#point / idea ...

[wishfulsketching]

Girl dad Silco is a source of endless entertainment for me

Extra doodles:

Someone save Sevika, she is in hell

[batbabydamian]

i’m still here

Nightwing (2016) #121

[sylusbitch]

my favorite hc is that penelope was told by the ladies in waiting to go and stay in her room and not to come out for anyone

and she hears screams and whatnot and is like oh fuck now theyve done it, the suitors are gonna destroy the place

only to hear the screams lessen in volume and being like ? are they killing each other?

but then she hears a scream clear as day "THIS WILL BE YOUR FATE" and she's like🧍‍♀️no fuckin shot my husband is down there on a murder spree

and she immediately starts pacing back and forth like "LADIES HELP ME PREPARE I NEED TO LOOK DIVINE" and it's a full makeover sequence

and they're posing her and being like "hold on, tilt your chin up a little bit, turn to the side like 12 degrees- BOOM my lady you are serving such cunt"

and then they hear odysseus' loud ass steps going up the stairs and all the ladies scatter while penelope tries to look nonchalant like "AHEM....😳 is it you? have my prayers been answered?"

[bllmak]

[lgbtlunaverse]

To me the most fun part about fix-its is placing dominoes.

Tragedies often consist of escalating series of actions and circumstances which, in isolation, were not clearly leading to the tragic end but form a chain of cause-and-effect directly towards it in hindsight. In equal but opposite fashion, I love starting with small inoccuous changes to canon that in themselves do not obviously fix everything but start a new chain that leads to a better ending.

It's kind of impossible for fix-its to feel fully natural– the reader by definition knows what the original ending was and that this ending will be happier because the writer wants it to be– but it is possible for them to not feel contrived. A big deus-ex-machina, or a character breaking with their pre-established tragic flaws to suddenly make all the "correct" decisions almost always feels unsatisfying to me.

But a few carefully placed small domino pieces slowly knocking over bigger and bigger tiles until the entire story has radically changed? That's a lot more fun.

It recquires the author to both correctly identify the original chain of cause-and-effect and understand the characters well enough to know how they'd react to different circumstances. Because if the story feels like it's fixing the wrong problem or the characters don't act like themselves the magic is lost. But when it works? When it clicks and the reader sees the domino chain laid out in front of them? It's beautiful.

[kcd2]

expectation vs. reality

[isjasz]

♟️❄️🏜️ Secret santa for @calocreek <3!!

[ahoyimlosingmymind]

need more fics where Jason is told by one of the batfam that they're "Happy he's alive" and he either stares blankly at them or his eyes well with tears he can't control and before he can stop himself he's like "What?" and it sounds like a whisper, like he's positive he misheard. and the family member repeats themselves, feeling suddenly like they've stepped onto a landmine. and then-

"no one's said that to me. since i've been back." and Jason doesn't mean to say it, but he hadn't really realized it himself until that moment and it feels like his chest is cracking open where he stands, and his eyelashes feel clumpy, and his throat has a stone pushing up against his vocal chords.

Some subconscious part of him has always felt it-- has been aware he's never been told directly that anyone is happy he's alive and back... but now it's out there in the world, and he realizes he's been waiting on it for years. He's been waiting to be told that someone is happy he's alive. He wonders, briefly, if those words might have fixed everything in the early days. If he had just felt like Bruce wanted him back, if he had just felt that Bruce didn't see him as some cosmic mistake wearing the face of his dead son... would it have changed anything? He doesn't know. doesn't know if he wants to know.

because it didn't happen. the words were never said.

until now.

"no one?" the family member asks in dawning horror.

and the silence that follows is deafening.

