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#red robin crit
theresamouseinmyhouse · 8 months
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tbh i do get a little bothered by the notion that tim took the first shot he had to drop out of school because he hated school and didnt wanna do it and all of that bc i feel like it ignores the probably very important context that he dropped out after his dad (as well as steph-or at least, he was led to believe, in the same week) died, also he was in a school shooting. He did attempt to go to a school in bludhaven but the kids there were so wildly insensitive about the shooting that tim dropped out under the pretense of his "uncle" homeschooling him. In his oyl era, he /did/ go back to school, and it provided him some form of normalcy. Tim was a normal kid, he wasnt crazy about school but he still went to school and it helped him feel like a normal kid, something he desperately clung to. He only dropped out again to do his Brucequest, in an era where he was notably Not Doing Well (which. Yeah. he wasnt doing well bc he was like 17 and almost everyone in his support system was dead, he recently had hits put out on him, got blown up, and backstabbed by his not-dead-ex, he couldnt support his theory that bruce was alive and was extremely stressed about that, and he didnt know wtf he was doing. I love him btw.) Basically tim dropping out of school was a signifier that he wasnt doing well and he was giving up on the normality that he tried to cling to and im a bit of a nitpicky person who gets irked by minor things
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fe-fictions · 9 months
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hiyaaaa!!!!!! happy new year hehe, do you have any more lonqu angst to share? thanks sm!
(Have some crit injury angst with our dear Lonk, to kick off the new year!! ;; U ;; )
You and Lon’qu were both gifted with the sword. But this was just one of those moments that his skills faltered. It was rare that such a thing would happen; he was always on his toes, always vigilant, looking out for himself and for you, but... this time, it just slipped.
You spotted the lance-wielding enemy before Lon’qu did, and he was targeting your husband. There wasn’t any time to make a decision.
The weapon was thrown before you could make a sound.
You launched forward, shoved Lon’qu out of the way, and then... all you felt was pain.
Red colored your vision as you crumpled to the dirt, your fingers closing numbly around the lance that jutted out from your middle.
In the back of your mind, you thought it lucky you weren’t pierced through the chest.
Lon’qu, however, felt very differently.
He hit the dirt before you had, snapping around just in time to watch the lance impale you. He had never known fear like he did in that very moment.
“NO!!”
An unholy roar ripped from his mouth, launching himself mercilessly at his attacker. His blade smashed again and again into the lancer’s defenses, until the opening broke through and his sword brought down an angry vengeance upon the villain.
Blood spattered his clothes as he cut the man down, panting heavily as he struggled to regain himself.
As soon as the body fell, Lon’qu abandoned it and darted back to you. He closed a hand around the lance, eyes wide with an unfathomable fear.
“Robin... !!” He gasped your name, his hands trembling violently. He had seen this all before. When he was younger, and careless. It was Ke’ri all over again.
But this time it was his wife.
“Lon... y-you... ?” You couldn’t form a sentence without coughing up blood. Lon’qu’s fear exploded, and he struggled to keep it together.
He grabbed the lance once more before he grit his teeth and pulled it out in one clean motion. The look of sheer pain on your face would haunt him as you arched your back, unable to even cry out.
He wasted no time, tearing off his belts and tunic and wrapping the cloth around your wound in an attempt to stop the bleeding.  
“HEALER!!”
Lon’qu’s shout was foreign to your ears. You never heard him raise his voice before. When he looked at you, it was even more disconcerting.
He had never looked so terrified, before.
“Hold on... ” He growled behind clenched teeth, the quaking of his limbs around you keeping you tethered to reality. “Hold on... please... ”
“Lon’qu... ” You reached up to touch his face, but your fingers never quite met his skin. The world faded to black as your body went limp in his arms.
You weren’t awake to hear him crying your name.
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Libra had never seen Lon’qu act as he did when you were brought to the healing tent. He sat there, rigid as stone as he hunched over your cot, not once leaving your side.
He wouldn’t eat, nor sleep. He didn’t even change out of his armor, or the tunic stained in blood that Libra could only assume was yours. He had clung to you so tightly he nearly fought Libra when he tried to take you.
He refused to leave when the healers came in to dress your wound and refresh the bandages. His glare bored holes into the ghastly mark, the gash surrounded by angry red skin and a terribly sensitive bruising.
Lissa couldn’t bring herself to look at it, so it was up to Lissa and Libra to take care of you, for the most part. Them, and Lon’qu’s constant presence.
The priest had never pegged Lon’qu to be such a clingy lover, but then again, he didn’t know anything about the man’s past. He had no idea what he’d been through.
But you did.
That was what Lon’qu couldn’t understand. You knew what happened to Ke’ri. You knew how important your life was to him; how precious each moment was.
For you to throw that away because of one  attack he didn’t see was vexing. It was blood-boilingly infuriating. His fists were clenched so tightly his knuckles turned white, every muscle tensed in his body.
He wanted answers, but mostly... he wanted you to wake up.
Lon’qu shook his head, his eyes hidden as his bangs fell over them. He bowed his head, grimacing to himself as he felt the fears bubbling in his chest, again.
What if you didn’t wake up? What if he never got to hold you again, or tell you that he loved you? Those long nights of comfort, being coaxed back to sleep by your sweet words and tender touches after being plagued by nightmares– he couldn’t lose that. If he lost his sole purpose to live, he couldn’t go on.
Thankfully, he wouldn’t have to.
It started with a twitch of your little finger. Then your eyelashes fluttered, and a soft groan strained past your lips. Your brow furrowed, your breathing picked up, and you struggled to wake up.
Lon’qu sat stock straight in his seat, staring at you with wide eyes. You were finally waking up.
“Robin... ?” His voice was hoarse as he whispered your name, reaching out to take hold of your hand. His fingers trembled around yours as he clutched your little hand, watching as your eyes slowly opened.
You blinked once, twice, three times before you looked to your side, meeting your husband’s gaze for the first time in days. Your vision was a bit blurred, but it wasn’t hard to see how rough he looked. It was as if he hadn’t taken care of himself for days.
“Lon’qu,” You croaked his name, but that was as far as you got. He didn’t even let you get past two syllables before his arms were around you, and he drew you into his chest with such firmness you were completely shocked.
It was a lucky thing Libra had applied the numbing salve to your wound; in Lon’qu’s rush to embrace you, you were sure it would’ve caused a great deal of pain otherwise.
“You’re awake-!” He choked out, his voice a gravelly growl of emotion. He buried his face in your hair, hunched over as he took you in. “I thought... I thought it would be Ke’ri all over again, but... it couldn’t be you. Not you, too.”
“Oh, love.” You mumbled, your fingers curled into his tunic as you felt the droplets wet your bandages.
You slipped slender, weak fingers through his hair, holding him as tight as you could as he shivered and shook around you.
He cupped the back of your head, squeezing you tight as his brow furrowed against his tears.
“Gods, you... s-scared the hells out of me. I thought you were... you w-were... ”
“I’ve never heard you... t-talk so much.” You coughed out something between a laugh and a wheeze, drawing back to coax him to look at you. With gentle hands, you brushed the tears away, trying to draw his downcast gaze to yours.
“Robin... ”
“I-I’m sorry... I didn’t want to scare you.” You whispered, your fingers slowly falling from his cheek before he caught your hand, drawing your hand back to his face and leaning against it. You could feel his own fingers quaking around yours.
“You did more than scare me. I... it was Ke’ri, again. I saw her, in- I saw in you what... t-the... y-your face, your... your b-body, it-”
Lon’qu cut off as the tears ran over your skin, large and hot as they soaked your skin. Lon’qu’s shoulders hunched as he bowed his head deeper, trying to hide the obvious from you to no avail.
Your vision blurred as the sorrow welled in your eyes, seeing just how frightened he was.
“Oh, Lon’qu... I just... wanted to protect you. I didn’t mean to t-traumatize you all over again, I... ” You whimpered, “I-I love you so much, I just... didn’t want to lose you.”
Lon’qu nodded, bit his lip and then shook his head. He came down beside you, burying his head in your shoulder, releasing your hand so that he could gingerly take you into his arms.
As if you were made of glass, and the slightest touch would break you.
“Oh, m-my love... I am so, so... so sorry.” You sobbed, the pain quickly ignored as you comforted your husband. He could only nod against you, trying desperately to keep his own whimpers from breaking past his lips.
He loved you more than he’d ever be able to put into words. There was nothing he could say to you that would be enough to convey how he cared about you. Nothing in the world would be worse than losing you.
Even though he couldn’t convey it, you never once doubted it. You took several precautions to avoid such a tragedy, training by his side to become twice as swift and sturdy, just as he did for you.
Never would you let him cry another tear for you. Not like that.
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nyxronomicon-art · 3 months
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*designs a self-insert hsr oc to romace gallagher with*
*gives her a kit specifically designed to support Blade*
Nyx | Fire | Harmony
"did you hear? there's a halovian with black wings. they say she made a deal with the devil."
Rebelling against the order and her Halovian heritage, Nyx clipped her own wings in a ritual appealing to ancient gods of disorder. She died once, falling deep in the empty dreamspace, eventually clawing herself and her newfound power out into the Dreamflux Reef. Earning the Disorder's favor, she was granted extreme power, but that power comes at a cost.
personality notes: sarcastic, dark humor. unsettling. feisty. intimidating aura. not easily angered but VERY scary when she is. tsundere. hates formalities (painfully casual all the time). crass language. loves to drink with Gallagher.
(kit under the cut bc it's long lol)
Normal attack:
Infernal Dagger. Nyx deals x% Fire DMG to a target enemy. High likelihood to cause burn. Nyx jumps behind the enemy and slices them from behind with her cursed dagger.
Skill:
A Bond That Cannot Be Broken. Nyx consumes x% HP to enter a Blood Pact with an ally. Blood Pact: Raises the chosen ally's ATK% and Effect RES by x% of Nyx's max HP. The ally is more likely to get targeted by attacks and after three enemy hits, Nyx launches a Fire DMG follow-up based on the amount of damage taken by that ally. The blood pact state clears after three of Nyx's turns. When Blood Pact is active, Nyx heals x% of her own HP when using her normal attack. Nyx slices her hand with her cursed dagger, dripping her own blood in front of her ally to lend them her power. When her FUA is triggered, she snaps her fingers, a summoning circle appearing below enemies as claws reach out in an attempt to drag her enemies to hell.
Ultimate:
Sacrificial Lamb. Nyx's HP compounds onto the ally of choice, entering the Ritual Sacrifice state. Ritual Sacrifice: Ally's crit rate & crit dmg are raised. Ally heals x% of their compounded hp each time they hit an enemy. Enemies can only target that ally (blast attacks will still hit other active allies). Nyx cannot lose health in this state. After a set amount of time (like Robin's ult) ALL dmg taken by allies is compounded into a Fire DMG follow-up attack, returning the dmg to all enemies at x% of the damage taken by Nyx's allies. Nyx and the ally affected by Ritual Sacrifice's health are both set to 50% when exiting this state. Nyx's chains tighten and you see her halo transform into horns, claws and fangs growing on her features. A demonic aura surrounds her, the infernal power amplifying. Then, she breaks the chains holding her back, using her demonic claws to rip apart her foes.
Talent:
The End is Never The End. When an ally receives a killing blow, Nyx sacrifices x% of her max HP to revive them. This can only be triggered once per ally per battle. If she resurrects herself, she immediately enters a blood pact state with the ally with the highest HP. A summoning circle appears below Nyx's ally, glowing red as infernal magic ressurects them.
Technique:
Equal Exchange. Nyx consumes x% of HP to heal her allies by x% of her own hp and raises Effect RES for all allies by x% on her first normal attack.
Traces:
Hellish Resistance. Nyx raises all allies Effect RES by 20% Only a Scratch. If Nyx overheals when in the blood pact state, the additional health is given to the ally with the lowest HP. Devil's Plaything. When Nyx breaks an enemy weakness, she hijacks their next turn and performs her blood pact FUA based on her current hp%
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etoilerrante · 1 year
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munday - toa anniversary edition!
repost, don't reblog. tagging the rest of toa <3 ty neffi for the template!
