#not to mention he's my favorite character in this entire game i have no idea how he shot up so high on my fav list. so like a god

[bindeds]

hello pookie i heard you have lucifer head canons😏, can i plz see them 🥺

YES OF COURSE POOKIE!! <3<3<3 LMK IF YOU WANT ANY OTHER CHARACTERS’ HEADCANONS! tryna expand my fandoms as much as possible too so just try your luck if you’d like <33

࣪𓏲ּ ֶָ ᝪ LUCIFER HEADCANONS!

starting off lightly with his obsession with ducks; i personally like to believe that god had his favorite angels (or high ranking ones, aka seraphims, which lucifer is theorized to have been) had each of them make one animal from scratch to place in the garden of eden, and lucifer’s contribution was the ducks. he thought they were adorable!!

i’ve made a post about this before and i’m not sure if this counts as a luci headcanon but i strongly believe lilith was modeled after lucifer. if hazbin decided to go with the popular belief that lucifer was god’s favorite and that lucifer was god’s prettiest angel then it would make sense for god to have one of the first two people to be modeled after him. lilith is associated heavily with the color purple because of the morningstar’s formal family portrait, and lucifer has purple eyelids. lilith also has blonde hair like lucifer and is slicked back in the same exact way, even going as far to have hair curled around her cheeks/jaw like him. the only real difference is that luci has short hair.

lucifer makes himself small on purpose, and for trauma related reasons. before hazbin was created we all would imagine the devil as something big and scary with a demonic voice or as a hot human guy in some other games (ahem obey me) but lucifer in hazbin is the exact opposite. he’s literally smaller than most sinners. it’s worth remembering that lucifer can not only shape shift, but it’s also an essential part to who he is considering that’s how he approached eve, plus the apple motifs. if he can shape shift, he can definitely adjust his own height too. he was also short during his time in heaven and we know this from the first few minutes of the first episode when charlie was introducing the overall premise. the other angels who were talking down to him were visibly bigger than he is. it made me think that maybe because of how belittled he felt when he was in heaven, he had purposely made himself smaller. not to mention, being god’s favorite or the prettiest gets you targets on your back. and it doesn’t help that he has ideas or a mentality that heaven doesn’t like. and his decision to stay small only grew more intense when he found out how people saw him on earth—he didn’t want to be that guy. he absolutely hates the characterization humans have of him because it’s nothing like him. so when people see him and go ‘you’re much shorter in real life’ (alastor) it doesn’t faze him in the slightest. he wants you to react that way. or, he wants you to realize that, ‘huh, the devil is nothing like i thought he was.’ because that’s the truth. he’s not. and the best and most immediate way for people to see that is if he dresses in all white, a color known to signify innocence and purity which is the exact opposite of hell, and if he’s not physically intimidating at all, like if he was small. upon your first glance at him, you’ll already know the devil is not the man you think he is. and he wants everyone to know that.

i have a fic based off of this, but because humans started calling gambling and the games related to gambling ‘the devil’s game’ (though the original game is roulette, people have come to generalize gambling as a whole to be the devil’s game) he never loses when gambling or playing a game related to gambling, even for fun or when there are no stakes involved. never loses in blackjack, poker, roulette, tables games—any game related to gambling, he’ll always win.

i can’t entirely say if lucifer has had sinner friends, but i do believe that he acquired the hyperfixation of the carnival/circus aesthetic from sinners or humans. this is because his outfit was intended to look like AND inspired by a ringmaster’s, and carnivals and circuses was an elaborate concept made by humans. it could also be possible that lucifer was the one that planted that influence in humans, however it was stated that lucifer’s punishment was that he was never to see the good of humanity, only the bad. so i’d like to think a ringmaster or an acrobat or a circus performer in general died, ended up in hell, met lucifer and told lucifer about the circus, and then he got the idea of building luluworld in hell.

alternatively, if it was the other way around, i think that he occasionally gets to experience the world through being summoned. i mean, we’ve all heard of rituals to summon the devil and whatnot, right? i think those do summon him into earth and then instead of showing up he actually just leaves to go explore what’s been happening until he has to go/he feels he’s getting weaker/the people that summoned him ‘close the portal’ etc. and then that’s where he very sneakily, in his own way, introduces the circus concept to humans.

because of his personality, i don’t believe his ring is an indicator of his current marital status. i think lucifer is a sentimental person, and he doesn’t let go of things easily. it’s entirely possible that him and lilith are through, but he just doesn’t want to remove the ring. something we fail to consider is that lucifer isn’t like any other person; if he marries someone, divorce isn’t the same for him and lilith as it is for humans. hell, when they first got together, they were literally the first beings to be genuinely in love with each other. back when the garden of eden was still being inhabited with lilith and adam, the only beings in heaven would have been god and the angels. if lilith didn’t love adam but married and had a kid with luci, that means they were the first ever beings to have ever been in love and the first ones to have had sex (unless for some reason, lilith and adam did it which i highly doubt.) now, all this to say that we may live in a world where people break up or get divorced all the time, but this is reasonably a foreign concept to lucifer because he’s only ever been in heaven, then hell, and even if he observed it in hell it would have been very briefly and from a far, 3rd person perspective. if lilith and him were basically the first people to have felt such intense feelings and closeness to one another, it would make sense that divorce or not, he would keep the ring because it serves as a reminder of a time when he felt the happiest/alive/most himself/free.

lucifer has autism + adhd! now i know this one’s loaded (and ofc i have audhd too) but hear me out; these aren’t listed in any particular order but they’re what comes to me first to last. # ONE : when charlie was talking to him about the hotel for the whole walk till the roof, and then she asked what his thoughts were, he focused on the first thing that came to mind which was something that was right in front of him—the railing. then charlie had to remind him of her initial question. # TWO : he wasn’t paying attention even when he himself was speaking, thus the infamous ‘and now, i am going to fuck you!’ and when charlie corrects him, he goes ‘wait what did i say?’ # THREE : This may just be for ‘comedy’s sake’ but when mimzy first approached him he suddenly switched up from being completely uninterested to suddenly trying to seem interested, his eye even twitching when he turns to her while his smile is visibly awkward. this particular thing reminded me of autistic masking. like. there was something about it that made me relate to it deeply. and then after she’d greeted him he went ‘charmed i’m sure.’ and he looked more relaxed despite looking uncomfortable seconds ago. like he’d gotten ‘comfortable’ with the mask. # FOUR : i feel like i don’t have to mention this but obviously, the hyperfixations with ducks and the circus theme. i don’t think i need to say more because his room literally has tubs and heaps and piles of ducks. that is a full on hyperfixation, no doubt about it. # FIVE : when charlie had asked him to help her get another meeting with heaven, he said no and was very insistent on that. but the moment she’d blended in the invitation of having him over for the purpose of getting him to agree with her, everything else was forgotten. the only thing on his mind was, ‘my daughter wants to see me!’ and it shows with his, ‘WAIT. YOU’RE. INVITING ME OVER?!’ his brain latched onto that immediately, completely forgetting the fact that charlie had only invited him to have him do something he doesn’t want to do. now i have a few more things to support this theory but i feel like this is getting long so lmk if you want an independent post on lucifer’s audhd tendencies in the show!

[cursezoroark]

the oc x canon ive allowed myself in the rebornverse is rejuv mc and ren. they're so cute :']]]]]]]]]] to me,,,,, mona just BARELY gets a crush by like karma files though and ren feels Nothing though sooooo lmaoooooo they're doomed as soon as i created them. well ok not Nothing he cares for Mona a lot, just not as like,,,,,, the extent of affection??? if that makes sense. the whole gang's a bit held up with the xenpurge and he's one of the Centers of it i don't think he has the time or thought rlly. for my fav rejuv character and my special lil guy. dorky teenagers in world apocalypse. who are so so doomed.

[zsupika]

Love and Deepspace x Reader

> general relationship headcanons

A/N: I've been in the lnd fandom for a few weeks now and I'm so obsessed of this game. Keep in mind these are just some random things that I have in mind when I think of them in a relationship.

>> My requests are open if you have any ideas!

Characters: Xavier, Zayne, Rafayel

Xavier

I imagine him as a very caring boyfriend

He'd listen to what you have to say and whenever you have something that troubles you, try and find a solution

His favorite sleeping position has got to be spooning you with him being the big spoon

He just loves to embrace you and know that you're safe in his arms

While laying like that he loves to breath in your scent

And while you're asleep, he plays with your hair and softly glides his fingers along your skin

It calms him down, especially after aonh day of fighting wanderers

He also likes to go on missions together with he

He won't admit it but whenever you get assigned with a different partner than him, he gets so jealous

He just loves to spend time with you

He's more a listener than a talker

Through the entire year he takes notes on the things that you mentioned you wanted to have

When your birthday comes up he buys all those things for you!!

Although he loves to spoil you on valentines day with flowers, chocolate and lots of kisses, he doesn't really see a point in the day specifically

He buys you flowers every once in a while and doesn't understand why there would have to be a whole day dedicated for it

But if you see it as important, he definitely puts up an effort to make you happy and see a smile on your face

He always blushes when you get him something in return!

He prefers to give, more that receive

He also makes sure that you're nicely relaxed after a mission

While you sit on your chair he might come up from behind and give you a soft shoulder massage and some neck kisses to ease your mind and body

I imagine him to smell like lavender and fresh laundry

His favorite drink has to be iced coffee and water

In winter he'll also drink a hit chocolate with you

He loves to add cute toppings and make it delicious

Zayne

As we all know he's a doctor and always very busy

You see him a lot less than you would the other two boys

He appreciates it when you come to the hospital and visit him on his breaks

You'd remind him to relax and take it easy every once in a while

It makes him smile to know that you care for him so much

Him not being able to see you as much makes him sad, so he tries to make the few dates that you go on extra special

He always consideres your wishes and does whatever you desire

You want to stay home with him and watch a movie? Sure, he'd love to. You want to go out to a fancy restaurant? Yeah, he's down.

He has a hard time expressing his emotions with his words, so he's definitely more of a "actions over words" kinda guy

His love language would equal to "acts of service" and "quality time"

His hugs and kisses feel very intimate, because it's his way of expressing his emotions to you

He adores the fact that you understand him so well and that you respect his boundaries

He's a morning person for sure

He likes black coffee

For you he always makes sure that you're healthy

Whenever you get a little sick, he's always worried about you and tries to prevent it with all that he can

It makes you chuckle how much he can get worked up over a little cold

Once you get better he makes sure that you stay healthy and happy

Rafayel

Starting of with a very basic headcanon but I think he'd paint you

But not in the way in which you might think

He wouldn't only paint full on portraits of you but he'd incorporate you into his art in a very different way

He'd draw the landscape of your favorite places

He would use your eye color as the background color of a beautiful still-life

You being around him would inspire him to draw freely without any restrictions

Your laugh would make him move his brush in the same rhythm

Sometimes he'd let you help him with a painting

He also loves to go and search for different ways to create paint with you and look for ingredients

I think even though he's very sassy and bold most of the time, when it comes to intimate moments he'd be rather shy

He blushes a lot!

And definitely has a hard time keeping eye contact with you in those moments

His kisses are more soft and caring than you might think at first

In my eyes he'd be the furthest thing from rough in any intimate situations

He holds you as if you were a fragile piece of glass that could break at any second

He feels like you're the only one who he can let his emotions out on, without feeling judged

Loves sleeping on top of you like a weighted blanket

Slightly snores but not very loud

It's more of a heavier breathing

As we know he's very ticklish

When you two are playfighting you can definitely take advantage of that

He'll be a whining and whimpering mess

Do with that what you want

[oleander-nin]

I see that your requests are open- {at least I hope they are because I see that they're open in like- 3 places-}

Can I get a RoTTMNT Donnie x reader with these two prompts:

Stealing clothing

"One more chance. I'll give you one more chance."

