#or writing / being creative

[writersshitpost]

[jomeimei421]

Felt a bit nostalgic watching RT shut down…Here are the og faves again for old times sake 💙

[kittykatninja321]

Listen I am not opposed to a little bit of babygirlifying my favorite blorbo but when you start nerfing their canon skills for the sake of whump or woobifaction is where I draw the line. He would NOT fold that easily in that situation

[deancasforcutie]

Dean complimenting fellow queer people on their game

Bonus inverse, trying to out-game someone to vicariously flirt for/with your presumed-but-not-at-all-straight friend who has no game whatsoever:

[indianatumbleweedjones]

I barely have any followers (I appreciate ya'll though) but here goes anyway

If this post gets 10 notes I'll make an effort to drink 60 ounces of water per day

If this post gets 15 notes I'll start writing more consistently (at least 15 minutes a day)

If this post gets 30 notes I'll start writing poetry again

If this post gets 50 notes I'll start drawing and painting more

If this post gets 100 notes I'll start getting 8-9 hours of sleep a night and having a consistent sleep schedule

If this post gets 500 notes by June I'll start my fantasy inspired etsy store that I've wanted to start for years but never have

[entamewitchlulu]

once i was in a creative writing class in college, and in a bit of humor i wrote the line:

"Um," I said, eloquently.

And my teacher was so adamant that I had to remove it because "um is not an eloquent word, so it makes no sense" and i was like my brother in christ it's called Irony

[suntails]

hijo de la luna

[sanctus-ingenium]

Bowman (art from 2021)

[deimosatellite]

like idk it just seems actually nefarious to take one of the very few widely known instances of queerness in older history being a symbol to show queer people that we've always existed and aren't alone for CENTURIES and taking away the queerness from it. like. i know some people say that ''the queerness isnt important in the book" which i mean in my opinion i could go off for 10k words in an essay as to how basil's love for dorian is integral to the story BUT EVEN APART from that its really just. having a real explicitly queer character in such an old and widely regarded classic novel is HUGE for queer history and this is just. literally like. its 2024. why are you doing queer erasure to DORIAN GRAY

[nondelphic]

can’t decide what’s worse

coming up with a title

or realizing the perfect one was already taken by a random 2002 indie film.

[kissingwookiees]

SOLAS IN DRAGON AGE: THE VEILGUARD + O SLEEPER BY THE OH HELLOS

the clouds overhead open up for the wicked and the just all the same

[ivyithink]

okay, but armand getting to see baby!vamp lestat? still so excited about how different the world is to a vampire?? teaching him stuff and witnessing the joy that brings???

[miscling]

I want to hurt you.

Yes, I love the noises toys make then they're hurt; the screams, the breathy yelps, the sharp intakes of breath are all fun in their own way.

But I want to hurt you.

You, specifically. Because you like it. Because you want it. Because you need it. You'll always give me more because you want the cuts and bruises. You need the pain and suffering.

Because you love me when I hurt you. You love me because I hurt you. You love me because I need to hurt others, and I'm not afraid to hurt you. I'm not afraid to break you. When you ask me to hurt you, I'm not afraid to give you what you want. I want it too. I want to hurt you. I need to hurt you...

Because I love you too. I love you so much that when you need to hurt, I will hurt you. When you're stuck in your head, I will fill it with pain and pleasure. When you're sad, I will make you feel good. When you want to play, I will find new and inventive ways to make you suffer. And I will enjoy every noise you make for me.

I want to hurt you because I love you.

[3hks]

How to Avoid "Talking to The Reader"

A lot of people will often tell you to avoid talking to the reader, but why? How? And what does it mean? "Talking to the reader" is a technique used by an author when they want to specifically address the reader directly. Depending on your writing level and style, there could be several drawbacks to using this, such as a sense of informality and sudden awkwardness. However, I'm not saying that you shouldn't talk to the reader, because how you write is ultimately up to you!

