#possibly because of the contrast with other people?

[seresinhangmanjake]

The One I Want: Part 16

Jake Seresin x plus size!reader

Summary: You're new in town and some guy named Jake is about to be your roommate. Being skeptical of new people keeps you lonely and uninterested in any entanglements, but Jake is desperate to change that.

Warnings: a little smut

Words: 1500

The One I Want Masterlist / Main Masterlist / Tag List

“I can’t tell you much,” Jake had told you, but you knew that. “We’re not a hundred percent in the clear, but it’s looking like four weeks, maybe five.”

“Beats fifteen,” you’d said, hearing a rewarding chuckle in return. 

You were thankful no one could witness the mess you were at that moment, your face-splitting grin heavily contrasting the puffiness of your eyes from tears. But that was just the beginning of weeks of inner turmoil. 

For forty-eight days, your stomach has swirled a storm that’s consistently had you on the edge of nausea, whether from anxiety regarding his safety or butterflies at the thought of Jake returning. You miss him, more than you thought yourself willing to, and regardless of what he told you, nothing guarantees he will walk through the door of your apartment. And if he doesn’t, you know exactly what will happen to you. You’ll crumble into unsalvageable pieces, and no one—not Millie, not Rooster, not anyone who has been kind to you over the last months—will be able to put you back together. 

And then what? Your only choice will be to leave. Start anew. Twelfth new place. Except this time, you’ll be more numb, less human, less operable on a daily basis. It’ll be like waking from a dream to a gray environment. You fear nature will lose its color, and you will lose your light once again.

—

It’s another week before your phone rings with a name other than Millie’s plastered across the screen. Unknown Number, but the first three digits are recognizable, matching those of the number Jake has been using to call you with. What you hear on the other end of the line, however, is not Jake, but instead, a gruff voice asking you to confirm your identity. 

“Yes,” you answer. “That’s me.”

The man clears his throat. “You are the emergency contact for Lieutenant Jake Seresin. We’d like you to come down to our medical facility as soon as possible,” he says before providing you directions.

You drop your phone, and then you’re running. Running to his truck, running from his truck to base, running through halls until you find someone willing to lead you to him. You’re so terrified, your arms jittery, legs barely functioning from the panic of Jake’s pending fate, so overwhelmed by nerves that when you finally do see him, it pisses you off. 

That man with the voice that imbued you with dread is on your shit list for life. Maybe next time, he could lead an emergency contact call with He’s fine or Don’t worry, because his implication was severe enough that you feared lost limbs or damaged brain functioning. But there Jake is, not in a coma or with some life-threatening injury, but sitting on the edge of a bed in a room with his back to you as a nurse seals a strip of medical tape across a small patch of shaved hair on the side of his head.  

When she’s done with her work, she smiles at Jake and nods at something he says before walking out of the room. She jumps at the unexpected figure lingering just outside the door, and then realization dawns. 

“Oh, you must be the girlfriend,” she says. “You’re welcome to go on in.”

So you do, cautiously easing into the room, hoping that when he turns, his face won’t be covered in slashes and bruises—a sight you’re not sure you can handle with strength and maturity. You’d love him all the same, but to see him in such pain would take you to your knees. But again, he’s fine. Beautiful as ever. Not a mark on him that you can see save for the one on the mend. 

Jake’s face brightens at the sight of you; he practically glows, and you’re shocked to discover yourself not running into his arms. You’re frozen for a moment as you take him in. It’s a quick moment—a brief second to recover—but then you’re stepping to him, your eyes watering, your bottom lip quivering, your fingers reaching up to brush over the stark white tape. You’re careful with your feathery touch, relieved to see that his injury is not so sensitive as to make him wince.

Jake’s arms wrap around your waist. His eyes do not break from your face. He’s patient as you scan him once more for visible injuries, verifying for your own sake.

“It’s just the one,” he tells you, his voice soft and only a few notes above a whisper. Your eyes snap to his. He lifts his hand to cup your cheek, thumb stroking your cheekbone. “Come here, beautiful.”

You melt when his lips gently touch yours, but the kiss doesn’t last long as innocent. There’s bites and sucking and giving and taking, and it’s perfect in its semi-sloppy neediness. Voices passing by the door is what breaks the two of you apart. Jake lightly groans before he chuckles and rests his forehead against yours. 

“I missed you,” he says. He places another quick peck on your lips. “I want to take you home.”

“Then take me home.”

—

“J-Jake!”

You feel his mouth curve against your core before he licks another stripe right through you, tongue like a heated blade slicing you in two halves, spreading you open and baring you inside and out. You’re completely gone—lost in the sole way you’re willing to be lost—as Jake tethers you to this earth. He’s the only one you trust to ground you while simultaneously letting your head float amongst the clouds. 

His arms curl around the thickness of your thighs, locking onto you and keeping your hips steady atop the mattress as he devours and tastes and sucks and licks some more.  

“Come on, beautiful,” he mumbles into your folds, just loud enough for you to hear through the rush of blood in your ears. “Let me have it.”

As if you could hold it back. 

Your whole body jerks and writhes as you sink into pleasure, back arching, head digging into the pillow. Jake reaches a hand up to intertwine your fingers and you squeeze them tightly while he continues to kiss folds and brush his nose against the overstimulated bud.

“There we go,” he coos until your body calms.

Jake crawls onto the bed, lips and tongue traveling up the soft flesh of your stomach, between the valley of your breasts, into the dip in your throat before he kisses you, demanding you taste everything you just gave him. 

Jake introduced you to your taste during those weeks before his deployment. His head lived between your legs. He showed you how to perch perfectly on his face, encouraging you through your concerns of suffocating him. He begged you to relax when he backed you up against the wall, slipped your pants off, knelt, and tossed your leg over his shoulder as he dove in. And after each success of making you crumble to pieces, he sealed his lips to yours and pushed his tongue into your mouth. 

You know your taste as well as you know his, and on the occasions he spills down your throat before he returns the favor, you get the satisfaction of the combination on your tongue—a mixture more intoxicating than an alcoholic binge. 

“I’m never going to want anything like I want you,” he says after he slips inside of you, the intensity of the love in his eyes penetrating your soul.

“Then it's good that I’m yours,” you whisper back.

Thrusts that were paced and steady and gentle falter. With your words comes a sharp rut of his hips—unexpected to you both—that hits hard, deep. Jake chokes on the air in his lungs, his eyes snapping shut as you cry out. 

“Fuck” hisses through the grit of his teeth. Then he finds his pace again. 

His head falls to your neck. Nibbles make you gasp, and the image of examining claiming bruises in the mirror first thing come morning causes your walls to clench around the veiny column moving in and out of you. Your fingers fist into his hair. Nails dig into the toned muscle of his ass. 

“I do love you, Jake,” you say. 

He stops completely, but you don’t question it. The fingers in his hair loosen and you lightly scrape your nails along his scalp, down to the base of his neck, then back up into blond locks. Turning your head, you stamp a tender kiss onto his temple. 

Jake doesn’t say a thing. He doesn’t look at you. His thick breaths burn the delicate skin just under your ear. When he begins to move, he’s slow, taking his time before he picks up, working to nudge that special spot inside of you that tightens a white-hot coil in your belly. 

“I love you so much, beautiful,” he whispers.

[storiesfromafan]

Rumours - Buck x Reader

A/N: okay, this is my first attempt at good old Gale 'Buck' Cleven, so please be nice 😅 And I am sorry in advance if its not that good haha.

Warnings: angst, possible grammer and spelling mistakes

Prompt: “You think I wanted this to happen? You think I, of all people, wanted to fall in love with you”

Tag list: @strayrockette

When you signed up to be a nurse during the war, you had been scared of what you would see. And see you did. Many times you questioned why you did it. But meeting both Buck and Bucky, you understood why. They were funny and sweet guys. Buck the more level headed one, while Bucky was a wild card. You never know what he would do. You did what you did for them, and men like them. They needed someone that was like home while doing what they did and through this war.

They took you into their circle. Making it hard to say no to their company, which you were grateful for after a long day after being on stand by, as those injured came in for treatment. The hurt and broken men you saw, it was heartbreaking and soul crushing. Yet you did your job. Helping Doctors and tending to those in recovery.

Over time you found yourself having a silly crush on Major Cleven. And when it turned to something more – love – you thought yourself foolish. He had a sweetheart back home, waiting for him patiently. So you put those feelings away, in a box which you locked and hid the key.

Unfortunately, a few of the other nurses, ones who you think fancied Bucky more than Buck, had it out for you. For rumours started to make the rounds about you and your affections. The way eyes would watch you as you entered a room. Silence falling between those that had clearly been conversing before your arrival. And then when you heard what they were saying, it hurt. It hurt because these people, whom you thought highly of, had tarnished your reputation.

“She's trying to steal another woman’s man, how shameless".

“I heard she's thrown herself at Major Cleven and Major Egan. It's why she's always with them".

“I always thought she had no morals. She’s always too friendly with the Doctors".

That was just some of the stuff you'd heard. So you took to distancing yourself from everyone. Only being present during your shifts, meetings or at meals. Otherwise you were in your quarters, walking around the base or going into town. It was lonely being separate from everyone. But you didn’t want to stir any new gossip.

Currently you were taking a walk around the base, enjoying the nice weather. You had been over worked the last few days, having a moment like this was just what you needed. In the distance you could hear the air crafts being worked on. But other then that, it was quiet. A contrast to back home and where you lived.

If only your peace was to last. Coming up behind you, as you were looking off into the vast open area and the blue sky, was Buck. He looked worried as he studied you. It felt like forever since he had spoken to you. He was concerned about you and how you were taking the rumours going around base. Ones which he and Bucky had been working to clear up.

You heard the rustle of grass from moving feet. But you remained where you were, waiting to know who it was. You had a fifty-fifty chance on knowing who it was, though you hoped it was Bucky.

“Hey" came Buck's soft voice. And squashing your hopes on Major Egan.

