#new villains and allies

[azar-rosethorn]

If Nickelodeon or Netflix or whatever company ROTTMNT is in the hands of doesn't announce that they're giving us season 3 by the end of the year I will make it myself istg

[nelkcats]

Ghost Doctor

Danny became the new underground Gotham's doctor, unlike Dr.Leslie he treats anyone as long as they're willing to find him (and it is hard if is not the right time) and pay the price.

This may sound extremely sinister but the reality was that Danny was not interested in money; he was already King of a dimension and his funds were not going to run out while he was on vacations.

The treatments vary, along with the reviews, but this is due to the prices he give. When Danny treated the Joker, the clown ended up shaking and almost regretting his actions, falling into a laugh full of madness (Danny's price was simple: Face the same thing you put your victims through)

But when Dr. Freeze knocked on his door, tearfully begging to treat Nora, Danny cured her, his price being a smile and a plea "Live happily with your wife for as long as you can."

With all the knowledge that Frostbite teach him combined with Clockwork showing him all human advances on the future (is not illegal if your ghost parent show you) he rented a warehouse and with the help of some ghosts he dig a hole the same size as the warehouse but meters underground, after that he used his powers and sinked it directly into the hole; he developed all his machinery there, turning it into a Bunker that he was the only one who could access.

Therefore, Danny was a mystery, a danger, his prices were varied and he treated anyone: villain, hero, anti-hero, mafia, criminals, innocents, metas, etc. but your values ​​and actions were what whispered your charge and not even an extremely high amount of money would convince him of giving you a different treatment.

Of course, when Jason jokingly visited him asking to cure the pits (He knew it had no cure), his slightest hope was rewarded when the Doctor simply smiled and accepted (His price? A date).

[buttercupshands]

Chapter 419 Analysis or "How to make allies not pawns" a helpful guide from League of Villains (part 2)

This is now a second part of Tomura character analysis.

With chapter 419 being probably our last time seeing Tomura for a while, since we need to learn what happened with Aizawa now is time to remember that not only bad things exist it Tomura's life.

Warning of spoilers to the whole manga to the point of chapter 419! All of the warnings from My Villain Academy side of manga are applicable

So like... mentions of death, killing other people, manipulation, emotional abuse and many more!

This is Part 2 - See here for Part 1 of this depressing mess

With AFO being so sure that he knows better and actually controlled every single part of Tenko's life creating a Symbol of Fear without any redeeming qualities or even hope for saving after he destroys him. There's one thing that AFO still doesn't understand about Tomura and never did - and that's his allies, or the League of Villains that he created.

Even Kurogiri, being a Nomu who's views do not stray from what AFO thought was important didn't exactly understand what did Tomura think about his allies quick to assume that he thought of them as pawns all the was back in the Training Camp arc. With Tomura making game examples to explain the situation, he still didn't think of LoV as just pawns on a desk, like AFO does.

At the time of USJ arc there weren't many people Tomura called this, which could make you wonder how much it was just AFO's plan rather than Tomura's with him never worrying about those other villains yet getting so worked up over losing Nomu not only because he was strong enough to defend him from All-Might, but treating his defeat as something that must be avenged.

And that was long before Stain even entered the picture, the first of three people who greatly affected Tomura's view of his own motives alongside AFO's manipulation of literally everything else.

Tomura was terrified of fighting All-Might seconds before this and yet as this goes on it's becoming more noticeable - Tomura doesn't care for his own fear or worries as long as he's fighting for someone else's good. Not so different from how Izuku is ready to disregard himself for the sake of others, resulting in many injuries and being so close to dying so many times.

It never was a secret that Tomura is highly dependent on others to keep himself from losing confidence, or even will to fight, getting either too anxious to continue without anyone's reassurance.

And while AFO's "help" was mostly given only with some kind of lesson as we saw in "Tomura Shigaraki: Origin", with AFO literally sitting there, saying how Tenko is weak for not killing but showing some restrain instead suffering himself, never actually helping or comforting him. Only offering what he deemed nessesary for his own plan of making Tenko kill those thugs not caring that he's feeling sick from those hands.