It can just be a silly little fluff thing where they keep stealing each other's comfort clothing or something sifdhufiigejj I jsut like seeing 1 prompt that could be seen as angst then going like "how to turn FLUFF?" You don't have to make it fluff and sorry for talking so much in this paragraph I'm just. So far ufsuguu

What's Yours is Mine

A/N, not important: Aww, I liked that you wanted to turn it fluff and I tried my best to keep it that way. Sorry it took so long(this ask is back from SEPTEMBER). Sorry if Donnie's out of character, it's been a while. Any criticism is welcome, constructive or not. This is supposed to be a gender neutral reader, so if I screwed up somewhere, please tell me. -Ollie

CW: thievery, apologies, OOC Donnie

Words: 956

Summary: Donnie catches you stealing his hoodie.

The hoodie you were wearing was softer than most you’ve ever felt, the fabric so light and soothing you almost forgot it was on. You had to keep looking down before passing a window, making sure you hadn’t forgotten to put on a shirt so you don’t walk by with a bare chest. The earlier guilt from taking it had died down by now. No accusatory texts, no panicked calls. As far as you could tell, Donnie didn’t even know it was missing yet. Made sense, you thought. He never wore it that often. Not unless he was going out into the public eye. 

The sense of safety you felt in the hoodie so far has caused you to grow careless, cocky even. You knew Donnie was popping in today. The time of which, you weren’t entirely sure. He could pop in at any moment, yet you were still in the stolen hoodie. You sigh, deciding not to push your luck. It would only tick off Donnie to know you stole his favorite(and only) hoodie. Not to mention he'd have probably lent it to you if you just asked either way.

You slip the hoodie off your shoulders, shaking it twice to get the imaginary dirt off before hanging it up in your closet. The thought, while feeling a bit silly at first, ended up being a good idea. Seconds after you close your closet and take a step back, Donnie raps his knuckles against your window. Shaking off the guilt and the embarrassment, you open the window to let him in.

“Greetings,” Donnie says, a self-satisfied  grin on his face. It was later in the night, his back lit by the moon and his face by the lights of your room. It was nice to see him so relaxed, you realized. Having him content in your presence, his confidence showing through his eyes. You loved seeing him like this, and quietly vowed to never let that smile falter. You step out of the way to let him slip through the window, his battle shell sprouting spider-like appendages to assist him in balancing.

“Good to see you,” You say smoothly, walking across your room to grab the controllers and set up the console you weaseled into your room earlier in the day. You've already set up everything for you both to have your weekly game tournaments, with the stack of games selected now reaching up to your knees. Plenty of material to go through, and you could easily set up a movie or pull out the board games in your closet if either of you get bored of button mashing.

The sound of a door creaking open while your back is turned makes you jolt, your eyes widening as you realize that by opening your closet, he definitely had seen the stolen hoodie. You turn to look back at him, trying to push down the sheepish look and maintain your innocence as he pulls out the accumulation of your thievery. 

"What do you have here," Donnie muses, holding up the hoodie to his plastron and looking down at it like he was trying it on in a store. You shift on your feet, unsure what to say to him now that you have definitely been caught. The crazed twinkle in his eye and the urge to maintain your dignity held firm, causing you to double down.

"New hoodie I just got. You like it?"

Donnie looks you up and down, completely unimpressed by your innocent facade. “Oh really? You just happened to come by a large purple hoodie with the back modified to fit over a shell and larger pockets to fit hands like mine?”

You stare blankly at him, pursing your lips. “Mhm.”

“I’ll give you one more chance to admit this one’s mine,” Donnie says curtly, his eyes twitching as he looks the hoodie up and down for any damages. “I mean, you could have just asked before you rifled through my belongings to find it.”

You slump forward slightly, giving in. “Yeah, it’s yours. I’m sorry I took it, I should’ve asked.”

Donnie grins at you again, smug. “Apology accepted. On one condition, of course.”

You grimace at the thought, sighing deeply. Conditions from Donnie usually meant trouble, or you becoming a new assistant/experiment for one of his inventions. “And that condition is?”

“I get to take one of your hoodies in exchange. And allow Papá to make the needed alterations to it.”

You chew on your cheek, trying to weigh the consequences of your actions. “Who gets to choose the hoodie?”

Donnie scoffs, shoving the problem hoodie into his battle shell as it opens up. He crosses his arms over his chest, giving you an incredulous look. “Me, obviously. You stole my hoodie.”

The point he made was fair on all accounts. You knew deep down Donnie likely wasn’t mad, more frustrated you had taken something without asking(again). However, knowing he’d almost definitely choose your favorite hoodie to alter sucked. There was a reason you didn’t wear Donnie’s hoodie outside and instead used it as loungewear. Mentally mourning your collection, you wave your hand towards your closet as a sign to let him have at it.

“Take what you want. Mi casa es tu casa.”

Donnie grins smugly once more, clearly having expected that answer. He turns back towards your closet and starts to dig through it, looking through your hoodies to find his perfect victim. The glee in which he did so had you suspecting he had set you up in some way, but you keep those thoughts to yourself. If he wanted, he could alter your whole closet to fit him and you wouldn’t say a word.

Tag list: @f1oricide @itsyagurlchip @lordfreg @acutiewithagun @rottmnttmnt2012 @lixnininotnay @lexiechr @ssak-i @rottmntsimp

[cheapshrimpysheep]

If you are willing, I crave more Idia content. I really like the first date thing you wrote for him, and I’d love to see how you’d approach the idea of him being a bit bolder with his crush upon finding out somehow that they have a crush on him too! Tysm and congrats! 🩵💙

COMMENTS: Thank you for the request. Idia is one of my favorites. 💙 And maybe that's why I wrote a little more than I usually do. And in a slightly different way too.

I hope you and all enjoy it. 😉

CHARACTERS: Idia Shroud (Ortho as his accomplice)

TAGS: Fluff; GN Reader; Flirting

WORD COUNT: 850 words

How did he find out?

Idia found out because of Ortho. Knowing that his older brother had a crush on you, he decided to find out if you could have a crush on him too. Since Idia wouldn't try anything at all unless he was absolutely sure your feelings would be reciprocated.

First Ortho studied your vital signs and other physical changes to see if they changed when his brother was around or mentioned. And, according to his studies and test results, the changes that happened to you squared with the changes that occur when one person has a crush on another.

Why do all that if some of your closest friends could confirm your crush on him? Because that information would not be enough for Idia, he needed scientific proof too.

How would he react?

Denial! “Come on! Those results can't be right. I mean, with all this handsome SSR OP characters around? They could have a prince, why would they want me? You must have some bug. Let me check.”

“NO! I’m fine!” Ortho replays “I can guarantee you that all my software is up to date and there is no warning from my antivirus.” They got into an argument long enough for Ortho to convince Idia that it's true that you have a crush on him. Would that take hours? Days? It doesn't matter. The Shroud may very well be the most stubborn students in the entire school.

How would he start acting around you?

Well, it depends. Of how many people and who is around you.

If you are in a place where he feels socially uncomfortable, such as surrounded by extroverted friends of yours, you will be his shield. He won't let go of you. And he will only talk to you, or at least try to only talk to you. If those people are the shadows in the room and he is a child afraid of the dark trying to sleep, then you are his teddy bear that puts him to sleep when he hugs you.

Well, he wouldn't literally hug you in public, but the feeling is extremely similar.

If he is very anxious, he may discreetly hold your arm. And he will try to convince you to accompany him to a place where he feels more at ease.

If you were out in public but in a situation that was within his comfort zone, for example at the board games club, or surrounded by someone he already has a little more confidence in, he will still be reserved, at least in the eyes of others.

He would always be close to you, sit next to you. Not in the sense that he is glued to you, but in the sense that you are the person he feels most comfortable with. Like I said before, his teddy bear.

Since he is in a place where he feels comfortable, he can forget about the others while talking to you, by accident, and flirt with you a little. Tucking his arm around your shoulders as he talks. Talking to you in that deep voice and with his confident smile on his face.

If anyone in the room shows they can hear you two or can tell you're flirting, he'll back away from you a little bit completely embarrassed by the situation. And yes, the ends of his hair will turn pink.

And if you are in private, most likely in his room, there will be nothing to assuage his pride.

He will treat you most of the time like his best friend. At least until such time as something happens or is said that gives him an opening to flirt with you. A bet on a video game for example?

“You want to take a walk with me one day? To leave my room of my own free will?” Idia smiles smugly at you “Fine, sure, of course... if you beat me at Star Rogue.”

You two were sitting, playing some video games.

“That's not fair!” you protest “You know nobody can beat you!”

“I'm glad you're smart enough to see the trick. If you had accepted I would have started to worry about your ability to fall into a deadly trap in the future. Wisdom is not an attribute to be neglected.”

“If you don't want to take a walk with me, all you have to do is say no. Or no, thanks.”

“I know, that's why I never said no. Are you not paying attention?”

You don't want to play that, so you get up sulking and walk to the door to leave. You expect him to stop you but he doesn't. You try to leave, but the door won't open.

Idia gets up and walks over to you. Still with your back to him, you see his hand land on the closed door. You turn around and he's basically "kabe-don" you.

“Hey, come on, these kinds of achievements shouldn't be so simple to get, don't you think? And do we really need to go outside? There are so many things we can only do inside.”

If you dropped in here out of the blue and want to read more from me, you can find it in my pinned post: INDEX

[sunshine-jesse]

In defense of Andrew Graves: Facing Yourself​

Alt title: Andrew Graves: The Will to Plow Her

I think my analysis of Andrew is one of the best essays I've written so far. But since then, I think I've expanded my understanding of his character in a way that urges me to add on to my prior essay. What I intend on doing is further fleshing out my reading of Burial, and going deeper in detail on why I think Decay ends up panning out the way it does. This essay will end up sharing a lot of text with my prior one, but will add enough scattered throughout that I think it merits a complete reread instead of just scrolling down and seeing what's new.

I've focused a lot on Ashley in my past writings. She's my favorite character in the story (and depending on how episode 3 pans out, maybe ever) and I'm pretty mortified by how some parts of the fandom have reacted towards her, so I pretty much made it my life's mission to push back against that. From highlighting the ways Andrew mistreats her, to coming up with justifications for her behavior that aren't just being a manipulative bitch, I really wanted to prove that a more favorable picture of her could be painted than most were willing to.

But in doing so, I've left Andrew in the dust.

In highlighting his flaws and the ways he mistreats Ashley, I think I've implied a level of intentionality to his actions that I don't believe he has. When I say that Ashley did nothing wrong, it's in direct response to the idea that she holds the most responsibility and agency in how their dynamic plays out, when in reality, I believe she has very little. Most of her actions in-story are in reaction to a variety of stimuli that come directly from Andrew, that he has control over and are aware of how Ashley feels about. His refusal to use clear and direct language to deny her most toxic tendencies causes her more and more stress as time goes on, and instead of giving her clear answers he opts to be catty, passive-aggressive, or, at his worst, threatening. Never direct and never clear, except when establishing boundaries over his name after the choking scene. Andrew fails to help Ashley be better in some frankly depressing ways throughout the whole story, especially in their childhoods, so we never get to see where she'd fall short if given a better influence.

...

Kind of. More on that later!

In mentioning his thing about preferring to be called Andrew instead of Andy, I also implicitly mention one of the places where Ashley falls short in their dynamic and could stand to do better: recognition.