“Hi" you replied, still not turning around.

There was a moment of silence between you both. You hoping he wasn’t here to talk about what people were saying. While Buck was trying to think of how to say what he was thinking. He wanted you to know he didn't believe what was being said, that he knew you were a nice and good woman who didn't deserve this slander.

“Look, about what I've heard” Buck began, making you stiffen. “I don't believe what anyone has been saying, you know that right? You're not that kind of woman".

You nodded your head slowly. “W-what have you heard?” You asked, not entirely wanting to hear his answer.

Placing his hands on his hips, Buck looked down, unsure if he should answer your question. “Let's just say what I heard, I didn't like. And both myself and Bucky have been doing our best to shut it all down".

That was when you turned around, a sad but thankful smile on your face. Seeing your face and how worn out you look, it pulled at Buck's heartstrings. He could see you were tired, but that was due to the busy last few days. But also he could see the toll how this whole rumour thing was taking on you. When you distanced yourself, it broke his and Bucky's hearts.

They had come to enjoy your company, and your spirit. The three of you always finding something to talk about or laugh at, though it was usually at Bucky's antics. He never understood how women could be so catty. But in some cases, men are just as bad.

“Everything will be alright" Buck said, looking you in the eye. “Give it a few days and it should start to go back to how it was...”

You frowned. “I'm afraid the damage is done Buck. Even if people aren't saying it, they'll be thinking it. I'll be surprised if I don't get pulled in for a meeting over it...”

“Bucky and I will stand up for you".

“That might not be a good idea. It may only make it worse" your voice weary, eyes falling to the ground.

“But none of its true, right?” He questioned, hoping he sounded worried and not accusing.

You should have said no right away, though it might have given him the wrong idea. But the prolonged silence didn't help either. You avoided his eyes as Buck tried to meet them. You turned away from him and wrapped your arms around yourself.

“(Y/N), none of its true...?” Buck repeated himself, now with worry.

You sighed. “No...except for one thing...”

Buck moved closer to you. “What is true? You have to tell me so I, Bucky and I can help".

Thinking he was going to place a hand on your shoulder, you flinched, taking a few steps back. “I-it's embarrassing...and childish...”

Buck remained silent, urging you with his eyes to go on.

You sighed. “I-it's my feelings...for you" you ended on a whisper.

But Buck still heard it. He had heard how some women had gossiped about you being in love with him. And he had found it ridiculous. You were friends, that was it. So he had thought. But now, from your admission, those women had been right. Which didn't help the unease he was feeling over it all. He felt angry that they had spread your true feelings. Feelings you had kept to yourself, never acting on. Unlike some women he had seen. They were more shameless then you.

“I see...” he stated, voice calm and gentle.

“Yes...now you know how silly I am" you started, feeling tears rise in your eyes. “How silly I am to be in love with you. When I know I shouldn't".

“It's alright" Buck said reassuringly. “It happens...”

Those words hurt, like a slap to the face. Like he was trying to play it off, or sweep it under a rug. Like it didn't matter. Well it didn't, but some kind of assurance would have been nice. But in stead, Buck was keeping you at arms length over it. And it sparked different emotions in you; anger, frustration, hurt and sadness.

“You think I wanted this to happen? You think I, of all people, wanted to fall in love with you” you said with a strained voice. Tears in your eyes, which you were managing to hold back for now.

The look on Buck's face was like pity, how his eyes looked guilty and in despair. “(Y/N)...” his voice soft and weary.

“No Buck, don't" you held up a hand. “I don’t, can't hear it". A tear escaped and ran down your cheek. “I don't want to hear your kind words, as you let me down...I know you have Marge. And I shouldn't have let myself get carried away with being around you and Bucky. But you were both nice to me, the company that I needed. Yet I let my feelings get away from me...”

You dropped your hand, your shoulders slouching slightly as you looked down. Unable to face the gorgeous Major who'd stolen your heart. From the dashing smile, to his warm heart dancing with Meatball, and everything in between. Major Gale Cleven was the man of your dreams, but he belonged to another. A woman that Buck spoke fondly of on the nights when you had to bunker down as bombs went off near by. A woman that made you feel less than in just about every way, except being a nurse during the war.

“Marge is a lucky woman...” you stated with a small laugh. “You're lucky to have a woman like her waiting for you back home...no doubt you'll both be happy" you voice dropping at the end.

It was silent after that. You having said your piece, something that shouldn’t have been aired out, if it wasn’t for the other nurses. Buck was quiet because he was processing your words. Which struck a cord in him. And dare he say that he felt for you. Over this time together, bonded in the worst way, he had grown closer to you. He sort out your company and spirit, especially after returning from a mission that was tough. He revelled in your sunshine. Seeing you like this hurt his heart.

Neither knew what to say after all that. Buck had opened his mouth and closed it a few times. Hoping when he would go to speak the words would come to him, but there was nothing. He should have agreed with you, and said he appreciated your affections. But he couldn't. Because a small part of him liked this, and wanted it from you. And even a part of him at one point had entertained the idea of you.

But he let it be just that, a thought. He had a girl back home waiting, a sweet thing who wrote him letters and cared. Could he really lose that? Or juggle both? No, he wasn't that kind of guy. Yet Buck had feelings for you, that weren't entirely friendly.

“F-forget this ever happened Buck...” you said softly, so softly that Buck wondered if you spoke at all.

And with that, you took your leave. Heading back to your room. Back to solitude and your thoughts. It wasn't great, but its all you had till either people stopped being asses. Or the war was over. Which ever happened first.

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[fantaatix]

a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

[splashstar01]

MBTIs of BBC's Merlin & Arthur Pendragon

Arthur Pendragon (ISTJ)

Introverted (I): Now I know many people see him as an extrovert. I argue he plays extroverted out of necessity. Although Arthur is often in the spotlight due to his royal position, he tends to process emotions and decisions internally. He’s reserved about personal feelings, often keeping a stoic exterior, particularly in moments of vulnerability. His introversion explains why in season 4 finale (the show only has 5 seasons), he told Merlin that Merlin was still his only friend, despite the fact that all the Knights of the Round had already been established! He clearly differentiates knights who would willingly give their lives from real friends. Arthur is so private that he doesn't even tell his wife things. In season 5, she casually said, "Arthur never tells me anything." Arthur only really lets Merlin in. (Because he loves Merlin, duh. lol)

Sensing (S): Arthur is pragmatic and focused on the present. He has a strong sense of duty and tradition, often valuing tangible results and sticking to established systems, like the chivalric code and the duties of being a king.

Thinking (T): He makes decisions based on logic and duty rather than emotions. Arthur strives to do what is right for Camelot and tends to focus on rationality when dealing with political and military matters, even if it means setting aside personal attachments.

Judging (J): Arthur values structure and order. He is disciplined, prefers routines, and is committed to fulfilling his responsibilities as a king. He can be strict, both with himself and others, expecting everyone to uphold the same level of duty.

Merlin (ENFP)

Extraverted (E): I have heard some parts of fandom say Merlin is introverted.... But Merlin has to be the friendliest, most outgoing and open character on the show! Merlin effortlessly connects with others. He’s warm, often initiating interactions with various people across all social classes, and enjoys forming deep bonds with those around him. Basically, the complete opposite of Arthur. Arthur's top knights, Lancelot and Gwaine, became knights for Merlin, because of their friendship with him! Merlin at his best is a happy, bubbly dude!

Intuitive (N): Merlin looks beyond the surface and sees potential and possibilities. He is often focused on his vision for the future, specifically the destiny he believes Arthur must fulfill, and tends to think about the broader implications of events.

Feeling (F): Merlin makes decisions based on his emotions and values. He is compassionate and deeply cares about the people he loves, even risking his life to protect them. His empathy drives many of his actions, as he is guided by his heart rather than just logic.

Perceiving (P): Merlin is adaptable and flexible. He thrives in chaotic situations, often relying on his quick thinking to solve problems on the fly. Unlike Arthur, Merlin isn't tied to structure and routine, preferring to go with the flow and adjust his plans as circumstances change.

Even being complete opposites (they don't have a single common letter in their MBTI), Arthur and Merlin's personalities complement each other in a way that makes their relationship dynamic, powerful, and balanced. Despite their differences, these contrasts are what strengthen their bond, making them effective as partners and allowing them to grow as individuals.

How their MBTIs shaped their love story:

1. Arthur (ISTJ) – Duty vs. Love

Arthur’s ISTJ personality makes him deeply rooted in duty and tradition, which often conflicts with his personal feelings. As a king-in-waiting, he’s bound by the rules and expectations of Camelot. This sense of responsibility prevents him from openly expressing his affection for Merlin, a commoner and servant.

Suppressed feelings: Arthur’s introversion and thinking function push him to hide his emotions, especially his care and affection for Merlin. His loyalty to his role as prince often conflicts with his deeper, unspoken feelings for Merlin. Arthur’s rational side forces him to focus on the kingdom, keeping his emotions hidden beneath his duty to the crown.

Traditional values: As an ISTJ, Arthur’s sense of tradition keeps him from crossing the boundaries of class and status. His love for Merlin, if fully acknowledged, would defy these societal norms, and his reluctance to embrace that love fully reflects his fear of breaking those structures.

2. Merlin (ENFP) – Love as a Driving Force

Merlin’s ENFP personality is more openly emotional and driven by personal values. His feeling and perceiving traits allow him to express affection, even though it’s subtle and often masked in humor or banter. Merlin constantly shows his love and devotion to Arthur by risking his life to protect him and ensuring Arthur’s destiny as king.

Boundless loyalty: Merlin’s deep emotional attachment to Arthur is clear, as he constantly sacrifices his own desires, hiding his magic and risking his safety to ensure Arthur’s survival. His ENFP idealism drives his belief in Arthur as the Once and Future King, and this belief is tied deeply to Merlin’s personal love for him. The idealism of an ENFP is evident in how Merlin sees the bigger picture of Arthur’s destiny but is also fueled by his personal love and emotional bond.

