#so I was like well mass market it is

[mzcain27]

It’s 5 in the morning I should be asleep but I’m trying to decide which editions of stormlight archive to get

[edwinisms]

i get such a sense of primal envy when looking at edwin’s clothes up close because god you can just tell his coat is real wool and made to last and not cheap flimsy mass produced garbage and auggagghhhh that was just STANDARD in his time. by no means am i saying i was #borninthewronggeneration because i like having vaccines and household appliances but. man. to have a personally-tailored coat like that that’d last for years and years……. and fabrics of fine thread-dense quality………. if only

[fruity-pontmercy]

My favourite fun fact about Paris architecture and like the Haussmanian re-vamp that Paris got is by far the fact that the streets were specifically designed to be wider so that people would be unable to build barricades-

Like there's something so funny (funny is not the right word here but I cant find a better one) to me that people building barricades is such a genuinely legitimate concern that when they re-modeled the city they designed it specifically for it. like-

idk..

[moteldogs]

these vintage thrift stores have got to be stopped… I just left a place downtown that was asking $12.95 for a used steinbeck paperback

[mcmansionhell]

namesake mcmansion

Howdy folks! Today's McMansion is very special because a) we're returning to Maryland after a long time and b) because the street this McMansion is on is the same as my name. (It was not named after me.) Hence, it is my personal McMansion, which I guess is somewhat like when people used to by the name rights to stars even though it was pretty much a scam. (Shout out btw to my patron Andros who submitted this house to be roasted live on the McMansion Hell Patreon Livestream)

As far as namesake McMansions go, this one is pretty good in the sense that it is high up there on the ol' McMansion scale. Built in 2011, this psuedo-Georgian bad boy boasts 6 bedrooms and 9.5 baths, all totaling around 12,000 square feet. It'll run you 2.5 million which, safe to say, is exponentially larger than its namesake's net worth.

Now, 2011 was an anonymous year for home design, lingering in the dead period between the 2008 black hole and 2013 when the market started to actually, finally, steadily recover. As a result a lot of houses from this time basically look like 2000s McMansions but slightly less outrageous in order to quell recession-era shame.

I'm going to be so serious here and say that the crown molding in this room is a crime against architecture, a crime against what humankind is able to accomplish with mass produced millwork, and also a general affront to common sense. I hate it so much that the more I look at it the more angry I become and that's really not healthy for me so, moving on.

Actually, aside from the fake 2010s distressed polyester rug the rest of this room is literally, basically Windows 98 themed.

I feel like the era of massive, hefty sets of coordinated furniture are over. However, we're the one's actually missing out by not wanting this stuff because we will never see furniture made with real wood instead of various shades of MDF or particleboard ever again.

This is a top 10 on the scale of "least logical kitchen I've ever seen." It's as though the designers engineered this kitchen so that whoever's cooking has to take the most steps humanly possible.

Do you ever see a window configuration so obviously made up by window companies in the 1980s that you almost have to hand it to them? You're literally letting all that warmth from the fire just disappear. But whatever I guess it's fine since we basically just LARP fire now.

Feminism win because women's spaces are prioritized in a shared area or feminism loss because this is basically the bathroom vanity version of women be shopping? (It's the latter.)

I couldn't get to all of this house because there were literally over a hundred photos in the listing but there are so many spaces in here that are basically just half-empty voids, and if not that then actually, literally unfinished. It's giving recession. Anyway, now for the best part:

Not only is this the NBA Backrooms but it's also just a nonsensical basketball court. Tile floors? No lines? Just free balling in the void?

Oh, well I bet the rear exterior is totally normal.

Not to be all sincere about it but much like yours truly who has waited until the literal last second to post this McMansion, this house really is the epitome of hubris all around. Except the house's hubris is specific to this moment in time, a time when gas was like $2/gallon. It's climate hubris. It's a testimony to just how much energy the top 1% of income earners make compared to the rest of us. I have a single window unit. This house has four air conditioning condensers. That's before we get to the monoculture, pesticide-dependent lawn or the three car garage or the asphalt driveway or the roof that'll cost almost as much as the house to replace. We really did think it would all be endless. Oops.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[uss-edsall]

Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.

The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.

This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.

Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.

You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.

Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.

More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.

Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[seilon]

to this day i do not understand why monster was more popular than lucky one when exo released them both that one year. like lucky one sounds more unique AND the mv has a dope experimental scifi lab concept goin on. is it just the edginess of monster that made it more popular??? I don’t get it. its been years.

[felassan]

New today from IGN: 'Dragon Age: The Veilguard's Devs Reveal New Info About Each of the Companions (and Solas and Varric, Too)'

It turns out The Veilguard really is the friends we made along the way.

Intro:

"Friendships, romantic relationships, and everything in between have always been an integral part of not just the Dragon Age series, but of BioWare in general. From Mass Effect’s Garrus Vakarian to Dragon Age’s Varric Tethras, the characters – and how they get along with the player – are inseparable from titles from the studio. But, perhaps more than any other BioWare game, Dragon Age: The Veilguard is leaning in heavily on this idea, as it’s already easy to see from the marketing material. For one, the name changed from Dragon Age: Dreadwolf back in June, with BioWare general manager Gary McKay telling us at the time that it was out of a desire to shift the focus to a “really deep and compelling group of companions.” That would be followed by a first official trailer at Summer Game Fest that put the focus squarely on seven new companions that will be tagging along with the player character, Rook, in The Veilguard. With all that in mind, it’s little surprise to hear game director Corinne Busche talk about how these companions aren’t just central to the story of The Veilguard, but the gameplay and combat as well. “Building a relationship with companions has always been a staple of Dragon Age, but this time around, that relationship translates into how well you work together as a team,” Busche tells IGN. “It is how you're actually going to level up your companions, by getting to know them better. That's how you're going to unlock skill points. So when you look at all of the various abilities the companions have, there's inherent combos and synergies and roles that they'll have on the battlefield.” She uses the example of Neve, the mysterious detective mage who has a wildly useful special ability to slow time in combat. “But if I really get the opportunity to know her,” Busche explains, “whether it's platonic or romantic, I'm going to help be able to shape her skills and augment those abilities that work really well with my own personal build, so our sense of teamwork really deepens.” During our time with the game, IGN got to see some of this in action; unsurprisingly, Dragon Age: The Veilguard has an approval/disapproval system, with pop-up text on the side of the screen indicating whether or not a companion liked what Rook just did or said. But something new in this Dragon Age: even just completing a quest with a companion in your party increases your “bond” with them, whether they agree with how you handled things or not. Your relationship, Busche says, isn’t necessarily about “how much they like you, but how well you get to know them.” “This is about a found family,” Busche tells us. “That is, they have the same goals, different complications in their life, but they're all giving everything they have to defend Thedas. You're going to get to know them really well. You're going to develop trust, understanding. That doesn't mean you're always going to agree.” But, we’ll have plenty more to say about the game systems and combat later. With Busche, we had the opportunity to really dive into the seven companions at the center of The Veilguard and what they’re all about. Here’s what she had to say about each one:"