Name: Red!
Pronouns: She/Her
Birthday (no year): October 13th
Where are you from? What is your time zone? I’m from the Midwest of the US, but I’m moving to New York in- less than a week! 
Roleplay experience: God... overall maybe 8 years? I’ve been playing D+D for about the same time :) 
Got any pets? Parents have 5 Adam Driver cats (which I post frequently) and two dogs. I’d like to have my own betta fish again after I’m settled in. 
Favorite time of year: Fall! I'm a halloween girl.
Some interests and things you like: D+D, Vocaloid, birdwatching
Some funfacts & trivia about you: I’ve been singing almost my entire life. I picked it up after my parents tried to get me to play piano but my hands would not cooperate. Also, I read tarot cards. 
What non-Fire Emblem games do you play? Pikmin, Project Diva/Sekai, Honkai Star Rail, Taiko no Tatsujin
Favorite Pokemon type & Pokemon: Flying type and Umbreon. 
How did you get into Fire Emblem? My friend was playing 3 Houses and told me he loved it. I had gotten some money for Easter and decided to use it on 3h. I didn’t really get into Fire Emblem until I pulled Reyson in FEH and instantly fell in love with his design. 
What Fire Emblem games have you played? I’ve only ever finished Engage and it’s my biggest shame. 
First Fire Emblem game: 3 Houses
Favorite Fire Emblem game: Tellius 
Any Fire Emblem crushes? 😳 you know this already
If you’ve played the following games, who was your first S support? Who would you S support nowadays?- Awakening: I have plans to S-support Stahl because he took a crit for my Robin. Fairytale romance imo- Three Houses: Claude - Engage: Kagetsu!!! Silly guy... 
Favorite Fire Emblem class: Dancer
If you were a Fire Emblem character, what would be your class? Dancer again
If you were a Three Houses character, what would be your affiliation? Golden Deer 
If you were an Engage character, which Emblem would you Engage with? SIGURD!!!!! :DDD 
How did you find TOA? I wanted to RP Reyson, so I went looking for somewhere with openings. 
Current TOA muses: Just Phina for now. 
Who was your first TOA muse? If you don’t have them anymore, could you see yourself picking them up again? Reyson. I would like to drabble with him again, but I feel his muse is pretty dead and it makes me happy to see other people writing him with such care. 
Have you had any other TOA muses? Yeah... I’ve had an embarrassing amount of muses here. Reyson, Janaff, Plumeria, Sanaki, Midir, Kagetsu. Most of their blogs are still up and their URLs are on my about page on Phina’s blog. 
Do you think you have a type of character you gravitate towards? People in love and The Horrors. Recently I’ve really wanted to write about the horrors. 
What do you believe you enjoy writing the most? It changes all the time! I find my favorite writing happens when I'm in sync with where the muse is at, for better or worse.
Favorite TOA-related memory: I'll never forget the friendship between Barely's Ophelia and my Janaff.
How do you pronounce TOA? 🤔tee-oh-ay. Like the letters. But I do call everyone the Toasters. Got any delusions that didn’t see the light of day that you’d like to share? 😉 I thought about writing Nephenee for a while? Weird. I also have an Embla blog lying around...
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pegasusknightsonly · 9 months
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what if awakening had personal skills
i really like the personal skills system in fates and wanted to apply it to a game i enjoy! a game i love, even! and rather than port over the fates skills directly i wanted them to better fit the awakening cast's personalities as well as the awakening metagame itself. a couple of notes and the list itself under the cut:
note #1: awakening is largely a hit/avo stacking game, and most of the class skills affect that. however applying this logic to all the personal skills would 0 out enemy hit WAY too early in the harder difficulties. I've therefore used a more fates-like damage modifier for most of them
note #2: awakening tends to give you pairs of units, with one unit being faster and more skillful but frailer, and the other having more bulk but less offensive power. where possible I've tried to distribute skills the same way, so more offensive personal skills have defensive counterparts elsewhere in the roster
note #3: this list is not perfectly balanced to make every unit equally viable on Luna+. some units are getting a considerable buff to their overall combat, some are getting utility skills, some are getting essentially rebalanced. this is, for now, a completely theoretical exercise and has not been playtested.
note #4: awakening considers supporting units in a pair to be adjacent to the lead unit, but not adjacent to the units adjacent to the lead. so units affected by L's adjacency skills are marked with an X (the / denotes that L is a lead unit in a pair up) .....X..... X L/X X .....X..... and unit's affected by S's adjacency skills are marked with a Z (the / denotes that S is the supporting unit in a pair up) .....0..... 0 Z/S 0 .....0......
note #5: the format for the list will be Unit name: Skill name. Skill description. (Any further notes)
Chrom: Fight Fair. Adjacent enemies can't activate damage-boosting skills. (Do you miss nihil from the tellius games? i do. do you think about nihil from the tellius games every time chapter 6 validar manages to proc vengeance on what should be the killing blow and makes you restart the entire map? i do!!!! Chrom's new personal gives you the only tool in the game to directly mitigate that, and as Chrom is the only unit force deployed on every story map it felt right to give him something Very Useful and unique. it does not nullify pavise, aegis, dragonskin or counter.)
Robin: Grand Strategy. Unit can use their remaining move after rallying. (Canto, for rallies only. It's not another action and Robin can't use this to attack.)
Lissa: Prankster. Adjacent allies have +5 hit and +5 crit. (this seems like it'll be annoying, which is just right for Lissa. finally a use for -skl Robin)
Frederick: Wary Watcher. +10 dodge when enemy has 100% HP.
Sully: Red Panther. When adjacent to two or more allies including pair up partner, +2 skill and +2 speed to unit and adjacent allies.
Virion: Gentilhomme. +5 hit and +5 avoid to all female allies within a 3 tile radius.
Stahl: Green Bull. When adjacent to one or more allies including pair up partner, +1 def and +1 res to unit and adjacent allies. (straightforward defensive counterpart to Sully's offensive skill)
Vaike: Big Swings. Unit does +2 damage when wielding an axe.
Miriel: Well Read. Unit does +2 damage when wielding a tome.
Sumia: Fly Together. Unit does +2 damage and receives -2 damage when paired up. (first story skill! I had to give Sumia something involved pair-up as she's the reason it exists)
Kellam: Undetectable. When supporting in a pair up, unit has +10% dual strike rate. (DS+ for Kellam only when supporting. Does not affect his partner's rate like DS+)
Lon'qu: Gynophobic. Unit deals and receives +2 damage when supported by a female unit. (ummed and ahhed about whether it should be +3, but he has like... 20 base HP. it's +2)
Maribelle: Refinement. Adjacent allies have +5 hit and +5 dodge. (a counterpart to Lissa's skill that is honestly a LOT more useful)
Ricken: Bravery. Unit takes -2 damage from non-adjacent attacks.
Panne: Natural Speed. Unit has +1 mov at when HP = 100% at the start of the turn. (A strong skill, sure, but Panne lacks galeforce to really make use of it and +1 HP level ups on enemy phase will negate it entirely. she could get mov+1 from thief and deliverer from griffon knight to go crazy with this but that's a LOT of effort. funny though)
Gaius: Nimble. Unit takes -2 damage from adjacent attacks.
Cordelia: Fly Solo. Unit does +2 damage and recieves -2 damage when not paired up. (straightforward counterpart to Sumia)
Nowi: Natural Defences. Unit has +2 def/res when HP = 100% at the start of the turn. (Like Panne, easily negated by +HP level ups on EP)
Gregor: School of Life. Unit's pair-up partner earns 20% more EXP. (it's not fair that veteran is Robin-exclusive, right? here's a worse version for, realistically, Miriel and Nowi only)
Libra: Calming Mien. +5 avoid and +5 dodge to all allies within a 3 tile radius.
Tharja: Spite. +20 hit when attacking enemies with <100% HP.
Olivia: Evasive. Avoid +10, but hit -15. (I wanted this to be contingent on her not holding a weapon but you have to get Olivia through dark flier somehow)
Cherche: Knightly Honour. +15 hit if enemy has 100% HP.
Henry: Mean Streak. +10 crit if enemy has <100% HP.
Lucina: One Sword. Receives 25% more EXP when carrying or wielding Parallel Falchion. Does not stack with other EXP-boosting skills. (specifically i don't want it to stack with veteran, not that Lucina should have that in her skill pool to begin with. I guess she can't benefit from Gregor's personal either but well... when would that ever come up?)
Say'ri: Blade Dedication. Unit does +2 damage when wielding a sword.
Basilio: West Khan. Unit does +2 damage when wielding a bow.
Flavia: East Khan. Adds 5% to Skill activation rates. (i actually forgot that they're main story recruitables. i never use them...)
Donnel: Lucky. Luck-based skills have their activation rate increased by 10%. (This really only applies to armsthrift in his class set but Donnel loves armsthrift)
Anna: Make A Killing. Unit can use their remaining move after opening a lock. (equivalent to Robin's utility skill and appropriate for the utility queen. in later games her skill "make a killing" is just awakening's despoil, so it didn't make sense to me to double it up even though Anna herself can't access it)
Owain: Aching Blood. +10 hit and +20 crit when <50% HP. (gamble/wrath/vantage ruin owain viable??????????????)
Inigo: Fair Flowers. Unit and partner deal +2 and receive -2 damage when paired up with a female unit.
Brady: Considerate. Luck% chance that the durability of the user's staves will not decrease on usage. (armsthrift... for STAVES)
Kjelle: Training Regime. +2 strength/speed/defence for one turn after attacking.
Cynthia: Crowd's Cheers. Unit recieves 1.5x the stat boost from rally skills. (The people go wild! Yay! Huzzah! Nice job, Cynthia! We love Cynthia! Hip-hip-hooray! …And so on.)
Severa: Competitive. When paired up, unit deals +3 damage but partner's dual strikes deal -5. (i feel like this should be worse, given how powerful pairup is...)
Gerome: Immovable Wall. +5% increase to dual guard rates.
Morgan: Adaptable. +10 avoid and +10 dodge when <50% HP.
Yarne: Timid Taguel. When paired up, unit deals -3 damage but partner's dual strikes deal +3. (straightforward counterpart to Severa. damn there's really good synergy between them, huh)
Laurent: Observant. When not paired up, unit has +15% dual strike rate.
Noire: Fluctuating State. On odd-numbered turns, +2 damage dealt. On even-numbered turns, -2 damage received.
Nah: Mighty Roar. -5 hit and -5 avo to all enemies within four spaces.
Tiki: The Voice. +5 hit to all allies and -5 dodge to all enemies within four spaces.
SPOTPASS CHARACTERS
Gangrel: Cruel Orders. +10 crit and -10 dodge to allies within three spaces.
Walhart: Iron Fist. All allies get +5 hit.
Emmeryn: Gentle Touch. -10 crit and +10 dodge to allies within four spaces.
Yen'fay: Ghost Of A Blade. +20 avoid when wielding a sword.
Aversa: Shadowgift. Unit can use dark magic in any tome wielding class.
Priam: Legendary Heritage. Adds 10% to Skill activation rates.
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therobinwing · 2 years
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I posted 6,825 times in 2022
118 posts created (2%)
6,707 posts reblogged (98%)
Blogs I reblogged the most:
@autumncalls
@ vaspider
@ thebibliosphere
@courfeyracs-swordcane
@ nerdvanauniverse
I tagged 1,194 of my posts in 2022
#esc - 154 posts
#ofmd - 87 posts
#quizzes - 69 posts
#rambling - 55 posts
#red dead - 52 posts
#goncharov - 46 posts
#crit role - 43 posts
#greek myth - 36 posts
#unreality - 33 posts
#fav - 31 posts
Longest Tag: 116 characters
#so my first name is robin which i pronounce with a german or english accent depending on which language i'm speaking
My Top Posts in 2022:
#5
hey. hey what if. at the start of ofmd s2 we get that bit of eddy sobbing in his bunk again. and then the camera pans around to reveal a dripping wet lucius. wouldn't that be funny.
