#so things are probably incorrect

[here-comes-the-moose]

Wrecker: Do you think I could fit fifteen marshmallows in my mouth?

Tech: You’re a hazard to society.

Crosshair: And a coward, do twenty.

[incorrect-green-lantern-quotes]

A funny side effect of the Corps generally recruiting only adults is that the Green Lanterns of Earth are probably on average the most well-educated of all of DC’s hero legacies*

Like, Hal was a fighter pilot in the USAF, for which a bachelor’s degree is a requirement. Guy in his original backstory got two degrees in education and psychology at the same time. John’s an architect, so he would’ve gone to college for at least five years.

Kyle’s run in the 90s mentions that he went to college, probably for art. Simon is stated to have a degree in automotive engineering. Jo went to freaking Princeton University. No idea what she studied but I assume it was something like criminal justice since she became a cop afterward.

The only reason Jessica didn’t get to finish her forestry degree was because she was hiding in her apartment for three years after her friends got murdered. But she would’ve if not for that horrifically traumatic event!!

No wonder Bats don’t like Lanterns. They’re all bright and colorful and college educated, like many of the most infamous Gotham rogues.

*I’d like to point out that this is more so because the other superhero families tend to include multiple kids, who are statistically unlikely to have graduated high school yet (and if they haven’t by now they likely never will thanks to DC’s sliding time scale)

Legit, I’m pretty sure the Earth GLs are the absolute last hero legacy to get a kid in main continuity (Keli’s first appearance was in 2019!)

And bc reading comprehension on this site is piss poor, this isn’t me saying that the Green Lanterns are smarter than all your hero blorbos. Just that the majority of them went to school long enough to get their diplomas.

[freckleslikestars]

FARSCAPE | 1.06 Thank God It's Friday, Again.

[bnha-more-like-bnh-gay]

Shinsou: I hate all those things that were like, “they used to be so strong and funny…. ThEn [insert trauma here], now they are a shell of what they once were”

Shinsou: I can be traumatized and still be strong and funny. I’m the funniest fucker I know

Tsuyu: yesterday you said that you wanted to enter a coma so you didn’t have to deal with an authority figure being mad at you again

Shinsou: both can be true, am I not allowed to have duality, tsuyu??

[therighthandofvengeance]

I have two dogs, but only one of them is relevant to this post. His name is Rock, he’s a malamute/hound mix (affectionately called a “mala-mutt” by my mother), and he’s more-or-less a theatre kid in a dog’s body.

I have accidentally trained him to have a second “come” command.

That command would, in fact, be “Vir!”

Yes, it’s something that has to be done with The Londo Mollari Voice. He will not respond to a non-Londo pronunciation.

[havenshereagain]

Another incorrect batfam quote

Jason: wait Tim, you have a penis?

Tim: yes?

Steph: can confirm

[starryeyeddreamer21]

Hazbin Hotel Incorrect Quotes

Angel: *sliding money across the bar to pay for his drinks* You can call me sugar daddy longlegs

Husk: no

Niffty: Does that make Husk sugar baby shortlegs?

Husk: No

Niffty: Can I be sugar baby shortlegs?

Husk: NO

Angel: *wheeze*

[wackywatchdotcom]

while im doing this i need to say this: the digital lake line from the first episode is absolutely slated to be one of ONLY two options. the first option is that it was a one-off gag and nothing more. this is likely. the second option is also likely imo, that it WILL come back but this is gonna be in either episode 6 or 8- and if its not in those it wont happen at all

[plistommy]

Steve: I feel sooooo cold, maybe I just need someone to come and hold me and keep me warm… *smirks*

Eddie: Oh yeah? Well, let me be that someone for you, sweetheart. I can keep you real nice and warm.

Steve: Is that right?

Eddie: Definitely…

Steve & Eddie: *starts making out on the couch*

Dustin: You guys disgust me.

Robin: It doesn’t even surprise me anymore.

[ambriel-angstwitch]

Sokka: I have decided I want to get cremated

Zuko: Like when you die?

Sokka: No whenever just surprise me.

[one-paper-bag]

chat am i unwell or do you also think about how Paul has the best press-persona (pressona if you will) out of all of the Beatles and how he most certainly used it to build walls during points of tension in the band

[necrotic-nephilim]

How do you think bruce would react to a Robin pile situation?

oooh this is a fun thought. i think it depends *entirely* if you're working with a morally stable Bruce or a Bruce who's a little fucked up and dead dove-ish. somehow, i think it's actually more fun if it's a completely stable Bruce bc that adds so much more drama and issues if Bruce is deeply unsettled by the idea. if it was maybe just Jason and Dick or Jason and Tim dating that's sort of understandable. Bruce knows that while he may see them all as his sons (except Steph bc do know Robin pile will *always* include Steph for me and tbh Cass too as an honorary member. they're all going in the pile.) but he understands that doesn't mean they see each other as brothers. he respects the nuanced and complicated relationships scattered across all of the Batfam.