But in USJ it's not AFO who's there with Tomura, it's Kurogiri, who was shown to still have some care that Shirakumo had that even Aizawa and Mic couldn't argue that it's similar to how Shirakumo couldn't just leave a kitten in the rain. No matter the responsibility that it would bring with taking a little one in.

A helpless little kitten that didn't get the help it needs from anyone else. Sounds way too familiar.

This never was a direct order from AFO other than he needs to "tend and protect" for Tomura, which can mean anything from just looking out when Tomura's sick, or protect him from any tread like someone trying to kill him.

Not helping him getting over his anxiety to fight or helping him and guiding him to do better as a leader of the League calming him if it got out of control. Which is somewhat opposite to the way AFO deals with Decay and Tomura's temper - letting him destroy anything even the hands that he gave him, just offering new ones when he succeedes and never really caring for his pawns, he can always get new ones.

And surely not asking if Tomura's well the first thing while talking to Heroes.

Which then leads us back to how Tomura never viewed anyone that he chose as pawns calling them his allies, with the word '仲間' which can even be translated as friends in needed context, but usually used as comrade or ally when Tomura says it. And the same thing is usually translated as "friend" when used by Twice.

In any case Tomura never once doubted his allies since he saw them as reliable, even if his first meeting with Toga and Dabi went so wrong that Kurogiri had to stop them from killing each other.

Up to the point of Training Camp AFO describes as him teaching Tomura to be independent which was at that point too far from the truth than he thought. If Tomura begging for AFO to leave with them is any indicator he actually was even less independent after All-Might almost caught them, making him doubt his own worth as a leader. Even if AFO's defeat finally let him think and wonder about himself and his past.

AFO believed that Tomura just knowing how to recruit people would suddenly make him great at using those new "pawns" which was proven wrong by Overhaul no so long after that. Showing how Tomura believed the same thing AFO did as well, fully trusting his judgement of anything including himself, all the while parroting what AFO says without fully understanding what it means.

Only after losing both Magne and Mr. Compress arm does Tomura slowly start making progress in becoming someone more than AFO tells him to do. Even if as we see in part 1 it used Decay as the ground to make it stable since he believed it was his quirk. And yet.

Even if Tomura didn't simply instruct his allies how to choose who to recruit, he never blamed them for it. On the opposite, when Twice was hard on himself after bringing Overhaul to them Tomura just looked at them for the first time without a hand on his face, or even on himself at all, showing how he trusts them as much as he would trust himself and believes that they can do it.

Taking off hands of his family would mean not relying on the conflicting feelings that they bring into the picture, something AFO would very much dissaprove, since he was now like an equal to everyone in LoV instead of being above them. He

And with this instead of making them blindly trust his decisions and following him from fear or adoration like people had been following AFO or Overhaul, he instead was an equal to them both in failure and victory that wasn't even all that guaranteed yet.

Each one of them had their own somewhat selfish goal that just seemed like they were just using each other without any worry being each other's pawns. Or maybe that's just how AFO would see them.

Yet it doesn't explain why did Toga care for Twice's trauma response of not having his mask on, since he already did his part and all that they both needed to do was done. But LoV was never about following orders or giving them, expecting for the pawns to follow without question. It was about a leader of the group that would stand up for his allies while allowing them full freedom, except when they needed to also accept that something is needed to be done for their own sake.

Like following Overhaul for a while all for cutting off his hands leaving him with nothing. Did that sound like something reasonable to do? No! They literally lost their chance at having sushi instead of just living at some abadoned building all the while occasionally searching for money or food, stealing and killing just to survive all while Tomura was just... waiting.

Nothing was really stable at the start of what we call My Villain Academia and yet no one from the LoV left while their state was... bad at the very least. No matter how AFO was teaching Tomura he was still left mostly waiting for something to happen rather than doing something to change the situation himself.

Sure, Tomura now was a famous leader of League of Villains that suddenly needed to be stopped rather that underestimated like before. But that was in the future, now LoV was laying low on funds and slowly Tomura showing his face became the norm, with him usually never wearing hands around LoV.