Unconditional care: While Arthur struggles to show emotions, Merlin’s extraverted nature makes it easier for him to express affection through acts of service. He remains unwavering in his commitment to Arthur, which highlights the ENFP’s ability to love deeply and unconditionally, even when the other person may not fully reciprocate outwardly.

3. Their Banter – The ENFP vs. ISTJ Communication Style

The teasing and banter between Arthur and Merlin highlight their different communication styles. Merlin’s ENFP warmth and humor frequently bring out Arthur’s softer, more human side. Arthur’s ISTJ personality makes him reluctant to openly express affection, so their teasing and sarcastic exchanges become a way to communicate affection indirectly. The playful insults act as a cover for their deeper bond.

Arthur’s respect for Merlin grows over time, despite his reserved demeanor, and Merlin’s ability to challenge him emotionally helps Arthur soften. Their banter is more than comedic relief; it shows how they communicate their care for one another in a way that feels safe and acceptable.

4. Trust and Emotional Vulnerability

Arthur (ISTJ) is slow to trust others with his vulnerabilities, given his reliance on structure and duty. But over the course of the series, he opens up to Merlin more than anyone else, showing a side of himself that he hides from everyone, including his wife and family members (like Morgana and Uther). Merlin’s warmth and loyalty gradually create a space where Arthur can be emotionally vulnerable.

Merlin (ENFP), in contrast, is more expressive and emotionally open from the beginning. His challenge lies in getting Arthur to see past his role as a servant and accept him as an equal in friendship—and potentially in love. Merlin consistently puts Arthur first, and Arthur, in return, eventually trusts Merlin above all others, including knights and advisors.

5. Protectiveness and Sacrifice

Arthur’s ISTJ sense of duty makes him protective of those he cares about, even if he doesn’t vocalize it. His actions speak louder than words, as he consistently risks his life for Merlin. This protectiveness is a manifestation of his deep, unspoken love for Merlin. However, Arthur often couches these actions in the context of duty—saying he would do the same for anyone in Camelot—when, in reality, Merlin holds a special place in his heart. He was about to abort a mission, causing hundreds of deaths, all for Merlin. Also, in one scene, as they were fleeing from a monster, Merlin fell and Arthur went back for him, a mere "idiot" servant. In that same scene, a knight fell (knights are the bread & butter of Camelot), but Arthur just kept running with Merlin....

Merlin (ENFP), with his focus on emotions and the bigger picture, sacrifices everything for Arthur. His feeling-based decisions make his love for Arthur a central motivation for everything he does, even if it means hiding his magic and true self. This constant self-sacrifice for Arthur’s sake is a key expression of Merlin’s love, a classic ENFP trait—giving up his own needs for those of someone he cares deeply about.

6. Destiny and Fate – The ENFP Belief in Idealism

Merlin’s ENFP idealism sees Arthur as not just a king but the Once and Future King, destined to unite Albion. This belief in Arthur's potential drives Merlin’s unwavering devotion, and his love for Arthur is inseparable from his belief in their shared destiny. Merlin’s visions of a better future are rooted in his love for Arthur, and it’s his idealism that keeps him fighting for that future.

Arthur (ISTJ), being more grounded, is less concerned with abstract concepts like destiny and fate at first, but over time, Merlin’s unwavering belief in him helps Arthur grow into the king Merlin always knew he could be. Arthur begins to rely on Merlin’s intuition and instincts more and more, eventually embracing the destiny Merlin foresaw for him. Though Arthur may not openly express it, he comes to understand that Merlin’s faith in him is born out of deep love.

7. The Final Goodbye – An Emotional Climax

The emotional 'I love you': In the final episode, Arthur’s ISTJ stoicism breaks as he finally acknowledges the depth of his bond with Merlin. When Merlin reveals his magic, Arthur is hurt and betrayed at first (typical ISTJ reaction to broken trust), but eventually, he softens, realizing that Merlin has been protecting him all along. In his final moments, Arthur shows his vulnerability, thanking Merlin for everything—a rare moment of emotional openness for him. He simultaneously mouths 'I love you.'

Throughout the series, Arthur’s ISTJ sense of responsibility made it difficult for him to prioritize his personal feelings over his role as king. But as he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. For Arthur to mouth 'I love you", even silently, is monumental. It’s a complete surrender of the emotional guard he’s maintained, signifying not just love but trust, vulnerability, and a breaking of the social norms and responsibilities that have constrained him. The fact that he chooses to say it at the very end shows that he always cared deeply for Merlin, but only now, when there’s nothing left to hold him back, can he express it.

Arthur, having always struggled to communicate his feelings, finally mouths the words "I love you" when it’s too late to make a difference. This is reflective of his ISTJ personality—he needed to be pushed to the very brink of death before he could allow himself to be emotionally vulnerable and express his love. The timing makes this moment all the more tragic because Arthur had to die before truly opening up.

The almost-kiss: Arthur’s instinct to pull Merlin in for a kiss reflects the ISTJ desire to do things physically, practically, and decisively, even in the most emotional moments. It also shows how Arthur, who had been in control of so much of his life, wanted to take control of this final expression of love. Yet, his inability to complete the kiss mirrors his inability to fully express his love for Merlin throughout their time together—blocked by the weight of his responsibilities as king.

For Arthur, to attempt to kiss Merlin in his final moments is a gesture of complete vulnerability. An ISTJ like Arthur rarely breaks emotional barriers, but in this moment, he lets go of everything—the crown, his duties, his stoic exterior—and reaches for the person who has always been there for him. It’s the ultimate sacrifice of his own emotional walls.

Arthur’s attempt to kiss Merlin shows that he is finally willing to defy the traditions and expectations that have held him back for so long. As a prince and then a king, he was expected to follow societal norms, but in his final moments, he’s free of those chains and can express his love for Merlin without fear of judgment or duty holding him back. The kiss is the ultimate acknowledgment of the love he had hidden behind his royal duties.

Throughout the series, Arthur has hidden his true feelings for Merlin behind duty, status, and responsibility. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. As he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. Arthur, true to his ISTJ nature, often preferred action over verbal declarations of emotion. By attempting to physically pull Merlin in for a kiss, Arthur shows that his love for Merlin transcends words—it's something he feels deeply and wants to express through connection, even when he doesn't have the words to say it outright.

Merlin's internal turmoil: As an ENFP, Merlin had always worn his heart on his sleeve, even when his love for Arthur was expressed through loyalty, service, and protection. The fact that Arthur finally mouths "I love you" just as he's dying would shatter Merlin’s heart, as it represents the culmination of everything Merlin had been hoping for but never dared to fully expect. Merlin, the dreamer and idealist, had believed in Arthur’s greatness, and now, in this moment, Arthur’s love is revealed, only for it to be taken away immediately in the "bury (or kill) your gays" trope.

For Merlin, the attempted kiss is heartbreaking because it represents the closeness and intimacy they could have had if circumstances were different, as Merlin said, "I always thought if things had been different, we'd've been good friends." ENFPs, with their emotional expressiveness, seek connection and intimacy in their relationships, and Arthur’s attempt to kiss him in his final moments is a bittersweet acknowledgment of the love that Merlin had always known was there, but could never be fully realized. The fact that they were so close to expressing that love makes the loss all the more devastating for Merlin.

A Tragic Love Story Cut Short

The final scene where Arthur mouths "I love you" and attempts to kiss Merlin before dying is the ultimate expression of their hidden, unspoken love. Arthur’s ISTJ personality, which had kept his emotions guarded for so long, finally breaks, allowing him to express his true feelings. Meanwhile, Merlin’s ENFP nature, always driven by emotion and idealism, is left devastated by the cruel timing of this revelation.

Their MBTI types add layers to this tragic love story. Arthur’s love, expressed at the very end, shows how hard it was for him to balance duty and emotion, while Merlin’s eternal grief reflects the ENFP’s idealistic belief in love, crushed by the harsh reality that they were too late. Their love was always there, simmering beneath the surface, but in the end, fate allowed only a fleeting moment of acknowledgment before tearing them apart.

After Credits/The Once & Future King:

1. Merlin’s ENFP Hope and Eternal Longing

Driven by Idealism: Merlin’s ENFP personality is defined by hope and idealism, traits that keep him believing in Arthur’s eventual return. Even though Arthur died, Merlin’s unwavering belief in the prophecy—that Arthur will rise again—fuels his determination to keep waiting. For Merlin, his love for Arthur and his faith in the prophecy are intertwined, so he continues to hold onto the belief that their story isn’t over.

Endless Loyalty: ENFPs are known for their loyalty to people they care deeply about, and Merlin’s waiting for over 1,500 years is the ultimate expression of that loyalty. He never moves on, because his heart and soul remain connected to Arthur, and he believes that their bond transcends death and time itself.

Living in Grief and Hope: As a feeler, Merlin experiences the full emotional weight of Arthur’s loss, but his belief in Arthur’s return sustains him. The fact that he has to wait so long makes his grief even more intense, but the hope that Arthur will rise again keeps him going, even after centuries of loneliness. His ENFP nature ensures that his love for Arthur never fades, and he continues to hold onto the possibility of their reunion.

2. Arthur’s ISTJ Rest and Duty to Return

Waiting for the Right Moment: Arthur’s ISTJ personality means that, even in death, he is waiting until the precise moment when he is needed most. His sense of duty to Camelot and to Merlin persists, even after death, as he waits for the time when his kingdom—or Merlin—truly requires him. The prophecy reflects Arthur’s ISTJ nature, as he will return to fulfill his duty, not a moment too soon or too late.

Faith in Merlin: Even in the afterlife, Arthur’s deep trust in Merlin remains. Although he is resting, there is an unspoken understanding that when he rises, Merlin will be by his side, just as he always has been. Arthur’s loyalty and sense of responsibility mean that he trusts Merlin to carry on until the moment of his return.