"DAVRIN Busche: “When we were thinking about Davrin, how we were going to develop him as a character, we had to think about, 'How is he going to show up on the battlefield?' And it was unique because he has this, I guess you could say, companion of his own, the griffon Assan. That makes him, as a companion, very unique, because Assan shows up on the battlefield. So we had to think about how that integrates into his abilities, where Davrin as a Grey Warden is capable on his own, but also, when does he call upon Assan and what does that look like? What happens if you're indoors?... And indeed, when you're doing some of Davrin's content, just seeing Assan gliding through the environments, you really get a sense that they care and they're protective about each other. “…When we think about Davrin and his being the representative of the Grey Wardens within the team of The Veilguard, it was an opportunity for us to really go back to some of those roots that we know our fans, our players, deeply care about. Dragon Age: Origins, of course, was so Grey Warden-forward. We want to evoke those memories, those connections that our players have. And I absolutely love when you're journeying with Davrin, not only his aesthetic, how he carries himself as a Warden, but how he interacts with his fellow Wardens. The little wrinkle of, 'Hey, there actually are some griffons remaining in Thedas,' how he learns as a Warden to train and interact with these griffons that, to our knowledge, haven't existed for quite some time, it's a learning experience on a lost art of the Grey Wardens that is really unique to Davrin's character.”"

"HARDING Busche: “To talk about Harding as a companion, I guess I'd have to go back to Inquisition. Of course, Harding showed up. She was your scout on the field. There was a light romance with her, and I think one of the things that the team didn't quite expect is how much Harding would catch on in Inquisition. Players fell in love with her, and we heard them. They wanted a deeper romance, they wanted more engagement with Harding. So for the team, I felt like it was kind of a no-brainer for us to bring back Harding, and we also wanted to reestablish that connection to the Inquisition in the world of Thedas, which occurred 10 years ago, the events of Inquisition. “Harding serves as our proxy back to those events, and you get to learn about what's happened with the Inquisition since, so she presents some really lovely opportunities for us. I will say, personality-wise and her role on the battlefield, she is among my favorites. When you see her leap into the air, unleashing these devastating attacks with her bow and arrow, I just can't get enough of her.”"

"TAASH Busche: “Taash, in the creation of their arc, is one of our more complex characters. It's a journey along their arc that is about introspection. 'Where do I belong in the world? What are my boundaries? What do I fight for? How do I become at peace with who I am?' So I love the juxtaposition, actually, between Taash's personal journey and this imposing literal dragon slayer, that sort of hard exterior and really gentle interior. It makes Taash a really special companion for me.” (When asked which companion had the steamiest romance): “I'll just speak for me personally, but at the culmination of the romance arcs, I'd have to say Taash. When I got to that scene and saw the finished version of that cinematic, I was hollering. Hollering.”"

"EMMRICH Busche: “The thing about Emmrich that is going to surprise our fans the most is his relationship with necromancy. I really love that we kind of turned the idea of a necromancer on its head here, where you think of them as these conjurers of evil, the certain malice when you hear the term 'necromancer,' but it couldn't be farther from the truth for Emmrich. There is a reverence about the dead. He has a unique relationship with death. You get to explore how he ended up in the Mourn Watch. Death has shaped this character in all aspects of his life, and we frequently refer to him as our gentleman necromancer. I think his proper, kind nature stems from that respect that he's learned about this cycle of life and death throughout his life. “Manfred is like a son to Emmrich. He very much has an affinity for this wisp, this life force that he's given a second chance through this skeletal body, and in many ways, it's the story of a parent raising a child. Emmrich, he needs to teach Manfred and help him along to develop as a character of their own, things like learning new skills, how to assist The Veilguard. Some of our most charming moments are in dealing with Manfred, and I must say I absolutely love the interactions. They just have me rolling whenever Manfred steals the show. “…In my last playthrough, I romanced Emmrich. What I also loved is as I'm synergizing with him as we're doing combos, just having him refer to me as ‘my dear’ on the battlefield. ‘Well done, my dear!’ It just fills me with joy every time.”"

"LUCANIS Busche: “The character that went through the most changes [throughout development] without a doubt was Lucanis. Lucanis is very complex. He's an assassin. He is very skilled in the art of death. The Antivan Crows, they pursue these contracts with a certain level of dispassion, but also, Lucanis is a romantic, and he's dealing with some internal struggles. He's been through a lot of trauma. He's relearning how to trust. And all of those elements come together with a richness, but it creates a lot of complexity in how we tell that story. So I'd say Lucanis is the first one that comes to my mind in terms of the thought that's gone into it, where we've had to make adjustments to really cover all facets of his character.”"

"NEVE Busche: “Neve is our confident noir detective. I love to bring her onto the battlefield because she's just so incredibly capable. She's our ice mage, so really big on controlling the battlefield, and that's actually a good metaphor to her arc. She wants to fight for change. She wants to fight for a better Minrathous, and she's going to use all the tools at her disposal to try and reshape Minrathous into a better place for all. She's very much a Shadow Dragon. This is among the mantra of the Shadow Dragons. They operate from the shadows, fighting for a better Minrathous. So as this accomplished ice mage, she's fierce. She's not going to shy away from any challenge, whether it's taking down darkspawn or dealing with the Magisterium in Minrathous.”"

"BELLARA Busche: “Oh, my dear, sweet Bellara. I relate to Bellara a lot. She is joyous. She's been through a lot, but she remains curious, optimistic. She's kind of a geek. She really likes her fiction. She fangirls over Neve a little bit. She's just so relatable, and I think that's what our players will find and fall in love with when they get to meet Bellara, is just how much you'll recognize some of those patterns and sensibilities that she holds, but don't let it fool you. She is also a Veil Jumper. She's very comfortable in elven ruins. I frequently bring her with me in my party. I like to play rogue. I like to play the Veil Jumper, or the Veil Ranger. Bellara's a fantastic companion to set up that spec with electric vulnerabilities, so I love her both on and off the battlefield.”"

Bonus rounds:

"SOLAS Okay okay, so Solas isn’t technically one of your core companions who will travel with you, but given his place in the Dragon Age story, we still had to ask about his relationship with Rook. Here’s what Busche had to say: Busche: “Rook's relationship with Solas is a complicated one. Everyone has seen, at this point, the gameplay reveal and the opening moments of the game, so you'll know things got shaken up pretty radically for Solas already. He's trapped. He's basically communicating with you as an advisor, and I absolutely love that idea of, ‘He's your lifeline right now, but can you trust him?’ And those touch points with him, ‘Do I take his advice or not? Can he be trusted? Is he going to betray me?’ All the while giving you this information that you absolutely need in order to be successful. “It creates an interesting stage for us, where, I think our fans will agree, Solas is very complicated. He firmly believes he's doing the right thing, and some of our fans will agree that he's trying to do the right thing. Others will not, and this creates a stage for you, the player, where you get to lean into those tendencies of your own as you're taking advice from Solas throughout parts of the game. I think those really interesting debates about, ‘Was he ever redeemable? Can he be trusted? Was he wrong all along?’ You're really going to be able to dive in deep on that.”"

