#mother in law vs daughter in law

[lowtaperfeyd]

Hi 🥰 can i request scenario where reader is paul’s sister and feyd’s wife who is all about honor and one day after feyd’s fight she tells him that he’s not all that because he doesn’t fight fare and is coward 😏

Rats Vs. Mice

Feyd-Rautha Harkonnen x Atreides!reader

author's note: Feyd is so fine. That's all.

warnings: death, blood, house harkonnen, knives.

wc: 940

(Y/N) Atreides’ father, the Duke Leto Atreides, had a saying, “Respect for truth is the basis for all morality. Something cannot emerge from nothing.” This has always been something both him and his daughter lived by. Because there is no honor in a man who isn’t truthful. Most of the time she didn’t think of this saying often, since she had been surrounded by truthful men. But when she married Na-Baron Feyd-Rautha Harkonnen she realized just how much the Harkonnens lie. She realized the truth did also die with her father. 

“Does he always fight this way?’ She interrogated her uncle-in-law as they were watching Feyd fight in the black and white light of the Harkonnen homeworld’s sun. 

“Yes of course he does!” He quickly responded, feeling a little offended because of the criticism of his heir from his own wife, “What other way is he supposed to?!”  

“I didn't mean to offend, my Baron,” she replied, realizing it was a bad idea to bad mouth Feyd in front of his uncle, “I’m sorry.”  

“Silly girl,” the only thing that came out of the baron’s mouth after that was, “That boy killed his own mother.” (Y/N) continued to watch Feyd fight. 

The way his arm moved through the air in a teasing motion. Like a cat drawing out the death of a mouse. It was complete cowardice disguised by an overconfident nature from many fights against drugged opponents. Drugged opponents who may just stand a chance against Feyd-Rautha. Of course, she did not think he was a bad fighter, just that he was a big baby. 

The fight, of course, ended with all of Feyd’s opponents on the ground lying still and Feyd’s knife rising to the air to show the blood of his kills. Pathetic from a man who won’t even fight a sober man, (Y/N) thought.

As Feyd went back through the tunnel he came out of, (Y/N) turned toward the baron and asked him,

“Would Feyd ever fight against a man who wasn’t drugged?” 

“Why do you ask this?” The baron asked suspiciously. 

“I mean, isn't his birthday coming up? A good present for him would be fighting someone of equal machinery in a sense. You also need to test whether or not he would be good for Arrakis. I know you aren’t happy with Rabban.” 

The baron just mumbled incoherently. 

“Anyway, I must leave,” She said as she got up, “I have to see my husband.” 

(Y/N) began walking through the tall halls of the fortress. Passing grotesque portraits and seeing the black and white fireworks coming from outside of the castle. The fireworks in celebration of Feyd’s victory. Even though it was dark inside the castle the fireworks did light it just enough to where you did not need a glow globe to transverse through the corridors. The air got more frigid as she continued to walk deeper and deeper to her husband’s room. Like walking into the belly of the beast. She got to her husband’s bedroom door and saw two guards outside of it. 

“You can leave” (Y/N) said to the guards. 

The guards just looked at her and nodded. Afraid of what she would or her husband would do if they didn’t listen. 

(Y/N) opened the huge door to see her husband sitting hunched over on his bed. His feet firmly planted on the ground. His knife, still bloody, in his hands. 

“I watched you fight today.” She said cooly to him. 

“I know,” He said equally, “I saw you from the ground” 

“Well congratulations-” She tried to get out before being interrupted by Feyd, 

“What were you talking about with my uncle?” He bit out in a mix of anger and annoyance.

“I don’t know what youre talking about.” (Y/N) deflected. 

“Don’t play coy!” He shouted and moved to stand menacingly in front of his wife, “I saw you two talking and then looking back at me. What was it!”   

“You would be right, Feyd,” She responded, standing her ground, “We were talking about you.” 

(Y/N) declared, “How much of a coward you are,” After saying this she could see the anger lighting up in the cold, black eyes of Feyd-Rautha, “How his youngest nephew only fought people who weren’t able to beat him. And how pathetic it is.” She spat at him.  

“And would you know something, he actually agreed with me.” (Y/N) lied through her teeth, hoping that Feyd would not go and ask his uncle about it later, 

“He agreed that it would be more entertaining if you actually fought people who stab you as easily as you stab them. Have a form of equal bloodshed.” 

Even though his wife was still berating him, Feyd continued to look at his wife, the woman who was not afraid to question him or go against when it came down to speaking, and thought about how pretty she would be with her head on a spike. Red lipstick smeared on her lips and hair all messed up from the blade going across her throat. 

“And do you want to know the worst thing about you Feyd,” (Y/N) continued to push his buttons, “any honor you have earned is false. The only animal one could compare you to is a lazy, house cat; who can only find entertainment in tiny mice, and can’t defeat the rats which actually pose a threat.” 

“You lost all your honor the day you killed your mother.”

"What makes you think you know anything about honor? " Feyd retorted, "Your family is dead and mine is thriving."

[writers-potion]

can you make a list of specific relationships tropes(platonic or romantic) pls🫶

List of Relationship Tropes <3

Hope this helps! :) If you like my blog, buy me a coffee☕ and find me on instagram!

Romantic Relationship Tropes:

Friends-to-lovers

Enemies-to-lovers

Forbidden love (it can be an external or internal taboo)

Stuck together - 'trapped in an elevator'

Secret identity (billionaire/royal/celebrity in hiding)

Best friend's brother/sister/ex

Seconc chance romance

Soulmates (soulmate AU prompts)

Fake relationship

Wedding fever - runaway brides/best men/wedding planners/ jilted

Amnesia/mistaken identity

Holiday romances/flings

Opposites attract (similar to enemies to lovers)

Academic rivals (high school/ college)

Unrequited love

Sunny vs. Grumpy

Pen pals to lovers

Matchmaking gone wrong

Sworn off a relationship (then falling in love, of course)

Single parent with new love

Arranged marriage (Arranged Marriage Prompts)

Return to hometown & fall in love with your childhood friend

Bully turned out to be the nice guy

One person being afraid to commit + the other chasing them

Falling in love with someone from the past/future

Tiny guy, huge girl

Other Character Dynamic Tropes:

Badass and child duo (usually, the child will be extraordinarily mature/capable)

Battle couple (like Mr. and Mrs. Smith vibes)

Blood brothers

Brother-sister team - bickering but working perfectly together

Intergenerational friends - being best buddies with your grandparents, which your parent doesn't understand

Translator buddy

Talker plus Doer duo

Student and Master team

'Sensitive guy + the most macho guy ever' duo

Rivals-to-friends

The Shy Guy/Girl + the outging wingman

The popular girl/guy + the copycat

Ride-or-Die found family

A childhood enemy becomes a central part of a friend group

Parents who see their kids become best friends too

Orphans from the same orphange

Long lost siblings finding themselves in each other

A straight girl + lesbian as bffs / a straight guy + gay guy as bffs, becoming each other's wingmen/women

a secret handshake or unique SOS sign that only they know

Girl code/bro code/friendship code

Having set routines, like meeting under ---- tree at --- hour

Family Tropes

Adoption angst

adult adoptee - an adult character is adopted into a different family despite being legally of age

Awkward parent-child bonding efforts

Babies ever after - the child is forever a baby to the parents

Black sheep/ugly duckling

Cannibal clan

Feminine mother, tomboyish daughter

Obnoxious in-laws

Twin Tropes

Angst surviving twin - on twin dies so that other becomes nervous

Single-minded twins - can have a creepy twist...

