obirensstuff

[shopcrescentmoods]

NBC Oogie Boogie glass bong / waterpipe / rig available now! DM me on instagram or email if interested! shopcrescentmoodss on instagram 🖤⭐️💚

[ice-cream-writes-stuff]

The Nightmare Before Christmas Lost in The Book: Over The Spiral Hill

{1} {2}

-

“ “Doubt thou the stars are fire; Doubt that the sun doth move;Doubt truth to be a liar; But never doubt I love.” “ You quote as Jack sang opera to your group, the earlier events of discussing music and dances for the festivities. 

Riddle comments at the words, “I never thought’d you’d be imitating Rook on this… Event.” The dorm head mumbles. You grin at the red-head. “He wishes, the song reminded me of a playwright in our world.” You gesture to Yuu. 

“ “Just because I can’t see it, doesn’t mean I don’t believe it.” “ You say the phrase easily, recalling it for this occasion. “That wasn’t from the playwright though… Still a good quote though, you think?” You ask your group, turning away from them. 

…

You felt your face become warm at the line, embarrassed.

-

“Yuu! Grim, Skully!” You happily show off the different details your outfit held. Reminding you of home, hints of Ramshackle hinted in a few stitches.

“Oh yeah, I didn’t realize your’s was a bit stranger than ours.” Grim says, circling around you curiously. 

“It looks good!” Yuu replied, keeping close to you, you laugh.

“It’s very beautiful!” Skully compliments as you blink. An idea forming into your head..

“Hmm, Yuu, I wanted to ask. Do you remember any holidays from ‘Home’?” You ask carefully, knowing the answer. You pick up Grim, watching the other human ponder.

Yuu eyes you back, eyes glazed over thoughtfully. “No, not as much as you.”

“Oh? What do you mean?” Skully joins in, listening attentively.

“They’re not from Twisted Wonderland!” Grim pipes up. “Grim, shush!” Yuu scolds, while you hand the fur-ball to them. Skully’s lips part slightly, shocked a bit.

“T-Then.. Where is it are you two from?”

Yuu shrugs, clearly not as comfortable as you were about ‘Home’.

“Uh- Let’s say, very far.”

“Worlds away-” Grim is interrupted by Yuu shoving their face his fluffy neck. “OI! Yuu! Quit it!” Grim swats at their hair as you take Skully’s attention away. Linking hands with his as the four of you walk.

“I wanted to say before, that our holidays are sorta the same and different. A few don’t even exist here.”

“Don’t bring up Chr- ACK! AGAIN?! Stop!” Grim whines at Yuu’s affectionate gesture.

“What is “Chr”?” 

“Oh- That’s a holiday from where from and it’s called-”

You pause. “Let’s say, it’s kinda like… “The opposite”, or more of.. Colorful, cold. Instead of pumpkins and autumn leaves. We have snow, depending on the region, along with carols instead of spooky-sweet melodies!” You wink.

“Instead of a “Pumpkin King” we have this guy called S-.”

Interrupted once more by Grim’s whines, you roll your eyes playfully. “There’s another one too, where we celebrate those who are…” You summarize the best you can. Smiling sadly, “it’s paying tribute to those we miss. To keep them remembered.”

You go on to another holiday, something along the lines of a rabbit and marshmallow birds…

Skully remains quiet, intaking all the knowledge you gave to him. The memories held within your mind, wishing to be shared. Just as precious as Halloween was to him.

Resolved settled within him as they walked further down the path to Jack’s house.

-

After the fiasco with Skully and the Oogie-Boogie squad, Jack had awoken from his slumber while Skully apologized. 

Halloween was back on!

Music played all around town, joining in on the merriment without a care.

Dancing with everyone, you twirl around with different dance partners. Grim, the fluffy beast, tried his best with taking lead with the waltz.

Settling down, you find one of the stray flowers beside you. Plucking it without much thought, pinching at the petals as you stop at a familiar voice.

Tossing the flower away, you readily take Skully’s hand. 

-

Flowers in hand, you walk back to Ramshackle. The graves greeting you as the wind slowly becomes small wisps. A book held tightly in hand, purchased immediately before everyone left Foothill Town. A melody humming on your lips, adorn in a familiar costume you commissioned Vil and Crewel for earlier. Vil even looked… Pleased at the flimsy sketch, seeing the vision easily. As it reminded him of something lost to him. Yuu and Grim follow a few steps away.

Grim held a can of tuna while Yuu carried a  small basket of candies. 

Ramshackle, alight with decorations of purple and green tinsel, along with Diasomnia’s own decor. 

Kneeling by a few unnamed graves, the three of you place the items down. Heading back inside for the rest of the Halloween party.

The ghosts greet you three excitedly, as your guests a few doormates chatter and relax. 

Letting your frown fade, you smile, hands craving over the edges of the portrait that laid above the unlit fireplace. The mantle covered in small decorations of colored skulls, candles and candies. The familiar pumpkin-colored eyes roaming down from above you and your guests.

-

[YALL IM SO PISSED THAT SKULL IS WRITTEN OFF! Im HOPPING TWST decides to put him in the game and give him a card.I’LL SAVE UP FOR IT! HANDS DOWN. I’ll probably be trying to cope a bit with small one-shot drabbles based around him. YALL I CANT!!! If anyone got my references at all let me know, Im so… AUGHHHHHHH! Anyway, thanks for reading!]

[katkalis-the-horror-fanartist]

Look, see, I'm used to be terrified of the Boggarts when I first watched HSH but your art of them has kinda made them less scary to me. What d'you think the Pipe and Toilet Hobbs look like as Boggarts?

OOO IM GLAD MY ART HAS SUCH AN EFFECT! I fell for them for their oogy-boogy ness personally, but I love giving them personality regardless!

Here are my personal and sudden takes of pipe and toilet hobbs after metamorphosis:

Plus a bonus of the others! Ofc their personalities can realistically vary from individual to individual, but the ones in my mind are (almost) set...

Main one has a bracelet from his partner/the homeowner to always be able to tell him apart from other boggarts

(May change it to hair braids/beads or also just...keep it as a bracelet. Or necklace.)

[squeakyfir]

The Love from a Skeleton [Jack Skellington X Reader]

Plot:

Halloween...

The time of year you absolutely hate. Not because of the ghouls and monsters, you enjoyed that kind of thing, it's because of trick or treaters. They get free candy and whine and complain to their parents if they didn't get what they expected, which is the whole bowl of candy. Anyways, since you don't celebrate that holiday, you decide to go for a late stroll through the woods on the hiking trail. While walking, your whole life changes.

And I mean that literally...

Everything started to change drastically until you find trees with holiday symbols on it. One of them being a Jack-o-lantern. Being curious, you enter through the door and discover a world that would represent a children's book written by Stephen King. But the leader of this place was a king. Not just any king...

A pumpkin king.

His name is Jack Skellington. He's a very tall and slender skeleton with a pinstripe suit, a black cat bow tie and ghost dog named Zero. He discovers you and welcomes you to Halloween town until he can figure out how to send you home. But this place is perfect!

No taxes to pay

No drama

And no more loneliness

Jack believes that your hideous. But don't worry, hideous in the Halloween town definition means... Beautiful.

Enjoy!

*I do not own the Nightmare before Christmas. All rights belong to Tim Burton and Disney™*

Chapter 8

Previous ~ Next

After returning to Jack, you told him that you were going to go take a walk. He offered to go with you but you said you wished to be alone for awhile. He understood but he gave off that vibe that he was confused. You left the town gates with Jack constantly reminding you to be careful. You didn't know how you were going to find the three monster children but you had to try.

You went down the path they went and you had a feeling that it would take awhile until you probably find them but you didn't want to give up. They were probably going to hurt Santa! You were told he doesn't exist but now that you were proven wrong, you couldn't let him get hurt. After mindless minutes of mindless walking, you came across a strange structure. It looked really feeble and didn't look sturdy. Maybe this was it. You start walking towards it and then hear shouting and arguing. There was a long pipe that went down and there was something inside it going down it screaming.

It was Santa!

You ran towards it and found a way to climb down the side of the large pit to find a bars showing you inside. Santa fell to the floor with his hands restrained over his head. Music was heard and you saw a pair of dice thrown at him. You looked towards of where the dice was thrown and couldn't believe what you saw. A fat sack with small stubs for feet and arms that had no hands. He had two eyeless sockets and his whole body was, as I said, a sack. He started to sing a song with a bit of a catchy tune.

Well, well, well, what have we here?

Sandy Claws, huh?

Oh, I'm really scared

So you're the one everybody's talkin' about, ha, ha

Bugs were dangling out of his mouth and some of them fell into Santas beard. Gross.

