care of you"
Thank you for sending in an ask! I couldn't resist the irony of making the human torch a firefighter!
Something there - Firefighter!Johnny x Reader
Summary: after a somewhat rocky start you begin to wonder whether there was something between you and Johnny
Word Count: 1.8k
Warning: Mention of injury! Mention of Fire emergency! Minor Angst! Fluff!
Dividers by @firefly-graphicsâ
Masterlist / Celebration Masterlist
You took a deep breath as you looked up at your new station, your new home whenever you were on shift. A quick glance told you that you didnât have any more time to admire the station before you were late.Â
You shouldered your bag and made your way inside to find one of your new colleagues reclined back in his chair at the front desk, feet up on the desk. A lopsided smile grew on his face when he spotted you, sitting up to rest his forearms on the desk instead.
âProbie?â
âPardon?â You arched a brow at him.
âYouâre the new recruit right, Probationary firefighter aka Probie?â He said mimicking your expression.
âRight⌠well Iâm looking for Captain Rogers? Can you point me in the right direction?â You asked.
The smile on the manâs face, an annoyingly handsome face, grew as he stood up from the desk âIâll do you one better, Iâll take you there myself, Iâm Johnny by the wayâ he introduced himself, holding out his hand.
You shook his hand âY/NâÂ
Johnny nodded in acknowledgement âCâmon Probie, this wayâ he then said nodding his head towards the corridor.
You rolled your eyes but followed him down the corridor towards the captainâs office. Your Captain was thankfully more welcoming even if he seemed far too used to Johnny's antics.
âStorm, can you give Y/N a tour of the station?â He asked once the meeting was over.
Johnny who had been leaning against the wall outside the office stood to attention and saluted âAye aye captainâÂ
Captain Rogers just responded with an exasperated sigh before disappearing back into his office.
âCâmon Probie let me show you our castleâ Johnny smirked as he waved his hand for you to follow.
You rolled your eyes at him again âHow long is this probie nickname gonna stay?â You asked
âUntil youâre promoted, or if you do something so stupid enough to earn anotherâ Johnny smirked over his shoulder.
âWhatâs yours then?âÂ
Johnny stopped and turned to face you âWhyâd you assume I have one?âÂ
âIâm good at reading people and youâre cocky thereâs no way you havenât earnt a nickname from doing something stupidâ you stated, arms crossed over your chest.
Johnny remained silent long enough for you to worry that youâd crossed a line. His eyes just studied you, dipping for a second before they returned to your face.
âHuman Torchâ he finally said before you had the chance to apologise.
You swallowed as you looked up at him âThat sounds like an interesting storyâ
âIt is, but one for another timeâ he winked, the cocky attitude returning like it never left, he turned and walked off âYou coming probie?â He called when you didnât immediately follow.
You remained silent as he showed you around the station, pointing out your locker, where youâd sleep on overnight shifts. He introduced you to the rest of the crew, all very friendly faces. It was only at the end of the tour when he took you back to the locker room to put away your stuff that you felt brave enough to talk to him again.
âSo are there any other probie things I should look out for, like pranks or something?â You asked.
A lopsided smile grew on his face as he shook his head âNah donât worry, Iâll take care of youâÂ
Your brows rose in surprise âReally?â
âSure itâs what crewmates do for each otherâ he shrugged with that lopsided smile still on his face.
You narrowed your eyes at him, suddenly suspicious âYouâre not saying that so I lower my guard right?â
Johnny smirked as he backed away tapping the tip of his nose âIâm not one to give away my secretsâ he said before he turned and left you alone.
Despite the somewhat rocky start, you and Johnny formed a quick friendship. He was the crewmate you felt closest to out of them all and you quite often found yourself working with him whenever pairs were required.Â
You were so close that you began to wonder if there was something more between the two of you. A question that rattled through your mind when he was the first one to come to your rescue when you hurt your ankle on a call out.
A question that you had a lot of time to ponder when you were signed off for two weeks to recover from your sprained ankle.Â
You were sat on your couch, your foot propped up on the coffee table, an old sitcom on the TV that you were barely watching. A knock on your apartment door brought you back to the real world.
You grabbed your crutch and hobbled your way over to the door. You were surprised and excited to see that it was Johnny on the other side with a lopsided smile on his face and hands full of bags.
âJohnny⌠what are you doing here?â You breathed.
âInjuries can be boring so I thought Iâd keep you companyâ he grinned nodding for you to move out of the way so he could step inside âYou have a bath right?â He asked as you stepped aside.
ââŚyeah,â you said slowly.
âGood because I donât think this bath shit will work in the shower,â Johnny said as he marched on down to your bathroom.
âJohnny- I- What?â You stuttered as you hobbled after him.
He didnât answer you, he just carried on in his mission, setting down the bags before beginning to run you a bath.
âJohnny, please can you just tell me whatâs going on?â You pleaded.
âIâm running you a nice relaxing bath, then Iâm gonna sort out dinner and then weâll just relax together, watch a movieâ he said with a casual shrug of his shoulders.
âBut-but why? You donât need toâ you muttered in disbelief.
