Tumgik
#the other story I have in mind I was planning to write a novel but maybe I will write scripts
wheelercurse · 2 years
Text
I want to write many many many things but I don’t know where to start, so I end up doing nothing 😭😭
2 notes · View notes
sokokoko · 5 months
Text
Ahhh I like my newest book cover so much
Tumblr media
I took the photo of this bird myself 😌
0 notes
pitchsidestories · 1 month
Text
breathe II Leila Ouahabi x Reader
Tumblr media
a/n: Hi, the oneshot is inspired by this fluffy request here, as always feedback is very appreciated. :)
masterlist I word count: 2118
In the evening you sat in front of your laptop, while the typing of your keyboard was the only sound which filled the apartment.
The tension of your body was something your girlfriend noticed immediately when she stepped into your office, you turned around to look into her concerned brown eyes:“Leila, let me just finish writing this page-.”
“You’ve been writing day and night.”, the Mancity player interrupted you frustrated, folding her arms in front of her chest.  
“Yes, because the deadline is coming closer.”, you tried to defend yourself.
“You need a break.”, Leila shook her head in a determined manner.
“I don’t have time for a break.”, you said.
The Spanish woman snorted annoyed: “Fine. Okay. I’ll ask the other girls.”
“The other girls?”, you asked her.
“The city players.”, the defender explained exasperated.
“Okay.”, you nodded before you kept on writing much to your girlfriend’s frustration.
Already at the door, Leila paused for a second to turn her head around to mumble:” See you later.”
There was a longing in her voice, which you ignored because of the stress surrounding the deadline for the first draft of the book you’ve been working on an entire year. Everyone seemed to anticipate it, the editor, the publisher, even your girlfriend.
Fondly Leila remembered the start of your novel project, which begun on one of your holidays together. The trips like the one you had usually involved good food, beautiful trips to the beach and deep talks around midnight.
Back when you were so excited to write the sapphic love story which was inspired by your own. The first who fell in love with your idea was your girlfriend who couldn’t wait to read it.
Meanwhile Leila flinched when she heard Ellie talking to her, in her mind she was still thinking of those lighter summer days with you.
“Leila, where did you leave your girl?”
“She’s too busy for us.”, the older woman attempted to shrug it off although her teammates could see right through her cool façade.
“She’s still busy trying to finish her book in time?”, Alanna asked her as she and the other players sat down at the table in one of their favourite restaurants.
With a sad expression on her face Leila proclaimed:” She never has time for anything anymore.”
“You know what helps in such situations?”, the Australian questioned in a warm tone.
“What?”, the dark-haired woman retorted with a hint of curiosity.
“Taking a mental health day.”, Alanna suggested winking conspiratory.
“She refuses to take a break.”, Leila grumbled.
Empathetically Laia touched her bare arm:” You could try it, Leila.”
“I did try it.”, the older Spanish defender remarked, she wasn’t able to hide the disappointment she felt in front of her friends.
“You need to try it again.”, Ellie said encouragingly before the women turned their conversation to something much more light-hearted and soon their table was filled with joy and laughter.
The sadness and frustration Leila had expressed was still in the back of her mind, but she was able to enjoy the liveliness of the evening nonetheless.
You were already fast asleep when Leila returned. But when your alarm rang the next morning, her side of the bed was empty again. You blinked a few times, looking at the rumpled up sheets next you.
“Morning.“, Leilas voice said from somewhere.
Yawning, you let your gaze wander across the room to find your girlfriend leaning in the doorframe and watching you.
“Morning.“, you whispered, your voice was still hoarse. “I smell coffee and breakfast.“
A soft smile appeared on Leilas lips: “Yes, it’s time to get up.“
You sat up sleepily, stretching your arms over your head in an attempt to get ready for the day. “Right. Do you have training today?“
“No. It’s a free day today.“, your girlfriend replied.
“That’s great. Any plans for that?“
Leila walked over to the bed and sat down next to you: “Yes, with you actually.“
“With me?“, you echoed, frowning at your girlfriend.
Leila nodded determinedly, leaving no room for objection: “Yes.“
You could feel a smile tug at the corners of your mouth: “This reminds me…“
“Of the way I asked you for our first date way back when?“, Leila finished the thought for you.
“Yes.“, you grinned.
“But this is not our first date, this your mental health day.“
Your sleepy brain did not seem to comprehend what your girlfriend had just suggested: “Uhm, my what?“
Leila laughed: “You heard me.“
You tilted your head, intrigued by the idea even though you could come up with a million reasons why you should say no: “What contains a mental health day, Dr. Ouahabi?“
Your girlfriend sat up a bit straighter, holding up one finger: “First, we’re starting with a long, extensive breakfast.“
You knew you should have declined and went back to your laptop but instead you asked: “In bed?“
“Yes, just wait here.“ Leila got up and disappeared for a while.
“Oh, that’s perfect.“
The sinking feeling of guilt in your stomach seemed a little smaller as you tried to convince yourself that you did deserve to take a break.
“There’s your breakfast.“ Leila reappeared in the bedroom with a tray in her hands.
She sat it down in front of you and crawled into bed.
You marvelled at the stacks of pancakes, croissants and bowls with yoghurt and granola. There were slices of fruit, delicious smelling coffee and freshly squeezed orange juice as well.
You happily took a bite of one croissant and sighed: “Thank you. It tastes really good.“
“You’re very welcome.“, Leila smiled as you pressed a kiss to her cheek.
“Feels like we haven’t done that in forever. Which I guess is my fault…“
Leila only shook her head: “Don’t think about it. We’re doing it now.“
“Right.“, you nodded. Obviously Leila was right, your brain was just lying to you.
“Look, I didn’t even burn the pancakes this time.”, your girlfriend pointed out proudly.
“Well done, love.”, you couldn’t help but to laugh a little about her remark.
“Only for you.”, she replied with a sheepish grin on her lips.
After a bite of the pancakes, which only tasted slightly burned, you told her:” I appreciate it. Do we go to our favourite restaurant later?”
You were aware that a question like this wouldn’t have crossed your mind yesterday as you have been too busy with your work. But in the moment, you felt a thrill going through your body at the thought of eating the delicious food they were serving there.
 “Yes.”, Leila confirmed who was just as excited as you.
“Sounds perfect.”, you admitted quietly.
Sounding more serious, the defender added:” I’m glad you’re excited for that.”
“It’s nice to have some distance from my laptop screen and the prospect of having a great dinner.”, you begun.
“I knew it would work.”, she interrupted you with a triumphantly smile illuminating her face.
“Because it involves food?”, you asked her giggling.
“No, because you needed a break.”, Leila answered earnestly.
“Yes, I did.”, you were surprised at how easy this truth went over your lips now. With a wink you continued:” Do you want to take a bath together.”
“Yes, and then we’ll get dressed and go for a walk.”, the Spanish woman nodded delighted.
“That sounds like a good plan.”, you hummed.
“Can you run the bath while I bring our dishes to the kitchen.”, Leila directed the question at you as she was getting up from the bed.
“Sure.”
“Bath is ready!”, you announced only a couple of minutes later.
“Coming!”, Leila shouted back, the giddiness in her voice was undeniable.
“Good.”, you replied satisfied with her answer.
Normally you both used the shower, but at the beginning when you first moved into this apartment, you used the bath to relax together as you were doing now. Clearly enjoying this Leila closed her eyes, her long arms hugging you from behind:” This is perfect.”
“Yes, it’s.”, you declared.
After a moment of comfortable silence between you two you went on: ”You girls had a tough season too, so this is important for you aswell.”
“Yes, but this is your time to relax.”, she said, kissing the sensitive spot behind your ear, which send you shivers down your spine.
“I’m trying. Really.”, you tried to reassure her, turning around to give her a soft kiss on her lips.
“Good. I want it to be worth it.”, she mumbled against your mouth, before kissing you again, sealing her promise.
You both took your time in the bathroom and drying off. You kept getting distracted by each other until you ended up lazing in bed next to each other, still undressed. When you finally get ready for your walk, you were even blessed by the rare afternoon sun illuminating Manchester.
Holding Leilas hand, you enjoyed the warmth of the sunlight on your face as you walked. But the sight of a beautiful lilac bouquet let you stop in your tracks.
“Leila, don’t you think those flowers would be pretty on our dinner table?“
Your girlfriend stopped, inspecting the flowers: “Yes, you’re right.“
Without another word, you walked into the flower shop to return only a few moments later with the flowers in hand.
You could feel Leilas gaze on you, studying you.
“What?“
“Oh, nothing.“, she shrugged, taking your free hand back into hers to continue the walk. A satisfied smile still on her lips.
“Alright.“
Your walk ended right at the restaurant. In the dimmed light, you were both studying the menu extensively.
You looked up at your girlfriend who wrinkled her nose in concentration: “Do you know what you want to eat?“
“Of course. What about you?“, Leila laughed, knowing full well that you were horribly indecisive when it came to food.
“I do.“, you replied, a bit proud.
“Let’s order then.“ She waved over the waiter and ordered your food and a bottle of Spanish wine.
You were relieved that the food arrived rather quickly.
“Want to share?“, you asked, eyeing your girlfriends fish.
“Sure.“ She shoved her plate towards you, so you could steal a piece.
“Perfect.“
“It looks so good.“, Leila commented as she dug her fork into your pasta.
“Try it.“, you requested.
“It’s delicious.“
“Oh yes.“, you grinned at her with a knowing look.
You spend the evening talking over the bottle of wine and even ordered dessert to share. In your opinion, it was the absolute perfect day and as soon as you got home and into bed, you let your girlfriend know.
“Thanks for the mental health day, Leila.“
You knew that these words did not even remotely express the gratitude you felt but you hoped that she still understood.
Leila wrapped an arm around your waist and smiled: “What do you mean? We’re not done yet.“
“We’re not?“, you repeated, only slightly surprised.
“Absolutely not.“
“What else do you have planned?“
She buried her face in the crook of your neck, placing soft kisses on your skin and giggled: “The most important part of the day.“
“Uh, I think I like this best.“, you laughed.
As Leilas finger pushed under your shirt, she smirked: “I hoped you would say that.“
The next morning you were still smiling while you were thinking about the last night with your girlfriend. With a freshly brewed coffee in your hand, you made your way to the office, where you noticed a small note in Leilas handwriting on the laptop which said: don’t forget to breathe deeply and exhale softly.  
Reading this warmed your heart, you decided to spontaneously call the defender, hoping she was able to take it:” Hi love, I just found the message you left for me.”
“Hope you’re taking it to heart.”, Leila replied.
“I’ll. What do you think about a coffee date after your done with your training?”, you asked her in a hopeful tone.
“Aren’t you busy?”, she returned the question, while her voice couldn’t hide her surprise.
“Yeah, but I could need a break from writing in between.”
“I’ll meet you at the café.”, the football player told you, clearly happy about your suggestion to take breaks from your work.
In the afternoon, you stepped into the cafe, it greeted you with the smell of freshly baked goods and coffee beans while it just started to rain again. But the bad weather didn’t matter because the sunshine in human form crossed the distance between you two to hug you:” Hi, beautiful. The two cappuccinos are already at our table.”
You breathed out the stress and inhaled the beauty of the moment. Deep down you knew that you were going to be alright.
all pictures are from pinterest.
308 notes · View notes
scoonsalicious · 3 months
Text
Tumblr media
Chapter 6, Unattached - Pt. 1
Pairing: Bucky Barnes x Avenger!Fem!Reader
Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.
Warnings: (For this part only; see Story Masterlist for general Warnings) Language, angst (Bring on the Pain!), alcohol usage, dumbass Bucky, noncon kissing that becomes con kissing, so..., arguing, jealous!Pocket, posessive!Bucky.
Word Count: 5.4k
Previously On...: After Bucky left you alone in your room, not wanting people to get 'the wrong idea' about the two of you, you came to the horrible conclusion that you were in love with your best friend. What the hell are you going to do about that?
A/N: Wow, okay! So, first off, Chapter 6 is long, and it only has the one part, so don't worry if you go looking for more and the next thing you find is Chapter 7! Second, there's a lot of progress and updates on Unwanted I wanted to share! I am already well into writing Chapter 14, and have planned out the rest of the story. We'll have a total of 25 chapters, plus an epilogue (unless something strikes me creatively that throws the entire thing for a loop, then all bets are off). This beast, as it currently sits, is already 208 Google Docs pages long and just shy of 80k words, so final product is probably going to be novel-length, which just blows my mind. I want to give a special shout out to @mrsbuckybarnes1917 for being my beta and my sounding board; your help and support has been immeasurable!
Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!
Banner By: The absolutely amazing @mrsbuckybarnes1917
Taglist: (Please let me know if you’d like to be added!) @jmeelee @cazellen @blackhawkfanatic @les-sel @marcswife21 @buckybarnessimpp @mrsbuckybarnes1917 @erelierraceala @hayjat @capswife @itsteambarnes @jupiter-107 @marygoddessofmischief
You stood in front of the doors to the common room, the low thrum of conversation and music filtering out from inside. Taking a deep breath, you tried for the umpteenth time to calm your nerves following your unsettling realization.
You had no idea how to approach this, how to approach Bucky. Do you tell him how you felt, in the hope that he felt the same way? But what if he didn't? Could you risk losing him all together? Or do you just keep on like nothing's changed, happy with what you have together? Would that be enough for you? Could you even be happy in a real relationship?