You're jokin' x2

I can't believe my eyes

You're jokin' me, you gotta be

This can't be the right guy

Oogie spun Santa in a small circle and held him by the beard.

He's ancient, he's ugly

I don't know which is worse

I might just split a seam now

If I don't die laughing first

Santa was being lifted up and dropped on a spinner and spun around and was stopped only to be swayed like he was dancing with Oogie. Geez, this monster was weird.

When Mr. Oogie Boogie says

There's trouble close at hand

You'd better pay attention now

'Cause I'm the Boogie Man

And if you aren't shakin'

Then there's something very wrong

A snake popped out of his mouth in a sudden way. Eww!

'Cause this may be the last time now

That you hear the boogie song, ohhh

Not only was Oogie singing, there were other creatures down here that sang along with the song. Such as other skeletons and bats.

OOGIE BOOGIE:

Ohhh

THREE SKELETONS:

Ohhh

OOGIE BOOGIE:

Ohhh

OTHER SKELETONS:

Ohhh

OOGIE BOOGIE:

Ohhh

THREE BATS:

Ohhh

OOGIE BOOGIE:

I'm the Oogie Boogie Man

Santa then started to talk but it seemed like he was singing along but it was obvious it was unintentional. Three jackpot machines that looked like cowboys with guns were moving towards Santa about to shoot him but Oogie quickly grabbed him before they actually shot him.

SANTA:

Release me now

Or you must face the dire consequences

The children are expecting me

So please, come to your senses

OOGIE BOOGIE:

You're jokin' x2

I can't believe my ears

Would someone shut this fella up

Oogie spun Santa around fast and kicked him as fell backwards back to where he was laying when he was almost shot.

I'm drownin' in my tears

It's funny, I'm laughing

You really are too much

And now, with your permission

I'm going to do my stuff

Oogie got down real close to his face and had the same snake pop out two more times. It made you think what was he made of. Snakes? Bugs?

SANTA:

What are you going to do?

OOGIE BOOGIE:

I'm gonna do the best I can

The whole room then lit up to look like a vegas casino.

Oh, the sound of rollin' dice

To me is music in the air

'Cause I'm a gamblin' Boogie Man

Although I don't play fair

It's much more fun, I must confess

When lives are on the line

Not mine, of course, but yours, old boy

Now that'd be just fine

Oogie then grabbed a hook that was attached to a rope and the rope was attached to the ceiling. He slipped the hook on Santas hands and lifted him into the air. Stage lights were turned on to male the whole thing more dramatic than it already was.

SANTA:

Release me fast or you will have to

Answer for this heinous act

Oogie was spinning a lever to make Santa come back down to his eye level.

OOGIE BOOGIE:

Oh, brother, you're something

You put me in a spin

You aren't comprehending

The position that you're in

It's hopeless, you're finished

You haven't got a prayer

'Cause I'm Mr. Oogie Boogie

And you ain't going nowhere

Oogie then laughed in an evil way and from up above, you heard the three monster children cackle loudly. You knew you had to get out of here to quickly warn Jack. You quickly climbed back up and once you reached the top, you ran as fast as you could. While running, you felt like this whole thing was your fault. If you hadn't discovered those doors, you wouldn't be here right now. It made you feel horrible. But right now, you had to get to Jack.

And fast...

[ambular-d]

Any Voiceplay fans?

So I’ve been hooked on watching Voiceplay reactions on YouTube for a while.  (If you’re not familiar with them, please take a moment to treat yourself to their covers of Oogie Boogie’s song, We Don’t Talk About Bruno, and Hoist the Colours in particular, but they have a lot of other great videos, too.  Their bass singer, Geoff Castellucci, has also done some stunning solo work.)

The reason I’m bringing it up here is because Voiceplay are known as the ‘Theater Kids’ of the a capella scene for their dramatic and entertaining costumed presentations, and I noticed some curious details about the Hoist the Colours video that I thought might spark some interest among fellow Good Omens fans (and possibly Tolkien fans as well:)

All else aside, this is a phenomenal piece of music that’s well worth your time to check out.

Two of Voiceplay’s members, Cesar and Eli, have similar vocal ranges.  But in this video they’re positioned, costumed and singing in what appears to be almost competing parts in the arrangement.

In the center we’ve got featured guest Jose Rosario Jr., dressed as a ship’s captain in a white shirt and black coat.

On his right is Cesar, dressed in pristine white (curious choice for a pirate), who maintains a somber expression throughout the performance and for much of it, sings in gentle, almost ethereal tones.  His scarred ‘blind’ eye makeup only adds to the overall haunting impression.

On Jose’s left stands Eli, clad similarly but in black, singing loudly and powerfully, with a sinister grin on his face and greedy, grasping gestures.

The music swings back and forth between them, and one almost has the impression the devil on Jose’s left shoulder is trying to overwhelm or drown out the angel on his right--but Cesar doesn’t let Eli get away with it!  At one point (around 2:20) he actually cuts Eli off, not loudly himself but with a soft, intricate run that abruptly takes the wind right out of Eli’s sails.

A bit later in the piece, Cesar shows us that he can sing powerfully, too.  Nearing the end, it looks as though Eli may triumph after all--but ultimately it’s neither the angel nor the devil who wins the day.  They fall back into balance with Jose, as Geoff (who has piped up now and then to remind us he’s there, right next to their perpetually overlooked and underrated genius beatboxer Layne, but hasn’t really joined in the competition) carries us through to the end.

Apart from the angelic/demonic symbolism, which I have to believe was very much intentional, I think I caught an echo of the Singing of the Ainur: a loud, proud, greedy theme trying and failing to overwhelm a sweet, solemn melody that refuses to be silenced.  Unlike the discordant braying of the followers of Melkor, though, there’s nothing ugly or unpleasant about any part of this song.

ETA: Forgot the mention the lighting, which is a soft blue overall; but with a glare of red that falls for a moment over the entire group early on; later it reappears over on the left, where it illuminates Eli more than any of the others, and at one point he (and only he) is sillouetted clearly against it.

[msweebyness]

Weeby & Sparky’s Song Ratings!!!

Hey, y’all! This was something me and Sparky did, where we rated the hero/villain songs of the characters we used for MirrorVerse! @imsparky2002 @artzychic27

Villain:

Weeby:

1. Be Prepared- God Tier. Everything about this song is amazing. It’s memorable and has a great sound. Just the most epic villain song, and Jeremy Irons absolutely kills it.

2. Oogie Boogie’s Song- Loved this song since I was a kid and that’s not changing. Catchy as all hell, and so creepily entertaining. Also, Ken Page can SING!

3. Friends on the Other Side- Fun, jazzy and that ending hits SO hard. Gotta love Keith David.

4. Poor Unfortunate Souls- Just so much fun to listen to and sing along as dramatically as possible. The perfect song to introduce us to Ursula.

5. Shiny- Tamatoa is just such a fun villain and this song always makes me get up and dance. SHINY~!

6. Gaston- Never fails to make me laugh and just an all around fun tune. So overblown and conceited, it’s Gaston as a song! Also the meme parodies are fun.

7. Hellfire- An epic and dark tune, love the choir backing and chants. Not one of my top, but still awesome.

8. Mother Knows Best- Disney managed to take gaslighting and make it into a catchy tune. Props for that.

9. Cruella De Vil- A classic that you can’t help but hum every once in a while, but not one of my top.

10. Snuff Out the Light- It’s an okay song, I just don’t see Yzma as a villain to sing, I guess.

11. You’re Only Second Rate- So-so. It’s catchy enough, but the lyrics feel a bit too…silly for Jafar.

12. Hi Diddle Dee Dee- Eh. It’s a song that exists, kinda annoying to be honest.

Sparky:

1. Hellfire - SUPREME GOD TIER. In my opinion not just the greatest disney song, but the greatest villain song of all time. Absolutely gothic, epic, suggestive and fits Frollo's character to a T. The ending gives me chills EVERY time. I would sin for Tony Jay.

2. Poor Unfortunate Souls - Now I admit I prefer the Annapatsu version, but overall it's so delightfully bombastic and dramatic. You really feel like you're being manipulated by Ursula.

3. Friends on the Other Side - Keith. David. Is. Amazing. Oh, and Randy Newman killed it with the ending.

4. Mother Knows Best - It's like the friendlier version of Poor Unfortunate Souls and really nails the manipulative horrible parent feeling.