"VARRIC Varric, while a part of Dragon Age: The Veilguard and a series mainstay, isn’t part of your core companions either. But, as fans can see in the trailers, he’s still very much in The Veilguard, so we asked Dragon Age creative director John Epler about how he’s changed since we last saw him in Inquisition: Epler: “Since the events of Dragon Age: Inquisition, he has spent the time, just briefly, obviously, [serving as] Viscount of Kirkwall. I mean, anybody who knows much about Varric knows how well a job where he sits around and tells people what to do is going to sit with him. He has been participating in the hunt for Solas. And I think for Varric in particular, that's a very difficult thing for him to do because Solas is his friend. Solas is somebody that he grew close to over the events of Inquisition. They adventure together, they work together. “And now knowing who Solas really is, that eats at Varric. Because Varric always sees, Varric believes he can always make somebody do the right thing. Varric believes he is the most convincing, charismatic, because he cares about people. And he has this belief that as long as I get a chance to talk to Solas, I'm going to be able to turn him. But as he's seeing what Solas' ritual is doing to the world around him, as he experienced in the comics, Dragon Age: The Missing, that eats at him a little bit. That's challenging his world view of him as always being the best judge of people, being able to see that somebody is able to be redeemed. And he's starting to question a little bit, ‘am I right or am I being a fool by believing in Solas?’ ”"

[source]

[prokopetz]

hey i was gonna make a post of my own but i realized i dont know enough about linux to like. really talk about it beyond "well a lotta places like hospitals/military places run legacy software and theyre super dependent on it and it would be a ton of work to switch over" and "well if everyone started using linux then the hackers would probably also Start Using Linux, like how nobody used to target macs when they were uncommon" so as a smart person who knows things about computers do u have a general response to the ppl pointing to the crowdstrike thing and going "see??? this is why everyone should switch to linux"

like. i also plan on switching to linux but that just feels like switching all of our eggs to a different basket u kno

I find that Linux advocates tend to inappropriately conflate "this specific problem would not have affected Linux operating systems" with "problems of this type would not affect Linux operating systems", when the former typically doesn't imply the latter.

Would the specific mechanism by which the Crowdstrike vendor accidentally bricked millions of Windows computers have affected Linux platforms? No.

Could an inadequately vetted security update have bricked a Linux platform? Absolutely.

The fact that you don't see much of the latter has less to do with Linux in itself, and more to do with the fact that, as a specialist operating system, Linux users as a group tend to have an above-average level of compliance with security best practices. The level of compliance that's reasonable to expect for a mass-market operating system changes things considerably – if everybody and their dog was running Linux, you can bet your ass there'd be millions of Linux platforms set up to just automatically accept and apply whatever updates come down the pipeline without human oversight or a validated recovery path, too.

[headspace-hotel]

Researching herbicide resistance in weeds.

A decade ago, everyone said rotating applications of different herbicides was key to stopping herbicide resistance.

Then, around 2015, evidence from a large study emerged saying that this actually causes weeds to be MORE resistant, so the best thing to do is to spray a combination of multiple herbicides mixed together at once.

Now that is being called into question too. Whoda thunk it...

Herbicide resistance among weeds is only getting stronger. Recently, scientists found an annual bluegrass (Poa annua) on a golf course that was resistant to seven herbicide modes of action at once. Seven. SEVEN. Amaranth plants been found with resistance to six herbicide modes of action at once. Twenty years ago, the narrative was that resistance to glyphosate (Roundup) was unlikely to become widespread; today it's the second-most common type of resistance.

What's more, plants are developing types of herbicide resistance that are effective against multiple herbicides at once and harder to detect. Instead of changing the chemical processes within them that are affected by the herbicides so the herbicides don't work as well, they're changing the way they absorb chemicals in the first place. Resistant plants are producing enzymes that detoxify the herbicides before they even enter the plants' cells.

It took Monsanto ten years to develop crop varieties resistant to Dicamba (after weeds made 'Roundup Ready' crops pointless). Palmer amaranth evolved Dicamba resistance in five years.

So I asked, "Why are all the proposed solutions dependent on using more herbicides, when we know damn well that this is going to do nothing but make the weeds evolve faster?"

The answer is that chemical companies have the world in a death grip. They can't make money off non-chemical solutions, so chemical solutions get all the funding, research, and outreach to farmers.

But why do chemical companies have so much power?

One of the biggest reasons is the U.S. military.

In the Vietnam war, all of Vietnam was sprayed with toxic herbicides like Agent Orange, which was incredibly toxic to humans and affected the Vietnamese population with horrible illnesses and birth defects. Monsanto, the company that made the herbicides, knew that it did this, but didn't tell anyone. The US government didn't admit that they'd poisoned humans on a mass scale until Vietnam veterans started dying and coming down with horrible illnesses, and even then, it took them 40 years. (My Papaw died at 60 because of that stuff.) And the soldiers weren't there for very long. As for the Vietnamese people, the soil and water where they live is contaminated.

Similarly, during the "war on drugs," the US military sprayed Roundup and other chemicals on fields to destroy coca plants and other plants used in the manufacturing of drugs. This killed a lot of crops that farmers needed to live, and caused major health problems in places such as Columbia. The US government said that people getting sick were lying and that Roundup was just as safe as table salt. (A statement that did not age well.)

So chemical companies make money off arming the USA military. The American lawn care industry, and the agricultural system, therefore originates in more than one way from the United States's war-mongering.

The other major way is described in this article (which I highly recommend), which describes how after WW2, chemical plants used for manufacturing explosives were changed into fertilizer producing plants, but chemical companies couldn't market all that fertilizer to farmers, so they invented the lawn care industry. No exaggeration, that's literally what happened.

This really changes my perspective on all the writings about fixing the agricultural system. The resources are biased towards the use of chemicals in agriculture because the companies are so powerful as to make outreach and research for non-chemical methods of agriculture really hard to fund. All the funding is in finding new ways to spray chemicals or spraying slightly different chemicals, because that's what you can actually get ahold of money to look into. It is like the research has to negotiate a truce with the chemical companies, suggesting only solutions that won't cause lower profits.

Meanwhile my respect for Amaranth is skyrocketing.

Who would win: The USA military-industrial complex or one leafy boi

[redflagshipwriter]

Fast Car Four (of four)

masterpost

Jason swallowed down hysterical laughter. “No, I don't.” 