10 notes - Posted March 30, 2022
#4
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14 notes - Posted October 3, 2022
#3
ok I think I've figured out this year's themes: non-english, cowboys, queers, and off-key
31 notes - Posted May 12, 2022
#2
wait. maybe pike can't see the Everlight cause she has a bit of a. blindspot
83 notes - Posted February 4, 2022
My #1 post of 2022
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CASSANDRA DE ROLO MY BELOVED
219 notes - Posted January 12, 2022
Get your Tumblr 2022 Year in Review →
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fancyfade · 2 years
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ok re read the first arc of red robin
keeping an eye out for the ra’s is obviously manipulating tim stuff i enjoyed it better. possible to integrate some parts into my own canon. it was also clear that tim is having a breakdown and not a reliable narrator when he winds up all alone (and also inadvertently puts himself in a position where he can be manipulated by ra’s and does wonder himself if he is looking for validation in ra’s).
i actually find this a very realistic response to trauma (pushing people away, not wanting to be helped) so it is frustrating when fandom wants to act like all of tim’s family and friends ditched him when... no. in text that is not what happens. he even admits to himself that he is not giving dick the real evidence for why bruce is still alive.
i still however hate how yost treats pru and i dont like how he treats damian and him making damian make random sexist remarks is so off when the writer himself uses sexist tropes and also has tim make similar sexist remarks. maybe tim only dislikes sexism if he’s the target. ”jeez, damian, you’re supposed to be condescending to GIRLS, not to ME, get it right”
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eveningdawn222 · 2 years
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in my anti-tim drake era. rich mf's parents aren't around :( and he decides to become a fucking stalker? not even for like. a good cause or anything. he's just like 'yeah im gonna stalk these people cause i think they're cool.' people r always like 'oh he's so smart and he's a mastermind' yeah? what was he gonna do if done rogue spotted him and decided they wanted to know what this kid knew? he was gonna endanger batman's whole ass mission, his life, and his sons lives, just so he could take some cute pictures?
and then when jason dies, he's like huh. wow i could totally insert myself here and become part of my favorite reality tv show :)' haha and he fUCKING BLAVKMAILS BRUCE
idk how people just brush that shit off he fucking preyed on the feelings of a grieving father to what? play dress up? like good for you!! you weaseled your way into the home of a grieving family!!!
like yeah. his parents weren't the best. doesn't give him an excuse to exploit someone else's family so he can live out some fantasy where he has a loving home. like ok? go off u weasel ig. u could have just. done the normal and sane and legal thing where u try to make friends by talking to them! instead of following them with a camera for years gathering blackmail
tim drake didn't need robin. he had everything he could have ever asked for at his fingertips, opportunities and money and privilege. he became robin not because he deserved it, but because he wanted it.
im so fucking tired of rich white boys just throwing themselves around like they're the shit. tim drake is the most boring, infuriatingly arrogant, overhyped asshole since t*ny st*rk.
people act like jason was wrong for attacking tim like he wasn't the one who stole his title, the thing that made him magic. from him. if tim drake really wanted to help people, he should've put on a mask himself. he had the money, and obviously the free time to do it. but no. what he did was steal the uniform of a boy who was barely cold in his grave, because robin will always be a game to him. something he can pretend he is do he doesn't have to look himself in the mirror and see the privileged, misogynistic, arrogant creep who stares back at him.
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grailfinders · 4 years
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Fate and Phantasms #49: Lu Bu Fengxian
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Today on Fate and Phantasms, we’re building the General of Repetition, General of the Left, General Who Pacifies the East, and General of Repetition, Lu Bu Fengxian! Lu Bu is a Berserker/Champion combo who’s good with every form of his signature weapon, the Fāngtiān Huàjǐ. Have I mentioned I’m really glad this is a text based format?
You can check out the level-by-level breakdown below the cut, or the summary here!
Race and Background
Quick and easy, Lu Bu is a Human Soldier. That gives him +1 to all stats, and proficiency with Athletics and Intimidation. Also, because you’re a general, you might get some respect from anywhere that recognizes your rank.
Stats
Your Strength should be your highest stat, that’s the one that makes the most stabbing. You’re not a druid, so any weapon that doesn’t use strength will use your Dexterity. Third is your Constitution; you’re a berserker, so you excel at all things physical. Your Charisma isn’t amazing, probably because you can’t really talk that well. Or at all. Your Wisdom is pretty low, but you’re cognizant of the action economy which is surprisingly wise of you, so we’ll dump Intelligence instead. You typically leave tactics to Chen Gong.
Class Levels
1. Barbarian 1: First level barbarians get proficiency in Strength and Constitution saves, as well as two Barbarian skills. Red Hare liked you so much he became a servant to follow you around, so you’re probably pretty good with Animal Handling. Also, you have to see good to shoot good, so tick off Perception as well.
First level barbarians learn to Rage, temporarily gaining resistance to slashing, piercing, and bludgeoning damage and getting a whole lot of strength bonuses for as long as they keep hitting and getting hit, up to a minute. You also get Unarmored Defense, giving you AC based on your constitution and dexterity. You do have... let’s call it medium armor, but the choice is nice.
While we’re here, lets talk about weapons. Technically, your signature weapon can transform into six different modes, but that’s a lot to keep track of, and I have no idea what a “sweeping” mode would look like, so we’re keeping things simple here. We’re grabbing a Pike for the melee mode and a Longbow for the ranged weapon. You won’t start with the longbow, but it’ll be a while before you get any juicy features for it, so just buy one later when you get the chance.
2. Barbarian 2: Second level barbarians can make Reckless Attacks, getting advantage on all your melee attacks for one turn in exchange for all attacks on you getting advantage as well. Also, your Danger Sense gives you advantage on dexterity saving throws. For those of you keeping track at home, you’re now proficient in two physical saves, and have nearly permanent advantage on the third. You’re pretty well rounded, if you ignore every mental stat you have. Which is exactly what we’re doing, because you’re a berserker.
3. Fighter 1: The third level of barbarian isn’t kind to you, so we’re going to hold off on that for a second and check out fighter instead. First level fighters get a Fighting Style, your preferred way of dealing damage. Great Weapon Fighting lets you reroll 1s and 2s to damage rolls of two-handed melee weapons which, oh look, you have. Your Second Wind lets you heal a bit if you want, just remember every bonus action spent healing is another bonus action not spent killing.
4. Fighter 2: Your Action Surge lets you pack another action into a single turn. We heard you like stabbing, so now you can stab while you stab.
5. Fighter 3: At third level you become a Champion. Your Improved Critical lets you deal critical damage on an attack roll of 19 as well as 20. In case you couldn’t tell yet, stabbing is your hobby, and you’re really good at it.
6. Fighter 4: Burn your first ASI to become a Great Weapon Master. Whenever you make a critical hit or kill a creature with a melee weapon, you can use your bonus action to make a single melee weapon attack. You can also opt to take a -5 penalty to an attack roll with a heavy weapon to add 10 to the damage roll. Your reckless attacks plus your improved critical means you have four times the odds of critting as a normal person, so that penalty is basically nothing to you. Like I said, you’re good at stabbing.
7. Barbarian 3: Back in barbarian, you’re now a Berserker. You were a Berserker before, but now it’s official. Don’t think about it too much. Berserkers can use a Frenzy when they rage, letting them use their bonus action to make an extra attack, but after their rage ends they take one level of exhaustion. Oh look, it’s literally what you got last level, but with a debilitating side effect. Don’t use Frenzy.
8. Barbarian 4: Use your next ASI to start beefing up on Strength. It will be a while before we can really make your bow shine, so best get really comfortable with that pike while we’re waiting.
9. Barbarian 5: Fifth level barbarians get an Extra Attack, letting you make two attacks in one action. This means you now have eight times the chance to deal a critical  per round compared to most people, and that will give you a bonus attack to boot. You also get Fast Movement, adding 10′ to your movement speed while not wearing heavy armor. You’re not even proficient in heavy armor, so if you do end up in some you’ll have bigger problems than moving slower.
10. Barbarian 6: Your second berserker feature is your Mindless Rage, making you immune to being charmed or frightened while raging, and suspending any charms or spooks affecting you if you where charmed/frightened before the rage started. Most charms try to bring a person over to the caster’s side: you don’t do sides. They’re all just “People I haven’t stabbed yet”.
11. Fighter 5: Fifth level fighters also get an extra attack, but it doesn’t stack with your other extra attack, so this level’s also does nothing. Now both of your classes have given you a dead weight level. Does that make this a balanced build?
12. Fighter 6: We’re gearing up for some shooting, so put this next ASI into the Resilient feat to round out your Dexterity and give you proficiency with dex saves. This also increases your AC, so it’s great all around.
13. Fighter 7: Seventh level champions are Remarkable Athletes. You can now add half your proficiency score to strength, dexterity, and constitution checks that you’re not proficient in, and add your strength modifier to your long jump distance. Now I’m wondering if there’s a third thing like this to make a fighter/bard that’s better in things they’re not proficient in....
14. Fighter 8: Another ASI to make your Dexterity equal to your strength. Now you’re almost as deadly at range as you are up close. Some people are smart enough not to come near you, but they’re only prolonging the inevitable.
15. Fighter 9: Ninth level fighters are Indomitable, letting you reroll one failed saving throw per long rest. Most people are probably going to try and charm you out of a fight, but you’ve got other ways to deal with that (read: stabbing them). Wait for someone to wisen up and try to Banish you, you’ll probably need it then.
16. Fighter 10: Champions get an Additional Fighting Style at level 10. Archery lets you add 2 to ranged attack rolls. It’s not complicated, but it works. Like you.
17. Fighter 11: Eleventh level fighters get another Extra Attack, which stacks, unlike the last one. Figuring out exactly how much hitting you can do now wastes valuable hitting time, but it’s probably a lot.
18. Fighter 12: Use your next ASI to become a Sharpshooter. You can now attack at long range without disadvantage and can ignore anything but full cover. You can also subtract 5 from a ranged attack to add 10 to its damage, just like your melee attacks. Sadly you can’t get extra attacks like GWM, but you’re slapping 30 damage onto attacks happening 300 feet away, so it’s still a good pick.
19. Fighter 13: You get a second use of Indomitable, because sometimes people try the same thing twice. You should know, you’ve tried the same thing (read: stabbing) every time, and it always worked.
20. Fighter 14: Your last level gives you your last ASI. Spend it on Constitution for better saves and some more HP.
Pros: 
You’re a well balanced killing machine. Unlike Herc, you don’t have to worry about speedier enemies giving you the runaround when you can just shoot them, and you’re still plenty useful in close quarters combat as well.
Three to six attacks per round times twice as many crits times constant advantage equals a whole lot of dice being thrown around.
Your mental saves (Int, Wis, and Chr)... are terrible. But, you have ways to instantly shut off any charm effects you catch wind of, and multiple rerolls to protect yourself from the occasional banishment.
Cons:
Splitting your attention on both strength and dexterity means you aren’t at the peak of either. Herc can out-sword you, and Robin Hood can out-arrow you. So shoot Heracles and stab Robin.
None of your attacks are magical, so some higher level creatures may be an issue if you’re in a low-magic item setting. Maybe you should find some sort of super cool tactician who can make magical weapons for you. Who knows where you’ll find one of those, though...
Next up: He’s not the rebellion we deserve, but he’s the one we need.
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evostrashbin · 4 years
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If you take a close look at “Robin’s” crit it special art as many have pointed out he has red draconic eyes so in a way it’s both which is so cool. But your art! You’re so fast! And it’s beautiful as always thank you for the good Grima content
oh yeah I saw!! It’s really cool! But I’m also absolutely in love with the resplendent design in general, guess I have to get the FEH pass once because I have an almighty need. Honestly my first impulse when I saw it was that I wanted to draw a Grima-version and so I did :> Thank you so much, it’s my pleasure!! 💖Thank you for liking my art! 💖
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hlupdate · 5 years
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A hand­shake can quell polit­i­cal unrest and sti­fle impend­ing war. It can, with a bit of spit, val­i­date a gentleman’s agree­ment, end a years-long roman­tic rela­tion­ship or send a young heart rac­ing. But it all depends on the two par­ties involved.