Evil twin

Playing their own twin

Twin telepathy - twins can pick up on each other's thoughts/emotions

[luxthestrange]

WTDSIK Incorrect Quotes#53 Father vs Daughter-

You know what I want?... Henri and Ameri fighting over who gets to marry the Humans You or your son, Ameri isn't against you being her Mother...but MOTHER-IN-LAW...but it would be weird for Her dad to be with you cuz..that makes Iruma her step-brother?-

The same could be said about Henri and Iruma...plus henri doesn't want anyone to be with his daughter-

In Babyls late after classes are done and clubs are starting...In the most unused rooms hallways

Ameri*Coming out of the empty classroom after her secret time of reading the forbidden texts with her Iruma*Heh~

Henri*Coming out of your secret breakroom you come and rest from the world...and you and Henri use it to talk about life and the life of being single parents* Mhh~

Ameri & Henri*Both freeze and look at one another*...

Ameri*Stares at her father who...is wearing one of his sleekest suits, and smells oddly of cologne*...

Henri*Sees his daughter, wondering why was she giggling so cutely*...

Both have eye contact conversations with "Why are you here?", and"Im just here on...work..."

Iruma*Pops from the door smilling*Oh Ameri, You still here? Oh, Mister Henri?

Ameri*Blushes hard and silently screams as she puts a protective arm in front of iruma*Father I can explain-

Henri*Was about to chastise the two but froze when the door behind him open* NO-

Y/n*Coming out the room, smiling holding two gloves*Henri, Sweetie you forgot your gloves-Oh Ameri and My Lil blueberry what you doing here?

Iruma*Smiles seeing you* Ah Mom!

Ameri*Frowns and looks at her father*...

Henri*Avoids looking at her*...

[cpericardium]

Compilation of Megafire's Wildbow Essays (Imported)

I haven't read all of them myself, but the few I did were always worthwhile and interesting, so I thought I'd index them here for anyone who hasn't heard of them or checked them out. As I recall, these were written by Megafire as the chapters were coming out.

CHARACTERIZATION OF CAROL IN WARD

REDDIT INDEX

Chapter 3.6 

The Warden's HQ, or, Playing With Time

Chapter 4.6 

Natalie, or, Working Through Proxies

Chapter 5.9 

Power Dynamics, or, Why Carol Love(s/d) Mark

Chapter 6.3 

Trust, Safety and Control, or, General Opinion

Chapter 7.4 

A Glimmer of Hope, or, Victoria and Carol have an Actual Conversation!?

Chapter 8.2 

Meeting the Parents, or, Never mind, Carol is Back to Being Carol

Chapter 8.9 

Baby Steps, or, Carol Manages to Respect Boundaries for Once

Chapter 9.12-9.13 

Bonus Damsel Interlude, or, This Will Pay Off Later, I Promise

Chapter 10.1 

The Diner, or, I Yell a Lot

Chapter 10.y 

Bonus Chris Interlude, or, This Has Nothing to Do With Carol, I Just Really Like This One

Chapter 12.1 

Ruminating on New Wave, or, Why Mark Loves Carol

Chapter 12.2 

Carol vs Damsel, or, I Told You It'd Pay Off

Chapter 12.f 

Ryan and Cradle, or, What It Means to be Good, and, Competing Access Needs, or, Why the Dream Room is the Worst

Chapter 12.9 

The Bubble, or, Making You Feel Even Worse About Carol Getting Hurt

Chapter 14.5 

The Greenhouse, or, Carol Brought Low

Chapter 14.6 (Sort of) 

Drawing Similarities, or, What's Left for Carol

Chapter 14.7 

Chris' Crossroads, or, Screw It, I Guess I'm Talking About Chris Too Now

Chapters 14.9 + 14.10 

Her Mother's Daughter, or, What Amy Learned From Carol

Chapter 14.12 

Piecing Together Chris, or, What Do Monsters Mean?

Chapter 15.7 

Slaves to Fate, or, Predictions and Responsibility

Also Chapter 15.7 

Ultimate Agency, or, Who Is Contessa?

Chapter 16.4 

Mockeries and Funhouse Mirrors, or, Paths Not Taken

Chapter 16.y 

Attempted Therapy, or, Amy Is Not Doing Well

Chapter 17.1 

Family Issues, or, Confrontations Vis-a-Vis Parentage

Chapter 19.1 

The Curious Case of Sarah Pelham, or, A Basic Overview of the Shit That Happened to Sarah

Chapter 19.9-19.10 

The Talk, or, How To Screw Up Your Kids In One Easy Conversation

Chapter 20.e6 

Carol: Final, or, What Has Carol Learned? (Hint: Not Much)

---

PALE ANALYSIS

REDDIT INDEX

Verona and her Dad, a Transactional analysis

Why Verona's Dad is a Literal Manchild - mostly about Out on a Limb 3.1, but with references to 3.4

Adults, Parents and Children

Lucy is Verona's Only Good Parental Figure (and That's Kind Of Sad) - Leaving a Mark 4.2

Pale: Justice

The Cast Of Law And Order: Kennet - Cutting Class 6.z

Practitioner Supremacy

Boy There Are Some Real World Parallels Here - Gone Ahead 7.1

Practitioner Parenting

Regular Old Bad Parenting - Vanishing Points 8.4

Abuse

Brett is an Absolute Bastard - Shaking Hands 9.9

Avery's Games and Gimmicks

Breaking Patterns Is Hard - Dash to Pieces 11.10

Transgressive Acts

Why the Mussers are like the Spartans - Break 5

Practitioners and Others, a Binary

The Binary is a Lie! - Gone and Done It 17.x

Judging the Judiciary

What About the Judges? - Crossed With Silver 19.z

Hostile Environment

Power Plays for the Future - In Absentia 21.12

[prying-pandora666]

Imagine If Zuko Had…

Just imagine if Zuko had messed up. Imagine he had acted just a little too much like Ozai and recognized his mistake.

Imagine if in response, he abdicated the throne in disgrace and ran off to live in the woods alone. Completely isolated.

His relationship with his wife? Failed. His daughter? Estranged. His uncle, sisters, mother, etc? All gone from his life.

He spent years of his adult life into old age alone in the woods away from anyone who cared about him and ashamed of how terribly he had failed as Fire Lord.

Would anyone consider this a good ending for Zuko? Let alone a happy one? Would Zuko cracking jokes or saying he’s fine this way convince you? Or would it seem like he’s trying to justify the way he’s wasted his life in solitude and disgrace?

If that all sounds horribly unfair to you, then why is it okay for Toph?

Because Toph Did…

Toph in ATLA has a very clear motivation for running away from home and joining Aang’s group. Her family stifled her and kept her isolated from the world. All she longed for was freedom and for a family that loved and accepted her as she was.

In the comics, she extrapolates upon this further, talking about how traumatizing it was to be captured in a tiny metal cage. How much she feared being forced to be something she’s not, being imprisoned and having more pressure and pain applied to her to try to change her by force. And worst of all, she feared becoming like her parents and passing on that same pressure and pain to others.

So why in the world was her fate in LOK the very thing she feared most?

As Police Chief, her very role is locking people away and trying to force them to behave differently. At times applying pressure and pain to force conformity. Imprisonment is an inextricable part of her job.

And she betrays her own convictions this way to what end?

Her relationships all fall apart and her daughters feel neglected due to the demands of the job. Toph finds herself re-enacting exactly what she told Zuko hurt her most about her parents: “They gave me everything except their love”.

Only to eventually find herself in a situation where she must choose between the stifling rules of her job or throw her daughter into this same system of punishment to try and change her by force. So she chooses her daughter, selectively not applying the law; an act of corruption and nepotism. As such, she resigns in disgrace, ashamed of her actions.