Major understatement. Jason did not want Danny to talk to Batman. There were a couple reasons! 

Most crucial to his mission was that he was pretty sure Danny would make him seem a lot less dangerous and intimidating. He needed Batman to think the Red Hood was a coldly calculating threat, not a nice guy who tipped well. Danny was weirdly blithe about hanging out with a man who was over the national news for mass murder and taking over a drug market. Now that he was mostly over the shock of Danny’s attempt to throttle him for endangering his academic ambitions, he kind of desperately wanted Danny to like him. But again, that was not conducive to the impression he needed to make on Gotham..

But also, Jason wasn't made of stone. Danny was wrong about being in danger from Batman. Whatever he was, he clearly wasn't a criminal. He was some kind of persecuted minority. The highest Batman-related-risk he had was adoption.

‘Pretty goddamn terrible risk,’ Jason thought, remembering Dickie's screaming fights with Bruce and his own catastrophic blowout. 

Alright. How to make this work in the context of his plan? 

“Lemme think for a bit,” Jason said aloud, just so that Danny would steam less. “Obviously, he isn't going to forget about you. He knows your name, where you live, alla that. The best way to get him off your ass is to make you irrelevant as a lead.” 

Emotionally compromising him really wouldn't hurt, either. It was really goddamn hard to make Batman sloppy. But Jason knew how to press his buttons. He thought it over and wordlessly led Danny into the safehouse to offer him bottled water from the fridge. 

“He's not going to find you here, by the way,” Jason absently reassured. “Do you have to go to class today?” 

Danny grimaced. “I can miss a day.” He cracked open the water bottle. “One day.” 

Jason suppressed a cackle. He had one day to do something that got Danny off of Batman's sonar. He loved a generous king. “Thanks, honey,” he said. And then he flatlined. 

They looked at each other. 

Neither one of them spoke. The air was very tense with… something.

Jason looked back at his phone and pretended to be very busy. 

‘I wish I wasn't a dumbass,’ he mourned. Jason took a moment to be wistful for a better world. ‘Fuck. I need to solve this. How do I- would dramatically escalating my timeline work? If I skip all the chess moves and just confront Bruce…’

He cleared his throat. “What are, uh, your thoughts on using your powers to commit a major crime for me just once, so that I can get the Batman off your case?” 

Danny's lips thinned. “I'll hear you out.” 

Jason's mind raced. “So, uh, you stay here today, where he definitely can't see you. I have to go out for an errand or two, but you can just camp out here.” He frowned. “Actually, Batman won't go out in the day.” Bruce had work. “You can go to your classes. You probably should. School is important.”

“And Batman isn't going to like, track my car by traffic cameras and see that I came from here?” Danny raised an eyebrow.

‘He is going to do exactly that to see that you came here, and it’ll take him all day.’

He felt a vindictive spark of joy over how Bruce’s old man neck was going to hurt after hours spent squinting at his monitors. He’d used to microwave rice packs and hand them over periodically so the big dope didn’t wind up laid up in bed the next day.

‘Wonder if the new kid does that.’

Jason snorted and hopped up on the kitchen counter. “No, he's definitely going to do that. But it'll take him a while and I'll burn this location anyway…” He trailed off as an idea hit. “D’you know anything about cars?” 

It turned out that Danny knew enough. 

So Jason made them breakfast, sent Danny off to school, and then went out to intimidate the minions he'd had for literally one friggin day.

That turned out to be completely unnecessary. Apparently the Joker got the news channel in Arkham and he was pissy about someone making a major news story under his old alias. 

In another world, Jason would have flipped off the TV and hunkered down, let this chance pass him by because the stars were not aligned. But right here and now, there was a hot boy depending on him. So Jason was just going to make it work. 

Danny came back to the safehouse after classes. “Are you sure Batman is gonna come here?” Jason watched with eagle eyes as Danny absently picked at the pot roast he'd had going all day. Danny liked potatoes. Noted. 

“Yeah, for sure.” He cleared his throat. “And he’ll follow me if he hears word I’m out.”

“Leaving me to actually do this.” Danny looked kind of disgruntled about it.

Jason opened his mouth to point out that drawing Batman away on foot was a lot more demanding than what he wanted from Danny, but then he made eye contact and felt a chill up his spine. Danny’s stare looked positively dangerous. He was gripping his eating utensils with what was obviously way too much force and leaning ever so slightly towards Jason.

‘I think he’ll attack me with his spoon if I say that,’ Jason thought with admiration. ‘This man feels no fucking fear.’

“I’m sure that you can pull it off,” he said instead. “It won’t take too long with density shifting.”

Danny made a sound deep in the back of his throat that conveyed a deep and enduring skepticism. Jason took a big bite of his own food to move the interaction along. 

There was a huge sigh.

Some latent instinct cued Jason in that eye contact was required. He put down his food and focused on Danny. He conveyed his full attention as much as he possibly could while wearing a mask. He momentarily wondered if he should take it off but no, that was nuts. 

“Tell me that you’re sure this will work,” Danny said. He blinked at Jason, looking weary. “Personally, I think that this sounds like it will just piss him off beyond belief and it’ll point to me. I can see the benefit in sabotaging his transportation, don’t get me wrong, it’ll slow him down. But why this? Are you sure that I wouldn’t be better off just going to him and telling him I don’t really know you and I ran because I was afraid of him?”

Jason swallowed. “Danny.” He radiated his sincerity, willing Danny to feel it. “You don’t have to open up to him. Taking three tires off of his car is going to be psychological warfare because I did that to him when I was a kid. It’s going to make him think of me and put him way off balance. When I confront him, he will not be thinking about a gig driver.”

Danny nodded slowly through that bit of personal information. He licked his lips. Jason tried not to imagine that he was doing the licking.

He cleared his throat but his voice still came out hoarse. “I know you don’t know me very well.” Fuck it, it was clearly time for a big swing. Jason unpeeled the domino and did his level best not to let on that it hurt like a fucking BITCH to remove without using the right solution. 

It was the right move. Danny was riveted at the show of trust, gaze darting over his exposed features before blinking and settling into intense eye contact. “I have your back. Okay?” He pulled his hand under the table to hide that it was trembling. “If Batman doesn’t put me in jail tonight, I will do whatever it takes to keep you off the radar. Alright?”

There was a nonzero chance that he was going off to die. Jason fervently hoped that his shitty fucking father pulled through for once in his miserable life and shot the Joker in his evil head. If he tried to find some clever solution, Jason was going to have to kill the fucker himself and then try to avoid getting the shit beaten out of him by his dad.

He felt a moment of painful regret that he was doing this. But he had to. It was his whole reason for being. He had to give Bruce this one last chance to show that he cared Jason had suffered and died.

