#the fun experience of is this the Seasonal Change or the Character Development or the Isolation Finally Getting To Me

[trainingdummyrabbit]

politely asking the gay people piloting my brain to quiet down, a little bit, please thankyou

[createserenity]

Aziraphale and Crowley's relationship dynamic fascinates me and what fascinates me even more is how people perceive them, partly because I seem to have a much more optimistic view of their dynamic than a lot of what I read suggests they do.

With that in mind I started trying to unpick how I see their dynamic and why and what I ended up with was a series of rambles on various aspects, including confidence, trust, silliness and what they ask of each other. This one is about what they ask of each other and why their relationship isn't some weird one-sided thing where Crowley gives Aziraphale everything he could possibly want or ask for.

I see a lot of posts and things suggesting Crowley always rolls over and does anything Aziraphale asks of him. I don’t know to what extent most people really believe this or if it’s just a fun joke (and I’m not saying that’s bad, I think it’s a fun joke too, I love reading all that stuff and it makes me laugh). The point I wanted to make here though is that I don’t think it’s true and also why I don’t think it’s true.

Everything from here on out is my opinion, but I won’t keep stating that in order to make it more easily readable, just take it as a given. If your opinion is different that’s absolutely fine, I love that we can all see this stuff in different ways depending on our experiences and personalities, it’s why the fandom is so fun. (It’s also why my opinion on so many things in season two ricochets wildly from one theory to another).

So back to Crowley and Aziraphale – I don’t think Aziraphale walks all over Crowley, or certainly not to the extent that people sometimes think he does. Also Crowley doesn’t and wouldn’t allow himself to be walked all over anyway. Why is this even relevant? Because I’ve seen people say that in the final 15 minutes Aziraphale finally asked Crowley to do something that pushed him over the edge and that Aziraphale was shocked when Crowley didn’t roll over and do it because Crowley always does what Aziraphale asks. This isn’t at all true for a start, but also this view tends to include a second assumption, which is that their relationship is one-sided and Aziraphale never does anything for Crowley, that he dismisses him and takes him for granted, which also is not true in a lot of ways. I think it’s a fundamental misinterpretation of their relationship dynamic.  

First of all why can Crowley’s actions be interpreted as just rolling over and doing whatever Aziraphale wants? Well, the answer to that is three-fold – firstly Crowley is a genuinely unselfish in many ways, he does things for people because that’s the way he is, it doesn’t make him a pushover, it just makes him nice. Secondly he loves Aziraphale deeply. Whether he knows it or not doesn’t matter, he cares for Aziraphale and wants him to be happy. This isn’t the same as being a complete doormat, it’s simply compromising with the person you are in a relationship with and occasionally prioritising them over yourself. Both these things come together in the third thing, which is that Crowley’s love language is acts of service – he enjoys doing nice things for Aziraphale, he enjoys rescuing him, or going along with him and letting him have his own way, so why not do it? The point is he’s never railroaded into it by Aziraphale, it’s always a deliberate choice. He is literally saying, I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

How does Aziraphale see this behaviour?

Well that’s a tricky one, because in many ways Aziraphale is the more complex character, not least because he changes the most over the course of their history together. Is there a slight element of him taking Crowley for granted in some of their interactions, especially in season two? Possibly, but mostly I don’t think that’s it at all. When someone gives you things because their love language is acts of service you develop a (mostly sub-conscious) confidence in that relationship dynamic and if you also have confidence in yourself (which Aziraphale absolutely does – I’ll write more on this another time) then when you want something you ask for things. You ask not because you learn to expect, but because you think you’re worthy of asking and you think that your relationship is strong enough to stand up to the ask. I ask my husband for things all the time, sometimes they’re things I know he’ll give me – these are easy asks (I don’t just mean physical objects, I also mean acts of service such as helping me with something), sometimes though I’ll ask for things knowing he probably won’t give me that thing or without having a clue what his answer will be – these are harder asks, the sort you don’t do early on in relationships because they might break it either in one go or over time. Sometimes a hard ask results in me getting what I want, sometimes it results in a bit of back and forth before I get what I want, sometimes I get a no and I’m temporarily annoyed or upset, sometimes I get a no and I accept it because I knew it was the most likely outcome.

The point is that I ask, and so does Aziraphale. You ask because you have confidence that you are worthy of the ask and also that your relationship is strong enough to bear the request, even if the answer is no. Can a no still be annoying or upsetting? Yes absolutely. Can a no still be wrong on the part of the other person? Also yes. The point is that sometimes the no isn’t wrong and it doesn’t necessarily break the relationship. By the time season two comes along Aziraphale is confident enough in his relationship with Crowley to feel it can bear the weight of him asking.

So what happens when he asks? Does Crowley roll over?

Well no, he doesn’t. One big example of this is right at the beginning of the series, in episode one. Here Aziraphale makes a massive ask of Crowley and he knows it’s a big ask. Even before he tells Crowley what the problem is he’s aware of the possibility of a no. “Is it something I can help you with?” Crowley sayss, and Aziraphale merely shrugs. It’s not because Nina is there, she’s gone by that point. It’s also not because he doesn’t have faith in Crowley’s ability to help him, he always has faith in Crowley’s abilities (this is a whole other thing on trust). What he’s doubting is whether Crowley will help him. It’s why they’re meeting in the café, not the bookshop. He wants to break this one to Crowley a bit at a time – there’s a problem and I need help. I want your help, it’s why I called you, but you aren’t going to like it and I’m not even sure whether you will help so I’m establishing that I need help first, rather than showing you Gabriel immediately, so that you aren’t completely surprised when I present the whole problem to you.

Once they go to the bookshop and Crowley is confronted with Gabriel he offers the help he feels able to give by saying that he’ll drive Gabriel somewhere and dump him. He’s stating his willingness to help (which is important later), but for now he’ll only help in one specific way. What he isn’t willing to do is any more than that, not even for Aziraphale.

Help me take care of Gabriel. Help me sort this mess out, Aziraphale says, and what does Crowley say? No. Absolutely not. You’re on your own with this one. Even after Aziraphale practically begs him for help, complete with puppy dog eyes and the magic word, “I’d love you to help me,” Crowley still says no. That is not the reply of someone who lets themselves be walked all over or who rolls over every time the angel they’re in love with flutters their eyelashes.

Okay so what about the fact that he returns? Well, the stakes have been raised: for a start Aziraphale is now directly in danger, which alters the balance in favour of helping him, and remember he was already willing to help, he said as much, but he was previously only willing to help in one way. Now that’s changed. Doing things you wouldn’t normally do for someone you love when the stakes are raised is a perfectly normal rection in a relationship and does not indicate an unhealthy dynamic. Crowley has now realised that getting rid of Gabriel is no longer an option - his preferred plan (dumping Gabriel somewhere) will no longer work, so the only choice is now Aziraphale’s plan of keeping him in the bookshop and taking care of him.

This is why he returns.

A quick note on the call

Just backtracking a bit here – when Aziraphale calls Crowley to ask him for help Crowley agrees to be over in two minutes. It’s instant, no questions asked and at first glance looks like Aziraphale calls and Crowley comes running just because. But nope. Later we are very clearly told that Crowley knows something is wrong the moment he picks up the phone and Aziraphale starts speaking, “This was your ‘Something’s Wrong’ voice.” Crowley already knows there’s a problem and what do you do when your closest friend calls you and tells you about a problem? You try to help. Whether that’s advice, comfort, physically going around to help out or whatever the situation calls for. Of course Crowley says he’ll be there in two minutes, he doesn’t exactly have anything else on and his friend has just indirectly told him something is wrong. He’d be a pretty shitty person/entity if he didn’t agree to drop round and try to help.

So what about the 'I was wrong' dance?

This whole interaction, that many people say indicates how under the thumb he is actually shows us the exact opposite. What’s the first thing Crowley says when Aziraphale asks him to do the dance? “I don’t do the dance.” This tells us a hell of a lot about their relationship dynamic up to this point – for a start Aziraphale has clearly done the dance before, at Crowley’s request, and he lists off the occasions. The dance is silly and slightly demeaning and Aziraphale has done it several times for Crowley, whilst Crowley has never done it, yet somehow we read this whole scene as Crowley being the whipped one? Um. No. Also heavily implied in Crowley’s, “I don’t do the dance” statement is, You’ve asked me to do this before, I’ve always said no because I don’t want to. You’ve always accepted my no before and I want (expect!) you to accept it this time.