She is estranged from both of her daughters. She is alone and isolated. She lives in the swamp like a hermit. Away from the world. With no one to accept her as she is.

How in the world does anyone justify this as a fair or happy ending for Toph? When I see people celebrating cop Toph or swamp Toph, making memes about how badass she is or calling other fans idiots for pointing out how terrible of a writing choice this is for her character, it really makes me wonder if these fans don’t really care about Toph as a character at all beyond the aesthetics of how cool she can be.

And that makes me really sad because the same is clearly not true for characters like Zuko.

Entire dissertations are written about Zuko’s wants and needs vs his experiences in the world.

When it comes to Toph? She gets boiled down to “she likes to knock heads and boss other people around.”

Even by Bryke themselves.

[best-nun-tournament]

Grand Final

Krauss, Eva, Rudolf and Rosa Ushiromiya (Umineko) vs Cersei, Jaime and Tyrion Lannister (A Song of Ice and Fire)

Propaganda under break

Krauss, Eva, Rudolf and Rosa Ushiromiya

The four children of billionaire Kinzo Ushiromiya. Every year, they return home to Rokkenjima Island for a family conference. With Kinzo's health declining, to the point where he hardly ever leaves his room, the only topic on their minds is how to carve up his fortune.

Krauss is the eldest, and Kinzo's successor. Even if he's not the smartest of the siblings, his position as heir and imposing physique let him push them around. He even used to beat his younger siblings. Now, they suspect him of abusing his position as Kinzo's caregiver to embezzle their rightful share of the family fortune.

Eva is the second child, and incredibly resentful about it. She despises the fact that despite being so much more intelligent than Krauss, he's always above her just because he's older and a man. She's devoted her whole life to usurping Krauss' position, and then devoted her son's life to becoming the next heir instead of Krauss' daughter. When not scheming against her brother, she loves finding ways to torment and cruelly provoke her siblings, sister-in-law, and the servants.

Rudolf is the third, and with little hope of becoming heir, became a conman and a playboy (though he eventually settled down as a married man and white-collar criminal). Suffering from his sibling's bullying, he turned all their physical and emotional abuse on his sister Rosa. Though unlike Eva, he's stopped being cruel to her as an adult.

Rosa is the youngest sibling, and she's had a terrible life. Even as an adult, she's still terrified of Eva and acts dumb around her for fear of provoking her. But if she was given the opportunity, she could easily make them pay for what she's suffered.

Cersei, Jaime, and Tyrion Lannister

Cersei HATES Tyrion. Hes not a big fan of her either on account of her absolutely hating him. Cersei (and her twin Jaime, who is actually a good brother to Tyrion) were born a few years earlier than Tyrion, and blames him for "killing their mother," because she died in childbirth. Everyone in their family (except Jaime) hates Tyrion because he has dwarfism, but Cersei hates him more than anyone else and has wanted him dead since childhood. (spoilers beyond this point for the books and show both) When Cersei's son is killed, her immediate instinct is to blame Tyrion and throw him in jail. She does everything in her power to have him killed.

------

The incest for starters. The fact that Cersei doesn’t see Tyrion as human. All the backstabbing. And that they made their own family problems everyone else’s tragic backstory and present out of their own lust for power

------

here's a quote from one of tyrion's chapters: "When your sister cries, you were supposed to comfort her... but this was Cersei."

[agentrouka-blog]

Do you think that the Dance is also meant to be a foreshadowing for the books like D vs fA or Jon? Because I feel like with how the story is centered to the Starks, whoever gains their support (obv Jon if he joins 😂) will win and we get to have a second hour of the wolf

Let's put it this way: The main novel series is the point, and the Dance of Dragons is a result of its existence, it is fictional historical backstory that is meant to inform, illustrate and foreshadow the events of the main series.

The first book of the main novel series was published in 1996. It already contained references to the Dance of the Dragons, and they reappear sprinkled through the series, increasing in detail and relevance.

What is interesting is that the thing most emphasized about the Dance in the main series is the intra-family strife. Brother v. sister - and transcribed into the kingsguard: brother against brother, metaphorical and literal.

Bran was going to be a knight himself someday, one of the Kingsguard. [...] Bran knew all the stories. [...] The twins Ser Erryk and Ser Arryk, who had died on one another's swords hundreds of years ago, when brother fought sister in the war the singers called the Dance of the Dragons. (AGOT, Bran II)

It's a popular, high-culture piece of music that plays on the multiple perspectives of the historical event.

Later, while Sansa was off listening to a troupe of singers perform the complex round of interwoven ballads called the "Dance of the Dragons," Ned inspected the bruise himself. (AGOT, Eddard VII)

A Clash of Kings (1998) contains no reference, though you could consider the entire developing civil war to be an answer to that first reference.

A Storm of Swords (2000) picks it up again in much greater detail.

Stannis - notably having killed his brother over the throne - emphasizes the aspect of treason while discussing the fate of his wife's uncle Alester Florent.

"It has always been so. I am not . . . I am not a cruel man, Ser Davos. You know me. Have known me long. This is not my decree. It has always been so, since Aegon's day and before. Daemon Blackfyre, the brothers Toyne, the Vulture King, Grand Maester Hareth . . . traitors have always paid with their lives . . . even Rhaenyra Targaryen. She was daughter to one king and mother to two more, yet she died a traitor's death for trying to usurp her brother's crown. It is law. Law, Davos. Not cruelty." (ASOS, Davos IV)

The song makes another appearance at Joffrey's wedding, once again emphasizing that it is a complex story from multiple perspectives. Also setting up the inter-Lannister collapse that has been brewing for a while and explodes with Joffrey's murder.

Collio began with his version of "The Dance of the Dragons," which was more properly a song for two singers, male and female.  (ASOS, Tyrion VIII)

Jaime brings it back around to the kingsguard pseudo-brotherhood, which mirrors the inter-family aspect of the civil war.

The old and the new. Jaime wondered if that meant anything. There had been times during its history where the Kingsguard had been divided against itself, most notably and bitterly during the Dance of the Dragons. Was that something he needed to fear as well? (ASOS, Jaime VIII)

Given the mess that is made of the kingsguard in the coming book in KL and in Dorne... yes, Jaime.

By AFFC (2005) GRRM firmly establishes the Dance as a historical reference for destructive civil war over feuding siblings.

And the songs he chose . . . He sang of the Dance of the Dragons, of fair Jonquil and her fool, of Jenny of Oldstones and the Prince of Dragonflies. He sang of betrayals, and murders most foul, of hanged men and bloody vengeance. He sang of grief and sadness. (AFFC, Sansa I)

It also turns the focus on Criston Cole as an alleged external engineer of such strife. Interestingly, his arms resemble a ladybug, Targaryen colors but not Targaryen.

"Most deserve to be forgotten. The heroes will always be remembered. The best." "The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." He tapped the page he had been reading. "Who?" Ser Loras craned his head around to see. "Ten black pellets on a scarlet field. I do not know those arms." "They belonged to Criston Cole, who served the first Viserys and the second Aegon." Jaime closed the White Book. "They called him Kingmaker." (AFFC, Jaime II)

Contrasting to Stannis, Arianne uses the Dance as an example of treason from the other side, trying to manipulate kingsguard Arys Oakheart into supporting her coup against her father and brother, even though by Dornish custom her role would more rightly resemble that of Aegon II because she is the legal heir and believes her father to favor second-born Quentyn. Notably, Criston Cole is blamed over all Targaryen's involved. Ridiculous but probably significant.

