#no one wants to feel robbed of their work

[desecrated-guacamole]

I know I’m *checks watch* twelve years late coming to this realization, and two years late to talking about it when it would’ve been at all relevant, but godDAMN

Young Justice wastes NO time being good after season 1. The producers really just said “hey, y’know all the characters and relationships you’ve loved seeing develop for the past 26 episodes? Well actually, fuck that, fuck them, and fuck you! Everything’s different now, everyone’s developed in new ways that you won’t get to see, but not even in a way that makes sense for a FIVE YEAR TIME-JUMP!”

Take Robin for example; in the five years that take place offscreen, Dick becomes Nightwing, Batman recruits Jason Todd as the new Robin, Jason Todd gets killed, and Batman recruits Tim Drake as the new-new Robin (oh and also Barbara Gordon becomes Batgirl). I love the Batfamily, but I can barely call it the Batfamily when we don’t ever actually see them becoming a fucking family! We don’t get to see Dick struggle with his mentor’s legacy, we don’t see Jason struggle to live up to the Robin that came before, or Barbara picking up crime fighting despite what Bruce tells her to do because fuck that guy. We don’t get to see any of them grieve Jason, we don’t get to see Bruce go off the deep-end, only to be brought back by a young Tim Drake, who shows him what makes Batman, well, Batman; helping those in need, saving people.

INSTEAD, we’re introduced to two characters we knew that are now wildly different with ZERO explanation as to why, and one that we’ve never seen before and is (so far in my watch) severely underwritten, but because they’re the characters we love from the comics we’re supposed to love them here. It’s using the iconography of the characters to get us invested without putting in any of the actual work DEVELOPING them as people. It’d be one thing if this was the first time we met any of them, but we’ve already been introduced to Barbara, and we’ve spent an entire season with Dick, but now both of them have undergone massive development we aren’t made privy to.

I read an interview with Greg Weisman talking about the time jump, and he says this;

“We wanted a big time jump between the first two seasons to truly illustrate what our series was about, i.e. GROWING UP. After that, honestly, it’s more about what feels right. There are always things we want to skip, so that they become reveals.”

Man, I wonder if maybe allowing the audience to actually watch the characters grow and change might illustrate that growing up thing better than just skipping ahead so you can make it a reveal??? Imagine a show where we get to see these characters grow up together, maybe even grow apart, some leave, some stay, some are replaced, some come back. Like, imagine getting to see Dick reckon with the fact that Batman REPLACED HIM, only to watch that replacement die! Imagine getting to see Tim Drake come to Dick for advice, instead of just skipping ahead to the point that they’re already an established team. Imagine getting to see M’gann help Gar learn to use his powers for the first time. Imagine the team throwing a goodbye party for Wally and Artemis! Imagine seeing Wally and Artemis continue to develop their relationship instead of just jumping to them being fully moved in and together! WE WERE ROBBED!!

Like I’m still gonna watch it (not in the least because my roommate’s already seen it) but I need everyone to know I’m doing it under duress. I love these characters, and they did not deserve this lazy bullshit. I do not understand how Greg Weisman made Spectacular Spider-Man because HOLY SHIT the writing decisions made on this show are pissing me off, and don’t even get me STARTED ON CONNOR AND M’GANN BECAUSE WHAT THE FU

[jeremiahthefroge]

Every appearance of the red-haired menace that is early Laurence forces me to sit here and stew upon how I will fix his introduction in the rewrite. As a coping mechanism. Unfortunately since I can't remember the parts where his character isn't just harassment so I can't cook with the themes the way I'd like to. Like the way he calls Aph "my love" after she very explicitly in the text of the game tells him not to do that... bad vibes. I think I could rock with his character if he'd done the same sort of approach in hitting on Aphmau as heavily, but the moment she lays down an actual boundary, he backs way the hell off. I could even fuck with her trying to be subtle about the boundary and him not getting it and continuing to make her uncomfortable before she snaps at him and he apologizes, saying that he truly didn't mean anything by it, and he respects the boundary she lays like his life depends on it from then on out. It would create some immediate complexity in his need for explicit communication, and backs up the sort of deeper character hinting they seem to try to do when he's talking about Castor and Cadenza, this idea that he deeply cares, if being a bit pushy on accident. It would also make a good detail fueling the conflicts later on with the love triangle that can sort of prevent Laurence from looking like TOO much of a dickhead (him being unaware or misinterpreting situations, and the delicate nature of it making him uncomfortable asking questions, is a compelling reason to see somebody hurting his friends' feelings, and makes him significantly more sympathetic, opening him up for feelings of remorse and guilt).