Daisy, 21, felt a seis­mic jolt when Har­ry Styles, 25, wear­ing a striped jumper and rings on three of his five fin­gers, clutched her hand two days after this year’s Met Gala in New York, when she served him gela­to at the shop where she worked.
“He decid­ed on a small mint choco­late gela­to and I made his and the one for his friend and I said, ​‘Can I just say I absolute­ly loved your Met Gala look’ and he said ​‘Thank you very much! What’s your name?’ And I said, ​‘Daisy’ AND HE FUCK­ING EXTEND­ED HISHAND AND REACHED TO SHAKE MY HAND AND I ACTU­AL­LY FUCK­INGSHOOK HIS HAND WHAT THE FUCK,” she wrote on Insta­gram after The Shak­en­ing. ​“Like I didn’t even say any­thing to gas him up besides ​‘I loved your met gala look’ and his fine ass went and shook my hand! WHAT A BEAU­TI­FUL FUCK­ING HUMAN BEINGTHAT HE IS GOD BLESS HIM AND I HOPE HW [sic] LIVES FOREVER.”
For Har­ry Styles, a hand­shake can be a roman­tic ges­ture, con­jur­ing a potent rev­er­ence in its recip­i­ent, like the time he met Gucci’s cre­ative direc­tor Alessan­dro Michele. ​“He was as attrac­tive as James Dean and as per­sua­sive as Gre­ta Gar­bo. He was like a Luchi­no Vis­con­ti char­ac­ter, like an Apol­lo: at the same time sexy as a woman, as a kid, as a man,” Michele told me, has­ten­ing to add: ​“Of course, Har­ry is not aware of this.”
No, Styles has no idea the pow­er he wields. In per­son, he’s tow­er­ing, like some­one who is not that much taller but whose rep­u­ta­tion adds four inch­es. Styles has a seda­tive bari­tone, spo­ken in a rum­my north­ern Eng­lish accent, that tum­bles out so slow­ly you for­get the name of your first born, a swag­ger that has been nursed and per­fect­ed in myth­i­cal places with names like Pais­ley Park, or Abbey Road, or Grace­land. Makes com­plete sense that he would be up for the role of Elvis Pres­ley in Baz Luhrmann’s upcom­ing biopic. He was primed, nay, born to shake his hips, all but one but­ton on his shirt cling­ing for dear life around his tor­so. Then the part was award­ed to anoth­er actor, Austin Butler.
“[Elvis] was such an icon for me grow­ing up,” Styles tells me. ​“There was some­thing almost sacred about him, almost like I didn’t want to touch him. Then I end­ed up get­ting into [his life] a bit and I wasn’t dis­ap­point­ed,” he adds of his ini­tial research and prepa­ra­tions to play The King. He seems relaxed about los­ing the part to But­ler. ​“I feel like if I’m not the right per­son for the thing, then it’s best for both of us that I don’t do it, you know?”
Styles released his self-titled debut solo album in May 2017. The boy­band grad was clear­ly unin­ter­est­ed in hol­low­ing out the charts with more for­mu­la­ic meme pop. Instead, to the sur­prise of many, he dug his heels into retro-fetishist West Coast ​’70s rock. Some of the One Direc­tion fan-hordes might have been con­fused, but no mat­ter: Har­ry Styles sold one mil­lion copies.
Despite its com­mer­cial and crit­i­cal suc­cess, he didn’t tour the album right away. He want­ed to act in the Christo­pher Nolan film Dunkirk. To his cred­it, his por­tray­al of a British sol­dier cow­er­ing in a moored boat on the French beach­es as the Nazis advanced wasn’t skew­ered in the press like the movie debuts of, say, Madon­na or Justin Tim­ber­lake. Per­haps he was fol­low­ing advice giv­en by Elton John, who had urged him to diver­si­fy. ​“He was bril­liant in Dunkirk, which took a lot of peo­ple by sur­prise,” John writes in an email. ​“I love how he takes chances and risks.” Act­ing, unlike music, is a release for Styles; it’s the one time he can be not himself.
“Why do I want to act? It’s so dif­fer­ent to music for me,” he says, sud­den­ly ani­mat­ed. ​“They’re almost oppo­site for me. Music, you try and put so much of your­self into it; act­ing, you’re try­ing to total­ly dis­ap­pear in who­ev­er you’re being.”
Fol­low­ing the news that he missed out on Pres­ley, his name was float­ed for the role of Prince Eric in Disney’s live-action remake of The Lit­tle Mer­maid. How­ev­er, fans will have to wait a bit longer to see Styles on the big screen as that idea, too, has sunk. He won’t be The King or the Prince. ​“It was dis­cussed,” he acknow­ledges before swift­ly chang­ing the sub­ject. ​“I want to put music out and focus on that for a while. But every­one involved in it was amaz­ing, so I think it’s going to be great. I’ll enjoy watch­ing it, I’m sure.”
The new album is wrapped and the sin­gle is decid­ed upon. ​“It’s not like his last album,” his friend, rock ​‘n’ roll leg­end Ste­vie Nicks, told me recent­ly over the phone. ​“It’s not like any­thing One Direc­tion ever did. It’s pure Har­ry, as Har­ry would say. He’s made a very dif­fer­ent record and it’s spectacular.”
Beyond that, Styles is keep­ing his cards close to his chest as to his next musi­cal move. How­ev­er, the air is thick with rumours that his main wing­man for HS2 is Kid Har­poon, aka Tom Hull, who co-wrote debut album track Sweet Crea­ture. No less an author­i­ty than Liam Gal­lagher told us that both big band escapees were in the same stu­dio – RAK in north-west Lon­don – at the same time mak­ing their sec­ond solo albums. Styles played him a cou­ple of tracks, ​“and I tell you what, they’re good,” Gal­lagher enthused. ​“A bit like that Bon Iver. Is that his name?”
Har­ry Styles met Nicks at a Fleet­wood Mac con­cert in Los Ange­les in April 2015. Some­thing about him felt authen­tic to the leg­endary front­woman: ground­ed, like she’d known him for­ev­er, blessed with a win­ning moon­shot grin. A month lat­er, they met back­stage at anoth­er Mac gig, this time at the O2 in Lon­don. Styles brought a car­rot cake for Nicks’ birth­day, her name piped in icing on top. By her own admis­sion, Nicks doesn’t even cel­e­brate birth­days, so this was a sur­prise. ​“He was per­son­al­ly respon­si­ble for me actu­al­ly hav­ing to cel­e­brate my birth­day, which was very sweet,” she says.
Styles’ rela­tion­ship with Nicks is hard to define. Induct­ing her into the Rock and Roll Hall of Fame in New York as a solo artist ear­li­er this year, his speech hymned her as a ​“mag­i­cal gyp­sy god­moth­er who occu­pies the in-between”. She’s called him her ​“lovechild” with Mick Fleet­wood and the ​“son I nev­er had”. Both have moved past the pre­lim­i­nary chat acknowl­edg­ing each other’s unquan­tifi­able tal­ents and smooth­ly accel­er­at­ed towards play­ful cut-and-thrust ban­ter of a witch mom and her naughty child.
They per­form togeth­er – he sings The Chainand Stop Drag­gin’ My Heart Around; she sings the one alleged­ly writ­ten about Tay­lor Swift, Two Ghosts. One of those per­for­mances was at the Guc­ci Cruise after­par­ty in Rome in May, for ​“a lot of mon­ey”, Nicks tells me, in a ​“big kind of cas­tle place”. She has become his de fac­to men­tor – one phone call is all it takes to reach the Queen of Rock’n’Roll for advice on sequenc­ing (“She is real­ly good at track list­ing,” Styles admits) or just to hear each other’s voic­es… because, well, wouldn’t you?
Fol­low­ing anoth­er Fleet­wood Mac con­cert, at London’s Wem­b­ley Sta­di­um, in June, Nicks met Styles for a late (Indi­an) din­ner. He then invit­ed her back to his semi-detached Geor­gian man­sion in north Lon­don for a lis­ten­ing par­ty at mid­night. The album – HS2or what­ev­er it’ll be called – was fin­ished. Nicks, her assis­tant Karen, her make-up artist and her friends Jess and Mary crammed onto Styles’ liv­ing-room couch. They lis­tened to it once through in silence like a ​“bunch of edu­cat­ed monks or some­thing in this dark room”. Then once again, 15 or 16 tracks, this time each of his guests offer­ing live feed­back. It wrapped at 5am, just as the sun was bleed­ing through the curtains.
Even for a pop star of Styles’ stature, press­ing ​“play” on a deeply per­son­al work for your hero to digest, watch­ing her face react in real time to your new music, must be… what?
“It’s a dou­ble-edged thing,” he replies. ​“You’re always ner­vous when you are play­ing peo­ple music for the first time. You’ve heard it so much by this point, you for­get that peo­ple haven’t heard it before. It’s hard to not feel like you’ve done what you’ve set out to do. You are hap­py with some­thing and then some­one who you respect so much and look up to is, like: ​‘I real­ly like this.’ It feels like a large stamp [of approval]. It’s a big step towards feel­ing very com­fort­able with what­ev­er else hap­pens to it.”
Wad­ing through Styles’ back­ground info is exhaust­ing, since he was spanked by fame in the social media era where every god­dam blink of a kohl-rimmed eye has been doc­u­ment­ed from six angles. (And yes, he does some­times wear guyliner.)
Deep breath: born in Red­ditch, Worces­ter­shire, to par­ents Des and Anne, who divorced when he was sev­en. Grew up in Holmes Chapel in Cheshire with his sis­ter Gem­ma, mum and step­dad Robin Twist. Rode hors­es at a near­by sta­ble for free (“I was a bad rid­er, but I was a rid­er”). Stopped rid­ing, ​“got into dif­fer­ent stuff”. Formed a band, White Eski­mo, with school­mates. Aged 16, tried out for the 2010 run of The X Fac­torwith a stir­ring but aver­age ren­di­tion of Ste­vie Wonder’s Isn’t She Love­ly. Cut from the show and put into a boy band with four oth­ers, Louis Tom­lin­son, Liam Payne, Niall Horan and Zayn Malik, and called One Direc­tion. Became inter­na­tion­al­ly famous, toured the globe. Zayn quit to go solo. Toured some more. Dat­ed but maybe didn’t date Car­o­line Flack, Rita Ora and Tay­lor Swift – whom he report­ed­ly dumped in the British Vir­gin Islands. (This rela­tion­ship, if noth­ing else, yield­ed an icon­ic, can­did shot of Swift look­ing deject­ed, being motored back to shore on the back of a boat called the Fly­ing Ray.) One Direc­tion dis­cussed dis­band­ing in 2014, actu­al­ly dis­solved in 2015. They remain friend­ly, and Styles offi­cial­ly went solo in 2016.
It’s been two years since his epony­mous debut and lead sin­gle, Sign of the Times, shocked the world and Elton John with its swag­ger­ing, soft rock sound. ​“It came out of left field and I loved it,” John says.
After 89 are­na-packed shows across five con­ti­nents grossed him, the label, whomev­er, over $61 mil­lion, Styles had all but dis­ap­peared. He has emerged only inter­mit­tent­ly for pub­lic-fac­ing events – a Guc­ci after­par­ty per­for­mance here, a Met Gala co-chair­ing there. He relo­cat­ed from Los Ange­les back to Lon­don, sell­ing his Hol­ly­wood Hills house for $6mil­lion and ship­ping his Jaguar E-type across the Atlantic so he could take joyrides on the M25.
“I’m not over LA,” he insists when I ask about the move. ​“My rela­tion­ship with LAchanged a lot. What I want­ed from LA changed.”