Ser Criston Cole. Criston the Kingmaker had set brother against sister and divided the Kingsguard against itself, bringing on the terrible war the singers named the Dance of the Dragons. Some claimed he acted from ambition, for Prince Aegon was more tractable than his willful older sister. Others allowed him nobler motives, and argued that he was defending ancient Andal custom. A few whispered that Ser Criston had been Princess Rhaenyra's lover before he took the white and wanted vengeance on the woman who had spurned him. "The Kingmaker wrought grave harm," Ser Arys said, "and gravely did he pay for it, but . . ." (AFFC, The Soiled Knight)

Quite fittingly, Arianne's own little "dance" ends with horror and death and deep regret on her side, while poor Quentyn is busy on the other side of the planet.

Meanwhile, GRRM keeps the subject current in ADWD (2011) after Tyrion joins the entourage of "Young Griff", mixing in a reminder of different perspective on historical events. And some dragonslaying. Clearly, he has compiled a lot of detailed backstory for this civil war by now.

Haldon was unimpressed. "Even Duck knows that tale. Can you tell me the name of the knight who tried the same ploy with Vhagar during the Dance of the Dragons?" Tyrion grinned. "Ser Byron Swann. He was roasted for his trouble … only the dragon was Syrax, not Vhagar." "I fear that you're mistaken. In The Dance of the Dragons, A True Telling, Maester Munkun writes—" "—that it was Vhagar. Grand Maester Munkun errs. Ser Byron's squire saw his master die, and wrote his daughter of the manner of it. His account says it was Syrax, Rhaenyra's she-dragon, which makes more sense than Munken's version. Swann was the son of a marcher lord, and Storm's End was for Aegon. Vhagar was ridden by Prince Aemond, Aegon's brother. Why should Swann want to slay her?" (ADWD, Tyrion III)

Dragonslaying comes up again in the context of Hazzea and the effects of dragons in general.

If I look back, I am doomed, Dany told herself … but how could she not look back? I should have seen it coming. Was I so blind, or did I close my eyes willfully, so I would not have to see the price of power? Viserys had told her all the tales when she was little. He loved to talk of dragons. She knew how Harrenhal had fallen. She knew about the Field of Fire and the Dance of the Dragons. One of her forebears, the third Aegon, had seen his own mother devoured by his uncle's dragon. And there were songs beyond count of villages and kingdoms that lived in dread of dragons till some brave dragonslayer rescued them. At Astapor the slaver's eyes had melted. On the road to Yunkai, when Daario tossed the heads of Sallor the Bald and Prendahl na Ghezn at her feet, her children made a feast of them. Dragons had no fear of men. And a dragon large enough to gorge on sheep could take a child just as easily. (ADWD, Daenerys II)

In a telling twist on the name that pulls it directly into the present and likely future, we look at burned Quentyn:

After the girl was gone, the old knight peeled back the coverlet for one last look at Quentyn Martell's face, or what remained of it. So much of the prince's flesh had sloughed away that he could see the skull beneath. His eyes were pools of pus. He should have stayed in Dorne. He should have stayed a frog. Not all men are meant to dance with dragons. (ADWD, The Queen's Hand)

Which echoes again with Arianne in her TWOW sample chapters (2010-ish), which (interestingly) also flesh out her relationship with Daemon Sand, an intentional reference to a prominent character in the dance linked to Rhaenyra.

"Once we know beyond a doubt whether these be friends or foes, my father will know what to do," the princess said. It was then that pasty, pudgy Teora raised her eyes from the creamcakes on her plate. "It is dragons." "Dragons?" said her mother. "Teora, don't be mad." "I'm not. They're coming." "How could you possibly know that?" her sister asked, with a note of scorn in her voice. "One of your little dreams?" Teora gave a tiny nod, chin trembling. "They were dancing. In my dream. And everywhere the dragons danced the people died."

Much like with Daenerys, this reference emphasizes the destructive effects of the dragon-based civil war.

Since Arianne's little stint as pseudo-Rhaenyra went nowhere, but the Dance references remain thick and strong, we can likely look at her upcoming connection to Aegon as the point of it all.

Incidentally, GRRM has already set up their future conflict:

Now, how do you suppose this queen will react when you turn up with your begging bowl in hand and say, 'Good morrow to you, Auntie. I am your nephew, Aegon, returned from the dead. I've been hiding on a poleboat all my life, but now I've washed the blue dye from my hair and I'd like a dragon, please … and oh, did I mention, my claim to the Iron Throne is stronger than your own?' " (ADWD, Tyrion VI)

This places Tyrion into the role of a Cole-figure, hilariously, having pushed Aegon into changing direction to claim the throne directly without Dany.

There's the strife between family members, kingsguards, factions, and manipulative third parties, all over a throne that really isn't worth it, told from multiple perspectives, bringing misery and destruction to the smallfolk.

All the extra material on the Dance of Dragons was published after ADWD, from A World of Ice and Fire (2014) to the novellas (2013-2024) to Fire and Blood (2018), with one small reference to the extinction of the dragons after the Dance in The Mystery Knight (2010). So all this backstory was compiled and built up in the service of of the main story GRRM is telling.

You rightfully bring up Jon, Daenerys and Aegon all together, but it's extremely unlikely that Jon Snow is going to be a driving factor in a Dance of Dragons 2.0 because he will only just find out that he has Targaryen ancestry, and in a way that puts him it in conflict with her Stark ancestry.

No, this war is going to be between two established family members who both have claims and means alongside the ambition to ascend the Iron Throne. Not quite brother v. sister but aunt v. nephew. Tragic, destructive, self-destructive. Much like what the Baratheon brothers have served us before. Only with dragons involved on Dany's side, while Aegon mixes it up by simultaneously representing the Dornish side of the story, through his mother Elia - which is a whole different kettle of fish.

Jon's presence in there is probably going to be a very interesting complicating factor that might go in many different directions, with mirrors to Robb's Will and Stannis' offer of legitimization (another theme in the Dance), to accusations of manipulation and ambition (Criston Cole). The role of the prophecy is also going to be explored in all its myopic self-destructive emptiness.

This won't be a copy of the first Dance, though.

If there is an Hour of the Wolf, it's going to preside not over scarred survivors, but over the ashes and corpses of King's Landing and the Targaryen legacy in Westeros.

[lykegenia]

So something has been bugging me for a while now about A and N’s backstories, and while I know not everyone will be as pedantic as me, as someone who loves history and has done a lot of writing, I feel that if you’re going to write a story about vampires and give them a specific time and date of origin, then there should be a certain level of research that goes into making that background authentic. I'm not saying that Mishka didn’t do any research. It just seems that in order to keep the vibe of a happy, mellow fantasy some of the less savoury aspects of A and N’s upbringings have been left out, and it's a shame. To be honest, it feels a bit disingenuous, and it feels like an opportunity got wasted.

Let me explain (long post got long, it's 2am)

Let's take A first, since the problem is simpler here.

A is the child of a Norman lord and an Anglo-Saxon noblewoman, born in the first generation after the Norman Conquest of England in 1066. A says that these were turbulent times but that their parents had a happy marriage. Which. While I’m sure a lot of unions in that time period made the best of it, I can’t help but feel this description strips away a lot of the context of what was going on at that point in history - and removes some of the complexity about A’s thoughts on love and relationships.