And with Tomura becoming more and more comfortable around LoV, the LoV itself was becoming more like a place that had one core value that accepted anything else added without anyone wondering about the past of others, like Compress said. Just some selfish people, who still followed their own needs first.

And yet somehow Toga, who joined just because she loved Stain and disliked how life was too hard found her place in the LoV alongside Twice who just needed to be trusted and trust in return. If Tomura only followed what AFO deemed to be the best way to lead no one would actually feel like they're accepted in the LoV as much as they were.

Goal or no goal Tomura succeeded even without having the whole world at the palm of his hands by just never pressing anyone to actually follow him - if they wanted to they could've just left here and there, but since they chose to follow he did what he thought was the obvious best - let his allies do what they wanted.

Which was okay for someone like Toga or Dabi who were either already comfortable by just being allowed to be themselves or being free to plan their own things for their own goals.

But not exactly that for Spinner. Who was instead literally searching for someone to show him what to do, not so different from Tomura, who still only followed whatever 'his Sensei' deemed worthy for him to look into, like letting Kurogiri go find unknown "power" that AFO left along with contact with Doctor.

And while Spinner was not fine with still being hollow even while following Tomura pretending that it's the same thing as following Stain... all it took for him to look differently at how exactly was Tomura thinking was the last real "barrier" that there was - Tomura basically spilling his whole backstory and motivations mostly for LoV to listen to, since Doctor was just testing Tomura's will all according to AFO's plan.

And after that it didn't took too long for Spinner to now follow Tomura, even if it was still not the time to really see the 'warped horizon that was waiting for them'. And yet in times where Tomura still showed some doubt over his decisions - that one old trait of his showing up like it was always at the back of his head not so different from USJ, only thing changing that Tomura got better and better at not letting his emotions control him so easily.

Since the price of that would literally be lifes of his allies.

And neither that or using their emotions to his own benefit was ever in his plans, contrast to AFO manipulating Tomura to do just that. Letting his emotions consume him completely just for his own goal and for his own sake. But as a person who was so familiar with this Tomura still was adamant at NOT allowing something like this to happen to his friends allies.

Effectively creating a bond between all six of them, including Toya that in the end kept them together until the very final arc, with Spinner keeping what Tomura would've thought and with him waking up and calling Machia to get LoV first and foremost Spinner did understand their's leader wishes, as well as Twice's who literally died for his friends.

With all that happening in the War arc the moment AFO returned with both being in control of Tomura's body and just abadoned anything that Tomura would care for like leaving Mr. Compress and Machia behind just to punish him for not getting OFA or not even caring to show any actual respect for Tomura's wishes. Instead showing how little he actually cared for anything but his own good.

But while AFO made so many pawns that he could change like gloves at any given moment, threating them and manipulating them with his power and quirks, Tomura only had 6 allies who stayed after AFO was caught and who were willing to die just to live the life they wanted.

And AFO couldn't give them that.

Even if Decay isn't Tenko's quirk and even if he has so much guilt for killing without it being a little bit justified by it...

LoV still followed him as a person who allowed them to live as they please and so what they want, not some all-powerfull overlord but an ally and a leader who had his flaws and fallings.

[aroacettorney]

[logically-asexual]

im just obsessed with gabriel’s character development in miraculous because. what many kid’s stories usually do is have a small villain to defeat in the first season, while they’re all not that experienced and strong, and then once they defeat them we get another, bigger threat that they have to prepare and grow to face.

with gabriel it’s just him, it’s always been him. but just as the heroes get better, gain more powers and more allies, he also finds more strength and determination and also becomes more desperate, making him capable of more drastic actions.

i adore how it’s the same characters from the beginning to the end but the stakes are in no way the same because all the characters have grown and evolved, not just the heroes being faced with gradually more difficult villains as they dispose of the already defeated ones.

[sofiasfanartcollection]

Painted in a few of my Hypno sketches from earlier :)

[weareuniqueandimportant]

SCARY... THIS HAPPENED 2 TIMES...

[romulanslutempire]

Adelaide Kane needs to reprise her role on SNW (somehow) so we can see her in Romulan tactical gear and with those famous pointy ears.