But this time Aziraphale doesn’t accept the no. Just like Crowley wouldn’t go along with his plan earlier, Aziraphale now won’t go along with Crowley’s no. Clearly he has done so in the past, but this time their dynamics are different. They’ve been much more open about their friendship for the past four years, they’ve both accepted that they are at least close friends, if not more. They’ve saved the world together and saved each other. They both acknowledge they “carved (this existence) out for ourselves” and that brings strength to their relationship. Now that Aziraphale has more confidence in what they are to each other, he takes that confidence and tests the limits of what Crowley will do for him, to push them more towards equality. Why should he always be the one to do the dance? Crowley responds by acquiescing not because he would just roll over and do anything for Aziraphale but because he recognises three things. Firstly that Aziraphale is pushing and that this is new and that this means something to him in the context of their relationship, secondly because he reluctantly accepts Aziraphale’s point that it isn’t really fair that he never does it, and finally because the request for him to do the dance isn’t about him refusing to help (Aziraphale was never certain he would), it’s about the fact that he’s broken Aziraphale’s trust by refusing to help (which is a slightly and very subtly different thing). To illustrate this, right before Crowley does the dance, just after he says “fine,” he gets this very brief, soft look on his face – this is him acknowledging to himself that Aziraphale deserves this dance, that he loves the angel and that he’s doing this because of both those things – he could have continued to insist on a no, he clearly has before, but this time he chooses not to.

I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.

All right, what about the car thing?

What about it? Lending your car to the person you love is very normal. Ok so the car means more to Crowley than a normal car does to us, but the point still stands. Aziraphale is making a reasonable request here. Does he expect a yes? Absolutely, because he also knows it’s a reasonable request given where their relationship is. Does he flirt to get his own way? Hell, yes. Does Crowley know exactly what Aziraphale is playing at? Also a hell yes. And Crowley totally plays up to it, he’s not as opposed to it as he claims. He’s playing up his “no” and his grumpiness for effect, to encourage Aziraphale’s silly flirtiness. Look at the difference between this no and the no he gave Aziraphale earlier. There’s no anger here, there’s no real sense that he thinks Aziraphale is asking too much, he’s playing a role in their relationship and they’ve both played this game before. Look at that little slap of the hand, which Aziraphale responds to equally playfully. The game even continues after Muriel turns up at the shop, when it’s already quite clear that Crowley is going to let Aziraphale use the car (he’s already taking the plants out). Even in the back-room Crowley still teasingly grumbles about trains whilst Aziraphale smiles flirtily, and Crowley playfully withholds the car keys when Muriel interrupts them. They both know Aziraphale is going to end up with them, there’s no point to him not directly handing them over in spite of the interruption, it’s just an excuse to tease Aziraphale back. I mean, look at him – he spends the rest of the conversation wiggling his hips, grinning smugly and confidently handling the Muriel problem by talking about love. Aziraphale’s very overt reaction tells you all you need to know about the dynamic of this one.

Two can play at this flirting game, angel.

But he follows him around like a little puppy!

Well, yes and no. Sure he follows him around whilst he goes around asking all the shopkeepers to the meeting, but he does that because it’s fun for him. He’s curious, Aziraphale is acting oddly, doing something he’s never done before and Crowley wants to know what it is. He’s always found him fascinating – what silly and ridiculous thing is the angel up to now?

Also wanting to hang out with the person you are in love with isn’t at all strange or a sign you are in some sort of weird relationship where only one of you calls the shots. It’s normal. Crowley knows Aziraphale has a tendency to be silly or do unexpected things and he wants to watch him do them and also flirt with him whilst he’s doing them. Looking grumpy and reacting to Aziraphale’s silliness with disbelief is how Crowley flirts-without-flirting. Both of them know, understand and like that dynamic, and he has that role not because he’s unhealthy levels enthralled with everything Aziraphale does but because of the levels of trust they have spent millennia establishing.

What Crowley doesn’t do is wait around for Aziraphale. Look at the scene where Aziraphale daydreams about Job. In that scene he’s aware Aziraphale has something else to show him (the record clue), but he doesn’t stick around whilst Aziraphale ignores him. He could have sat down somewhere in the shop and waited – he’s got an eternity, waiting an hour or so is no big deal, but waiting around like that would suggest he really is a doormat, just waiting for the next time Aziraphale shows him any attention. He doesn’t do that, instead he goes off and does… well, something. There’s a lot of speculation over what it is, but whether he goes off to read Pride and Prejudice or just wanders off to find something more interesting to look at than the back of Aziraphale’s head, he’s clearly saying here that he has a life outside of whatever Aziraphale wants to do.

Also side note - you know what else he doesn’t do for Aziraphale? Adjust his driving style. Aziraphale clearly hates it, it makes him nervous and he even asks Crowley to change several times whilst they’re in the car together, but Crowley never does. This is how I am angel, accept it or don’t, but this is the line and I’m not changing this for you. Related to this is his refusal to accept Aziraphale altering the Bentley. Aziraphale tries to persuade him, “But it’s pretty,” and Crowley really isn’t having it. It’s another hard line and he’s not going to let Aziraphale cross it.

Anything else?

There’s a few other examples that I’ve seen listed in the, “Crowley does whatever Aziraphale says/wants” evidence piles. Things like Aziraphale assuming he’s going to get the drinks in the pub. Well, someone has to get them, and it makes perfect sense that they both assume it’s Crowley here because he’s the one more comfortable with pubs. Having a role that you take on within certain situations in a relationship is healthy and normal, imagine how exhausting it would be to debate who is going to do every little thing all of the time.

In the first series the coat cleaning is another example often cited, but this is something Crowley is perfectly happy to do. Aziraphale is flirting, which is delightful, and he’s not being asked to do anything difficult or dangerous. I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you, which is totally different from, you always ask, I always give, and you always take.

What about Aziraphale. When does he give?

All the damn time. We just don’t notice it as much because Crowley asks different things of him. His love language is acts of service towards others, but he doesn’t really ask or require them in return. Sometimes he gets them from Aziraphale anyway (Holy water anyone?) Also notably in the Globe Theatre when he’s clearly the one pushing the Arrangement, and Aziraphale more or less agrees to do his work for him (“That doesn’t sound like hard work”) even before he’s asked, before they’ve gone through their little dance of Crowley pushing and Aziraphale supposedly-reluctantly agreeing.

The other things Aziraphale gives Crowley are much more nuanced, and much less measurable to us as the audience, but he gives them constantly, or more or less constantly, throughout their relationship. He gives him acceptance (although he occasionally partially withdraws it, such as in the bandstand scene), his silliness (which is more important than it first appears), a safe space (not just the bookshop, but also a safe space for Crowley to air his real views without fear of consequence, which is important irrespective of whether or not he persuades Aziraphale to agree with him), his physicality (by 1826 he’s really in Crowley’s space so much of the time) and most importantly he gives Crowley himself. Crowley constantly pushes Aziraphale to grow as a person, it’s one of the original reasons he entertains developing a friendship with him. What he asks of Aziraphale is for Aziraphale to think – really think – about what he believes. And Aziraphale does so, but only for Crowley. Humans have constantly questioned religious beliefs throughout history, they’ve written books, made speeches and even had wars over religious doctrine and the problems, inconsistencies and absurdities within it. Crowley is saying nothing to Aziraphale that he won’t already have indirectly heard from humans and dismissed or ignored. But when Crowley says it, he thinks and he changes. That’s what Crowley asks of Aziraphale and it’s what Aziraphale gives him.

What was the point of all this waffle?

Well, honestly there isn’t much of one. Only that their relationship is much more balanced than some suggest and I think I just wanted to spell that out. It also has an implication for the final 15 minutes. There’s no way Aziraphale goes into that with some sort of fake confidence that he can persuade Crowley to follow him to heaven simply because Crowley always follows him – Crowley doesn’t, he has very clear limits that he enforces with Aziraphale and Aziraphale knows this. He might feel confident for other reasons (such as thinking Crowley will be happy to be an angel again) or something else entirely different might be happening (so many theories!) but I’m pretty sure it’s nothing to do with thinking Crowley always does what he asks, because he very clearly doesn’t.

It's also why Crowley waits around afterwards to watch Aziraphale leave. It’s a way indirectly of saying one final time, I love you and I enjoy making you happy… but this is something I cannot give to you.

[ao3commentoftheday]

Idk if this is too broad of a scope for this blog, but if you could answer this, it'd be great.

I've been in a writing rut since I started getting serious about writing, and I've identified the issue in the past month or so: I slant heavily on the gardener end of the writing spectrum and all the advice on writing I've ever seen was for architect-style writing. Not once in the eight years I've been serious about writing did I find any guides on gardener-style writing (and if it says it's gardener-style, it'sreally just architect-style with gardner aspects), and my experience has just been more or less jamming a square peg into a circle hole, getting nothing written and feeling bad about it.

Now I'm unlearning all the architect-style habits that are destructive to me as a writer, but I can't find any resources for gardeners aside from Stephen King's On Writing. If you or any of your followers know how to help a gardener's writing, that would be great. I have so many fic ideas I want to write, but can't since I'm learning to write all over again.

For those who don't know what gardener and architect refer to when it comes to writers, a gardener is a writer who starts with the seed of an idea and lets it grow in whatever direction the light shines. They prune it and weed it as they go but otherwise let the idea lead the way. An architect, on the other hand, plans their stories out first and then writes them. They have a structure and the details all mapped out first and then the writing is just executing on that vision.