Basically, after he took control of the throne, William the Conqueror stripped many Anglo-Saxon lords of their lands and titles so he could give them to his Norman buddies instead - with the added bonus that it left the Anglo-Saxons without the means to raise armies against him. The sisters, daughters, and widows of the dispossessed Anglo-Saxons were then forced to marry these new Norman lords to legitimise their power, not infrequently after all of their male relatives had been slaughtered. It’s not as if Anglo-Saxon women weren’t used to being used as political chess pieces, but the years after the conquest were brutal. It’s why William had to build so many castles. The point that I’m trying to make is that even if A’s mother was content enough in her daily life, due to the power imbalance between her and her husband, it's very likely she had little choice in the matter. She may have seen a lot of her family killed for political reasons, with the knowledge that – in an age where women had very little protection outside of their paternal household – she might be next if she made too much of a fuss.

It would be fascinating to see what effect that tension has had on A 900 years later, or even to get an acknowledgement of how much times have changed, but we don’t. We don't see how their early years affected them, how they view relationships formed naturally instead of via political contracts. And I really, really wish we did. There is so much potential there.

But A is not the one keeping me up past 2 in the morning. It’s N, and the utter detachment their backstory seems to have from the period in history they lived in as a human. And it all stems from the fact that they came from the English nobility in the late 1600s.

See, the bulk of the problem is that English inheritance law at the time heavily favoured primogeniture, where a man’s wealth would go to his first-born son. Some dispensation was made for widows and other children, but the estates, assets, and most of the money had a very clear destination.

For one thing, this makes it kinda weird that N’s stepfather would have needed an heir before he could inherit, because except in extreme circumstances everything would have gone to him anyway. Don't get me wrong, this isn't the worst part of the problem, it’s just annoying when there are more plausible reasons for him marrying a woman already pregnant with another man’s child (old family friend wanting to save her from disgrace, needed the dowry to pay off gambling debts, there was a longstanding betrothal between them that would have been tricky to get out of, etc.).

No, the bigger problem with N’s backstory vs primogeniture is firstly that at the time the English aristocracy was racist af (still is tbh) and given his pretty obvious mixed-race heritage, no court would have agreed that Nate was a legitimate son (this is for a very special reason that we will be coming back to). I say Nate specifically here because primogeniture requires the eldest legitimate son. Nat wouldn’t have inherited at all, as women in that period passed from the guardianship of their father (or other male blood relative) into that of their husband after marriage, and only gained any kind of independence with widowhood. If N had been an only child, maybe they would have been treated as a special case, but unfortunately Milton exists: the eldest legitimate son who by law will inherit everything.

Now here’s the thing. Your average aristocrat in the 17th century is very obsessed with lineage and keeping the family line unbroken. He would not, therefore, send his legitimate heir to sea to be shot at or drowned before he can carry on the family name – that joy instead goes to any other sons who need their own profession, because again, they will get very little. Nat would have had a dowry, but would never have been expected to make her own living, so I'm going to focuson Nate for this next bit.

In Book 3, if you unlock his tragic backstory Nate tells you he joined the Royal Navy after Milton went missing so that he could go look for him. And, well. This is where his backstory as Mishka tells it completely falls apart. For two reasons:

1. Even in the modern day, you can’t ‘just’ join the Navy, and you certainly can’t just jump straight to being a lieutenant – it takes years of training and after a certain age they won’t take you because they won’t be able to mould you easily enough into a useful tool. For most of the Navy's history, the process was even more involved. It wasn’t an office job you could just rock up to and then quit if you felt like it, it was a lifetime commitment. Boys destined to be officers would be sent to sea as early as 12 to learn shipboard life, starting at the bottom and moving up the ranks. These were gained by passing exams and by purchasing a commission – which is why you generally had to come from wealth to be an officer at all. Once you get to lieutenant you're responsible for a lot of people, and might be tasked with commanding any captured ships alongside the daily running of yours - it was not an easy job.

2. Even as a lieutenant (one rank below Captain, with varying levels of seniority) it’s not like you can just go where you want. In the 1720s British colonies already existed in India, the Caribbean, and up the entire eastern seaboard of North America and into Canada, and the Navy was tasked with protecting merchant shipping along these seaways (and one trade in particular that we’ll be getting to, don’t worry). Nate could have ended up practically anywhere in the burgeoning empire. He would not have been able to choose whom he served under, and would not have been able to demand his superior officer go against orders from the admirality to chase down one lone vessel because he thinks another one of the admirals might be a bit dodgy. It could not have happened.

Besides these impracticalities, there’s a far easier way for the child of a wealthy man to get to a specific point on the far side of the globe to look for their lost sibling, which is the route I assume Nat took sine she couldn’t have joined the Navy (yes she could have snuck in but she’s specifically in a dress in the B2 mirror scene so). All they'd have to do would be to charter a ship and tell the captain where to go, which is the plot of Treasure Island. It's quicker, less fuss, with less chance of things going wrong. It's even possible in the age of mercantilism that the Sewells had some merchant vessels among their holdings that could be diverted for the task. Why go through the hassle of joining the Navy and potentially ending up on the wrong side of the world when you can just hire a ship directly?

If Nate does have to be in the Navy (and let’s face it, it’s worth it just for the uniform) then it's far more plausible is that, as the illegitimate son who would not inherit because of racism etc, he got sent to the Navy as a boy and rose through the ranks to become a lieutenant. When he got news of Milton’s disappearance not far from where he was stationed, he begged his captain to go investigate in case whatever happened turned out to be the symptom of a bigger problem. Like pirates.

I like this version better not just because it makes more sense, or because it keeps Nate’s situation re: inheritance closer to Nat’s and therefore makes their stories more equal, but also because it adds a delicious amount of guilt to Nate’s need to find his brother. We know his entire crew died looking for answers, because he was selfish – that’s roughly 100-400 lives lost because of him, and we know that sort of thing eats at him.

So that's one side of the story, but if Milton wasn’t in the Navy, what was he doing on the other side of the Atlantic in the first place? Well, this is where we come to the biggest elephant in the room regarding N’s backstory as a member of the 17th century English aristocracy and potentially as a naval officer: the Atlantic Slave Trade. If you are wealthy in 17th century Britain it's more than likely that your wealth comes either from the trade itself, or from the products made with the labour of enslaved people. If you are wealthy, you want to protect your assets from attack by pirates or foreign powers so you don't become less wealthy, and that is what the Navy is for.

Regardless of N’s own views on slavery at the time – and any subsequent changes in opinion – it’s likely their family owned or had shares in slave plantations in the Americas. As distasteful as it is, it makes far more sense that Milton was on a trip to check the family’s holdings when his ship - specifically a merchant vessel - went missing. From a pirate perspective, a merchant ship would make a much better target than a Navy vessel, being slower, more likely to have valuable cargo, and less likely to have marines or a well-trained broadside.

It's not surprising that Mishka left out the subject of the slave trade given her tendency to skirt around darker subjects and general blindspot for racial politics, but it is nuance that, if it was there, would create a more grounded and coherent backstory for N that doesn’t have quite so many holes. Like with A being the child of an invader and his war bride, we could get some deeper thoughts from N about their place in the world - How do they feel to have grown up so privileged when others who looked like them were regarded as literal property? How did they feel being part of the system that made it happen? Did it inform their compassionate nature? Is it still a source of guilt or someithng they've tried to make up for?

I'm not sure where I was going with all of this. It's late, my sleep pattern is fucked. The tl;dr is that giving the vampires' backstories historical context would make them feel more multifaceted and would give opportunities for character growth that are instead missed because of a desire for a more sanitized version of the past.

[letsgetrowdy43]

Meet the cast—

Au Masterlist!!

Yvette “Eve” Liu—

She was born in upstate New York, her father a lawyer and her mother an Educational Assistant, her two younger siblings were born years later in Michigan when they moved to Plymouth when their father was offered a senior partnership at a law firm.