[wixiany]

i love that we’re going to see more of Thrawn, and I get that the heir to the Empire is some big legends thing, but I’ve read 5/6 of those Thrawn books that are supposed to be considered canon, and idk, i just don’t see how this fits into Thrawn’s characterisation????

[dutybcrne]

Bouncing back real quick to say I rlly want the Pyro Archon to be a full on irredeemable enemy

[imastoryteller]

20 Plot Twist Ideas That Will Shock Your Audience

One of the most effective tools in a storyteller's arsenal is the plot twist. A well-executed plot twist can leave your audience reeling, questioning everything they thought they knew about your story. It can turn a good story into a great one, leaving a lasting impact on your readers or viewers. In this post, we'll explore 20 plot twist ideas that will shock your audience and elevate your storytelling game to new heights.

1. The Unlikely Hero:

Turn the tables by revealing an unexpected character as the true hero. This can be someone seemingly insignificant or even an antagonist who redeems themselves at a crucial moment.

2. The Double Agent:

Introduce a character who initially appears loyal to the protagonist but is secretly working against them, only to later reveal their true intentions.

3. The Long-Lost Sibling:

Uncover a secret sibling, separated from the main character in their early years, and use their sudden appearance to shift the narrative.

4. Time Travel Paradox:

Play with time travel to create a paradox that forces the characters to confront alternate timelines or unforeseen consequences of their actions.

5. The Mastermind:

The story's villain is revealed to be a puppet in a larger scheme, controlled by a mastermind who has been operating behind the scenes.

6. The Supernatural Twist:

Introduce a supernatural element, like ghosts or mythical creatures, that the characters and audience believed were mere myths.

7. The Doppelgänger:

A character's doppelgänger appears, causing confusion and chaos as they try to determine who is the real one.

8. The Reversal of Roles:

Switch the roles of the protagonist and antagonist halfway through the story, making the audience question their allegiances.

9. The Untouchable Hero:

Create a seemingly invincible hero who unexpectedly meets their match, forcing them to reevaluate their abilities and tactics.

10. The Forgotten Past:

Unearth a character's forgotten or repressed memories, leading to a shocking revelation about their true identity or past actions.

11. The Betrayal Within:

One of the protagonist's closest allies betrays them, throwing their entire mission into disarray.

12. The Hidden Identity:

A character is not who they claim to be, and their true identity is revealed, impacting the story's direction.

13. The Inception Twist:

Blur the lines between reality and illusion, leaving the audience guessing what's real and what's a dream or illusion.

14. The Time Loop:

Trap your characters in a time loop where they're forced to relive the same events repeatedly until they can break free.

15. The Shapeshifter:

Introduce a character with the ability to change their appearance, creating doubt and suspicion within the group.

16. The Truth About the Mentor:

The mentor figure, who initially seems wise and benevolent, is unveiled as the story's true antagonist.

17. The Lost Artifact:

The much sought-after artifact or treasure turns out to be a fake, and the real item is something entirely unexpected.

18. The Pseudo-Death:

Fake a character's death to shock the audience and later reveal they were alive all along.

19. The Prophecy Reversed:

Subvert the traditional hero's journey by defying a prophesized destiny and taking the story in a different direction.

20. The Unreliable Narrator:

Reveal that the narrator has been lying or misrepresenting events, casting doubt on the entire story's accuracy.

Conclusion:

These 20 plot twist ideas are just the beginning, and by incorporating them into your narratives, you can leave your audience stunned, shocked, and eager for more. Remember that the key to a successful plot twist lies in its execution, so take your time and craft a twist that seamlessly integrates into your story, making it an unforgettable experience for your readers or viewers.

---

+ If you find my content valuable, consider Support This Blog on Patreon!

[mostlysignssomeportents]

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

[deadsetobsessions]

I just really like the trope of Danny getting summoned, alright?

——

After he shoved Pariah Dark in his coffin shaped locker what what Danny hoped to be for all of eternity, the half unfortunately inherited all of Pariah’s responsibilities.

“What was it again? With great powers comes great responsibilities?” Danny let his head hit the table with an audible thunk. He’s in his “office,” the ghost zone’s approximation of where he might be able to do work seriously. The house- the extension of his haunt- had added the room right next to his bedroom. Danny had to lift all of the paperwork from Pariah’s castle (that’s now also a part of what’s considered Danny’s but he doesn’t think about that) and move it to his main haunt.