Why couldn't your mother have just been a decent human being and let you go to school like a normal child so you could have worked through all your awkward issues at the appropriate time, instead of saddling you with years of trauma and isolation that left you an emotionally stunted adult? God, you needed a strong drink and to talk to Nat, preferably in that order. Pushing open the common room door, you stepped inside, surveying the room with one eye out for Bucky, the other out for your friend.
It should have been of no surprise, then, that instead of either, you first spotted Jade Carthage. She was situated on a couch in the center of the room, like a queen on her throne before her court, and nearly every Avenger and agent with a penis was surrounding her, jockeying for her attention, even Clint who, you knew for a fact, loved his wife Laura more than life itself.
Your stomach dropped when, after one of the agents in front of the couch shifted slightly, you saw Bucky sitting immediately to Jade's left. And while it seemed like everyone else was clamoring for Jade to pay attention to them, she only had eyes for him. Jealousy coursed through you as she leaned in close, whispering something into his ear that had him throwing his head back in laughter. It was an entirely unpleasant sensation that you would be happy to never feel again. Especially because you knew you had no real right to feel it in the first place. You may have just realized you were in love with him, but he had made no similar declaration to you.
"Careful, you glare any harder, you're liable to bore a hole straight through him," Natasha said, coming up alongside of you.
"What if I aim for her, instead?" you asked, reaching for the tumbler of alcohol she offered you and taking a sip to distract yourself. It was like she could read your mind.
Nat shrugged. "So long as I'm not the one cleaning up the mess, I say have fun. But what happened to no-strings-attached, friends who happen to fuck?" Nat asked with a smirk. "Don't tell me you've grown strings, Pocket."
You looked away from the scene in front of you. "There might be some growing of string, in theory," you mumbled to her. Nat was the only person you had confided in regarding your arrangement with Bucky. Of course, your friend had been thrilled that there had been something going on between the two of you, but she'd been more concerned about protecting your heart-- was this the safest thing for you to do? You assured her at the time you'd be fine, but now...?
Nat's eyes widened as a grin took over her face. "Honey, that's fantastic!" She leaned in to give you a hug. "I'm so happy for you!" Taking in your forlorn expression, she quickly lost her good humor. "Why do you look like you're about to throw up?"
You cast another glance over at the couch. Jade was tracing her fingers along the golden veins of Bucky's vibranium arm and you felt like snakes were crawling through your stomach. "Because I don't know what the fuck to do about it, Natty," you told her with a sigh. "I've never felt like this before in my entire life and it's fucking terrifying; what if he doesn't feel the same way? Or worse, what if he does and I mess everything up because I'm so fucking damaged inside?"
Natasha looped her arm through yours, leaning into you. "Honey, first of all, you are not damaged. You've been through hell and it left its mark on you, that's true, but you've been so strong. We're House Martell, remember?"
You sniggered, remembering how, when the entire Tower was obsessed with watching Game of Thrones together and picking what houses you'd each belong to, you and Nat had been drawn to the words of the ruling house of Dorne. And also, Pedro Pascal, obviously.
"Unbowed, Unbent, Unbroken," you recited from memory, a reminder that despite the obstacles life had thrown at you, you remained standing, stronger for what you had endured.
"Atta girl," Nat nudged you with her elbow. "And second of all, you don't need to worry about Bucky's feelings. Boy's obviously mad for you. Everyone can see it."
You drew your bottom lip in between your teeth. "I don't know, Nat. He's been acting strange lately. I tried to give him head earlier and he flat out rejected it." Come to think of it, that was exceptionally weird since, in your text exchange, he'd explicitly told you he'd been waiting in your room specifically for the purpose of getting off.
"Huh. That's... not like him." Nat tilted her head and looked over at Bucky, expression curious. "Did he say why?"
"He was real eager to come up here and get in the middle of that, apparently." You waved a hand in the general direction of the couch where Jade's little reverse-harem was still going strong. "I was getting on my knees and everything."
Nat raised an eyebrow but didn't say anything.
"And then he made a really big deal about us coming up here separately. Said he didn't want people getting 'the wrong idea' about us if we arrived together."
Letting go of your arm, Natasha spun to face you, her face a mask of anger. "He said what now?!" she practically shouted, temporarily drawing everyone's attention to you. You looked around sheepishly as you tried to dismiss their stares.
"Nat," you begged in a whisper, "keep it down."
"Okay, okay, sorry." Natasha lowered her voice to a level only you could hear. "I'm sorry, but that's just complete and utter bullshit. Look, I know you guys think you've been in super secret stealth mode about hiding it, but pretty much everyone on the team knows you've been sleeping together. Hell, most of us placed bets on it." You opened your mouth in order to protest but she cut you off.
"If anything, it's weirder if the two of you don't show up to something together, so I don't know what the hell he's thinking."
"I do," you said morosely. "He doesn't want her getting the wrong idea about us."
"Pocket, don't even let your mind go there," Nat said.
"Think about it, Nat; I've been standing here for what, fifteen minutes now? And he hasn't even looked at me. When's the last time that happened?"
Nat's brows creased, her expression clouding over into something immensely sad for you, and you knew she was realizing what you'd already seen. In the last year, you and Bucky had been attached at the hip, nearly physically joined to one another, and if you were apart, your eyes were always scanning the room in search of the other's presence, seeking them out. The fact that he hadn't even looked for you, let alone come to you since you walked in, was telling in its own heartbreaking way.
Nat let out a heavy sigh. "Oh Pocket. Honey, I'm so sorry."
You shook your head, trying to dispel the tears that were threatening to fall from your eyes if you kept down this path. "Don't Natty, please. I can't fall apart, not here."
"Yeah, okay-- you're right. Now is not the time. Come on." Linking her arm through yours once again, she directed you toward the bar where Tony was standing, whiskey in hand. "If anyone can talk you to distraction," she murmured as you approached him, "it's Stark."
You let out a startled laugh and let her guide you toward the man who had already saved you more times than you could count.
"Hey, kiddo; Romanoff." Tony saluted you with his glass and you did your best to smile back at him as you stuffed your emotions down as far as they would go. "What do you think of our new recruit?" he asked Nat.
"I think 'Weasel' would be a better fitting code name for her than 'Vixen,'" Nat replied with a sly smile as she took a sip of wine.
"Ah, saw the security feed, did you?" Tony asked her. Nat nodded.
"Watched it live as it happened. Wasn't going to leave my bestie without eyes on her six." She gave your arm an affectionate squeeze.
Tony hummed and glanced over to the couch. "Wish Cap had been as discerning as you. He refused to watch the feed; said it made him uncomfortable to spy on someone when they didn't know they were being recorded." Natasha rolled her eyes.
"Always the fucking Boy Scout," she murmured.
"So, how did the interview itself go?" you asked Tony, not really sure you wanted to know the answer, but feeling the need to punish yourself with the details, anyway.
Tony leaned back against the bar, resting his elbows on the polished wooden surface. "If it were up to me, we wouldn't even be playing this charade right now," he said, motioning with his chin to indicate the meet and greet. "Girl's a first-class bullshitter."
"Talent recognizing talent?" you asked with a wry smile that almost felt genuine.
He pointed a finger and winked at you. "Exactly. She talked a good talk, but it doesn't take much to see she's suffering from Big Fish, Small Pond Syndrome. She's in for a rude awakening if she thinks she's ready to swim in the ocean with the whales and the sharks."
"So, you're not going to offer her the probationary position?" you asked, hope rising pathetically in your chest. As if you could un-ring the bell.
"Oh, I didn't say that," Tony said as you deflated. "It's not all up to me. Though, given the fact that I personally fund this entire operation, you'd think it really should be, right?" At the look on your face he moved on. "Apologies, I digress. Anyway, Cap thinks it's only fair we offer it to her, seeing as how we don't have a ton of other options knocking on our door, and Fury's not going to get off my ass until we find someone." He sighed. "I think this entire exercise is a waste of time, and we should be kicking her out on her ass for how she treated you earlier, Pocket, but I'm outvoted."
"Thanks, Boss," you said softly, grateful at least that Tony could see through Jade's facade and took how she treated you seriously. Too bad your best friend couldn't offer you the same courtesy.
The timer on Tony's watch went off. "And that's the dinner bell," he said, putting down his glass. Clapping his hands, he called out to the rest of the room. "Attention Avengers, SHIELD Agents, and... whoever else managed to sneak in off the street! Dinner is served, so if we could all head to the dining room before the food gets cold and Raul quits on me, I'd appreciate it very much."
You held back as the crowd of people noisily moved to the dining room, hoping to catch Bucky's eye, but he remained steadfastly absorbed in his conversation with Jade.
"Come on, honey," Nat said as she took your elbow. "You can talk to him during dinner. You nodded and allowed her to lead you into the dining room. You and Bucky had sat next to one another, without fail, for every meal for the last year, the only exception being when one of you was away on a mission. You'd have plenty of opportunities to talk to him while you ate.
Normally, you all ate at one large table, but since this was a special occasion that required the attendance of a lot more than just the regular 13 members of your family (14, if Parker was around), Tony had the dining room arranged more like a restaurant, with a series of smaller tables spread out throughout the space.
You and Nat followed Bucky and Jade to a six-top where Steve and Sam were already getting ready to sit down, but you froze in your tracks when Bucky pulled back a chair for Jade, pushing it in behind her as she sat down before taking the seat next to her.
The air seemed to grow heavy, as though it weighed too much for you to draw it into your lungs and your chest began to hurt. How could such a simple action be causing you so much physical pain?
Steve, who had already been sitting at Bucky's other side at the head of the table, caught your eye and moved to get up to offer you his chair, instead, as though that could make up for Bucky's dismissal of you.
You subtly shook your head, not wanting to draw attention to the awkward situation you found yourself in. Instead, you made your way over to the only two remaining seats at the table: the one next to Sam that was directly across from Jade and Bucky or the one next to Jade at the opposite end of the table from Steve. Deciding it was better to be sitting across from Steve than either of the other two, you opted for the chair at the end, and Nat slid in next to Sam.
You cast a quick glance in Jade's direction and had to stifle a sick laugh-- she was physically coming between you and Bucky, quite literally.
Jade reached a hand out to Nat across the table. "Wow! Black Widow! It is so great to meet you! My name's Vixen; I'm a huge fan! I'm so excited for us to be working together!"
Bless Nat, she just stared at the girl with arms crossed across her chest, impassive and judging, until Jade slowly and awkwardly pulled her hand back.
"I take it, then, that you've deemed the Avengers good enough to be your backup team?" Nat asked without expression.
You did your best to cover the laughter that escaped from you with a fake cough, but you didn't try very hard to be convincing.
"What's this about, now?" Steve asked, leaning forward.
"Little Vixen over here," Nat began, leaning back in her chair until she was perched on the two rear legs, "was live-streaming this morning to her social media followers. Told them it wasn't so much that the Avengers were interviewing her to see if she'd be good for the team, but she was interviewing us to see if we'd be good back up for her."
Jade had the decency to look embarrassed for a moment before she turned to face you for the first time, anger taking over her features. "So, what? Didn't much take you for a tattler. You that intimidated by me?"
You opened your mouth to defend yourself but were interrupted by the sound of the legs of Nat's chair slamming back against the floor. "Pocket didn't tell me shit. I heard it straight from your mouth on the security feed. That and a lot of other interesting things."
"You're spying on her, Nat? Really?" Bucky spoke up. "She's our guest and she deserves a modicum of privacy, don't you think?" You stared at him, open mouthed, but he didn't spare you a glance.
"It was a part of her interview, Barnes," Nat spat. "Maybe if you---"
"Okay, Nat, Bucky," Steve said, using his official Captain America voice, "let's table this conversation for later and just enjoy our meal. Raul worked really hard on tonight's menu, so let's not spoil it for him, alright?"
Both Nat and Bucky grumbled their agreement as the catering staff brought out the first course and placed them on each of your plates. Normally, you loved when Raul, Tony's personal chef, cooked meals for the team; he always made sure to throw in something with lemon in it, knowing how much you loved the flavor; but tonight, your appetite was failing you and you ended up pushing more food around on your plate than you put in your mouth.
You couldn't help but steal glances over at Bucky, who continued to be wrapped in conversation with Jade. You tried to keep up with what the others were saying, occasionally nodding your head in agreement to something, but you weren't able to pay any real attention; your mind was elsewhere until you noticed Jade looking at you.
"You know, I have to say I'm surprised to see so many non-Avengers here. I got the impression that this group was... I dunno, elite? But it seems like you just let anyone in."
Steve laughed from the other end of the table. "Being an Avenger is a team effort, Vixen. Everyone plays their part. And besides, Pocket here's just as much an Avenger as I am." The comment took you by surprise, and you gave Steve a warm, appreciative smile.
"Thanks, Cap," you said, truly touched by his words.
"Well, she's more like Avenger-adjacent," Bucky amended, and all the warmth you'd felt at Steve's compliment vanished in an instant, leaving you feeling cold and hollow. The words shouldn't have stung-- it was how you had referred to yourself hundreds of times, but you tended to reserve it for your low moments, when you were feeling unequal to Earth's mightiest heroes. Hearing the words come out of Bucky's mouth, as if he, too, shared in your belief that you were inferior to the rest of them... well, that fucking hurt.