5. Shiny Gayest song and a great tribute to David Bowie, so you know it's amazing.

6. Oogie Boogie Song - A awesome ragtime halloween bop and Oogie's got some pipes!

7. Gaston - So hilarious and perfectly arrogant, just like Gaston.

8. Hi Diddle Dee Dee - It's a joke song and it's short... but goddamn it I find it hilarious. I feel like it's the perfect sort of fake conjob song for John.

9. Be Prepared - I love Jeremy Irons performance... but overall the lyrics and tone just feel too goofy for Scar? I actually would've loved if it sounded like the 2019 version, even if Scar never sang, the orchestrals sounded awesome.

10. Cruella De Vil - Eh... it's alright. A small little jazzy tune, but man we missed out on a frantic rocker for Cruella.

11. Snuff Out the Light - Eartha King nails it but overall it's mid.

12. You're Only Second Rate - Feels like them trying to capture the magic of Friend Like Me, except Jafar isn't Robin Williams by a longshot.

Hero:

Weeby:

1. When Will My Life Begin- Whenever this song comes on, I am singing the lyrics at the top of my lungs. So bright and fun and really tells you who Rapunzel is.

2. Just Can’t Wait to be King- Such a fun and spunky tune, I’m always dancing and singing with baby Simba.

3. Almost There- Inspiring and catchy as all hell. I’ve always loved Tiana and this song really reflects her determination.

4. Go the Distance- Just a sweet, beautiful and kinda dorky song, perfect for Herc! Love this one to death!

5. Evermore- SO. FREAKIN. EPIC. Favorite song from the remake. Was…on the fence about them giving the beast a song, but they knocked it out of the park!

6. A Dream is a Wish Your Heart Makes- SO underrated, and just an all-around beautiful and sweet song.

7. Reflection- Such a gorgeous song, Lea Salonga’s vocals are on point and you can’t help but feel for Mulan.

8. Let it Go- Epic power ballad that I can’t help but sing to. Not my fave but I love it!

9. Friend Like Me- Robin Williams is incredible, so is the Will Smith cover, this song is just a bop.

10. Part of Your World- Jodi Benson is an amazing singer and this song is super fun for karaoke.

11. What Else Can I Do?- Love my girl Isabela and seeing her come into her own in this song!

12. Out There- A sweet and hopeful song that makes my heart hurt for Quasi. It gets me every time.

13. One Jump Ahead- Upbeat, frantic and fun, the perfect intro to Aladdin’s life.

14. Nobody Like U- Catchy as hell and SO 2000’s nostalgia.

15. Bibbidi Bobbidi Boo- So fun and makes me miss my childhood, pretending to be the fairy godmother!

16. Once Upon A Dream- Lived this song as a kid, but now…it’s just average. Vocals are beautiful but it just doesn’t stick out.

17. Belle- Eh, the song is catchy but I always felt so bad for Belle. Like, they are essentially *singing* about how weird she is TO HER FACE.

18. Someday My Prince Will Come- Beautiful vocals but just never grabbed my attention I guess.

19. I’ve Got No Strings- Just eh. Pinocchio’s part is cute, but the rest…just eh.

Sparky:

1. Reflection - Amazing vocals, absolutely tearjerking lyrics and instrumentals. It's one of if not the only hero song that's truly depressing. Also the part where she belts as she takes off her makeup... soul shattering and beautiful.

2. Someday My Prince Will Come - I know that it isn't exactly empowering but.... oh my god this song is absolutely gorgeous. It is sort of hard to understand what she's saying, but the orchestrals are phenomenal and the singer gives it everything she's got. I genuinely feel like tearing up everytime I hear it.

3. Part of Your World - This goes entirely to Jodi Benson. My god what a singer. Such an epic "I Want" song.

4. Friend Like Me - Both Robin and Will knock it out of the park. There's so much bouncyness and explosive music in this and it totally fits the character.

5. A Dream is a Wish Your Heart Makes - Just... beauty in auditorial form. Reminds me of a Sinatra song for some reason. My god is it beautiful.

6. Once Upon a Dream - It feels like a waltz and a lullaby at the same time. Reminds me of a Paul McCartney track.

7. Almost There - A very determined tune and subtle and grounded, perfect for Tiana. Randy Newman once again nailed it.

8. Go the Distance - Roger Bart perfectly fits it and you really feel for young Herc. It's very Broadway but I love it for that reason.

9. One Jump Ahead - Such a punchy and frantic track and really makes you feel like you are running alongside Aladdin.

10. Nobody Like U - GODDAMN! Easily the catchiest song for me and such a nice fusion of modern pop and 2000s boy bands.

11. Out There - Like you said, sweet and hopeful, though I don't really like Quasi's vocals.

12. When Will My Life Begin? - Perfectly fitting of Rapunzel, and a great pop song... but I feel like it's a bit too 2010 Pop song rather than Disney opener.

13. What Else Can I Do? - Eh... I just found the song to be sort of forgettable. Nothing against the character, the song just didn't stand out to me. Felt too much like a generic pop song.

14. Belle - It's just a song about how Belle's "odd". Not much else to say.

15. Let It Go - In my own opinion, extremely overplayed AND overrated and only saved by the fact that Idina Menzel is an amazing singer.

16. Just Can't Wait to be King - The child singer is amazing, but overall I guess I just found it to be a bit forgettable?

17. Bibbidi Bobbidi Boo and I've Got No Strings - Both of these are joke songs to me. Perfectly fine little ditties but just that, little ditties.

18. Evermore - This is entirely because they absolutely BUTCHERED Dan Stevens' voice with autotune. I mean... my god he sounds like a malfuctioning vocaloid! Pianos and strings are nice but the voice is just too horrendous. A shame, it could have been decent.

Leave your own rankings in the comments and reblogs!

[2n2n]

ch99 LETS GO WOO--!!! this ruled I love it here at the aidairo!! Man I feel like I have such pretty tame expectations of things often as I don't expect 100% of a work to be to my taste and interests, but I get blown out of the water every single twist and turn.... HOO HOO HOO HOO *running around in a circle*

couldn't be off to a better start.. I feel like Aida loves to draw these first person PoV Tsukasa is leaning down to talk to you direct eye contact panels... and I luv to see them (: babygirllll

Ah... a lovely, shining example of Tsukasa's ability to peer through people... he struggles always, to understand when, and why, people don't act upon their honest desires. Why not do something, if you want to do it? Why not stop doing something, if you hate it?

He looks so strikingly like Amane here, it's incredible. A rare Tsukasa with semi-lidded eyes, a more shadowed expression, so his pupils are cast in the amount of shadow we see in Amane's (at least, thats what I see it as!)... situationally the Yugi's eyes resemble one another's purely due to lighting conditions, since their eyes only look different 'cuz of how they hold their gazes on things... Tsukasa's natural wide stare... I just love when we get to see him pulled closer to Amane's sortof glance...

Cutting to the point... ugh. LOVE it. Love Tsukasa's interest in intentions and emotions. The truth of you... LOVE IT. Love Mitsuba really looking so crazy... love him being RIGHT!!! You just HATE that you crave it and it's so delicious to you.... mmmm. Ah its a perfect Tsukasa situation ♥

anyway, I LOVE this setting, what an absolutely scary and atmospheric space to be in, the goddamn tech and sump and whatall backend of the aquarium.... pipes and tubs and gauges and tubs. Really claustrophobic and perfectly 'trapped'. Feels so yabai. yabai yabai. Perfect little box they're sunken into....

sorry, incredibly funny mitsuba oogie boogies into a pile of bugs. Extremely laughed out loud.

love this irrational moment of jealousy lol. Why can't you just be grateful someone out there kept Mitsuba together </3 stupid caveman.... </3

a perfect reveal... couldn't be a more 'oh... oh, gosh' moment... as this all is, it felt like, "how incredibly crazy to go TO the Minamoto household-- if Teru had bolted out the house and not Kou, Mitsuba would simply be kerplooded...." how miserable that Mitsuba aimed for that outcome. Was relying on it. What an interesting feeling, to see Kou, instead, and have to shift gears... the monumental suicidal vibes of the outings... and frankly I love Mitsuba's impatience and fussiness in light of that... it reminds me of suicidal Rasphard Ambrose from AidaIro's old VN ahaha, telling the tsundere neige "comfort me better." lol. Good on you Mitsuba.. you need to boss and bully Kou right now, it is your right...

could not be a more perfect situation to test Kou. agog at how artfully wonderful. Hey bitch who wants to be an exorcist soooo bad, I'll give you something to exorcise..... ooo how about you think about your dang profession critically for a moment!

I love the 'beat' where Mitsuba tries to read, judge, very carefully, Kou's response. He doesn't trust him to really understand this request. He's not willing to endure humiliation about this! None of Kou's idiocy. Either willing to 'help' or not.