But if you're genuinely looking for some tips on how to avoid talking to the reader, then I absolutely got you! As both a frequent reader and writer, I have advice based on experience and knowledge! These simple tips can seriously elevate your writing (especially if you're pretty new), or at the very least, make you aware of certain things and offer new ideas!

Replacing the 'you' with...

A VERY common factor in talking to the reader is using the word 'you' to reach out to your reader (dialogue from characters don't count). Although you should avoid this when you're trying not to talk to the reader, there is something behind it. Majority of the time, we include this word in a story when asking a rhetorical question. This creates a certain effect that reaches out to the reader while making them think, which can't be exactly duplicated.

Okay, so how do we fix this? Well, my advice is to simply replace 'you' with the word 'one'! Let's go a bit into depth, shall we? When dealing with a rhetorical question, the first step is to rephrase and reform the inquiry into a statement that answers what you're asking. Remember that this is a rhetorical question, meaning that there IS technically a right answer that you're looking for! Next, remove the 'you' and slap the 'one' on top of it! The replace-you-with-one method also works when you're not including it in a question, but instead a statement! Let's look into some examples, shall we?

Prompt: A lot of people will often tell you to avoid talking to the reader, but why?

Let's examine this example that I took from the top of this post, shall we? While this sentence is indeed in the format of the question, I am not directly asking you to give me an answer and there isn't really just one right answer. So how do we fix this? Replace 'you' with 'one' and boom! Done!

Fixed: A lot of people will often tell one to avoid talking to the reader, but why?

Alright, how about a much more direct question?

Prompt: The king's way of ruling was incredibly biased and unfair, wouldn't you agree?

For this prompt, we can see that 'you' is in "wouldn't you agree?" so it's pretty clear that we are seeking for an answer from the reader. In this type of context, the answer is almost always "yes," so we will have to take the longer route of rewording the sentence.

Fixed: The king's way of ruling was incredibly biased and unfair, one might argue.

As you can see, the phrase "wouldn't you agree" got altered into "one might argue." Why did I choose this? Well for starters, the sentence is now a statement, not a question, and it does indirectly answer our questions of "wouldn't you agree?" because it distinctly demonstrates that they agree with the opinion that the king's rule was unjust. Now, why did I choose "might argue"? Our previous question may have been rhetorical, but not everyone is going to say "yes, the king was unfair," so adding "might" and "argue" helps include the fact that it is indeed, an opinion!

Now that we have gotten the 'you' part out of our system, let's talk about another thing that can really help you improve on your writing (while avoiding talking to the reader)!

Stop Using...

Stop starting the sentences with "he/she is or has" (including past forms) when describing someone. I can safely say with first-hand experience that repetitive use of the sentence starter can feel a bit unnatural and too straightforward. In other words, you can most definitely do better!

When writing one's attributes, instead of starting with "he is" or "she is," try starting out with a possessive form of the pronoun, such as "his" or "her"! After that, it'll work itself out; let's look at an example to clarify!

Prompt: She had long, luscious, brown hair that fell over her shoulders in waves.

Fixed: Her long, luscious, brown hair fell over her shoulder in waves.

Simple, right? There may seem to be hardly any change, but this can seriously improve your writing when used correctly! Of course, continuous use of "his," "her," or "their" will also sound repetitive, but it's a good place to start! As experience follows, you'll get the hang of creating more varied sentence styles! Let's look at an example!

Prompt: He was new to the school. He didn't know how to interact with those his age because he was homeschooled his whole life. He was nervous even when thinking about his classmates and didn't know how he was going to survive.

Does it sound choppy? Too direct? Let's fix that!

Fixed: He was new to the school. Having been homeschooled his whole life, he struggled to interact with those his age, and even thinking about his classmates made him anxious. He had no idea on how he was going to survive.

Look at the second sentence; that's the most major change. As I combined a few different parts of the other sentences and rearranged them, it should seem much smoother now!

Be creative with how to form your sentences--that's all there really is to it! Experience will be your biggest guide and best friend when it comes to this!

Did this help? Keep in mind that my advice won't work with every sentence because a lot of it mainly depends on context! Happy Easter Sunday!