This scene says a lot. It's the most heartbreaking scene in the game, if you ask me, and probably the single most profound and well-written moment in the entire story. I could write a whole 2000 word essay on it alone, but I've already said most of what I have to say about it through what I've said in other essays, so I'll spare you all that. Instead, I'll use it to highlight something:

"I had fun."

Their dysfunction is fun to her. She's so used to abuse and alienation that even the most awful, stressful (as far as we know) route of the game is still fun to her. And that's not a sign of her being a secret evil sociopath or whatever; that's actually not abnormal behavior to develop for a lifelong victim of abuse. Those highs and lows, those strong emotional highs and lows are -addicting-. They're -fun.- Part of why abuse victims get into so many abusive relationships is because it's easy to pick up on those patterns of thought and take advantage of them, and the cycle of abuse is often furthered when a victim of abuse tries to draw out mutually abusive behaviors in someone with no interest in having that kind of dynamic.

This is where I'm willing to acknowledge Ashley's manipulative tendencies. Not just as a matter of controlling Andrew for its own sake, purely out of jealousy or possessiveness, but as a matter of trying to further the only dynamic she's ever known in her life. Better the devil you know, right?

That push and pull- that emotional rollercoaster- is all many of us know. And it's all Ashley knows. This dynamic is something she's so used to that she reacts incredibly harshly to any attempt to change it, because she doesn't know that things can be better. Because of this, she refuses to engage with who Andrew really is, and tells herself- and him- that she *hates* Andrew:

This scene is almost as heartbreaking as the above one in a lot of ways.

Andrew putting his foot down about the Andy/Andrew name dichotomy wasn't arbitrary and it wasn't just about his comfort. It was about Andrew giving a clear indication about what needs to happen for their relationship to improve. He's recognizing the cycle between them and wants to put a stop to it, because he's confident that things between them CAN get better and evolve into something healthier. Ashley, not understanding that their dynamic can get better, because their "fun" little push and pull of abuse is all she knows, rejects that. She rejects the unknown, and says- in Andrew's mind at least- that she'll never accept that new dynamic, nor will she accept who he really is.

Ouch. No wonder he looks so sad in that screenshot.

They have a conflict of understanding here, and I think it's fair to pin most of the responsibility on Ashley. Andrew was clear in what he wanted, and Ashley just... Didn't. She didn't see the importance of it ("...whatever that means in practice") and didn't really ask. This gap in communication, perfectly displayed in this scene, is likely what causes the Decay ending. He wants things to be better, and wants to treat Ashley better, and whether or not he understands the ways in which she communicates with him is in part what determines what he sees her as.

But there's a lot of evidence that he always wanted things to be better, that he always wanted to treat her better. But external factors have made it very, very difficult, and I think there are two key points in which he started to shed the importance of those external factors and seek that better relationship, both of which happening in the apartment: The killing of the warden and the 302 lady. In the first case, he was forced to do it to protect Ashley in a way he hadn't done before, or depending on how you look at it, since the death of Nina. But the intentionality was the key point here. After this point, he calls Ashley Leyley, which may or may not seem important at this point, but it's something I'll draw attention to later, so keep that in mind.

Next is the killing of the 302 lady, which is the much, much bigger point. We don't learn much about it until later on- as at first he just gives an excuse about the nail gun that doesn't line up with what we see on the map- but during the dream, it's revealed it was a calculated, intentional killing that he did to make sure there was no evidence left behind, and because Ashley (supposedly) would've wanted him to do it anyway. I say supposedly because Ashley herself doesn't seem to ever want Andrew to kill for her past Nina's death, because he only ever kills for her to defend one or both of them. If you want more evidence that violence for violence's sake isn't something she wants, look at this part in the final dream:

A knife isn't what opens the door, despite it being placed on the ground in that very map. While it seems obvious that the knife (violence) would be the key to solving the puzzle, it's put there explicitly to show you that it isn't. It's not what she wants; what she wants is a flower.

So, why is this important? Why am I centering Ashley- again- when this essay is supposed to be about Andrew?

It's because these two killings are when Andrew's self-delusion over who he really is starts to break down. It's still there, mind, as he still relies upon Ashley as an excuse to justify it, but, as well as what I've said before, the name ultimatum is an implicit confession that the normalcy he finds comfort in is starting to lose its grasp on him. There's a lot that's been said about Andy being something close to a "moral impulse" for Andrew, given his child self's reaction to Nina's death being the only thing he does that approximates a normal moral response to his and Ashley's actions, but if you do think that- which I think is a reasonable thing to think even if I don't necessarily agree- there's something you must also keep in mind:

-He- is the one who doesn't want to be called that anymore. -He- is the one who wants to let that moral impulse go, and Ashley is the one making it difficult.

That reading is assuming that Andy is a moral impulse, which I think is... either wrong or too simplistic. Every time I see that reading, it's from someone who's trying to paint him too sympathetically and absolve him of most moral responsibility. I also find it infantilizing to equate morality with childhood in such a way? But that's another tangent that I didn't sign up to talk about. What I do think, however, is that it's a useful framing device to display his own relationship with morality; the allegory to his child self doesn't have to be there for the general pattern to exist.

When Ashley starts to grill Andrew over the killing of the 302 lady, he gets mad. Very mad. Ashley sees it as pointless, as him covering his own ass, but he genuinely did it for her sake, because he thought that's what she wanted, and that it'd make her happy. But what makes her happy isn't violence- or any similarly extreme action for that matter- it's attention and validation. Something he's always reluctant to give her, despite the fact that he always chose her over the alternatives. But despite making that choice, it's always empty and meaningless, because in Ashley's mind, he never did it for her sake.

And hoo boy, does he not like it being framed like this.

He is perfectly willing to do whatever it takes to keep them happy and safe... but only for her sake. It has to be for her sake. He still needs that traditional role, and he still needs to have a narrative in which he's the good guy- a protector. Because it can't be for his sake. It can't be because that's what he wants. He has to uphold that romantic (in the literary tradition sense) ideal. His darkly romantic idealistic streak colors many of his actions and beliefs. This is most plainly visible in his quip about a double suicide being romantic, but it's also visible within the symbolism present within his dream, such as how he can only pave his own path in blood unless Ashley lights the way. It's visible within his appreciation for poetry, and it's visible with how the cultist within the dream speaks in Shakespearean English.

But the transient nature of this ideal is also revealed within this dream, because there's never a cohesive, guided path, even with Ashley there to light it up. Contrary to Ashley's dream, where you literally have maps showing you where to go, Andrew's dream has many more dead ends and no map to guide him. The symbolic role he acts out gives him no clarity, and there's no overarching narrative; merely a bunch of disconnected symbols.

This is contrasted with Ashley's dream, which has narratives so clear that the story literally gives the dream an episode title.

In a sense, he wants to view himself as an actor acting out a role in a story. He wants his life to be poetic, to represent something greater, and to have a cohesive narrative. This is why he's so disconnected from his true desires: He's more concerned with acting as a representative of an ideal than a person with agency. But every time the mask drops, every time he stops acting, his true self becomes visible. He naturally settles into being comfortable around Ashley, in treating her with warmth and kindness, and their banter becomes much less toxic. As intent as he is on acting out his role, it does nothing for him, and as his dream sequence shows, it doesn't even form a cohesive narrative, because he can't act one out. It's too contrary to who he really is, and what he really wants. But that idealization doesn't just apply to himself, it also applies to Ashley. Specifically, who Ashley is, vs who he wants her to be.

In his unique dream sequence, he sees two versions of Ashley; the child version of her- Leyley- and the adult version of her- Ashley. And the differences in the ways he interacts with the two of them are stunning. Leyley is an obstinate, annoying child. She's the one he NEEDS to take care of, and he hates that. He hates Leyley for what she did for his childhood. He hates that he needs to provide for her. He has the option of trying to kill her, even, over something as small as a candle!

But in the room with all the murders, the gilded cage, he sees Ashley as an adult. This version of Ashley is stuck in a closet that he himself has to open- and to choose to see. Their interactions are calm and friendly. She teases him a bit, sure, but she's still helpful, and they have fun together. He doesn't need her, and she doesn't need him. He needed Leyley- needed the candle- but here, there are other limbs strewn about for him to take. And, crucially, he doesn't even have the option to kill this Ashley for one of the limbs.

And during the choking scene, he lets her go the moment she acknowledges that he doesn't need her anymore. This is the first time we know of that he seems comfortable enough to set a clear boundary, which is acknowledging that their prior dynamic is dead and that they're now Andrew and Ashley, not Andy and Leyley. It's a bit late to express a clear boundary -after- literally acting like he was going to kill someone, but it's the first time we know of that he sets a clear standard for what, in his mind, would improve his relationship with Ashley.

After all, what he wants is to want her, not need her. He wants Ashley for Ashley's sake. Not for what she can provide him. He doesn't even need her for sleep, he just wants her. But Ashley has trouble acknowledging this, because he's never before shown that WANT. Only a NEED. She keeps trying to find ways to make him need her, because she's never seen what his desire for her is really like. She's only ever seen him desiring someone else, someone other than her.

She's only ever seen him as Andy, because she's never truly seen Andrew, only the violence he can inflict on others. But Andrew can see both:

He can see Leyley, the needy, bratty child who always needs his attention, that he needs to provide for. The one he hates and wants to get rid of. The one he kills for to protect.

And he can see Ashley, the one who engages in friendly and cute banter with him. Who comforts and shows him physical affection. The one he loves. The one he kills for to make happy.

He just can't choose which one he wants to see. Every outside influence- from his parents, to Julia, to Nina- makes him see her as Leyley. Ashley herself makes him see her as Leyley too, whenever she brings up all the things he did for her, and calls him Andy, his child self, instead of Andrew, his current self. And as long as he sees that child, he feels like one too, and can never give Ashley anything that comes from the heart.

But he really, really wants to see Ashley as an adult. He wants to take pride in her, how much she's grown, and how driven and competent she really is.

But god damn, does that bitch ever make it hard, because there IS no real difference between Ashley and Leyley. She's grown and changed over time, taking more adult (and stereotypically feminine) responsibility upon herself, but the fact that her temperament and personality hasn't changed much obfuscates that growth. When you talk to Ashley in the closet during the dream after getting the limb, Andrew asks Ashley to come out of the closet, but she refuses to come out because he won't invite Leyley over to play, which is a pretty strong metaphor for how he interfaces with different aspects of Ashley's personality and refuses to accept others. But the reality is that he needs to accept both, or rather, see her whole self as Ashley, rather than just the parts he likes.

In the end, it's him who has to make the choice how to see her. Ashley can only see what she's been shown, but Andrew can choose.

And in the basement scene, he makes that choice.

If Ashley refuses to leave him alone with their parents, that's it. In one of the most critical and important moments of his life, she couldn't give him the space needed to make up his own mind. She couldn't treat him as an adult. She couldn't see him as Andrew. If she does give him that choice, she chooses to acknowledge that Andrew is an adult who can be trusted to make his own decisions, even though she (perhaps foolishly) believes that this choice lines up with her own interests. And frankly it does either way, but in accepting their mom's offer, her chooses to see her as Leyley once and for all. He chooses not to reciprocate what Ashley showed him. He does it because he needs to, not because he wants to. Because it's his duty, not his desire.

This is what results in the Decay ending. Through his inability to see Ashley as an adult, he surrenders his agency and views all of his actions as an extension of his responsibilities, his role, which he no longer wishes to uphold. He dissociates fully from who he really is, acting in accordance with that disconnected, barely-cohesive narrative that exists only within his mind. The game starts to resemble the heartwrenching tragedy that many seem to take for granted that it is, as their dynamic fully doubles down on its painful toxicity. And, in an example of a poetic book end, Ashley's dream shows a double suicide, closing the book on their tragic tale.