Freakin' reminds me of Rasphard too, with the 'joking' after saying things that belie the real intent, deflecting fast...!

Kou's response... wuh, lol.

SO funny that Kou is experiencing this epiphany selfishly, processing it almost as a kind of rejection! You lied to me </3 Extremely AidaIro actually.... (well, again reminds me of how Estelio in Narisokonai Snow White takes his twin brother's suicide as a kind of abandonment/rejection of him... and I have a theory that Amane and Tsukasa, and the shinjuu, also may tie into an emotion like that-- that perhaps Tsukasa attempted to kill himself to alter fate, but Amane perceived it as Tsukasa 'leaving' him, and killed them both to stay together....). Its funny that Kou was so fussy and shitty the whole time, but, he's mad to learn you had an ulterior motive and weren't engaged in the same earnest way. The sweetness of the day's been overwritten by this hidden agenda. He feels betrayed-- but it's not really the time for that, now is it? It's not a very sweet reaction to Mitsuba's confession of being self-destructive.

I really didn't know it mattered so much to Kou that it be an authentic experience, and that this taints it. Really funny its his priority, emotionally, here ... it's genuinely interesting though. He's a very childish/immature person, so this being his reaction fits well.

detour, Mitsuba looks really nice with his hair unpinned and disheveled! My favorite look for him thus far. Nice and raggedy... I don't really like his groomed up look, this messy one's much better....

he handles all conflicts with screaming, bullying and bullrushing </3 as expected of Kou.... but I like how awful this all is

really freaking visceral! fighting fuckin hard! Lol, 'I said no!" ... love the claustrophobic setting coming home to roost. Mitsuba's wobbling, haggard, weak, amputated form up against Kou's real wild gorilla tactics. It's so dreadful lol! Grabbing him by the god damn ankle! Slamming him to the ground!

we here at the Aidairo love to make panels that look like this lol.... you know all I'm thinking about is that shinjuu and how lit its gonna be!! feel like this sorta stuff is 1/10th of what the shinjuu will be....

like a caveman. blunt brute strength, force, aggression... it makes Tsukasa feel graceful and friendly.

insulting his very reasons for being ~suicidal.... you suck sooo bad Kou! Screaming and throttling and berating for being stupid, 'so what'ing his reasons for feeling dehumanized and self-hating, HOO you wonder why Mitsuba tells you nothing? Its just like in Picture Perfect... just hollaring like an ape defensively. But this time it's so incredibly horrible it's more interesting than ever. So obliquely a defensive emotion, brought on by insecurity (you don't rely on me), jealousy (you rely on Tsukasa, you talk to Tsukasa), betrayal (you intentionally mislead me). Taking out his anger and frustration on Mitsuba! Its a panic response, but it speaks to Kou's handle on his impulses.

absolutely incredibly reveal ♥ VORE MANGA VORE MANGA VORE MANGA!!!!!!!! GET BIT, KOU!!!

What a PERFECT thing to saddle Kou with-- a kaii that is his friend, that is DANGEROUS. That is a DANGER TO HUMAN BEINGS. Its time to learn some sympathy for complicated beings and situations, the very sorts of things your job exists to exterminate!! But it's also crazy human-centric, that Kou just can't understand the problem up until here. As if killing/eating kaii is no problem and easy-- like, geez, Kou, eating live bugs or mice or something would be ENOUGH to make someone horrified and feel like a monster, plucking apart bloody bodies and digging through viscera in excess would make most people mindbroken after long enough! Never mind the sheer amount and the inhuman sensations of desire and need for it going on here, the deep satisfaction and the grotesque nature feeling like its destroying Mitsuba's entire self-image.

WELL, ANYWAY, KOU BEING AN INCONSIDERATE ASSHOLE ASIDE, what a wonderful moment. I find it funny that Kou really needs his own personal little buddy kaii to learn any kind of sympathy for the struggles of being something 'dangerous'. The Minamoto family take it upon themselves to determine 'dangerous' and exterminate it. It's effectively like the friend of a cop revealing they hold criminal intent, lol.... time to see how much destructive possibility YOU will tolerate, how about ;) Nene-chan will put up with quite a lot ♥ is it so simple to determine when someone's 'too far gone' ♥? Mitsuba is trying to tell you he is.... ♥ he's scared of himself.... ahhh its so delicious ♥ decadent situation to put Kou into. We need to put the Minamoto dogma thru tests! YOSH

jealous that Tsukasa gets access to what he doesn't </3 extremely funny of Kou, and EXACTLY what I wanted to see revealed. All his spite and aggression towards Tsukasa has layers! Ugh, so petty it's funny and delicious. Hoo hoo hoo!

boohoo </3 you think I'm weak </3 you trust Tsukasa more than me </3 you run to him in danger </3 or maybe its that Tsukasa chases down Mitsuba, has knowledge of what he needs, is willing to do a fat lot of work to assist him, explain things gently and calmly and honestly, while all you ever do is forget he exists, until he shows up in front of you :)? Why wasn't he your first priority after the severence? You want Mitsuba to do all the legwork? You distractible oaf....

after all that though, I'm glad Kou WASN'T rewarded for the screaming beast tactics! I'm glad that shit got him bitten!! I'm glad that CRYING and whining gets him much farther! I swear to GOD, Mitsuba isn't even so sure you LIKE him! He's really receptive to this...!! But, really, who is ever crying to Mitsuba? Tsukasa, Natsuhiko, Sakura, Nene, Hanako? Who is begging him for attention, who is crying for him? Nobody....! Mitsuba is always sinking fast into a 'victim' schtick and crying and whining, desperate for attention himself... seeing this, its like-- ah!-- it would be so ideal if someone else could be more pathetic than him....

after all that fuss, I love this for Kou's delayed, final 'crash' response.... his immediate response to it all is just a frenzied high of anger/aggression/violence... I like that finally voicing the root insecurity/inferiority complex (all Kou is composed of....) and upset that Mitsuba relies on Tsukasa (how does it feel to always hear that name from his mouth, time and time again, after a crisis like the Picture Perfect, Severance?), instantly renders him so inert. I like the pathetic crossed legs here lol.

boy. and I think Hanako is childish with his feelings about Nene-chan. If Hanako is a true blue 13-year-old-boy in his emotional expression and fussiness, Kou is like a freaking 5 year old. Sheesh. He really. Has the lowest maturity. This is the rawest, most vulnerable Kou we've seen!!! He's REALLY been coddled and never challenged for his life! His brother REALLY sheltered him but GOOD. Kou's an absolute mess! It's interesting the extent of it. I mean I'm always here to tell you Kou is The Dumbest One Here, but, awoof. Well I'm satisfied by it all. Its best when things are so extreme (: He makes Mitsuba feel so worldly and respectable lol.... Kou, you kid.... child.. big baby.

I'm glad Mitsuba can see past the defensive stuff easily at this point... Kou really can't let it go.

I've never really known how the Mitsuba and Kou dynamic could go anywhere-- two tsundere really don't make a match to me, and in every interaction, in the past, they really felt at a standstill with one another's stubbornness, and compulsive rudeness. Both of them don't express vulnerability in a productive way. They both leap to insults and yelling. It often feels like no headway occurs. But I like to see Mitsuba have to interact with someone emotionally wrought over him, even jealous and feeling robbed of a moment/opportunities of closeness. It's really what Mitsuba needs... he needs to see he has an effect on anybody, it's his entire complex. Seeing it all laid out like this, I can see how a guy with an inferiority complex (Kou) and a guy with an attention deficit (Mitsuba) could be interesting and ultimately feed one another, if ONE of them could just take the hit of being vulnerable first. Mitsuba's just so massively socially neglected and feels insignificant. Kou feels insignificant, too. Mitsuba feels nobody seeks him out, or wants him, while Kou also feels nobody seeks him out as someone to rely on. It's pretty fascinating to have one person have such a wealth of attention/coddling, but no sense of value despite it (Kou), and another person with a dearth of attention, with no sense of value due to it (Mitsuba).