Happy writing~

3hks :)

[raineandsky]

#120

When the villains caught wind of a new hero on the team, they’d all taken interest. When someone came back claiming he’s blind, it’d sparked a whole new debate.

Straightforward, they’d all said. He won’t even see us coming. They’d laughed at how easy it’d seemed.

The villain feels like they’ve stumbled on a pile of gold when they come across the hero. He’s running his hand along something on the fence in front of him, something that the villain will later realise is a braille description of the view ahead of him. A white cape drifts around his ankles, an equally white suit flattering against his typical heroic body, the lightest of smiles on his face as his fingers trace the patterns of dots along the railing.

The villain can’t help but grin as they slowly make their way towards the poor hero, so oblivious, so stupid. They’re barely a hair breadth away, their dagger practically unsheathing itself, when the hero spins towards them with a swish of his cape and a flick of a blade.

The villain barely reels back in time. Staying quiet doesn’t occur to them when they’re startled. The hero looks like he’s staring right through them, an arrogant smirk on his face.

“Ah,” he says brightly, “you’re one of those criminals I’m meant to be looking out for?”

The villain sidesteps, careful to keep their footing quiet, but it doesn’t matter. The hero’s head cocks towards them as they try to step out of his blade’s path.

“You’re almost silent,” the hero continues. A smirk adorns his face, intrigued. “Incredible.”

The villain is close enough to strike, the hero looking slightly too far beyond them to be right in his assumptions. The villain shifts in fast, their dagger poised. The hero dodges back and retaliates with a swing of his own.

The villain stumbles out of reach and the hero follows. The villain’s unprepared; they were expecting a hero who’s unsure who they’re looking for, where the villain is. They were expecting an easy plaything that they could stab when they got bored.

But this—the hero is nothing but brazen confidence.

The villain shoves their dagger up to meet his blade, throwing his arm out. They move in for another strike but the hero’s already recovered. His blade easily tucks under their arm and slices into their side.

Something of a strangled gasp escapes the villain before they can stop it. They stagger back, a hand touched timidly to the wound, their eyes flitting back up to the hero. He simply waits, his blade crimson and his eyes blank. How? How?

“Would you do me the honour of telling me who I’ve met?” he asks, as if this is nothing more than a casual meeting between friends of friends. The villain wants to snap him in half for the audacity.

“That’s none of your fuckin’ business.”

“Aha,” the hero says, almost a laugh, “You’re [Villain].”

The villain can only stare at him in horror. The hero seems to feel the tension in the silence, because he continues. “You’ve a bad mouth, favour in the blade, light on your feet.” A teasing smile. “And you’ve a smooth, caramel voice I haven’t heard in many like you.”

“Wh— Excuse me— You—” 

The hero just smirks, the stupid smirk of someone who knows he’s untouchable in every sense of the word. “Flustered by compliments, too,” the hero finishes with a laugh. “Good to remember for next time.”

“I’m not flustered!” the villain finally manages, “and my voice isn’t caramel. That isn’t a thing. You sound stupid.”

“I’m happy to be stupid if it means I can recognise you as the villain who speaks in caramel.”

The villain’s side is beginning to really ache. They need to be somewhere that’s not here when it inevitably gets worse. “Do what you want. I’m going home.”

“May I escort you to a prison cell?”

The villain barks a laugh, their side practically splitting with the forced fakeness of it. “As if you know where the agency is from here.”

“I always know where I am, [Villain].” A smile again, softer this time. Knowing. “You underestimate me for a characteristic I think makes me as interesting to you as you are to me.”

The burn in the villain’s skin is an ode to that. “Sure.” The villain turns on their heel before a thought occurs to them. “I’m going to walk away, loudly. Do me a favour and don’t fucking shank me when I do.”

The hero’s face twists back into a smirk. “As long as I hear you moving away. Until next time, [Villain].”

A blind hero! everyone had cried. It’s almost too easy!

The villain scurries away with a gash to the side and a slam to their ego, and they know now to know better than that.

[dreamyvanillalatte]

Every time I post anything on this hellsite