It was like Danny looked right into his soul. “Alright.” Danny nodded slowly and then his face underwent a whole transformation. He didn’t look like a tired college kid. He looked capable and determined. Jason felt his chest seize. “I believe you. And-” he hesitated before barrelling on. “If Batman tosses you in jail, I guess I’ll get you out. I owe you dinner.” He indicated the table.

Jason felt himself smile. “Yeah,” he echoed. “Yeah, dinner.” 

He probably should have wondered how Danny thought he’d pull that off. But in that moment, he had no doubt. They were going to go out, at least once, and see if they could be something.

He was going to come back and he was going to take Danny out to a real dinner. He felt it in his bones.

They finished eating in silence. Then Danny silently watched Jason get ready for war, putting on his armor and rechecking his equipment. At the door, Danny handed him his gloves. It felt like a benediction. It felt like he was sending Jason off to battle with his favor.

“Four hours,” Danny said. There was no arguing with him. He reached out and wrapped his cool hand around Jason’s wrist. Maybe he was feeling Jason’s pulse. “I’ll find you if you don’t come back.”

Jason reversed the grip. He brought Danny’s hand up slowly enough that there was plenty of time for him to pull away. Instead of a rejection, he saw Danny’s pupils dilate. He pressed a kiss to the back of Danny’s hand. “Four hours,” he agreed. Then he put on his helmet and went out to face the night.

[paper-mario-wiki]

Hey I know your clown days are behind you and everything, but I'm still curious if you've got any opinions on The Amazing Digital Circus?

same thing everyone else does i suppose, that its fun and well made.

to be additive to the discussion instead of just saying positive stuff you've already heard, i'll levy a little critique against it, bearing in mind that i do so with positive, constructive intent.

i feel as though in recent times we've been oversaturated with stories and media with too grand a focus on the characters instead of interesting concepts. i think that the character design in the amazing digital circus is colorful and neat, but in the past 3 years how many "it's cutesy looking, but it's actually about existential terror and the cute characters go through trauma, oh no!" gimmicks have you seen in stories? personally ive seen quite a few.

i feel as though creatives are pushed too much to make a marketable face first and foremost, because lingering eyes are in high demand for artwork online these days. if someone is going to move on quick, which is going to be the case with the majority of people, it's much more likely that someone will find it easier to remember a cool design for a character instead of an entire unique sequence of events. that means story-driven things are either made to be more shallow to give more space for character moments, or have a much smaller chance for having their work succeed.

i do not think this is indicative of some mass decline in creative originality, or even the fault of the creatives who make the work. like i said, i thought it was a lot of fun and gave it a small positive review on twitter a few days ago. Gooseworx, as well as the rest of the team who made it, clearly cared for this project. what im talking about is a symptom of the larger issue that is the black-box algorithms that have desolated social networks, and create bad media consumption habits in people. though i wont lie to you and say i havent grown to resent the symptom too.

so to answer your question more succinctly, i dont really think of it that much at all. ive seen this one already.

[roseglazedlens]

⦑ THE FUCKING DEAD ⦒ 𝐏𝐫𝐨𝐥𝐨𝐠𝐮𝐞

➠ series masterlist | 🔃girl’s route | 🔃boy’s route |

𝐒𝐌𝐔𝐓┇𝐇𝐎𝐑𝐑𝐎𝐑┇𝐃𝐀𝐑𝐊𝐅𝐈𝐂┇𝐂𝐇𝐎𝐎𝐒𝐄 𝐘𝐎𝐔𝐑 𝐀𝐃𝐕𝐄𝐍𝐓𝐔𝐑𝐄 LEON S. KENNEDY & CARLOS OLIVEIRA X AFAB GN! READER ADA WONG & JILL VALENTINE X AFAB GN! READER chapter synopsis: You are amongst the top five selected for this infiltration to take down Glenn Arias. An argument unfolds between the agents and you are forced to pick a side. chapter content: smut in next chapter, resident evil: vendetta spoilers, zombies, haunted mansion, explicit themes throughout this series. a/n: welcome to my second series!! (need to finish my first one oops) on a thursday one month ago, i thought to myself 'zombie threesome hehehe', then i took the idea and sprinted with it and this series is born. so, uh... zombiefuckers rise up?? « 3.3 k words | general masterlist | ao3 | reblogs appreciated! »

Millions are dying—Mass infections are happening across the globe swamping the streets with an unbeknownst fear. The symptoms of this virus are faint, indecipherable next to an x-ray of a man who is perfectly healthy. Not even the carrier themselves are aware of how the virus lies underneath their veins, dormant, until a click of button is pressed from a commander far away, then their symptoms worsen: a headache, a cold, veins turning purple as the poison hatches in them, spreading, until the only thing that can manoeuvre their limbs is the word: KILL.

That’s the greatest strength of this virus. Anyone can be infected, and maybe, you already are.

This product first reached the underground market three months ago. Called the A-Virus; a bioweapon succeeded in the market for its ability to infect targeted communities remotely and leaving no evidence on the perpetrator, which no other distributors had successfully produced before.

Engineered by Glenn Arias, the researcher sold over thousands of this bioweapon, becoming a billionaire overnight at the cost of lives lost from the whims of the rich. He supplied the wealthy and corrupted, like insatiable brats, with new remote-controlled monster trucks, who only aims to tear down families and have their victims beg mercy to a monster that will not speak reason.

Hence, this problem brought attention to a global scale, having the DSO come in alliance with the BSAA and other independent mercenaries to hunt down the vaccine and put a stop to Arias’ grand schemes. Handpicking five agents who are equipped with both experience and skill to combat a zombie attack on this scale of doom and urgency.

Those five agents are Jill Valentine, Carlos Oliveira, Leon S. Kennedy, Ada Wong, and you.

A plan is already in place. A distraction concocted with your intel and the help of a senior researcher of all things bioweapons, Rebecca Chambers. While Arias is busy attending fake business meetings on the other side of the world, the five of you will infiltrate his private mansion to retrieve a concentrated sample of the A-Virus. Rebecca can use the sample to reverse engineer it into a cure and send her findings to facilities across the world.

The plan sounds brilliant in writing, but when you arrived his private mansion in Queretaro region, Mexico, something is off about this place.

Arias is a mastermind, you had been warned many times, in which you appropriately prepared all your best gear for this mission to treat it with utmost gravity. You’re thinking armed guards, well-equipped security, BOWs. But when the five of you pushed open the front doors of his mansion, it was quiet.

Empty. Not a single soul. Just five of you greeted by the whisk of wind through weakly hinged windows that somehow makes the humid air stick to your skin further. Did Rebecca get the wrong info? No one lived there. From what you heard when you were in town, not even the locals dare to venture anywhere near the odd gothic mansion on the top of the hill. They said it’s abandoned, cursed, rumoured to whisk away young children if they ever step foot inside.

It’s a story they say to stop the naughty kids, you remind yourself. It’s not haunted. And you’re not a kid anymore.