A great escape, he would agree, is some­times nec­es­sary. He was in Tokyo for most of Jan­u­ary, hav­ing near­ly fin­ished his album. ​“I need­ed time to get out of that album frame-of-mind of: ​‘Is it fin­ished? Where am I at? What’s hap­pen­ing?’ I real­ly need­ed that time away from every­one. I was kind of just in Tokyo by myself.” His sab­bat­i­cal most­ly involved read­ing Haru­ki Murakami’s The Wind-Up Bird Chron­i­cle, singing Nir­vana at karaoke, writ­ing alone in his hotel room, lis­ten­ing to music and eaves­drop­ping on strangers in alien con­ver­sa­tion. ​“It was just a pos­i­tive time for my head and I think that impact­ed the album in a big way.”
Dur­ing this break he watched a lot of films, read a lot of books. Some­times he texts these rec­om­men­da­tions to his pal Michele at Guc­ci. He told Michele to watch the Ali Mac­graw film, Love Sto­ry. ​“We text what friends text about. He is the same [as me] in terms of he lives in his own world and he does his own thing. I love dress­ing up and he loves dress­ing up.”
Because he loves dress­ing up, Michele chose Styles to be the face of three Guc­ci Tai­lor­ing cam­paigns and of its new gen­der­less fra­grance, Mémoire d’une Odeur.
“The moment I met him, I imme­di­ate­ly under­stood there was some­thing strong around him,” Michele tells me. ​“I realised he was much more than a young singer. He was a young man, dressed in a thought­ful way, with uncombed hair and a beau­ti­ful voice. I thought he gath­ered with­in him­self the fem­i­nine and the masculine.”
Fash­ion, for Styles, is a play­ground. Some­thing he doesn’t take too seri­ous­ly. A cou­ple of years ago Har­ry Lam­bert, his styl­ist since 2015, acquired for him a pair of pink metal­lic Saint Lau­rent boots that he has nev­er been pho­tographed wear­ing. They are exceed­ing­ly rare – few pairs exist. Styles wears them ​“to get milk”. They are, in his words, ​“super-fun”. He’s not sure, but he has, ball­park, 50 pairs of shoes, as well as full clos­ets in at least three post­codes. He set­tles on an out­fit fair­ly quick­ly, maybe changes his T-shirt once before head­ing out, but most­ly knows what he likes.
What he may not ful­ly com­pre­hend is that sim­ply by being pho­tographed in a gar­ment he can spur the career of a design­er, as he has with Har­ris Reed, Palo­mo Spain, Charles Jef­frey, Alled-Martínez and a new favourite, Bode. Styles wore a SS16 Guc­ci flo­ral suit to the 2015 Amer­i­can Music Awards. When he was asked who made his suit on the red car­pet, Guc­ci began trend­ing world­wide on Twitter.
“It was one of the first times a male wore Alessandro’s run­way designs and, at the time, men were not tak­ing too many red car­pet risks,” says Lam­bert. ​“Who knows if it influ­enced oth­ers, but it was a spe­cial moment. Plus, it was fun see­ing the fans dress up in suits to come see Harry’s shows.”
Yet tra­di­tion­al gen­der codes of dress still have the minds of mid­dle Amer­i­ca in a choke­hold. Men can’t wear women’s clothes, say the online whingers, who have labelled him ​“trag­ic”, ​“a clown” and a Bowie wannabe. Styles doesn’t care. ​“What’s fem­i­nine and what’s mas­cu­line, what men are wear­ing and what women are wear­ing – it’s like there are no lines any more.”
Elton John agrees: ​“It worked for Marc Bolan, Bowie and Mick. Har­ry has the same qualities.”
Then there is the ques­tion of Styles’ sex­u­al­i­ty, some­thing he has admit­ted­ly ​“nev­er real­ly start­ed to label”, which will plague him until he does. Per­haps it’s part of his allure. He’s bran­dished a pride flag that read ​“Make Amer­i­ca Gay Again” on stage, and plant­ed a stake some­where left of cen­tre on sexuality’s rain­bow spectrum.
“In the posi­tion that he’s in, he can’t real­ly say a lot, but he chose a queer girl band to open for him and I think that speaks vol­umes,” Josette Maskin of the queer band MUNA told The Face ear­li­er this year.
“I get a lot of…” Styles trails off, wheels turn­ing on how he can dis­cuss sex­u­al­i­ty with­out real­ly answer­ing. ​“I’m not always super-out­spo­ken. But I think it’s very clear from choic­es that I make that I feel a cer­tain way about lots of things. I don’t know how to describe it. I guess I’m not…” He paus­es again, piv­ots. ​“I want every­one to feel wel­come at shows and online. They want to be loved and equal, you know? I’m nev­er unsup­port­ed, so it feels weird for me to over­think it for some­one else.”
Sex­u­al­i­ty aside, he must acknowl­edge that he has sex appeal. ​“The word ​‘sexy’ sounds so strange com­ing out of my mouth. So I would say that that’s prob­a­bly why I would not con­sid­er myself sexy.”
Har­ry Styles has emerged ful­ly-formed, an anachro­nis­tic rock star, vague in sen­si­bil­i­ty but des­tined to impress with a dis­arm­ing smile and a warm but firm handshake.
I recite to him a quote from Chrissie Hyn­de of The Pre­tenders about her time atop rock’s throne: ​“I nev­er got into this for the mon­ey or because I want­ed to join in the super­star sex around the swim­ming pools. I did it because the offer of a record con­tract came along and it seemed like it might be more fun than being a wait­ress. Now, I’m not so sure.”
Styles – who worked in a bak­ery in a small north­ern town some time before play­ing to 40,000 scream­ing fans in South Amer­i­can are­nas – must have wit­nessed some shit, been invit­ed to a few pool­side sex par­ties, in his time.
“I’ve seen a cou­ple of things,” he nods in agree­ment. ​“But I’m still young. I feel like there’s still stuff to see.”
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stylesnews · 5 years
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The Face - Volume 4 . Issue 1
A hand­shake can quell polit­i­cal unrest and sti­fle impend­ing war. It can, with a bit of spit, val­i­date a gentleman’s agree­ment, end a years-long roman­tic rela­tion­ship or send a young heart rac­ing. But it all depends on the two par­ties involved.
Daisy, 21, felt a seis­mic jolt when Har­ry Styles, 25, wear­ing a striped jumper and rings on three of his five fin­gers, clutched her hand two days after this year’s Met Gala in New York, when she served him gela­to at the shop where she worked.
“He decid­ed on a small mint choco­late gela­to and I made his and the one for his friend and I said, ​‘Can I just say I absolute­ly loved your Met Gala look’ and he said ​‘Thank you very much! What’s your name?’ And I said, ​‘Daisy’ AND HE FUCK­ING EXTEND­ED HIS HAND AND REACHEDTO SHAKE MY HAND AND I ACTU­AL­LY FUCK­ING SHOOK HIS HAND WHAT THEFUCK,” she wrote on Insta­gram after The Shak­en­ing. ​“Like I didn’t even say any­thing to gas him up besides ​‘I loved your met gala look’ and his fine ass went and shook my hand! WHATA BEAU­TI­FUL FUCK­ING HUMAN BEING THAT HE IS GOD BLESS HIM AND I HOPE HW[sic] LIVES FOREVER.”
For Har­ry Styles, a hand­shake can be a roman­tic ges­ture, con­jur­ing a potent rev­er­ence in its recip­i­ent, like the time he met Gucci’s cre­ative direc­tor Alessan­dro Michele. ​“He was as attrac­tive as James Dean and as per­sua­sive as Gre­ta Gar­bo. He was like a Luchi­no Vis­con­ti char­ac­ter, like an Apol­lo: at the same time sexy as a woman, as a kid, as a man,” Michele told me, has­ten­ing to add: ​“Of course, Har­ry is not aware of this.”
No, Styles has no idea the pow­er he wields. In per­son, he’s tow­er­ing, like some­one who is not that much taller but whose rep­u­ta­tion adds four inch­es. Styles has a seda­tive bari­tone, spo­ken in a rum­my north­ern Eng­lish accent, that tum­bles out so slow­ly you for­get the name of your first born, a swag­ger that has been nursed and per­fect­ed in myth­i­cal places with names like Pais­ley Park, or Abbey Road, or Grace­land. Makes com­plete sense that he would be up for the role of Elvis Pres­ley in Baz Luhrmann’s upcom­ing biopic. He was primed, nay, born to shake his hips, all but one but­ton on his shirt cling­ing for dear life around his tor­so. Then the part was award­ed to anoth­er actor, Austin Butler.
“[Elvis] was such an icon for me grow­ing up,” Styles tells me. ​“There was some­thing almost sacred about him, almost like I didn’t want to touch him. Then I end­ed up get­ting into [his life] a bit and I wasn’t dis­ap­point­ed,” he adds of his ini­tial research and prepa­ra­tions to play The King. He seems relaxed about los­ing the part to But­ler. ​“I feel like if I’m not the right per­son for the thing, then it’s best for both of us that I don’t do it, you know?”
Styles released his self-titled debut solo album in May 2017. The boy­band grad was clear­ly unin­ter­est­ed in hol­low­ing out the charts with more for­mu­la­ic meme pop. Instead, to the sur­prise of many, he dug his heels into retro-fetishist West Coast ​’70s rock. Some of the One Direc­tion fan-hordes might have been con­fused, but no mat­ter: Har­ry Styles sold one mil­lion copies.
Despite its com­mer­cial and crit­i­cal suc­cess, he didn’t tour the album right away. He want­ed to act in the Christo­pher Nolan film Dunkirk. To his cred­it, his por­tray­al of a British sol­dier cow­er­ing in a moored boat on the French beach­es as the Nazis advanced wasn’t skew­ered in the press like the movie debuts of, say, Madon­na or Justin Tim­ber­lake. Per­haps he was fol­low­ing advice giv­en by Elton John, who had urged him to diver­si­fy. ​“He was bril­liant in Dunkirk, which took a lot of peo­ple by sur­prise,” John writes in an email. ​“I love how he takes chances and risks.” Act­ing, unlike music, is a release for Styles; it’s the one time he can be not himself.
“Why do I want to act? It’s so dif­fer­ent to music for me,” he says, sud­den­ly ani­mat­ed. ​“They’re almost oppo­site for me. Music, you try and put so much of your­self into it; act­ing, you’re try­ing to total­ly dis­ap­pear in who­ev­er you’re being.”
Fol­low­ing the news that he missed out on Pres­ley, his name was float­ed for the role of Prince Eric in Disney’s live-action remake of The Lit­tle Mer­maid. How­ev­er, fans will have to wait a bit longer to see Styles on the big screen as that idea, too, has sunk. He won’t be The King or the Prince. ​“It was dis­cussed,” he acknow­ledges before swift­ly chang­ing the sub­ject. ​“I want to put music out and focus on that for a while. But every­one involved in it was amaz­ing, so I think it’s going to be great. I’ll enjoy watch­ing it, I’m sure.”
The new album is wrapped and the sin­gle is decid­ed upon. ​“It’s not like his last album,” his friend, rock ​‘n’ roll leg­end Ste­vie Nicks, told me recent­ly over the phone. ​“It’s not like any­thing One Direc­tion ever did. It’s pure Har­ry, as Har­ry would say. He’s made a very dif­fer­ent record and it’s spectacular.”
Beyond that, Styles is keep­ing his cards close to his chest as to his next musi­cal move. How­ev­er, the air is thick with rumours that his main wing­man for HS2 is Kid Har­poon, aka Tom Hull, who co-wrote debut album track Sweet Crea­ture. No less an author­i­ty than Liam Gal­lagher told us that both big band escapees were in the same stu­dio – RAK in north-west Lon­don – at the same time mak­ing their sec­ond solo albums. Styles played him a cou­ple of tracks, ​“and I tell you what, they’re good,” Gal­lagher enthused. ​“A bit like that Bon Iver. Is that his name?”