He prayed to the universe at large to let him off. Danny hated doing homework- science not withstanding because at least he understood that- let alone an asshole’s centuries worth of work. Danny bemoaned the fact that he was elected the King. He didn’t even defeat Pariah all by himself, so why couldn’t the others do it?!

Like a wave of merciful fate, the beginning tugs of a summoning pulled at his core.

“Thank Ancients!”

Danny scrambled to grab a sticky note, unfortunately glowing green as things tended to in the Ghost Zone, and scribbled down that he’s been summoned and to not look for him until his vacation work was done.

With that note done, Danny decided to bring his A game to the summoning. Allowing his secondary form to wash over him, Danny quickly checked the mirror to make sure he was presentable. A bright glowing ice crown- not the crown of fire, because it was essentially useless without the ring and Danny wasn’t keen on being a king, let alone a near infinitely powerful one- settled across his brow showed his status. A cape, this form’s best feature, made of an expanse of galaxies, nebulae, and frost cling at the end was swept over his shoulders and pinned together with a cloak pin made of clusters of black holes.

A couple of additions to his normal hazmat suit and his trusty thermos at his side, Danny all but dove into the summoning magic with an excited whoop of glee.

As Danny got closer to the magic-made portal, he could hear the whispers of the living presences beyond it.

His summoners! Hopefully it’s not a cult again, even if he thought they were pretty funny trying to summon the king of the dead to kill more people. Not funny “haha,” funny weird.

How should he do this…? Scary? Funny? Oh! Or maybe he should ditch the crown!

Danny grinned, waving his hand to dispel the crown of ice. It was nice, but he was in a dungeon critter mood today.

“Oh, this is going to be gooood.”

Danny cracked his knuckles and put on the most dead-inside-and-outside expression he could manage, modeling it off of the Nasty Burger workers during closing shift. The halfa stepped through the portal.

——

“The ritual is completed! You will all face the might of Pariah Dark, the eternal king of the dead!” The villain of the week cackled as his cult cheered. Wonder Woman, scuffed and injured from the magical bolts these magic users had shot at her earlier, grimaced and raised her sword.

“We will defeat Pariah Dark,” she proclaimed. Her allies rallied at her proclamation and readied themselves for another fight. “This world will not bow to the likes of you!”

“We are all but mere ants before the king of the dead! Pariah Dark will bring forth the reckoning this shitty world deserves!”

“Actually, Pariah Dark’s kind of busy, so you’re gonna have to leave a message.”

Green Arrow’s arrow jerked towards the new voice. Batman paused, hand holding batarangs at the ready. He, out of all of them, knew better than to underestimate a young voice.

A gloved hand shoved through the green portal, using the edges like a door frame to heave itself through. A humanoid shape, with sharp ears all but crawled out of the Lazarus green portal. Batman wondered if this was what Jason saw when he came back to life.

"Lord Pariah Dark is busy?!"

The figure- a boyish not-human- heaved a sigh. "Do you people seriously think that the High King of the Infinite Realms isn't swamped with work?"

"And who are you supposed to be? His secretary?" Hal asked, Ring glowing and at the ready. Wonder Woman tensed and mentally struck Hal away from the list of people to consider for diplomatic missions.

"Me? I'm a glorified paper pusher." The being turned back to the cultists, his cape containing the universe swished behind him. "Did you have a message for Pariah Dark?"

"He was meant to rain down death and destruction!"

"Okay, first of all, I feel like you guys are missing a really important point." The being pointed at the cult leader. “It’s not called the King of the Dead for no reason, you know. Death comes for everyone eventually. Also, I have to do a seriously giant amount of paperwork every time one of you fruitloops gets the bright idea to cause an influx of deaths.”

Danny stomped across the circle, grabbed the collar of the cultist leader’s cloak and yanked him down. He shook him. “Do you people have any idea how annoying it is?! Huh?! Do you know how long the A-354 Form is?! Stop trying to get Pariah to kill people! I’m sick of the paperwork, dammit!”

