not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram
the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis
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Pain is a great motivator…
Part 26 || First || Previous || Next
—Full Series—
Meanwhile Toriel:
(Loud noises don't wake her up usually.)
Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!
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Her Astrophel and Sterling
hmmm
Hmmmmmmmm
You know what.
You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.
Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.
DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!
YES.
Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.
"Ellie! I thought I said do not answer the door my Sterling."
"But Daddy, yous was busy fighting the hotdoggys!"
Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.
and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."
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Imo the best ending to Supernatural would have been to just stop with them alive on a random hunt or them finding jobs and living the life they just wanted or whatever.
And then the story just fucking STOP, because Chuck is not here anymore, so they are no longer part of a story they are finally free. And we could still write and read fanfic about how they live after they won.
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Concept art for the Grand Galloping 20’s NYC story, which’ll split the main six into pairs.
With two tickets to a Wonderbolts ballgame, Wígmuŋke and Félicie must traverse the treacherous transit system of Manhattan island. While Wígmuŋke dreams of meeting her hero, Team Captain “Spitfire,” Félicie learns the value of an assertive voice amongst rude New Yorkers.
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" Out of Line"
It's the person who's "out of line" who is always told to, "Get back in line!"
I'm "out of line," and the students tell me to, "Get back in line!" But I say, "No, " and I saw a smaller line, and they all seemed happy and stood out as different. They were dressed in school uniform. So I started making my way over there. And the teacher of the line I left came and asked me to, "Get back in line" and when I replied, "No", immediately that teacher took it to the principal and now the principal and teachers from my original class started threatening me in front of the students. Who were trying to scare me to get back in place. When I started to break down and cry, my original classmates and other students of that class said, "If you would have stayed in line, this wouldn't have happened to you!" Even with that being done, I kept making my way to the other line. Now, the teachers became furious, and bullies from that school approach me, telling me to turn around. Once again, I refused, so the principal gave a "signal" to the bullies, and they said, "Fine, you could go." As I turned and walked a couple steps further, they added by yelling, "This school dressed you! So we're taking your clothes from off your back!" They started ripping the clothes off of me in front of my classmates and other students. "Hahahaha," they would all laugh as I became naked. Once, I was stripped, and the students of that class noticed the scars and bruises on my naked body. The bullies moved aside so all could see, and I saw pointing, I heard whispering and laughing, and from the laughing crowd, words came out, "How long you had that there!" followed by more laughter. I even heard the ones that had pitty for me say, "If he would have only stayed." At that exact time, I got up from off the ground and turned my back against them
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the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.
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