The inside is abandoned. Cobwebs lay thick between cornices and carved columns, the floors laced with a film of dust on the luxurious dark wood flooring, creaking with worn age as you take each step. Besides the chandelier, every single piece of furniture is either the same colour of black or red, or nothing else. The soft red velvet upholstery and the rug are made with the same fabric. And you can find the same dark wood in every corner of this house. It’s in the tables, the shelves, the chaise, the painting frames, and stone-like head sculpture whittled with the same exact dark wood, ridged the exact uniform way.

Then, you look at the wall. Black patches of mould smearing across the burgundy wallpaper like a crime scene.

Something creaks behind you. The hair on your arms stands up as you shiver, immediately followed by a wave of embarrassment. Despite the number of times you had taken down hordes of incoming zombies like they’re cardboard targets, why is a bit of wind freaking you out? It’s not a ghost, just old foundations, maybe mice, or wind kicking something off a table, like how every old house sounds like. You look around to see if anyone else catches you jumping at nothing, before Jill says, thankfully unaware of your worry:

“God, the smell. What have they done to this place?” Her hand flies over her nose as if that will help to shield any smell whatsoever. Unfortunately, the building is moulded far beyond salvageable that the stench lingers in every part of the mansion.

“I’m sure it’s not that bad. We get weeks-old corpses in body bags every day. It’s absolutely retching.” Jill’s earpiece fizzes into life, and she recognises the familiar playful lilt of Rebecca’s voice on the other side of the line.

“At least that’s refrigerated and contained, Rebecca. This fucking stinks.” Jill scrunches her face like she just ate something unpleasant.

“I’m sending my sympathies from my well-conditioned lab right now.”

Carlos appears from Jill’s behind, placing a firm, teasing hand on top of Jill’s shoulder. His wavy curls catch in the wind and his teeth glistens sparkly white. “Yeah Jill, got a problem with my natural musk?”

Jill shrugs his hand off, grimacing at his attempts at flirtation. “Take a shower first, then we’ll talk.”

In which Carlos laughs, holds his hand out at his heart as if it was just torn into shreds. “That hurts my feelings, Jill. Why aren’t you ever saying things like that to pretty boy over there?”

“I have a name, Oliveira.” The blond man turns around at the call of his nickname, familiar with the nickname, but it's not pleasantly received by him.

“I think pretty boy suits you more, Kennedy.” Carlos replies, a glint in his voice that hints something a bit less than friendliness between them.

“Ah, so you do know my name.” Leon quips back while staring directly into Carlos’ eyes, before getting cut off by Jill.

“I would, Carlos, but if I have to hear one more corny ass comeback from Leon’s mouth, I’ll throw myself out the window right now.”

“Takes a genius to get my humour.” Leon smirks.

Your eyebrows raise almost immediately to chime in. “Erm… I think we have different meanings for the word ‘genius’.”

Quiet chuckles ripple through the room. It helps that you have worked with these guys throughout the years and had come to know and get close to them—some a bit closer than just friends—but none of them are strangers by far. Usually, you would be working with only one or two of these guys, never in a big group like this, but it seems that everyone is already well-acquainted with each other.

You toss a glance at Carlos and catch him staring at you, smiling. Ah, you see now. Carlos must have been trying to lighten the mood because you had been jumpy ever since you had arrived. You nod at him, a silent thank you before the five of you venture deeper into the eerie atmosphere.

The goal is to arrive at Glenn Aria’s office. According to Rebecca’s intel, Arias hid a concentrated sample in a safe last time he was here. You will need Ada to crack the safe to retrieve the sample and deliver it to Rebecca. As you traverse the corridors, it twists and turns in different directions—whoever engineered this did not enjoy unexpected guests at all. But under Rebecca’s guidance, she walks you and your team through the labyrinth with ease and precision.

But unfortunately, not ease and precision on your part. You trip over your own leg and almost fall to the floor as you round a harsh turn according to Rebecca’s instructions, and Jill catches you right on the arm before you fall.

“Easy there.” Jill pulls you up the ground, and you regain some balance. “You good? Mind your step.”

“Why did I agree to babysit?” Ada speaks, finally, for the first time in this mission. Despite how quietly she spoke under her breath, her words abruptly cut through the air, and all attention is on her and the red sweater dress that curves into her frame perfectly now.

“Oh, I bet once you get your paycheck it will be worth it. Or will you be betraying us, huh, Ada?”

Leon smirks loudly. Ada’s face goes from tired to exhausted in one second. “You just can’t let bygones be bygones, can you?”

“That’s rich coming from someone who used to work for Wesker.” Ada’s heels come to a stop, and with a slow turn, she stares deeply into Leon’s eyes that speak a million threats without needing to be utter a word. Oh, and believe me, you do not want to be messing with Ada. You learnt that the hard way.

“Woah, guys. Let’s keep this civil. No need to get heated.” Carlos rushes to stand right between them as the duo glares at each other with passionate fury and resentment.

You nod, joining Carlos’ side to stand by him. “Carlos’s right. This is not the time to pick a fight.” But it falls on the deaf ears of Leon and Ada.

“Thousands were killed. I want what’s good for the people, and I’m not sure Ada here is on the same page.” Leon continues, adding fuel to the fire.

Ada lets out a disbelieved gasp in response, before recollecting herself and replying in her usual tone of calmness: “Someone has to pay the price. I’m just the executor.”

“Regardless of our motivations, we all are on the same side here.” Carlos attempts at resolution again, putting his hands up in between them, and fails embarrassingly once more.

The air is heated with hostility; Leon and Ada’s eyes are locked in a trance, a hazy spite that reigns their composure, that looking away from each other means forfeiting. You don’t see either of them walking away first, they are both prideful people after all.

“Uh… Jill? Some help?” Carlos looks around to find Jill, who is leaning against a wall, her arms relaxing by her sides, unphased by the fire stirring right in front of the crowd.

“Not my circus, not my monkeys.” Jill is merely waiting for either one of the parties roll over.

You feel speckles of flame through the two of them, as if steam is retreating over the top of their heads, burning not just them, but also everyone else in the room. Until the boiling point hits, and it erupts all in one second. The duo walks away, off to different directions in bitter adrenaline, until you and Carlos are just looking at each other.

“I guess we’ll take five. There’s a safe room up ahead.” Carlos is speaking, but you’re the one listening.

The five of you enters the safe room in silence. It is a storage room—despite its name, it’s quite large for a normal storage room—with boxes stacked on all ends that made the room seem smaller in comparison. A ceiling light illuminates the room dimly, but it isn’t enough to shade away years of old animosity from their past.

The lively conversations you had mere minutes ago is gone now. Just silence and awkward rustling as each of you sits in your own designated corner. Carlos and Jill find themselves a seat on top of a firm box. Leon and Ada giving each other the silent treatment, standing on farthest end of the room to each other. You are simply minding your own business, gathering materials to craft a flashbang to pass the time. Doesn’t hurt to have more supplies anyway.