It's tragic. It's heartwrenching. It's poetic. It's beautiful.

...Except it's not. Not at all.

It's actually fucking stupid, pointless, and brutal, and Burial shows us that. When we view their spiral as beautiful, we project the same darkly romantic ideal that Andrew possesses onto the story.

But the actual reality is horrifying.

Ashley spends most of Decay terrified of Andrew, the one person she found comfort in. He acts cold, distant, and aggressive towards her, showing pointless cruelty instead of any warmth. All she wants is comfort; all she wants is to not die. She doesn't want to engage in this death spiral at all, and, in her dream sequence, shows none of the same willingness to die alongside Andrew that Andrew does with her. The moment we stop focusing on the end of the Decay dream sequence, which has very striking imagery, and if you choose not to shoot, one of the most beautiful scenes in the game, we can see it for what it really is:

A scared animal running away from a predator.

The moment you see Decay through Ashley's eyes, and not the perspective of some romantic ideal, Decay becomes terrifying, tense, and painful. There is no catharsis to be had in this tragedy. It's easily avoidable as long as Andrew chooses to engage with reality, and not the empty promises of his mother and incoherent narrative of his ideal.

Finding beauty and meaning in tragedy is how we cope with the harshness of reality. But there is no coherent narrative to the tragedies we experience, just like there's no coherent narrative to the ideal Andrew wishes to uphold. It's something we create- that he creates- but it's not something that actually exists.

And when Andrew casts aside his desire for that ideal, and the responsibilities it shackles him to, it grants him clarity that he never had before. He sees the world for how it really is, and acknowledges that nobody- the least of which their mother- is as different from Ashley as they pretend to be.

They're no better than her, and he's tired of people pretending that they are. People are all the same, no matter what ideals they try to uphold and represent. They still sacrifice others in the name of advancing themselves, still punch down whenever they can, and still lay blame on those beneath them rather than try to take control of their lives. They just use those ideals to justify themselves, but Ashley, and now Andrew, reject even the need for that justification.

This is why I believe the story is nihilistic. Not in that it asserts the inherent meaninglessness of life, but in that it grapples with the ideals we uphold and how they obfuscate the reality of the world we live in. The story, intentionally or not, highlights how ideals are often but a pretense we use to justify what we were likely going to do regardless, and how holding to them too strongly can lead to our ruin- and how monstrous they make us look to those who do not share them.

Consequently, this is how I view the part of the fanbase who thinks Decay is a good ending.

(the characters themselves represent existentialism rather than nihilism but i couldn't really fit that analysis in here without it feeling forced so i might cover that another time)

From that point on, their relationship becomes a lot more friendly, lighthearted, and playful. They ironically start acting more like children, but to quote CS Lewis:

"Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence."

He's not ashamed of being playful with Ashley, or showing affection towards her. He's grown up. He finally sees her, and himself, as an adult- although he still doesn't show that in full until much later on (more or that later). But in Decay, he still sees her as a child, and to an extent, probably himself. Let's compare the ways in which he reacts to being called Andy. In Decay, he lashes out at Ashley and gets angry, even threatening her. But in Questionable Burial, he calmly says that Andy is dead and doesn't need Ashley's comfort, but still tries to reassure her that she's still needed. He's not ashamed of or hostile towards their prior dynamic, because he's grown past it. He still acknowledges Ashley's need to feel needed, but here, he recognizes its importance to her, whereas he was hostile towards it before.

It's a display of respect towards her feelings.

This interaction doesn't happen in the Sane ending, however. He doesn't play games with her and is just a lot less fun to be around all together. Why is that? Because he still hasn't yet shaken viewing Ashley as Leyley there. He still views her as a burden, as someone who needs taking care of. He's calmly accepted that, too, mind you, but he lacks respect for her because she's still a child, in his mind. But in Questionable?

The vision did more than just make him extremely embarrassed and lay his deepest desires bare. It forced him to recognize Ashley as an adult. When choosing between "Never" and "Never say never," if Never is chosen, the burden of thought is lifted off of him. But if Ashley chooses "Never say never!", he has to reckon with the fact that Ashley is an adult, someone who can consent to those kinds of things. Someone who MIGHT. Someone who has agency, and can make her own decisions. And more importantly… someone who can trust him to make his own.

Whether he desires sex or not is secondary; he's always had those feelings and has always been ashamed of them. But now that the part of him where that shame came from is dead and buried, there's no childish impulse to grow up. There's no attachment to the hate and bitterness he had before. Look at what he worries about when he picks up that she's uncertain or confused about who he is now:

​

It's her feelings.

He wants to be fun to be around. He wants to make Ashley happy. He loves her, and not as a romantic interest or even as a sibling. He loves her independent of all that baggage.

He loves her as a person.

Their relationship runs contrary to societal ideals in some pretty huge ways. So contrary, in fact, that it's hard for some to accept it as anything good, that it can ever be best for the people involved. It's incestuous. It involves them killing and eating their parents. It involves them distancing themselves so much from society that it's hard to believe they'll ever fit in it again. It's chaotic, it's messy, it's codependent, and maybe even toxic. And yet, here they are. They're coexisting. They're happy. They're healing. They're navigating the world in the only way they can: together.

Meanwhile, in Decay, Andrew refuses to allow himself to get closer to Ashley. He surrenders all agency to her, buys into his own narrative, drinks his own Kool-Aid, and may or may not condemn one or both of them to death in the process. Like it or not, the only path where Andrew takes ownership of his life is the one where he's closest to his sister. It's the one where he decides where they will go next, the one where he decides his own feelings matter, and acts in accordance with what he wants instead of how he thinks he should act.

His agency, his freedom, and his growth don't happen in spite of his codependency; they're happen because of it. They can't grow alone. They can't heal alone.

In reading the story, one must interrogate how important those societal ideals are in the face of the realities of what makes people happy. Are those ideals worth upholding in spite of this? Can we really allow people to fall through the cracks in the name of social norms? Can we blame people for taking rash actions when the social contract has failed them?

Or are we so blinded by those ideals that we can't see that people can be happy while blatantly disregarding them?

All I know is that in Burial, Andrew, having cast aside normalcy, now appears to be truly happy for the first time in his life.

Who are we to take that from him?

[ladyazurith]

You mentioned in one post that you think one problem with the game is that it twists itself into pretzels to fit the various different narratives, even when it doesn't make sense for the characters. Can you talk more about that? (Because I totally agree.)

Very much so! It's really bothersome. The first thing is in the individual chapters they tend to act like the students don't know each other well outside their own dorms, almost like they're practical strangers who have never interacted before. When everything else points to the opposite. Take Chapter 5 for example. They try to act like Ace and Deuce have no idea who Epel is, yet in Ace's CR story, he clearly meets Epel during their sorting. Never mind how they behave during events. And in chapter 2 when Cater is with Yuu and the others scoping out possible targets, it's presented like he doesn't know most of them well, when he clearly knows *everyone*.

Then from there, it's how the characters act in their individual chapters. Chapter 1 is mostly okay in this regard. Events with Riddle happen quickly enough that him having a major change of heart and acting "normal" in material from then on isn't too jarring.

But moving on from there it's a trainwreck. The chapter's overblot victims/ antagonists can get a little bit of a pass, but even then it stretches things.

Like Ruggie for instance, he is very shrewd and isn't above taking advantage of a situation. But he's not evil, he very clearly cares a lot about his home, his grandmother, and the other kids who live in the area with him. The idea that the character we see in every other situation would cause serious harm to someone else over a game is kind of ludicrous. He could have very easily risked expulsion if things had gone too far, and then he wouldn't be in a position to help *anyone*. Leona is even kind of iffy to me. While Leona tends to go out of his way to appear uncaring/unmotivated/lazy, he's actually an incredibly good dorm leader who cares about his students. Most of his real issues are internal, and harming innocent people who aren't even part of his beef with Malleus just seems out of character to me. Never mind what he does to Ruggie. Some of it can be explained by the build up of blot but not all of it.

And then Chapter 3, Azul, Jade, and Floyd. For the most part, I can see the tweels going along with everything because they both thrive on chaos. But Azul's plan is just...stupid coming from someone who's a professional businessman. First off he has no shortage of workers for the lounge. Ruggie frequently takes shifts there, and Cater while not a waiter also does a lot of work with them. But the whole sea anemone thing was just gross. And apparently, there was nothing in the contract about not disparaging their employer. It might have caused a spike in business at first just because people want to see what's going on for themselves, but overall, he'd ultimately hurt his business and drive customers *away*. Never mind the whole bullying backstory comes out of NOWHERE. Like I do have sympathy for Azul and what he went through and he is one of my favorite characters, but Ch 3 suffered from poor writing in my opinion. Narratively the whole thing was a mess.

Chapter 4 is handled better in my opinion. For the most part, I have the least amount of complaints about what goes on here. My biggest one though is what I mentioned before, Characters tend to exist in a bubble during their chapter events. You can not tell me that Cater nor Lilia wouldn't have tried to figure out what the hell was going on with Kalim. Or Silver for that matter. Never mind how Kalim had the authority to keep his entire dorm at school over a holiday when it's shut down?!!? I get his family is rich and powerful but, that still seems like a stretch idk.

Jamil I think was a least handled well otherwise, his actions and motivations seemed consistent with his character. In the end, he didn't really want to harm anyone, he just wanted his freedom and was desperate. The only real question is what did he think was going to happen next? Even if Kalim got kicked out of NRC then he would have only had about a year and a half of 'freedom' it wouldn't have solved any of his problems. And if Kalim had turned up dead, there would have still been severe repercussions for him and his family. IDK for someone who is supposed to be good at planning and scheming there definitely were parts that weren't well thought-out.

Chapter 5 and Rook is where this conversation started I think but I'll touch on it again. His actions at the end of chapter 5 are COMPLETELY out of character for what we know about him otherwise. Hiding his obsession with Neige from Vil, and then revealing it IN FRONT OF him while he's still licking his wounds from his overblot is just...if this was the only context we had for Rook, no one would be calling them friends. He had no real reason to reveal he was the one that cost them the competition.

The reception to this was so bad that's why we have the start of chapter 6 where Vil gives his speech about professionalism and why he's okay with Rook and what he did. I don't believe the narrative that Vil wasn't hurt at all, not with how he's shown to be so insecure especially where Neige is concerned. Sure I might buy the part about Rook voting for NRC not hurting him, but not the rest of it.

Never mind otherwise Rook isn't cruel. Especially not to Vil, and his actions were just that.

This is also biased, but the fact that Cater was cut from the team, and the reasons why rub me the wrong way. I know that they just wanted Jamil and Kalim because they were the previous chapter's focal point and Ace and Deuce because they're tied to pretty much everything because of Yuu and the story. But Vil keeps talking about being a professional, admitted straight up that Cater's audition was *perfect* but brushed him off and passed him over anyway. (Also Ironic because Cater's VA actually is a musician/singer/ensemble group member and not a traditional VA) but that's off course of the question lol

Also, I will never not be salty that RSA won with their song/performance. All for the narrative. And THEN they gave us a shot at seeing some kind of revenge or at least a win over them after the VDC with Epel's hometown event and yet again WE STILL LOST. I don't understand that one either. It's just frustrating for the players to be put in that situation again needlessly. There was no real narrative/story reason we had to lose.