The Final Act of Duty and Love: Arthur’s rise will be his final act of duty as king and as a friend and lover. His ISTJ sense of purpose and structure drives his eventual return, knowing that Merlin and the kingdom will need him again. When he does come back, it will be out of love for Merlin and a deep sense of responsibility to his people.

3. A Love That Survives Time

Merlin’s Endless Vigil: For over 1,500 years, Merlin has waited, watching the world change, but his love for Arthur remains constant. His ENFP personality clings to the belief that the prophecy will come true, and when Arthur finally returns, it will be the culmination of centuries of waiting. Merlin’s idealism, rooted in his deep emotional connection to Arthur, sustains him through time. He doesn’t seek out other connections because, in his heart, Arthur is the one he’s waiting for.

Arthur’s Timeless Love: Even though Arthur is resting, his love for Merlin isn’t diminished by time. When he returns, his ISTJ loyalty will kick in, and he will fulfill his promise—coming back to be with Merlin and to save the kingdom when it’s needed most. His return is not just a matter of destiny, but also a testament to the bond he shares with Merlin, one that surpasses life, death, and time itself.

4. The Ultimate Reunion

The Prophecy Fulfilled: When Merlin and Arthur finally reunite after over a millennium, the moment will be one of overwhelming emotional release for both. Merlin, with his ENFP emotions, will have spent centuries holding onto hope, and Arthur’s return will be the answer to his deepest longing. The reunion will allow Merlin to finally let go of the grief he’s carried for centuries, knowing that Arthur is back by his side, just as he always believed he would be.

Arthur’s ISTJ Return to Duty: Arthur’s return will be a moment of intense duty and purpose, but also of love. His ISTJ nature ensures that he will rise again when Merlin (the last remaining piece of Albion) needs him most. Their reunion will be both the fulfillment of a prophecy and the completion of their love story.

5. Symbolism of Eternal Love

Waiting as a Form of Love: Merlin’s long wait for Arthur shows that love isn’t confined to one lifetime. His waiting is a manifestation of his deep, undying love, and it reflects the ENFP’s capacity for emotional endurance. Even though he’s spent centuries alone, his heart remains tethered to Arthur, and when Arthur finally returns, it will be a moment of profound emotional catharsis.

Arthur’s Duty Transcends Time: Arthur’s ISTJ sense of duty extends beyond the grave, showing that his bond with Merlin is eternal. His return will not just be about fulfilling his destiny as king, but also about being reunited with Merlin, the person who has always been by his side. This reunion will be the ultimate proof that their love and duty to each other cannot be broken by death or time.

Conclusion: A Love That Defies Time

The prophecy of Arthur’s return turns their story into an eternal love saga. Merlin, driven by his ENFP idealism and emotional depth, waits for centuries, believing in the prophecy and holding onto the love he has for Arthur. Arthur, waiting in Avalon, as the prophecy foretold, remains loyal to his duty and his love for Merlin, waiting for the moment when he is needed most.

When they are finally reunited, it will be a moment of ultimate emotional release, where centuries of love, hope, and loyalty finally come together. Their story is one of timeless love, with their bond surviving beyond life and death, waiting to be fulfilled in a future where they can be together once again.

[sleepymaddy]

.

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[dio-the-thot-exterminator]

this is my Inferno design btw if anyone was curious :P

[icewindandboringhorror]

Recent game related things .. hrmm...

[to-the-beautiful-you2]

I'm going to be honest, Mohg felt like a much more interesting character before the DLC, and now I dont know how to feel about people saying that its better this way.

[yourlocalmissingtexture]

Being told I have a great personality but like genuinely (I think?) is funny, it’s like on the one hand thank you because compliment but also. what are you seeing? I have a personality?? is it not just the concept of nothingness? what am I even like?

[therandomartmaker]

Reasons Discord's New Mobile Layout Update is Bad

The reply function is redundant, as most people are used to just holding down and tapping the reply option at the top. If they're going to change it, they shouldn't have gotten rid of the member list for this functionally bad option. It also doesnt line up with any other platform in terms of swipe direction.

The member list is gone from easy viewing

It doesnt auto open your last group chat/DM making multiple simultaneous conversations far more difficult and longer

It's already broken my app once (Locked all channels including other servers' to one channel. I could not access anything except that and my DMs.)

You can not see images that have been pinned in the pins tab.

The search function was fine before. Where did your before, during and after date search go??

All of Discord's individuality is disappearing.

Getting used to a mobile format actually impedes usage of the desktop format and likely discourages people from multiplatforming discord because theyre so used to the "intuitiveness" of the new "tailored for mobile" experience

There is no way to CHANGE IT BACK. This is like Tumblr rolling out Tumblr Live without any Disable button At All.

Why are they marketing midnight mode as Something fucking ENTIRELY new??? It has always been a feature on Android as the AMOLED theme???????

DARK MODE IS NO LONGER LOW CONTRAST AND DISCORD IS DEVOLVING INTO AN ACCESSIBILITY NIGHTMARE

Disable swipe-to-reply by activating full-screen Launchpad in Advanced Settings

Discord’s new layout is apparently permanent. Keep sending feedback and rating it one star on all appstores; if you get redirected to the advice article, double tap gove feedback.

If you, too, dislike the theme, head to settings (you can double tap your account picture) and go to Appearance, scroll to New Layout and Send Feedback.

Overall, what they've done is disorientate every single current user on discord, and you cannot avoid it unless you've not updated to the latest discord because this is not an update. It is a feature that has already been on the latest update and is being slowly rolled out, like Tumblr Polls.

Good Luck, and may we send as much feedback as possible and have them make it optional or at the least, revert it. I've already sent in at least seven complaints to discord, commented on their instagram post about the layout and I'm about one star review it on google play and app store.

This isnt just the appearance and vibes being off like the new (ish) app icon, this is a matter of functionality.

[cerastes]

We’ve heard about the seeming contrast of creators that make these super happy saccharine pieces of art being bitter people whose lives seem to be filled with agony whereas horror creators that thrive in the grotesque all seem to be super happy and positive people, the usual “Miyazaki Hayao vs Itou Junji” kinda beat.

There’s a similar, slightly overlapping dynamic between cuisine and blacksmithing. Chefs are the single angriest existences in the world and would piss on your grave seconds after stuffing your freshly gutted corpse in it. Blacksmiths are jovial, usually quiet dudes that work machinery and think your dagger is still very cool even if it’s got some balance issues.

Now, of course this is making reference to the Ramsay style of food shows, which is not the universal experience when it comes to the genre -- I’m more of a Cutthroat Kitchen kind of guy, because I like Mario Party -- but it’s always fun to me to go through an episode of Hell’s Kitchen where Ramsay annihilates his own vocal chords screaming “FUCKING DONKEY” and “IT’S RAW”, then right after, watch some old Forged In Fire and see the Filipino weapon master, Marcaida, test a short sword one of the contestants made and it fucking explodes into shards without nary a scratch on the pig’s carcass, obviously the shittiest weapon you could possibly make, damascus steel shards flying embedded in his arm, and he’ll calmly, with his signature friendly smile, lovable demeanor, and charismatic gait, face the contestant and be like

“Well, you see, Bob, your blade unfortunately suffered a catastrophic malfunction, and it can’t be tested any further. However, the handle on your weapon allowed for some very good balance and ease of swing, it fits my palm perfectly and it swings very easy. Despite the blade fracturing in 7 uneven fragments, we can see that the blade didn’t chip or roll at all. Good work, Bob” then they’ll shake on it and Bob is eliminated, and all he’ll say is “I’m sorry to have punctured 4 blood vessels on Marcaida, but end of the day, the other smiths were simply better, and I’m proud of them. I just gotta go and work on my fundamentals back at home now :)” meanwhile Hell’s Kitchen’s contestants are having a shootout with Glocks in their dorm because someone made fun of someone else’s raw scallops. 

[isuckatwritingsobenice]

Infernal Shadows 02

Synopsis: Being one of the most powerful overlords in Hell, you like to keep up with colonies and overlord plans. Recently with the new extermination date out, you hold your annual gala sooner than usual. You hadn’t expected to get in the middle of the already heated feud between the Radio Demon and the head of Vox Tech.

Warnings: She/Her pronouns used for the reader, mentions of blood, voodoo?, Angel Dust being a horn-bag, Reader is referred too as Madame to the public. Vox and Alastor feud because I live for it.

Song for this chapter: HAUSER - Adagio (Albinoni)

A/N: I’m so glad part one did well! I really liked this idea and hoped other people would too. As always comment if you want to be tagged and I will tag you in the next post! I wanted this to be three parts, but depending on how much I can fit in this chapter and the next one, I’ll see if I need to make four parts. The song at the beginning of this chapter is meant to be played when the line “ The music picked up” Is read. Skip to 5:35 for it to play smoothly, or as smoothly as possible.

Word count: 3.k or something over that idk I got too lazy to count :(

Taglist: @dollops-of-delusion @nebusokuxp @scrunchss @rosedasy @valluvz @chesstras @pishybowl @iaaeav @forgotten-blues @22carolina08 @roboticsuccubus83 @doflamingadonquixote

Navigation!! // Masterlist!!! // Serendipity Writes (event) // Part One. // Part three.

Within, the grand foyer unveiled itself, revealing a sweeping staircase adorned with a rich, mahogany handrail in stark contrast against a black and white color scheme. Crystal chandeliers, dangling from lofty black ceilings, cast their brilliance upon white walls adorned with ornate mirrors. Plush Victorian-era furnishings, upholstered in rich black and white fabrics, adorned the parlor rooms, establishing cozy settings for guests to assemble and engage in enriching conversations. Each room murmured tales of a past era – intricately patterned black and white wallpaper, frames gilded in black to showcase classical art, and a subtle aroma of aged wood and lavender lingering in the air, harmonizing with the monochromatic elegance. The guests walking in all marveled at the details of the mansion.