As a gardener myself, my biggest piece of advice is to avoid writing advice. Like you've said, the majority of it is aimed at people who do things like plan and plot and worldbuild ahead of time. Because of the structure that that writing style enjoys, providing "one size fits most" writing advice works well for it.

I tend to find a lot of that advice to be counter to what I need to do. Planning a story out ahead just makes me feel like it's already written. Building out the world before I start writing it feels like a hollow exercise - more like writing an encyclopedia than developing a land and culture for my characters to inhabit.

What I find useful is taking an episodic approach to writing. The entire story will be like a season of a television show and each chapter is like one episode. I always have my eventual "season finale" end goal in mind, but any particular chapter can meander closer to or further from that goal. It's alright to take a circuitous route, as long as I get to my destination in the end.

It's also alright if my destination changes as I'm writing. Sometimes those meandering paths take me in a more interesting direction than I was originally going down, and that shifts the story. As long as you're vaguely following a three-act structure (or 5 act or 7 act), the flow of it will feel familiar to your readers and they probably won't really notice it happening.

This advice I'm giving might not ring true to you either. You didn't have a specific problem to address, so I've been wandering a bit in my reply. Really what it comes down to is paying attention to yourself and your needs. Figure out what it is that keeps you writing and what it is that makes you stop. Do more of the former and less of the latter - and don't worry if what you're doing is "weird" to someone else.

I write directly into the AO3 window (which AO3 specifically tells you NOT to do, btw) because drafting first in google docs or something takes the fun out of it for me. I post my chapters without previewing them first. I write in 800 to 1500 word sprints, and I focus on dialogue, and I almost always try to end on a joke or a pun or a cliffhanger. These are all things that make writing an activity that I want to do.

I can't really say anything much more specific given your ask, but I hope something in here was helpful. Let's see if any gardeners out there have some resources or advice that might work for you.

[moons-of-dewclan]

Uhh I’m sure you’ve been asked this before but!!! Do you have any advice for making a clangen comic? I’m kinda doing a disaster clan but in intervals of 5 moons, and I can’t fit in the specific prompts on one image (and I’m too lazy to draw like 5 pages) so uhmmm do u have any advice? :3

The reason I go in intervals of five is because I’m a curious guy and I draw and play clangen on separate devices so uhhh oh god am I oversharing I’ll shut up now

MY TIPS WON'T BE GREAT bc my whole art experience is 'do what i want when i want how i want and if it's not fun i don't do it' SO IT'S NOT A TECHNICAL THING BUT LKASNDLKASD I CAN TRY!! what's been good for me in clangen is, • always mark down your seasons! bc it sucks to forget what season the event took place in when you go to draw it • don't shove every tiny prompt and event into a moon if you don't want to (it's a lot of work..) • it's ok to have a clan of 40 cats and only follow 1 or 2 main characters. if the pressure if the amount of cats you end up with is too much, IGNORE EM. + silhouettes are ok if you wanna imply a full camp. use stamps even • IF an event happens that you think is going to have a damper on your enjoyment for the comic (like if your favourite cat dies), RELOAD AND PRETEND IT DIDN'T HAPPEN. authenticity is not Real in media you make for fun. unless it's fun for you for favourite main character BillyBreeze to kick the bucket to a random event, you don't have to save and go with it. if it makes you go 'euuhh..' and not 'NOOO!! (smiles in hidden)', 'ok' or 'OHOHO ;)) OMG COOL', screw it. never put anything above your muse and inspiration. • which brings me to, save after every event you like happening! so patrol events, or something. in case randomly something rly weird happens that doesn't make sense with the story or what your cat would do, you can just restart • if you develop your cat, and they do something wildly out of the personality you developed/hc for them, you can ignore it in favour of character consistency (I WILL NOT LIE, i wanted to 100% never change or refuse anything in the game, but i changed lyre's personality after the prompt came up saying that he MAULED VANILLABRIGHT FOR DOUBTING HIS LEADERSHIP. ARE U INSANE HE WOULD NEVER. plus character development is allowed, even if ingame events don't represent it well. so do what you gotta do. game files are easy to change!) • FOLLOW THAT LAZINESS. and follow fun. do what will keep you having the most fun through the entire thing. if you wanna end at 30 moons, do it. if you wanna stop and restart and do a different idea, do it. your own enjoyment matters most. so the second you go 'ugh i don't wanna'- DON'T. whatever it is, don't. nobody is paying you for this, do what you want. (unless they are paying you for it.. then damn, lucky)

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 

[skyler10fic]

In the Tyler Family panel, Billie recalls the 2000s fashion as a strange time in fashion history but loved Idiot's Lantern, and they agree Jackie would have shared Rose's clothes to be the Cool Mom. 🤣

Shawn says he was surprised to be asked back at first since his character died, but it made sense for him to come back in a multiverse story.

He says it was easy to come back and Camille adds it's the quality of writing makes it easy because you know who you (the character) are at that point because you can trust the writers are guiding it.

Billie says she struggles with how much she didn't understand how it was going to take over her life before s1 airs. Before social media, even though everyone hated it and the idea of her doing it, but it wasn't the constant stream of trolls the new actors have to hear about now with social media. She says with RTD, Julie, and Phil, there was so much confidence and joy, it was easy to believe it would be good.

Camille says her neighbors and friends were surprisingly fans. She didn't realize how many people she knew who loved it and knew about it.

They talk about how cold it was filming the Cybermen. Billie says her jaw locked because it was so cold!! The trick to getting through them was "youth" and she doesn't do night shoots anymore if possible because of that experience.

Camille talks about how Jackie "grew a pair" lol

Billie: "She's a boss!

Camille: "It's Russell, really."

Billie: "No, it's you!"

Love that Jackie's speech and situation in Love and Monsters got a shout-out. Especially going off on Elton for taking advantage of her: "Many people can relate to that moment, I think."

Talking about Pete not being the perfect husband:

Billie: "Why did they break up again?"

Shawn: "Because I died!"

Billie: "I forgot!!!" 🤣

They banter so well! Total family vibes between them all.

Fun moment where Shawn thought Billie was saying "old Pete" when she was saying "alt Pete!" Lol

Rose having the "rose-colored glasses" taken off: Billie says many can relate to realizing their parents are flawed people, and things are more complicated than you thought.

Camille says the Tylers spoke a language people understood, making something fantasy into a relatable story that was relevant to the audience.

Mod jokes that Rose "parent trapped them" across multiple universes!

Billie talks about how she enjoyed the overall romance and human element of their series, as opposed to the more sci fi feel in other later seasons.

Camille says Chris's intensity helped launch the reboot, but David's "Labrador" energy was different and special too to keep it going.

Billie says there was a totally different energy after they knew it was a success, allowing for more playfulness with David's Doctor and in general on set.

Billie says she always thought there was something complex about the romance with the Doctor, it's weird for a 19 year old to just take off in a box, and maybe wasn't written with Chris but it was there in spirit, and then was written in more explicitly in their relationship with David. Hard to keep that intensity of awe and adoration platonic! Camille adds the chemistry between them was a big element as well.

Billie says it was always a thrill to get the script, eager to read the script as soon as she got it to see what new world they were building with each episode. She says she didn't want to go to set when shooting Tooth and Claw because she was riveted reading the Doomsday script! Haha

Billie says the costume tricks can help body language shifts when changing character, like with Rose possessed by Cassandra, the push-up bra helped develop a unique physicality for the previously (literally) flat character!

Camille says they got in trouble for talking a lot because they got on so well!

Billie says she loves the new episodes, especially the dance numbers and theatrics now, and that's exactly where the show should go. "It's super fun again." Sitting down and watching a family show with the kids, an event for everyone to watch together.

Camille said it was good but it would be better if the Tylers were there! 😁

They love Ncuti as well. Excellent casting.

Billie praises RTD's heart and rooting for all walks of life. Everyone can feel represented. Camille says he is so good at pulling heartstrings and "that's what we want as Doctor Who fans." They also love his joy but also his power if they are being unkind. He defended the actors from stupid questions from the press and "told it like it was" when he needed to be the man in charge.

[featherstorm2004]

Adam's return

I would absolutely love if Adam came back as a demon and became a permanent resident of the hotel, one because it would be hilarious to see his dynamic with the main cast, specifically Alastor, Lucifer and Nifty. But also because I believe it would be incredibly thematically appropriate considering the theme of the show is redemption, and sadly because the show was given so few episodes I don't believe it had enough time to dig into the rehabilitation of the residents whilst also trying to establish the world and get us invested.

Which is why I hope with the next season with all the establishing out of the way we can truly focus more on the main premise of the show. Which leads into why I think it would be great if Adam became a resident because it would really challenge Charlie on what redemption means and if anyone can really change, even someone as vile as Adam. It would also be fascinating to see Adam come to grips with the fact that he was cast out of heaven and the only one he can blame is himself, and whilst I fully believe he would be in denial of his faults at the beginning it would be fun to see him be brought back down to reality and face the truth of who he has really become.