"How- how did you get out of the circle?!"

The cultists and the heroes squared up, ready to fight the possible common enemy: Danny.

Danny is having the best time of his half life. Screw kingly dignity, Danny’s gotta de-stress somehow! He had a whole bag of complaints!

"You wrote the circle wrong, idiots! Ancients, are you people even literate? What even are those scribbles?" Danny kept shaking the cultist. Wow, what an amazing stress ball!

“Uh- hey, he looks kind of sick…” The Flash said, trying to be a good hero and mediate before escalating. Danny snarled and Flash held up his hands, gulping in fear as Danny’s eyes narrowed at him. “Did I… do something?”

“You,” Danny hissed. “You mother- fruitloop! Stop screwing with the timeline, you giant red-! Do you know how annoying it is to readjust the death count every time one of you little merry red jesters takes a jaunt through time and space?! Do you even know how many complaints I had to field?! Oh, boy you’re all going to regret summoning me today, because I’ve had a long time to think about what I’d do to everyone who made me work overtime!”

Danny bared his teeth, eyes sparkling with mirth as he froze the cultists.

"We're not letting you take over the world," Hawk-Woman said, raising her mace that pulsed with electricity.

Danny snorted to hide his wince. "I'm not interested. Just let me punch him once. Just once." Danny pointed at the Flash.

"Honestly, I can't even blame you," Black Canary muttered, fists raised.

"Wha-! Canary! That's so rude! You traitor!"

"Shouldn't have put skittles in my shoes then. Those hurt, Flash."

"Enough." Everyone shut up at the sound of Batman's command. "What do you mean they wrote the circle wrong."

Danny, who was watching the byplay with interest, shrugged. "They wanted to summon the Ghost King, right? We've had a... change of leaders recently."

"Who is the leader now?"

Danny waggled a finger at Batman. "Nuh-uh. I'm gonna collect my over-time compensation, which is punching the Flash, and then we can negotiate for information."

"Flash."

"I don't want to get punched, Bats!"

"The alternative is that I let the current Ghost King have a go at you."

"Flash."

"Oh my god, just get punched, Barry!" Danny heard Green Lantern Hal Jordan whisper.

"Ugh, fine. No one video this."

Immediately, three phones go up to record the Flash getting decked by a teenage looking ghost. Danny floated closer and wound his fist back, letting loose some of the ghost strength he normally keeps restrained. "This is for my overtime and for Clockwork, you jerk."

The halfa slammed his fist straight into the Flash's face, knocking him clear into the air. Superman catches him but Danny no longer paid attention to the Flash, petty vengeance enacted.

"Honestly, I don't have a problem with you as a person. You're kind of cool. Break the timeline again in the next three months, though, and you're on my shit-list."

"What do you want in exchange for information?"

Danny hummed. "Depending on the level of information, and I reserve the right to not answer any questions. For the name of the current Ghost King..."

He did want that new gaming console. And Jazz could use some help with her rent.

"I want $5,000 and a plate of really good spaghetti."

"I have cash."

Danny nodded at the Dark Knight. "You just carry $5,000 in cash on you? Who does that?"

"I like to be prepared."

"And he's rich," Superman chimed in.

The Flash reappeared with a plate of spaghetti from an Italian place he teleported to. "Here you go. Fresh, and pleasedon'tscrewwithmyafterlife."

Danny shoveled the spaghetti into his mouth, jaw unhinging like a particularly disturbing snake right before he dumped the whole thing- plate and all- down his throat. "Thanks! The food didn't even try to kill me this time! You're good."

"Does your food try to kill you all of the time?!" The Flash- Barry, apparently- asked.

Danny nodded as he took the cash from Batman's gloved hands. "Totally. It sucks."

"Identity." Batman demanded.

"Oh, yeah. The current ghost king is me."

"...What."

"You have been swindled. Bamboozled. Outwitted and outsmarted," Danny snickered, shoving the bundle of cash in his chest. "But seriously, I'm the king. We got rid of Pariah a while ago."

The crown of ice materialized.

"You said you were a glorified paper pusher!" Hawk-Woman chortled.