Charlotte and Vagatha both stepped in, Charlotte in awe of the detailing. A shadow figure bent down slightly to offer her a drink, to which she happily took.

“Vaggie this is all so beautiful. I hope I can make a good impression.” Charlotte said, turning to her partner to ease her nerves. Vagatha just smiled, a hand on her shoulder lovingly.

“You’re gonna do great babe, besides, there’s so many people here, if one likes it I’m sure other people will get on board too.” Vagatha said.

“Or they can laugh at you if one person points out how ridiculous it is.” Husk said, chugging his drink before placing it back on the servers tray.

“Thanks for the kind words Husk.” Vagatha said sarcastically. He just shrugged, looking towards the bar area which was practically calling him over.

Upstairs in your room, you stared at yourself in the mirror as your shadows made the finishing touches on your outfit. Draped in a long, elegant black gown that gracefully embraced your commanding figure, the fabric cascaded like shadows. Delicate chain motifs intertwine with the dress, creating an alluring dance of darkness. A chain belt cinches your waist, a subtle nod to your captivating ability to ensnare and command over your shadows. Completing the regalia, silver chain cuffs adorn your wrists, reflecting both power and refinement.

“Madame, the guests are all in the lobby awaiting your arrival.” One of the shadows said. You nodded, stepping down from your showcase, winking to yourself in the mirror before chuckling to yourself. A shadow approaches you, bowing in respect before holding out a tray with your drink, a contrast to your dark colors. You take the glass in your hand, another shadow lightly putting a thermometer in your drink so it’s the perfect temperature for you, fifteen point five degrees Celsius. The liquid is a light yellow-ish green, Lafite-Rothschild, an expensive French wine you tried in 1906 when you were alive. Lifting it to your lips, you take a long sip and sigh, the spicy and earth notes, mixed with a hint of tobacco and red Barrie’s dance on your tongue like a performance of Gavotte. You pull back with a sigh, setting the glass down, a perfect Ridel Vinum Bordeaux, personally crafted for you as the bottom of the glass is a Smokey black, fading into clear glass towards the top.

“Let’s get this Gala started shall we~?”

In the lobby, guests were socializing amongst themselves. Velvet, Vox and Valentino had split for a short while. After the incident outside, the two overlords wouldn’t stop tantalizing the picture box about his fit of frustration dealing with the Radio Demon. From the lobby, there were large crystal doors revealing the back exterior of the house. The greenery was just perfect, with cobblestone flooring revealing another bloody fountain. Vox stood with his drink, speaking to some sinner he couldn’t remember the name of, about how well his business was going.

“You ever get,” Vox asked, eyeing one of the shadows who stood in a corner, white eyes soulless as they held out drinks to guests. “Creeped out by those, things?” Vox asked, turning back to the sinner. He just scoffed.

“Please, they’re always around and as far as I know, harmless.” The sinner said. At that, a shadow appeared between the two, taking their empty glasses and replacing it with new, full ones. Vox tried his hardest not to seem alarmed at this, and took the glass silently, sipping his drink slowly as it floated away. It was then he took in the shadows appearance. They all looked the same. Tall figures, Smokey outlines, but no feel or hands, just a faded end to their limbs. Their eyes were white and soulless, almost as it they were vacant, a shell of what they used to be. There were no facial features, just two white circles and a thin white line for their mouth. Each one however, had a light Smokey chain around their chest, wrapped in the shape of an X.

“What are the chains for then? They’re pretty much smoke, what do they need chains forever?” Vox asked. The associate laughed, but before he could answer, another overlord stepped in.

“They have chains because they’re claimed souls.” Fredrick Von Eldritch says, his sister Bethesda in toe. The two grin, a shadow following behind them with a tray of their drinks. “If you get invited to the gala long enough, you get a personal one.” He said with a wink, gesturing to the shadow behind the two.

“They’re quite cute once you get used to them.” Bethesda said with a smile, cooing at the shadow lightly. Yet, it still remained expressionless.

“Actually, now that you say that.” The sinner says, looking around for a moment. “It’s been awfully quiet with a laugh track being played.” He says, referring to Alastor. Vox just rolls his eyes.

“Who gives a shit about where that old timey freak is?” Vox asks. Fredrick and Bethesda snicker to each other, catching Vox’s attention.

“Probably hunting for his dear Madame.” Bethesda said dramatically, laying her head on her brothers shoulder and batting her lashes playfully. Fredrick and the sinner laughed at his sisters antics, but Vox grew serious.

“What does that mean? He knows her?” Vox asked, to which Fredrick scoffed, finishing his drink before reaching for another off the shadows server tray.

“Of course he does. She died before him, and they’re the closest overlords in time period. Well, aside from Zestial and her.” Fredrick explained. Vox didn’t say anything else, instead looking to the red ‘moon’ of hell, before glancing at the blood fountain. He had heard rumors about being at the Madame’s table, and how she gave the inside to all her projects and plans before the next extermination. Apparently, this year was supposed to be ‘different’ as people had been talking.

“When does this dinner start anyway? We’ve been standing out here for two hours.” Vox said annoyed.

“In a few minutes, Madame will make her grand entrance. She will socialize with the guests as it is polite to have one on one time with them. Then she will spend the rest of the time while the orchestra gets together deciding on contenders to sit at her table.” A shadow walking by said, stopping to stare at Vox. “Madame is always watching.” It then said, turning to serve other guests. Vox said nothing, instead turning on his heel and making his way inside the mansion. How could someone feel suffocated outside? Fredrick and Bethesda said nothing, watching him go, but sharing a glance between each other before making their leave too, leaving the sinner all by his lonesome.

Inside, Charlotte and Vagatha conversed about how she could get people behind her project.

“Maybe if I sing-“

“Please no. These people are too…” Vagatha said, glancing around the room. Everyone seemed too, fake. Vagatha knew Charlotte being herself around these people would do absolutely no good to the hotel, and though she hated telling Charlotte these things, she knew her kindness would be frowned upon, and made fun of. “Serious for that kind of thing.” Vagatha finished, taking a sip of her champagne. She settled for champagne in a flute while Charlotte drank water, wanting to hydrate herself in hopes to calm her nerves.

“I heard that Madame might be making her entrance soon.” Charlotte said nervously, looking around. She half expected her parents to show up, but knew how they rarely liked getting involved in overlord affairs. She’d be surprised if they showed up.

“Then when she does you can try to pitch your idea to her.” Vagatha said supportively. Charlotte just smiled and nodded, hoping someone would listen to her. She had tried practicing on two sinners moments ago, to which they both laughed and called her delusional. The defeat was beginning to get to her, and she hadn’t even started yet.

With Velvet, she began studying the interior of the old-styled mansion. She was trying her hardest to not be too rude about it, but of course she had her comments, but ultimately kept them to herself. Cramoisie, your fashion line, was the top fashion brand in hell, everyone wanted a piece of it. Velvet had never had an article for herself, despite trying her hardest to get something, anything, even a sample. But people feigned for it like drugs. Velvets line was successful sure, but with your validation and guidance, she could become perfection, the same way you were. Everyone in hell looked up to you, shit, you had even gotten Lilith’s praise as she was photographed wearing a custom piece you designed for her. Your work was art in its purist form, and Velvet kept a close eye on her other colleagues to make sure they didn’t fuck your chance up. Velvet had her assistant hold samples and sketches of designs Velvet had been working on, wanting to show you her best work in hopes of winning you over. She could brag about having you support her line, and her fans would die of excitement. Maybe, she could get you to design her a custom piece, or Velvet could design one for you. The possibilities were limitless, if you agreed to meet with her of course. But that was all the more reason why she needed to make sure she had a seat at your table tonight. She needed to get close to you.

“Are you fucking high?” Velvet whispered to Valentino, who just chuckled softly at her.

“What’s the matter hermosa? Just enjoy the Gala, we’re here to have fun right?” He asked with a giggle. Velvet huffed, deciding to find Vox, hoping he could straighten Valentino out. Valentino would not fuck up her chance tonight.

Near the large staircase in the middle of the room, Alastor stood, glass of whiskey in his clawed hands. He smiles, humming to himself while quietly back up into a wall, careful to scan the room quickly before he disappears into the shadows. Then, moments later, appears in a room separate from the gala. It’s a study, your study. Alastor takes a step forward and quickly the shadows in the room seemed to deepen, casting larger, more dramatic silhouettes that seemed to dance on the walls. The interplay of darkness and light only heightened the mysterious allure of the study. In the midst of this chiaroscuro ambiance, Alastor found himself surrounded by an atmosphere that mirrored the complex nature of the figure depicted in the portrait hanging above the fireplace, which was in the far back wall of the study. It was the only light source in the room. Black wooden shelves lined against the tall walls, showcasing famous pieces of literature, all hand picked and to your liking. The fire place, crafted with dark marble, commanded his attention. Above the mantel, a striking portrait of Madame hung, capturing his focus, like a trance. The image portrayed a being universally admired, yet equally feared; someone who elicited both admiration and intimidation all at once, you.

“Hm, hiding now are we?” Alastor asks with a grin, tutting lightly. “That’s not very proper of you Madame~” He says, calling out to you. Seconds later, a dark shadow appears in the corner of the room, taking up the entire corner, before a shadowy figure steps out. Similar to the servant’s out in the lobby, Alastor’s eye twitch’s slightly.

“Oh don’t be so pissy. You know no one gets to see me before my entrance.” You say, the shadow expressionless, but Alastor can hear your tone through the figure, taunting him. He sighs, setting his staff on a slant along his foot.

“And here I thought I could connect with an old friend.” Alastor said with a chuckle, staring down the shadowy figure, hoping his gaze would ease you to show yourself to him. But alas, stuck in your ways, you didn’t show yourself, instead laughing, though the figure did not open its mouth, making your ‘shadow a-presence’ all the more eerie.

“If you really want to speak with me it can wait until my entrance. I should be done soon.” You say, before Alastor just smiles, tossing his staff from hand to hand.