Chapter 6 we finally get away from the narrative that the characters can't know who each other are in the main story at least -_-;. overall I don't have too many issues with Chapter 6. (other than the mini games -_-) Idia's character is kept consistent. We get some fun moments from the cast, and for the most part its in line with what we know of them and their characters. Azul and Riddle are gold, Jamil needed to hear what Leona told them. (tho it was a little pot kettle but then again that meant that Leona knew what he was talking about). And over all things don't seem AS forced. Had hoped things were gonna get better.

Then Chapter 7 rolled around and they murdered Lilia's character. The character we knew would NEVER treat his family like that. He even gives Malleus a speech in Cater's Halloween SSR about how he'll always be there when he needs him. He's consistently been shown to value his family and connections. It was just such a drastic change I am still baffled. I understand why he would be leaving, but to not really talk to those around him or explain what's going on and make an effort to keep in touch and stay in their lives? It's absurd. Of course Silver and Malleus broke down, if in high school my dad basically told me he was dying and that he was going far away and I'd never see him again, I'd have lost it too, and I'm not nearly as close to my dad as they were to Lilia.

I know they needed something to trigger Malleus's overblot but again this just seems like poor writing to me. The idea of Lilia loosing his powers and possibly dying I think would have been enough if they'd framed it right to push Malleus over the edge. That's difficult /emotional enough and they wouldn't have had to completely destroy Lilia's characterization to make it work. They could have even had the scene with Silver and Malleus when SIlver breaks down crying in front of him after trying to stay strong in front of Lilia so as not to worry him.

I'm trying to reserve too much judgment until we see the entirety of chapter 7 but unless there is some unknown reason for Lilia to have chosen this method of leaving, I don't know how to really justify it.

I get sometimes characters have to make difficult choices it is what helps make a story interesting, but if those choices arise from conflict that's not framed well or meaningful, it loses its potency. It comes across like us as the players and the characters themselves being cheated.

[solradguy]

why is xtra hated? Does it have character inconsistencies or something else to have hate towards it?

Ok. So. For starters, one of the main characters is a girl named Mizuha that is very probably a child/young teenager and they draw her like this all of the time (sometimes even WORSE):

(her personality is... fine... I guess. she's just uncomfortably sexualized)

The plot is basic shounen genre trope soup. The other main character, Tyr, has a dragon/Gear arm and was sealed away for a mystery amount of years so he looks like a teenager but is older than Ky (who was ~24 in the canon at the time). They also did that thing where Ky ~just so happened~ to have seen Tyr on the battlefield when he was a kid before he joined the Holy Order, and Tyr is apparently working with/under Kliff. Very "we have a new character and need to speedrun making him relevant. let's shoehorn him into everyone else's backstories."

Tyr's Gear arm (it looks like a normal arm unless he activates it):

None of the characters ever bring any of this up ever again outside of Xtra. It's not mentioned in GG World, any of the guide books/encyclopedias, character profiles, novels, interviews, etc. Which you think it would be if Kliff knew A GUY WITH A GEAR ARM IN THE HOLY ORDER LOLL

The characters that are actually in the games make cameo appearances throughout the comic and I think the artist had more fun drawing them than they did the actual protagonists because they all look leagues cooler than anything Tyr or Mizuha end up doing

I will give Xtra credit for one thing though, and that's for giving us one of the rawest Sol Badguy scenes in the entirety of Guilty Gear:

I just don't get how the guy that wrote Lightning the Argent and Butterfly & Her Gale, two books that are still canon-relevant and generally enjoyed by the (JP) community, ended up writing such a bland story. Was it solely his idea? Was someone else forcing him to make changes to the plot and he just had to go with it?? This was GGX era so Guilty Gear was doing PRETTY GOOD in Japan at the time.

I have no idea why they felt the need to put out something with such an unoriginal premise in a series that frequently bends or breaks genre expectations. Daisuke Ishiwatari is included as an author on this, but I get the impression that was just a legality thing since he wrote basically the entire setting and cast outside of the few new ones introduced in Xtra. None of the Tyr lore beats line up with any of the established Gear lore, either pre- or post-Xtra.

Why did they write Xtra when they could have written something focused on the established cast instead. Going into Xtra for the first time is like when you pick up a cup expecting it to be pop and find out it's water instead but since you were expecting something sweet the water just tastes gross and extremely disappointing. Xtra is my least favorite Guilty Gear entry out of the entire library. Vastedge at least gave us Naoki Hashimoto and Isuka gave us A.B.A. Xtra just gave us wiki editors annoying homework.

You can read Xtra over on Mangadex if you wanna form your own opinions about it. It's only one volume and can be read pretty quickly: https://mangadex.org/title/911025e8-ae47-499c-8eff-453d18b6459a/guilty-gear-xtra

[starburts-addict]

Okay so, this idea was not 100% my idea, but I was allowed to use it, so let's go!

(I'm also using an idea from a manhwa so)

Also also, I usually do gn reader, but for the sake of hijinx, the reader is fem.

OKAY LAST THING, LILIA AND ORTHO WILL BE WRITTEN AS PLATONIC

You were a normal human on earth. Just another anime fan, you liked Twisted Wonderland, nothing out of the ordinary. That was until you died. Your life wasn't to be happy about, but you didn't think it was that bad. 

You woke up. That entire dream was your past life! You woke up crying and your two older brothers came to check up on you as you slept in the same room. Your parents came to check up on you. You now know who they were. They leech family from your favorite game, but… why do you exist? You were never mentioned as a character, there was never any mention that the twins had a younger sibling, let alone a sister. 

Growing up, you always questioned your existence, but you tried not to think too hard about it. Maybe it was just the celestial being's way of apologizing for your untimely death. You got to meet Azul the year you went into the equivalent of middle school. The year Jade and Floyd met Azul. You've met him before and you helped him! But after a very small handful of meetings, Jade and Floyd had purposely tried limiting your time with him. Sure he was odd as a younger version to the version you're used to seeing, but he wasn't that bad! Every Time you tried to hang out with Azul with your brothers, something always came up where you couldn't. It was strange, but you decided not to question anything. What's the point if it can ruin your happiness?

We were fine not being able to attend Night Right College, you were happy with your life! Besides you were a girl, it's impossible for yo- Your parents bribed the Headmaster to allow you to attend as a student? That's new. You never really expressed any desire to go to the school. Although Jade and Floyd do complain about not seeing you as much, must have been on their request. You didn't mind, just caught off guard. Besides! You get to see the cast! Upon realizing you needed to prepare for the story. The plot except the arrival of the protagonist was the only thing you couldn't remember. Drats, you remembered when you were younger, but now, you don't remember one bit. Guess you were going in blind. 

When the time for the entrance ceremony arrived, everything went upside down. Not only was the protagonist one of the protagonists with a face, Yuuka Hirasaka, but everyone's eyes were on the both of you as the only girls on campus. You know this school is an all boys school, but did they have to make a huge deal out of it? At least the main cast didn't seem to mind too much, although Azul's eyes on Yuuka and you were unnerving. (He was looking at Yuuka too right?) You knew things were going to change the second Yuuka and grim have been deemed students and we're under your care. You may not remember the plot, but you remembered details on the main character. Like how they were not granted the position of student as soon as they arrived. Especially the fact that they were supposed to be the dorm leader of Ramshackle, not you.

When you and Yuuka left after the conundrum called the entrance ceremony, you felt like you had become prey despite being a predator. Especially with the eyes on you. 

As the school year went on, you recognized that almost everyone's behavior was, even your brothers, but for different reasons. They kept driving you away from the main cast. Yuuka and Grim were the only normal ones. It wasn't until after the Heartslabyul incident that your dorm mates had revealed the reason for your brother's weird behavior and left you with more questions for the others. Apparently everyone in the main cast has been asking about you. 

Was your presence in this world so impactful? No, it probably wasn't that. It was probably the difference between you and your older twin brothers. Their curiosity should calm down especially with the fact they don't even really know you.

…. Right?

Tags: @bubbles-lounge

[heavenlymorals]

The Vampire and the Stag: A Look Into the Symbolic significance of Dutch Van Dir Linde and High Honor Arthur Morgan

Warning: This post has spoilers for Red dead 2

Symbolism is one of the most important visual and literary elements used to push the narrative of Red Dead Redemption 2. The game is chock full of biblical references, animal symbolism, and references to other famous works. Hell, I might've even found a Blood Meridian reference via that Judge Meredith Holden letter, but that might be a reach. In any case, this game uses symbolism to push the story further and I want to do a short little retrospective on my two favorite characters of this game and what they represent in the literary sense.

Let's start with Dutch.

Dutch Van Dir Linde is many things. He's a violent idealist, a romantic, a gang leader, a notorious outlaw, and a legendary gunslinger in his own right.

He's also an allegory for the vampire, and by vampire, I mean the European literary symbolism of the creature.

Let's start off with looks. Right from the get go, Dutch is differentiatued from the rest of the gang members by his luxurious and eccentric appearance, something that the vampire usually has. He had gold chains, personalized gold rings, one with a D and another with a lion. His jacket seems to be velvet, he smokes cigars rather than cigarettes, and his hair is done up in ringlets as we know his actual hair texture is straight rather than curly (Guarma, epilogue, RDR1).

His color scheme is also very stereotypical of the more modern vampire. While other characters usually have a more diverse color scheme, Dutch is suited in reds and blacks the entire main game.

The nature of the undead is also with Dutch via his horse, the Count. First of all, there is just the name the Count that gives off vampire energy (Count Dracula) but there is also the fact that Dutch's horse shouldn't exist. Foals born with albinism, which is the coat the Count is said to have, die because of lethal white syndrome. The Count should have died long ago but it's still alive somehow- he cheated death like a vampire. That's also not mentioning death in the sense that death comes riding on a pale horse.

Vampires in classic literature are never just about vampires as these charming blood sucking creatures almost always exist to convey a deeper meaning of consumption. In the 1800s, this idea of consumption, with the most famous visualization of it being the older vampire man sucking the blood of young, usually virginal women, is often an allegory for selfish sex and defilement. Vampires in old media could very well be a criticism of wealthy men taking advantage of younger women, taking their virginity, and then tossing them aside and being virtually fine while the women lose everything from respect to family to even lives, which can also be the case with Dutch and Molly, but overtime, the vampire became less an allegory to write sex without outwardly writing sex in the 1800s, and became more a symbol of personal consumption at the expense of others.

The wonderful Professor Thomas C. Foster puts it best: "That's what this figure (the vampire) really comes down to, whether in Elizabethan, Victorian, or more modern incarnations: exploitation in its many forms. Using other people to get what we want. Denying someone else's right to live in the face of our overwhelming demands. Placing our desires, particularly our uglier ones, above the needs of another. That's pretty much what the vampire does, after all." - "How to Read Literature Like a Professor"

Dutch is basically that. He consumes people for the sake of his own goals, his own dreams, and his own delusions of grandeur. He will believe in people as long as those people believe in him, but their belief in him is more important to him than his belief in them.

Dutch seems like a Messiah to the disenfranchised, a Jesus figure of sorts. He seems charming, empathetic, cultured, and different from other men, like the vampire. People are enthralled by him, become obsessed or loyal to him, like the vampire's victims. However, these people, like Arthur, John, Molly, Bill, Javier, etc., are used and Dutch, the vampire, doesn't return the favor as he only consumes for his own favor.

And in the end? People suffer or they die and Dutch moves on to his next victims, even if he did love these people.

Dutch is the embodiment of the vampire in every possible way except in the most literal way, which is the blood sucking.

Now let's move on to Arthur Morgan.