However, just because I want to explore what it would be like for Adam to go on the path to redemption that doesn't mean I actually want to see him reach heaven. Instead I would like it if they use his character to explore the concept of only doing good thing's for a perceived reword at the end and how you can instead find comfort of becoming a better person even if you are never fully forgiven by the people you hurt. Perhaps, by the end of the show Adam has stopped being a resident of the hotel and instead one of the employees working to make hell a better place to live in for all, I think that would be a nice end to his character.

Plus there's also his relationship with Lute which would be completely upheaved if the creators went with this route, since Lute has made it very clear that she believes sinners and by extension redemption to be an abomination, so it's would be fascinating to see her react to her boss and someone she was clearly devoted to become one of these demons and not only that but he has taken haven in the very place they both tried to destroy. Now that! is interesting and I would love to see how that would play out, even more if Adam gets to experience first hand what it's like to be hunted by an exorcist.

However, that being said I am also perfectly fine with him staying dead as Hazbin already has a ton of characters and since we don't know if the next season will get more episodes it would probably be for the best to focus on developing the main characters an not focus on any unnecessary material.

But hey that's just my thoughts.

[mebis-art-dump]

From the pale court team:

Pale Court Update!

Hi Everyone,

We're here to talk about the development of Pale Court a bit and share our thoughts as we move into the new year.

First, we hope everyone has had an outstanding holiday season, filled with games, gifts, and gratifying victories in the world of Hollow Knight and beyond. The team has been enjoying the holidays and is now coming out of a break period and are back to work on the mod, particularly finishing up Isma, squashing pesky bugs, adding some VFX, and then transitioning to other bosses. It’s been a wild ride, and we’ve still got a lot to do, and we’re eager to get back into the swing of things and start grinding away again.

We would like to remind everyone that the mod is a passion project and, while we would like to get this into the hands of everyone, we do all have school and jobs to attend to. Rest assured we are hard at work and are putting our all into every detail that goes into the mod. As an example, we've had a Zemer attack that's been in for a couple years now but has gone through many different iterations and we just never landed on something that seemed right, whether it be the pattern or fairness to the player, or difficulty of the move. In these cases we'll shelf the move for a bit and move on to other things while we keep it in the back of our mind, but not forgotten.

Moving forward we want to reiterate that we're committed to putting this out and it's still an ongoing project. From attack design, animations, VFX, and character VO, we want to make sure we’re doing everything to the best of our ability for the player in mind. Additionally, the more the team has grown, the more we've had to build our workflow pipeline for playtests to directly give feedback in a concise manner to the software devs. We wanna thank everyone for sticking with us, so we’ve included a profile and little dev tidbit for the bosses, continue reading below, and we hope you all have a great day… Let’s share some bosses!

Isma

Isma is a pretty cool character. When we meet her, she has no visible weapons, so we had to conjure up something completely from scratch. The obvious approach here would be to play off the plant theme and have plant-like attacks, and while this sets the identity of the character, it doesn’t set the identity of the fight itself. We ended up taking some inspiration from everyone’s favorite boss, The Collector. We wanted to look at the boss and see what the strengths and weaknesses were, and how to improve on it. We can see the boss itself tries to spawn mobs and overwhelm the player, but felt it doesn’t accomplish the goal of choking the player of comfortability and maneuverability, and we want to change that. We feel like we landed on a really good direction on that pretty early in development and from then on it’s been tuning and tuning and tuning. We feel through this process we’ve taken what can be an annoying, monotonous experience and turned it into a very interesting battle with spatial awareness, where you are forced to juggle many different aspects of a fight, or get choked out slowly in the battle. This boss has quickly risen the ranks and become a favorite among the playtesters, and we hope that you guys can enjoy it as much as we did!

Zemer

Have you ever wondered how Zemer would wield such a HUGE nail and be as elegant as she is? This is what we wanted to do, and man did it quickly become a problem! Originally Zemer was her “normal size” and her base attacks took up half of the entire playfield. The quickest and easiest approach here was just to shrink her size, so we did, and this opened us up to a lot of fun things. With a smaller size this let us up her mobility through movement options. We also kept the idea of her having this huge nail as well, and in playtests, she felt more like a zoner but with a more physical approach, we expanded on it… a lot! She ended up being SO fun in development that we kept thinking up more and more moves for her, and she has probably the most moves of any boss fight in the game. When we started putting up the final touches on her moves we found playtesters were having a very tough time getting ahold of her, but when they did it felt very rewarding and enjoyable. She is a complete menace and we expect it to be the hardest boss and give people a lot of trouble, with a huge sense of satisfaction for those that put in the time and effort to master the fight.

Hegemol

Your favorite thicc boi is back and better than ever - Hegemol has been a very interesting experience for us so far. Failed Champion / False Knight do a great job at physically restricting space, while we touched up about space restriction in Isma, you can think of her as an upward trend, the more time you don’t deal with her, the more choked you feel. Hegemol is the constant on the chart, his size will remain an ever present force in your face, and you’re going to have to deal with it the hard way. It was a challenge to really dial in what we wanted to do with Hegemo and, we can see why TC originally took a more basic approach in fear of not overwhelming the player with this monstrous body constantly trying to be on top of you, feeling like a wall closing in. We feel like we’re in a great direction now, and we want to capitalize on this feeling of dealing with an immovable object, as well as being an unstoppable force, while remaining a completely fair fight. We’re still early in development with Hegemol, but he’s already going to be an interesting case of seeing how players figure out how to cope with the constant pressure.

Dryya

We’ve had some great fights in Hallownest, and our favorite flavor of fights are sword duels. Hollow Knight has a lot of them, but almost all have some special flavor thrown in there, and we don’t really have something with a more “vanilla” flavor to it. We lacked a fight in the mod that had a very methodical flow to it, almost like a lightsaber duel, or a waterbender with choreographed motions. Enter Dryya, she is our lovechild to a classic sword fight that we think Hollow Knight really needed. She’s fast, smooth, and brutal! Being a grounded sword wielder, she wants to constantly be up in your face and on the offensive. On the surface this seems pretty straightforward, but in reality we did have some problems where the knight could dash away or through her and it’s been fun to see how we are getting around that player behavior. We want Dryya to continuously try to engage with the player, and that means minimal time between attacks - she doesn’t want you to have any breathing time. If you’re willing to tango, you’ll enter a flow state and feel like you’re really having an authentic duel. We hope a more classical fight will have people coming around a lot for an engaging experience.

[citadelofmythoughts]

i love how people interpret characters in rwby in the most bland and boring way possible

they take jaune, a deconstruction of a overtly "alpha" dude (lets be real he was a bit if a tryhard loser at the beginning) with a lovely sense of non toxic masculinity (healer, developing emotional intelligence, consumer of respect women juice) and turns him into some sort of haram enjoying chad.

they take yang, someone burdened with incredible responsibility that created both a sense of maturity and deep seated insecurities and turn her into a bubbly bimbo

they take ruby, whose relentless positivity is both a boon and a burden and who is deconstruction of the chosen one trope (she may have a special ability but without everyone else she would be absolutely dead by now) and turns her into small happy child who is the only one who can save the world.

(i'm sure this applies to other characters but this is just off the top off my head)

it's like being served a plate of deliciously seasoned fried chicken and saying you know what would make this better? if i scraped the breading off and put some mayonnaise on top.

That is something I've noticed for a long, long time. There are aspects of the FNDM that HATE how complex the characters have turned out to be. A common one I've heard is "Yang isn't fun anymore."

They wanted RWBY to play it safe and be this stereotypical fantasy fighting school anime because that's what they expected. You see, they don't actually like thinking about things. For all their talk about characters with 'gray morality' they can't handle it when the choices the protagonists have to make are complex.

I feel like a lot of us came into RWBY from the opposite direction. If it had stayed a school anime with unchanging static characters I would have lost interest ages ago. Seeing these people change, evolve, survive pain and trauma but still be heroes has been a privilege.

If you want a bologna, American cheese and mayo sandwich on white bread then RWBY ain't for you. It's a feast with many complex flavors and nuanced experiences.

As always, RWBY deserves a smarter audience.

[galadrieljones]

Gala! I need to hear all your thoughts about seeing Solas again!! (When and if you’re willing to share ofc) ☺️

Omg. Honestly, I don't know. It's been so long, and in so many ways, I've moved on completely, but also, like, no. I will never move on lol. It seems I will probably need to go back and replay DA:I this summer, which is perfect, because I'm just about done with Death Stranding, and this will be a great way to pass the time between now and the Fall (at which point Daryl Dixon season 2 also starts so idk how I shall survive the inundation with characters I love--I will just have to find some sort of balance LOL). I really do need to brush up on the lore and try to even remember what was happening, and also get back into Sene's POV, because I do believe the Inquisitor is going to make an appearance in this story, and I am very excited for that but also very anxious. I do actually trust Patrick Weekes to give closure to the DAI fans and Solavellan shippers, particularly knowing how hard he worked to give us that notorious "COLE GREATLY APPROVES" moment in Trespasser 😭 Tbh though, I'm just not sure entirely what that will look like. I'm nervous!