She tutored a bunch of the usntdp boys in their junior and senior years, and that's how she found her Jack

Jack was very different from the other boys she put up with, he had a politeness that made her swoon. He never interrupted her, always paid attention, and always followed his sessions with a quiet thank you which had her in a puddle every time he left the library.

There was never a session where she hadn't shown up home after with big heart eyes.

Eve was always very school-oriented throughout her life, loved education, and loved furthering her understanding of the world, so naturally, she chose education as her career path

She goes on to study education at Rutgers and becomes a high school history and English teacher by 22 (started her teaching practicum at age 20, so technically she was teaching at 20h

Her and Jack ending up in the same city was a coincidence; her cousins who lived in New York were also going to Rutgers for their degrees, and she wanted to be close to her family, so she followed them. Jack just happened to get drafted there just a few months before her freshman year began

She had a cat in college, but she had to give it to one of her college friends when she moved into her apartment because Jack was allergic to it, her name was Penelope

Eve and Nico are also very close, Jack's real wife and his work wife are best friends and always team up against him, he gets either very upset at their kicking or very jealous that is wives love each other more than they love him

She owned a little box of every little thing Jack had ever given in her room, and he never found out till they moved in together in her senior year of college

She named their daughter, an ode to one of the more influential women in her life, her grandmother, and that's how they ended up with little Mei Hughes.

Mei and Jack are her entire life, and it's as simple as that.

Jack Hughes—

Jack was pretty sure Eve hated him their first few history tutoring sessions together, he could barely string sentences together, his palms were soaked, and he was a ball of nerves because she was just so pretty.

He was so blind to the fact that she was equally just as into him as he was to her. He accidentally misunderstood her asking him to homecoming in their junior year as her asking them to go as friends so when he picked her up she was expecting a cute little corsage and to maybe take some photos and instead, he showed up at her doorstep with Trevor and Alex.

Jack would never live that moment down for the rest of his life, but he definitely made it up to her a year later when he asked her out, as not-friends.

She definitely fell first but he fell harder.

Jack cried so many tears when he found out they were both gonna be in Jersey and really relied on her during his rookie year

While he was in Michigan during the 2023 season he bribed Luke with free liquor to drive up to Detroit and pick him up so he could stop at Eve's parent's house to ask for permission to marry her.

They are only engaged and plan to have a long engagement, but Jack refers to her as his wife to literally everyone

Jack is literally a wife guy, whatever his wife says goes, and everyone chirps him cause he's literally Eve's bitch, but he follows her blindly and with heart eyes and does not give a fuck what anyone says.

Jack is the girl dad at heart, and that's all im going to say cause I know you all completely understand what I mean.

Mei Jean Hughes—

Born January 8th, 2024 in New Wark NJ

Very chubby giggly baby with a head of perfect little curls

Jack asked Quinn to be her godfather during the second Hughes vs Hughes game, just days before Eve was induced. Quinn cried, but if you ask him he’ll say something was in his eye

Mei is Daddies girl for sure, she is obsessed with Jack, hates when he's on roadies and needs to talk on the phone with him before bed

Mei hates Trevor, she loves Cole and Alex, but Trevor is like enemy #1

Has Luke wrapped around her chubby little finger, he is literally Eve and Jack’s saving grace, the best babysitter ever

Mei goes through a tiara phase when she’s older

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If you have any thoughts or questions please leave them in my inbox!!!

[bonebabbles]

ThunderClan Becomes Based??

Sunbeam i love youu

She can't find a table at the ThunderClan cafeteria. Girl why does every place you go to slowly warp into a high school?

She has some really cute moments talking about the differences in how ThunderClan hunts vs how ShadowClan hunts which I like a lot, a bunch of cats start trying to make her feel welcome, Sparkpelt starts opening up about her feelings towards her son (she really seems like she needs someone to talk to)

And then

HER

"THOUGHT YOU'D SEEN THE LAST OF ME," -Battle cry of the worst person you know

Berryheart starts screaming at her in front of everyone, saying anything at all she can use to humiliate and hurt her, Sunbeam shoots back,

LIONBLAZE?? BEING NORMAL?

SHELLFUR RELEVANT SPEAKING LINE?

SPARKPELT GETTING A SYMPATHETIC MOMENT STANDING UP FOR HER DAUGHTER-IN-LAW AGAINST HER TOXIC MOM??

FINCHLIGHT MURDER ON A TUESDAY????

What the hell, did they actually take the criticism of the Clans being full of miserable assholes who don't like each other to heart? Did they actually knowingly make a change here?

I'm actually kind of shocked, we almost never get supportive group scenes like this.

Sunbeam's feelings are also super grounded-- she's terrified of this pushing her mother into saying something even worse, and of the burden this has put on the cats around her. She feels like she's responsible for this, and Berryheart's words stick to her. Even though it's obvious she was only saying it out of desperation, Sunbeam believes it.

After this, Myrtlebloom gathers her together to bring her on a comfrey-gathering expedition. It's late at night, but no one's going to be sleeping after all that so they're trying to help get her mind off it.

This was a STRONG chapter to end the preview off on, and I hope this keeps up. Though I have some serious critique of the Nightheart chapters (and, mind you, he is My Boy) overall this has been a really solid excerpt.

[zakumipink]

🔸The Sims 4

Current games, because I have a lot of characters and alternate universes, but I like to play with my OTP of the moment.

Law and Sabo, base 2017. Base skin, soft, tries to maintain a visual resemblance to the anime. I only use it for photos or gifs.

Law and Sabo, base 2024. Remastered, more realistic skin. Law's tattoos look better, It's not finished yet.

Law and Sabo, base 2022 My favorites: Law, Sabo and his son Roule. First expansion (Get to Work), Fifth expansion (4 Seasons) and Thirteenth expansion (Growing Together) mainly. I have played many challenges with these sims, such as "Rags to Riches", "100 Babies Challenge" and others, They even dated as teenagers, got married in college, and survived the mysterious attack of the mother plant in StrangerVille... Law is the Chief of Staff of the Hospital, as a Surgeon. Sabo is a househusband, but works sporadically editing books, making paintings, floristry or baking desserts. Modern AU

AU Vampires Base 2022 with CC Gothic and the fourth expansion. Family of vampires, live in Forgotten Hollow. Sabo was turned by Law, so Ace and Luffy are humans. Roule is a vampire child, Law works as Art Critic and Sabo is writer. I have a vampire-based fanfic (Lucky One) although it has nothing to do with the game, but it helps me imagine their reactions.

AU Mermaids. Law is a Marine Biologist and Sabo is a mermaid. Base 2022, Seventh expansion (Island Living) and MOD Expanded Mermaids (SpinningPlumbobs). They live in Sulani, Sabo likes to cause bad weather so Law doesn't go to work (lol), Law collect stones, metals, crystals, fish, frogs... I have a fanfic based on this (The Drowned Song) but it's not the same either, it just uses the idea of mermaid Sabo getting legs when he comes out of the sea.

AU Magic. Base 2022, with CC of fairies, witches and residential houses with lots of plants or mushrooms... Eleventh expansion (Cottage Living) and the MOD Fairies vs Witches; Unicorns MOD (SpinningPlumbobs) Law is a wizard, he collects everything, studies spells and his ability requires lunar energy. Sabo is a fairy who lived in the Wild Glade, but left her home when he married Law, who is his natural enemy. They have a son: Roule, who does not have fairy wings yet, but maybe I'll get them. I haven't decided yet. Sabo is a florist, he uses his powers to take care of the plants and he loves to fish.