but if all of them are *dating*? or at the very least sleeping together? that raises a lot of logistical red flags. the most obvious one is the age gap of it all- at the biggest gap you have Damian and Dick who are an easy fifteen years apart, meeting when Damian is a kid. not to mention how many of them have tried to kill each other at some point. it shouldn't work and Bruce doesn't like that it does. Bruce has a history of wanting to control the relationships of the Batkids when he disapproves. and so he'd absolutely try to break them up. at first, he paints it purely as a logistical issue. saying it's smartest not to bring feelings into work and that this is dangerous. i think it's especially fun if this happens at a time when Bruce doesn't approve of Steph or Jason so that *also* plays into it, he doesn't want either of them near the ones he currently considers to be his family. he says he wants to protect them and wants to keep them safe. he tries to appeal to who he thinks would be more logical and listen to him the most. first Dick, and then when that doesn't work, Tim. and when neither of them listen, i *do* think Bruce would stoop to the low of trying to break them up by fabricating internal conflict between them, hoping to divide and conquer the weird polycule it's become.

while i don't think Bruce would be jealous in the sense he wants to be included, i *do* think he's wildly dislike the Robins having this close bond that makes them trust each other implicitly more than they trust Bruce. they will defer to each other before him and clearly keep things from him. he'd despise that. it's an inner circle he's not let in on and it makes him lose aspects of control over some of them, especially Damian who's the youngest and his son, who Bruce deserves the most control over. he would drive himself mad about it. at first for genuine reasons over the perceived fucked up nature of the relationship (even when each of them have confirmed that it is entirely consensual and they're happy) and to protect them. but he becomes so bitter over being ignored. they openly prioritize each other over him when the truth comes out because they see no point in hiding it. and i could definitely see Jason gloating about how he's back in the family whether Bruce likes it or not. Bruce would be beyond pissed about it. he's just never recovering. trying to stop them gets nowhere, even if he manages to cause some internal conflict.

eventually, Bruce would be forced to accept it for fear he would lose all of them. but he's *not* going to be happy about it and he keeps making side comments, hoping to get through to one of them eventually. it doesn't work, but he's definitely not going to stop trying. i also think on some level it would just disgust him a little bit in a visceral way, since they're his kids to him and he doesn't like to picture them in that way. esp when Jason or Steph lean heavily into PDA just to fuck with him. ass grabs, cuddling, sloppy kisses, the whole nine yards. Bruce will not have a moment of peace.

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[oddly-casual]

Puzzlematsu Another One Overanalysis

Okay so I caved and properly edited my analysis of the Puzzlematsu set Another One. Not sure what its another one of, but I think it might be related to the Angel&Devil set because of its similar theming and colors.

The Angel & Devil set was more about right verses wrong. How the NEET’s approach things they actually struggle with (Example Kara and being a pushover).

The sets are also called Insider, and the description mentions them having an inner battle. More than that I think these sets specifically might be about inner desire, and how they choose to confront the thing their minds hide away.

Each set has one of the sextuplets being suddenly confronted with a shadow with a cracked mask, the last image always being how that Sextuplet choice to confront this piece of themself. I, personally, love the way they’re presented to us.

I like to make myself laugh by saying the shadow is coming out of Osomatsu’s ass.

For Osomatsu’s set, it repeats a lot of what we already know, but I like how it presents it to us.

Osomatsu is a park when his shadow shows up. A place he and his brothers spent a lot of time as children and as an adult its where he can be surrounded by like minded individuals (literal children). In the show itself, Osomatsu is known to bum around the park for day drinking or even just because he has nothing better to do. He’s literally surrounded by nostalgia and I think that’s where his shadow is the strongest.

The real meat of the meal comes from the final image of each set. It’s an explosion of color and conflict and Osomatsu’s just has so much to chew on.

For starters, Osomatsu's mask isn’t the only one with a smile on it. It is, however, the only mask with sharp teeth. Most of its cracks are from the top of the head and barely reach the eyes.

The masks are just that, masks for hidden desire or maybe even their more buried nature. For someone who is openly a piece of garbage, why is the mask so intact? What can we get from the mask itself?

It could be that the mask has such sharp teeth as a scare tactic. Something that makes others steer clear of it as a defense mechanism, or it could be how Osomatsu genuinely sees himself. Someone dangerous or aggressive. The cracks on the top of the mask could even be seen as devil horns, much like the image of Devilmatsu that Osomatsu is known for.

More over, Osomatsu is the only Matsu who is aggressive with their inner self so openly. Is it something he really doesn’t want to deal with? Or something he’s forcefully repressing? The inner self appears smug, like it knows there's nothing Osomatsu could do that would force it away forever.

I also find it interesting and kind of cute- how each sextuplet has a token in Osomatsu’s set, rather than anything that is unique to him. There is the money, but money is superficial. Everybody likes money.

