simon riley knew the years were catching up to him. he could feel the dull throb in his knee. his back started to hurt when he sat in the wrong position for too long. he even would a grey hair the other day. he honestly wondered if his boys were still working, or were the years of drinking, smoking and combat the thing that killed them all. he wanted to put that to the test. and you were his little test subject. it was hard for you to deny your commander, especially when he shoved you into the cramped areas that only became more cramped with his large body in them, and his cock drilled into your poor achy cunt. he'd often comment about how your sweet cunt drooled for him, coated his cock in slickness and practically begged to be filled, to be bred.
he'd often shove his fingers into your mouth as he fucked you from behind. his gruff voice in your ears, telling you to shut up mixed with promises of a stuffed cunt. up against shelves, over desks, in the back of military vehicles. on your knees, on your back. anyway he could have you, he was going to take the chance. if you have one more period, he's going to tie you down the bed and use you until that poor pussy of yours is drowned in his cum. you don't get it, you're too young and stupid to be worried about your biological clock. you think your breeding days are forever, but simon's wants to make sure every second counts as he has you bent in half with a milky ring around the base of his cock.
that soft little stomach of yours is gonna get nice and filled with his brats. little rileys running around, their grabby hands all over mama. you'd be off base and some place where the little ones can run around. and while they're down for their nap, simon's gonna make sure his woman gets some loving. as he spit in your mouth before he bruised your hips as he had you shoved over the edge of his bed. his hand in your hair as he made you whimper. maybe he was a sick man, but he had to make sure you got pregnant before he threw out his hip or knee. he could twist you into positions that allowed him to be more comfortable, you were young and flexible. you could handle being almost upside down while simon lapped at your cum soaked pussy, pulling a fifth orgasm out of you that night alone. his cum thoroughly stained your bed sheets and the lips of your pussy. your hole tender and coated in the creamy film of simon's cum. a promise of things to come.
it only took less than a year before you were feeling the aches of pregnancy replace the aches of sex. now he kept a broad hand over your swollen middle. you were gonna be a mama soon. and simon had the privilege of being the father. even with you on your back and your ankles over his shoulders, his cock drilling into you, you looked more beautiful than ever. a good woman always looked better on her back.
a/n: "what's a bunny's favourite music genre? hip-hop!"
5K notes
·
View notes
suguru getting a pole installed in your place so that you can give him shows whenever he comes over.
at first, you were hesitant and quite frankly confused because you didn’t even know how to pole dance, but suguru didn’t care.
he wanted to see you on that pole, and asap, he made sure to come over every day and sit in a chair in front of the pole and just watch you.
“go… dance for me," was all he said, and you would have to think of sims sexy moves off the top of your head to do.
he’ll be satisfied with a smile every time you
finished, praising you and telling you to look up some tutorials online.
that you did, and you regret it.
once you started to learn moves and how to spin and move your body more fluidly, he was on you like white rice.
he literally interrupted you and dragged you to the bedroom, fucking you into another galaxy, and he didn’t even want to stop.
“come on, bend down, and do the moves you were just doing, mm, just like that.” bending the arch in your back and fucking into you with no final words, just grunts after grunts.
this is what he wanted; he wanted you to get flexible and start doing those sexy, nasty moves on the pole for him. that was his foreplay.
you didn’t have any complaints at all. learning how to do all those moves was fun, but getting fucked by your man like he hated your fucking guts felt too good.
you even started to learn advanced moves and do full routines to keep him entertained, and boy did it.
his hands were in your panties every chance he got, and his lips were on your neck. he loved that shit, and he loved how nasty you got with it.
buying outfits and those 7-inch heels to get into full character, he would look at you with those low bedroom eyes and man spreading just waiting to touch you.
“fuck baby, you’re so fucking nasty, i wanna be inside you all the time.” was what he said when he had your legs behind your back and was pushing your legs into the air.
he knew how to fuck good when he was fully turned on, and you knew how to receive good dick.
so this all worked out in both of your favors.
5K notes
·
View notes
Writing Female Fighters
The Heroine Must. Fight.
Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.
Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.
Not all women are the same, but the heroine should get her butt moving.
Less Muscle, but More Flexibilty
The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.
A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.
On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.
She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.
A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.
In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.
In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.
Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.
More Room for Negotiation, but Prolonged Ruthlessness
In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.
Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.
Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.
A female pre-fight conversation may be:
"If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be."
"What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -"
"But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?"
"Ha! I can't believe you say that so easily. You still don't get it, do you?"
"Who's being petty and unreasonable now?"
A male pre-fight conversation will be shorter:
"Who's the coward now?"
"You're wrong."
"Prove it."
"Bastard."
Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.
She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.
When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.
Plausible Skills and Backstory
In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.
For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.
It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.
It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.
Inexperienced Female Fighters
A woman with no fighting experience or training is likely to resort to one of these on instinct:
Try to talk herself out of the situation, attempting to persuade or negotiate for her life.
Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.
Use her hands to try and break free, or kick (often wth little success)
Pull hair
Scratch.
In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.
Plausible Weapons and Clothing
All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).
Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.
When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.
For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.
For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.
A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.
She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.
She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.
Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
3K notes
·
View notes