if a friend is experiencing/has experienced a loss and is grieving, and you don't have any experience in the arena of loss, please allow me to offer some advice on navigating conversations about the deceased loved one.
not every mention of their person is the saddest part of their day. sometimes saying "this was their favorite song" "oh they would have LOVED this" "God I wish they could hear the conversation happening at the next table" "I wish they were here" is lighthearted. the mention of their person can be joyful. or melancholic. or, of course, sad. it can be all of those things at once. but no matter, react to the sentiments as just another piece of the conversation.
you don't need to drop a 55 pound weight onto the conversation and stare at us in pity or silently stare in a combination of confusion and discomfort and sadness.
it's okay. we know they're dead. you acknowledging that in an equal state of nonchalantness will not shock us to death, it's not tasteless or crude. it's a relief. our dead people are still parts of our lives just like anything else, and giving your loved ones the space and comfort and safety to talk about their person is huge.
you can always respond by asking to hear more, by mimicking their tone. your friend laughs and says "they would have LOVED this", take it as a chance to learn why! was their favorite color yellow? did they love kitschy little throw pillows? did they utterly DESPISE kitschy throw pillows? are they referencing a specific story?
if they see someone that looks like their person and get a little sad, ask what reminds them of their person. what was their favorite feature of their person? does it make them mostly sad to see someone who looks like their person? did it make them feel a little bit happy for a moment?
we want to talk about our deceased loved ones. we yearn to mention people who shaped us. the way our society has conditioned us to behave around grief, to respond to the grieving, and to grieve ourselves is so backwards and void of empathy, so we often don't say what we wish we could say. (bell hooks has a wonderful chapter on this in all about love, new visions (ch 11))
by offering opportunities for people to reminisce you are truly making an impact and fostering a safe environment for those around you to grieve in ways we're often not offered.
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okay i know the Discourse™️ has been going on for way too long at this point, but
i think some people outside of the OFMD fandom don’t actually get why we’re particularly annoying about this show
OFMD is not the first queer show to ever exist. if anything, it's a late entry in decades of queer media. over a year and a half since the first few episodes aired, everyone knows that OFMD is queer. that doesn't make it particularly special
but back in March? this is the trailer that dropped in February of 2022, 2 weeks before the premier. if you're used to seeing queer chemistry in shows that aren't intended to be queer, you might see the hints between Ed and Stede here. but to most people? it's just a silly little pirate comedy. just guys being dudes. the trailer doesn't even hint at the other 2 canonical queer relationships in the show -- the closest it gets suggesting romance is the music and the pink in the poster
so when people watched this show in March 2022, they went into it expecting subtext and nothing else. to them, it was like watching Sherlock or Supernatural or Merlin in the 2010s. if you were in any of those fandoms -- especially Sherlock and Supernatural -- you know what it was like; constant jokes at our expense, being mocked for creating explicit fanwork, made fun of by the creators and within the show itself. if we saw queer subtext, that was our problem. this was a time when you pretended NOT to be in fandom, for fear of ridicule. we kept our fanwork to ourselves, we DID NOT share it with the cast, and we accepted that our favourite ships would probably never be canon. maybe one day, if we were lucky, we'd have a show where the subtext wasn't mockery as much as deliberate foreshadowing -- but that had to be YEARS away
right?
OFMD was never billed as a queer show, not in the beginning. there was no LGBTQ+ tag on (HBO) Max, it wasn't on anyone's list of upcoming queer shows in 2022, it flew under the radar through most of its first season. this was a show about pirates, and sure, some of them were queer. but not the LEADS. if you think they're romantically involved, that's must be fandom brain poisoning
except the 9th episode aired, and they kissed. and the show said "you're not crazy for thinking they have chemistry because they really do. it's been a romance this whole time". and in the 10th episode, Stede realizes that he's in love
(not mandating you watch this clip if you don't care for the show, but there's something that feels particularly earth shattering about no one saying the word gay but knowing that Stede's realizing he is, that it's completely unambiguous and explicit in a way that only straight romances are usually allowed to be)
this is why people freaked out about this show. no one knew. even the creator, David Jenkins, was surprised when WE were surprised that it was gay for real -- he set out to write a love story, using all the tried and true beats of a rom com. he'd never even heard of the term queerbaiting. he looked at historical Blackbeard and Stede Bonnet and thought "oh, there's something here" and just...wrote that, with very little fanfare, like it was inevitable. like it was obvious. of course Jim and Pam end up together. of course Buttercup and Westley end up together. what kind of disappointing ending would it be if You've Got Mail ended with the main characters just going their separate ways?
so of course Ed and Stede are in love
look, i get it. we're annoying and won't shut the fuck up about this show that seems mediocre at best. i watched the whole thing back in march, thought "huh, that was cool" and was sure that i'd forget about it in a few days
an hour after looking at fanart on twitter, i was lost in the fucking sauce
there's just so much to unpack from a mere 10 episodes. it covers racism, toxic masculinity, gender expression, sexuality, trauma and abuse. and i don't think we should overlook the fact that the non-white characters in this show get to be fully human in a way i haven't seen in my favourite shows in recent memory
additionally, most OFMD are 25 or older. we're not people who've been spoiled by queer rep, who don't get how hard it used to be, how you'd have to grovel for scraps, how shipping and fanfiction was a way to find queer rep where we thought there never would be. we've been here. we're annoying about this show because for a lot of us, it's the first time we've been treated like our queerness isn't an anomaly that needs to be relegated to its own section, that needs to be praised for the bare minimum of acknowledging that we exist. it's not pulling punches to avoid scaring away a straight audience. it just is.
OFMD for me is like when i watched Black Panther for the first time and realized that this is what white people felt all the time. have there been other black superhero movies? of course! does Disney fucking suck? BOY does it. but that was the first time i got to sit in a movie theater and watch a mainstream film that looked at Africa and said "look at how beautiful you are, exactly as you are"
and idk. i think that's really cool
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life advice from the mountain goats:
- lie to the cops
- watch for the signs and learn how to read
- let all the lights blaze, keep your heart light, play really loud music all hours of the night
- do every stupid thing that makes you feel alive, do every stupid thing to try to drive the dark away
- life is too short to refrain from eating jam out of the jar
- steal what you need
- bring back some blurry pictures to remember all your darker moments by
- read all about it on the wikipedia page
- don't hurt anybody on your way up to the light, and stay alive, just stay alive
- make it through this year
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Weilin Zhang posted his storyboard for Sukuna VS Mahoraga and the notes for this part are so good
"Sukuna gets up from his roll and makes a facial expression that communicates that he knows what has just happened. He has successfully gotten Makora to learn how to feint and has just used it against himself. In other words, he has just taught Makora to lie, and in a way corrupting Makora’s divine status.”
but I also really love it when Sukuna's just drawn with a basic smiley face (I had to crop it or else tumblr wouldn’t show it????) especially compared to how it looks in the final
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DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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