#react is wrong

[kiwi]

as a former escape room host i highly recommend doing an escape room as a first date. its a great way to learn how ppl react under pressure and how well they collaborate with you right off the bat. also more than once ive seen people enter an escape room as a couple and exit broken up LOL its a fantastic litmus test

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[henryscapon]

rook: *obvious flirting* emmrich: 😲😲😲🤯🤯🤯😳😳😳??????????

bonus:

[queenerdloser]

that mark (very recently!) was so fucking pissed about helena using the wrong name for gemma that he went to immediately do experimental brain surgery as a giant fuck you and then DIDN'T anticipate his innie self getting pissed when he got helly's name wrong really underlines how much mark doesn't think his innie loves helly and also doesn't consider his innie to actually be him at all.

[hehether]

A scene where batboys was causing chaos on Wayne Manor, while Alfred and Bruce had enough for it :)

I'm done drawing, so now I'm just sitting here and waiting for someone to tell me the lore behind this chaos

[incoherentchanting]

this shit is so funny

[coregenicsoftware]

Why React is so Popular? - Coregenic Software

Why React is So Popular? React has gained immense popularity among developers and companies worldwide due to its modular architecture, simplicity, efficiency, and unique features.

Let’s explore some of the reasons why React is more popular than other libraries/frameworks.

Simplified React Web Development;

React offers a simple and effective way to create complex web applications. Unlike other libraries/frameworks, React focuses on a single development process that involves creating individual components and organizing them into a single, presentable app.

This modular approach ensures faster development, stable and predictable code, and easier maintenance.

[borderlinereminders]

Messing up while trying to learn healthier coping skills or communication skills doesn't mean your progress ceases to exist.

If you lashed out at someone during an argument instead of using your coping skills, it's okay to forgive yourself. If you reacted based on your emotional urge instead of looking at the situation, that's okay. It happens.

No one is perfect all the time. I think we expect so much more of ourselves. In my case, because I felt so ashamed of who I used to be. It makes me feel extra pressure to "do better". But the reality is, people who aren't in recovery mess up too. And sometimes they may not even notice it.

You don't need to beat yourself up about it. In fact, beating yourself up about it doesn't really help anyone. You can learn from it. Was there something going on that made it harder to use your coping skills? Was there a certain trigger? Maybe a bad day? Take your new knowledge and move forward.

Your progress still very much exists. I promise.

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[vampire-in-the-corner]

i need to think about AMC Armand for a minute. About his passivity. I find it frustrating as a viewer, but I’m also deeply compelled by it. His most infuriating trait is what makes him so interesting. When he says “I could not prevent it,” I don’t think that he sees that as a lie. It’s not the truth, but I think he believes it. He’s so powerful and could at so many points take agency in the narrative, yet he chooses inaction. He lets Lestat destroy the cult, lets the Paris coven hold the trial, lets Louis kill them after, lets Daniel uncover the truth. He accepts whatever happens to him and makes it his life regardless of whether or not it’s what he wanted.

Claudia is a foil to this nature. She’s not the most powerful, but she always takes an active role in her own story. She makes her own choices even when they put her at risk. It’s why I don’t think the two of them ever could have gotten along; their natures are inherently opposed to one another. Even their similarities drive them apart—they both hate the reflections of themselves that they see in one another because of how their mirror reacts to trauma.

[maxx-the-queer]

Having finally played through both options for Veilguard and having to choose either Treviso or Minrathous, I can conclude one thing: there is absolutely no correct choice in either scenario.

By choosing to save Treviso, you leave violent Imperial-Supremacist slavers in charge of one of Thedas' most powerful nation. The only force with any resistance against them is all but decimated, if not by the Blighted Dragon attack then by the Venatori themselves. The hanged bodies in the streets all but taunt you as a reminder that nobody, especially the poorest and most vulnerable in Docktown, could ever hope to stand up to their power.

But by choosing to save Minrathous, you subject a city built on canals to a newer, more ferocious form of the Blight. In just a few main missions earlier Rook saw in D'Meta's Crossing just how devastating it can be. It seeps into the water, grows in the crevices of every building, and consumes everything to create new horrors. The once thriving markets that stood up to even the Antaam's occupation are gutted and turned into hospitals to care for their already suffering people.

The choice Rook makes isn't about deciding which city and its faction is more deserving of help. There is no "right" answer. There is no "morally superior" choice. The most vulnerable people suffer and die in either city either way.

The Minrathous-or-Treviso decision Rook makes is about there being no good options, but having to make those choices anyway. It is knowing that when you are presented with poor options, no matter your reasoning or how superficial it is, you have to decide.

The only wrong decision Rook could have made was to choose to do nothing at all.