Steve let out a surprised laugh and clapped Bucky on the shoulder. "Pocket may not have enhanced physical abilities or powers or what have you, but she's got a brilliant mind. She's got a PhD in Mechanical Engineering and Computation from MIT, three Master's degrees, she speaks seven languages, she's got a black belt in Krav Maga, and she was the youngest Chief Technology Officer in Stark Industries history; all without ever having formally graduating high school. It's no exaggeration for me to say that I'd be dead a couple of dozen times over if I hadn't had her at my six. If anything, I think it makes her even more important than the rest of us. We're here because of the physical things we can do– primarily because of things that happened to us by accident; Pocket's essential to the team because of how she thinks, and the strength and quality of the work she’s willing to put in. We're replaceable, Pocket's one-of-a-kind."
You looked at Steve as if seeing him for the very first time. You had no idea he thought so highly of you, and his praise warmed you. You offered him a soft smile, your throat tightening with emotion and leaving you unable to express your gratitude. You mouthed a silent thank you instead, hoping that conveyed how much his words meant to you. He winked back at you in acknowledgement.
Bucky glanced back and forth between the two of you, as if analyzing your silent exchange. He coughed awkwardly. "I just meant that we try to keep Pocket away from the really dangerous stuff," he backpedaled, poorly, in your opinion. "Can't risk her getting hurt." He smiled at you, but you just stared back, expression blank, until he looked away in embarrassment. Good. Let him feel an ounce of the discomfort you’d been feeling this entire time.
Small talk resumed around the table, with Sam telling Steve about some new modification he was making to Redwing, and Bucky and Jade back to being locked in their own bubble. You did your best to ignore the little glances and gestures that Jade directed to Bucky, but it felt like your eyes were drawn to them like a magnet every time she touched him. Which seemed to be happening more and more frequently. You couldn't help but notice the way he leaned toward her when she spoke. Did he ever do that when he was talking with you?
"So, Bucky," Jade said eventually, her voice low and flirty as the caterers took away the main course, "handsome super hero like you, you seeing anyone?" Your eyes snapped up to Bucky's face, watching him. Surely he was going to look to you, make eye contact, something to acknowledge what was between you, to make you feel like you were in the same room, hell, on the same fucking planet as him. But he didn't.
"Nope," he said, running his hand over the back of his neck like he always did when he was feeling self conscious or nervous. "Not seeing anyone, though I'm not opposed to the idea." You had been stabbed in the abdomen on a mission once, and that had hurt less than hearing the words that had just come out of Bucky's mouth. It took everything in you to resist getting up from the table and leaving the room at that moment.
"Really, man?" Sam asked from where he sat on the other side of Natasha, his voice hard in disbelief. The atmosphere at your table had shifted. Natasha, Steve, and Sam all stared at Bucky with looks ranging from incredulity to flat out disgust. Bucky either was oblivious to the stares or was doing a great job patently ignoring them.
You couldn't even bring yourself to look at him anymore. It felt like a betrayal, the way his eyes had met Jade's and not yours. How could he sit there and just completely deny you like that? Had you been deluding yourself? Had you just been some kind of fuck toy this entire time?
The caterers brought the next course, a cold raspberry soup. You sat there, staring into space as you mechanically spooned the soup into your mouth, trying your hardest to appreciate the taste, but everything seemed bitter in light of Bucky's attitude, actions, and words.
"Could you hand me the water carafe?" Bucky asked. You looked up to watch Jade hand him the bottle of water. "Thanks, doll," he said, smiling at her.
You dropped your spoon, letting it fall into your nearly empty bowl with a reverberating clang. Your companions at the table stared, eyes wide as their gazes traveled between you and Bucky. In his entire time at the tower, he had never once called another woman 'doll.' It was a moniker he'd specifically reserved for you.
Or, it used to be.
You could tell the exact moment when Bucky realized he'd fucked up. His eyes locked on yours, the color draining from his face. He opened his mouth as if he was going to speak to you, but you'd had enough. Without a word, you pushed back your chair with enough force that it practically tipped over and exited the dining room.
You made it all the way to the elevator before you heard him calling for you.
"Doll! Doll, where are you?" You stabbed repeatedly at the call button, as if it would bring the car to you faster. You could hear his footsteps drawing closer, and you really didn't want to talk to him right now.
Finally, the elevator doors opened and you slid inside, turning to press the 'Close Door' button just as you saw Bucky turn the corner to the elevator bay. You were ready to breathe a sigh of relief at evading him until Bucky's metal hand shot in the diminishing space between the closing doors. You were trapped.
"Doll, didn't you hear me callin' to you?" he asked as he slid into the car with you.
You looked around, as if searching for another person in the car. "I'm sorry, were you talking to me? Should probably be more specific with your pet names, then. A girl’s liable to get confused." You were impressed that the words came out as hard and bitter as you felt inside.
Bucky flinched. "I deserved that."
You leaned forward to press the button for your floor before crossing your arms and glaring at him. "You fucking think?"
"Look, it just slipped out, okay? I didn't mean anything by it. It's not a big thing you needed to storm out over." You rolled your eyes at him, disgusted that that was the only thing he seemed to realize he'd done to offend you all evening. "Pocket, can we just talk about this?"
"Oh, now you want to talk to me?" you asked, jutting out your hip in annoyance. "Seemed like earlier today, you couldn't wait to not be seen with me, or do you no longer care if people get the wrong idea?"
"Alright," Bucky said, slamming his fist against the elevator's emergency stop button. You stumbled as the car came to a grinding halt. Bucky tried to put his hands on you to steady you, but you pushed him away. "What is going on with you today, Pocket?"
"What's going on with me?" you asked him, incredulous. "What's going on with you? You've been an ass to me all night, that is when you weren't acting like I didn't exist."
"How am I being an ass?" he asked, voice rising. "You're the one who couldn't even hold a civil conversation with our guest! It was embarrassing!" You recoiled as if he'd slapped you, backing away from him until your back hit the elevator wall.
"Wow. Okay then." You blinked heavily, telling yourself not to cry. You'd be damned if you showed weakness in front of him now. Bury the emotions, encase them in ice. "Sorry I'm such a fucking embarrassment to you, Sergeant Barnes. Now that I know how you feel, I'll make sure to stay out of your way so you don't have to put up with me." You moved to press the button to restart the elevator, but Bucky grabbed your wrist.
"Don't do this," he growled at you. "Don't hide behind snappy quips so you can shut down and avoid having a real conversation with me." You stared between his eyes and where he held your wrist in his metal grip. It wasn't tight enough to hurt, but it was tight enough to keep you from breaking free.
His gaze softened as he watched you. "I never said I was embarrassed of you, Pocket. I just don't know why you had to be so rude to Jade at dinner tonight."
"Name one thing I did that was rude to her," you challenged.
"Okay," Bucky stuck out a finger as though he were about to count off all your grievous errors. "Let's see... You said... No, that was Nat... You were... okay, Steve said that... You said... No, that was Nat again." He looked up at you sheepishly. "So, maybe you actually didn't say anything during dinner, but not talking to her was still rude."
You scoffed. "You want to talk rude and embarrassing, Bucky? Do you know how embarrassing it was to have everyone staring at me when you pulled out my chair for Jade, or when my own best friend didn't defend me when she had the audacity to call me a fucking tattler? Like I’m some kind of fucking child?" Your voice was rising and you could feel yourself getting swept up in your anger. "How about the pity looks I got when everyone heard you lie about not seeing anyone, or when you called her 'doll'? Or when you told her I was 'Avengers-adjacent'? You think I'm the embarrassing one? You made me feel like an insignificant piece of shit tonight, Barnes. God, if it hadn't been for Steve saying what he said, you would have driven me to tears."
Bucky had been staring down at his boots as you'd been speaking, as though your accusations were too much for him to face head-on, but at the mention of Steve's name, his head snapped up, blue eyes like ice on your face. "Well, if Steve's such a hero, why aren't you fucking him, then?" he asked, voice clipped and bitter.
You yanked your wrist free from his grasp. "Maybe I should start!" you shouted. "At least he's not embarrassed of me and doesn't forget I exist when another pair of tits shows up!"
Bucky's gaze darkened and in an instant, he was on you, caging your body against the elevator wall, a hand on either side of your head. "Don't you even fucking joke about that," he snarled.
You jutted out your chin, refusing to show any sign of weakness, though his actions were beginning to frighten you. "Who says I'm joking? Sounds like a good idea to me; thanks for suggesting it." You moved to duck under his arm, but he grabbed you by the shoulders, pinning you in place.
His breaths were coming hard and fast now, as though he'd just run a marathon. His gaze darted between your eyes and your lips, as though trying to make up his mind about something. In the next instant, his mouth was crashing down on yours, his tongue demanding entry.
You gasped at the sudden intrusion and Bucky took that as his invitation, deepening the kiss with a primal fervor. His hands gripped your waist, pulling you into him. For a moment, you were stunned, unsure of what was happening. But then instincts took over – he was kissing you, really kissing you. Your stomach fluttered and your heart hammered in your chest.
One of your hands ran through his hair, while the other gripped his shoulder for support. His hands had somehow migrated beneath your shirt, thumbs rubbing soothing circles into the bare skin at your sides. You returned his kiss with as much intensity as he gave. But then suddenly, as if waking from a dream, you remembered why you were angry with him. You pushed against his chest, breaking the kiss.
You were both panting, and despite your attempt to put distance between your bodies, Bucky leaned down, resting his forehead against yours as he fought to catch his breath. "Don't," he whispered hoarsely, his voice heavy with an emotion you couldn't quite place. "Don't sleep with Steve."
"You realize how incredibly infuriating you're being right now, don't you?" you asked. "You can't just treat me like that, ignore me all night in favor of someone else, then kiss me and try to tell me who I can or can't sleep with."
"I know, Sweetheart," he said, nuzzling your nose with his, "I know and I'm sorry, but please, promise me: no matter how angry you are with me, don't sleep with Steve. You wanna fuck someone else to piss me off? Go fuck Sam, Thor, Rhodes, hell, even Parker. I'll hate it, but if it's Steve, it'll fucking kill me."
"Your signals are all over the place tonight, Buck," you sighed, letting out an involuntary moan as his lips found the sweet spot on your neck and sucked at your skin. You had to pull away before he turned you into a babbling mess. "If you think you can just kiss me into oblivion and I'll forgive you for everything you've said and done tonight, you better think again, because that's not happening."
Bucky ran both his hands through his hair, sending it pointing every which way. Then he pressed the emergency stop button again, letting the elevator resume its journey. "I know I owe you an explanation, Pocket," he said. "So, can we go to your room and talk? No interruptions, no one else, just you and me, okay?"
You studied him, considering. A part of you was still so angry at him that you didn't want to hear him out, but the part of you that loved him hated the idea of leaving things in a bad place. In your line of work, you never knew when your next goodbye might be your last goodbye.
"Fine," you said, dropping your shoulders with a sigh. "We can talk, I'll hear you out, but I'm not promising forgiveness."
He smiled, his eyes bright once again. "That's all I ask, Sweets. That's all I ask."
<- Previous Chapter / Next Chapter ->
214 notes · View notes
sara-scribbles · 2 months
Text
Melting the Dragon King's Heart (Part 3)
Fandom: Twisted Wonderland Malleus Draconia/F!Reader Summary: After falling down some stairs, you wake up in the body of a villain from one of Idia's cheesy romance books. Destined to die a fiery death, you have to figure out a way to change your fate. Word Count: 7,661 Notes: Hey all, sorry for being off the grid for so long! I've been busy and haven't had much time to do anything besides study. But we're finally at the end! I hope everyone enjoyed the story! It was a lot of fun to try my hand at writing this. Malleus is a fun character to write for.
I might have some more isekai/regression/reincarnation stories for Leona and Jamil. It's something I've been thinking about but haven't fully committed. Let me know if these ideas sound interesting and you'd like me to write on them.
Part 1, Part 2, Part 3
Warnings: Physical abuse, emotional abuse, attempted murder, actual murder, death
Despite being in the library often, it’s always a little daunting when you first step in. There are plenty of staff to help, but shelves upon shelves of texts are still a bit much. A lot of the texts near the back are quite old. A lot of them have to be handled with care or they might just fall apart.
After asking for books on enchanted weapons, with a strange look from the librarian, you sit down and try your best to go through as much as possible. After a few hours of no success, you feel a headache coming on. Leaning back, you let out a deep, tired breath. There are plenty of enchanted weapons, some real and some just legend, but there’s nothing about the specific weapon you’re looking for.
In the story, the dagger is described as being crimson with an obsidian handle. It was originally a sword blessed by a group of fairies to take down a corrupted dragon. However, once the blade had been dipped in the ancient dragon’s blood, the blessing turned into a curse. Somehow the sword was broken but enough remained to create a dagger. 
Any cut made by the blade could not be healed. No magic, no potion, no artifact could stop the bleeding. The wounded person would bleed to death. If the person was lucky, they could die in a matter of seconds. Those not so lucky would have an agonizingly slow death. Even if they were to cauterize the wound, the bleeding would continue. It would only stop once the wounded died.