[obstinatecondolement]

Not to be all "this is an Only Murders in the Building blog now" but apparently since yesterday I have reached a point of no longer being satisfied with being part of a two-person fandom irl with my sister and I need to Discuss things with you all.

Anyway. Currently thinking about how Theo Dimas is a) Greek and b) Deaf—both cultures that are very physically demonstrative—and that he is. Like that.

[lowpolyshadow]

SONIC PRIME S2/1B EP1 IS SO GOOD NOT JUST FOR MAX SPECIFIC FANSERVICE (fighting hedgehogs with sick battle choreography) BUT ALSO BECAUSE the fact that shadow was pissed as shit at sonic for blowing up their world yet still deciding to Show and Explain things to sonic tells me two things

1. stealing sonic’s shit was not necessarily plan A, because if it were it is much easier and faster to not explain anything and simply try to rob sonic blind

2. he just wanted to beat sonic up for some catharsis . just have a little emotional release hes angy

excellent. fantastic. hes enriching his enclosure :) anyways so that means GENERALLY. i think he did have a “we” moment. it is far more efficient for Two hedgehogs to go through and gather the shards and put them back together even if one of those hedgehogs is sonic. w! cool. except sonic sees these shard variants of tails and the rest as their own people. not cool. thats not part of the plan. that probably counts as a weakness and hindrance bc shadow likely has a theory that taking the shards back will probably do some fucky stuff to the shatterspaces. that will ultimately result in plan A failing.

so. plan b! beat the shit out of sonic again! do it himself! hes gotta do EVERYTHING himself and thats fine bc hes the person he trusts most for the job lets get this bitch fixed! (he cannot go through the shatterspaces) god he hates that fucking hedgehog

[daz4i]

need a boyfriend but also romance is disgusting but also I'm obsessed with it and want to feel it but also i don't want to commit or feel constricted by a limited relationship but also sometimes the idea of belonging to one person is nice but also no it doesn't i am a person not an object but also yes i am or at least i would be if i could but also i would never trust anyone enough for that but also i wish i could but also

[purrincess-chat]

Ironically, "Marinette is dumped by Adrien, then gets into romantic relationship with Chat Noir" is more or less beginning of "Chat Blanc"

It's basically as if (some) MariChat shippers want first half of "Chat Blanc" (where Chat Noir has "happy romantic relationship with Marinette" after finding out that she is Ladybug and deciding to don't tell her about it) to happen, but without "second half" (where Gabriel finds out that "Adrien = Chat Noir" and exploits it to akumatize Chat Noir into Chat Blanc)

There's a really weird double standard in the fandom, and a lot of people infantalize Adrien and are weirdly protective of him. So, I think a lot of people are taking the secret keeping personally, but the thing about it is, it shouldn't fall on Marinette to reveal all of the dirt on his family. Nathalie tried to have Gabriel tell him two seasons ago, but they never did and never pushed it again. I think if anyone should tell him, it should be Nathalie. Ya know, an actual adult in the situation who knows more than Marinette does.

Marinette has had her own share of trauma the past few seasons and has had to deal with way more than she should have. I think one telling moment to me that a lot are overlooking throughout this whole discourse is in Migration when Adrien is talking to the blue boy about Marinette keeping secrets from him back then. He wasn't pressed about knowing the secret; he just didn't want her to feel guilty about it. Because he has secrets too. I can maybe see a similar situation happening in s6 where she feels guilty about it, and maybe it does cause some contention in their relationship, but it doesn't necessarily mean they have to break up over it. They could and probably will work through it. I doubt she will ever tell him, at least not as Marinette bc that would mean a reveal, and we know the writers are milking that for all it's worth, so I doubt the secret is going to break them up necessarily.

The main and most plausible threat I could see is Lila/Cerise/Iris/whoever the fuck. But we will have to see.