“Well if you’re really going to make me wait, mind you speed the process up a bit? You know it doesn’t take much to make you look breath-taking.” Alastor compliments, but earns a scoff from you.

“Oh please, don’t start with me ‘Radio Demon.’” You mock, before the shadow figure begins to step back.

“Wait, a moment before you go.” Alastor says, standing his staff on the floor. The shadow figure stops, before you speak again.

“Make it quick. You know how much energy it takes to keep this up.” You say.

“So, about this hotel business. I know she’s planning to talk to you about it.”

“Yes the idea you tell me so much about.” You say sarcastically. Alastor had told you bits and pieces about the princess’s project, but didn’t tell you what it was for exactly, leaving you to wonder how important it really was if even he wouldn’t speak on it.

“Well you know how much I crave entertainment. Is it possible to make a request for the seating arraignment tonight?” Alastor asks. You laugh, figure still unmoving.

“Humorous to think you even have a seat. You’ve been gone for what? Seven years?” You say with a scoff.

“You’ve been gone decades my dear, you didn’t even show up to your last twenty gala’s, having your pity shadows do it for you. I doubt you should be speaking on the matter.”

At that, you chuckle to yourself before the shadow begins to back into the corner, black smoke enveloping the corner like a cloud. “I presume you would be correct. Well, I’m off now. Don’t sneak into my quarters again.” You say finally before disappearing. Alastor just grins, stepping into his own shadow, joining the other guests.

The shadows had slowly but, eventually ushered the guests into the lobby, everyone gathering around the staircase as the shadows lined up against the railings, the orchestra playing the music you had specifically requested. You were about to make your grand entrance, something you hadn’t done in centuries. Everyone stood around, awaiting your arrival, the shadows momentarily disappearing to give the guests more space to crowd around. Candles lit along the walls, as well as floating lights appearing going up the staircase. There, the shadows took their place, two on each step on opposite sides, facing each other. The music picked up, the lights focusing at the top of the stairs. Black smoke began to roll down the steps slowly, the anticipation for your arrival growing. The music gets calm for a moment, a larger shadow figure standing at the top of the staircase. It’s larger than any of the other shadows in the room, standing at fifteen feet tall. It speaks in a monotone voice, but loud and commanding.

“Thank you all for your attendance tonight. The Crimson Gala is held once every year to start the new year with all those who survived the extermination. This being said, Madame would like to say her personal congratulations for not being apart of the bloodshed this year. While the past years she has used me to say that she will unfortunately not be in attendance, I am pleased to say that tonight, along with all the new guests, she will make her grand entrance. Presenting to you, the prowess of darkness and queen of shadows, Madame.”

The lights shine bright, and the shadow vanishes quickly. Velvet shushes Vox and Valentino, eyes practically bulging out of her skull to see you. Alastor just stares, waiting in anticipation. Charlie claps her hands quietly to herself while Vaggie just smiles. Rosie sips her glass, eyes waiting to see what outfit you’ve put together this time. At the top of the staircase, a large black smokey circle opens at the bottom of the floor, smoke swirling upwards slowly in a tornado form, smoke getting quicker as it swirls around itself. It gets larger, and guests closer to the stairs have to back up a bit as the wind picks up. Carmilla turns her face to the side, not wanting the wind to mess up her hair too much. Finally, the music picks up again, the peak point in the song, which lasts eight seconds, before the smoke falls to the side in one swoop, leaving you in the midst, now on display for all guests to see. The music continues, the chains against your dress glistening under the light. The music continues the play as you take steps down, looking at the guests. There’s a serious expression on your face, but somehow neutral all the same. Your shadows had added last minute black lace gloves, which went up to your forearm. The bottom of your dress had a lace trimming, as well as the bodice being laced with trim along the bust area. The jewelry was a simple black diamond crystal on a metal chain around your neck, paired with black diamond earrings. The cuff links on your hand remained all the same though. Finally reaching the end of the steps, everyone clapped, now finally being graced with your presence.

Velvet was in awe, staring at you with wide eyes like a child being gifted the most precious thing. Her excitement grew enormously, watching you shake hands and socialize with guests. She had never seen you before, after you had gone ghost for centuries, hardly anyone had photos of you. Hell she didn’t even know what you sounded like.

Charlie was so excited to meet you. She hadn’t seen you in, forever, and was now finally excited to be seen as your equal. Well, that was what she had hoped at least. Having seen a portrait of you in her parents' home when she was younger, she learned of the close relationship between Lilith and you. The anticipation had built over the years, and now, finally, she looked forward to being seen as your equal. Her hope was to hopefully get your support for the hotel, aiming to elevate her standing in the eyes of others. With your backing, she believed people would take both her and the redemption project more seriously, fostering a genuine desire for redemption. Maybe it would even work.

Husk smiled as he watched you socialize with guests. He was glad to finally see you back out again. He never knew why you went into hiding of course, but he never had the balls to ask, so he just stood quiet. When you disappeared, it was after a particularly rough extermination, and he knew something had happened, he just didn’t know what. Since then, the world only had glimpses of you to go on. Some sinners were starting to think you were a myth, since you never showed your face at the Crimson Gala, especially since you were the host.

Vox was taken aback, a sense of confusion and unease settling within him. Your presence had caught him off guard; he had anticipated something different, perhaps an older figure. The unexpected impact left him feeling uneasy, realizing the gravity of your influence. It dawned on him why Velvet had stressed the importance of making a favorable impression. Apart from Zestial and the twins, you stood as one of the strongest and most enduring overlords. In Vox's mind, securing your alliance was imperative for the success of his company. Your potential support would make his endeavors foolproof. Everything had to be flawless – not for any personal reasons, of course, but solely for the sake of his company. He needed you.

Making your rounds to guests, you began to get closer to your colleagues. With a wave to Stolas, and a nod to Zeezie, you run into the Radio Demon himself, Alastor. He grins, sharp teeth getting you. He smiles and nods his head, and you nod back. Alastor takes in your stoic expression, before carefully taking in your outfit.

“My, my, Madame, you’ve truly outdone yourself tonight. Your choice in attire is as captivating as ever – a perfect blend of elegance and sensibility. Quite the spectacle for the grand event, don’t you think?” He asked, holding his arm out to you. You take it, and the two of you walk around the lobby together, conversing.

“Well you don’t look to bad for yourself. Maybe going into hibernation was perfect for you.” You say back, and he grins.

“You’re too kind darling.” He says, dead heart quickening. He puts a hand to his chest, mocking fragility. “Your words leave me breathless my dear.” He says with false dramatics. You roll your eyes and smack his arm playfully.

“Oh please, your ego is quite large enough already, yes?” You ask. He doesn’t say much else, but instead, gently moves you to the side while you look at your shadows, now waltzing around in the middle of the lobby, putting on a performance.

“Did you plan that?” Alastor asks. You shake your head.

“No, but the music is perfect for it, so I let them be. They’re already trapped with me, I might as well make them useful.” You say, and Alastor just hums, a laugh track playing. However, as the two of you walk, his track screeches to a halt upon seeing Vox approach the two of you.

“Madame.” Vox says, nodding his head. His expression is serious, and though you’ve heard of him, you’ve never seen him.

“Ah hello. Vox I presume?” You ask, free hand reaching forward to shake his own outstretched hand. The two of you shake hands, and Alastor can’t ignore the way he fights to keep his smile. Why he could just shove his staff right into that flace faced fuckers scree-

“Alastor, I suppose you’ve met Mr.Vox before, correct?” You ask. Alastor nods with a smile, and you notice the way it stretches almost painfully across his face. It makes you uneasy, but you ignore the feeling. He’d surely tell about what this is about later on in the night you supposed.

“Why yes we have! I’ve made him loose his signal quite a few times.” Alastor says with a laugh, his laugh track playing. Vox doesnt say anything, though he doesnt have too as his eye twitching had given enough away. The two clearly did not like each other. Than again, you had felt the same way about Alastor when you first met him, so the feeling was understandable.

“Madame, a dance?” Vox asked, turning his attention back to you. You thought for a moment, before untangling your arm from Alastors and nodding to Vox, taking his outstretched hand to you and leading you to the dance floor, which now had a couple other sinners dancing as well. Alastor held onto his staff tight, but relaxed as you discreetly slid him a card. In white with black lettering, cursive font. Seat number five. He was invited to your table. Guaranteed a seat. That was enough to have him back in light spirits, now searching out his dear friend Rosie to share the good news.

Velvet had been looking for you all over, her assistant close in toe. She had tried her hardest to get to you when you initially made your enterance, but alas you had been too overcrowded with people for her to get to you. She had heard rumors about how you hated rudeness and disrespect. That meant no interruptions, and no loud speaking, or vulgar language. She was sure to keep herself in check, and that meant her colleagues too. So, naturally, you could imagine her shock upon seeing Vox dancing with you on the dance floor, black dress twirling at your feet. You looked so regal, so elegant, flawless. She wanted to be just like you. She waited patiently on the sidelines, waiting for the dance to end. She could see the two of you having a conversation, but couldn’t pinpoint what about.

“So, I presume you’re one of the, newer overlords?” You asked as the two of you danced. Vox chuckled, leading you slowly.

“New? Well, maybe to you I would be. I heard you haven’t really left your own head for quite some time.” Vox says lowly. You nod, letting him dip you.

“Yes that would be correct. So what are you supposed to be exactly?” You ask, quite unsure of his purpose. Overlords are meant to have a strong leading purpose in hell, so what was his?

“Well, you’re looking at the head of Vox Tech. A software company.” He says, and you hum in understanding.

“So modern technology.” You confirm, and he nods, pearly whites shining brightly back at you.

“You’re looking at the future Madame.” Vox says, spinning you quickly, before bringing you close by your hip.

“Interesting. So, what’s your social influence?” You ask. Vox thinks for a moment, before laughing to himself.