“Very grim,” you mutter under your breath. For such a light hearted novel, the curse of the blade was surprising. However, it’s never used since the main protagonist is able to get it.
“Your highness, is everything alright?” the royal librarian.
Sitting up straight, you clear your throat. “I don’t think I’ll be able to find what I’m looking for. Could you put these back?” You close the book with a thump.
“Of course. Is there anything else you need?”
“No, thank you.” Deciding to head back to your office, you leave the library. By now you know how to navigate your way through the castle. 
Your feet move on autopilot as your mind wanders. There must be something you can do. The only other thing you can think of is returning home to see if they’ve found the cursed dagger. Of course this would require you to figure out the relative time frame of when Yūki meets Malleus to when it's found. However, you’re unsure if following the story timeline would even be helpful with how different everything is now.
Arriving back at your office, you eye the stack of documents still left for your review. Plopping down onto the chair unceremoniously, you rub your eyes. Instead of doing the work on your desk, you find the previous book you had been reading. You never thought books about laws would be interesting, but Briar Valley has some strange laws that make reading about them fascinating.
As you flip to the bookmark, you note with some irony that the next chapter is on divorce. Perhaps when your plan had been to divorce Malleus, this would have been helpful. Though, still curious, you decide to read it. Everything about Briar Valley’s laws are complicated, though maybe not as complicated as the Queendom of Roses. There are separate laws for fae, humans, and fae-human issues.
You skip to the section on fae-human divorce since that would apply to you. “ ‘Depending on whether the parties have participated in the soul ceremony, divorce can be rather difficult though not impossible.’ What’s a soul ceremony?”
Before you can continue, Diablo knocks on the door. “Your grace, lunch is being served.” You quickly close the book before following him.
---
You’re silently reading in bed while Malleus goes through some documents. The times he used to come to your room to “hold your hand” has extended to almost every night. Instead of holding your hand, you both comfortably sit in your bed either talking or reading.
Malleus still returns to his room once it’s time for bed. You almost asked him if he wanted to stay the previous night, but you lost your nerves. There’s something very different from just reading in bed to actually sleeping next to him. You wouldn’t mind sharing a bed with him, but it’s almost been an entire year of marriage and you haven’t once slept in the same bed, so you’re unsure about how to bring it up.
Malleus shuffles his papers with a deep sigh. Glancing over at him, he rubs the bridge of his nose while muttering to himself. “Something wrong?” you ask.
He sets the papers aside on the bedside table. “Nothing really. Just that grandmother will be visiting soon. And she’s already placed certain…demands on me.”
Your eyes nearly pop out of your head. “She is?!” You had only met her a handful of times. Yet, in those few formal visits, all you can recall is how intimidating both in magic and overall presence she is.
Chuckling, the fae reaches out and squeezes your hand. “No need to worry, my heart. I’ll take care of all the preparations.”
Book forgotten, you turn to him. “What did she ask for?”
“She wants her favorite room overlooking the gardens. She, of course, expects to have dinner with both of us. And a few other things about her daily walks around Briar Valley that I’m sure Diablo can take care of,” he answers, ticking off each one on his fingers.
Fiddling with the sheets, you ask, “Is there anything I can do?”
“Hmm… She didn’t say anything in her letters. But I’m sure she’ll let you know if she wants anything.” His gaze flickers over to the book in your lap.
“I should do something for her. Since it’s been awhile, maybe I can get her some flowers. Or maybe plan an outing? Do you think she’d want to have tea in the gardens? Or maybe…” As you ramble, Malleus takes the book from your lap.
He nods occasionally while he skims the page. His lips press together in a thin line. Brows furrowing, his eyes narrow. You pause when you finally notice he’s not listening. “Malleus?”
Turning away from the book, he asks in a serious tone, “Did I do something wrong?”
Blinking owlishly, you cycle back to the conversation. Yet, nothing comes to mind about what he is referring to. “What are you talking about?”
He gestures to the book. “You’re reading about divorce in regards to fae-human relationships. Did I do something wrong to make you consider divorce?” Though his tone is even, the stormy look in his eyes say otherwise. There’s a flash of lighting outside the window.
Ignoring the sudden change in weather, you shake your head. “I’m not planning to divorce you, Malleus.”
His shoulders relax and his gaze clears. “I see…”
Taking the book away from him, you set it aside. “I’ll tell you the truth. I may have considered divorce at the start of our marriage because I didn’t want you to be unhappy.” ‘I also didn’t want to die’ you add silently. “But I realized that it would be unfair to ask for divorce based on a few months together. And it would be selfish of me to not consider your own feelings.”
“If you aren’t happy here, I’d be fine with a divorce,” he says, his voice strained. “I want you to be happy.”
Leaning against his shoulder, you hum in agreement. “I am happy. And you’re happy too, right?”
“Of course,” he responds without missing a beat.
“Then there’s nothing to worry about.” Except the fact your parents possibly have a weapon that could kill him.
He wraps his arm around your middle, dragging you closer to his side so your head rests against his chest. He leans back against the pillows. You can hear the steady beating of his heart. A comfortable silence falls and you're almost lulled to sleep. The thought of sharing a room pops into your head once more.
“Hey, do you want to share a room?” you inquire, deciding to throw caution to the wind.
Malleus straightens up, which startles your comfortable position. “You wish to share a room?” His eyes are wide.
Sitting up, you find yourself picking at the sheets again. “Well, you basically come here every night, so that would be the most logical thing to do. And we are married, so it wouldn’t be strange if we decided to sleep in the same room.”
Shuffling out of bed, Malleus puts on his dragon slippers. “I will let Diablo know at once to prepare the master bedroom,” he says hurriedly. 
“M-Mallues?” He has already gathered his papers and is about to head out before he stops halfway.
He walks back over to you. With a large grin, he leans down and kisses the top of your head. “I almost forgot, my heart. Good night.” Eyes twinkling, he leaves without another word.
Your mouth hangs open for a bit before you snap it closed with a click.
---
In less than a day, your new bedroom is ready. Diablo has your things moved in while you're working. The old butler seems at ease and comments how Malleus is in a wonderful mood. Everyone you pass by smiles brightly at you. You’re almost embarrassed at the fact that it seems everyone knows why he’s in a good mood. But, it’s honestly adorable.
There is a nervous feeling that settles in your stomach as you think about the logistics of sharing a room. For one, you have to share a bathroom, which isn’t much of an issue considering how massive the bathrooms are. The only thing you’re concerned about is possibly being walked in on while changing. It isn’t like you haven’t seen another naked person, but you’re self conscious about the scars on your back.
No one, besides your parents and the few people who treated you on occasion when you were unable to, knows about the scars. They’re all thin and straight, but there are so many. They crisscross from the top of your back to the small of your back. Some are very old while others are only about a year old. 
You recall the faces of the few doctors who had seen the scars. Looks of shock and pity aren’t uncommon. One, you recall vividly, did not react at all, but you could see the way her hands shook. Yet, none dared to ask where the marks came from nor did they ever say anything to your parents. They valued their lives far more.
How could you blame them?
Shaking your head to clear out the bad thoughts, you decide you’ll figure out what to do when the time comes. For now, you have to decide what to do with two unexpected visitors. 
There had been a commotion at the palace gates that Diablo had come to you about this morning. When you heard what happened, you immediately went to meet them. Now in the drawing room, Yūki sits across from you looking sheepish. Grim happily munches on the food offered by Diablo.
“I didn’t expect to see you so soon,” you start. It’s true since Yūki and Grim are not supposed to come for another two months. It’s just another indication that the story is completely different.
Yūki sighs. “Grim kept nagging about wanting to visit. When he wants to do something, he typically won’t change his mind. I’m sorry for dropping in unannounced.”
You wave off their apology. “It’s fine. I just wanted to be able to prepare for your visit more. Diablo can prepare a guest room. It’s a little busy here because Malleus’s grandmother is visiting soon.” you explain.
“Should we leave? I don’t want to be intruding…” Grim doesn’t seem bothered as he downs a cup of tea. Diablo pours him a refill without missing a beat.
“No, it’s fine. She’s not supposed to be here for another month. So, how are your travels?” you ask, changing the subject.
They seem to relax a bit. “It’s great! We went to visit the Scalding Sands before coming here. We even got to ride a magic carpet!” Their eyes light up as they talk about their newest adventure.
You wonder how they felt in the original novel when they had to stay in Briar Valley at the end. The author didn’t mention much about what happened except that Yūki went on to rule alongside Malleus. It was implied that they never left Briar Valley. Could someone who loved traveling so much really be happy staying in one place?
At some point in the conversation Malleus comes in. He pauses when his gaze lands on Yūki. You watch as he regards them curiously. Yet, it’s only a brief pause before he turns to you to ask you a few questions about a document. He leaves right after without a second look.
A part of you is a little disappointed at the underwhelming moment of their first meeting. However, another part is happy that there isn’t some kind of instant connection between the two. You’re selfish.
“He’s scary,” Grim mutters once Malleus is gone.
“Grim!” Yūki looks at you apologetically.
“What?! I’m just telling the truth! The magic rolling off of him is intense!” The cat waves his paws around. “It’s suffocating! You might not be able to feel it henchhuman, but I can tell!”
“It’s alright. Malleus can seem rather intimidating, but he really isn’t. I promise he’s a gentle, kind soul,” you assure them with a laugh.
Yūki relaxes once more. “He obviously loves you very much,” they state while chewing on a macaron. You face warms. “He only has eyes for you,” they continue “and it seems the feelings are mutual…” A single eyebrow goes up.
Trying to hide your embarrassment, you take a long sip of tea. Clearing your throat, you can’t meet their amused eyes. “Well…yes, they are,” you say in a soft tone. You can’t lie about your feelings. “He has a good heart. We started off rocky, but we’re in a good place now.”
Yūki and Grim both glance at each other. You realize you’re probably smiling like a fool and quickly school your features as best as you can. You steer the conversation to a different topic.
Later, Diablo shows them to the guest room and you head back to your office. There’s still paperwork you need to finish. On your desk is some mail with many of them being letters from other foreign dignitaries. However, one letter causes your blood to run cold. You know that sharp but elegant script as you know the scars on your back.
Rarely have your parents sent letters. Slipping the letter opener under the envelope, you’re almost tempted to burn the letter without looking. But the fact that they sent a letter must mean something important. It’s only a single sheet with only three sentences. You blink a few times before setting down the paper. The page blurs as you feel your chest pounding and a distant, high pitched noise fills your ears.
Dearest child,
Your mother has passed. Come home so our country may mourn her. The funeral will be tomorrow.
Father
Before you can fully realize anything, the door to your office opens. Malleus steps inside with a concerned look in his gaze while holding a piece of paper. Breaking out of your daze, you zero in on the paper in his hand. It’s the same sharp writing. There’s nowhere to hide.
“My heart, I am so sorry,” he says, gently setting down the letter. You can see that your father wrote more to him in the letter. “Are you okay?”
He reaches out but pauses when he notices the look in your eyes. There’s a long pause before you find your voice. “I’m fine. Thank you…” You carefully take your own letter and fold it back into the envelope. “I should prepare to return…�� you whisper.
Malleus gently takes your hand in his. “Take all the time you need. I know the mourning process can take time.”
Your heart aches at his kindness. But how can you tell him that you don’t want to go back? That you’re terrified of returning to a place that only holds bad memories? Malleus lost his parents, so he’s no stranger to loss. But you hold no sympathy for the woman who called herself your mother.
“I’ll inform Diablo. Finish up what you need here.” He presses a kiss to your forehead before leaving to find the old butler.
You stand there for a moment. Your heavy breathing is the only sound that you can hear. You stumble your way out of the study. As everything fades in the background, childhood memories come back. Memories of a younger version huddling on the bed, knees draw close to her chest. Always shaking but never crying because it would only lead to further punishment.
A voice calls out as you stumble and fall forward. You hit the ground face first but you don’t register the impact. A hand comes into your lines of vision and you instinctively jerk away.
“Don’t…” you cry out weakly.
Suddenly Yūki’s face appeared into your field of vision. They say something but you don’t really hear. They move away for a bit and return with some water. They press the cup into your hands. They place a gentle hand on your back while rubbing slow circles. Your hands shake as you stare into the cup. As your breathing slows down, the pressure in your chest lessens. After a little longer, you take a slow sip.
“Your highness?” Yūki hesitantly calls to you in a soft tone.
Swallowing, you look around. Somehow, you stumbled your way to Yūki’s guestroom. “I…I’m sorry for barging in on you…” you apologize.
Yūki offers their hand and guides you to a chair. Setting the cup on the table, you sag back into the chair. “Just take your time,” they say, taking a seat as well.
Glancing around, you note that Grim isn’t anywhere to be seen. As if reading your mind, Yūki adds, “Grim went to grab a snack from the kitchen. He probably won’t be back for a while.”
You fiddle with your hands trying to find the words. You’re sure Yūki isn’t the type to gossip, so whatever you tell them would be safe. But should you be dumping your personal problems on someone who you’ve only met a few times?
“I don’t want to burden you with my personal problems…but would you be willing to listen?” The weight of everything has always been there, but you had ignored it. But with the arrival of the letter, you can’t ignore it anymore. Perhaps hearing the advice of someone from the outside would help.