Har­ry Styles met Nicks at a Fleet­wood Mac con­cert in Los Ange­les in April 2015. Some­thing about him felt authen­tic to the leg­endary front­woman: ground­ed, like she’d known him for­ev­er, blessed with a win­ning moon­shot grin. A month lat­er, they met back­stage at anoth­er Mac gig, this time at the O2 in Lon­don. Styles brought a car­rot cake for Nicks’ birth­day, her name piped in icing on top. By her own admis­sion, Nicks doesn’t even cel­e­brate birth­days, so this was a sur­prise. ​“He was per­son­al­ly respon­si­ble for me actu­al­ly hav­ing to cel­e­brate my birth­day, which was very sweet,” she says.
Styles’ rela­tion­ship with Nicks is hard to define. Induct­ing her into the Rock and Roll Hall of Fame in New York as a solo artist ear­li­er this year, his speech hymned her as a ​“mag­i­cal gyp­sy god­moth­er who occu­pies the in-between”. She’s called him her ​“lovechild” with Mick Fleet­wood and the ​“son I nev­er had”. Both have moved past the pre­lim­i­nary chat acknowl­edg­ing each other’s unquan­tifi­able tal­ents and smooth­ly accel­er­at­ed towards play­ful cut-and-thrust ban­ter of a witch mom and her naughty child.
They per­form togeth­er – he sings The Chain and Stop Drag­gin’ My Heart Around; she sings the one alleged­ly writ­ten about Tay­lor Swift, Two Ghosts. One of those per­for­mances was at the Guc­ci Cruise after­par­ty in Rome in May, for ​“a lot of mon­ey”, Nicks tells me, in a ​“big kind of cas­tle place”. She has become his de fac­to men­tor – one phone call is all it takes to reach the Queen of Rock’n’Roll for advice on sequenc­ing (“She is real­ly good at track list­ing,” Styles admits) or just to hear each other’s voic­es… because, well, wouldn’t you?
Fol­low­ing anoth­er Fleet­wood Mac con­cert, at London’s Wem­b­ley Sta­di­um, in June, Nicks met Styles for a late (Indi­an) din­ner. He then invit­ed her back to his semi-detached Geor­gian man­sion in north Lon­don for a lis­ten­ing par­ty at mid­night. The album – HS2or what­ev­er it’ll be called – was fin­ished. Nicks, her assis­tant Karen, her make-up artist and her friends Jess and Mary crammed onto Styles’ liv­ing-room couch. They lis­tened to it once through in silence like a ​“bunch of edu­cat­ed monks or some­thing in this dark room”. Then once again, 15 or 16 tracks, this time each of his guests offer­ing live feed­back. It wrapped at 5am, just as the sun was bleed­ing through the curtains.
Even for a pop star of Styles’ stature, press­ing ​“play” on a deeply per­son­al work for your hero to digest, watch­ing her face react in real time to your new music, must be… what?
“It’s a dou­ble-edged thing,” he replies. ​“You’re always ner­vous when you are play­ing peo­ple music for the first time. You’ve heard it so much by this point, you for­get that peo­ple haven’t heard it before. It’s hard to not feel like you’ve done what you’ve set out to do. You are hap­py with some­thing and then some­one who you respect so much and look up to is, like: ​‘I real­ly like this.’ It feels like a large stamp [of approval]. It’s a big step towards feel­ing very com­fort­able with what­ev­er else hap­pens to it.”
Wad­ing through Styles’ back­ground info is exhaust­ing, since he was spanked by fame in the social media era where every god­dam blink of a kohl-rimmed eye has been doc­u­ment­ed from six angles. (And yes, he does some­times wear guyliner.)
Deep breath: born in Red­ditch, Worces­ter­shire, to par­ents Des and Anne, who divorced when he was sev­en. Grew up in Holmes Chapel in Cheshire with his sis­ter Gem­ma, mum and step­dad Robin Twist. Rode hors­es at a near­by sta­ble for free (“I was a bad rid­er, but I was a rid­er”). Stopped rid­ing, ​“got into dif­fer­ent stuff”. Formed a band, White Eski­mo, with school­mates. Aged 16, tried out for the 2010 run of The X Fac­torwith a stir­ring but aver­age ren­di­tion of Ste­vie Wonder’s Isn’t She Love­ly. Cut from the show and put into a boy band with four oth­ers, Louis Tom­lin­son, Liam Payne, Niall Horan and Zayn Malik, and called One Direc­tion. Became inter­na­tion­al­ly famous, toured the globe. Zayn quit to go solo. Toured some more. Dat­ed but maybe didn’t date Car­o­line Flack, Rita Ora and Tay­lor Swift – whom he report­ed­ly dumped in the British Vir­gin Islands. (This rela­tion­ship, if noth­ing else, yield­ed an icon­ic, can­did shot of Swift look­ing deject­ed, being motored back to shore on the back of a boat called the Fly­ing Ray.) One Direc­tion dis­cussed dis­band­ing in 2014, actu­al­ly dis­solved in 2015. They remain friend­ly, and Styles offi­cial­ly went solo in 2016.
It’s been two years since his epony­mous debut and lead sin­gle, Sign of the Times, shocked the world and Elton John with its swag­ger­ing, soft rock sound. ​“It came out of left field and I loved it,” John says.
After 89 are­na-packed shows across five con­ti­nents grossed him, the label, whomev­er, over $61mil­lion, Styles had all but dis­ap­peared. He has emerged only inter­mit­tent­ly for pub­lic-fac­ing events – a Guc­ci after­par­ty per­for­mance here, a Met Gala co-chair­ing there. He relo­cat­ed from Los Ange­les back to Lon­don, sell­ing his Hol­ly­wood Hills house for $6 mil­lion and ship­ping his Jaguar E-type across the Atlantic so he could take joyrides on the M25.
“I’m not over LA,” he insists when I ask about the move. ​“My rela­tion­ship with LA changed a lot. What I want­ed from LA changed.”
A great escape, he would agree, is some­times nec­es­sary. He was in Tokyo for most of Jan­u­ary, hav­ing near­ly fin­ished his album. ​“I need­ed time to get out of that album frame-of-mind of: ​‘Is it fin­ished? Where am I at? What’s hap­pen­ing?’ I real­ly need­ed that time away from every­one. I was kind of just in Tokyo by myself.” His sab­bat­i­cal most­ly involved read­ing Haru­ki Murakami’s The Wind-Up Bird Chron­i­cle, singing Nir­vana at karaoke, writ­ing alone in his hotel room, lis­ten­ing to music and eaves­drop­ping on strangers in alien con­ver­sa­tion. ​“It was just a pos­i­tive time for my head and I think that impact­ed the album in a big way.”
Dur­ing this break he watched a lot of films, read a lot of books. Some­times he texts these rec­om­men­da­tions to his pal Michele at Guc­ci. He told Michele to watch the Ali Mac­graw film, Love Sto­ry. ​“We text what friends text about. He is the same [as me] in terms of he lives in his own world and he does his own thing. I love dress­ing up and he loves dress­ing up.”
Because he loves dress­ing up, Michele chose Styles to be the face of three Guc­ci Tai­lor­ing cam­paigns and of its new gen­der­less fra­grance, Mémoire d’une Odeur.
“The moment I met him, I imme­di­ate­ly under­stood there was some­thing strong around him,” Michele tells me. ​“I realised he was much more than a young singer. He was a young man, dressed in a thought­ful way, with uncombed hair and a beau­ti­ful voice. I thought he gath­ered with­in him­self the fem­i­nine and the masculine.”
Fash­ion, for Styles, is a play­ground. Some­thing he doesn’t take too seri­ous­ly. A cou­ple of years ago Har­ry Lam­bert, his styl­ist since 2015, acquired for him a pair of pink metal­lic Saint Lau­rent boots that he has nev­er been pho­tographed wear­ing. They are exceed­ing­ly rare – few pairs exist. Styles wears them ​“to get milk”. They are, in his words, ​“super-fun”. He’s not sure, but he has, ball­park, 50 pairs of shoes, as well as full clos­ets in at least three post­codes. He set­tles on an out­fit fair­ly quick­ly, maybe changes his T-shirt once before head­ing out, but most­ly knows what he likes.
What he may not ful­ly com­pre­hend is that sim­ply by being pho­tographed in a gar­ment he can spur the career of a design­er, as he has with Har­ris Reed, Palo­mo Spain, Charles Jef­frey, Alled-Martínez and a new favourite, Bode. Styles wore a SS16 Guc­ci flo­ral suit to the 2015 Amer­i­can Music Awards. When he was asked who made his suit on the red car­pet, Guc­ci began trend­ing world­wide on Twitter.
“It was one of the first times a male wore Alessandro’s run­way designs and, at the time, men were not tak­ing too many red car­pet risks,” says Lam­bert. ​“Who knows if it influ­enced oth­ers, but it was a spe­cial moment. Plus, it was fun see­ing the fans dress up in suits to come see Harry’s shows.”
Yet tra­di­tion­al gen­der codes of dress still have the minds of mid­dle Amer­i­ca in a choke­hold. Men can’t wear women’s clothes, say the online whingers, who have labelled him ​“trag­ic”, ​“a clown” and a Bowie wannabe. Styles doesn’t care. ​“What’s fem­i­nine and what’s mas­cu­line, what men are wear­ing and what women are wear­ing – it’s like there are no lines any more.”
Elton John agrees: ​“It worked for Marc Bolan, Bowie and Mick. Har­ry has the same qualities.”
Then there is the ques­tion of Styles’ sex­u­al­i­ty, some­thing he has admit­ted­ly ​“nev­er real­ly start­ed to label”, which will plague him until he does. Per­haps it’s part of his allure. He’s bran­dished a pride flag that read ​“Make Amer­i­ca Gay Again” on stage, and plant­ed a stake some­where left of cen­tre on sexuality’s rain­bow spectrum.
“In the posi­tion that he’s in, he can’t real­ly say a lot, but he chose a queer girl band to open for him and I think that speaks vol­umes,” Josette Maskin of the queer band MUNA told The Face ear­li­er this year.
“I get a lot of…” Styles trails off, wheels turn­ing on how he can dis­cuss sex­u­al­i­ty with­out real­ly answer­ing. ​“I’m not always super-out­spo­ken. But I think it’s very clear from choic­es that I make that I feel a cer­tain way about lots of things. I don’t know how to describe it. I guess I’m not…” He paus­es again, piv­ots. ​“I want every­one to feel wel­come at shows and online. They want to be loved and equal, you know? I’m nev­er unsup­port­ed, so it feels weird for me to over­think it for some­one else.”
Sex­u­al­i­ty aside, he must acknowl­edge that he has sex appeal. ​“The word ​‘sexy’ sounds so strange com­ing out of my mouth. So I would say that that’s prob­a­bly why I would not con­sid­er myself sexy.”
Har­ry Styles has emerged ful­ly-formed, an anachro­nis­tic rock star, vague in sen­si­bil­i­ty but des­tined to impress with a dis­arm­ing smile and a warm but firm handshake.
I recite to him a quote from Chrissie Hyn­de of The Pre­tenders about her time atop rock’s throne: ​“I nev­er got into this for the mon­ey or because I want­ed to join in the super­star sex around the swim­ming pools. I did it because the offer of a record con­tract came along and it seemed like it might be more fun than being a wait­ress. Now, I’m not so sure.”
Styles – who worked in a bak­ery in a small north­ern town some time before play­ing to 40,000scream­ing fans in South Amer­i­can are­nas – must have wit­nessed some shit, been invit­ed to a few pool­side sex par­ties, in his time.
“I’ve seen a cou­ple of things,” he nods in agree­ment. ​“But I’m still young. I feel like there’s still stuff to see.”
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kaiju-emperor · 5 years
Photo
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Peter Pan 4* Rider
(art by @angelicvangaart background from disney’s Peter Pan)
“The boy who would never grow up. When he was born. Peter was a boy like any other. He was abandoned at birth and raised by faeries who took pity on him. Taking him away to the land of dreams, Neverland. Where he would reach the age of seventeen before his aging was halted forever. From then on he would be a guide for all lost children. Even ferrying those who had passed on to the other side so they wouldn’t be scared.”