I will say that I am really very happy to see how Solas is portrayed in this scene with Varric. He's actually nowhere near as cold as he seems at the end of Trespasser. He seems much more reluctant than he did back then, like he legitimately doesn't believe there's a better way. He doesn't seem evil or beyond repair. I wonder if that's because he's spent so many years alone, plotting, and it has actually served to soften him. In those first two years, after Corypheus, it's clear he was able to scrub his experience with the Inquisition from his heart, but most likely what he's learned is that it was merely a cosmetic fix. The connections he made back then are still with him, and seeing Varric again bubbled them up to the surface, even if only briefly.

I won't lie when I say that I actually really did not like the reveal trailer at ALL, which came out a couple days ago. It gave me like, Fortnite vibes and I was really concerned, because I've been out of the loop and not paying attention to the development of the game at all. Like this came completely out of left field for me, and then the name change...yikes. BUT the gameplay trailer fixed all of that. The game looks dark, gritty, and EXTREMELY fun. I love that they will start us out with Varric and Harding. I love them both so much, like old friends I haven't seen in such a long time. It filled me with warmth when Varric tried to reason with Solas, because that is EXACTLY what Varric would do, and even just hearing his voice, and Harding's voice, and of course Solas's voice, it made me tear up. I cannot wait. I am SO excited!!!!!!!!

I'm also really excited to reconnect with some of our old crew on here. I know lots of us are still around to various degrees even as we've all dispersed to different fandoms and real life circumstances for years. But Solavellan was my first real ship and Dragon Age was my first true fandom, and in my heart, we and our Lavellans will always be the GOAT. 💫

HOW are you feeling about all of this @bearlytolerant??????

[profoundbondfanfic]

heard from your mother (she don't recognize you)

heard from your mother (she don’t recognize you) by rupertgayes (@rupertgayes) Rating: Mature Word Count: 538k

A man named Cas wakes up in 2003 with no memories, but he's able to piece together a few things: Supernatural creatures exist, and most of them will hurt innocent civilians if he doesn't stop them; he has abilities that no human hunter should have, but he knows enough about human hunters to keep that to himself, and finally; he keeps running into another hunter named Dean Winchester, who must be as lonely as he is if he's willing to put up with those former facts long enough to help Cas unravel the mystery of who (or what) he really is. For his part, Dean's still (not) dealing with Sam's departure to Stanford, and figures distracting himself with a bit of mystery and intrigue is as harmless as it gets, right? Right.

Are you in the mood to experience the whole story developing a bit differently right from the start?

Then here you go!

On one hand there is Dean, still having a hard time handling his brother leaving for college years ago and trying to somehow manage by doing his due diligence as a hunter and following his father’s demands to the letter. Somewhere along the way, however, he starts to constantly cross paths with a man who remembers nothing from his life apart from his name and a strong urge to hunt monsters. At first Dean has no idea what to make of this guy who calls himself Cas, but over time their connection and relationship grows into something very personal as everything around them unravels.

If you ever wanted to know what would happen if you were to throw Cas into pre canon and early season SPN, this series certainly doesn’t hesitate to show you just that! Cas has no clue where he is coming from, who he even is deep down, and yet he gives it his everything to use his abilities to save as many people as possible. 

And Dean, bless him, simply can’t help but be drawn to all of that (because how could he not?), no matter how hard he fights it. Since at the end of the day he is still Dean Winchester who’s simply unable to resist a blue-eyed weirdo of a guy who could very well be an actual honest-to-God angel or whatever (not that something like that exists, right?? RIGHT????) by the way he is acting and showing off his strange powers and all that. Poor Dean is just helpless and it’s the greatest fun to see him sinking deeper and deeper into the rabbit hole!

But it’s also intriguing to watch everything unfold in a slightly different manner, with some crucial details changed, and the mystery of Cas’ past, of his true being, is wonderfully depicted as they gather more and more breadcrumbs over time. I mean, technically we all know the answer to the puzzle that is Cas, contrary to the characters, and yet (or maybe especially because of it) you find yourself ridiculously invested.

And yes, this series is a big boy, I’ll give it that, but I promise you it’s worth it and you will barely feel time flying by as you dive into this alternate and yet so very familiar version of events which are going to leave you on the edge of your seat!

So please, have fun 😁

[alitherandom]

Bad Batch is almost over so I'm going to ramble. If anyone can relate, please reply or reblog. Share what this show has meant to you, share your thoughts, share theories, tag people. Let's give it a send off.

Star Wars has been a massive part of my life for years.

I loved everything about the Clone Wars, the world building, the character development for the jedi, but most of all the clones. As someone who finds it hard to read faces, it was fun getting to know each of the clones as individuals with their own personalities and I actually never had any issues telling them apart. It hits hard, I think that's what makes their stories even more tragic.

Echo and Fives are my favourite Star Wars characters so I was really happy when Echo came back in Clone Wars season 7. That was why I decided to watch the Bad Batch- it then became my favourite series.

I'm not entirely sure what I'm going to do when this show ends. I think the hardest part is not knowing what the galaxy has in store for the batch and where it could go from here. Whatever happens I’ll always be grateful for the experiences I've had as part of this community over the last few years.

I think that's what's great about being part of a fandom. Seeing all the different ideas and projects that get put out there every day as well as knowing everyone else is in just as much suspense as I am. I haven't interacted on here that much until the last few months, but I check the tags a lot and all the fanart has been immaculate. The writers and artists are crazy talented and work so hard, I admire the level of dedication and aspire to be like that. 😂

I'm also really grateful for the three seasons we got with Clone Force 99.

Seeing Echo go from a shiny in the Clone Wars to becoming who he is now. (I could talk about that for ages, but I'll save that for another post.)

Seeing Crosshair regain his trust in the batch and get to change.

Seeing Hunter step up for his brothers and Omega.

Seeing more sides to Wrecker's strength.

Seeing Omega go from that kid who'd never seen dirt before to learning from her brothers and proving how brave she is.

And lastly, seeing Tech make the choice he did back in season 2. It wasn't easy to watch, because he deserved more time and there was definitely a massive hole in season 3 without him.

I'm not ready to say goodbye to any of them.

My favourite episodes in season 1 were the last few, when Kamino fell. It was the end of an era as well as a new beginning.

My favourite episode in season 2 was episode 8. I was really proud of Echo, plus he got a hug from Omega which I have admittedly rewatched far too many times.

My favourite episodes in season 3 were episodes 13 and 14. The stakes have been so high and it's been great seeing Echo's ARC skills in action again. (Plus the dialogue with Rampart was top tier. Hate that guy, but it was hilarious.)

I'm well aware of all the theories for the finale. I'm choosing to ignore most of them, but I’d like to present my own.

I hope Echo gets to finish what Fives started and the clones can finally be free, including Tech if he's CX2. I hope the batch gets to burn Tantiss to the ground and fly off into the sunset with Omega and the kids from the vault, and then I hope they continue a lifetime of bullying Rampart. I also hope Emerie gets to whack Hemlock with a steel chair, and then the Zillo beast can eat him.

…After all, Star Wars is based on hope, right?

If anyone actually ended up reading this to the end you're a real one- have a great final Bad Batch eve, and may the force be with you.

[contentloadingandstuff]

Fluff Headcanons - Spooky gaming with the genshin characters!

A/N: The fluff version of the Halloween special, and a bit of a new format. I hope you enjoy!

C/W: Modern AU, swearing, game-typical violence.

Alhaitham

This year, Alhaitham wanted something less conventional. Something that would really engage his mind with interesting commentary about society and the world at large, but still retain some of that spooky vibe. 

Cruelty Squad easily caught his attention with its assaulting graphics and interesting premise. It clearly begged for attention, and he was willing to humor it. 

It was precisely what he was looking for, and what an answer it was. Alhaitham had no trouble adjusting to a more corporate mindset.

Alhaitham: The super AI emerges from an extremely pornographic ultra hyper suck and fuck…

Kaveh: Um… What? What are you talking about?

Alhaitham: You don't understand, Kaveh. Everything that surrounds us? It's Gorbino's Quest. The Gorbino's Quest... of life.

Ganyu

The poor little cinnamon roll isn't that much of a horror fan. Violence and death generally unsettles her, but Ganyu still wants to feel some of that holiday spirit. 

After a lengthy deliberation, Ganyu chose Little Nightmares. The graphics are quite pleasing to the eye, it is horror, but not so horrible and violent. At least that's what she heard.

Ganyu: Oh, look! It's a Nome, right? And it's offering me food… How nice of it! Um… Oh n-no! Why would you d-do that?!

Amber

The great outdoors with a horror theme? Count her in!

Amber made sure to avoid spoilers to have the full, unprecedented The Forest experience. The landscape is so serene and peaceful… The freedom of movement, the sounds of nature and the survival elements are so fun and relaxing!

True, there are some hostile people on the island, but they seem harmless enough.

Until the night falls…

Amber: Wait… What's that? That doesn't look human… Did it just birth out… Ew… Yikes! It's coming at me! 