âI said Iâd take care of you remember?â He smiled.
You tilted your head in confusion trying to recall when he said that. You were about to question him when the memory resurfaced, your first day at the station. Heâd said heâd look after you when you asked him about pranks. It was only now that you realised you never really got pranked, there was no hazing it was pretty smooth. You had expected Johnny to forget but he didnât.
âSo Iâm gonna leave the bathroom now so you can relax in this nice hot bath, just shout if you need me and I promise not to look unless you ask me toâ he winked before slipping past you out of the bathroom, leaving you with the bombshell of a realisation you just had.
The only reason you were able to move and get into the bath was that you didnât want it to go cold. As soon as you slipped under the warm, soapy, bubbly water you couldnât stop the moan that escaped your lips. This was the best bath youâd ever had, you swore as soon as you got out of this tub youâd do whatever you needed to do to get whatever bath secrets he had.Â
Once you were done and re-dressed in a fresh set of comfies you found Johnny in your living room with bowls of snacks laid out in arms reach.Â
âSo how exactly are you sorting dinner? Because we both know for a fact that you canât cookâ you said as you settled back down on the couch.Â
Johnny instantly moved to help lift your ankle up onto a pillow that heâd set up on the coffee table to keep your ankle elevated, he then picked up a selection of takeout menus that you hadnât noticed âTake your pickâ he grinned as he held them out to you.Â
You grinned up at him âI thought a healthy diet was good for recoveryâ You smirked as he sat back down next to you.Â
âTrue, but you also deserved to be spoilt, so whatever you want Iâll getâÂ
âAnything?â
âAnythingâ
You bit your lip and pondered what you could get him to do for you. Your mind went back to what he said as he was running your bath, you wanted the confirmation that maybe there was something there but you just werenât brave enough to outright ask. You did think of something else you could ask that could get you the same answer though.Â
âHow did you get your nickname?â it was the one secret that you still had yet to find out yet, it was a card he kept close to his chest so if he was willing to tell you then maybe, just maybe it would be the confirmation you needed.
Johnny blinked the playfulness disappearing from his eyes for a split second before he looked away. You were about to back out, tell him that he didnât need to tell you especially when he shifted so his back was to you. But then he moved and took off his tee to reveal a large scar down his back, one that looked like a flame.Â
âThe crew was off duty, getting a couple of beers after our shiftâ Johnny started keeping his back to you âWe were walking home when a fire broke out at a tiny bistro, the whole place was already engulfed and there wasnât a truck or crew nearby⌠we helped control the crowd and evacuate, but then in the corner of my eye I saw someone run into the building, no one else did so they all thought I was crazy when I ran in after themâÂ
âBut you didnât have your gearâ you whispered.Â
Johnny shook his head, his back still to you âAnother reason they thought I was crazy, but I went in and I found this teenage girl, she must have slipped on something as she was trying to make her way back out, she was holding a frame in her arms as she lay on the floorâ he continued âI picked her up and carried her back out but the back of my shirt caught fire as I left, it was agony but I kept going, I get the both of us out and got this scar, once the guys saw it they called me the human torchâÂ
âWhat happened to the girl?â you asked.Â
âShe was fine, just a minor concussion and a couple of burns on her arms, she was the ownerâs daughter and went in to grab a family photoâ Johnny sighed as he pulled his tee back on and finally turned back to face you âso that was the stupid thing I didâ
âNoâ you muttered shaking your head âit was the heroic thing you didâ
The smallest of smiles tugged at his lips âThanksâ he said, his voice barely above a whisper.
You shifted on the couch so you could rest your head on his shoulder âNo⌠thank youâ you whispered, knowing you had your answer there was definitely something here now it was just a question of who was brave enough to break first.
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Masterlist / Celebration Masterlist
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#Johnny storm x reader#firefighter!johnny#fluff#mentions of injuries#firefighter au#fantastic four au#fic rec
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I do enjoy the "post-surgical recovery interview as in-universe character creation" device where it's implied that whatever happened messed you up so badly the doctors genuinely couldn't tell what age or gender you were before the Incident, so they just sort of guessed.
#gaming#video games#character creation#character design#tropes#injury mention#taking the bandages off like 'oh hey those are new'
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All I could think about after I read ch 31 đđđđ
#jambound#shadowvanilla#shadow milk crk#pureshadow#puremilk#vanilla milkshake#crk#i thought something was off when pv was going down the stairs and he mentioned a injury#and i was like when did pv get injured lol#but i was to imersed to think to long about it#and few other bit got me thinking only when the reavel happend#i was oh yeah that makes sense ok#anyway i loved the ch it was awesome#i cant wait for the next ch#but i also dread it#i dont want it to be overrrr#jambound spoilers
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Episode 3 of Fading Fantasies! Happy ending guys! I promise!
Previous: (4) Episode 2
Next: (4) Episode 4
See all...
#the mutation situation#ninja turtles#tmnt 2012#teenage mutant ninja turtles#tmnt#human au#teenage mutant ninja turtles 2012#human tmnt#comics#fan fiction#fanfic#tw injury#tw blood#tw surgery mention#tw puke#tw puking mention
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