Arthur and the stag are one in the same when it comes to Red Dead's symbolism. If one were to mention a stag in the Red Dead universe, more likely than not, people would think of high honor Arthur Morgan. The Stag is Arthur's symbolism, but let us dig a little deeper into what the stag could symbolize beyond just high honor.

When it comes to animal symbolism, stags are almost as iconic as male lions with what they are meant to represent. All throughout various cultures, the stag usually represents a noble creature. It can represent honor (duh), strength, virility, grace, and regeneration, amongst other things, but I want to focus on interpretations of the stag from a few cultures and how they ultimately relate back to Arthur Morgan.

Considering that Arthur has Welsh heritage, or so we assume, let us start with the interpretation of the stag in Welsh culture and mythology. The stag has a huge presence in Welsh culture and mythology, with even some gods and higher beings taking the image of a stag. However, I would like to focus on the stag as a messenger, a messenger between worlds, which is what Arthur becomes in a sense to John Marston.

John's world for such a huge part of his life as the gang. The gang raised him, fed him, taught him to read, taught him morals, taught him many skills, and gave him a purpose. The gang is his world and for such a huge chunk of his life, it was the only world he knew. Sure, Abigail gets pregnant because of him, but she was a part of that world too.

Arthur was able to see other worlds. Mary wasn't a girl who was downtrodden like Abigail and thus would take on well to the life they lived. She was a normal girl and he was not a normal man. Eliza wasn't part of his gang life either, and neither was Issac. They lived in a different world, in a world of civilization, in a world where they didn't or shouldn't have had to keep one eye open to stay alive. Arthur would jump over to their worlds, even if just for a short amount of time, and then back to the gang- he has seen and experienced both of those worlds.

Arthur then gives John the message that he should leave and be a man and provide for his wife and protect his child by leaving the gang life that destroyed the both of them. Arthur becomes a messenger from one world to another- from gang life to normalcy. And with that message, John experiences a change- a change of character and motives.

The Stag is a messenger and Arthur is a messenger. A messenger to not only John, but to everyone else he tried to get out of there for he experienced two worlds and one is better than the other.

Another interpretation of the stag is the selflessness of sacrifice, which can be shown through the Greek culture of story and mythology and explained perfectly in the story "Iphigenia at Aulis" by Euripides. Iphigenia goes to her father and tells him that she will offer herself as a sacrifice to the goddess Artemis. Sacrifices must be made to keep the gods happy and the people alive and happy. Iphigenia offering such a thing shows her selflessness, her want of wanting others to be safe and sound, even at the expense of herself.

Sound familiar?

Reminds me of a certain dark romantic cowboy.

By the end of the story, Iphigenia's selflessness was rewarded by the goddess, and as Iphigenia's father was about to slit her throat, the girl got replaced by a stag while Iphigenia was escorted to live amongst the gods for her selflessness.

The deer becomes the sacrifice and in a way, Iphigenia and the deer become one and the same. The deer is sacrificed for the sake of others- the stag becomes a symbol of noble selflessness, much like Arthur. Arthur sacrifices himself in order to save John, Abigail, and Jack- a noble cause, a noble sacrifice.

The stag being a noble sacrifice is also associated with certain Native American cultures (I cannot for the life of me think of which tribes they were exactly, but once I find them, I will edit this post). The stag must be killed for people to eat, thus the deer is a noble creature. The consumption of the stag is an allegory of people living better lives or having better days because of the sacrifice of a person. Because of that, the stag is a heavily respected creature.

And given that Dutch's vampire is all about consumption, Arthur's symbolism of being a stag is perfect for their dynamic since the deer is all about sacrifice and nobility and the vampire is all about selfishness and despair.

In any case, the deer represents many things across many cultures, from being a messenger to being a sacrifice, but one thing for certain is that the stag is synonymous with honor and nobility- the person that Arthur tried to be in the end.

Yapyapyapyapyapgodifuckinglovesymbolism-

[nitrowyverine]

Finally played the TOUCHSTARVED Demo! Still thinking about it over a week later.

(Above: Steam banner image for TOUCHSTARVED from Red Spring Studios)

I love it SO MUCH. and i have QUESTIONS. my extended thoughts below the cut [Demo spoilers included]

General thoughts:

this game is SO up my alley that it's insane. local goth gaming nerd is kicking their feet and giggling

the music? and sound design? It's honestly incredible, even beyond the infamous Every Time We Touch cover (Which is how I found this game). We all have to be giving more props to the music/sound work, it absolutely punches the experience up so many notches. When a soundtrack is released I'm immediately keeping it on hand for all my tabletop needs

absolutely enamored with the backstory mechanic. It adds so much individual depth to the character. you can feel attached to your MC without them being a complete blank slate. I absolutely love that different MC backstories have you pick up different details about the characters. (My favorite is The Hound immediately picking out who the leaders are amongst the group, in contrast to the other MC backgrounds)

I wanna eat the backgrounds. I wanna eat them whole. They're so detailed and colorful and have a great sense of depth. 100000/10

Specific character thoughts/theories:

(Images courtesy of the Touchstarved character Lore posts from the Red Spring Studio socials. I'll be linking them in each of the character's names)

Ais:

Thank you, Red Spring studios, for blessing the players with the ability to bite him if you're an ass to him the entire demo. You truly know what we want

Lore seems to indicate that Ais came over from the demon realm for some unknown reason, and was possibly some kind of demon king or leader? Fascinated to learn what happens there

Ngl the Seaspring looks like it would taste good. My favorite raspberry/rhubarb tea looks just like the Seaspring water. Gimme the group juice.

Question: If Ais gets infected with MC's madness....does that mean. the WHOLE groupmind gets infected? Humans and soulless alike? That's a city-destroying disaster waiting to happen

CONCLUSION: Most likely to adopt 6 dogs instead of picking up the groceries. Least likely to let you have the car aux cable.

Kuras:

I do believe Kuras is the actual best shot at a cure/treatment of all candidates. Assuming the curse is some level of demonic, an angel's touch is probably the best bet.

Let me be clear here though, I do think he might just go "Well you can just like. not have arms" and take them. That is a possibility

Most of the other characters I can get a rough idea of what they want and why. Kuras? I have NO idea what his goal is, which is very frightening.

Twitter bio image does say "Repentant Angel", and that his fatal flaw is "his sins can only be repaid through suffering". Possible linkage to Lovent's fall? Or another major disaster?

its okay sweaty we all get The Guilt (tm)

If Kuras somehow gets MC's maddness (I have a feeling it may not effect him? but if it did) that would just. end the world right there.

CONCLUSION: Most likely to be the one guy you might be able to bring home to your parents. Least likely to put on oven mitts to take a frozen pizza out of the oven.

Vere:

I love Vere for being the character I thought I could trust the least, turning into a character I actually trust allot. I trust him to be extremely dangerous. He probably wasn't lying when he said his heart is on his sleeve.

Also, big props for having him just kill you in one of the demo endings. What a guy, I love him, no notes

Wait what he's over 100 according to his birthday post. thats, allot? older? than I thought?. okay yeah the lore posts mention he's a possible deity figure. not comforting

Vere is very fae-logic coded. Like, the words he says can be true and false at the same time. Don't tell him your name, he will cannibalize you for fun, etc etc ya know fae stuff.

i will protect him always

CONCLUSION: Most likely to fuck your dad. Least likely to be your new stepdad.

Mihn:

Mihn is much dodgier than the rest, but I think that makes them more trustworthy. They're not as interested as playing games.

I nominate Mihn as a secondary protagonist, since Leander, Ais, and Kuras seem to be interested in them quite a bit. Even Vere has a rivalmance kinda thing going for Mihn. If MC didn't show up, that would be the dating sim right there

I'm excited by the lore post and the implications that Mihn is from Lovent (or has traveled there? and survived?) and potentially getting greater lore expansion about the world surrounding Eridia

I think it's interesting that their strength stat is relatively low compared to the others, yet they're one of the characters that actually uses their strength in the demo.

Also, I think we see the least of their "monstrous form" of everyone in the demo (minus their ability to dodge in and out of shadows). I'm thrilled to see what their monstrous form actually entails.

Mihn would survive bloodborne. That's it thats the entire thought

CONCLUSION: Most likely to do all the work in a group project. Least likely to be chill during Mario Party.

Leander:

OKAY ALL OF MY QUESTIONS ARE HERE. I AM DEEPLY AFRAID. Something is absolutely wrong but we have no current ability to pinpoint what it is.

I've seen theories Leander is dead. However, in Vere's route, he mentions that Leander smells like aftershave. While this could be part of an extra-elaborate ruse, hair doesn't grow after death (Minus the appearance of it happening due to natural decay processes) so he wouldn't need to shave. However, I am betting on him being involved in some sort of un-death cycle.

actually I can guarantee his story is all about cycles. Has anyone else mentioned how his belt is the triple goddess symbol.

you know. the symbol of maiden/mother/crone. birth/life/death. beginning/middle/end. like

Moving on, the vast majority of his smiles are forced (Mouth is smiling, but there's no eye movement/crinkle that would indicate it's genuine). That is enough of a red flag but honey I am so much more worried about my next point:

WHERE DOES HE GET HIS MONEY. He's constantly buying rounds of drinks for a packed bar. It's briefly mentioned his clothes are nice. He pays for anything MC needs. However, says Bloodhound rates are "Free". Where does he GET HIS MONEY for all of this. Twitter posts from Red Spring point out he doesn't accept bribes (at least overtly).

WAIT I'M REREADING THIS POST WHAT THE FUCK ARE THE SILENT CRYPTS.

Looking again at Leander's stat post. The Ouroboros in the background is. Not comforting. Also, "Forbidden Magic"? yeah I have a feeling we know why he's not in the Senobium

Theory, potentially Leander is currently being paid by the Senobium to maintain lowtown/Silent Crypts order? I think there's still a connection between them. Like the Senobuim can remain detached while having ties to whatever horrible things Leander is doing.

Okay, in the twitter relationship charts it says that Kuras has looked out for Leander "Since he was young". Kuras probably knows. SO much we don't.

When Mihn scolds Leander for not telling MC to be off the streets past dark. I think Leander intentionally "Forgot" to mention that. I think he wanted the MC to see how dangerous Eridia was so MC would stay closer to Leander for safety. I think it was a very intentional manipulation tactic.

(Furthermore, did he actually cast a spell of luck on MC when he gave them the lilies from his introduction magic trick? Then bet on the MC living through the day?)

I do think Leander's surprise at MC going out to the Seaspring was genuine, since his spit-take clashes so starkly with his cool-guy demeanor.

I also have a feeling that Leander has been past the veil/shroud. he's doing something fucky and the veil is prime fuckery territory.

(Are we...going to get a timeloop story????)

CONCLUSION: Most likely to dramatically use himself as a human bridge over a small puddle (as an excuse to get walked on). Least likely to remember to go to bed after playing Stardew Valley for 13 hours straight.

Touchstarved game things I'm concerned about:

(I feel like I wouldn't be doing my game designer duties if I didn't point out my concerns as well. To be fair, there aren't many.)

I hope the bad endings get fucked up, story-wise. Since it's a horror game, I know it might turn some people off to have things go super wrong, but I really hope they do. I want to see some endless pain vortexes, some real Juniji Ito-style suffering. But I would also understand if the devs want to softball some of the worst outcomes for the sake of widespread appeal.

We all have countless examples of kickstarter games looking strong out the gate, but then falling flat upon release. While I have high hopes for Touchstarved, I do know the reality and intense difficulty of kickstarter games. I'm really hoping the demo isn't the best the studio will have to offer.

OVERALL: I am rooting for the Touchstarved team/Red Spring Studio all the way! I'm thrilled to see where this game goes. I am poised on this purchase button and ready to buy when it releases.