Passive Skills
Riding B Increase quick performance by 8%
Active Skills
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Blessing Of The Faeries B+: Increase arts and quick performance for 3 turns. Increase Critical star generation for 3 turns
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Animal Communication B+: Charge own Np gauge and increase own NP strength for 1 turn
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Ageless Youth: Grant debuff immunity for 3 turns. Heal self.
Noble Phantasm 
Neverland: Land Of Dreams EX
Type Arts, single target
Grant invincibility pierce for 3 attacks (triggers first). Deals damage to a single target. Grant Invincible for 1 turn. 
Overcharge effect: Gain crit stars
Dialogue
Summon
“Oh? This isn’t Neverland. This place looks like a lot of fun tho! Hey, you wanna go on an adventure?!”
Other
“What I like? All kinds of stuff! Flying, sword fighting, sailing, pranking captain hook, treasure hunting... (Peter continues to go on for several minutes, listing all his favorite things)”
“Stuff I hate? Grown ups. They’re a bunch of sticks in the mud. What happened to all them? It feels like all their dreams and joy just got sucked right out of them. Why would anyone ever wanna grow up?”
“Hey, master, let me teach you how to fly today! Just remember to think happy thoughts!” 
“Hey master, lets forget all this stuff and go to Neverland! No more worries just fun adventures! What? You have important things to do here? Alright...fine. I guess I can stick around for a bit longer.”
Regarding other servants
Robin Hood: “Whats up with that guy? Red hair, wearing green and he was raised by faeries too? Get your own thing!” 
Kintoki: “Mr Golden is pretty cool...for a grownup anyway.”
Any pirate servant such as Drake: “Pirates?! Master, watch yourself around them! They might be working for that crusty old Captain Hook! And even if they aren’t, pirates can’t be trusted.”
Nursery Rhyme: “Alice showed me Wonderland today. Its a pretty nice place! It kinda reminds me of Neverland. Wish there was a talking cat in Neverland... Not like I’m jealous or anything! Neverland is still the best!”
Jack: “ (frowns deeply) That girl... I’m sorry I couldn’t reach all of you in time. You suffered so much that I couldn’t help you all pass on. Hmm? Oh sorry master, I was just thinking out loud.”
Hans.: “I really hate that guy. He looks like a kid. But I’ve never met a grumpier adult in my life. Hes just a big old meanie.”
Atalante: “Whats with that cat eared lady? She keeps looking at me weird. Saying stuff like I didn’t get to have a true childhood. Why would I need parents to have a real childhood?! That’s dumb. I...don’t need her sympathy...”
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Text
Babylonia Section 21~Section 22(END)
Final day and final post of this Singularity before the impending doom at Solomon Singularity. Hope your Servants and sanity are ready because that’s some insane fight to be happened soon!
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Section 21
At Uruk... The end of the world at last with Gilgamesh and 8 soldiers being the sole survivor against Tiamat... Time to destroy the demonic beast and Lahmus before we made way to find Gilgamesh!
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Reaching to Gilgamesh at last... The end of the world in his eyes as he expected with Tiamat’s arrival getting closer... Our Chaldean Embassy swallowed in flames and in the Chaos Tide... Whether Tiamat hates humanity or not it’s another story if she even has a conscience in the first place after becoming Beast II
Arriving in Uruk at last... While Ishtar takes on Tiamat via the sky, we stand by with Gilgamesh against her on the ground. Yeah yeah you Tsundere king, we’re sticking with each other until the end of the Singularity!
Dingirs fired from the city wall all launched at Tiamat under Gilgamesh command by his own magical energy! He’s definitely not a half god without a reason--! GUDAS WATCH OUT THAT LIGHT!!!
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.............. Gilgamesh... You..... You took the hit from Tiamat... Into your heart..... GOD DAMN IT, YOU’RE NOT MONTY PYTHON! THAT’S NOT JUST A MORTAL WOUND, THAT’S GOING TO KILL YOU DUMBASS!
Tch as Gilgamesh keeps on going... 3 more minutes before Tiamat arrives at where we are....! After we got knocked by the 8k Lahmus...  Before Ishtar could help us... That’s...!! KINGU!!!
Looks like Gilgamesh’s words finally reached his heart... Even if it’s a grail operating it... And... Enkidu... They came back... Even if it’s too far to reach, their words of wanting to talk to Gil will definitely reach! Kingu, Enkidu! It’s time to finish off Tiamat!!
As Kingu turned into the Chains of Heavens... We wake up to find Tiamat is being restrained by Kingu!! WHAT?! The Chain of Heavens broke!! And Eresh?!
Underworld is finally right below us. Ishtar and Gilgamesh discuss one last time about Enkidu’s passing before and now. Ishtar readies to launch a big blast for a big hole... One last talk with Gilgamesh and... KING GILGAMESH!!! THIS WAY--!!
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KING GILGAMEEEEEESSSSSSHHHHHHHHHHHHH!!!!!!!!!!!!
Falling into the underworld after that abrupt parting... Eresh gives us her powers to be able to deal in the underworld. Looks like Eresh’s security system at intruder is causing great pain to Tiamat thanks to Ishtar forcing her down inside
To fight on for King Gilgamesh... Eresh began her attack against Tiamat... Wait this blackness... THE CHAOS TIDE IS RETURNING BUT EVEN STRONGER THAN BEFORE?!!
Because of that fall... Beast II finally turns to her true form...! And Jaguar Warrior! So she turned out fine but... It’s now or never to defeat her-- Flowers... This voice, this voice of a fucking horny wizard... MERLIN!!!
So... Merlin you’re still alive? Tiamat didn’t kill you at all? You broke out of your prison for once to help us?! Okay forget happy reunion, seems like Merlin brought... Wait we brought him to repay his gratitude? But who--?!
That old man Ziusu-dra! No... KING HASSAN!!! With his NP... At the price of sacrificing his Grand title... Hassan granted death onto Tiamat! We can kill her now! As expected of Da Vinci-chan! Since we damaged her brain but recovered... Everything is to face her in the face!
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With Merlin’s return... The buff is something against that fucking disgusting Chaos Tide. But still hurt a like bitch when they crit!
One wave down, next wave towards her head! Direct offsprings with class of Beast, King Hassan given us the temporary contract... Time for insta-kill on those things!!
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I retried this because RNG luck and irritating taunt from the Lahmus are pissing me off :/
8 insta-death later, we’re finally at the head! As Romani said, time is running out with Tiamat reaching the surface soon in 300m.... Time for the first round against her!!
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I’m frankly wondering if double Mash setup works here... Because this isn’t Gorgon with Chaos Tide bleeding the Servant’s life.. And additional curse buff that will outheal Merlin’s buff
Since NPC Merlin is here... Might as well have Ozzy being buff by him in Hero’s creation to kill her quickly... Considering he and Xuangzang are my current ST Buster NP
Oh come on! How the hell is Tiamat still standing?! Merlin you idiot, now you got kicked out by her! And... This..... No way..... KING GILGAMESH?!!!?!?! He’s back but in his Archer class?!
With Gilgamesh’s arrival... TIME TO FINISH THIS ONCE AND FOR ALL!
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Okay, trying on double Mash.. Which is again hilarious because it worked for a while... Yeah until she removes them, so it’s a bit headache with her, along with the curse buff that stack
Ozzy and Herc-chan are main DPS with the former trying to dish out as damage as possible against her before the latter kicks in.
Martha for the buff and debuff remover... MVP actually since it’s ashamed I can’t rushed her skills finished to deal for Tiamat. But definitely helped a lot in dealing with her annoying debuffs
At last dealing a critical damage, Beast II finally destroyed! The grail from her finally retrieved at last!
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Section 22
The final chapter arrived with us returning back to the surface. Singularity is repairing itself once Tiamat is gone. The grail in our hands thanks to Merlin getting his ass back to our side! And... Nope, we’re not helping you. It’s your fault in destroying Quetz’s divinity, Merlin!
Oh right, Quetz came back but how?! Ah, seems like Jaguar Warrior saved her! Oh... Guess Quetz and Jaguar Warrior are heading back to the Throne of Heroes first
Ishtar is alright too and looks like she’s staying in Uruk for a long while, hence her limited summoning. Eresh... For helping to destroy Tiamat... She’s fading... And disappeared.... Or to rest from what Ishtar said...
GILGAMESH!? YOU TURNED BACK TO YOUR NORMAL STUPID CASTER SELF! WAIT YOU’RE... He’s going off too?! And... For a souvenier... That’s why we got 2 Holy Grails this time! Along with food! Leaving to the Throne of Heroes to be summoned... He will spook again one way or another.
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And we’re heading back to our own ways as we departed with bidding good bye to Merlin! So Merlin is a big fan of ours huh... I’m sure we’ll meet everyone again!
At home at last, WHAT?! Chaldeas turned red again?! Seems like King Solomon is giving an invitation to us to end things once and for all! To be continued until Solomon Singularity!
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I’ll apologize for the observations since majority is already done up under the JP side. So I’m doing the ones which are the notable main bosses for this fight
Observations:
Quetzalcoatl:
The impossible: If you have two Herc-chan with you (one of them being borrowed), just bring more taunters and healers
The only possible option: To deal with her effectively only option is the Berserker class which is Lancelot and Herc-chan, but preferred the latter. Summer Servants worked but again, it depends on your preference. The only thing with those above as your main DPS, you’ll seriously want to have taunters especially you don’t know who her NP will hit. Also Herc-chan wise, at this point find the one with his Bond CE in ever the case he got killed repeatedly. Or other wise, just make sure he’s alive long enough to kill Quetz
Ereshkigal:
............. I learned my lesson in this fight a little. Never try to rely too much on your NP to deal with her
Anyway... If you’re having FFF rank luck for this fight, not being able to use NP through the whole fight. Have her to be crit rill death by your Sabers
Bring Servants who generates a good amount stars, Main DPS Saber that absorb good amount stars and crit hard, support that helps buffing damage/crit damage to kill her
Or otherwise, bring a debuff remover if you’d like to be able to use both NP and skill
Gorgon:
Laser shooting fest is amusing with double Mash + main DPS ST NP Servant
Any main DPS will do depend if you want to hit hard, get more stars to crit or to be able to spam more NP often.
I went with the last to be compatible for Mash to spam her NP often. So if you want double Mash way or there... Bring a good arts team like Robin, Medea, Chloe, George (unless you’re going for Sieg-George combo)
Otherwise, any team will do. Only problem is her stun debuff on your Servant when it happens, so it delays one turn to boost that said Servant NP or use their skills/NP
Another to watch out is her curse debuff after using her NP. I went with double Mash, and time is really ticking on me because the curse she dealt is really killing their HP each turn
Trait dealing there’s Scathach, Karna & Arjuna (for divine), Jack & Carmilla (for female) and the infamous King of Heroes
CEs not much of a comment but if you want to be not stun and curse... Debuff immunity CE?
Otherwise, CE that boosts damage should do
Kingu:
Your RNG luck comes into play a little but not as bad as Eresh, you’ll never know when he’s going to charge his NP full on the same or next turn
DEFINITELY DON’T BRING DIVINE SERVANTS AS THIS IS ENKIDU AND THEIR NP COMING AFTER THEM
Once again, taunters are needed if you don’t him to fire his NP at your main DPS/support
Trait wise... Nightingale as Enkidu’s body is still humanoid and at your own risk, AUO himself... Definitely don’t take the latter
I haven’t see it work but if Zouken’s CE in sealing his NP will helped delayed from it firing. But I’m not sure if it works because his permanent buff in charging NP randomly is there
Invincibility more recommended instead of evasion since he has a skill that removes evasion buff
Anything else, bring a good ST NP Servant for DPS and support with taunters/healers... Or even stallers to keep him at bay. But for stalling team, Gorgon Sister combo definitely don’t work.
Ushiwakamaru clones:
I’ll touch more on the ones which she’s neutral damage to all. Her Berserker-class version bring good AOE NP Servant will do
Considering her sole gimmick is to create copies of herself... Kill the original before more are being created
For this bring AOE NP... One fitting Servant for biggest damage by far again, AUO. Weak to Enuma Elish regardless corrupted or not
Or otherwise, bring your best AOE NP Servant...