AU Royalty. Base 2022, with Medieval CC, elves and magic. Eleventh expansion (Cottage Living), Royal Family Mod (KiaraSims4Mods), Regencia Romance (JaneSimsten) and Unicorns MOD (SpinningPlumbobs) Law and Sabo are the kings of the northern elves, they have a daughter named Eira and live in the Sanctuary. They participate in activities such as hunting, archery, ballroom dancing, horse, rabbit and bird breeding...They have a fairly quiet life, their employees take care of everything. They are five-star celebrities. I wrote a fanfic with them, although it is very different, but I liked their daughter and that they lived in a sanctuary where they give them offerings.

AU Wizard. Base 2022, with CC Steampunk, witches and dragons. Eighth pack (Realm of magic) and Unicorns MOD (SpinningPlumbobs), Expanded Realm Of Magic (Zero's Sims) Law is a sorcerer and Sabo is a dragon, who adopts his anthropomorphic form to accompany him in his world. Sabo is a fan of jewels, gold and crystals, but in addition to stealing shiny things also likes to set fires... Law as a sorcerer, learns spells, potions, catches creatures, collects objects and uses a broom to fly, although nothing stresses him out as much as taking care of Sabo. They live in Glimmerbrook.

I have the classic Mods for pregnancy, professions, bassemental, drama, WW, food recipes and all the expansions up to "For Rent" the fifteenth.

I have not updated.

[aryas-faces]

1) There cannot be two heirs for one seat. Rhaenyra is the heir by law while aegon is, in a way, supported by precedent in a patriarchy society, but that's not make him heir. precedent =/ law

2) meanwhile i agree that not everyone in tb or tg are completely bad or completely good, grrm write in his blog complimenting hotd for how they write aegon, in particular he said that this version of him is more deep than the villain he created. he used this exact word, villain.

3) how strange is that the story written by two master describe an half hightower king prevail as bittersweet. the only bittersweet thing that happened was jaehaera, an innocent, died by the hand of an ambitious man who want his blood on the throne. just as alicent and otto they condemned their children / grandchildren

4) a mother's fears is not funny, but in this case is hilarious cause there was literally no scenario where this could work, none. so the options are 1 alicent is a totally idiot (and she is not) 2 she puts her ambitious above the safety of her children, most likely. she also insulted rhaenyra's death children when her daughter was litterally in the red keep (im not saying haelena should be punish for this or something similar, just that it was a stupid thing to say in regard of her safety)

1) Fair point

2) Are you talking about this?

Because he doesn’t mean book Aegon is a villain. He’a talking about Aegon’s portrayal in season 1 (straight up villain) vs season 2 where he was portrayed like an actual human, that’s why he says he was, “brought alive in ways we haven’t seen before” by the actor. He’s talking about the shit portrayal in season 1 vs the amazing one in season 2

3) This quote is from The Princess and the Queen, which has no sources. It is just written by George R R Martin

4) I agree Alicent puts her ambitious above all, but she also genuinely wanted to keep them safe and have the realm at peace. If it was purely ambition, why not just kill Rhaenyra rather than send peace terms?

[seramilla]

Here is a question for you:between vaggie and charlie, who would be rapunzel, and who would be the prince/flynn rider?

Same question for Sera and Carmila

I was initially going to say Charlie would be Rapunzel (because she basically is, with the same bubbly attitude and penchant for breaking out into song at random), but I think I'm changing my answer to Charlie would be Flynn. IF ONLY FOR THE FACT that she could do one Hell of a smolder. I don't know if it would have the same effect if Vaggie tried to do it. I'm thinking of that look Charlie gave Vaggie when she first saw her wings and said, "Those look nice!" You know the one! She could do one helluva smolder! Vaggie can be Rapunzel. She's got the longer hair, and her short haircut kind of looks like Rapunzel's hair when Flynn cuts it.

As for Carmilla and Sera...that's a tough one. I'd say Sera is probably Rapunzel just because of the symbolism -- she's trapped up high in a literal cage while someone else (Mother Gothel vs. the elders) is controlling every aspect of her existence and trying to make her into the perfectly obedient daughter/woman/whatever. Carmilla would be the roguish warrior on the run from the law who finds her and falls in love with her.

These are just my very well thought out correct opinions! Jk jk!

[another-snowjanus-fangirl]

Dune 2 is literally another mother-in-law vs daughter-in-law conflict (between Jessica & chani) but with politics, blood and religious fervour in the background.

You know those jokes where mother doesn't accept their son's girlfriend cause she's not good enough? Dune 2 is all about that, but it's political fantasy and not a romcom

[queens-of-spirits]

Some Scum Villain Fanfic Ideas I’ve Got Stewing:

(These are all Bingqiu and Moshang becuase with maybe background Qijiu because those are my ships)

In no particular order:

Binghe’s mother(s) are/is given the chance to see how her son grew up via time travel system shenanigans and SQQ being given a “meet the mother-in-law” quest

A moshang version of the questionnaire extra

My take on the Bingmei vs Bingge extra, where they each have a system and have to stay in each other’s worlds for a week (this believe it or not came about before I knew this extra existed)

Hades and Persephone au with LBH as Hades and SQQ as Persephone

An au where everything is the same, but SQQ is a vampire

An mpreg fic where the demons are the ones pregnant for once (I have scenes for this already written). Contains a sequel idea where Bingqiu’s daughter ends up meeting Bingge

It turns out that all of the Shen siblings are anime-esque protagonists and the three left in his old world realize SY transmigrated and use magic to track him down and reunite

SY gets sent back to his old world and LBH comes to get him, hilarity and angst ensue.

Og!MBJ swaps places with the svsss version and is very confused. Leads into a sequel where pre-transmigration versions of SQQ and SQH are kidnapped and effectively seduced by the PIDW boys

My take on an A/B/O au

LBH tries to become Bingpup to get closer to SQQ post abyss, becomes a giant wolf instead. He still gets adopted and an identity reveal ensues

An intense harem selection au where SQQ wins before it even starts

Probably like 80 more, I love this series

Let me know if you have a favourite I guess ¯\_(ツ)_/¯

[that-ari-blogger]

Spiraling Upwards (The Price Of Power)

Repetition is the bread and butter of She-Ra and the Princesses of Power. The series is about cycles of abuse and trauma, and the tragedy inherent in that. It's about breaking out of those rythms, and to do that, it needs to establish what is holding its characters back.

But, showing the same thing over and over again is boring. It's stale, and overplayed, and stale, and overplayed, and stale. See what I mean?

Season three of the series shakes things up. It is a masterclass in twisting a formula to its breaking point, and that starts with The Price Of Power.

Let me explain.

SPOILERS AHEAD: (She Ra and the Princesses of Power)

The title of this episode has so many meanings that it's impressive. The price of power is what it says on the tin, but it could relate to almost any character in this.

Shadow Weaver finally has her villainy catching up to her (side note, the animation of SW's magic side effect, which I will be referring to as "death juice", is stellar), and it is sapping her life. Catra is realising that her security wasn't as solid as she thought. Adora is making a Faustian bargain with her abuser. Even Angella is weighing up decisions about her family and her kingdom.

Angella's compete lack of willingness to let Adora near the source of her trauma sets her up as an actual maternal figure for Adora, rather than the simple source of authority that she has been up until this point. Remember this, it will come up later on in the season.

That reframes the conflict between Angella and Shadow Weaver's conflict, turning it into mother vs mother, and their ideologies come into conflict. Altruism vs selfishness. And, with that in mind, I'd like to do a shot breakdown of that scene.