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[dirty-bosmer]

Sonny's flames part II: Ew(sorry)

help XD

[nottoonedin]

"We need more complex female characters!!" Y'all couldn't even handle Mizi Alien Stage..

[vaguely-concerned]

thinking about how deeply lucanis' life has been defined by a lack of control of that life -- as he himself points out, even before the ossuary went and carved the headline out again with big bloody letters. of course he reacts badly to losing what little control he did manage to construct for himself even within those circumstances.

(namely: experience has taught him that things (caterina, loss, pain, love, all horribly and indelibly intermingled) will happen to him whether he wants them to or not and there's nothing he can do about that... but he gets to decide what's let in or out of his soul as it happens, even if he has to close it all down and deaden and numb himself out in the process. (even if that means he drifts further and further away from illario, who's been desperately reaching out and trying to keep hold of him until he finally gives up completely and tries to cut the bond all at once when lucanis doesn't seem to reach back anymore.) it's such rare well-observed freeze logic solidly constructed from the bottom up, I'm still so impressed with it.

the way illario seeks constant external means to cope with caterina's abuse and importance in his life -- he can't win her admiration or acceptance or warmth (or like. acknowledgement even, at times :') ), no matter what, so he goes out and finds those things in others and then disdains and dismisses it for how easily and falsely it's won from them. he plots, he conspires, he tries to beat her at her own game however clumsily, he tries. lucanis doesn't try things that way. he's not about 'how do I improve my situation' by nature, he's 'how can I stop this from getting worse'. he avoids, he internalizes, he hunkers down and makes himself nothing until the pain maybe ends. he's fundamentally not a plotter, he's a reacter. an expert assassin pantser, if you will, to illario's clear and stated exasperation fhsak. man I love them. illario says 'get us out of here!!! if you loved me as I love you you'd help me get us out of here before it kills us both', lucanis says 'there is no other place, there's nowhere to go, all we can do is endure. and if it kills us... well, that's just family. that's what love is (the way things are headed I'll die first anyway so it's fine I won't have to face losing you)', and they're equally baffled and hurt by each other's POV. but they're both right, and they're both wrong. there's no 'right' way to deal with caterina's treatment of them, or their situation. the house always wins, if you pardon the expression. house dellamorte still stands and that is what matters to caterina in the end more than anything.

it also fits so well b/c like... their core wounds are that illario is the least favourite and is constantly dismissed, so he has to prove to caterina again and again that he matters. not even that he's worth love or respect or warm regard, but that he's here at all and as such should be considered. he has to shout 'in case u forgot I EXIST!!' at the top of his lungs or else be rendered nothing within the family structure (and himself, because it's all about family, that's all that really matters. in some weird twisted way I think caterina openly declaring him before all the other crows to still be of house dellamorte -- and no one from house dellamorte kneels -- is kind of a victory for him, as much as it's also a furthering of a prison sentence and public humiliation. house dellamorte brainfuckery goes hard.). lucanis is the favourite, and it's the double-edged sword that he gets all the affection and attention but also all the control and impossible expectations. drowning under all of that constant stress and close evaluation, his brain whispers 'I don't exist' to try to escape, to hide and hold on to the deep parts of himself that are crucial to life but not part of the perfect grandson caterina demands of him as the price of her love.)

I think a lot about how what seems to disquiet lucanis the most post-ossuary (as it would anyone with that psychological makeup) is the dissolving of internal boundaries and control he's been relying on, which is part of what spite symbolizes. his anger and reactivity has seceded from the union to the point of personification as a little guy (a little guy he resents and fears for his unpredictability and invasions into regions of his psyche he wishes to stay frozen and barren, and yet cares about deeply, loves! and also constantly dismisses and frequently helplessly lets down unless he's helped to learn to do otherwise. does this remind you of another relationship in his life, perhaps. it makes me feel nuts to think about the illario/spite parallels thanks for asking), and now that little guy is out there running the show freely the moment he glances away or closes his eyes. literal nightmare scenario I feel for him so deeply. so much of his coping is predicated on being able to Not do or feel or want certain things, and that's out the window now, Spite has Opinions. Spite refuses to stay wisely in place even if that place is hell on the logic that if you move you could find yourself in a place that's even worse, somehow. Spite actually wants to experience the world, however fucked up and scarring the way he arrived here, not just endure it. Spite means he has to face that maybe illario wasn't wrong all those years, at the same time as having to admit and face what illario has done to him, and figure out what to do about any of it.

anyway. mary kirby ma'am that's some good fucking metaphor work. thank you, and sorry about all the shit that happened

[robiberon]

jim meeting god (presumably) and the first thing he says is "tf u need MY starship for????" is very funny and very valid