[terapsina]

#2 for the book worm ask game!

(ask game)

2. Favorite fantasy book(s).

(Eeeeexcellent, I do love fantasy books. Though how I'm gonna narrow it to only a few I've got no idea. Okay. I'm going to remove the very obvious choices like Lord of the Rings (though it is one of my faves)).

---

Monstrous Regiment. I love the entire Discworld series (especially The Witches) but I've also got a huge soft spot in my heart for Terry Pratchett's take on 'a girl dresses like a boy to go to war' (and thinks of everything except some spare socks in- erm... the right place). Along with Polly, the squad consists of a vampire, a troll, an Igor, a religious fanatic and two very, very close "friends" (and yes, the official summary put the friends in quotes too). And everyone has their own secret.

I love basically everything about this book and I can't tell you guys any of it because it would spoil all the fun.

The Goblin Emperor. This one's a story filled with light. Maia the half goblin son of the elven Emperor was never supposed to take the throne (or to ever even be at court. because racism). And then everyone ahead of him dies in a single "accident" and suddenly he's the new Emperor. Maia is a good person, and a kind one, and despite everything that gets thrown at him he keeps hold of that understanding of right and wrong and refuses to bend.

(I have to mention that the language of the writing is kinda hard to get into in the beginning, and the characters's have very complicated and long names, but once you get into it it really did enhance the story for me).

Good Omens. An Angel and a Demon try to stop the apocalypse and instead lose the Antichrist. I've loved that book for like a decade now and if I don't put it on a list of my faves that list would be a lie.

The King of Attolia. Third in The Queen's Thief series and my favorite one out of all of them. I've always enjoyed Outsider POV in fics. And here is a book that just... proves why. We've got Eugenides and Irene, the Thief and the Queen, and we know them from the two previous books. And adore them. But the story isn't from their POV, it's from the POV of Costis, a Queen's guard who's suddenly gotten assigned to the King. The useless, weak, undeserving king that as far as Costis is concerned doesn't deserve to even kiss the Queen's boots. And it's hilarious to read the story from the eyes of someone who knows so much less than us. And so satisfying, as he begins to understand.

(I recommend the whole series and am personally glad to have read them in the published order but Megan Whalen Turner has stated that she wrote them in a way that allows you to jump in at any point you want).

The Raven Tower. The story is from the viewpoint of a sentient, omniscient rock whose name is Strength and Patience of the Hill and it is the GREATEST THING EVER. The gods are real and must be very careful with their words, because if they speak a lie the reality will alter to make that lie the truth but if the lie is bigger than the power of the god... well. Inspired by Hamlet.

(the book also has a trans man as the main character; the other main character? The sentient rock is the narrator but the largest part of the story focuses on Eolo).

A Natural History of Dragons. The first book from The Memoirs of Lady Trent (and honestly it would probably be more honest to say that every single book from this series fits the category of fave but I'm putting up the first here because this isn't a series where you should skip ahead). The book focuses on the life of Isabella as narrated by her older self. This is the story how a Scirland lady bucked all tradition and became a world renowned expert on the Natural History of Dragons.

(this series has a piece of my heart and always will).

---

(and finally, here's some more of my favorite fantasy books that I also adore and would totally ramble about but I got tired of typing).

[vasito-de-leche]

Hello hello! I love your writing so much and was wondering if I could request some Sonnetto analysis and hcs about how she would act around an older sibling-like reader. Someone who looks out for her and is protective of her but has a bit of a mischief streak. I don’t want to make the ask too specific because I want to give you some freedom with it lol. Thank you so much!

;R1999 SONETTO - Familial Headcanons

Compilation of headcanons and analysis about Sonetto and an older sibling figure.

ty for the request! it's always fun to write familial or platonic dynamics! <3 and sonetto is always such a treat to study under a microscope

sorry if this was short! i ran out of steam and ideas at the end, ough

The subject of Sonetto and family is one of my favorites to discuss because it always highlights just how disconnected from humanity she is. Not in the sense of "oh, she's heartless and very cold and logical because of the Foundation" but in the sense of "oh, she's kind, but only in the limited way a child soldier from the Foundation can be."

I can't remember if I've already written about this, but as far as I know, Sonetto is the only main/playable character within the Foundation who doesn't have any themes of "community" nor mentions any actual family members.

Compare her to other characters: Vertin, who was explicitly one month old when she was taken into the School of Discipline, still has her mother and is aware of her. Matilda and Mesmer Jr. have their whole families. If we analyze these characters, a big part of their lives and personalities can be traced to their interactions and history with their families, and these are just examples within Sonetto's generation. Outside of this specific group we have Horropedia, who owes everything to his adoptive grandfather, and Tooth Fairy, whose relationship with her family - the Campbells - is explored in her own character event from 1.2.

We can keep going with characters adjacent to the Foundation! X has his orphanage, he mentions the people he grew up with and took care of him in a few voicelines. Medicine Pocket has their mother, as seen in their 01 Story. Lilya has her parents, mentioned in her birthday messages. Leilani, also from Zeno like Lilya, doesn't mention her family per se, but her entire character revolves around the concept of being welcoming and friendly, around the idea of community.

Sonetto's character and her entire life revolve exclusively around the Foundation. This is the only family she's had, and this is a detail that her Storybook brings up in her first paragraph.

Child of the Foundation Sonetto knows nothing about her background. Before she was adopted by the Foundation, she had neither family nor motivations. It was the Foundation that gave her everything. Now she is completely clear of her glorious mission: to devote her life to the peace and well-being of mankind.

The Foundation is her only family, it makes sense that Sonetto would go on to become the perfect arcanist and soldier by their standards.

With this ramble, I want to emphasize the fact that Sonetto doesn't have the same knowledge or context about the idea of "family" like the previously mentioned characters. We know that her relationships are one-sided, because of the way she cannot reciprocate something as simple as friendship in a way that is traditional.

The most obvious example being her initial relationship with Vertin. She clearly cares for Vertin now that they are older, but we don't know if this is because of her guilt - born from her involvement in the incident that turned Vertin into the Timekeeper and everything prior to it - but we do know that the two rarely interacted given Vertin's reaction at the beginning of the game. To this, we must add the way Sonetto is constantly compared to a dog: she's described as a puppy, endearing and honest in the way she eagerly follows those she cares for. But also a military dog, obedient and attentive. One can argue that the only way Sonetto knows how to love and show affection is through usefulness, because it is the one thing she was taught by the Foundation.

Yes, Sonetto is kind and helpful, and this is a double-edged sword: being useful is the priority. If she cannot be of use, she cannot be worthy of affection, she cannot justify her existence. And a few of her voice lines highlight this--the ones we hear when leveling up her Insight are very telling.

Raising a character's Insight level is described as Vertin helping them gain a better understanding of themselves and the world, hence the wording--"Insight." Notice how Sonetto's Insight voicelines all focus on how usefulness.

Hu... la ringrazio. I will make good use of this power.

This place has brought me so many things: freedom, fresh knowledge, brave friends. How can I ever repay you? I want to be of help to you at any time.

The first one is straightforward, but the implication is that Sonetto sees her own development, her own understanding of her own life and personality, as something that must be used accordingly--a power, an ability, something useful.

It's a huge contrast to her second voice line.

It's only through a lot of exposure, help and insight that Sonetto can recognize all these good things--freedom, fresh knowledge, brave friends. She still wants to be useful, but now with the full understanding of her surroundings and situation. This is why she defends Schneider so passionately during Chapter 05 - "El Oro de los Tigres." This is why her entire character revolves around her slowly finding her own footing outside of the Foundation's influence through Vertin and all these new experiences, as opposed to the sterile environment she's used to.

And we're just talking about how she treats her friends, and there is this barrier that keeps her from forming connections so easily the same way Vertin does. How would she treat someone that's like an older sibling, a mentor, a parental figure, when she's never had anything remotely similar in the first place?

I think it depends heavily on when exactly you meet Sonetto!

On one hand, if you meet her while she's attending the School of Discipline, then I imagine it would take a long time for her to warm up to you. She insists that your behaviour makes no sense, but she can't exactly stop you as you're not breaking any rules that she knows of. Part of her cannot understand why you would treat her like this, regardless of whether you're a few grades ahead of her or part of the School's staff, but you make her feel safe, despite this mischievous streak of yours.

I can't see her supporting or turning a blind eye to any of your shenanigans--a younger Sonetto will absolutely snitch on you if given the chance, unless you give her a VERY good reason not to. If you're too much of a troublemaker like Vertin, then she settles for trying to steer you into the right path with advice, knowing that you're absolutely not going to listen. I like to think this specific path would end up with Sonetto being your little annoyed little sister! Or rather, that she sees you as an endearing and embarrassing older sibling figure, constantly apologizing her coworkers and others for whatever you might do or say for her sake. Yes, you're an inconvenience at work, but she knows that you care for her very much. Everyone can tell at a single glance that the two of you are close, that your mannerisms end up rubbing off on her in subtle ways, that she finally emotes and feels like a real teenager instead of a child soldier when she's around you.

On the other hand, if you met her after she joins Vertin's team, she's much more mellow, more open to interacting with people who don't fit the Foundation's standards. Initially, she may assume that you look out for everyone, not just her, but it takes a considerably less amount of time for her to warm up to you. Thanks to all the new people she's met, it's easier to accept this sort of kindness and concern, and Sonetto's first instinct is to reciprocate it tenfold. Every little nice thing that you do or say, she will imitate it--if you help her braid or brush her hair, she will ask to do the same. If you make her favorite meal, she will do the same. Just like a puppy learning how to play with other puppies. If she sees you being up to no good, she's instantly confused--you're so caring and considerate, it's hard to wrap her mind around the idea of you getting into trouble on PURPOSE. She reluctantly tags along, just to make sure you have someone in your corner should you get caught.

Both paths would lead to some idealization from Sonetto's part. This is the first time she's felt like this--the concept of home has always been a quiet, empty and standard room within the Foundation's headquarters, but now, when she thinks of home, she thinks of you and Vertin, of a big, warm and noisy suitcase full of people. This is the first time she understands what family means.

Of course, she's torn between her duty and these new experiences, I think that there are times in which Sonetto feels guilty for choosing one over the other--sometimes, it's the realization that she will still prioritize the safety of mankind over a happy life with her friends, or realizing that her instincts still expose just how deep her indoctrination runs, how detached from a regular teenage girl she is.

And sometimes, it's the feeling of wanting to run away somewhere safe, somewhere with you and everyone else, when the stress of work gets to her. And what really affects Sonetto the most is knowing that you would never, ever make her choose, that you'll always be her big sibling, who teases her for days on end and who comforts her when she needs it.

This idealization manifests as the usual martyr behaviour that's been instilled in her. She cares for you, and so she will lay down her life for you if necessary--this is a feeling that defies all logic.

I do want to say that the aspect of idealization differ depending on which path we're discussing! The first one, the one in which you pretty much adopt her when she's very young, leans more towards a regular dynamic of a child idolizing their older sibling, someone who is very close to them. The second one leans more towards a fan idolizing a celebrity, a distant figure worth of admiration.

Because you've spent more time with Sonetto in this first path, I think that she would also be more open to being vulnerable since, you know, she's a literal child. Your presence and influence somewhat mitigates the damage her training will eventually do to her psyche and mentality, meaning that part of Sonetto is able to recognize that what's happening to her - what happens to every orphaned arcanist - is not okay. She can't fully explain why, other than it feels unfair, and so she turns to you. I think this would be one of the very few moments in which you will see Sonetto cry, in which Sonetto will internalize a very important thing: if she ever feels afraid, alone or scared, you're the only person she can go to.