I mean, in defense of Kou, Teru has been lying to him so profusely for his entire life, he may as well not know him at all. It's not a meaningfully intimate relationship, despite being his most dominant presense in his mind. It's majorly built on performances and facades on Teru's part, and then Kou meets Teru's undercurrent of pain and suffering with an utter 0 perception stat. Rather than being trusted with being an exorcist, Kou really oughta beg for Teru to trust him with his trauma and the weight of it ... I think Teru tried to in that conversation and, maybe he will continue to. I think Teru realizes how badly he's set up his and Kou's relationship to fail... fail brocon

ahhhhhh all really exciting stuff. I really prefer a Kou chapter like this to the sword-fightan shounen-hero-catchphrase-spoutan ones (: his extremely stunted emotions are an intrigue. Such a busted little idiot. And, I really like how Mitsuba took the first shot with being vulnerable. Proud of him. It's a bit sad Kou met it with a sense of rejection, because it's so beautiful Mitsuba would try to trust Kou point blank with euhrrrr euthanizing him. That really is, in Mitsuba's mind, in this state, begging Kou to help him. It's trusting Kou with his entire existence. It's hoping Kou will be able to understand his pain. Kou,, doesn't,,,, emphatically so, but at least he got somewhere by the end of it all :B and you know. He shouldn't give up yada yada.

Wonder if we'll pop over to a B plot or stick here....

[pandagirl45]

Slutty Oogie Boogie outfit, and Tony wearing it. Those pants with the stitches.

And well, Bucky as Santa. Just, Tony can have his neon glowing eyes. Plus I headcanon him having pipes for the gods. So imagine Tony singing the Oogie Boogie's song for the kids. Then slutting up for a Santa-dressed Bucky. Poor Steve and Rhodey, their best friends and brothers are ridiculous.

I am depraved.

[quiet-admirer]

Just watched n*ghtmare before chr*stmas because it's that day of the year, and I did not remember how much of a childhood Awakening that movie was... There are so many spherical characters that little me was eyeballing... 👀

[wonderfulworldofmichaelford]

Psycho Analysis: Forte

Christmas villains come in all shapes and sizes, but did you ever perhaps consider that one of those sizes might be “gargantuan” and the shape might be “a huge pipe organ?” No? Well then you sure as hell aren’t one of the geniuses behind Beauty and the Beast: The Enchanted Christmas, who decided to make the adversary of this holiday tale an enchanted pipe organ who was totally in Beast’s castle the whole time, really, I swear. They just never mentioned him in the first movie because… uh….

Look he’s voiced by Tim Curry, stop asking questions.

Motivation/Goals: Forte is actually pretty interesting in that, unlike literally every other magical piece of furniture in the castle, he actually likes being a pipe organ. Well, aside from being BOLTED TO THE WALL, that is. This man is loving the curse, and to this end he tries to throw a wrench in the works of Beast and Belle’s blossoming romance. Of course, it doesn’t work because this is a midquel and we already know how the story goes, but Forte is not blessed with future sight. And considering he looked like this as a human…

...can you really blame him for wanting to stay as a scary CGI piano?

Performance: It’s Tim Curry. I shouldn’t really even have to elaborate on this.

Final Fate: So Forte, in a fit of jealous rage at Belle cucking him out of Beast’s affection, decides to play his music so badly it will destroy the castle, because if he can’t be happy then everyone should just die. Beast is not having any of this, and so smashes his keyboard, which inevitably causes Forte to unchain from the wall (the one he was BOLTED TO), fall over, and die.

The disturbing thing about this is that Forte was human and under the same curse as such lovable scamps as Cogsworth and Lumiere. So, when the curse was lifted… what exactly was left on the floor of the room? Was Forte’s broken, mangled body just lying there? Who had to clean up that mess?

Best Scene: His villain song “Don’t Fall in Love.” Is it kind of weird and out of nowhere? Sure. Is it creepy, awesome, and does it have Tim Curry shouting “HELL?” Absolutely!

Best Quote: Forte would like you to know that his current situation has left him tightly fastened onto one of the numerous vertical stone structures enclosing the castle.

Final Thoughts & Score: The fact Forte is a pretty great villain is only a surprise if you’ve never watched a Disney DTV sequel before. Despite the scattershot quality of said sequels, the villains only rarely disappointed, and among those villains Forte stands tall and proud as one of the best. It’s easy to just chalk it up to the fact that it’s Tim Curry having a blast playing a villain (and that is a large part of it), but there are other factors that make him great.

One of the big things is the CGI used for him. The effect places him firmly in the uncanny valley, as he is animated in a jarringly different style to everyone around him, which only accentuates his otherness and his alienation. It helps make him far more sinister and foreboding, a good quality for any villain to have, and it’s of course accentuated by Curry’s performance. There’s also his unique motivation and his rather graphic death (another standards part of being a DTV sequel villain), all of which help make him a lot of fun and intriguing as an enemy.

The only real issue is that much like fellow Disney holiday villain Oogie Boogie, Forte is sort of irrelevant to the plot, barely interacting with anyone and kind of just being there to have an antagonist. Of course, much like Oogie Boogie, he manages to steal the show and be wildly entertaining every time he’s onscreen, so I think Forte deserves a solid 8/10.

Not bad for a guy who’s BOLTED TO THE WALL.

[cdyssey]

Regret

Summary: When Fran doesn't come down to breakfast after spraining her ankle, the whole house is concerned for her—especially Niles and Mr. Sheffield. Set after "An Affair to Dismember."

A/N: Okay, so I've binge re-watched nearly four seasons of The Nanny in four days, and had to get at least one fic out of my system, lmao.

Fran Drescher's acting in "An Affair to Dismember" when she suddenly broke while talking to Maxwell made me sensitive. ;-;

AO3 Link

—

Breakfast is a remarkably boring affair without Miss Fine bursting through the door, raising her arms in a floral robe, and proclaiming, with signature adenoidal stylings, “Good moooorning, everyone!” 

The clink of silverware, the scraping of ceramic plates, the ruffling sound of Mr. Sheffield anxiously attacking the New York Times like a new Andrew Lloyd Webber play has just dropped—all of it is so terribly drab that Niles spends the first fifteen minutes of her pronounced absence coughing loudly in the hopes that his employer will pick up the hint to do something about it.

“Oh, do go get a bloody cough drop, old man,” he finally snaps, smacking his newspaper down on the table. “You’re driving me mad.”

“Sorry, sir,” Niles arches a brow as he refills Mr. Sheffield’s coffee mug. “I have asthma.”

He turns away to replace the coffee pot on the side table.

“And half a mind to kick your tetchy derrière,” he mutters under his breath.

“What was that, Niles?”

“Nothing, sir! Just saying thank you for your attentive care.”

“Dad,” Master Brighton thankfully interrupts, “where’s Fran, and what have you done to make her mad this time?”

Niles immediately turns around again in time to see his boss’s shoulders straighten in that way they often do when he’s indignant.

Or guilty.

Or some mixture of them both.

“I beg your pardon, Brighton,” he replies stiffly. “Why do you immediately assume I’m the problem here?”

“Process of elimination,” Brighton shrugs. “Fran’s not mad at me, Maggie, or Grace, and Niles is one of her closest friends.”

“You’re so astute, Master Brighton,” Niles smiles wryly as he moves to the left to get a better view of Mr. Sheffield’s face. The vein in his temple is beginning to throb, which is always a good time.

“She hasn’t dated anyone recently,” Miss Margaret pipes up.

“And she’s always fighting with her ma,” Miss Grace adds, “but that's never kept her from Belgian waffles before.”

“So, Dad,” Brighton grins, patting his father once on the back, “unless our math is wrong, that leaves you.”

“Goodness me,” Mr. Sheffield mutters, angrily stabbing a piece of link sausage with his fork. “I didn’t know I was in the presence of the lost Hardy Boy.”

“So you did do something!” Margaret exclaims. 

“No! I bloody well did not, Nancy Drew. For your information, Miss Fine accidentally hurt her ankle clubbing last night with Val. I don’t think it’s broken, but I’ve called a doctor to come by just to check.”

“Tsk, tsk. And you didn’t offer to pick her up Cinderella-style and swoop her downstairs so she wouldn’t miss breakfast?” Niles asks chidingly, only to be greeted with a nasty glare.

“Yes, I did offer to bring her down to breakfast as a matter of fact... but Miss Fine seemed strangely subdued when I spoke to her through the door... I didn’t know what to make of it to tell you the truth...”

Mr. Sheffield’s brow contracts as he searches Niles’s face for an answer, and Niles stares back just as studiously, observing the profound concern in his employer’s dark eyes.

The gentleness.

The romance.

The stunningly oblivious care.

Niles sighs fondly.

Unlike Miss Babcock, he’s never had the heart to kick poor puppies when they’re down.

“I’ll bring her Advil and a fresh ice pack,” he promises. “Perhaps some pain relief will help her to regain her spirit.”

“I hope so,” Mr. Sheffield replies, self-consciously turning to his plate again, the tips of his ears rather pink. “I hate when Miss Fine isn’t feeling well.”

“Here, here,” the whole table concurs.

