The new teen who transferred in is weird. He is so awkward it hurts. And Tim couldn't help but cringe.
It was well, mostly normal for the first few weeks. Aside from a few remarks about reanimated food.
It was normal until Tim was talking to dick.
He couldn't remember his face.
No Tim was not being weird.
No it's just that he can't remember any physical description.
No eye color
Hair color was something dark he thinks?
Was there any prominent scars, freckles. Tim couldn't remember .
His siblings teased him.
And he literally sat behind him! And Tim can't even remember his hair color.
So came Tim's week of trying to get a physical description or a photo of the guy. But it was ridiculous. Even if he stared he just couldn't nail down anything!
Even as he stared as he wrote. Nothing. It was like his memories were wiped.
Any photo came out with something wrong with it.
Someone walked past
Miraculously hidden behind something being thrown
A conveniently placed lens flare?!!!
A mist that hovered around him?
Anyway Danny was really uncomfortable with this guy just staring a hole in the back of his head . And he swears he saw him trying to take pictures of him? And his setup gets more new and ridiculous setup every attempt. Danny will swear up and down that once he saw him setting up one of those huge nature photography cameras .
On other news
Trending Gotham: Tim Drake Wayne 's new CRUSH?!
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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I've noticed people saying things like how Gortash tries really hard to seem like a noble and not like the commoner he grew up as
(and of course everyone is free to headcanon what they like)
but I thought it was clear he hated nobility and saw himself above them
I think the best examples of this are the busts in his office, specifically Carric and Dame
*Carric started from nothing, built a financial empire and founded the Counting House. He refused to mingle with the other patriars, saying, "They didn't want me when I was an urchin, and now they can't have me."*
*Dame Amafrey, the Orphans' Friend, founded several orphanages in the Outer City, as the Lower City was no place for children (and the Upper City declined to sponsor an orphanage).*
The narrator gets passive aggressive when reading about the upper city declining to sponsor, and the line about being an urchin feels very directed
So yeah I think at best he thinks lowly of them, at worst he hates these fuckers
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