Suffice to say, Amber stuck around until more or less the moment when you have to chop up bodies and make effigies out of the parts.

Beidou

Alcohol, hard rock and murdering demons with big guns is how Beidou plays on Halloween, so she'll gladly hop on Doom Eternal.

There's nothing better than impaling a snake demon's head with its own broken arm, right as the beat drops. 

Beidou: Life has enough undefeatable horrors. Let's just have some fun tonight!

Ningguang

The old ones are the good ones! Ningguang doesn't play a lot of video games, but she did like a few titles back in her younger days. 

On this special occasion, Ningguang got a box of her old possessions to dig through, and found the original Dungeon Keeper on CD. 

Everything is just as she remembered it was. 

Ningguang: Oh, these imps… They are the perfect workers, aren't they? They don't eat, sleep, need vacation, have a social life, and they work harder when you slap them. Ah, if only I had them as my subordinates…

Keqing: *narrows eyes*

Kokomi

Another fan of the retro side of games, Kokomi enjoys a good tactical challenge - developing the ability to conjure small scale plans is as important as improving the grand ones.

Her pick is Myth II: Soulblighter. It’s a brutal, unforgiving RTS with a distinctively dark atmosphere - just perfect for the season at hand.

Even when Halloween comes to a close, Kokomi will find it hard to drop the game. The insanity that is Legendary is quite addictive indeed…

Kokomi: You here… You here… And now the crescendo!

Game: “Move here move there…”

Game: “Catch!”

Game: *explosion*

Game: “Casualty.”

Kokomi: Oh. Change of plans, I guess…

Yae Miko

Upon hearing of the wonderful possibilities for tormenting the other party, Miko didn't hesitate to bring out the Mora for Dead By Daylight and all of its DLC. 

Though it was quite fun at first, the ugly nature of the game soon surfaced. As none of her friends were brave enough to delve into this swamp, she was forced to join up with random people, who frequently threw the games. 

Such a combination was enough to make even such an ancient and wise kitsune lose her absolute cool.

Ei: Why are you crouching behind that tree, Miko?

Miko: The killer has caught one of my teammates, and I will release them by ambushing them with a flashlight! 

Miko: Come on… Now! You didn't expect that, did y- What?? Lightborn?! Again?! Who even plays it nowadays?! Oh, you daft, blind motherf-

Ei: Miko!

Miko: Oh… Hm. Sorry. I got a little carried away. But that's sooo unfair, isn't it? Why would they add a perk that cancels a whole mechanic? I can't believeitthegameissokillersided…

Xiangling

Xiangling absolutely didn't look forward to Halloween, especially with Hu Tao around. She just can't take horror, at all, of any kind, ever. Especially jumpscares.

She still couldn't believe that she agreed to play a horror game, let alone one suggested by the director. The one and only Five Nights At Freddy's at that.

Much to Hu Tao's amusement, she didn't even make it past Night 1. Xiangling was thoroughly spooked, and after being jumpscared once she completely refused to keep playing. 

Seeing Xiangling so terrified made Guoba very upset, and Hu Tao quickly apologized to avoid being roasted by the angry god. 

Hu Tao: So he killed the kids, but then! Their souls escaped their robot prisons and made an old spring lock suit crush him to death! WoOoo~

Xiangling: Ah! Hu Tao! No more! 

Guoba: Nane na! Grr…

Hu Tao: Oh, don't fret little Guoba! I'm just joking!

Zhongli

Morax always had trouble catching up with the latest cultural and technological trends of the humans. Sure, he can use a computer more than well enough, but he finds third and first person video games confusing. The gameplay is most often too fast and rapidly changing for him to be up to speed with it, let alone enjoy it. 

Throughout all of his exponentially long life, nobody was as persistent in including him in the festivities as Hu Tao. She tried to convince Zhongli to play something horror-related, but he was assertive. So, the director decided to find a game that would suit his liking - an indie title. 

Her pick fell on Water Womb World - it's simple mechanically, is quite disturbing and has an interesting concept. 

Much to her surprise, Zhongli thoroughly enjoyed his fifteen minutes with the game, even if he didn't find it very scary.

Zhongli: Ah, I agree with the message of this title. The blind belief in deities can lead to fanaticism, which breeds regress rather than progress. I do think that a more healthy and critical approach to Rex Lapis' rule would be beneficial to our current day society. Especially that the age of gods draws to an end…

Hu Tao: Aiya! Do you have to turn everything into a lecture, Zhongli? You're not my grandpa, are you?

Hu Tao

An avid enjoyer of the spookfest, Hu Tao decided to pick something hitting closer to home this year - Mortuary Assistant.

The gameplay loop feels great! Just like in her line of work, just without the smell. She's having the time of her life preparing the corpse for burial. And hunting the demon. That's also quite cool!

Hu Tao: *hums while wheeling the corpse into the crematory* 

Game: "Are you sure?"

Hu Tao: Yup! I know your tricks more than well. Aiyaya, you could try something more interesting next round! Furnace time~

Game: *sounds of fire and demonic screaming*

Hu Tao: Toodle-oo~

Bennet, Noelle, Fischl, Razor

A few weeks before Halloween, Bennett mentioned a game night, since he couldn't be there in person. Noelle, diligent as ever, picked this up as a cue to start looking for something. 

Luckily for her, Phasmophobia was on a large and affordable discount, so after proposing the idea and organizing a money pool, they all got to proving the existence of ghosts.

Lisa lent Razor her personal computer for the night, on condition that she could take a little peek every now and then at their session without interrupting - and what an amusement it was, as none of them are especially acquainted with horror.

Noelle: "The ghost responds only to people who are alone." Somebody has to go in to talk to it… 

Razor: Razor won't go! Ghost scary!

Bennett: I would go, but with my luck, the ghost will eat me right away…

Fischl: Hmph! Although yes, I, Fischl, The Prinzessin Der Verurteilung and the founder of The Immernatchreich possess the courage to face demons and spawns of darkness alike, I…

Everyone: So you'll go then?

Amy: Um… N-no! You m-misunderstood!

Furina

The Great-And-Grand Archon of Fontaine played and saw every horror game and movie, and never once got scared. Or that's what she claims, at least.

That's why Focalors decided to prove her excellence with a true, dark challenge she could easily overcome, thus proving her gaming capabilities for all to see!

In hindsight, Darkest Dungeon wasn't the best of choices she could have made… It did amuse Monsieur Neuvilette, however. 

Neuvillette: I think you should retreat. Your heroes are close to dying. 

Furina: I appreciate your advice, my dear Iudex, but your worries are misplaced! My Crusader will deal a critical hit, thus ending the pig-man's miserable opposition, and granting us treasure galore! Watch and marvel at my skill!

Game: "A singular strike!"

Furina: Ahaha, see? I told you it would be fine~ Wait… It's not dead yet…?

Game: "Mortality - clarified in a single strike!"

Furina: Um…

Game: "There can be no hope in this hell, no hope at all…"

Game: "And now the true test - hold fast, or expire."

Game: "Those who cover injury find it in no short supply."

Game: "As life ebbs, terrible vistas of emptiness reveal themselves."

Furina: Ret- T-tactical withdrawal! 

Game: "Cornered, trapped, forced to fight on!"

Game: "This is no place for the weak, or the foolhardy."

Game: "More blood soaks the soil, feeding the evil therein."

Game: "Perched at the very precipice of oblivion."

Game: "More dust, more ashes, more disappointment."

Game: "Another life wasted in the pursuit of glory and gold."

Game: "Wounds to be tended. Lessons to be learned."

Neuvillette: Lady Furina, if only you had-

Furina: Silence.

Shenhe

Shenhe never gets scared. The most terrible of monsters or existential terrors are no match for her training and resolve, no matter how unexpected they might be. She might not get scared, but she can get startled, right?

Who else would pose that question but Hu Tao, the mistress of horrors herself? It was always her objective to get some sort of reaction out of the adepti disciple, no matter how insignificant and small it might be. Many things were attempted - scary movies, troubling situations, body horror, cosmic horror, existential horror… But none of them ever worked. Shenhe remained stalwart.

Out of desperation, Hu Tao was forced to reach for the ultimate weapon. The bane of those unprepared. The myth. The legend. The game.

The Scary Maze Game. 

After plugging in an old spare monitor, she invited Shenhe to “test her precision”, and stepped a few safe meters back. 

The monitor ended up skewered with her polearm, but Shenhe did yelp - much to her delight. 

Not all was fun and games though, as Hu Tao got the mother of all lectures from Cloud Retainer. Something about Shenhe’s red ropes breaking, but the director didn’t pay much attention, and just nodded along.

Hu Tao: Heya, Shenhe… You don’t mind the little scare I gave you back on Halloween night, do you…?

Shenhe: Oh? Well, as much as I was upset during the moment, I must admit it was quite… cathartic. I never experienced anything like that. I do not hold any grudge towards you. Actually… Thank you for that, director Hu Tao.

Hu Tao: Phew! And I was here thinking I’ll share the fate of that display!