—

Twenty minutes later, Niles is at Miss Fine’s door with a silver tray laden with all the essentials: painkillers, an ice pack, a mug of coffee (milk instead of cream and extra sugar), and a copy of the new edition of Gloss. He lightly taps on her door with the side of his loafer.

“Miss Fine, can I come in?”

“No,” comes an immediate and sharp reply. “I’m not dressed!”

“How discouraging,” Niles sighs smilingly. “What ever shall I do?”

“Suff’a, and at least give me a minute to find a brassiere.” 

“Oh, we’ll be here all day then.”

He hears a strange thud, a collection of evaluations (“dirty, dirty, slutty, Maggie’s, dirty”), and an assortment of Yiddish curse words he now vaguely recognizes from being friends with Miss Fine for nearly four years now. And then finally— 

“Come in, Jeeves, but shut the door behind ya ‘cuz I haven’t applied a morning layer of lipstick yet.”

Niles elbows the knob and pushes with his shoulder until the door lights open to a peculiar sight. Far from being neat, Miss Fine’s room looks like Macy’s after its annual Black Friday sale with clothes strewn everywhere—from the dressers to the wardrobes to the floor. An empty suitcase is lying on the bed next to Miss Fine, who is sitting in bed wearing an oversized t-shirt, her injured ankle propped up on a pillow. Niles can tell, even from the doorway, that it’s red and swollen, but to his satisfaction and relief, it doesn’t appear to be broken.

“Welcome to the jungle,” Miss Fine mutters when she notices his incredulous gaze. “We got all the animals out t’day.”

“I can see that,” Niles replies, placing his tray on her bedside table and shutting the door. With his usual efficiency, he then walks back over, retrieves the ice pack, and gently places it on the affected area, frowning when she flinches.

“Mr. Sheffield said that the doctor was coming at ten,” he says as he gently lowers himself onto the bed, clasping his hands primly on top of his lap.

“Mm,” Fran grunts noncommittally, grabbing the two Advil pills and knocking them back with a swig of coffee.

“What? You’re not curious as to whether or not said doctor in question is single, Jewish, and living in a Manhattan penthouse? Miss Fine”—Niles reaches over and places the back of his hand on Fran’s head—“do you have a fever?”

“Oh, Niles,” she swats his hand away, “I’m not in the mood.”

“It’s been awhile since I’ve heard that one.”

“Niles!”

“Sorry, Miss Fine,” he withdraws his hand with a laugh. “You know I have to warm up before Miss Babcock arrives.”

“Glad to assist,” Fran quips, taking another sip of coffee, and it’s only as she closes her eyes to savor the taste, that he notices there are lines beneath her eyes from what seems to have been a sleepless night. 

The smile sinks from his face.

“You know,” he says quietly, “in all of our acquaintance, I’ve never known of you to injure yourself while dancing.”

Fran opens her eyes only to immediately glance away, tapping her long nails against her mug.

“Val tripped me up when she thought she saw Elton John,” she shrugs dully. “Turns out it was just a really lifelike poster of him behind the bar...”

“I see,” Niles returns, raising a brow. “It was nice of Miss Toriello to forgo her weekend trip with her parents to come back and… boogie woogie oogie with you.”

“Dammit,” she pouts, scrunching her nose. “I didn’t think I’d told you that.”

“You didn’t. I overheard you and Miss Toriello gabbing on the phone about it yesterday morning.”

Fran can’t seem to help herself; she smiles crookedly, even as she shakes her head.

“I dunno who’s more absorbent sometimes—you or the dish sponge.”

He smiles back at her, patting her uninjured leg gently.

“Me, naturally."

"I can believe it, Chatty Cathy," she sighs.

"Now tell me, Miss Fine"—he regains his solemnity quickly, unwilling to let her deflect with jokes—"why does your room look like a tornado went through Loehmann’s?”

Her dark eyes immediately glance around the messy room, as though looking for an excuse and failing to find one.

It’s only now that Niles is sitting down, taking everything in, that he notices that most of the articles strewn about are her favorite clothing items, from her holographic Versace dress to the black tube top that Mr. Sheffield can’t pry his eyes away from every time she wears it.

“I almost did a very stupid thing, Niles,” she half-whispers, looking down into her coffee cup, her fingers tensed and shivering around the handle. “And the thing is, maybe it wasn’t really all that stupid? Maybe it was the smartest thing I could of done in a lifetime of doin’ so many stupid things.”

She pauses briefly before sardonically adding, “People included.”

Though Niles doesn’t have enough dots to connect the full picture, he has what he needs in the way of evidence to get the basic gist: Nigel being in town, the two of them going out, Nigel leaving town, the suitcase, the swollen ankle, and Miss Fine's uncharacteristic melancholy, smeared across her face so sharply that it may as well be lipstick.

He swallows thickly, suddenly grasping how close that they had all been to losing Fran forever.

“Well,” he says, making an effort to hitch an oblivious smile on his face, “isn’t it your mother who says that everything happens for a reason? It seems as though you’re right where you belong.”

“Yeah,” she snorts indelicately. “Twenty-nine multiple times over, single, and livin’ in a mansion with a man who won’t even commit to his meal orders at restaurants, much less his very available and desperate nanny.”

“Beautiful, young, and living in a mansion with three children who love you, a butler who’d be lost without you, and a man who won’t commit to his tie choices either but still cares for you deeply all the same,” Niles corrects her softly. “He was very worried for you when you didn’t come down to breakfast this morning. He didn’t even do the crossword on the Times.”

“Gee,” she rolls her eyes playfully, “how romantic.”

“Very,” Niles grins, “a modern day Romeo—emotional hangups and all.” 

With that, he pats Fran again and stands up; he has no doubt that Mr. Sheffield will be calling for him soon to interrogate him as to Miss Fine’s wellbeing. 

Maybe he can even get C.C. on speaker phone to rub it in her face.

“Y’know, Niles,” Fran smiles at him fondly, “if this whole Mr. Sheffield thing doesn’t work out, we should elope in Vegas in ten yea's.”

“Only if you wear this little number,” he says, bending down and picking up a black cocktail dress from the floor, folding it neatly over his arm.

“You wish you could be so lucky.”

“If we’re going to be in Vegas, anything can happen, I suppose.”

After he retrieves the silver tray from the bedside table, he bends down and kisses Miss Fine lightly on the head, his heart hurting when he notices the way that she closes her eyes beneath the gentle touch—young and vulnerable and terribly hurt by something he can’t quite fix with a well-timed witticism.

“Get some rest, Miss Fine," her murmurs against her head. "I'll check on you a bit."

“Thanks, hubby."

—

Scarcely ten minutes later, he’s down in Mr. Sheffield’s office as per usual, offering the producer a fresh cup of tea even though he had already drunk his traditional two cups at breakfast. 

He insisted, though, on a third, for some excuse he couldn’t quite come up with.

And instead of coming up with an excuse, he immediately asked for all the particulars of Miss Fine’s health.

Predictable chump.

“Thanks, old boy,” Mr. Sheffield frowns, returning to his crossword, tapping the end of his pen arrhythmically against the paper. “Let me know when the doctor for Miss Fine arrives. I want to be there when he checks her over.”

“Ooh la-la-la,” Niles hums, dropping a sugar cube into the tea with a zesty plop.

Mr. Sheffield places his pen down on the desk angrily. 

“Not like that… I just want to ensure she’s going to be well… you know, for the children’s sake.”

“Yes,” he sighs theatrically. “How will the children ever be able to bear their nanny having a twisted ankle?”

“Oh, shut up,” Mr. Sheffield snaps. “I don’t pay you to be sarcastic.”

“No, sir, you pay me to help you with the crossword when you’re missing three-across,” Niles smirks knowingly when he glances down at the incomplete puzzle. “What’s the hint?”

Mr. Sheffield adjusts his wire-rimmed glasses on the bridge of his nose before looking down again.

“A word that means feeling bad for not doing something that you should have done all along. Disappointment. A sense of shame.”

Niles straightens up with a long-suffering shake of his head.

“Oh, sir, do I really have to spell it out for you?”