[mould-corner]

honestly, in terms of harry potter games, i desperately want one that’s just… going around the school and learning magic, yknow?

like, the only one ive played a bit is hogwarts mystery (on mobile) but ive looked at the other options and they all focused on more on the story than the classes. which like, makes sense, if youre making a game you want it to be a game, but also i just want to do magic school and learn how everything works.

i am such a sucker for magic theory and every day life as a wizard in general, i know there’s stuff like hogwartsishere online that has versions of lessons but that’s not a game. its better than nothing but i am still dying of want to just guide a lil guy around a magic castle learning magic and holing up in a library.

i dont want plot i want school

[wewindondowntheroad]

something has to change something has to change something has to change something has to change something has to change something has to change something has to

[tellie-vision-art]

I’m gonna be honest I lowkey want to draw Axel or maybe her with Priya but I don’t normally draw fanart and I am scared 😭

And also I would hate if people followed me explicitly for that BC I don’t normally draw fanart and I know it would be disappointing to see my OCs all the time. Like would any attention I receive from it be worth it if no one’s interested in my actual art rather than just the characters in it. Like there’s no demand for my art would anyone who follows me even care if I drew fanart 😭 it’s a double-edged sword

And like interacting with fandoms always ends poorly for me (Scream Queens bc harassment, Squid Game bc lots of gross people) what if I draw it and post it and the TD fandom gets ruined for me too somehow, I would die 😩 I fear interaction outside my target audience (followers and my friends) I suppose

[myrfing]

you ever give someones video essay you sort of disagree with a shot and then You still disagree with them. Thats crazy

[fernrisulfr]

Campaign Intro Idea

Just a random idea I had earlier for the beginning of a campaign. Now part of the idea involves not telling your players the full truth of the actual game. Obviously you want to be somewhat truthful as to not undermine their character concepts, so give them at least a clear idea of the sort of game you’re aiming for.  What you don’t tell them is the game will be in the Shadowfell, and they’re going to start by dying. You set things up like all is normal, they’re going on their first quest for whatever reason they’ve been given. First encounter, a bunch of suspicious hooded thugs. They immediately get merked by these much higher level rogues. We’re talking killed outright, the faster the better so that the players aren’t left sitting on their hands for long. 

Then the reveal, they awake in the Shadowfell. The thugs were either Cultists of some kind, or possibly even clerics an appropriate deity. They’re all chosen for some plot relevant reason, and now the real adventure begins. 

[fortunatefool]

Not to date myself but sometimes in the middle of a crisis u get to hear Pursuit of Happiness (Nightmare) by Kid Cudi featuring MGMT and Ratatat, Steve Aoki Remix and feel joy for the first time in a week and a half

[lilgynt]

my mom came home screaming about how we don’t love her and she hates us bc no one got her a card happy mother’s day

[theres-whump-in-that-nebula]

Since reading Rob Roy, I’ve become really really fast at reading books in a standard English dialect

[thesummerstorms]

I feel like there's a solid group of fans (in all fandoms) who forget that there ARE differences between fanfiction and traditional publishing.

Transformative work is great about allowing you to explore secondary POVs and characters who aren't the focus of a text.

But traditionally published books are by their nature more constrained in their format. The physical nature of books + the publishing system means they only have so many pages. And those pages need to serve the central narrative of a story.

It can be fun to puzzle out 'man but what about the implications of x'? or 'oh, I feel like there's a connection between A and B, that's fun to think about!' or 'okay, but from Character M's point of view this is so tragic, even though they literally only exist in three scenes'. That's why transformative work is transformative, and for me, it's the fun part of fandom!

But what that doesn't mean is that the author is being mean or cowardly for not exploring those things in the source text. An author's focus has to be ultimately on the story THEY want to tell, and what makes that narrative or those themes work.

They do not have the luxury of including every digression your brain might have fun exploring, and it doesn't make them bad authors if their narrative focus isn't the one you would have personally chosen.

"But such and such character was robbed! They only appeared in x scenes and then-"

Okay, but did the scenes they were in serve their purpose? Did we get a sense of how they meaningfully impacted other characters, the plot, or the themes while still having a sense of personhood?

You can critique whether or not an author was successful in using their characters for story purposes or whether they successfully communicated their underlying message or whether the author unintentionally/intentionally included a bias that weakens their writing.

But an author not chosing to spotlight your particular minor character favorite does not make them a "coward" or bad at their craft.