"I am! I'm pushing so many papers across my desk, it's unending, I swear!"

Batman growled. "You tricked us."

Danny smirked, "You got tricked." Red Robin, in the corner, snorted quietly. "Anyways, if you've got more interesting things around here, I'll considering busying myself with that instead of sentencing you to an afterlife of paperwork."

The adults straightened, grimacing. "Beast Boy is green," Hal offered up.

"Hey!" Beast Boy shouted, offended at the easy way Hal offered him up. He turned to Danny. "But have you ever seen a green chinchilla? Super cute. Watch!"

"Woah!" Danny clapped. Yes, he'll hang out with them before dragging himself back.

[sunderwight]

A fun prospect for Superhero-themed SV AU's that I don't often see is genre dissonance. Like, Luo Binghe as this edgy 90's style antihero who just straight up kills his enemies and sleeps around and is driven by selfish motives (revenge, ambition, etc) rather than altruistic morality, vs Shen Qingqiu as this kid-friendly supervillain who is "evil" mostly in terms of aesthetics and his ability to make inconvenient problems that are reasonably safe for child heroes to solve. Something like Punisher vs Team Rocket in terms of vibes.

Maybe the reason they meet is because some big publishing house akin to Marvel or DC just bought up the rights to whole bunch of older, discontinued comics titles, and decided to do a Justice League/Avengers style mash-up with a bunch of nostalgia properties and their most recognizable heroes and villains. Which means lots of crossovers condensing several titles into a handful of series.

Luo Binghe's origin always features him as a teenager, so he reboots as the youngest Avenger-equivalent team member in the new continuity. Even in this reboot, however, the writers still mostly go the gritty and dark route with his plots and stick to the same key developments -- his abandonment as an infant, his adoptive mother's tragic death, his tough life on the streets, abusive mentors and backstabbing "allies", and so on.

But Luo Binghe's life suddenly starts experiencing periods of dramatic change in his life when he's brought in for appearances in the lighter, friendlier world of the Junior Heroes continuity. After all, he's a natural choice for tying the two continuities together thanks to his youthfulness. Luo Binghe isn't consciously aware of the fact that he's moving between different titles and different writers. All he knows is that sometimes, when he hangs out with the bright and talented Ning Yingying, he's drawn into "conflicts" with Shen Qingqiu -- the kind of "villain" who will call for tea breaks, never actually hits anyone when he shoots his ray gun, leaves clues for all of his crimes, and can't seem to stop from imparting genuinely helpful advice in between his witty quips and taunts.

When Luo Binghe fights Shen Qingqiu, somehow he never actually gets hurt. Neither do any of his friends. The world in general seems brighter and lighter, as if there is some secret barrier protecting everyone from all the evils Binghe knows only too well exist in the rest of his life. Luo Binghe is increasingly convinced that Shen Qingqiu is the source of this mystical safety net. After all, for an allegedly powerful genius who is able to fool half the world about his wicked aims, he's never won a single fight against a kindhearted but somewhat ditzy teenager and her ragtag bunch of friends!

So what's he spending his actual energy on?

Luo Binghe is pretty sure it's keeping the real evils at bay. Making himself the biggest bad in town, and in doing that, making it so that the "biggest bad" is nothing worse than a slightly judgmental teacher in a pretty costume.

It's not long before Luo Binghe doesn't want to go back to the Justice League equivalent, to his world of misery and strife, even after his visits with Ning Yingying are supposed to be over. Especially as the global stakes of various heroic activities start getting higher, and it becomes clear that the boundary between Shen Qingqiu's safe world and the grimdark reality of Binghe's usual life are getting thinner...