🎃Happy Halloween!🎃

[likealittleheartbeat]

hello !!

i was wondering, do you know any other characters like aang from other shows/movies/books? or maybe, just his theme of radical kindness appearing in other stories?

i've been missing aang, and it would be nice to find other representations of such a fun and warm personality like his.

ps.: your blog is like, fantastic. truly.

🥰🥰🥰🥰 This is the best ask I’ve ever received!!! Depictions of radical kindness in media is a special interest of mine—not exaggerating. So I’ve done my best to make a list of rec’s, just tv, from most formally similar to ATLA to least, with a short description for each.

1. Fruits Basket (2019)

"My mom told me, it's better to trust people than to doubt them. She said that people aren't born with kind hearts. When we're born, all we have are desires for food and material things. Selfish instincts, I guess. But she said that kindness is something that grows inside of each person's body, but it's up to us to nurture that kindness in our hearts. That's why kindness is different for every person."

An anime orphan whose established memory of the kindness by which her family raised her ends up transforming and liberating a whole clan from an intergenerational curse that enforced an abusive hierarchy all within a show that has a deeply queer subtext, beautifully complex plotting and character development that due to its zen influence refuses to demonize anyone or any perspective wholly, AND a straight romance you can actually root for!? Nothing comes closer to ATLA thematically than this show. While the lead Tohru Honda is the biggest representative of radical kindness, the character of Momiji Sohma with his complex purity, idealism, and gender performance is one of the closest you'll find to Aang in any media.

2. Mob Psycho 100 (2016-2023)

"The truth behind one's charm is kindness. Just be a good person, that's all."

Mob Psycho 100 explores a core tenant of ATLA's critique of imperialism and power: greatness and perfection are overrated. They both ask the question about what to do for the world with one's gifts if that's the case. How can one be both normal and prodigious at the same time? The satirical comedy and style of this anime, which deconstruct a lot of the shonen genre tropes, are pretty distinct from ATLA, but when ATLA arrived on the airwaves, it was a pretty massive break from tradition in Western animation, and for both of these series, that difference of style is tied to the message of the show about the experience and acceptance of difference.

3. Natsume's Book of Friends (2012-present)

"As I encountered kindness, I wanted to be kind myself."

The anime, Natsume's Book of Friends and ATLA both depict the challenge and necessity of facing abandonment, loss, and a deep-seated loneliness with kindness and gratitude despite the persistence of grief. Both take a deeply spiritual view--even a responsibility--of this experience that demands a compassion for all beings including those who intend to do harm. Natsume, an orphan shuffled between houses who is one of the few people who can see spirits called youkai, inherits his maligned grandmother's book of yokai names, becoming a target for them in the process. He hides all of this from everyone in his life, and even five season in, still has trouble admitting to the one person who understands him when he is struggling and needs help. The gentle and light tone papers over a profoundly honest representation of attachment trauma and the wisdom of compassion that develops as a tool to cope with it.

4. Hunter x Hunter (2011-2014)

"You can do whatever you want to hide your feeling. You still have a heart."

If you think that "Radical Kindness" is by definition non-violent, then this show is either not for you or going to change your mind. Gon, the protagonist of HxH, like Momiji mentioned in Fruits Basket, is another rare character whose naivete and optimism are treated with respect. He is allowed to suffer, to be wrong, to be stupid, and to inspire others away from their own cynicism with the persistence of his beliefs nevertheless. But HxH is a show that integrates the most violent aspects of the world (organized crime, capitalistic competition and privileging, state-sanctioned brutality, pure sadism) with its examination of human potential for goodness. And even within a list of shows deeply inspired by spirituality and religions, this show is abundant with religious references as it seeks out meaning, balance, and an ethic for modern experience. On top of that, it ranks with ATLA for the depth and relevance of its magic system to its themes, plus its got gay subtext out the wazoo!

5. Mushishi (2005-2014)

“Make sure to remember, every person and place has a right to exist. It is true for you too, the entire world, as a whole, is your home."

Elegaic, episodic, compassionate, and strange, with some of the best short story-telling of all time, Mushishi is the story of a medicine-man who travels the Japanese countryside helping people deal with the spirits that accompany the little trials and tragedies of life that cling to our minds long after they're passed. The protagonist, Gingko, and the show itself takes the approach of restraint to observe these problems fully and come to a conclusion that's taoist in its balance and acceptance of reality--"Eyes unclouded by hate" as Miyazaki/Gaiman would have it. Each episode is like a therapy session arguing for you to choose to live even as the heaviest burdens sit on your chest.

6. Reservation Dogs (2021-2023)

"See...love doesn't have to be received, it can just be."

We're finally out of the animes, and moving away from the zen and shinto approach into some other options. Reservation Dogs' indigenous humanism was groundbreaking, bringing in distinctly modern American realities (with the kind of true-to-life details only a an on-location shoot could offer) with Native beliefs about ancestry, community, and connection to the land, while rarely feeling preachy. Instead, it's just fucking hilarious and casually heartbreaking. Four friends on the edge of graduating high school on a reservation in Oklahoma try to figure out what to do with their lives after their plans to go to California get abruptly messed up. Radical kindness as a concept often gets focused on accepting the enemy but what about accepting the weird stoner uncle who farts all the time and won't talk about his years in the army. I think that might be a more important goal of radical kindness, in truth, if we are being asked to look and accept reality for what it is, because growing comfortable with disappointment and the mundane let's us live without the relentless striving that drives perfectionism.

7. Skam (2015-2017)

"The second you start looking for hate, you find it. And when you find hate, you start hating."

A Norwegian teen drama that understood internet culture better than any show before or since, four season-long romance plots better than any romance film from that decade, and a masterfully constructed exhortation about leaning into failures of connection to build deeper compassion rather than demonize another person or group. Each season focused on a specific character within a high-school friend group, emphasizing the limited scope of subjective experience, and had them confront the challenges of opening up to others fully. And even when they return into the scenes with new protagonists, their lives weren't sorted perfectly, reflecting how resolving a single romantic plot point would not resolve life. The impact of this low-budget public-television web series (!!!) will be felt for years (it's already been referenced by Netflix juggernauts like Sex Education and Young Royals), but we're not likely to see something that juggles political themes, heartfelt characterization, realistic dialogue, and meta-commentary (it flashed its own hater and fan comments across the screen in the last episode!!) in such a obsession-inducing package anytime soon.

7. Boys Like Boys (2023)

"Because I have always been someone who hates myself, I don't have the courage to face it. Running away is my only option...What if I give myself one more chance to be brave?"

So how can a reality show make it onto a list of radically kind tv series, especially a dating show!? Well, when that reality dating show casts people who radiate warmth, vulnerability, and respect and seem to have the kind of chemistry that most scripted shows can't even manage, it's a good start. But then, when they elevate that cast with a format that addresses the cruelty of dating, elimination formats, and broader societal exclusion (an important consideration for a gay dating show), it offers a new model for future shows. Boys Like Boys did this when mid-season (spoiler alert) they had contestants vote out a contestant, only to provide the contestants with a vote in which they could retain a contestant who they didn't want to leave. In fact, many of the contestants asked if they could abstain from making a vote that would eliminate a constestant and were allowed to. The final result left one contestant, Jia-Hang, up for elimination--he had voted for himself to be eliminated, and many contestants, recognizing his reticence to continue on the program, didn't want to force him against his will to stay. Then, looking around at nearly the whole cast sobbing, even apologizing to him for not providing him enough support, Jia-Hang chooses to stay on. This is just one of many heart-warming authentic moments in the show that illustrate the vital influence of kindness to impact the trajectory of our hearts.

8. Joe Pera Talks With You (2018-2021)

"I can help you reach things. I can tend the garden. The different hours we keep are a good thing. And when they overlap, I can offer companionship and entertainment."

So much has been written about this show's groundbreaking kind approach, I'm going to quote instead: "It can be difficult to convey how a TV show airing on Cartoon Network’s provocative nighttime programming block Adult Swim can evoke almost nostalgic feelings of kind-heartedness. The premise of Joe Pera Talks With You is so simple as to almost be beside the point: Comedian Joe Pera plays a lightly fictionalized version of himself as a sweet Michigander, a middle-school chorus teacher with small and specific passions. Joe likes breakfast food, obscure trivia, beans, trips to the grocery store, and his grandma. He greets every day with a contented smile, stands beneath a pale blue sky, packs a balanced lunch that contains no surprises. (A turkey sandwich with cheese and a tomato, a banana, some trail mix, and as a treat, some cookies.) Joe, more than anything, is satisfied. His greatest joy is sharing these small pleasures with you, the viewer who exists on the other side of the fourth wall he has cleanly dismantled, often speaking quietly to the camera like he’s sharing a secret, just between you two. That he’s talking “with” and not “to” you is a crucial distinction in the show’s title: Joe never lectures nor rhapsodizes. Instead, he waxes poetic about what he loves and who he cares for and how he leads his life, telling his stories from a vulnerable position of welcoming you into his daily existence.” --“A Great Comedy About Being Good,” Allegra Frank for Vox

9. Anne with an E (2017-2019)

"Her life was not short on challenges, and still she held no grudges, believing instead that grace is perennial like the green, green grass."