There is a notable division on each side, an imaginary alliance that you choose to be on neither side. Until Leon crosses the boundary line, somehow making his way to you. He picks up an empty grenade case next to you, assembling the pieces together for your project.

“Sorry you had to see that.” A little guilt tugs at Leon’s voice.

“Not at all. I get why you felt that way.” Leon nods, a look of gratitude hanging softly through a smile. His other finger seals the flashbang cap and hands it back to you. “But you need to learn to control your temper. Especially when it comes to Ada.”

Speaking of Ada, a shiver runs down your spine suddenly. The feeling of someone sending laser signs and telepathic warnings towards you. You turn around towards the direction of the aura to find Ada, her back leaning against the wall, arms crossed without engaging or acknowledging anyone in the room. She stands by herself alone, and that’s how you had always known Ada—distant and in her own mysterious world. Not really a chatter, despite the number of times she had saved you in the past.

Ada does not look at you, but you can feel her glaring down—either you or Leon—with her entire body.

“Good to see the two of you getting along at least.” Carlos holds out two plastic water bottles to you two from a supply crate he found in the room, which Jill has finished downing two of them already.

You two gesture ‘no thanks.’ Ada does not spare Carlos a glance at his direction when he offers.

“You’re welcome, I guess.” Carlos says sarcastically, before taking in a generous sip from his drink.

There’s a moment of silence. Then, a moment of dry coughs; a squeak of footsteps, a joint click from a stretching neck. Then silence once more.

“I’ve had enough.” Jill slaps her hands on her thigh before pushing herself up from her seat. “You guys gonna keep acting like kids? Grow up, this isn’t high school anymore. Take your drama outside. If we’re gonna take down Arias, we have to get along. And yes, that means moving on from shit that happened… five years ago? Five years ago and you two are still hung up? Unlike you all, I’m actually looking forward to go home and get a decent shower, hopefully soon.”

You nod in approval as Jill speaks her mind, and you are glad at least the few of you have their priorities in order. Ada flicks her head away from Jill, but her silence is telling of how much she is thinking over Jill’s words.

“Leon, can you accept this?” Jill asks.

There’s a bit of reluctance in his voice, but he agrees anyway. “Fine.”

“Ada?”

Before Ada can respond, smoke is creeping into your vision, coming in quick. It merges into your view, obscuring it, and you whiff something artificial, some kind of chemicals that is piercing to your nose and eyes. You can’t help but wince, hands groping the air in attempts to find comfort in the person closest to you—anyone for that matter—to indicate you’re safe and is indeed not under attack. Your fingers find themselves in a fistful of someone’s shirt, muscles tensing tightly underneath the fabric on their shoulder cap.

“Leon. Is that you?” You cry out.

“It’s me. Stay close and don’t let go. It’s an ambush.” Leon pulls your arm towards him, securing your safety with his hand in yours.

There is some coughing through the air, faint panic in voices underneath the hissing of gas that seems to be coming from above. You hold onto Leon a bit tighter.

Carlos calls out desperately “Where are you guys? Is everyone okay?” as he flaps his hand around the smoke to stir it away. He finds you and Leon almost immediately, and looks down to your hands, finding them clasped tight against each other. Your hand lets go of Leon flying behind your back, but Carlos already saw it.

Jill is coughing deep from the smoke. “I-I’m here!”

“It seems like we’re all here.” Ada says, composed as ever despite the circumstances.

The smoke dissipates—until most of the fog fades away, escaping through the cracks underneath the door to the other side. Leaving the five of you standing in the same storage room darting eyes around, seemingly unharmed, and even more confused.

After what feels like a while later, Jill finally breaks the silence: “Huh. What was that?”

“No enemies.” Ada unholsters the pistol from her belt, inspecting the room and the door behind the room. “Clear on this side too.”

It’s strange. If this is an ambush, why isn’t there an attack?

Leon places a finger on his earpiece to activate his microphone. “Rebecca, come in. We’ve just been ambushed by some kind of smoke, but nobody’s hurt. Happen to know what’s going on?”

His earpiece buzzes into life. “Hmm, let’s see. From the architecture plans, I see the vents are connected to a lab below. It seems abandoned, there are no signs of anyone triggering an attack on my end.”

“Whatever it is, we need to investigate.” Leon’s voice is firm and serious. “I’ve got a bad feeling about this.”

You swallow deeply, fear settling back inside you. “You think it’s a trap?”

“I think…” Leon pinches his chin. “…Arias knows that we’re here.”

Your heart drops—Bundle of fear, anxiety and stress springing back into your nerves as you probe at the possibility of Glen Arias knowing where you are. What you’re trying to do. Making sure you will never reach that sample despite your hardest wills.

“He shouldn’t. Rebecca, didn’t Arias get on the jet?” Carlos is also thinking too.

“Affirmative. Security footage showed Arias walking into his private jet, and it took off four hours ago. He should still be in the air. No signal of them making a pitstop anywhere.”

You hear black pumps clacking against the hardwood floor. “I’m getting the sample.” Says Ada, her foot is already halfway out of the door. “Follow me or not, I don’t care. I’m here for the objective, and only that.”

“And what if something happens to you?” Carlos asks, genuinely concerned.

“I’ll deal with it if it happens.” Ada waves dismissively.

“Ada’s right, we could be set on a wild goose chase.” Jill chimes in. “Millions of lives are dying. We don’t have time to waste.”

“I guess it’s just you and me then, pretty boy.” Carlos rounds his arm around Leon’s neck, bringing him closer in an almost choking grip, a little too close and tight to his liking. And with Leon’s history with Carlos, Leon refuses to believe this is just a friendly gesture.

Leon grimaces, removing Carlos’ hand over him. “So that’s it? We’re splitting up?” The answer is unanimous. “Fine. I guess we’ll cover more ground if we split up.”

Rebecca, through the other side of your earpiece, speaks: “Be careful everyone. You don’t know what kind of schemes Glenn Arias had set up. Please stay safe.”

“We’ll be fine, as long as we don't have any traitors in our team.” Leon says the word ‘traitor’ while maintaining eye contact with Ada. She ignores him, simply deadpans.

“Well, what about you?” Leon nudges at your arm.

You are faced with two options. Indulge in your curiosity and find the source of the gas, or stick to mission as planned? Both options will be dangerous. So who will you trust with your life?

[OPTION A] “I’ll follow the girls.”

[OPTION B] “I’ll follow the boys.”

𝐭𝐡𝐞 𝐟𝐮𝐜𝐤𝐢𝐧𝐠 𝐝𝐞𝐚𝐝 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 thanks for reading! come check out my other works! —yours truly, rose. i love my beta reader @scar-crossedlvrs! series taglist: @j3llyd0nut @ovaryacted @daydreamrot @madcap-riflette @access--granted @obsolescent @briermelli @secretiveauthor @ghosty-frog @navstuffs @slowcryinginthedark @rentaldarling @lesbntired © roseglazedlens — please do not repost, plagiarise, or feed to ai.