[gffa]

One thing that caught my attention while watching The Phantom Menace in the theater, a movie I didn't expect to find anything new with after how many times I've seen it and analyzed it, was that Sidious mentions multiple times that he has to change his plans to fit the new circumstances. It got me to thinking about how Palpatine gets credit for his carefully crafted plans, but often times not for how flexible he is in changing them on the fly, especially in time travel fics where someone destroys one of his plans and that's the end of it. Which, I'm not advocating against, I love a good Take That Wrinkled Walnut The Fuck Down However You Gotta Do It fic and I don't want them to change! But in canon Palpatine makes note of things he's not expecting, like:

When Valorum sends the Jedi as ambassadors, it's not part of Sidious' plan: DAULTAY DOFINE: This scheme of yours has failed, Lord Sidious. The blockade is finished. We dare not go against the Jedi. DARTH SIDIOUS: Viceroy, I don't want this stunted slime in my sight again! This turn of events is unfortunate. We must accelerate our plans. Begin landing your troops. NUTE GUNRAY: My lord, is that… legal? DARTH SIDIOUS: I will make it legal. NUTE GUNRAY: And the Jedi? DARTH SIDIOUS: The Chancellor should never have brought them into this. Kill them immediately!

On the Trade Federation ship, after Queen Amidala has disappeared from Naboo, Palpatine originally planned that she would be forced to sign the treaty, and then brings in Maul to deal with this. DARTH SIDIOUS: And Queen Amidala, has she signed the treaty? NUTE GUNRAY: She has disappeared, My Lord. One Naboo cruiser got pat the blockade. DARTH SIDIOUS: I want that treaty signed. NUTE GUNRAY: My Lord, it's impossible to locate the ship. It's out of our range. DARTH SIDIOUS: Not for a Sith. This is my apprentice. Darth Maul. He will find your lost ship.

On Naboo, after Padme allies with the Gungans: NUTE GUNRAY: We've sent out patrols. We've already located their starship in the swamp....It won't be long, My Lord. DARTH SIDIOUS: This is an unexpected move for her. It's too aggressive. Lord Maul, be mindful. MAUL: Yes, my Master. DARTH SIDIOUS: Be patient... Let them make the first move.

Palpatine's plans aren't static, they adapt and change with the events that happen, just as the other characters react to new information and head in new directions for it, so too does Palpatine and I think it's interesting to note that part of what makes him such a good villain is that he has an outline for what he wants to do, he sets up the dominoes of what he needs, but even when they don't fall precisely into place, he generally gets what he wants. He originally intended that Padme would sign the treaty, the Jedi wouldn't be involved, and that would lead to a vote of No Confidence to oust Valorum, using the sympathy for Naboo as a way to boost himself into the position. But he didn't really need her to sign it and still managed to use the sympathy for Naboo to get elected, it ultimately didn't matter what happened to the planet, so long as it was in danger while he needed it to be, he could use it either way. Nor, honestly, do I think he ever planned for Anakin Skywalker's existence, he had no idea they would find such a boy on Tatooine or how useful he was going to be, that was another way he changed his plans once the opportunity arose. Or a lot of his plots in TCW--he has Cad Bane steal the list of Force-sensitive children and kidnap them, bringing them to Mustafar for some sort of program to use them probably not too unlike how he uses the Inquisitors later. That plan is foiled by the Jedi, the babies are returned to their families, and Sidious' plans fall through, but that doesn't really change the outcome. tl:dr: I don't think Palpatine gets enough credit as a villain whose plans shift and change along with the new events that happen, just as much as the heroes' plans shift and change when new things happen. Yeah, he's a great villain because he creates an impossible trap for people, but also because the thing about him is that he's incredibly charming and charismatic and he knows an opportunity when he sees one, that any one given plan might fall through, but it's not necessary to his overall plot.

[moxidi-fanarts-and-sketches]

Some of my favourite little bits in the time quangle:

-barry adopting ylfa and ricky adopting liam

-"noooo counterspell!!!"

-them OBLITERATING literally every villain in less than 1 round of combat

-zac putting his hands up when ricky carries liam for like 20 minutes??? i love his commitment to the bit and physical comedy

-some guy in the audience shouting BARRY in a really low voice and everyone laughing

-ricky and rowan bullying the orange fairy for hating new york

-someone from the audience: leave the pig alone!!! brennan in a tiny voice: i wont leave the pig alone!!!

-rowan being SO DONE the entire time

-crowd going insane at any mention of ayda

-the swirly girlies🥰🥰🥰

-brief cameos of adaine(with shrimp!!!!) and ragh

-ally's GORGEOUS kilt

-everyone just going to new york on a long bicycle