[internethorrorfan]

My 2021 Christmas Mix

Just like the past 5 years I’ve made a Christmas mix and uploaded it to 8tracks. Check it out!

https://8tracks.com/plan9fromouterspace59/jingle-jangle-jukebox-vol-6-jingle-bell-schlock

Tracklist:

Intro - Die Hard 30th anniversary trailer Run DMC - Christmas in Hollis Mavis Staples - Christmas Vacation The Crypt Keeper - Christmas Rap The White Stripes - Candy Cane Children Perry Botkin - Silent Night Deadly Night theme Theocracy - All I Want for Christmas George Thorogood and the Destroyers - Rock N Roll Christmas Pellek - Town Meeting Song (Danny Elfman cover) Halford - Oh Come Oh Come Emanuel Billy Idol - Yellin' At the Xmas Tree Tin Idols - Baby It's Cold Outside (Frank Loesser cover) Douglas Pipes - Unholy Night MxPx - Christmas Night of the Living Dead The Drive -'Twas the Night Before Christmas Interlude - Dunkin' Donuts Christmas commercial Bad Religion - Angels We Have Heard On High Impaler - Krampus Jonathan Young - Oogie Boogie's Song (Danny Elfman cover) The Rhythm Coffin - Spooktacular Season's Greetings August Burns Red - Dance of the Sugar Plum Fairy The 69 Eyes - Christmas in New York City OGRE - Enter the Sleigher Clint Robinson - Mele Kalikimaka (Bing Crosby cover) The Brian Setzer Orchestra - Santa Drives a Hot Rod The Dan Band - I Want to Rock You Hard this Christmas Sonata Arctica - Christmas Spirits Jaunter - The Lights by the Fire Lee Montgomery - Slayrider Alice Cooper - We Wish You a Merry Christmas Outro - An Xmas Message from Alice Cooper

[steamworksandshadows]

Extremely Large Pile of Halloween Music Recs!

Many of these are retro-futuristic (or just retro), but I figured there’d be at least a few appreciators of electronica among my followers as well. All of these links go to YouTube to make them easy to add to your playlists, but it’s not difficult to find them on pretty much any other streaming or purchasing platform. Enjoy!

Classical

Come Little Children - Erutan (ethereal classical)

Transylvanian Lullaby - Erutan (ethereal classical)

Transylvanian Lullaby - City of Prague Philharmonic Orchestra (orchestral classical)

A History of Horror (album) - City of Prague Philharmonic Orchestra

Double Trouble - City of Prague Philharmonic Orchestra (classical)

Carnival of the Animals: Aquarium - Camille Saint-Saens (eerie classical)

Danse Macabre - Camille Saint Saens (dark classical ballet)

Uranus, the Magician - Gustav Holst (orchestral classical)

The Sorcerer’s Apprentice - Paul Dukas (orchestral classical)

Night on Bald Mountain - Modest Mussorgsky (orchestral classical about witches)

In the Hall of the Mountain King - Edvard Grieg (classical)

In the Hall of the Mountain King - Apocalyptica (Metal cellos. Cello metal?)

In the Hall of the Mountain King - Duke Ellington (jazz)

In the Hall of the Mountain King - Portsmouth Sinfonia (experimental orchestra from the ‘70s - google them, you absolutely will not regret it)

Dies Irae - Mozart (threatening choral/orchestral classical)

Don Giovanni, a cenar teco - Mozart (growly baritone/bass opera - the bit where Don Giovanni gets dragged to hell, both in the supernatural religious sense and in the modern internet slang sense)

Toccata and Fugue in D Minor - Bach (classical pipe organ)

Flowering Vines - Unwoman (ominous cello waltz)

The Carny of Mr Dark - Deathwatch Beetle Repairman (goth pipe organ)

This Is Halloween - Vitamin String Quartet (classical string quartet)

Vitamin String Quartet Performs The Nightmare Before Christmas (album)

The Vampire Masquerade - Peter Gundry (classical)

Waltz of the Bone King - Peter Gundry (classical)

Masquerade Suite: Waltz - Aram Khatchaturian (dark classical waltz)

The Comedians, Op. 26: Waltz - Kabalevsky (uneasy waltz)

Rock, alternative, rockabilly

 Haunted - Ashcan Orchid (folk rock)

The Last Steampunk Waltz - Ghostfire (rock waltz)

Shoot The Zombies - Andrew Huang / Songs To Wear Pants To (sing-along folk)

Shoot The Zombies (Pink Fluffy Unicorns Remix) - Andrew Huang (happy pop)

Something Wicked That Way Went - Vernian Process (circus rock)

Dark Carnivale - Frenchy and the Punk (indie rock)

Come Alive (War Of The Roses) - Janelle Monae (rock)

Gallows - Coco Rosie (goth indie/alternative)

The Devil Wears a Suit - Kate Miller-Heidke (alternative)

Toxic - Yael Naim (neo-folk)

Crazy For You - Venus de Vilo (indie rock)

Haunted - Frantic Flintstones (rockabilly)

Freaked Out and Psyched Out - Frantic Flintstones (album)

Zombie Riot - Batmobile (rockabilly)

Alice in psycholand - Nekromantix (rockabilly)

She's My Witch - The Radiacs (rockabilly)

Werewolf - Southern Culture on the Skids (rockabilly)

Circus punk, dark cabaret

Charmed, I'm Sure - Circus Contraption (dark circus cabaret)

We're All Mad - Circus Contraption (dark circus cabaret)

The Last Waltz - The Magnificent Seven (dark cabaret waltz)

Tango de la Muerte - The Magnificent Seven (rock tango)

Bloody Bones - Beats Antique (dark circus waltz)

Monster Tango - Mucca Pazza (circus punk marching band)

Rumanian Dance No. 1 - Mucca Pazza (circus punk marching band)

Mr. Spider Goes Home to Spiderland - Mucca Pazza (circus punk marching band)

The Trouble - Birdeatsbaby (dark cabaret)

Theatre Noir - Robyn Cage (dark cabaret) (music video)

Jekyll and Hyde - Theoretics (hip-hop)

Lament for a Toy Factory - Dr. Steel (circus rock)

Bogeyman Boogie - Dr. Steel (circus rock)

Circus Apocalypse - Vermillion Lies (dark cabaret)

When You're Evil - Voltaire (dark cabaret)

BRAINS! - Voltaire (dark cabaret)

Americana, bluegrass, blues, soul, funk

In Hell I'll Be In Good Company - The Dead South (Americana)

Stranger - The Devil Makes Three (Americana)

Ghosts of Mississippi - The Steeldrivers (bluegrass)

7 Devils - The Goddamn Gallows (bluegrass, rock)

Old devils - William Elliot Whitmore (bluegrass)

Death Come Creeping - Stefan Grossman (bluegrass)

The Devil Wears a Suit and Tie - Colter Wall (Americana)

Voodoo Woman - Koko Taylor (blues)

Your Hoodoo Man - Studebaker John & The Hawks (blues)

Voodoo - The Neville Brothers (New Orleans soul)

Voodoo - Jo Jo Zep & The Falcons (soul, funk)

The Witch Queen of New Orleans - Redbone (funk)

I Put a Spell on You - Screamin' Jay Hawkins (rock 'n roll)

I Put a Spell on You - Nina Simone (slow jazz)

I Put a Spell on You - Morgan James (slow jazz)

I Put a Spell on You (no movie dialogue) - Winifred Sanderson (pop musical)

Jazz, swing

Old Devil Moon - Frank Sinatra (jazz)

Black Magic Woman - Janice Hagan and Kenny Vehkavaara (jazz)

I'd Rather Be Burned As A Witch - Eartha Kitt (jazz)

Thriller (1930s Jazz Cover) ft. Wayne Brady - Postmodern Jukebox (swing) (alternate link)

The Devil With The Devil - Larry Clinton Orchestra (swing)

Swingin' at the Seance - Glenn Miller (big band swing)

Spooks - Louis Armstrong (swing)

The Headless Horseman - Bing Crosby (swing)

Skeleton Jangle - Dan Levinson's Roof Garden Jass Band (swing)

Resurrection Waltz - Lee Presson and the Nails (big band waltz)

Spooky - Puppini Sisters (Andrews Sisters-style swing)

Headless Horseman - Kay Starr (swing)

Hell (Remastered 2016) - Squirrel Nut Zippers (swing)

Ghost of Stephen Foster - Squirrel Nut Zippers (swing)

Memphis Exorcism (Remastered 2016) - Squirrel Nut Zippers (swing)

Boogie Man - Lee Presson and the Nails (swing)

Rattlin' Bones - Preservation Hall Jazz Band (New Orleans swing)

Save My Soul - Big Bad Voodoo Daddy (New Orleans swing)

Skeletons in the Closet - Louis Armstrong

Skeletons in the Closet - The Moon-Rays (swing)

The Mack - Beat Circus (swing - doesn’t seem very Halloween at first, until the tuba player gets murdered in the middle of the song)

Balrog Boogie - Diablo Swing Orchestra (swing)

Voodoo Mon Amour - Diablo Swing Orchestra (swing)

Electro-swing

Fear & Delight - The Correspondents (electro-swing)

Midnight - Caravan Palace (electro-swing) (alternate link)

Midnight - Swingrowers (different electro-swing)

Old House - Dirty Honkers (electro-swing)

Devil’s Samba - Sim Gretina (Latin-flavored electro-swing)

Cuphead: Railroad Wrath (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Cuphead: One Hell of a Time (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Bendy and the Ink Machine: The Devil's Swing - Fandroid (electro-swing)

Bendy and the Ink Machine: The Devil's Swing (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Sim Gretina Remix) - Sim Gretina (funk/glitch/chiptune)

Luigi's Mansion (Remix) - Qumu Music (chiptune, electro-swing)

Undertale: Ghost Fight & Dummy (Peggy Suave Swing Remix) - Sim Gretina (electro-swing)

Electronica, EDM

Backstreet Bones: Everycorpse - Sim Gretina (uhhh...spoopy Halloween EDM remix of Backstreet Boys? If you click on nothing else, click on this one. It's very worth it, I promise.)