Nodding, Yūki offers an encouraging smile. So you tell them everything. Well almost everything. You tell them about the past, your parents’ plan to take over Briar Valley using your unique magic, the fact that you’ve been lying to Malleus from the beginning, that they may have the one weapon that could kill Malleus. Every word out of your mouth feels like a release. Yūki listens without saying a word and keeping their facial expression straight.
Finally, you finish and it feels like you’ve been speaking for hours. Your throat feels dry, but the weight has been lessened. You wait for Yūki to respond. It’s a lot of information to be telling someone in one sitting.
Clearing their throat, their brows draw together. “Well…sorry but fuck that’s a lot!”
Your eyebrows go up as you stare at each other. Then, you start laughing. You both burst into laughter. It’s the first time you’ve ever heard Yūki say something like that. Wiping away stray tears, you shake your head with a smile.
“Sorry for dumping all that on you. I think I just needed to tell someone.” You sigh. “I’ve been holding that in for so long, but it feels good to at least tell someone.”
They wave off your apology. “You’d be surprised how many of my friends I had to play therapist for. It’s nothing new.”
Despite the reassurance, you can see the slight sag in their shoulders. “Still, you shouldn’t have to if you don’t want to. I’m being a hypocrite since I just did the same thing, but I want you to know it’s okay to just turn away if something becomes too much. You don’t have to fix everyone’s problems.”
Looking away, Yūki chuckles softly. “You’re the first person to tell me that… Thank you.”
You want to tell them that you know about the things they have to go through in the story. But don’t because Yūki isn’t a character in Idia’s book. Despite starting out in what you understood to be a story, you’ve come to realize that the people you’ve interacted with are not characters. They’re people with their own emotions and wills.
Breathing in deeply, you flex your hands. “I’m going to tell Malleus everything. I think it’s time he knew the truth, and he can decide for himself what he wants to do.”
“That’s probably for the best. Lying usually ends up biting you in the ass later on.” You both laugh. “He clearly adores you. So, you just need to trust in him to understand.”
“Right.” You offer Yūki a wide smile. “Thank you.”
“Anytime.”
---
After a lively dinner thanks to Grim’s antics, you’re getting ready for bed. Malleus is already tucked in reading. Though you plan to tell him everything, you can’t help but move slowly. You had prepared a speech, but now you can’t remember a word.
Standing in the doorway of the bathroom, you regard Malleus. His shoulders are relaxed and his facial expression is almost serene. The stress from hosting his grandmother has all but disappeared. Your heart swells with affection for him. You want to live the rest of your life with him in peace and warmth. And the only way that it can happen is if you tell him the truth. Together you can figure out a way to take care of your parents.
Feeling your gaze, Malleus looks up. “My heart?” His head tilts to the side.
Taking a deep breath, you square your shoulders. “Malleus, I need to tell you something.”
He closes the book, giving you his full attention. “Why don’t you come here and we can talk?”
Hesitating, you shake your head. “I want to stand. What I’m going to tell you will be a lot.” He nods.
As you tell him everything about your life and your parents’ plans, he doesn’t react at all. You pour out all your feelings and thoughts. As the words leave your mouth, you feel even lighter. A sense of relief washes over you as you finish. You wait in agonizing silence as Malleus remains quiet. His gaze is distant as he takes in everything.
Finally, he looks at you. He doesn’t say a word as he holds his arms out to you. Tears prick the corner of your eyes as you walk over to the bed. Climbing in the bed, he wraps his arms around your form and pulls you close to him.
You bury your face in his chest. You can only mutter apologizes as he holds your tight. He doesn’t say anything as you quietly sob. After what feels like an eternity, you seem to run out of tears. Your eyes are sore and puffy.
He kisses the top of your head. “Thank you for telling me the truth. It must have been difficult,” he mumbles. “We’ll figure this out together.”
Ear pressed against his chest, you listen to the steady rhythm of his heart. “I wanted to tell you sooner, but I was too scared,” you admit. “I was afraid you’d hate me.”
“I could never hate you.” He gently wipes away the tears that have stained your cheeks. “However, I am upset. Very much so.”
His green eyes glow dangerously as he glances out the window. Dark clouds roll in and lightning strikes. “Should I go there myself?” he muses.
“Malleus…” Placing a hand against his cheek, you turn his head so he looks at you. “Don’t do anything rash. My father is to blame not the people of my country. You can’t just go in and wipe out the country.”
Frowning, he looks thoughtful before he smiles sharply. “How about I just kill him, my heart. Or I can give you the honor of doing that.”
Leaning against his chest, you shake your head. “He might have that weapon…”
“I’ll squish before he even has a chance to think about using it.”
“This would be considered a criminal act.”
“What your parents did to you and planned to do with me are criminal acts. I’m only ending this before it can lead to something worse.”
“I don’t know if I can do it.”
“Then I’ll do it for you.”
Letting out a deep sigh, you smile to yourself as you tighten your hold on Malleus. “Let’s talk about what to do tomorrow. But thank you for offering to help despite everything.”
“Of course. I would do anything for you.” 
---
The next day you wake up feeling at peace. Malleus knows the truth and he still cares about you. You don’t have to go back to that place. Stretching, Malleus tightens his hold around your waste. 
You still can’t believe that someone as regal as Malleus likes to cuddle. Most mornings you spend a few minutes trying to get out of his hold. He can be rather clingy first thing in the morning. It’s cute.
“We need to get up,” you say, trying to worm your way out of his hold. He hums before releasing you.
Malleus sits up as you find your slippers. You can feel his stare and quickly look up. He’s frowning with his brows pinched together. “What’s wrong?”
“Your scars…I didn’t realize…”
Right, you usually hide them long before he can see them. But last night’s confession had taken a lot out of both of you. “It’s nothing. Don’t worry about it, Malleus.”
Eyes narrowing, he shakes his head. “I need to talk to Lilia about what we should do.” He pauses, his brow smooths as he regards you. “Can I tell him everything you told me?”
You hesitate for a second but agree. “Yes. You trust Lilia, so I’ll trust him too.” If you’re going to do this without blowing up an entire country, you’ll need help. And Lilia seems rather level-headed under all the teasing.
Malleus leans over to peck you on the cheek. “I’ll see him now. Let me know if you need anything.”
“I’m going to head to my office once I check up on Yūki and Grim.” You feel your mouth stretch into a goofy grin as he pulls away. You’re pretty sure the butterflies in your stomach when he kisses you will never go away.
Once you’re clean and dressed, you make your way to the guest room. Yūki and Grim are already out, though the feline looks half asleep. “Morning, you two.”
Yūki gives a short wave before a yawn overtakes them. They quickly cover their mouth. “Mornin’....”
“It’s too early to be up!” Grim grumbles.
You chuckle as he yawns. “I’m sure the cooks have prepared something tasty for breakfast.”
That perks him up. “What are we standing here for?! Let's go!” He rushes ahead as Yūki follows at a slower pace.
“So… is everything okay?” They give you a sideways glance.
“Yeah. He took it well.” You give a small nod. “Thank you for listening yesterday.”
“Of course.” They offer a reassuring smile. “I was also thinking about what you said yesterday…about not needing to fix everyone’s problems…”
“Yes?”
Chewing on their lower lip, they’re silent as you near the dining room. They relax a bit when Grim turns around to beckon for them to hurry up. “You’re right. I don’t need to fix everyone’s problems. I need to learn when to take a step back and say no. I’m going to work on that. I just wanted to let you know.”
“It might take a bit of practice, but it’s good you’re taking your own feelings and well-being into consideration.” Patting them on the back, you two share a look before they’re pulled away by Grim’s shouting.
A flash near the window catches your eye and your blood runs cold. “Your majesty?” Diablo calls to you, worry etched on his wizened face. He looks out but doesn’t react. “Is something the matter?”
“D-did you see him?” you ask, your hands curl into fists.
He shakes his head. “I’m sorry, I did not see anything. Should I have the guards take a look?”
You pause. You don’t want to cause a scene if it’s nothing. But you also wouldn’t put it past your father to show up uninvited to drag you home. “Yes, have someone take a look. If they find Duke Wynters, please send him away.”
Without further explanation, Diablo leaves. You let out a deep breath. It could just be your own fears playing tricks on you. Joining Grim and Yūki for breakfast, you try your best to forget about it.
However, after breakfast Diablo reports that the guards did not find anyone. Not even a trace of magic. Despite that, you’re still on edge as you head to your office. Hand hovering over the door knob, the hairs on the back of your neck prickle. Grasping the handle, you throw open the door to your study with a bang.
There’s no one inside. Everything is in its usual place. You let out another deep breath and shake your head. Taking a seat, you take the nearest stack of papers to start work. You throw the stack across the room as if burned.
The letter that you had burned flutters to the floor. You jump up. “Diab-!”
A cold hand clamps down on your arm. “Don’t.” Duke Wynter’s grip is strong despite his age. Old memories hold you in place as fear settles in.
“You know, I was so disappointed when you didn’t come home for your own mother’s funeral. Tsk…” His voice is calm, but you know better.
“H-how did you-” You hate that your voice shakes.
“Get in here? There are things magic artifacts can do that can even trick a mighty dragon.” He snorts. “Now, we’re going home. And I’m sure your dear husband will follow.” He bares his teeth in a ruthless smile.
Duke Wynters pulls a small pocket mirror from his breast pocket. He tosses it out and it expands into a full length mirror. A disembodied face stares back at you. “Take us back home, Mirror,” he orders.
“As you command,” the mirror murmurs. The surface of the mirror ripples and slowly changes until it shows the image of the manor. Gripping your arm tightly, he drags you toward it.
You don’t want to go, but fear grips your body. So, you let your panic swell along with your magic. The room becomes so cold you can see your own breath. Your vision blurs as Duke Wynters screams and something explodes.
Then everything goes black.
---
Malleus sends the doors of the study flying off. The entire study has been destroyed. The windows have been blown out and a thick layer of ice coats everything. His breath comes out in small puffs of fog.
He shouts your name. The frozen chandelier shakes.
Lilia places a hand on his arm. “They’re gone. Most likely back to his home. We need to leave now if we want to catch up to them.”
Turning to Sebek and Silver, Lilia gives them both a hard look. “Malleus and I will go after the queen. You both stay here and make sure everything is okay.”
They both give him a salute. “Please take care, father,” Silver says, forgoing the formalities.
“Stay safe, your majesty!” Sebek bows deeply to Malleus.
The two fae give one last nod before they vanish.
Standing at the entrance to your home, it’s oddly quiet and deserted. Dark, gloomy clouds loom threateningly in the distance. For a brief moment Malleus wishes he could have seen you during your childhood. But that thought quickly fades as he remembers the scars that criss-cross your back. Bitterness fills his mouth and anger boils to the surface.
The front gate is locked, but he simply blows it away with a snap of his fingers. Placing a hand on his shoulder, Lilia gives Malleus a reassuring squeeze. “Everything is going to be okay. But…maybe we shouldn’t destroy everything.”
There’s a beat of silence before Malleus calms himself, though his fists remain clenched. “Let’s head inside.”
They enter the home but there’s still not a soul to be found. There’s an eeriness to the dead silence. Passing rooms, there’s evidence of the occupants hastily leaving. The two fae follow the strong presence of magic. They enter an outdoor courtyard though it looks like it’s seen better days.
There in the middle sits a figure slumped over. Malleus’s eyes widen as he rushes over calling your name. However, he’s stopped by another voice. “I’m so glad you could come, your majesty.” Duke Wynters stands on a balcony that overlooks the courtyard. Malleus notes he seems to favor his left side. Small flecks of ice cling to his tattered coat sleeve.
Clenching his teeth, his hands itch to burn him without thought. But the smug look on the man’s face makes him cautious. He has something up his sleeve if he can confidently speak down to two powerful fae.
“Let her go,” he orders. “And I will make your death a merciful one.”
The duke cackles. He gestures to the still slumped over figure. “Unfortunately, I cannot give you my dear daughter unless you’re willing to make a deal.”
His eyes burn with disgust. “Or I could just kill you right now.”
“You could. But then you’d also be killing her.” Duke Wynters raises both hands and starts moving his fingers. Now, Malleus can see what’s going on. Thin strings of magic are connected to each of the duke’s fingers. And they’re attached to you.
Your body suddenly moves. You jerkily raise your head and stand up. You're holding a dagger in one hand. Like a puppet, you mechanically point the blade at him. The strange crimson metal gleams under the low light. However, Malleus can see the pain and panic in your eyes. Despite your body being controlled, you’re fully conscious of what’s going on.
The duke continues, “You see, my unique magic allows me to control a person’s body like a marionette. However, my life and their life are connected until I end the magic. I believe you’re a smart one, you understand what I’m saying.” He grins sharply.
“What do you want?” Malleus finally asks.
The man chuckles. “All you need to do is to take her place. Call off your man and promise no harm shall come to me. In return, I’ll release your beloved.”
“How can I guarantee that once I die, you’ll keep your word?”
“Malleus I don-” Lilia is cut off with a look.
The duke sighs. “Honestly, you should have more faith in your father-in-law. But I will make a magic oath with you.”
Malleus doesn’t hesitate. “I accept.”
A wide, crazed grin forms on the duke’s face. “I knew you’d make the smart choice!”
“Malleus!” Lilia protests. “Don’t do this!”