The principle I will be using here is screen presence. Typically (I am using the word "typically" here because this isn't a rule, its a generalisation. There are exceptions), the person who takes up the most of the screen has the most control in the scene. This stems from a few places, but mostly it's just that humans are hardwired to associate "big" with "powerful", so the person who is the largest in your perspective has the most power.

Stable, wide shot. Nothing is really happening yet, Shadow Weaver is learning her surroundings and how trapped she is. She is small, and crouched, and boxed in by that barrier and forcefield. Simple stuff.

This shot is diagonal, bending backwards so that the audience can look over Shadow Weaver's shoulder at Angella. The two are roughly equal in screen presence, so the angle sells the power dynamic, mostly. It is a bit up in the air at this point, the audience isn't sure which way this interaction will go.

"This is a prison?" "Why does everyone keep...? Of course this is a prison."

Look who's the largest now. Shadow Weaver looks down on Angella, as she finds a crack in her psyche, and the queen reacts predictably. Now Shadow Weaver has a weakness she can exploit, and she takes control.

We are closer to Shadow Weaver than either Angella or Castaspella, reflecting the immediate change in dynamic. Now Angella and her sister-in-law vie with each other for control, disorganised against a monolithic force.

These two are powerless against her. She frames them in the smallest possible space, her very presence confining them and removing their agency.

This should be Castaspella taking control. She accuses Shadow Weaver of something concrete, but Shadow Weaver takes that away. The camera draws in, removing Castaspella from the frame, literally siphoning off her control of the scene.

This scene wasn't the point of this post, but I felt it needed a little more time, as it shows just who Shadow Weaver is. She is a parasite, who feeds on other people's trauma and wounds. She leads with the fact that she has hurt this woman's daughter, then plays on her deceased brother, then turns that same blade into Castaspella.

It is also worth noting that this is Shadow Weaver at her worst. She has been given a chance to try something new, to gain empathy and healing from people who would probably give it to her if she was honest with them. But Shadow Weaver is two things: cruel, and ambitious. She is awful to the people she needs, in order to get to the person she wants.

That person is Adora, of course. This season shakes things up by changing the trajectory of the arcs. Instead of Catra falling further and further, with Adora managing to climb out of her own trauma, it's the reverse. At least until the end.

So, Adora begins in a good place, and Catra begins at rock bottom. Adora has a support network, and feels in control of her own life, but Catra wakes up in a jail cell, reliving her recent punishment at the hands of Hordack.

This is also the season in which ideologies get challenged most overtly. Starting with Glimmer and Bow.

Bow believes that good people do good things and bad people do bad things. Which is a neat sentiment and I kind of agree. The problem, is that he has associated "bad people" with "the horde", and has rationalised Adora as different because of She-Ra. To his credit, when he is confronted about this, he rethinks things. Bow is a simple character, and he needs to be to contrast with the rest of the cast.

Glimmer has that black and pink morality that I mentioned in my post on Rolling With It. She believes in a very distinct idea of good and evil that doesn't really match up with the rest of the series. She skirts the edge of being an anti-hero at times, which is a phenomenal choice for a story about war. Most obviously:

"Listen up, lady. After all your kidnapping and mind-wiping, I am just looking for a reason to serve up a little payback. So, if you do anything to hurt Adora..."

So, at this point, Glimmer thinks Shadow Weaver is working for the Horde, which would make her a prisoner of war. I'll let you decide what this means.

Adora believes in redemption, and this is where things get funky, because Adora has done the same thing as her friends. She has associated morality with allegiance, and this is a false positive, mostly.

I want to stress that the Horde destroys environments, levels settlements, and definitely kills civilians off camera, amongst other things. I am adamantly not trying to both-sides this conflict and I don't want any of that nonsense in the replies to my posts. What I am saying is that switching sides without changing behaviours doesn't immediately make someone a good person.

Shadow Weaver switches sides to the princess allegiance, but then routinely pressures the protagonists to corrupt themselves and actively get themselves killed. Shadow Weaver does not get redeemed, she gets a sea change.

It is also notable off hand that Adora thinks she has switched side, therefore her own redemption is finished and she has fully healed. But Shadow Weaver still moves her like a puppet on a string.

That is core to Adora's arc in this season and the series, the idea of personal agency vs the influence of others. Adora received a similar change in circumstances when she discovered she was She-Ra, so she thinks that Shadow Weaver will change as well.

What Adora is missing is the balance. Yes, her circumstances helped her, but she made a choice to be better. She was given the information about the Horde's evil, and made an informed decision to become a hero. Later on in the series, this will come up again with the Old Ones and their weapon, and again, Adora will make a decision to do what is right, not what her side thinks.

This is, however, more complicated, because the question of redemption is more complicated than a Tumblr post can properly address. I can try, but I recommend literally any philosopher ever to philosophise. So here goes my attempt.

Anyone can be redeemed, but "can" is the operative word there, not "will". Redemption is an informed choice to be better, and in my most humble of opinion, the truly evil people are the ones who refuse it. I think that She-Ra as a whole agrees with this premise.

This episode sets up a ton of thematic ideas in direct opposition to each other, telegraphing to the audience that the season will go into these in detail, but also that the season will be about dissecting preconceptions.

Most notably, the third season of She-Ra will discuss Adora's idea of redemption becoming more nuanced, as Shadow Weaver actively disproves her premise, and she has to rethink things.

Which brings me to Catra, who is on the receiving end of all of these themes in quick succession throughout the season. For the moment, however, she is confronted with two. Connection, and preconception. Catra wakes up from a nightmare, in a cell. She believes that having friends will only cause her irreparable pain, and as a person who craves safety and emotional security, that isn't a risk worth taking.

Then Scorpia and Entrapta actively try to rescue her from death and succeed. It is imperative to understand that this catches Catra by surprise. She is used to that conditional acceptance that was Shadow Weaver's style, and has internalised Adora's departure to match those behaviours. Hordack hasn't helped.

But here she is, at her lowest so far, and Scorpia and Entrapta stick their necks out for her, and it pays off. This is the power of friendship crystalised in its most pure and realistic form.

Season three centres around Catra almost achieving her own healing, and she does it on her own terms, accompanied by Scorpia, the embodiment of unconditional kindness. In essence, her spiral downwards has been reversed.

Redemption is weaved throughout Catra's entire journey, and while it isn't explicit in this episode, it is still an important element to bring up, because Catra is an explicit link to Shadow Weaver here, as well as Adora.

Shadow Weaver is given the chance for redemption, and intentionally refuses it. Catra is being given a similar opportunity to get away from the place that is directly causing her villainy, and improves, mostly.

It doesn't succeed, though, does it? Neither spiral completes. Catra almost heals, but comes crashing down, and Adora nearly succumbs to nihilism, but manages to claw her way out at the last moment. They try to break the mould and fail, but they rupture the neatness of this tragedy in the act, and if it can be torn, it can be broken.

FINAL THOUGHTS

Ok, here we go. Season three is my favourite season of She-Ra, so this is going to be a fun set of posts to make, because I have a lot of things to say.

This season fully eschews simplicity and revolves around having as many moving parts as possible. Everyone gets an arc, everyone gets a different thing that they are dealing with. Some stories don't even collide directly, but have massive impacts on each other.

This season shows that the story can be subverted while characters try and fail to do so. It's possible, but they can't do it without each other.

There's a storm coming, there's nuance in the air, and the winds are starting to change.

Next week, I will be looking at Huntara. The episode, not the person. I mean, kind of the person, but in an analytical sense. That got weird. Stick around for more analysis of this series if that interests you.

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