Macabre Rotting Girl Feat. Kathy-chan - Sim Gretina (adorable electro)

Sim Gretina feat. Kathy chan: Let The Monsters Free (µThunder Remix) - µThunder (EDM)

Grim Grinning Ghost (Remix) - The Living Tombstone (EDM)

Undertale: Megalovania (Sim Gretina Remix) - Sim Gretina (EDM)

Undertale: Spooktune (Sim Gretina Remix) - Sim Gretina (EDM)

Spooky Scary Skeletons (Remix) - The Living Tombstone (EDM)

Warren Zevon: Werewolves of London (Daheen Rmx) - Daheen (psytrance)

Interlude: Limbo - Yoshimasu Kamiya (ambient horror)

Halloween Funtime REMIXMONSTRousMASHup - Pretty Lights (EDM)

HALLOWEEN Theme Song (DJ Deville Trap Remix) - DJ Deville (trap)

The Oogie Boogie (Man) - Duke Skellington (glitch-hop)

Stranger Things Theme Song (Michael Jobity & The Foreign Machine Remix) - Michael Jobity, The Foreign Machine (synthwave - my personal favorite remix of this theme)

Stranger Things Theme Song (C418 REMIX) - C418 (synthwave)

Stranger Things (Louis Futon Flip) - Louis Futon (chillstep)

Stranger Things Theme (Slicey Remix) - Slicey (trap)

Ghostbusters (Kill Paris Remix) - Kill Paris (EDM, future funk - by far my favorite remix of the Ghostbusters theme)

The Ghostbusters Theme (Remix) - The Living Tombstone (EDM)

Ghostbusters Remix - Matheo (EDM)

Gangnam Busters - FAROFF (Ghostbusters/Gangnam Style mashup - annoyingly, it works far better than you think it will)

Lady Gaga: Monster (Starfuckers Remix) - Starfuckers (EDM)

Lady Gaga: Monster (Chew Fu Remix) - Chew Fu (electro-house)

Michael Jackson: Thriller (James Egbert Remix) - James Egbert (electro-house)

Michael Jackson - Thriller [The Reflex Halloween Disco Edit] - The Reflex (moody, indescribable IDM(?))

Beetlejuice (Dubstep Mix) - Figure (dubstep)

The Addams Family (Figure Remix) - Figure (dubstep)

Hedwig's Theme (KE KRA's Trap Remix) - KE KRA (trap)

Things I thought were funny

Werewolf Bar Mitzvah - 30 Rock (parody novelty record)

A Hard Days Night of the Living Dead - The Zombeatles (zombie rock)

[theloststarboy]

Hey there I just want to talk about how I successfully flirted w a guy today

So I’m at this backyard punk show w a freind, Right? First bands playing it’s p dope, now, the sliding glass fire opens and it’s this dude in corpse paint and in general a full metal head looking dude he holds his bong out to a freind they take a hit, he takes a hit, he leaves.

I littirally end up falling on cement and hitting my head bc holy shit this guy

So I go to my freind “you saw the guy with long hair and that long coat? I think I’m inlove) to be fair, I was a little high

They laugh and tell me to talk to him, I don’t

The guy comes out again and this time has a pipe (total power move) he stays for a bit. Bangs his head a bit, leaves again

LTer on in the night I notice he had a dog, pretty cute, he’s holding her (her name is boogie oogie) and I proceed to have a gay panic for another hour or so while in and out of the pit

Eventually me and my freind are like “yeah leaving time” so i go to the front yard and compliment the firstband and about to get into the car when I see him, we have a bit till my freind is ready so, after my freind teasing me and all that saying I get no bitches. J decide fuck it and go up to him. Ik one of the guys he was with so I just was like

“Hey this may sound weird but you have a rlly cute dog”

And we spend the next ten minutes talking about his dog how he has a high tolerance, this is actually his place and that’s his van over there

Mid convo in like “hey can I get ur insta?”

GUYS I GOT HIS INSTA AND OMFG IM SK PROUD

we end up leaving and my freind was v proud of me

[raygrevels]

Oogie Boogie Silicone Hand Pipe. LoVe’s 525 S.3rd St. Logansport, In. 46947.

[goblinofthewoods]

A little late, but here it is!

October 1st: Treat

For Elle's first Halloween, Danny wanted to make sure his sister had the best experience possible. He, Sam, and Tucker were planning on having her come Trick-or-treating with them, but before that, they needed to find Elle a costume.

The foursome walked into the Spirit Halloween that had taken over what used to be a Dollar Tree. As they entered the building, looking around at all the decorations and animatronics, Sam scoffed and playfully prodded Danny's arm with her elbow. "We've fought monsters way scarier than these guys."

Danny smirked and rolled his eyes at the silicone zombie that was trying to crawl towards him on the linoleum floor. He nudged it away with his sneaker in the way one would gently move a cat to avoid stepping on it. "And to think I was terrified of coming here as a kid!"

The group weaved their way towards the back wall where most of the costumes were hung, and it didn't take long for them to find something. Tucker held up a Salt and Pepper couples' costume, grinning from ear-to-ear. "Danny, you're definitely the salt. And Elle would make a great pepper!"

Danny put his hands on his hips. "Dude, that's for couples," he pointed out.

Tucker shrugged. "So? It can work for siblings, too, y'know."

"I think it's fun!" Elle piped up. She sent a pair of pleading blue eyes in Danny's direction, and he didn't stand a chance.

"Fine, let's do it," he said, resigned to his fate. Despite his defeated tone, he gave his sister a little smile.

After stopping by a drugstore and stocking up on candy, the teens headed back to Sam's house and decided to hang out in her room until it was dark and spooky enough outside to go Trick-or-treating. To save time, they put their costumes on early: Sam was a vampire, Tucker was a mummy, and Danny and Elle wore their matching Salt and Pepper suits. After getting dressed up, Tucker sat in Sam's desk chair, Danny melted into the beanbag, and the girls took the bed. Large bowls of candy were distributed equally among them.

Despite the fact that Sam's house had a literal movie theater in it, she still had a TV in her bedroom. Said TV was angled so that everyone could see it, though that was partially helped by having Danny move his beanbag and Tucker roll his chair a little closer, but not before accidentally rolling over a part of his mummy wrappings and falling face-first onto the carpet.

When Sam unearthed her vast collection of Halloween-appropriate movies, no one was surprised when Elle deliberately avoided the horror films and made a beeline for "The Nightmare Before Christmas"; although she was physically thirteen years old, she had only been "born" roughly a year ago, so she wasn't as fond of (or as used to) horror as the others were. They all agreed with Elle's choice of movie, and Sam wasted no time in putting it on the screen.

About halfway through the film, the group collectively realized that they had absentmindedly emptied their candy bowls. Pausing the movie, the four teens stared at each other in abject horror.

"We're gonna regret this later, aren't we?" Tucker asked rhetorically. A series of somber nods followed.

Danny turned his head in Sam's direction. "How many bathrooms does your house have?"

Sam sighed. "Luckily, enough for all of us."

Danny sank into his beanbag with a resigned groan, causing the thick fabric of his salt-shaker-shaped costume to form a sort of beer-gut in the front. "Ah, the Halloween experience." He gave an apologetic smile to Elle, who was sitting cross-legged at the foot of the bed. "We probably shouldn't go Trick-or-treating tonight, just in case. Maybe next year?"

Elle smiled back and moved to join Danny on the beanbag. "No worries; I've had lots of fun today. And besides, we've still got a movie to finish!"

Glad that they hadn't completely ruined Elle's first Halloween, Danny grabbed the remote and pressed play, just as the Oogie Boogie monster made his grand entrance.