With a really good healer in particular, because Chaos Tide against that class will kill you faster than you know it
Taunters for avoiding ST NP from her onto your main DPS Servant
Tiamat:
Martha my fucking saint saves my ass in most of these fight!
Practically debuffing her and removing those debuff from Tiamat is vital because she just keep stacking that curse debuff
There’s also her stun and NP seal that’s targeted onto Man-trait & Star-Attribute Servants... That kind of explained why Jeanne gets NP seal most of the time OTL
Double Mash works somewhat when she doesn’t remove your buffs and stack those fucking curse
Considering her laser and chaos tide charge your NP quickly.. It’s not that difficult to do spamming when needed
Skill seal definitely vital with Servant like David’s NP to stop Tiamat from buffing herself
Debuff immunity needed for the above debuff or even her NP when she buff block debuff on your whole front-line team
If you don’t have Angra Mainyu with his Bond CE in your friend list to deal bigger damage, balance between 3 DPS and 3 supports? Or at least estimated the amount of damage 1 main DPS Servant does before dying out.
Now that this is over... While grinding for SQs... Time for 3 to 4 days break from NA before the biggest hell right before Christmas!
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fancyfade · 2 years
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[image: 2 comic panels from red robin issue 14. first we see tim drake (as red robin) and dick grayson (as batman, with his cowl and cape off) standing around and talking in front of a computer. tim says “didn’t think the homunculus would care to try, much less be hurt by it...” dick says “You kidding? He practically bleeds a need to be accepted. there’s a stubborn logic to your thinking, but this approach bit bruce in the butt more than once.” tim asys “All the more reason to have contingency plans for the good guys as well as the bad.” dick says “just realize that not everyone can detatch themselves emotionally as easily as you can. Though I dnotice I’m not up there.” tim says “You never would be.” dick starts tapping on the computer keyboard. end image]
ugh dislike a lot of nicieza’s writing and i feel like ive seen some defenses of this plotline like ‘well nicieza clearly showed damian as a kid who wanted to be accepted, so he wasn’t trying to say tim is right it was showing tim as an asshole’ but i feel like that does not hold up to other character interactions and subtext.
like the general idea that is being prompted here is ‘tim is coldly rational.’ his issue is being TOO logical, TOO prepared (like bruce, b/c we have to emphasize he’s the next bruce). if you ask dick, his main crime is not having a hard enough password to hack on his hero hit list
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[image: a comic panel showing tim as red robin and dick as batman (again sans mask and cape). in teh background, damian as robin is walking away kind of dejected and alfred has his hand on damian’s shoulder. tim asys “You understnd, right? just in  terms of general planning -- i mean look at his history -- his biology even...” dick says “I get it, tim, I do -- but at least maybe a harder password to hack...?” end image]
and tim’s internal monologue is anything but rational or logical -- its vicious and petty and straight up vile if you ask me
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[image: 2 comic panels showing internal monologue from tim reading “always forgiven because he was raised in a vat of chemicals -- and taught to be a homicidal maniac.” and “is it okay that it felt good to finally not hold back on the little snot?” end image]
like... if dick had NOT said tim is ‘rational’ and just not being connected with his emotions enough, you could have a VERY convincing case of tim being... just a huge jerk. he’s letting his past resentment about damian cloud his judgment. it’s purely emotion driven.
but dick, who is portrayed by the author as in damian’s corner (sort of) and sympathetic-ish to him is like ‘no tims only problem is being emotionally detached and not having a harder to crack password.
(also like: I know it will be relevant and IDK if the author was even paying attention, but tim’s language is really dehumanizing here and it does come across as racist)
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onceuponamirror · 6 years
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11 questions game
tagged by @raptorlily, who prepared 11 questions for her tag-ees:
1. The core four + Kevin and Cheryl are attending a literary character party. What costume does each of them wear? Bonus: What costumes are the Southside Serpent characters wearing?
OH BOY. well, betty is elizabeth bennett. her instinct is obviously be nancy drew, but then decides she wants to play dress up a little bit. she tries valiantly to get jughead into a darcy couples costume, but his instinct is to just be sal paradise because he won’t have to buy anything for the costume. 
betty tells him that if she’s not going to be nancy, he should go outside the box too. he then decides on dressing like the titular mummy from jane loudon’s the mummy! (he’s still a weirdo, remember)
veronica goes as daisy buchanan if not purely for the extravagant opportunity to dress like a flapper, archie comes as jim hawkins from treasure island, cheryl bucks expectation and attends as a female robin hood (she already loves archery), and kevin is absolutely sherlock holmes. he’d look so natural in a trenchcoat!
2. What extracurricular activities are Reggie, Ethel, Fangs, Midge, Toni and Sweetpea involved in?
besides sports, reggie’s extracurricular activity is definitely selling ground up oregano to middle schoolers and telling them it’s weed. 
ethel is canonically a drama geek and that’s valid, but she’s also probably in band. i’m gonna go with....flutist. 
fangs is also canonically a drama geek and a regular geek (less we not forget jughead used a larping club to lure fangs out of a self-imposed suspension) so i honestly am just waiting for him and kev to start up their dungeons and dragons club. (wow they are perfect for each other tho??? a dorkier bughead)
midge (RIP) was probably into 4-H bc i can’t get the concept of “klump farms” out of my head. she seemed like a genuinely sweet person who also was a regular teenager and was a cheerleader and probably volunteered at hospitals too idk 
toni wanted to get laid so bad she became a cheerleader. or, ok, seriously i mean my headcanon is like, it’s bring it on, where toni was into gymnastics and dance in a v serious way but southside didn’t offer any curriculars that would allow her to do that, and she couldn’t afford gymnastics herself. turns out the closest thing riverdale has is cheerleading, which’ll do. 
sweet pea is probably the lowkey nerdiest of them all. i was joking earlier that he’s probably secretly into anime, but more seriously: feel like he’d go for basketball officially and also probably has an interest in engineering. i mean, that interest began with pipe bombs, but. yanno. ya dreams gotta start somewhere!!!
3. Give me three of your favourite headcanons for Reggie
had a crush on betty until high school
does his dumbest shit for his dad’s attention, painfully unsubtle about it
is cripplingly afraid of being alone, which is why he surrounds himself by teammates at all times and/or can’t get past the pack mentality. has difficulty being vulnerable in spite of all that, can’t be honest with himself and/or with others. 
4. It’s Saturday night and the core four are all hanging out by themselves at home. What is each of them up to?
betty is listening to the memory palace podcast while laying on her bed, feet crossed up in the air, doing her homework. cleaned her room earlier. wants to call polly. she doesn’t. stays up till two am for no reason other than her room is warm and full of golden light and it’s the only time the house is quiet. plugged back in her old nightlight, half out of spite after polly nearly threw it out, half genuinely. sometimes she thinks she’s still afraid of the dark. the irony isn’t lost on her. 
jughead is working on his novel, american crime story is playing on the TV in the background, a bag of popcorn slowly rotating in the microwave. the trailer is empty and he chooses to think his dad is at work. emails his sister. he doesn’t remember when, but they’ve stopped talking about their mom. his tattoo itches. toni told him not to scratch at it. 
veronica is drinking chamomile tea on a tray, scrolling through pinterest and making a european vacation mood board for the post-graduation trip she’d like to take with her friends. she wants to surprise them with it, all-expenses paid. she resists the urge to book flights years in advance. browses the barney’s website. doesn’t know why she gets such a thrill from online shopping. isn’t sure why she can’t stop. 
archie is in the garage, his fingers strumming aimlessly over the strings of his guitar. wonders why his mother can’t be a lawyer here in riverdale. isn’t sure if music was ever his own, or something he thought he should want, because he didn’t want to work construction. or worse, because a woman found it attractive. brought his history textbook out with the intention to study. doesn’t. practices wonderwall, even though jughead laughs whenever the song comes upon. 
5. What’s your headcanon for Jughead’s hat? Why does he wear it? What’s the origin story?
his mom made it when he was a kid, and growing up in threadbare clothes donated down the line of serpents or thrift store finds, it was the one thing that was truly his---made for him. with love. 
being scrawny and quiet and outgrowing his pants too fast to replace them already set him apart. might as well let the hat seal the deal. 
6. What is your Riverdale guilty pleasure ship? One that you don’t necessarily ship in canon but wouldn’t mind reading fanfiction for?
don’t think i have one, honestly? 
7. Can Chuck be redeemed in your eyes? Any caveats or things that would need to happen to make this count?
yeah, it’s really interesting answer this question post 2x18, but---yes, i definitely think chuck can be redeemed. i never wanted him to be a villain in the first place, for so, so many reasons. 
i mean, comics!chuck was a deliberate bucking of specific stereotypes that riverdale slid right back into without seeming to think about what it was they were saying by doing that. (related readings: x) and then the way they did it---ack. 
outside of the vacuum of comics vs. show, i think that where we’re at culturally, we’re really asking men to unlearn their toxic masculinity. especially of adolescents who are still growing and changing---and what chuck did was certainly part of the vacuum of male privilege/toxic masculinity, but he faced consequences  for that, and then he acknowledged it. actively has announced he wants to change, and i genuinely believe it at this point. 
and while i wish chuck wasn’t the character they’re doing this with in the first place, “cancelled culture” can be really frustrating because it’s way too binary. it undermines the growth and self-crit we want people to be doing. 
obviously, it doesn’t apply unilaterally, some people are abusive or cruel or malicious to the point where they lose their ability to profit off of it, and rightfully so---but with a character like chuck, whose main crime appeared to just be slut shaming, i actually appreciate a narrative where a male character owns up to how that was bad, why it was wrong, and how they’re going to change. 
8. What is a storyline you’d like to see most explored on the show?
just---more familial dynamics. i cannot wait for gladys and JB, i think that’s going to be so meaty and tragic and emotional in the right ways. i want more of polly and betty’s relationship, and/or how betty feels watching her sister run away constantly, or just their dynamic in general. more of archie and fred navigating dreams vs. reality. i kinda don’t love veronica’s parents tho, and i’m not sure where they could take that in a way that i enjoy. 
9. What is your favourite Riverdale fanfic trope or cliché?
pining, man. just. pining. 
10. What is existing scene or storyline would you rewrite to better suit your tastes?
HAH. how much time do we have 
BONUS:  Archie starts a band. He settles on ‘The Archies’ but what were some of the other suggestions for the band name? Name three songs that show up on their debut album.
jughead’s suggestion is: red drum, red drum and he thinks it’s hilarious
three songs: midnight ride, smoking gun, and can’t fly
my 11 questions for my taggees 
1. which twist did you least see coming? genuinely. 
2. we all know riverdale loves hopscotching through genre elements (true crime, musical, grease, etc), and sometimes it’s too much, but which has been your favorite? what other ones would you like to see from the show?
3. riverdale does dirty on its secondary characters. what storylines would you give to reggie, kevin, josie, etc? or, what would you like to see for them in s3? anything you thought the show really fumbled? did right?
4. what are your backstory headcanons for sweet pea, fangs, and toni?
5. what’s your theory on the old riverdale riots?
6. it’s the ten year high school reunion. where did everyone go to college? (core four + the secondary pals) what’s your headcanon for their future careers? who’s still together? who wishes they were still together? who hooks up unexpectedly in a storage closet? 
7. what’s a storyline you just didn’t buy this season?
8. any headcanons for the riverparents? like, how they grew up, who they were in high school, why they went the directions they did?
9. what’s one trope that you’d wish the show would do? or something you wish you saw more in fic?
10. thoughts on reggie? will he ever be fleshed out? will it make him more of a villain, or less of one?
11. if you could have anything happen in s3, what would it be?
and i tag @village-skeptic @stillscape @sylwrites @lessoleilscouchants @myrmidonofmelodrama @heartunsettledsoul @raptorlily (tagging back, bc i want your answers on these too!) @theatreofexpression​ @imreallyloveleee​ 
or anyone who wants to answer!!! just tag me, i wanna see yer answers. these games are fun 
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