#thats not the point of this post tho

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[dragons-and-yellow-roses]

.

[valcaine]

eat your friends

[meamiiikiii]

isat color palette challenge WOO!! these are always fun :D

[starch1ldz]

Morgan: Well werewolf boy over here-

Wolfdog!y/n: For the last time, Agent Morgan, I and a wolfdog hybrid. Not a werewolf!

Morgan: I don't really see the difference.

Wolfdog!y/n: The difference is, werewolves don't exist. I was genetically engineered by scientists to be a weapon. Also, if I was a werewolf, I would have eaten you by now.

[angelmachines]

teru & socialization

i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.

these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:

(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were

(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)

even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.

(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)

so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?

...except, we don't.. really... see him make other friends afterwards.

but, the awakening lab, right?

(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:

1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).

considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.

...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)

as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment

(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.

here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.

teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not

if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.

in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.

some examples. i don't even think this is all of it-- case in point.)

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[milkbreadtoast]

looking back at the yjh webtoon screencaps i have saved and giggling... hes so cute... moe... my pookie ^___^ 🥰🥰 poor little meow meow woof woo- *eliminated where i stand*

also these poses are sooooo... 꺄아악🖤🫣🫣🫣🫣

[sentientstump]

stylish!

[sophiethewitch1]

You mentioned that all the Wayne's post thirst traps. And that Damian's are like Victorian women showing some racy ankle. What does he consider a thirst trap then.

Have you ever seen a man in a dark turtle neck sweater.

[huginsmemory]

Trigun and the 'Bride of Christ'

An additional thought that popped up after my previous post about Triguns heavy themes of Christianity (a somewhat? Part 2?). In this I look at the Vash and Wolfwoods relationship, their opposing views and how that relates to the Christian term 'the bride of christ'. During this I specifically discuss a large spoiler for the series/manga, so readers beware!

I was chatting with some lovely folks on the Vashwood discord server (if you wish to join, click this link!) about Wolfwoods death, and the way it's, well, wedding themed. The wedding themes include the confetti, the way Wolfwoods passing occurs in front of a church, the ringing of the church bell, and the bottle of liquor they share is labelled 'BRIDE' with a cross on it.

All the items come together in a definite way that resembles, in some terrible fashion, the festivities for a wedding. Hell, even after Vash buries Wolfwood, he makes tons of dishes of food, and Livio and him basically have a feast, another thing one does at weddings.

The 'Bride of Christ'

What particularly caught my eye was the bottle with the word bride on it, with a cross. Multiple times within the new testament, the body of the church is referred to as the 'Bride of Christ'. As I've previously mentioned, Vash is regularly set up as a Christ-like figure; his actions and his philosophical values align with a Christian perspective, in his belief in unconditional love and forgiveness (ie, the blank ticket). As well, as that Wolfwood is a Christian preist, this literally makes him a 'bride of Christ'. In a sense, where in the story Vash is pitched as a Christ-like figure, this means that Wolfwood could be interpreted as the 'bride of Vash'. This especially so considering the contextual clues that hint towards a wedding - confetti, church, and church bells.

Acceptance of Christian philosophy

Further adding to this, is that although Wolfwood was a priest, he did not fully ascribe to Vash's view. In fact, the two of them are foils, their beliefs similar- both coming from love and a need to protect, but differing in Vash ascribing to unconditional love and forgiveness, while Wolfwood refuting that such a position can be practically taken (this is, well, I would say a simplified take on their beliefs but thats a different post for a different day). However, by this point in the story, the both of them have very deeply impacted each other. In fact, this is set almost immediately after Wolfwood saves Vash from Knives, which is the the moment where Vash openly forgives Wolfwood and Wolfwood begins his acceptance of Vash's philosophical views; in that specific moment, he accepts his own absolution (explained further in my previous post).

It is exactly in Wolfwoods fight against Chapel and Livio, that Wolfwood fully (or mostly so) accepts Vash's philosophical views, expanding to accept a blank ticket/unconditional love for others. This is seen as he repeatedly chooses not to kill Chapel's hired guns, and even sharply pleading Livio to spare one of them. Indeed, previously at Vash's request, he'll shoot to injure, but he's not really shown to be particularly worried about the bandits, versus here he is actively choosing to minimize harm; exactly like we've seen Vash do, over and over and over again throughout the series. As well, the hired guns literally try to target the orphanage when they've clearly lost, and also kill one of their own when Wolfwood brings him back, telling him that they've just upped their pay- showing that they're not particularly 'redeemable' hired guns that are likely to repent and become good people. And yet, Wolfwood still chooses to try and save them.

He also specifically goes out of his way to not kill Livio, even though killing Livio would severely even out the playing field, and Wolfwood would likely not have likely died as a result. And Wolfwood makes that decision, again and again and again, only focusing on killing Chapel, and Chapel only, since he's the one that is threatening the orphans.

While Wolfwood fights, Chapel derides him on Vash's views, and how Wolfwood has picked them up. Wolfwood, close to death, reviews his relationship with Vash and Vash's philosophy, and refutes the ideology that Chapel believes in, and that he himself has lived under, that they need to kill to survive, (or to save lives) and that Vash's belief in forgiveness and unconditional love is foolish.

It culminates in Wolfwood declaring that he believes in Vash, in his principles, and standing back up to continue to fight, having accepted Vash's Christian philosophy. Interestingly, it's also Christian leaning terminology he uses; both in that he followed Vash, much like one follows the the teachings of Christ, and that he believes in the Vash's ability to change to world with his philosophy, in the same way Christians believe in Jesus's ability to save the world through the gospel.