This is a lot of text to say that she will die for you because you're the only person who accepts her, the best and worst parts of her. Whereas in the second path, she will die for you because she sees you as superior, as someone who deserves to live more than her.

Aside from this analysis, I do have a few cute headcanons!

Lots and lots of puppy behaviour. If left alone for long periods of time, Sonetto defaults to trailing after you. She just likes to orbit around you, which is great if you're overprotective. And if you happen to be busy, she simply trails after Vertin instead.

Sonetto doesn't show off when working, given how seriously she takes her role, but as soon as she's done with a mission, she will ask you to rate her performance. Partially, she does it because she genuinely cares about staying on top of her training and you're the one person who knows her the best, but it's also her way of asking for attention, I don't think she even realizes that she's seeking out validation lol. Please, feel free to pet her head or fret over her.

I think Sonetto has a lot of control, so she wouldn't slip and accidentally address you as her big sibling--but if someone else were to address you as such, she won't correct them.

Whenever Sonetto struggles with her art and poetry, she goes to you first and foremost. I do think that if you're the type to constantly hype her up regardless of what she's created, she will slowly stop showing you her work out of embarrassment and because she needs someone who can give her a proper critique.

The same way some of your gestures and expressions rub off on her, you WILL end up picking up some italian and some hand gestures from her. Everyone loves to point out whenever this happens.

Sonetto can pretty much take whenever others tease her about whatever--on one hand because she may not understand that they're teasing her, on the other because she's rather stoic in social situations. But when YOU do it and go a little too far, she WILL start a very heated rant about how inconsiderate you are why would you bring this up now can you please not talk about this it's not the appropriate time or place please do not talk about her relationship with Vertin it is so unprofessional what even is there to talk about do not bring up that one time she messed up and called the instructor mom please do not talk about her first few incantations PLEASE FOCUS ON THE JOB.

[loveromeo1641]

Ok I JUST finished persona 5 so here's all my thoughts and ramblings because I NEED to put this somewhere (none of my friends have played the game and I'm going insane) (I also currently don't have any persona 5 moots so you know......)

Major spoilers (obviously)

I despise Kamoshida. They did a REALLY fucking good job of making him hateable. Like for me personally, all the other palace-owners aren't nearly as detestable as Kamoshida is. I feel like it's because we see Kamoshida's actions directly hurting people in a way that no other palace-owner is shown, if that makes sense. Like Madarame's actions do hurt Yusuke very directly but it's just not the same vibes. I really absolutely hate Kamoshida and I'm glad he got justice.

I love the original group of four. I do like all the characters that come after them and join the group, but those four have a special place in my heart. They're iconic.

I love Ann's story during the first palace and I feel terrible for her BUT it grosses me out how the creators continue to sexualize her (and other female characters) for laughs throughout the game. Like why the fuck did they think any of those scenes were they have to wear extremely minimal clothing was necessary. It's so fucking weird. You can't just write a character who's plot point is that she's forced into uncomfortable sexual situations, and then force her into uncomfortable sexual situations for a joke. It's not only not funny, it's fucking disgusting.

Speaking of which, can Ryuji and Morgana stop making weird comments or suggesting weird ideas? I get it's supposed to be funny, but it's just uncomfortable.

Yusuke is the gayest man I've ever seen good god.

I want to date men in the game, Atlus, come on. Stop being homophobic, let me date a man. Let me date Ryuji please

I love Futuba. She's like my younger sister and I would kill for her. Which made me really fucking grossed out when the romance started happening. Like what the fuck was that huh. I'm sorry, you can't just have Ren (I think that's he's name) and Futuba have a siblings relationship like the entire game (not to mention their basically step-siblings), and then all of a sudden turn it romantic.

Speaking of which, it's kinda weird that you can date your teacher and doctor (and the other adults). Like not shaming anyone for picking those options cause the doctors hot as hell, but why would a teacher think it's ok to date their student or a doctor date their underage client. There's nothing wrong with choosing them to date, especially if you (the player) are an adult, but it's still weird that like four different adult women want to date you.

I've seen this said before, but the middle palaces are kinda boring. The story pacing falls off after Madarame's palace. Again, I love Futuba, but Kaneshiro's, Futuba's, and Okumura's palaces feel like there's much less at stake, especially Kaneshiro's. Not that I disliked the game at those points, but compared to the rest of the game, it's not as exciting.

The Nijima palace was my favorite. Oh my god, it was so interesting and well developed. The music was also FIRE. I liked going around and collecting chips to continue on to the next level, and I liked seeing a shadow that wasn't directly hostile towards the group. It was such an interesting concept. I also just love Sae as a character, I like that she's not directly evil and she has good intentions, she just got kinda lost at some point. I think that's a nice change of pace from the other palaces.

Ren and Akechi have the most romantic tension in the entire series. Like kiss already, jesus fucking christ.

I like all the phantom thieves except Haru. She feels so out of place. This isn't like an attack on her character or anything, but the issues with her Okumura Foods stock or whatever it was felt so... weird. Like I get she's in a tough situation, but she's also like a millionaire, so no matter what she decides, she would be set for life probably. I don't know, it just feels wrong to me

I cried when Akechi died :( I know he's technically a bad guy but come on. He deserved better. I want to bring him back from the dead and give him a hug. Have him and the other phantom thieves live a happy life being besties or whatever.

The ending felt weird. It was so much monologuing. I don't even know exactly what I didn't like about the ending, I just didn't like it. I also didn't play royal, I just played the original, so that might have changed it. I know that apparently I was supposed to talk to the wardens throughout the game and I just... didn't. Oops.

This is such a small thing but I hated the music for Shido's palace. It made me go insane and not in a good way.

I cried when I thought Ryuji died. And then I got mad when the cast beat him up for some reason???? Literally why did they do that????

I realized I didn't talk about Makoto at all but I love her. She's amazing. She can do no wrong idc

Ok final thoughts: I actually really liked the game. It's far from a perfect game but I generally enjoyed it. I'm glad I sat down and played it (for 100 fucking hours). Anyway, this is all just my opinions, I'm not bothered or anything if you don't agree with something I said. If you want to leave a comment either agreeing or disagreeing, I'd appreciate it as long as you're not a dick about it

[hoyotournament]

Round 3: Bronya Zaychik vs Stelle

Propaganda under the cut

Bronya:

i love her so so bad <3. canonically disabled lesbian who has trouble with feeling intense emotions BUT HER ENTIRE CHARACTER REVOLVES AROUND LOVE!! whether it be from her romantic love of seele in the early game/manhua (it being the primary motivation for her to take care of herself); familial love surrounding her (her inheritance of the legacy of reason from welt yang who lost his own father, her guardians love for her being the only reason shes survived for so long even after their death <- many examples of that but the most obvious one being alexandra trading her own life for bronya via misteln, cocolia's relationship with bronya being emphasized as complex in part because of the real love they do feel for each other alongside all the other resentment from cocolia's betrayal of her), literally just. the core of reason and its 300,000 minds being representative of welt joyce's decision to fight for humanity because he loved humanity from that. and all of this from (again!!!) a canonically disabled lesbian! who's character and marginalized identities have been dehumanized over and over again in real life and in the plot! this isn't even mentioning how her entire arc exemplifies honkai's theme of agency.

Stelle:

u put a hydrogen bomb in my baby! no but seriously. the burden of housing a stellaron in her body is actually insane. she has no idea what could happen, no idea if she'll hurt those she cares about at any moment of any day. they put up an aloof front to keep themselves at a distance, but they're remarkably and endearingly terrible at keeping that up. canonically uses she/they, too, which is awesome.

[nfcv-saltmine]

Arikado gushing about Trevor

The comments:

I will never understand why some people think Alucard shitting on Trevor is an improvement over Trevor and Alucard respecting each other

I fucking hate this with all my heart ❤️ NFCV fans be like "why do you feel the need to compare the games with the adaptation? Why can't you see it as it's own thing and let people have fun?" and then pull off shit like this.

Why can't NFCV fans keep their NFCV shit to their NFCV spaces? 🤡 Why do they feel the need to go on GAMES spaces and act as if their show could even remotely fit? 🤡 Not to mention... Haha yeah, isn't it so funny that Trevor is a drunk and an idiot? Isn't it so funny that the noble bloodline who have dedicated their lives to protect the same people that fear and reject them, probably because they understand they're scared and weak and don't know any better and just want to survive, are reduced to some rich guys with a leather whip and a collection of books about penises? Isn't it so HILARIOUS that Alucard express no sympathy and no respect for Trevor and his dead family??

The fact those fans see no problem not only with how purely mean and petty N!Alucard is to N!Trevor, but also with making fun of N! Trevor's drinking habit when it's a coping mechanism for his trauma...! I get that the show itself doesn't care about this fact, but for the love of God is it too much to ask fans to think for themselves??? Is it too much to ask them to CARE about how poorly their favorite show handles trauma?? And everything in general?? Do they HAVE to blindly follow the "haha drunk man funny" train??

I am not against the very idea of Trevor being a drunk and having fun banter with Alucard. But that's the thing. Not only Trevor being a drunk is only there for jokes and never truly explored, and he never gets to process or get over his trauma of SEEING HIS HOME AND ENTIRE FAMILY BURN AS A CHILD... But his "funny banter" with Alucard isn't actually funny banter. Alucard is mean, straight up. I mean Trevor says one bad joke about Alucard's parents around a campfire, but next to that, Alucard constantly shits on him and his bloodline!! As if the framing and the very story wasn't doing it enough already!!

The "eat shit and die" "yes fuck you" moment could have been funny... IF THEY FUCKING KNEW EACH OTHER. THEY LITERALLY JUST MET. THEIR ONLY INTERACTIONS SO FAR WAS THEM FIGHTING EACH OTHER. THEM SWEARING AT EACH OTHER AND THEN LAUGHING AFTERWARD ISN'T EARNED, THEY'RE NOT CLOSE ENOUGH FRIENDS FOR THAT AND THEY WILL NEVER BE. NOT WITH N!ALUCARD'S SHITTY ATTITUDE. It's not a fun dynamic to have two manchildren saying fuck yous at each other! It's not a fun dynamic to have one of them insult the other's dead family while the other isn't even allowed to talk back because "oh he has to be the bigger person" according to Sypha!! It's not a fun dynamic to have NO ACTUAL BONDING MOMENT BETWEEN THE MAIN CHARACTERS and instead, have them spend their screentime being assholes to each other, with their mom friend having to be the braincell that keep them in line!!

I hate that Netflixvania felt the need to pretend to be an adaptation of CV3 and CoD(?). That's why we get shit comments like this and shit takes pretending their characters are improvements from the games they know nothing about. At least with Lords of Shadow, it is VERY OBVIOUS that it's an alternate universe. It doesn't pretend to want to change or "improve" anything from the classic timeline, it does it's own thing on it's own little corner, and it's very easy to appreciate it along with the OG timeline thanks to that. Even if it uses familiar names like Trevor and Simon and Sypha, no one with a braincell would even think to compare them to their classic counterparts (at least not in a "this version is better than the other" way), because it's not the same universe.

NFCV isn't like that. NFCV pretends to take place in the classic timeline. NFCV pretends to bring improvements to it. When all it does is destroy. And I'm not saying this just because it changed a lot of stuff. I'm saying this because everyone, Ellis the first one, just HAVE to shit on the games to praise the show. It was intentional for it to be percieved as being "better than the games". 🤡

Anyway game Trevor and Alucard my beloveds I love you and your respectful and wholesome relationship 🥺