“What choice do I have, Lilia?” Tears are streaming down your face. “If I don’t do this, she’ll die. And if she’s gone, I…I might as well be dead.”
The older fae can’t find any words. Of course he wants the queen back. But if Briar Valley loses their king, he’s not sure what will happen. However, Lilia can’t think of a way out of this. If what the duke told them of his unique magic is true, then they can’t kill him without killing you. And even if it might not be true, Malleus isn’t the type to take that sort of gamble. Not with you on the line.
Duke Wynters sighs. “This could have all been avoided if my dear stupid child had followed the plan. Instead she goes and falls in love with you.” Clucking his tongue, he shakes his head with feigned sadness. “That blade she’s holding is special. We spent so much time and resources looking for something that could kill such a powerful creature like you. The blade is cursed so that no wound made with it can be healed with magic or potions.”
Suddenly you start to jerkily walk toward Malleus while wielding the blade. The fear in your eyes shines brightly as you hold the blade inches from where his heart is. Your hand shakes.
Malleus meets your gaze. He had vowed to never make you unhappy, but it seems he’s unable to keep that promise.  Reaching out, he cups your face and brushes away the tears. “Do not worry, my heart, everything will be okay.” Pressing a kiss to your forehead, he can feel the blade’s point press into him. He closes his eyes.
“NO!” The shout that breaks through the tense silence chills him to the bone. Eyes opening, he only briefly sees you smiling through your tears with the blade plunged deep into your chest. You crumble to the ground.
The duke lets out a horrified scream that turns into a choke gurgle. He clutches at his chest as he loses his balance. He falls forward and plummets from the balcony. His body hits the ground with a sickening crunch.
However, Malleus is preoccupied with the blood that seeps from your body. Holding you close to him, he attempts to use magic on the wound. He ignores the blood that soaks into his clothes. But the blade only seems to absorb it. He mutters an apology as he pulls the blade out and attempts to heal the wound. Still nothing happens.
His voice cracks, “Lilia, what do I do?!” For the first time, Malleus is powerless.
Lilia shakes his head. “I don’t know…”
Your eyes flutter open. You attempt to touch him but you have no energy, so your hand falls uselessly aside. Malleus cradles your body. “Don’t leave me! Please!”
Your eyes glaze over. “No!” Malleus screams your name, but you don’t move. Dark clouds block out the sky and the wind howls outside as green lightning flashes.
A loud, mournful roar shakes the very earth.
---
You wake to bright fluorescent lights and the sound of a steady beeping noise. There’s also the familiar music of Idia’s favorite idol game playing. Turning your head to the sound, you spot Idia sitting in a chair with his eyes glued to his phone. It’s strange seeing him. Your head feels like mush as you try to gather your thoughts. Your heart throbs painfully for a moment before the feeling fades.
“Idia?” you call him.
He looks up from his screen, eyes widening. “You’re finally awake!”
Trying to piece together the last thing you remember, you ask, “What’s going on?”
“You fell down the stairs to the subway.” He pauses his game. “The doctors said you might be confused. Do you still remember everything?”
Sitting up, you glance at the clock on the wall with a slow nod. “How long was I out?”
“About a day.”
Touching the back of your head, you wince. “Are you sure? I swear it feels like I’ve been asleep for a long time.”
“Yup. You left me a message yesterday. By the way, it’s not a cringe book! Only noobs like you would think that,” he scoffs.
“Book?” Your head feels like a jumbled mess.
He rummages through his backpack before pulling out a familiar book. “The one I lent you. ‘Melting the Dragon King’s Heart’ is a heartfelt strangers-to-friends-to-lovers royal romance! It has everything you could ask for! Evil queen, hot dragon fae, spunky protagonist and a talking cat!”
You take the book from him. Frowning, you stare at the cover. The dragon king looks like a generic dark haired man. Yet, it looks wrong. “Are you sure he always looked like this?”
“What’s wrong with the way Malford looks?” You can see the annoyance in his face.
“Malford? Are you sure that’s his name?” You point to the cover. “I swear he looked different…”
Idia shrugs. “The dragon king is Malford Drago. He’s always looked like that. Yeesh! I know you didn’t like the story but at least pay attention to the main leads.”
When trying to remember, your head throbs painfully. Letting out a deep sigh, you fall back into the pillow. “Maybe I did hit my head harder than I thought…”
Glancing at the time, India starts packing up. “Visiting hours are almost over. I’ll let the nurses know you’re awake and come back tomorrow. Do you want me to bring anything for you?”
“I’m good. Thanks, Idia.” Smiling briefly, you close your eyes as you suddenly feel tired. Even as you drift off again, you feel like something’s missing.
---
A month after your fall down the subway stairs, you’re darting across the street. Dodging cars and people, you shout into the phone pressed to your ear. “I’ll be there in a few hours, Idia! I promise! I just forgot to grab some food.”
“I have food,” he grumbles. You can hear battle music in the background. 
“You have cavity-inducing candy! I need real food!” You skillfully weave your way through the people. “The raid can wait, my stomach can’t. I’ll text you when I’m heading over.” You end the call before Idia can argue further.
Despite going back to your usual routine, something feels off. The doctor had reassured you that you might feel a bit confused, but that you would be fine. You feel like something is missing. When you’re sleeping, you have such vivid dreams. Yet, when you wake up, you can’t recall anything and there’s a painful throbbing in your chest. When you checked with your doctor, they just passed it off as part of your body’s response to the accident. You tried your best to ignore it since then.
Pausing, you realize you’re standing near the subway. The same place where you fell because you weren’t paying attention. Tucking your phone into your pocket, you carefully descend down the stairs. You’re only halfway down when someone bumps into you.
“Hey!” The perpetrator rushes down without looking back.
Grumbling under your breath, you take a step. But your foot misses. You briefly wonder what Idia will say when he finds out you're in the hospital again. However, the fall never comes because the person coming up the stairs reaches out to save you.
Pressed against them, you meet familiar green eyes. They’re wide with surprise. “Are you okay?” Something about the voice sends a spark through your body. You know that voice.
Righting yourself, you frantically nod. “Y-yes! Thank you!”
He smiles. “Of course.” He pauses, brows furrowing. “You’re the one from before.”
“Huh?” You’re pretty sure you’ve never met despite the strange feeling.
He nods. “Yes, I remember. You fell down the stairs a few weeks ago. I tried to catch you but unfortunately didn't make it. I’m glad to see you’re okay, though.”
So he was the voice that called to you when you fell. “I…thank you for catching me this time. I should be more careful.”
When he smiles, the corners of his eyes crinkle. “Maybe keep both eyes forward. Wouldn’t want you to get hurt again.”
“…” You don’t know what else to say. He’s breathtakingly beautiful and even more so when he smiles. His sharp green eyes are warm when they meet your gaze. You’re usually not the type to fall for a pretty face, but you can’t deny the instant attraction.
He seems to take your silence as the end of the conversation. “It’s nice to see you again. I hope you stay safe.” He nods before heading upstairs.
You stand there on the step frozen. The further he gets, the more your heart aches. Why? Touching your chest, you bite the inside of your cheek. Taking a deep breath, you rush back up. Looking around frantically, you see him already halfway down the street.
“W-wait!” you shout. Phone pressed to his ear, he turns with a slight frown, but his expression softens when he sees you.
You rush across the street, nearly getting hit by a car. They honk loudly while yelling unintelligible out the window. Ignoring them, you rush to him. Trying to calm your erratic heart, you take a deep breath.
“Let me call you back, Lilia,” you hear him say into the phone before ending the call and tucking the phone into his pocket. “Are you okay?” he asks, a single eyebrow raised.
You nod. “I-I wanted to ask if you’d like to grab a drink with me if you’re not busy. To thank you for saving me.” Yes, that sounds like a valid excuse. And it's not like Idia expects you anytime soon.
He tilts his head to the side. “You don’t have to.”
“I want to.” You swallow nervously. “If you want to, that is…”
He regards you silently before agreeing. “I’d love to.”
Beaming, you hold out your hand. “Great. I’m (Y/N).”
When he takes your hand to shake, butterflies fill your stomach. He eyes your clasped hands with interest. “I’m Malleus,” he replies.
You stand there like an idiot still holding his hand. But he doesn’t seem to want to let go either. Your heart feels full and for the first time since the accident, the pain is no longer there.
Tag list: @candlewitch-cryptic, @whatstheoccasion, @nimko, @yo4sblog, @mc-cos-charm, @mochiclouds, @41sh4, @unloadingdata, @noctifer-cynoct, @rincommittedarsin, @liesatemyocean , @mavix
219 notes · View notes
sasaranurude · 2 months
Text
Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."
Tumblr media
I'll talk about how this looks like a blatant twst clone at the end.
Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.
Tumblr media
He's looking for a girlfriend btw. Spreading the word.
The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.
Tumblr media
There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!
In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar
Tumblr media
At least there's a cat in the rhythm bit.
And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)
Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.
Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.
So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.
154 notes · View notes
Text
Why You Shouldn't Care About Theme (as a writer)
"Theme" is another word like "worldbuilding" and "plot hole" that writers put way too much stock into without clear definition. It's often thought to be one of the most important things in your story, one of the defining traits of creative writing, but it can be hard to pin down, and some pervasive definitions are actively harmful to the writing process. Let's talk about that.
A common misconception about theme is that it's the story's "message." Under this definition, a theme of The Great Gatsby would be that generation wealth is a hollow substitute for genuine human enrichment, love, etc. A theme of Hamlet would be to not kill yourself. But this idea of a book's message misses the point of why we read at all. Reading is a relationship between the author and the reader; to interpret text, the author puts their experiences in writing, and you bring your experiences to its reading. In other words, you as the reader create meaning from a story. You give the story its messages. The author's only purpose is to transcribe their worldview and experiences, and the best authors can sway the empathy of the reader towards those experiences. Anything greater than this, any book that moralizes, preaches, dictates, is gaudy, emotional propaganda. Imagine a novel where throughout the book, the author is telling you about the toxic environmental effects of unwalkable cities. While true, narrative fiction is a realm of characters and story, not essays. Readers pull meaning from a novel because they think and feel about a character's struggle and relate it to their own. So a message about The Great Gatsby is that generation wealth is hollow because we as readers live in an age of unprecedented wealth disparity; a message about Hamlet is to not kill yourself because we as readers have felt pretty down in the dumps sometimes and have maybe thought about suicide. But our experiences could be different: if we're generationally wealthy, we might read Gatsby as a celebration; if we have an awful stepfather, we might read Hamlet first as a story of revenge than of introspection. Strong authors make you sympathize with the experiences they've gone through--Fitzgerald himself was a wealthy, popular man and saw firsthand the effects of wealth, and Shakespeare probably felt rough around the emotional edges at times--but ultimately, deciding a text's "messages" is up to the reader.
So if we can't control the messages of our writing, what is theme? I like to think of it as "whatever a text is about," and that about word carries some ambiguity. Is Gatsby about money? Yes, but there's more to that. You can think right now about a plot element your WIP is about, but as authors, we want to find that greater depth. That's what we call theme.
Common writing advice tells you to plot out your theme, that greater depth, before drafting the novel. Figure out that Gatsby is a story about generational wealth being a hollow substitute for romance before anything else. But when you think about it, this is crazy advice. Themes like this can only come from our characters and how they interact with the world, and how our characters act is always going to stray in some way away from our plans for them. Writing that deeper theme, then, is impossible to plan (unless you're the most extreme plotter and have found success like that, then keep doing what you're doing. But you reading this almost certainly are not in that camp, let's be honest). So how do we get there?
Before you start drafting, think about the surface-level "abouts." Don't go deep yet. Just think about what's pressing on your mind. If you want to take a very slight moralistic bent here, do so, but be sure not to go into specifics (that's for the characters to do). For my first novel, I wanted to write about friendship responsibilities, family responsibilities, and friendship; for my second novel, church camp, romance, and evangelical culture; for my current novel, the role of story in culture, honor, familial trauma, and cultural perceptions of gender. Some of these took on moral detail--evangelical culture is bad--but most didn't. As you're writing, your characters will discover that deeper meaning. Again, your characters have to and will by nature of being part of the narrative. Your readers interact with the story, not with you.
In my first novel, I came to the thematic conclusion that too many responsibilities degrade individual identity, but too few leave someone empty; in the second novel, I concluded that evangelical culture places restrictive boxes on what romance looks like, and on how to interact with and resolve traumatic events. But I didn't come up with these--my characters did, and I learned from them in the exact same way any reader would. Similarly, a reader might interact with my characters and come to completely different conclusions. This is normal, okay, and encouraged.
You may also find other themes popping up as you write. In my second novel, popularity and social capital became a huge cog in the machine. Let these fresh themes surprise you, and run with them.
Ultimately, you can't control what your readers take away from your story. Your goal as a writer is to create characters so rich and deep and intimate (not in the romantic sense, unless you're into that) that the reader can bring their experiences to the text and find meaning. We cannot worry about this before starting a writing project, because we can't control it, and thinking too much about it will muddy the waters of what actually matters, what we can affect. And when you start to sense those deeper meanings emerging in your story, run with them, flesh them out, and embody them in the struggles of characters.
285 notes · View notes
slackerlifewhere · 1 month
Text
In defense of Deruth
Fair warning, there will be some SPOILERS so if you haven't finished the first novel or you care about spoilers, I suggest you don't continue reading. Thanks!