While maligned for not being the 1980s version, this Netflix adaptation of Anne of Green Gables takes what many have read as an autistic subtext and made it text, giving Anne a performative quality that pushes a lot of the audience into the same irritation that the characters of Avonlea feel for Anne at first, and, thus, requires its audience to persevere toward the same kindness that Anne inspires in her adoptive mother figure, Marilla, among others, which is much more rewarding than simply identifying with Anne right away. In so doing, it enhances the development of its broader approach to acceptance--an approach in its insistence on the requirement of a community of kindredness (see Sebastian's excitement at finding out about the black community in "The Bog") that is much more rigorous than many other shows will cop to. Expanding far beyond literal adaptation into queer, black, and indigenous characters, without disguising history or disparaging the thematic seed of grace at the heart of the novels, Anne with an E imagines what it meant and what it might still mean to build real joyful community with others through kindness.

10. Little Bear (1995-2003)

"Interesting."

A childhood favorite that disguised in its simplicity a wide-openness to the world and an acceptance of different natures. While most child shows emphasize kindness, few do so with as much patience, wonder, and generosity extended to its viewers. Little Bear is a curious kid who goes on adventures in the woods around his house that can turn into games or small imagined experiences. He is sometimes with his friends Cat, Duck, Hen, Owl, and Emily, whose personalities, along with Little Bear's, bring about small tensions in their games that ultimately resolve, if not independently, then with the help of Mother Bear or Father Bear, who give each other knowing glances about the expected childhood behaviors. This is the first show that initially taught me to observe things while withholding my judgment, that first step of radical kindness.

12. The Andy Griffith Show (1960-1968)

"The key to happiness is finding joy in the simple things."

One really old and somewhat controversial throwback for my last entry. If you have concerns about a sheriff character representing radical kindness, I would encourage you to start with the third episode of season 3 where Andy, the sheriff in question, has to explain to the new mayor why he doesn't carry a gun and lets prisoners go to gather their crops. There have been some fantastic pieces written about the complexities of this show's bucolic fantasy and Southerners (of all races) attachment to it, but they all acknowledge a type of humanistic and deceptively simple virtue found in Mayberry that audiences long to witness, if not emulate themselves. It's a morality that resists the "hyperactive zealotry" and bureaucracy that the show satirizes through Barney Fife (along with guest characters like the new mayor) and instead emphasizes the understanding that one can have for each individual and the trickstery middle paths that one can find to address conflict.

[tangerinecherrygal]

Thoughts on Bridgerton S3 so far.

Under the cut for the sake of my poor moots and for spoilers. And first and foremost, I am a hater, so I will have some complaints but most are positive.

Positives:

Developing Cressida’s character. I’ve wanted this since I started watching with season 2. I love that she isn’t a cardboard cutout mean girl bc she gets shat on (deservedly sometimes) a lot by the main characters. Also I’m not sure which way they want to go with her character but I don’t think she needs any kind of redemption, maybe just a softening of her character.

Disabled visibility. It’s very clunky, but it is a step in the right direction.Period pieces tend to be worse than other types of shows and movies at erasing disabled people. It’s easy to forget that disabled people did exist and were apart of society. I can’t speak much to how they were treated, but this is bridgerton so it is very possible to portray them in ways that are realistic to the more modern experience of, say, being in a wheelchair.

Portia Featherington. Send tweet.

Benedict being a fun little guy.

Sibling dynamics of the bridgertons are really sweet to see and always make me smile.

Penelope serving cunt, intellect and agency.

Thr Mondrich family being on screen more. I’d love a side show on them like Queen Charlotte. Their relationship is so sweet and I am observing 👀 with upmost respect.

I do like Colin’s new look buuut… we will come back to this.

Francesca’s new actress is so talented. The shy girl rep that I need. She looks a lot like Phoebe and fits in perfectly.

The other stuff (and how i would change it)

Penelope’s makeover seemed rushed. I think her transformation should’ve been gradual as she gains confidence. Almost like Kate’s last season. She starts to reflect her confidence e gains throughout the season and i’m thinking that a fanfic may be brewing oh no.

Colin’s makeover is needed bc they had to downplay the actors beauty in earlier seasons. But I don’t see him as a devilishly handsome rake all of a sudden. Luke Newton has a kind and approachable (kind of baby) face and I think that they should play on that. A pretty kind of handsome instead of trying to immitate the more masculine look that they used for anthony. I know it’s because he is putting on a performance but I think they could have gona another way. His look in season 2 is great in my opinion, maybe if his clothing was more relaxed but he kept the same hair then it would be perfect.

They’re trying to convince us that he’s suave and smooth with the ladies but it’s not consistent with his character

The threesome scenes? Not a hundred percent sure who that was for. Sapphics let me know if you appreciated those scenes because I know they weren’t doing that for their famously large straight male audience. I also saw someone say it reduces the sex workers to props but in context that kind of works into the story so idk.

Colin went from being lost at the end of last season to gaining a sense of identity that isn’t implied to be an act.

Lots of side stories make it seem messy and wastes time that can go into understanding Francesca, Penelope, and Colin. Instead of focusing on stories like Lady Bridgerton’s romantic story they really should make a QS 2 where they can explore the older cast of characters.

Paaaaacinnng. Everything is happening so fast and the side stories mean that Polin doesn’t even make much sense to me. I don’t feel any chemistry. I’m not going to count how long they’ve been on screen together this season, but it’s not enough for me to believe that Colin finally sees Pen in a romantic way. The helping Pen find a husband quest lasted for a second and immediately he realises his feelings. I just don’t buy it. I almost want to cut away to horny ass Kanthony to see actual chemistry.

if anybody reads this and has their own takes pls comment. I love talking about the show and hearing what other people thought.

[thesoftboiledegg]

This was such a great episode! I expected crazy shit to happen, especially with the hyper-realistic video game. I was like, "OK, this entire episode is going to turn out to be a simulation" and was pleasantly surprised when the "hyper-realism" was just a joke.

Anyway, it makes me so happy that Beth is bisexual. I figured she was, but the show never stated it either way. That's four out of five--only Morty is left. And to be honest, I think he's bisexual after his weird, unexplained obsession with Bruce Chutback in season 5, but the episode didn't outright say it.

I loved watching Beth and Space Beth fall for each other and go on dates. And OK, they're the same person, but they've made different choices and had wildly different life experiences. This created some tension and intrigue because they're not just repeating the same words and phrases back to each other like an echo.

Sarah Chalke gave a great performance, too. I'd say this is easily her best performance in the entire show. The dialogue was so natural that it sounded like it came from a live-action drama and not a cartoon. Rick and Morty has always had decent dialogue--and Rick in particular sounds like a real person talking at times--but this was another level of realism.

These new writers definitely know what they're doing. Damn.

I could NOT believe it when Rick said that he's fooled around with other Ricks. Holy shit. I actually paused and rewound the video because I was like "...did he seriously just say that?" It's been part of fandom culture for years, but I NEVER thought it would be in the show. Especially with C-137, who's a notorious Rick killer and hates them almost as much as he hates himself.

This makes me so happy! And it's yet another confirmation that Rick is pansexual. Give it up, homophobic fans, because the evidence just keeps mounting.

And like the other episodes in seasons 5 and 6, "Bethic Twinstinct" shows a new side of Rick--someone who's calmer, more patient and willing to help his family instead of just taking what he wants, then throwing a hissy fit when they get sick of it.

Rick's relationship with Jerry is changing, too. He says that he installed the "pillbug protocol" because he got drunk with Jerry one night (that's pretty big in itself) and installed the protocol because Jerry said that's what he "wanted most in the world." Rick wasn't being an asshole. He actually gave Jerry something that he wanted.

And yeah, Rick could be lying, but I think he's telling the truth this time.

Overall, this episode was a good combination of everything. Beth exploring various aspects of her personality, Rick bonding with Beth and his grandkids, Jerry letting out his frustration instead of being passive. Admittedly, Morty and Summer didn't do much, but they were still fun. I enjoyed the meta jokes about how they've had a million Thanksgivings and don't even know how old they are at this point.

This episode didn't explain those creepy posters where Space Beth appears to be controlling her family, so I'm guessing she'll turn up again--and this time, it might not be so friendly.

Anyway, the one part I disliked was the ending. The implication was "Haha yeah, Jerry's got two hot wives that will fool around in front of him." Normally, I'd call it lowkey sexist, but this episode did have Beth and Space Beth exploring a romantic relationship without Jerry's involvement. Still, I'm not a fan. I guess they're cucking Jerry in there? lmao.

Some might dislike this comparison, but Rick and Morty is starting to remind me of Moral Orel, especially with this episode in particular. Both shows start off as rambunctious comedies but explore more mature and dramatic themes as they go on. Honestly, "Bethic Twinstinct" wasn't that funny, but the character development is a worthy trade-off for me.