“People have televisions in all their homes. Any piece of modern technology comes strictly from me. With a little mind control, there isn’t any influence I don’t have.” Vox says, noticing a sinner walk by with a smart watch, to which he holds a finger up to you, sending himself through it, and then to another sinner with their smartphone, making his way around the room in seconds before he’s back in front of you, stepping in time for the next number. “See? Nothing I can’t do.” He says with a wink. You nod slowly, looking around the room. Being back out in the spotlight after being gone for so long makes you feel a bit, behind. But with an overlord like this in your circle, maybe this could be a way for you to keep up with the current world, get you back up to pace. The dance finally comes to a close, and the two of you bow to one another, before you summon a card, handing it to Vox. Seat number nine. Vox grinned at you, giving you a nod. You nod back, before looking at another sinner who’s asked to speak with you. With that, you leave Vox at the dance floor, white card in hand. His spot at your table was secured. But, this made his emotions churn even more. What was this feeling he had? He was happy yes, but for the companies sake. But, maybe for once, he could mix just a little business with pleasure.

Charlotte had lost her partner at the bar and had been looking for her for quite some time. However, instead of finding Vagatha, she found you instead. You had seemed to be finishing a conversation with Vox, and though she disliked him, she took her chance the moment she saw you walking away.

“Excuse me, Madame- Miss- Um.” Charlotte said quickly, causing you to stop in your tracks. She got closer to you, now a few inches away. It was then she realized how tall you were compared to her. You were easily around seven feet, or just under that. With your heels that was. You looking down at her made her feel intimidated, small, like the child. But, feeling her nerves rise, she began to ramble again. “I know you probably have a lot to do tonight and I don’t want to take up your time, I just want you to hear me out, if that’s okay with you of course.” Charlotte said quickly, pausing to inhale. You narrowed your eyes at her, snapping your fingers and causing a shadow to appear next to you, singular glass on the tray. It was the same tall shadow from earlier, with the same drink. Again, using testing the temperature of the drink, before nodding to you so you could take it. You lifted the glass to your lips, maintaining eye contact with Charlotte as you drank the wine in one go, putting it down on the tray with a sigh.

“Go on.” You replied, now intrigued. You knew who she was. “You’re the girl with the hotel? Lucifer and Lilith’s child, correct?” You asked. Charlotte smiled, stars appearing in her eyes as she gushed.

“You know who I am?” She asked surprised. You nodded, cracking a small smile for the first time tonight, causing many eyes to stare in shock. You hardly ever smiled. In fact, there were three counts ever of you smiling in hell. Once, when you first got to hell, killing and claiming territory, and smiling once you finally settled down. The second being after World War One, when so many souls came to you seeking ‘help’ yet only being met with contracts. Third, being just before the extermination you disappeared after. You had gone through your belongings from Earth that managed to get brought to you from the surface, and was looking at family photos with one other overlord. Zestial. Now, at the gala, here was Lucifer’s brat, as some would call, making you crack a grin at her giddiness.

“Of course I know who you are. Do you forget I know your mother? You’re practically a niece of mine at this point.” You say, motioning at Charlotte to walk with you. “Now, what is this hotel I’ve heard about?” You ask. She beams at this and follows excitedly.

“OkaysobasicallyIhavethishotelandit’scalledthe’HazbinHotel’whichisforsinnerswhowantobebetterandredeemthemselvestotryand-“ You stopped her, allowing her to take a breath of air after rambling for so long. You lead her outside, finding a nearby bench to sit on. With how quickly she spoke, she needed all the ‘fresh’ air she could get right?

“Why are you speaking so quickly? Also, sinners who want to better themselves? Where would you find those?” You ask with a laugh, the same tall shadow appearing with a glass for you. Again, you sip on your drink as Charlotte collects herself together.

“Usually if I explain slowly people cut me off and I never get to finish, so I’ve gotten used to just saying everything as quickly as possible so they don’t cut me off and actually listen to what I have to say.” Charlotte says, again rather quickly. “Like I was saying; the Hazbin Hotel is a place for sinners who want to better themselves to possibly try to get into heaven through redemption, and I know what you’re thinking, we’ve all died and got sent here, but I believe people can change and that everyone deserves second chances.” Charlotte explained. She saw the look of confusion on your face, and began to speak again. “We already have two residents, who are making strides to be better people every day with group activities and I believe it’s working. If I could just get other people on board, people like you on board who actually believe in my cause, then we can get rid of extermination and maybe save some people here.” Charlotte explained. You thought for a moment, and the fact you hadn’t laughed in her face yet gave her some hope that maybe she had gotten through to you. You stood up, setting your empty glass on the tray before the shadow disappeared.

“Honestly,” You said with a sigh, looking around, your eyes landing on your shadows serving other guests. “The entire project sounds delusional.” You said sharply. Charlotte looked down at this, defeated, before standing as well.

“Well, thank you for hearing me out I guess. You’re the only other person who has aside from Alastor. So, thank you for your time.” Charlotte said, turning to walk back inside the gala, head hanging low with tears brimming her eyes. Maybe it was the connection to her mother, maybe it was because she reminded you of her mother. But, something had to change.

“I didn’t say we were done speaking Charlotte.” You said sharply again. She stopped and tensed up at that, before turning around, wiping a tear that slipped down her cheek.

“W-what?” She asked. You stepped forward to her, putting your hands flat together before smoke encased them. Then seconds later it was gone, and in your hands was a white card. You handed it to her with a nod.

“It sounds delusional. But, maybe someone will like that about you.” You said. She read the card, face dropping once she realized what it meant.

“So, so I can sit with you tonight? I can pitch my idea?” She asked excitedly. You nodded, patting her shoulder.

“Yes you may. I’ll allow you to have your time. You get thirty minutes, there will be overlords and royalty there, I’m sure someone is bound to take an interest in it.” You say. Charlotte squeals excitedly before jumping up and down, clapping her hands.

“Oh my goodness! Thank you so so so much!! You won’t regret this I swear!” Charlotte said, and you just nodded.

“Of course I won’t. I don’t make mistakes.” You say, before walking past her. “Oh, and thank Alastor for that. He was insistent you be present at my table tonight.” You say to her. She’s left standing outside in shock, watching as you walk back into the lobby to socialize with other guests.

It seemed Velvet had finally caught you, rushing her assistant to follow you as she made her way over to you.

“Madame, you look absolutely breathtaking tonight! Your presence here is like a beacon of individuality and charisma,” she exclaims, eyes sparkling. You look her up and down for a moment, stopping in your tracks to listen to her. Something feels, odd about this one. “I’ve been ardently following your unique style for ages, and it’s truly an honor to be in your presence. The way you effortlessly blend boldness with subtlety, it’s unparalleled, truly outstanding. Now, I’ve ventured into a daring new fashion brand, and I can’t help but envision you as the unrivaled star in my collection. Picture it: the illustrious Madame, gracing the world with a revolutionary expression of style. This would be the perfect way to make your way back into the public eye, and of course you would look ravishing doing so.” Velvet said, her assistant handing you sketches of Velvets designs, and photographs of some of her work on her models. “So, what do you say Madame? Will you be the luminary of a new era in Hell’s fashion?” Velvet says. You grow quiet for a moment. Aside from Rosie, you’ve had no other overlord come into the fashion realm, and Rosie is only partially in it as a side hustle, but everyone knows it’s your thing. The designs are things you would never wear, bold and odd colors together, like a child’s clothing line.

“Is this for children?” You ask. Velvet nearly chokes and her assistant tenses up.

“No Madame. It’s modern fashion.” Velvet says cautiously. She knows what she’s doing. Correcting you. No one ever does that. You don’t need to be corrected because you know what you’re looking at. A sad fashion designer who wants you to slap your name on her sloppy work so if it goes up in flames it’s your reputation taking the fall, not her’s.

“So all your models look like they came from a whore house? Correct?” You ask. Velvet’s jaw drops and her assistant hides a laugh. Velvet, inhaling softly, tries her hardest not to cry on the spot. You’re her idol. She can’t fuck this up.

“No Madame! Not at all!” She says, showing you a design she had made personally for you. Based on your other collections, she knows your favorite color is black, so that’s a plus. All she had to do was add a bit more, of her flair to it. It was a black jumpsuit, with a fur coat that dropped down to the knees, black with white fur around the edges of the coat and the cuffs. The sketch wasn’t half bad, and quite frankly better than the others. Maybe it was the forgiving mood Charlotte had put you in. Velvet hands you the design and you skim over it, taking in the details, the hair and eye makeup, the shoes and jewelry notes written on the side. The sketches aren’t bad, but modern fashion isn’t your fashion.

“I’ll consider it. Do you mind if I keep these?” You ask. Velvet shakes her head, handing you the folder from her assistants hands.

“Please, take whatever you’d like Madame!” Velvet says. You nod, flipping through the pages.

“You’ll hear from me soon. In the meantime, I want new sketches of these designs. Modern fashion is fast fashion. Nothing stays memorable that way. You want to be good?” You ask her, and she nods quickly. “Then be better. Modesty and elegance are what people strive for. It radiates power, and everyone is greedy for that. If you can sell that through an item, you won’t ever go out of style.” You say, handing her back the folder, keeping the sketch she’d done for you. Well, at least you liked something. Vevelt nodded her head and watched you walk away, letting out a sigh of relief.

“Um, miss?” Her assistant asked.

“What?” Velvet asked annoyingly.

“She left a card on the folder.”

At that , Velvets eyes snapped down at the folder, before she screamed in excitement. Seat number six. She was invited to your table. Mission accomplished. Now, with only six seats left to fill, you were off to talk to your other guests. The night had proved to be interesting, and you knew your encore would not disappoint.

[honey-doc]

Why I appreciate Kabru and Mithrun's relationship in the story (with pictures!)

I just want to express how much I loved reading through the chapter with the 6 days they spent together and how I think their relationship developed in a pretty sweet way.

I feel like a lot of people reduce their dynamic to "nurse and patient" and that makes me sad because I personally got a lot more from it than that.

