starting to think some of you don't view nonwhite people and their experiences as anything apart from concepts you can use for your ocs and worldbuilding. you do understand we're real fucking people and these are real fucking experiences we're having right.
Tubbo: Why have they changed it? These colors are awful. I– ew! I actually hate it! Where– what happened to the orange? Why’s it purple?
Tubbo: [Realizes] OH—
Tubbo: Oh, I'm actually– I'm actually a bigot, it’s Ace Race, I get it. Ohhh, ohhh that’s awkward. Ohhh, that's awkward. I’m a bigot. Oh, I'm a bigot. Oh, I'm a bigot. Ohhh. It’s crazy that they let bigots into MCC these days! Well actually, they’ve always done that.
A reminder to all my lovely fellow writers: progress is progress, even when it isn't. Writing four thousand words in a session is progress. Writing a hundred words in a session is progress. Removing an entire scene because it doesn't flow well is progress. Rethinking your plan for the plot in order to get unstuck is progress. Development looks different for every writer and every story.
Hate (affectionate) how it's made so clear from the very beginning of part 1 just how loved Paul is by his family and household. Both his parents, Duncan, Gurney, Thufir, even Dr Yueh all clearly care so deeply for this kid, and we're shown that time and time again.
Cut to the end of part two, and almost every one of those people is gone. The only ones who remain are a weird, came-back-wrong version of Jessica, and Gurney who has gone from mentor to worshipper. Paul goes from someone deeply loved and valued for who he is by a small but caring group of people - to someone followed and worshipped and feared by thousands. They're obsessed with him in a way, as a leader and "messiah", but nobody loves him.
The only one remaining who loves him for who he is is Chani, who leaves him because in the end that love isn't enough to bring who he is back.
Um.. Superman.. what that thing stuck on your cape?
Clark's brain short circuit for a moment as he just got back of flying at great speed in the middle of deep space to thrown one of Lex's giants bombs destroy the city and come back in record time.
He turn a bit to look at his cape to see a tiny humanoid starlight dust covered child with white hair, glowing full green that look like white specks stars were implanted themselves into his big ol eyes, nawing on a handful of stardust with inhumanly sharp itsy bitsy fangs.
A small yet floating crown that look similar to one of Nasa pictures of far out space.
Did he just accidentally abducted an royal alien child/teen?
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
yeah manwhore gojo is great but what about touch starved gojo who fantasises holding your hand. spends his nights dreaming about the way you would feel cuddled in his arms. his entire face red and blushing at the mere thought of your lips chastely pressing against his. he can't stay thinking about that too long though because it'll result in him giggling and kicking his feet all night and getting no sleep.
gojo who sits downs next to you and almost combusts feeling your soft thigh lightly pressing against his. he just yearns to be close to you in any way possible. his leg wrapped around yours whilst you're sitting opposite each other, his pinkie always reaching for you. he's always blushy and giggly around you and it's the most adorable thing ever. this man loves you so much and he's not afraid to show it at all. he wears the simp title like a badge of honour.
it's not just physically either. he no longer thinks in his own voice. his entire brain has literally been rewired ever since meeting you. your voice is always replaying in his head, the way you say his name is on repeat 24/7. the sweet little nicknames you give him too.
like yes, he is your sweet little cuddlebug and he is your cutie patootie blue eyes white dragon. and he's so proud of it. yk those titles people have after their names like DClinPsy and MBBS, he has that in his bio too, but it's just silly little nicknames you've given him.