In summary, Wolfwood chooses to accept and even says he believes in Vash's philosophical views, thereby choosing to accept the possibility of forgiveness and unconditional love, both for himself, as is shown when he saves Vash from Knives, but also for others, and especially with Livio during the scene up to his death. This full acceptance and belief in a Christian/Vash's perspective would then also show that Wolfwood has fully accepted to be the 'bride of Christ', making him not only via contextual cues a 'bride' of Vash, but also within a Christian theological sense a bride of Vash as well.

In conclusion, (ie, TLDR) Wolfwoods death is wedding themed, with confetti, a church, church bells, and a bottle with the label BRIDE with a cross on it. The church is within the Bible called the 'bride of Christ'; as Vash is a christ-figure, and Wolfwood is a priest, this would make Wolfwood Vash's bride. As well, it is just previous to Wolfwood death scene that Wolfwood has accepted Vash's Christian philosophies, signalling his acceptance as the 'bride of Christ/Vash', further perpetuating the wedding theme.

TTLDR: Vash and Wolfwood are married yup 👍

[mettywiththenotes]

Just reading back a little and saw this moment

And I think it's just sort of telling? How Best Jeanist refers to Tomura as destruction personified and Izuku says nothing, yet when En refers to him as sort of the same thing he voices what he really thinks

And I can only think that every time someone has referred to Tomura as something without a shred of sympathy and Izuku's kept silent, it might be something he takes note of. Especially now that he's become aware of Tomura's pain. Hearing everything they call Tomura, like he's just some sort of thing, like he doesn't have a name or a past or a house that was once his (something he explicitly said TO Izuku as he fell from UA), it's gotta open his eyes or something, right?

Even Nana has referred to Tomura as a "thing", though she must have meant the version of Tomura that is "the finished product" (hence the wings after the chrysalis that was shown during the surgery) - someone truly incapable of being saved (and thus removing herself mentally/emotionally from the crushing fact that he is family)

Reactions like this one below; saying nothing when coming across a different opinion

Reminds me of this

And I suppose there is also an element of something back from when Izuku told Gran Torino he wanted to save Tomura. Torino had said the words "Killing can be another way of saving", and at the time, Izuku wasn't entirely sure if there was anything left of Tomura/Tenko inside the fusion. Up until that moment he asked if Tomura was still there, he couldn't have fully known whether he would have to kill him or get to save him like he wanted to do. So, essentially, keeping quiet when people referred to Tomura as "destruction incarnate" (and other things), just in case that really was what he'd become

Though I guess that detail doesn't really matter now, what with Izuku wanting to save him, finally seeing Tomura was still in there and digging his heels in with the set determination of saving him. He saw Tomura's personality, the human in him, after all

Anyway

Now it sort of seems like Izuku is speaking up? Not just in the presence of those who think otherwise but against Tomura himself. En says Tomura is like "destruction incarnate" and immediately after, Izuku says "It's deeper than that. You're human"

In the end, I wonder if it matters more that Izuku spoke up to Tomura first, someone who NEEDS to know the truth and who would greatly benefit from someone challenging his thoughts head-on, rather than mentioning it every time someone refers to Tomura as some "thing" instead

I guess it adds more of an impact to the story too, that way

[speakofthedebbie]

imagined all the dialogue, now have to write it and explain the scene. smh, why cant life be easy for once

[freddiesflowercrown]

Final Fifteen opinion almost a year after the release of season 2 YAYYYYYYY

Thing is I personally never interpretated aziraphale's "you're the bad guys" as something that meant "you crowley are also a bad guy because you're a demon from hell". I always saw that "you" as a reference to hell. I mean crowley constantly says "your lot" even in s2 to aziraphale when he refers to heaven so i never saw the difference between what crowley does to what aziraphale did in that moment, they were talking about hell and heaven anyway. Also aziraphale and does not believe crowley is a proper bad guy, he believes he is nice. (and why would he take someone he thought was bad to the """good""" place anyway?)

And that also never made the scene less heartbreaking from crowley's POV in my opinion. A conclusion that we come at by the end of season 1 is that both heaven and hell are bad in one way or another with both aziraphale and crowley completely accepting that and that's also one of the reasons they now are on their side. So if aziraphale thinks hell is bad and heaven is good it seems like he's taken a step backwards and somewhat rejects (?) "their" side. So if that made sense i don't think this pov made the words hurt less for crowley or something?

Now whether aziraphale actually means it/rejects their side or not a different discussion 😭

[bloodrock-lobster]

seein a lot of REALLY FUCKING STUPID AND POINTLESS discourse regarding dungeon meshi when the only "discourse" i wanna be seein on my dash is people scolding others for not taggin spoilers for the poor anime onlys

[hampterguts]

forever amazed and confused at how often transformers franchise just straight up depicts suicide attempts. like not even considering the superhero trope of "i have to save everyone!!! by choosing to die!!!!!" thing. like. non-allow-yourself-to-die-to-stop-a-thing-from-killing-everyone-immediately type situations. which tbh i wish more ppl talked about but not the point here

like. sure mtmte, a comic abt mentall illness and war, i expected it to be aware of the concept. but its not handled well and mostly used for shock value or "im better now i swear! i have a husband and everything" BUT ITS IN THE KIDS SHOWS TOO??? MY BESTIE G1 RODIMUS?? BEAST WARS DINOBOT???