[gojoest]

“there is never a moment in which i do not adore you” — g. satoru

established relationship, gn!reader, tooth rotting fluff bc i love him terribly and sickeningly, the title quote is from marie antoinette’s letter to axel von fersen, dividers by @/cafekitsune

it is way past midnight when the door clicks open. your ears catch on the barely audible sound of keys being carefully placed on the counter.

satoru is home, finally — after a long day of duties, teaching, meetings and missions, he made it back to you.

and he is being quiet, stepping lightly and silently sneaking in — he doesn’t want to wake you up.

but you are awake anyway, curled up in your shared bed. the shirt he slept in last night clutched against your chest; it smells like him still, and it brings a sense of safety and comfort knowing that he was here this morning, wearing the cloth hugged between your arms; that he took it off and placed it there, on the bed, to wear again tonight.

you know before he makes his way to the bathroom for a quick shower to wash the weight of the day off his body, he will come to give you a kiss. he always does. his lips trace the skin on your cheek ever so delicately, in fact so delicately one could barely feel them even when awake.

but you know, you can feel his breath on you. because you are never sleeping when he does this — just pretending. and part of him knows it — he can easily tell if you’re in slumber or not based on your breathing patter alone that he came to know in his marrow — and his lips curl into a silent smile, soft and loving, grateful to have you wait for him. thankful that there is one person looking forward for his return. that there is a home he can go back to. that there is you.

maybe he also knows that you can never sleep without him. and that the bed feels like an unfamiliar place, the emptiness on the mattress — unnatural. that it makes you restless. that you toss and turn, similar to when you are laid on a new bed you’re not accustomed to, perhaps in someone else’s house or at a hotel, and you can’t fall asleep because it’s not your bed. that you wait, for him to come and make the bed familiar and warm, make it yours again.

maybe this is why he’s been coming back home earlier, or at least trying to, but it’s not always up to him.

“you’re back”, you mutter, turning around to catch him just as he was about to plant a soft peck on the side of your face but paused to take your scent into his lungs. your nose nuzzles against his, arm snaking around his neck and pulling him closer to draw his lips near yours, and the kiss both of you have longed to taste all day finally comes to light.

if yearning was a sound, it would be that of the air you both breath in from the closed space between your faces just the moment before the kiss. the air that enters through your nostrils and lets the scent of the other in, and once it reaches your senses it births a moan in your throats. like that of a thirsty man in the blazing hot desert tasting water for the first time in days.

“you are awake”, he pulls away, but remains connected with you. forehead glued to yours, blindfold off and eyes gazing softly into yours in the dark. he can see you perfectly, and he is afraid to blink. because anytime he does, it robs him of the time he could spend looking at you.

“i just happened to be”, you tell him, fingers gently scratching at his undercut, earning a soft hum from him followed by a “you’re a bad liar, but keep practicing”

you chuckle. he always sees through you.

satoru is leaning over you, avoiding to even sit by your side in his work clothes. the idea of possibly bringing residuals of the curses he’s exorcised that day into the place that he considers closest to heaven is just unacceptable to him. not that he’s ever admitted this, but it’s a pattern you’ve noticed.

but to you it doesn’t matter. you love the mess in him.

you wrap your other hand around him, an attempt to drag him into the bed. “come closer”, you coo.

he is resisting. “i need a shower first — i am sweaty. i smell bad”

“my satoru never smells bad”, you correct him.

he giggles. “you say that because i am your satoru”

“first, there’s no way you can ever be someone else’s satoru. second, please do not ruin my romantic moment — it’s rude”, you pout with a heavy sigh, but playfully.

this time he laughs — he’s missed this banter with you all day.

you can tell by the way his body shivers that he is wavering. his conscience might be in a dilemma right now whether he should break his rule just this once or not, but his muscles aren’t — they always lead him to you by default, like muscle memory. the fight is pointless. this one, he will lose. and he knows it.

and he caves.

the mattress sinks down as his massive self lays himself next to you, taking you into his arms. your forehead buried in his chest, his lips glued to the top of your head — you stay unmoving, in silence. in the dark, but in the warm — just breathing together.

a sigh breaks from his throat when you shift away from him. only slightly though — just to look at him.

“so— where was i before you interrupted my lovely speech”

“you were saying that your satoru never smells bad”, caressing your cheek he reminds you.

“right”, you nod, and then continue — “of course, it is because my satoru is mine — what a silly thing to state the obvious. but also because—“, you pause, charging your lips towards his, not to kiss. but to feed him your love, to pour it from your mouth and into his — “…because, there is never a moment in which i do not adore you”

a smile grows on your lips, but it isn’t your smile — you can feel his lips softly stretch against yours, curl up from the corners — it belongs to him.

and then the smile grows into a kiss, swallowing the love you give him. all of it, hungrily.

“i’ll take the day off tomorrow”, he pulls away, barely.

you smile, “i’ll make breakfast”

satoru thinks he got too lucky with you. and maybe he did.

but so did you, with him.