can you do smth about loser gf n sukunas first date? i love them sm
𝝑𝝔 an: hope u enjoy this :)) read more about cool bf sukuna x losee gf reader here!!
cool boyfriend sukuna isn’t that original(he doesn’t even try to be) so he just takes you to see a movie and then plans to walk you home after that.
you give him the freedom of choosing what movie to watch and he, of course, chooses a slasher. you take the ticket he gives you with an excited grin, which excites him, and leave him to go to the restroom to check yourself out.
sukuna’s gaze doesn’t leave you or the path you walked on even for a minute as he admires the way you put a little more thought into your outfit, looking as sweet as ever, and added a little more makeup to enhance your pretty features. he’s not gonna lie, the way you did your lips really makes it hard to keep himself together.
to his amusement, you are still a little scared by the cheap jumpscares, hand visibly itching to grab his. sukuna spends most of the movie’s runtime watching you, absentmindedly biting the nail of his thumb and smiling at your cute reactions. the way you tightly close your eyes whenever a violent scene is on, the way you hiss and your face scrunches in disgust at the sight of someone’s fake guts on the screen, the way you squeal quietly when you get jumpscared — he finds you so adorable it’s crazy.
sukuna takes your hand at the first opportunity that presents itself: when you’re giggling at something he said and don’t notice a person walking by, accidentally bumping into them. sukuna doesn’t hesitate to grab your hand and pull you into himself, giving the person a nasty glare. you smile sheepishly at him, but don’t let go. he feels very peaceful, like he’s never felt before.
and to sukuna’s surprise, when he is ready to leave your address after walking you home like the gentleman he’s quite far from being, you, the shy loser who is hardly even noticeable if you don’t look carefully around the classroom, come back from your apartment, running after him, and soon hold onto his shoulders, standing on your tiptoes to plant a shy kiss on his cheek before hurriedly disappearing into your apartment again.
he can barely suppress the idiotic smile splitting his lips.
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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