[technically-human]

You've got so much to learn

[fairsweetlonging]

truth serum / system reveal au where shen qingqiu gets hit with an uncloaking spell that reveals the system in the reflection of his eyes every time it pops up.

during one of his missions, in the treasure hoard of some dragon-like creature, he finds a golden, oval shaped hand mirror, its gaudy style more victorian based than anything (airplane you hack!), that doesn't seem to do anything when he looks into it. but when he does, it reveals the system's screen in his eyes.

he doesn't notice this, of course, because he can't see it, and the system, surprisingly, stays quiet.

the peak lords think he's cursed.

maybe mu qingfang is the first to notice, during the mandatory post mission check-up, when shen qingqiu is scrolling through his most recently accumulated points and mu qingfang can see the strange vividly-blue lines reflected in his pupils. it's gone when shen qingqiu blinks, like it was nothing but a trick of the light.

it comes out when yue qingyuan is visiting and, just as he's done laying out the plans for a new mission, shen qingqiu's eyes glaze over and a bright blue box takes over the whole of his iris. shen qingqiu goes quiet; the thing in his eyes moves, shifts, pulses for a second, like static worms crawling all over his pupils. then he blinks, and it's gone, and shen qingqiu accepts the mission that yue qingyuan was almost sure he would decline.

maybe there is an intervention, when the peak lords corner shen qingqiu at qian cao peak and try to figure out what's wrong, subjecting him to all kinds of treatments and curse-finding spells that turn up empty, they can't find anything.

of course, the silencing threat is still very much up and running. at first shen qingqiu was kind of confused by the whole ordeal, but when the peak lords start describing a "strange blue box", he realizes, with sickening suddenty, that they're describing the system. and he can't say anything.

this only makes everything worse, because their fellow peak lord now keeps evading every question and acts like he doesn't understand. liu qingge points right at his face and asks, "that blue box, what is it?" and shen qingqiu laughs nervously and starts talking about how bright the weather is and surely it's the sky and nothing to worry about!

even worse, during the intervention the system thought it was a good idea to start talking to him, so now even the peak lords who hadn't seen it and who might have been persuaded by light tricks and reflections, get a first row view that no, that definitely isn't a trick of the light.

they try to do the whole thing of "are you in danger, blink twice" but shen qingqiu can't even do that because it's still a direct admittance!

maybe eventually he starts saying vague confirmations that don't actually confirm anything, like "this master hears what you're saying", or maybe he goes with a classic "this master can neither confirm nor deny that." but the system starts warning him for that too and eventually he stops saying anything, which worries the others more.

luckily mu qingfang catches on that every time they ask a direct question about the box or shen qingqiu says anything vaguely confirming, it appears. it doesn't appear when they ask about curses or demons, so it must not see that as a threat.

for a little extra angst: maybe the peak lords keep pressuring him for answers, and at some point shen qingqiu gets fed up and snaps out something like, "why don't you understand that i'm not allowed to answer that!" the system counts this as a direct admittance, threatening it's existence. so it punishes. shen qingqiu has a qi deviation so bad it lasts two weeks and takes two people every day to cleanse his meridians. the system doesn't appear in that time. it doesn't appear for a long while after that, either. the peak lords stop asking, mainly because shen qingqiu will instantly leave the room if they do. they don't stop searching for a cure, though.

shang qinghua returns from a business trip and catches on the second someone mentions a blue box and forced silencing.

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[frownyalfred]

Bruce cross-trained all of the Batfamily in weapons handling to an annoying degree which means you can keep handing them increasingly obscure swords and staff etc and they'll twirl it around, mutter "Oh, the BallCrusher 3000, I haven't seen one of these in a while" and then proceed to demonstrate overhand, underhand, and single-hand techniques from memory with flawless form.

[userarmand]

Armand recreating Amadeo in the penthouse

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[smokestarrules]

gotta say I am a huge sucker for how Adventure Time will sometimes just cut to Princess Bubblegum doing something extremely morally dubious like cutting off a tiny person’s limbs with scissors and then sticking those arms and legs onto another tiny person’s limb stumps but then she'll turn around and go like "Good morning, Finn! Are you ready for a sploinking day?" and whatever atrocities she had just been committing will Never be brought up again.