The money itself is scattered and all over the place. Instead, its the little tokens of his brothers that are placed behind protective walls. Kept in place, unbroken, and where Osomatsu can keep an eye on them.

And really, that can mean so much. From- he loves his brothers- to -yikes- but regardless I think its an interesting way to frame Osomatsu’s perspective of his family and his inner self.

Karamatsu’s location of choice is a little hard for me to put my finger on in terms of meaning. Really, if we wanted a place that mostly belonged to Karamatsu, he would be on the bridge or the roof even. Except he’s not, so I wondered what made this window so important.

On one hand, I think they chose it as a reference to The Karamatsu Incident, even the sky changes when the shadow appears.

It could also just be because Karamatsu’s home is his safe place and where he likes to look at himself the most.

It’s also a little on the nose that his shadow comes from the mirror in a time of literal self reflection. Not to mention the shadow is the only one that directly grabs Karamatsu- almost like its demanding his attention.

For such a flashy guy, Karamatsu’s final image in the set is shockingly simple. The only thing really note worthy of his background would be his glasses and the arrows.

As for his glasses, they do get broken quite a bit in the show. He also uses them to hide, or appear more confident. In this confrontation, he doesn’t need to hide- hence why they're so out of reach. It could also be hinting at a shattered confidence.

The arrows? I’m not completely sure why those are there. The only thing I can really think of, is Todomatsu and the Five Demons. When each brother was hit with arrows when Todomatsu was eating them up verbally.

Which could mean the arrows are a stand in for hurtful words. If we want to take it more literal, then the arrows could represent the stand still Karamatsu feels in his life. The arrows are stuck, embedded in crystal. They cannot fulfill their purpose and they cannot go further than what they’ve reached. If you catch my drift.

Karamatsu’s mask is the only one with a frown on its face. The only shadow that shows its sadness.

We know Karamatsu is an emotional and sensitive guy, so that isn't too surprising. He tries to be a larger than life cool guy, but he’s actually super sensitive (His background being the most cracked and shattered could also hint at this.)

But his mask is just a bit more cracked up then Osomatsu’s, and if we follow a similar line of thinking when it comes to the mask, it could be how Karamatsu sees his buried emotions. Sad and pathetic- or its just how his emotions really are.

Not to mention Karamatsu is the one comforting his inner self. Meaning he is aware of its existence, accepts it, but still hides it. That, or he understands it but just isn’t ready for the mask to come off yet.

He’s cringe and he’s not free

This set feels like the equivalent of doing something fun only to stop and realize you probably look cringe as fuck. Like drawing your homestuck oc in 2025- I say, as I look in a mirror

Once again, Choromatsu is in the comfort of his own home, where he can indulge in his interests and have fun. That’s when the self reflection kicks in, but its inviting and encouraging. It wants Choromatsu’s attention, or maybe to distract him.

Like Osomatsu, most of the meat comes from the final image. I’ve noticed Choromatsu is very self aware, but chooses denial more often than not.

Choromatsu openly admits to being a pervert. That he likes being lazy, and that he is an asshole- yet he’ll double back into denial right after confessions like that.

His background is structured, but its also breaking apart. Things like his glow sticks and his cardboard appliances are restricted by vines with thorns. Though I still have some trouble trying to figure out what that means.

Thorns can generally represent sacrifice or even just holding something hostage. Really, it could go either way.

Choromatsu could see these things as something he’s forcing himself to hold onto despite the facts that they’re holding him back.

It could also be things he feels like he can’t indulge in, because he needs to be proper member of society. Only his inner self trying to get him to let go of expectation. A battle of mind and heart.

Choromatsu doesn’t look at his inner self, but they are physically touching. Meaning he knows what his inner self wants, and he is aware of it, but he’s trying to pretend it’s not there. Like he doesn’t want to acknowledge it as a piece of himself but doesn’t force it away.

Sources!

Here’s the fandom Wiki for the set itself

The images themself I got directly from User @snowimatsu appreciate you sugarplum

It was really fun revisiting an older analysis of mine to touch it up, especially seeing how differently I view the characters now. I should have the younger brother’s dissection up by tomorrow. Kiss kiss!

Edit:

The younger brothers have been finished. Enjoy!

[morganski-19]

Steve going on a rant about the basketball game he just watched

Steve: *realized how long he was talking* Sorry, you probably don’t want to hear me talking about basketball

Eddie: Why not?

Steve: Cause you don’t care about sports

Eddie: Yeah sure. But I care about what you care about, so if you want to talk about it, I’ll listen

Steve: Even if you don’t like it?

Eddie: Especially if I don’t like it. You clearly want to talk about it and I’m happy to listen and engage with you about it if that’s what you want.

Steve: I would really like that

Eddie: Well then, continue. I’m invested now

[brw]

Small compilation of Charles looking kind of cunty in X-Men: Children of the Atom