I'm a reader of fanfics, manga, manhwa, manhua, and novels. I basically consume different stories whenever I'm bored (which I usually am).
But the things I've read most often involve parents, which I'm not really looking for but it's there so whatever.
I had to read stories with basically the same plot but different...ingredients but the thing I notice is that most stories involve abusive or neglectful parents. And it's weird to me. Like can't heroes or villains have good parents and they turn out the way they are because of other circumstances? Obviously, it's because authors want us to root for the character but for me, it's just lazy writing.
So imagine my annoyance when, after reading the first volume of TCF, I see several fics hating and trashing Deruth Henituse and saying he's the worst father in existence.
I get it. He's not the best father. His wife, who he loves very much, died and left him as a single father. He has responsibilities as a count and soon marries Violan who has Basen by then. They have another kid soon after, which is Lily. He seems to entrust the responsibilities of the heir to Basen after OG Cale's reputation took a nosedive. In a sense, he appears as if he doesn't care about OG Cale's feelings and reputation and looks like he's focusing on his other children.
BUT he's not the worst father either. Listen, you may hate him for whatever reason, whether you've consumed too many stories with bad parents or you see yourself in OG Cale, BUT he's an okay parent.
Let me list the top three fathers that are absolutely disgusting compared to him before I explain why I think he doesn't deserve all the hate he's getting:
1. Marquis Stan
We all know what happened to Taylor Stan and while we can blame it on Venion, it's also because of their father. Their father is basically an asshole who wants to see his children fight for the heir's position. And he doesn't care if they end up killing each other for it. It's basically like watching sports for him at this point. He's mainly the reason why Venion grew up into a twisted bastard. While yes, Venion is not innocent in any shape or form after what he did to his brother and Raon, it's obvious he became that way because of his father.
In fact, Taylor is also a victim of Marquis Stan's abhorrent parenting. He's not evil like his family but he learned to be independent and to fight back because he doesn't want to become like them. He died in the original story.
So yeah. Marquis Stan is absolutely disgusting and no one can change my mind that he's the worst existence among all the fathers in the story.
2. White Star
The only reason why he's not number 1 is because he's not a literal father but he does pose as one for DHB. If you know what he did to dragons, then I don't need to summarize it for you. For those who don't, you need to read the novel because it's going to be a long explanation. All I can say is that he's also the reason why DHB became so crazy. And honestly, I'm glad that even if Cale is very guarded at DHB, he still gave him the freedom to choose and repent later on.
3. Zed Crossman
He's the lesser evil of the two but he's kind of like Marquis Stan but tamer.
He basically has his three kids fight for the throne while ignoring or favoring one over the other. And he doesn't even try to hide that he doesn't care too much unless it involves his plans.
He basically wants to see who is more fit for the throne but he doesn't stop them from sabotaging one another.
Honestly, I put all the effort on Tasha and Obante's part that Alberu became a better person. Zed is completely useless.
---
So...is Deruth a bad father?
Before I answer that, here's the thing about OG Cale. He's a complex character who is grieving most of his life and wants to protect his siblings in his own twisted way. In order to do that, he needs to act like he's trash and push everyone away. But is that Deruth's fault? Eeeeh kinda but not really???
They both lack communication as father and son. In fact, the moment KRS, now Cale Henituse, was forcefully transmigrated into OG Cale's world, it's shown that Deruth is trying to communicate with his son.
The first few chapters show that he cares for his son in his own way when Cale sits down to join them in breakfast. He attempts to talk to Cale even though he was hesitant. He seems surprised but happy when Cale answered. Yeah, it's shitty that OG Cale's family and Ron didn't notice he got switched but in all honesty, it'll be hard for a normal person to come to the conclusion that a God was involved. If I were in their shoes, I would find it suspicious (probably thinking that something happened that changed that person's actions and personality) but I wouldn't think of transmigration or God of Death. Conspiracy theories aren't the first thing I'll think of. That's just dumb to use as an excuse for hating the Henituse family.
People, fans, want family drama but in all honesty, they're just ruining OG Cale's character in the way they do it. It's actually disrespectful to his sacrifice for his family. He made that deal with God of Death not only because he wants to see his mom but also because he wants his family to live after they all died in the war against the White Star. He lived through that war with him as the sole survivor of the whole family. That sucks. He could've stayed but he didn't want to and also because he already died in the future anyways. If he wants to help them as himself, I doubt he'll shut up about it to the God of Death, regardless if it's a literal god he's gonna argue with. Let me remind you that this guy is so stubborn, he made a trashy reputation to help his brother.
Instead of doing it himself, he chose to let KRS (who didn't know he's going to be involved in a war in another world btw) save his world and family in exchange for seeing his mother. He chose to leave not because of Deruth (not completely, at least) but because he simply wants to. And he's content with his decision, regardless of his regrets.
By the way, his mom, Jour, is also not pretty great if you think about her decision before she died (my unpopular opinion but whatever). I do think her final conversation with him and her following death traumatized him in a way that I can't help but feel angry for him. It's mainly the reason why he hates the Harris Village that Choi Han ended up in. It doesn't excuse his reaction to the village later on but it does explain why he hates the place, even if it's not their fault his mother died. So yeah, I don't like his mother (I'm not talking about her reincarnation btw. She's a kid). That's not the way to care for your son, ma'am.
Deruth is obviously trying but a relationship needs to work between two people and not just one. That's what you call a one-sided relationship, guys. It's why OG Cale and Violan are not close. Both of these characters don't try to be close, maybe not because they dislike each other but maybe because of a misunderstanding or whatever (who knows).
Cale only got close to her because he actually treats her with respect (also because...you know...he's an orphan and was abused as a kid so deep inside, he thinks Deruth and Violan are good but not the best parents). And whenever Cale gets hurt or is in a bad situation, we sometimes get their reaction. They're worried and angry for him. They want him to stay away from danger. In fact, the last few chapters are basically Deruth getting angry at Cale for endangering himself (completely understandable).
You can also argue that Deruth didn't try hard enough. Well, let me just tell you as someone who's been depressed since I was a kid that whenever my parents try to ask me what's wrong, I usually reply with "nothing" or "I'm fine." So for parents to try harder doesn't usually end up with a heart-to-heart talk unless the other wants to talk.
So yeah, I think KR novels and manhwa are basically the reason why some readers immediately jump in defense for the character they like because of possible abuse and neglect from parents. Without thinking about it properly. Like please, if you hate a character, at least try to understand them first and list down the other worst characters before you actually say that they're the worst.
Side note: The worst thing that I also notice is fans also target Basen and Lily. They include the whole Henituse family and write a fanfic about how abusive or neglectful all of them are. BASEN AND LILY ARE LITERAL KIDS. WTF ARE YOU GUYS THINKING. They didn't do anything to OG Cale??? They're just there?
Did I just create an account to rant about how stupid some fans are? Yeah, pretty much. You can hate on Deruth but don't include the kids. They're kids??? Without any involvement with OG Cale and Deruth's drama?
Reminder: I haven't read the second volume because I'm planning to read it when it's completely translated. That way, I won't have to wait too long for the next chapter.
136 notes · View notes
limes-sagau · 4 months
Text
Starting My Sagau Writing Journey
Ok Im wanting to dip my toes into the Sagau writing scene and I wanted to put out about 3 ideas I have and plan on writing. Each idea will be outlined below and people are welcome to take inspiration off of them just make sure to tag me in the writing. There will also be a poll at the end where you can vote for which one you want to see first. When I finish writing each chapter they will be put up on AO3. 
Tumblr media
Shimeji AU: 
For those who don't know, Shimeji is a browser extension that spawns a chibi version of a character onto your browser. This character can then move around and climb on the borders of your web page and just be a cute little distraction (I know this might sound like malware but its not I've had a Venti and a Lumine Shimegi for a while now and haven't experienced anything that can imply they are malware) 
This would be more of a drabble and less of a full fic. 
Basically the characters in genshin become aware through their Shimeji and then begin acting up in your browser when you're out of the game (when you're in game you're fine).
If you leave your web browser opened when you leave your computer you will come back to it being on a weird page 
Like Venti looking at a wine website 
Diluc somehow ending up on a streaming service watching Batman 
Yae Miko finding your writing 
I'll likely start off with characters from Mondstadt and go down the list for each region.
Tumblr media
Kidnapped by the Harbingers (not the final title): 
Exactly as it sounds, in the middle of the night you are taken from your college dorm (or room I likely won't specify) to Teyvat after the harbingers find a way into our world. 
Haven't decided which harbinger will be sent (leaning towards Childe because I feel like it would fit best and he'd be down for that type of experiment). 
Most of it will take place in a separate castle from Zapolyarny Palace. 
If you want to know my specific location I have in mind their is a visual novel called Dottore And The Spy where you become Dottores apprentice (highly suggest this visual novel) but its main story takes place in a castle in the middle of a frozen wasteland away from civilization where both Pantalon and Dottore live. This will be the main location for the story. 
I'll also be adding in Capitano as another permanent resident of this castle because I want to write about a big strong man who is the emotional intelligence of the three main harbingers present. 
The other harbingers and the Tsaritsa will appear but they will be much more understated in their role.
I want this fanfic to go into the mental load that being locked away from the world has on a person's psyche.
Readers' powers will slowly awaken, making it harder for the Harbingers to keep us a secret from Teyvat and specifically Celestia.
This won't be a full blown yandere fic with the harbingers, they will be slightly possessive but it is more about your safety since Celestia doesn't like you. 
Celestia will be the ultimate enemy over all but the story will not be focused on shooting down Celestia from the sky as readers powers will not ever reach the strength needed to face Celestia alone. 
Harbingers plan will not have changed; they are still working to take down Celestia.   
This will be taking place after Sumeru (so no Scara or La Signora and their will be less clones)
The story will also include 
Getting to know and bond with your castle staff like maids or ladies in waiting (I know these are typically only given to female presenting reader but I want to write about gossip and forming friendships so this is what I'm going with) 
Quality time with each harbinger
Impressing Dottore with your basic levels of knowledge on Astronomy (since Teyvats sky is fake)
Eventually a runaway arch
Lots of tears and mental breakdowns, but don’t worry there will be comfort as well
Shenanigans 
Possibly NSFW after reader finally convinces everyone to stop calling them “your grace”
Tumblr media
To Make a Haven (Title might change):
Imposter (but reader is the real deal) AU
Reader gets killed once by a mob of NPCs 
I want it specifically to be NPCs so the reader still has emotional attachment to the playable characters
Reader seeks out a safe and secluded place  
Teyvat awakens to readers distress and opens up a hidden area of the map to the reader that can only be accessed through very specific means. 
Reader eventually starts bringing in Hilichurls to what for now im going to be calling “the Grove” 
Reader will begin messing around and experimenting with her powers and finds a way to somewhat heal the hilichurls 
This isn't a full fix it will be like layering a curse on top of a curse in order to negate some of the effects of the original curse
The hilicurls will not return to being human they will become something else (human like but not human) 
This fic will contain way more original characters 
Reader will be more spiteful in this fic but less in like a “make everyone suffer” way and more like “lets shake up the system and make everything more challenging for people because they tried to kill me” 
This fic will span over a larger span of time in world with the reader building a full city in the hidden area Teyvat made for them.
Tumblr media
Well those are my three ideas! after this poll is done I'm hoping to get the first chapter out with that week, but I'm a college student and it been a while since I have written fanfiction so i make no promises.
196 notes · View notes
oppropro · 6 days
Text
Just a fanfic I have written for @celestialkiri
I am so in love with Sophie and Wukong and thought I might write a story of how Sophie ended up in the JTTW universe. All credit for character creation goes to @celestialkiri @jttw-monkeybusiness. I really hope you like this, I tried my darndest!
Chapter 1 - Bad Luck
Luck finally seemed to be going Sophie’s way. Standing under the awning of a storefront she had never glanced at, on a street she had traveled nearly every day for the past six years, the universe had finally given her a sign.
            Her day had not started out so terrible; she had found an anthology of 19th century poetry at a discounted price, as well as a special edition of National Geographics about old world monkeys. Along with a couple of used novels, her outing to the consignment store had been a net positive. Also, her mother had texted her to let her know that Granny had cancelled their plans for dinner that evening.
            Sophie had feigned disappointment at the news, truthfully though, she had not been in the mood to have her grandmother lecture her on how she wasn’t in a relationship, how she wasn’t living on her own yet, and how her pursuit of a master’s degree had yet to produce a meaningful career. Yes, Sophie was in a slump: she was moving back home into her mother’s house after her roommates decided to fall in love, marry, and move to the suburbs; and no, she had yet to find any job that would allow her to pay for her own apartment.
            It’s not like Sophie wanted to move back home. At least her mother was being supportive. She would not have to pay rent and would have some place safe to stay while she looked for work that she wanted to do; or at the very least would pay well. Nearly all of her personal belongings were already at her mother’s home, and after leaving her old apartment for good, all she had on her was her new used treasures, her sketch book that she took everywhere, the toiletries from her apartment and last night’s pajamas.