I do wanna start off by saying I'm here appreciating their dynamic as it is in the text.

Read more (spoilers ofc):

The beginnings

When they first met, there was an air of intimidation surrounding Mithrun as the captain of the ominous Canaries. He demonstrates his proficiency as a fighter and leader which worried Kabru because he knew it would lead to the dungeon falling into elven hands once again. But this threatening aura begins to dim in Kabru's mind as they get to know each other.

Even before they fell down the hole, the both of them ended up relying on each other's abilities a number of times (when the underground governor turned out to be corrupted Mithrun defeated him and Mithrun needed Kabru's deduction skills during the battle on the first floor) which is already the beginning of a great dynamic

(Kabwu is scared but Mithrun just asks for his help)

After Cithis tasked him with "taking care of Mithrun's needs" for the time being, Kabru treated Mithrun with proper respect and doesn't take advantage of his disability, even using his title “Captain” when he knew Mithrun wouldn’t have cared either way after learning about how he lost his desires. This is in contrast to Cithis who immediately took advantage of her position to mess around with Mithrun when she was taking care of him.

(When Cithis was put in charge of taking care of Mithrun)

The whole time Kabru is with Mithrun, he treats him like a person and more than just someone to be taken care of, as also he relies on Mithrun's fighting skills, knowledge of the dungeon, and teleportation magic.

When you reduce their dynamic to just "caretaker and patient", you're ignoring Mithrun's own capabilities and making him seem totally helpless. It actually feels rather ableist. They have a more balanced relationship with what Mithrun brings to the table than you may think. Mithrun couldn't have survived down there on his own, but it's the same for Kabru (who famously dies every time he fights)!

Kabru doesn’t show signs of trying to manipulate Mithrun either, and he's no longer intimidated by him in the slightest once he learns he’s not a threat or after his life. Though he does instinctively revert to his "sparkly" persona to get Mithrun to eat the disgusting mushroom, it doesn’t work so Kabru just has him eat it normally and never tries it again. This is the beginning of Mithrun unintentionally encouraging Kabru to be more honest with others.

(Kabru realizing he can chill out)

(Kabru being unreserved and Mithrun being silly)

bonus funny moment:

Bonding

Throughout the journey they talked to each other, shared things with each other, and ate with each other. And Kabru expresses genuine concern about whether Mithrun is comfortable (which is something he could live without and wasn't something the Canaries told him to do).

(Kabru showing he wants to make him comfortable by making food for him which is a very important part of the narrative)

(Kabru sharing intimate memories with Mithrun)

(Kabru initiating conversation without hesitation or worry. This part also is referencing how Mithrun shared very important details of his life with Kabru. Kabru also ends up trusting Mithrun with information about Laios despite knowing he could possibly tell the other Canaries about him and impede his plans..which he does lol they do end up knowing about Laios before meeting him.)

For a bonus Lycion implies Kabru was taking better care of Mithrun than they had been which is interesting to me.

Mithrun also shows that he has come to trust Kabru's decisions over the Canaries' when he says he wants to stay in the dungeon after fulfilling the caretaker requirement. They did talk to each other a lot, during that time. I wonder what Mithrun's Shapeshifter double of Kabru would look like now?

Here, Kabru goes out of his way to make sure Mithrun doesn’t overexert himself by knocking him out after the demon leaves with Marcille (again, when his time taking care of him is already over), and I think that demonstrates an extra level of concern he holds for Mithrun.

(Kabru holding back a hellbent Mithrun)

(KNOCKOUT!)

He even managed to make Mithrun mad. It's probably because he "let the demon get away" but I think it's cute and funny because would he huff like that at anyone else? Lol

When the demon breaks through the surface

Kabru begins panicking after Laios turns into the giant monster because he's wondering if he made the right decisions etc. If Mithrun didn’t care about Kabru at least a little bit, he would’ve just left him alone when he started losing it (right after Marcille did the same thing and she is technically more to blame for empowering the demon than Kabru was for not allowing Mithrun to go after it), but he went out of his way to snap him out of it.

It also means a lot to me that Mithrun even says Kabru's name, because in Japanese you can go your entire life without referring to someone by name and it wouldn't sound wrong (just rude) and it's the first time Mithrun says Kabru's name on screen (I checked).

Though it was with a slap, I think it says a lot, because if Mithrun didn’t care at all he wouldn’t have done anything and left him alone. It's not like Kabru could've done anything to stop the demon. He didn't even to tell him to do anything even though Kabru looked ready for an order.

(To be honest I don't know exactly why Mithrun starts beating him up here but you can say it's another rare demonstration of emotion Kabru was able to evoke in him lol. Maybe it's payment for Kabru stopping him the first time. That can be interpreted as paying it back and/or paying it forward I think.)

The last few chapters

And in the end when Kabru’s motivating Mithrun to continue living his life, he speaks to him like they’re friends/have no rank between them despite using the Captain title for him the whole time. Even Lycion initially gets upset that he’s acting “too familiar” with Mithrun.

It feels like Mithrun changed so much in the short time he spent together with Kabru and before the final battle, and it’s thanks to Kabru that Mithrun finally starts to be able to move past his lingering obsession with the demon and begin to really heal.

This is despite the fact that he spent so much time with Milsril and the other elves who never managed to break through to him like that.

(Before Kabru) (After Kabru)

And even after his role as Mithrun's caretaker was loong complete, he still shows concern for Mithrun and tells him to take a break when he's using up all his magic to slice the Falin meat (lmao).

He didn't need to do that! But it shows how he at least slightly considers Mithrun some kind of friend.

It all culminates with Kabru helping Mithrun regain his wil to live and Mithrun confiding in Kabru. Their relationship is important. Kabru continuing to do things for Mithrun to me is more of a sign that he just plain cares about him. Isn't it normal when a friend needs medication for you to remind them to take it? I think it's like that.

Kabru is there with Mithrun when he comes out about his feelings of uselessness AND when Senshi helps him put a spin on the 'vegetable scraps' metaphor and he find meaning in his life again. He's the first one to see him cry :')

Along with the fact that it feels like Mithrun is the first person we see Kabru doesn't feel the need to change his personality with or put on airs for since Mithrun doesn't need buttering up and he won't get offended if someone were to say something socially awkward, I think they made a pretty good team!

BUT ALSO the REAL reason I became endeared to them is cute shit like this:

GOD I love them!!!!! There are so many funny sides to Mithrun Kabru was able to bring out, and really show his charm as a character. Mithrun also brings out the best in Kabru while Kabru’s the most genuine he’s been since his debut with Mithrun. We are able to see that he’s just a kind and caring person, rather than the shady obsessed guy most fans have come to believe him to be.

The true depths of their dynamic also grew on me over time :)

TLDR

All in all it’s so nice seeing how even though Mithrun is a really deadpan person, and Kabru is a really secretive and withheld person, they clearly seem to have developed some kind of bond while they traveled together and even changed each other to an extent.

Doesn't Kabru feel more honest near the end? Maybe it's because of how much he talked to and shared with Mithrun during those 6 days so candidly...because they taaaalked a looooot like wow.

They mean so goddamn much to me. I don’t need them to be in a romantic relationship but I do want them to be together forever :'))) or like at least hang out when they have off time since they're still in the same country lol. Praying for Kui to make another side comic of them some time (crying).

Thanks for reading if you made it this far, I mostly arranged this because it makes me sad to see people reduce their dynamic to only one singular aspect.

Anyways ya...love 'em (heart hands)

[chaoticallyfluffy]

I’ve been forced into reading Danny phantom fanfics because I’m desperate for Billy Batson content and for some reason half the stuff on ao3 is crossover stuff so I guess I like Danny phantom now?? Kind of?? I haven’t watched it and I don’t plan on it but I really like the idea of it.

Anywho,

Billy has maintained a very delicate balance of half truths and lies of ommision over the years to protect his identity as a literal child. He uses facts he learned from his patrons and his interest and knowledge in history, specifically Ancient Greece, to convince people he’s ancient.

Then one day this ghost guy joins the league claiming to be incredibly old as well except he just goes around straight up lying about stuff, saying whatever the hell he feels like about the past if it’s convenient to him or just funny. Most of it contradicts with the story Billy has been delicately weaving over the years and he’s kind of panicking.

One day he confronts the ghost guy and is like “I know your not actually ancient but I’m not a snitch, how old are you?”

And Danny kind of feels bad about pretending to be ancient in front of someone who has literally been around since at least Ancient Greece and confesses that he’s 14. Captain Marvel stares at him for a few minutes before breaking out in a big grin and transforming into a 12 year old Billy. They instantly become inseparable.

You’d think that Billy would ask Danny to stop lying all the time because it’s gonna get them caught, but no, he thinks it’s hilarious. Now whenever Danny says something absurd or directly contradictory of the actual history that Billy told them, they’re just like “oh yeah both of those happened at the same time but all the scribes were at the same spot so no one wrote about the other one and it was lost to time” or “there was a time loop for a good few years back in good old Greece so a lot of weird things happened that just didn’t stick.” Or “that did happen but only ghosts could perceive it.” Or sometimes, if they absolutely cannot get away with any other explanation, “dang must have dreamt it!”

The league is hopelessly confused and 90% sure they’re being messed with but they have no proof and if they look at the history at least MOST of the stuff they say is true so there’s really no reason to doubt it when Danny claims he once fist fought the god of time while the entirety of Rome cheered for him and placed bets, especially when Billy nods sagely and says he remembers having to clean up the space time continuum after the fight and that he lost the modern equivalent of ten bucks in the bet (he still doesn’t lie, just doesn’t disagree with the blatant dishonesty. He honestly did have to clean up the space time continuum multiple times after Danny messes with time a bit too much thanks to Clockwork + shenanigans. They make bets all the time too lol)

I think the contrast between ‘never lies’ and ‘lies all the time for funsies’ with the same motivation of ‘do the funniest thing possible at all times’ can be extremely entertaining and interesting.