[murdrdocs]

thinking about tashi and art from challengers. thinking about being another tennis player at stanford who actually shows promise. you go to the courts religiously every morning and every other afternoon to perfect your groundstrokes and your volleys. other students barely play against you anymore, and it’s tough to find a partner for any sort of match. that is, until you catch tashi’s eye. well, according to tashi�� art claims he saw you first. she says it doesn’t matter anyway, because she’s the one who approached you when art didn’t have the balls to do so.

tashi starts playing you more often and—granted— you don’t stand a chance against her either way. but you love the challenge. it starts becoming a common reoccurrence, until it reaches the point when you don’t even consider asking anyone else to play you. you simply sit by one of the benches, toying with your racket until tashi arrives. you’re not sure when it became routine, waiting around for tashi, nor when art began watching your matches against her from the bleachers. his presence was easily discardable during the matches… at first. but then you slowly grew aware of the other set of eyes watching you during practice.

you thought he was tashi’s boyfriend. you thought he was her boyfriend— until your shared afternoon in the locker rooms with tashi. you could barely stand up when you left, cheeks flushed and tennis skirt crooked. little did you know, tashi told art every single dirty thing about you in detail. the way you moaned, the way you bucked, the way your back arched and you begged her for more.

needless to say, they both made it their mission to see you like that again.

- 🍒

threesomes; oral (f receiving); MDNI 18+. 1.1k+ w/ ART DAVIDSON & TASHI DUNCAN

art finds you in the dining hall a few days later.

you're by yourself, sitting under tashi's poster and flipping through a mass market book the size of art's hand. he doesn't hesitate to approach you, a friendly smile on his face as he asks you if the seat in front of you is taken.

you shake your head, dog-earing your book at the same time as you slouch in your seat and kick the chair out for art. easily, he sits, places his tray on the table, and slides the peach your way. 

you don't have a tray in front of you. art doesn't know if you just finished eating, or if you were planning to eat at all, but he knows you like peaches. you take the peach, peel the sticker off, and take a bite.

you open your mouth as if you're going to speak, but art beats you to it.

"you and tashi are getting pretty close." he doesn't mean anything malicious by it. at least, he doesn't think he means anything malicious. he's still smirking, maybe less friendly and a little more teasing by now, and he's tapping the edge of the plastic tray with the blunt nail on his pointer finger.

you lift your eyebrows and chew slowly before you bother responding.

"yeah. we're friends."

art knows that's not necessarily true. he nods, dropping his head briefly.

when he speaks, it's to his salad. "right."

"what's that supposed to mean, art?"

art shrugs, sticking his bottom lip out a bit. he looks behind you at the picture of tashi in her element. he remembers that match. one of the early ones in the season where everyone had been excited to see tashi duncan play in her newly acquired red gear. art had arrived early that day and caught the tail end of your match on the court next to where tashi was going to play. he remembers the immediate infatuation he had with you. how graceful you looked on the court, yet you were able to put just enough power into your shots.

his eyes find yours again. you look like you're ready to accuse him of something, and likely be right. he's not being the most subtle person ever, but that wasn't his aim. he wanted what tashi has and this time he wants to do something about it.

"nothing. i just think you two are a little close for friends."

you sit and watch art. you take another bite of the peach and juice drips onto your lips and under your chin. you lick it clean without a second thought.

"right."

art leans forward, pushing his tray out to the side. "she told me about that day, you know."

you scoff and mirror art's position.

his eyes flicker to your lips when he says, "come on, you had to have known she would've told me. we're friends, remember? all of us."

"are we friends in the way that you and tashi are friends, or in the way that tashi and i are friends?"

you take another bite from your peach and once again, juice drips down. art doesn't hesitate in the way he reaches out, swipes his thumb under your lip to catch the liquid, and then sticks his thumb into his mouth to clean it up. he was likely smooth with it, but his heart pumps so hard that he can feel it in his throat. he swallows before he speaks.

"is there a difference?" he phrases it like a question, but you both know it isn't. you both know the answer.

it's a good thing that you, tashi, and art are such good friends who can do things like this together. sitting on art's bed, combatting your mutual boredom with something much more interesting. art sitting beside you, his back pressed against the wall and his legs spread to accommodate your body. he has a hand on your back, sometimes trailing down to your ass which has your feet folded beneath it. you face tashi who sits just on the outside of art's left leg, her position mirroring yours.

her hands cup your face at first, but once you tug her closer by her fitted jacket, she trails her hands down to lift the hem of your sweatshirt just enough to press her hands into your abdomen. she starts to lift the fabric completely, but it's then that art takes over. you feel his hand sliding up your back and your sweatshirt going with it until he gets to where your bra should be.

except, there's nothing there.

you can hear art's breath hitch as he slides his hand around to your front and swipes his thumb over your nipple. you make a startled noise, and tashi drinks it right up. she digs her fingers into the waistband of your shorts and pulls you closer, as close as you can get with art's leg between you both.

sensing the boundary created, art switches his position. he slides up behind you, giving you and tashi free reign to press your bodies together. meanwhile, he gathers your sweatshirt in both hands and lifts it, gently urging you to separate from tashi for long enough for him to throw the fabric off of your body and onto his floor completely.

tashi is quick to attach her hands to your tits and art is quick to pepper kisses along your shoulders and back.

the rhythm is so easy, completely void of any hesitation, except that which exists for consent.

it's a rhythm that only such good friends could have created and mastered. 

here, like this, hidden under the pretense of the three of you being such good friends, do they finally get to see you how they wanted. tashi gets to see you again, and art gets to put her words to visuals. and tashi was so right. her words had seemed almost unnecessarily vivid at the time, even though art greatly appreciated it. but how could she not describe this sight vividly?

the way your chest reached towards the ceiling as tashi used her mouth on you, your pert nipples sitting prettily at the peaks of your breasts. the veins in your arms poking through your skin briefly as you placed your hand in tashi’s hair, which art is sure she left loose for this exact occasion. your sounds, god art doesn’t think he’ll ever forget them. the prettiest whines almost mewls slipping past your parted lips and greeting the air. only when art didn’t have his mouth attached to yours that is. 

it’s like he couldn’t keep himself away. he had to touch you however he could. but he wasn’t good at this, he didn’t know where he should fit into he equation with tashi occupying the spot he usually aimed for. so he explored. he pressed his lips anywhere they could reach, and he found a favored spot along your tits. he couldn’t help but suck marks along them, even though he didn’t exactly know how you would feel about it. 

but when he looks back on his work peeking out through your tank top hours later, he’s glad he left them there.

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!