            Her luck for the day changed when the city bus suddenly lurched forward, sending herself and all the other passengers flying from their seats. Then a clunk, a sputter, and a horrid grinding sound. Finally puffs of white smoke billowed out of the engine. Everyone exited relatively unscathed and stood on the sidewalk and watched as the befuddled bus driver attempted to resuscitate the dead jalopy. A relief bus was on its way, but it was going to be a while, and would be crowded. Sophie looked at the intersection and estimated that the walk home would be two hours tops; too late to be home for dinner but that wasn’t a problem anymore. And so, Sophie continued the rest of her journey on foot.
            The weather was sunny and cool, and Sophie took the time walking to contemplate her current situation. She had been searching for jobs but had been met with rejection after rejection: you do not have the qualifications necessary for our position; your qualifications are great, but you don’t have enough experience; you seem to be overqualified for this position, but we will keep your resume on file. The money Sophie had in savings was nearly depleted; she didn’t want to go back to a job as a part-time barista; and online commission work wasn’t enough to live off of. She was starting to feel desperate for something, anything in her field.
            Sophie traversed the city sidewalks at a steady pace, mindful not to step on any cracks, a habit picked up from childhood. It started out as some old superstition which then evolved into a routine, an odd competition in which no one but her was competing. Sophie smiled to herself watching her shadow and her feet step one after the other indifferent to the sounds of the street around her. Soon enough, the darkness of her shadow faded, and the colour of the pavement greyed as shadows gathered over head. Sophie looked up and watch the rain come down; a light drizzle quickly turning into a torrential downpour. A large raindrop landed in her eye causing her to shake her rub her eyes until tears washed out any foreign particles and she could see clearly again; she was standing on a crack in the sidewalk. Bad luck.
            Sophie didn’t have time to dwell on what her bad luck might be as she sought to closest shelter she could, a storefront awning. It was an unassuming building, windows plastered with pictures of far away landscapes, sunset beaches, and tropical flowers. Above the door read the name Eastern to Western Expeditions. Slightly below the store name, at eye level with Sophie, was handwritten sign on what looked like a scrap piece of orange neon cardboard: Help needed URGENTLY! No experience necessary, Inquire within.
            The rain showed no signs of letting up any time soon, and it seemed to Sophie as though the gods themselves had placed her in this spot, at this moment for a reason. At the very least, she would be foolish not to inquire about the job. She opened the door and stepped inside.
********
            The chimes at the door rang softly as Sophie stumbled through the threshold. Without any grace she quickly regained her balance. The entrance, it seemed, was a few inches higher than the pavement outside. Sophie scanned the open room to make sure there were no witnesses to her dramatic entrance; there was no one. Despite the crisp white walls, the room was dimly lit due to the lack of natural light blocked by pictures on the shop front window and overhead lights were only giving off a faint warm glow. Probably for the ambiance, Sophie assumed, the floor was carpeted in bamboo mats, the wall art took inspiration from Ming Dynasty art. A desk stood near the back of the room, solid mahogany. No computer or land line, just a small bonsai, a desk sized rock garden with mini rake, and a Tiffany lamp with intricate lotus petals coloured pink and white.
            A woman stepped through the beaded doorway with a Staff Only sign above. An Asian woman, slightly taller than Sophie. Her skin was as close to porcelain as Sophie had ever seen. Her dark, lustrous hair tied tightly back in a low ponytail showing off her prominent widow’s peak; not a single strand of hair was out of place. She was wearing white pants and a blazer with hints of a cream frilled blouse underneath. Poor Sophie was so awestruck as the woman met her gaze and smiled that she didn’t even register the peculiarity of what was in the strange woman’s hand: a tray with a tea pot and two cups, already steeped as though this was the exact time tea was to be served. The woman sat down quietly behind the desk and Sophie unthinkingly sat on the other side.
            “Unusual weather we are having today,” the woman said as she handed Sophie a cup of tea.
            “Yeah,” Sophie replied wordlessly, grasping the cup with both hands. The warmth of the cup made her suddenly aware of the coolness of the room. After a few seconds, which seemed to Sophie like eras, she finally spoke to the woman; “I saw the sign on your door.”
            The woman laughed. The sound of her laugh was warm and comforting to Sophie, it put her at ease. It reminded her of the way her mother would laugh at her childhood antics. Sophie felt like she would say or do anything to hear that laugh again. “I was wondering when someone would take notice of my sign. It has been up for quite a while, but you are the first to inquire about it.”
            This is my sign Sophie thought to herself Luck is on my side. “As it stands, I am currently unemployed, and I am looking for work. I don’t have a resume on hand, but I can gladly email a copy to you. I just thought I would come inside and introduce myself first and…” Sophie began to feel her breath escape from her, bringing along with it any sense of self-assuredness and cohesion.  and inquire about the nature of the job you have advertised… and… it’s raining outside.”
            The woman across from Sophie smiled as she took a sip from her cup. There was no sign of judgement on her face. She spoke with a soft authority. “I pride myself as a good judge of character, and I believe you may be an excellent candidate for the position.”
            Sophie relaxed her shoulders as she exhaled and decided to take a sip of the tea. It was bitter, but not unpleasant. “Are you looking for an administrative position? I don’t have any formal experience, but I appreciate the importance of keeping organized files and detailed record keeping. As a master’s student I had to…”
            “Oh no, no,” the woman interrupted Sophie. “This is not an administrative position. I have been contracted by a client of mine to seeking an assistant on an expedition. This is a travel agency of sorts. We cater to individuals who are interested in more meaningful travel experience; off the beaten path, away from crowded tourist spots and immerse themselves in cultural customs and natural wildlife in small tour groups with a low carbon footprint.”
            Whatever remaining confidence Sophie had quickly begun to seep away. “You would need me to travel?”
            The woman nodded.
            “Like, travel out of the country travel?”
            “I can assure you that you will be completely safe on this excursion.”        
            Despite the woman’s smile the genuineness of her voice, Sophie was anything but assured. Her passport had expired two years ago. What vaccines would she need? Would she need travel visas? Was this a front for human trafficking? Am I being trafficked right now? Sophie calmly placed her teacup on the table as she began to plan her exit strategy. Why were there two cups of tea? How did she know someone was coming? I’m being punked? Is that still a thing? I’m on camera right now? Sophie mustered a smile on her face, “Like I said, I just wanted to pop in and inquire. I will definitely send you a resume later on tonight… or tomorrow.” As Sophie stood up to leave for the exit, the woman rose as well with an unnatural grace which left Sophie speechless.
            “I appreciate you coming in” the woman said guiding the bewildered Sophie to the front door. She had her hand on Sophie’s shoulder. Just get out of this place and never think about it again. Just get out of this place. Just get out of this place. Sophie repeated the mantra in her head. It was the only way she could keep her composure. She barely noticed the sound of chimes as the woman opened the door for her.
            “It was a pleasure to meet you…”
            Sophie was barely paying attention to what the woman was saying. Just step out the door and go home. You are going to be fine. Everything is going to be fine.
            “…and Sophie?” the woman’s voice was sounded somewhat empathetic.
            I didn’t tell her my name.
            “Mind that first step.”
            With a firm push from the woman, Sophie fell forward. Not into the rainy street but into complete darkness.
83 notes · View notes
deerspherestudios · 1 year
Note
Hi! I played your game and really, really like it, I am a huge fan of slow burn - combined with Yandere too? That's kinda rare nowadays, haha. Thanks for making it and creating Mychael, I love his design. Two questions: How many days are planned to be playable in the full release?
And
Since in just one day Mychael feels very friendly towards us (according to a post you made with where his feelings are based on a meter) does that mean he's very clingy??? Like, in just one day he feels like our friend. What little effort and words will it take for him to go from crush, to love, to whatever yandere thing he might be??? Like, is he okay??? Should I be worried???
Tumblr media
This guy? Clingy? Nahhh. Nothing to worry about, anon :-) 🍄❤️
As for the game, long (!!!) answer below cut: might be spoiler-y might be not.
For context, here's the post mentioned above.
I'm still not sure how many days it will be, but it's definitely ranging between 4-5 days. Granted it'll be a while before the game is finished finished but I think progress will pick up as I complete assets that will be reused. I'm writing Days 2, 3 and 4 simultaneously (anyone who writes can probably relate to wanting a specific thing to happen in the story but dread writing up to it, so I skip around in order to keep my motivation and interest up)
As for relationship progression, slow burn usually means a long time passes before anything develops. But this is a VN and I'm a solo part-time dev so the scope still has to be small 😔 That said!
Mychael, as a person, is quite solitary in nature; he likes being alone and you'll find out why. He does however desire company and he's only realized just how pleasant having someone around can be (hence his reaction for the Bad Endings in Day 1 if you wish to leave/run away)
Although I'm not a fan of the 'you do one (1) nice thing any decent person would do and yandere is already head-over-heels for you' trope, I do have to make use of it but, drip-feed style? You grow closer to Mychael as you hang out with him and do little things that he appreciates. (Honestly I just realized I'm describing the typical visual novel experience just without the yandere beginning-- go! figure!!! /lh)
Example: the first thing that boosts you to immediate friend status is your willingness to accept his physical looks, something that's never happened to him before. (I know my artstyle makes him a yassified pretty boy but imagine genuinely meeting a sentient creature in real life with patchy green skin, a dextrous tail and four blinking pitch black eyes, I think I'd freak too haha) Little things like that mean a lot to him and motivates him to prolong your stay.
In a way, the MC is written to be more kinder and open-minded (at least outside of Bad Ends) than the sweet/sour personalities that come in a VN, so (for narrative AND coding purposes) I can't really diversify it much. I hope that's okay ¯\_(; v ; )_/¯ If Mychael met a more grouchy/mean MC on Day 1 he'd probably not be as attached. He'd just save you, feed you and send you home when you ask hahaha. Of course this will change as he gets to know you better, at that stage he'll be willing to overlook your flaws like any upstanding yandere
Phew this was a lot to dump in an ask but I did wanna explain my vision for the game! I enjoy yandere VNs as an escape fantasy, but it's common they start out with the yan already being invested in you or fall for you too fast!!! if that makes sense. I'm interested in yanderes in the aspect of how love (romantic or otherwise) starts from innocent affection and spirals into dark obsession!!! It's also compelling as to why a character is so devoted to someone, in this situation the MC, and I wanna write the kind of person Mychael would fall for. And personally 'love-at-first-sight' as a reason just doesn't do it for me 💔
(Disclaimer!!! I'm not saying my game is any more original or better than the other wonderful yan VNs in the works, but hopefully with Mychael as a character I can deliver that 'slow-burn-and-yearn' storyline I'd like it to be. As my itchio profile says: I make games I thirst for in secret but are sadly lacking around the internet 💔 )
Thank you for the ask!! :-D
731 notes · View notes
emberfrostlovesloki · 19 days
Text
The Crucible [Hotch x Reader]
Tumblr media Tumblr media Tumblr media
Photo credits: Left (@roting) Center (@dudeitiskarev) Right (@moodboard-d)
Prompt: Aaron finds himself alone with a homegrown terrorist group whose leader he put away a year ago. He gets beaten, shot, and dumped in the woods where the reader finds him and attempts to keep him alive long enough for the paramedics to get to him. 
Pairing: Aaron x Non-BAU!reader, gender-neutral!reader. The reader uses they/them pronouns 
Category: angst/hurt/comfort [happy ending] 
Word Count: 14.9K 
Content Warnings: Food is mentioned, alcohol is consumed, there is a hate group [the bad guys], severe beating [glass broken on a body, unwanted touch, forced drinking, punching, hitting, groping (Aaron)], shooting [Aaron], death by gunshot [a bad guy], gore,  mention of past abuse [Aaron], arguing, near death, hospitals, deep concern and coping mechanisms, language. If I missed any, please let me know. 
A/N: Hi all! It has been a while, but I am back now thanks to the end of the semester. I hope you are all doing very well! As always, I return with a novel of a Hotch story. I’ve had this idea for months now, and I am happy with how it turned out. I do want to encourage you to read the Content Warnings as this is angsty (though it has a happy ending). If you like this concept and would like to see a part two, let me know. I have many fluffy ideas for Aaron too, and those are coming, pinky promise. I am so happy to be writing again and hope to do a lot of it during the summer. Please be kind to yourselves this week and do something you love. If you enjoy this fic, likes, comments, and reblogs are appreciated! Love Levi - ❤️
P.S. Special shoutout to @criminalskies for sharing emergency medicine with me for this fic! If I got things wrong, I'm sorry pookie.
List with all stories 
y/n = your name 
_c/t_ = coffee or tea
y/l/n = your last name 
y/a =  your age
Aaron drove down the lonely highway. He’d passed briefly through Shenandoah National Park. The peacefulness of the trees had calmed his mind for the hour that he was in the park, but as he got back onto the main road, the conversation that was bothering him started to edge its way back into his consciousness. Hotch wanted to close his eyes and potentially scream, but he settled for rubbing his hand angrily over his brow and then his eye bags that seemed to get heavier each day. 
Sean had reached out last week saying that he was going to be in New York meeting someone and had asked if his older brother had wanted to get a drink and catch up. To Hotch, this was last-minute planning according to him and his packed schedule. But he’d managed to drag himself out of bed and on the road on Saturday morning. When he got into the city, he and Sean met up at a swanky restaurant that suited Aaron’s taste a bit more than Sean’s. That at least he had to give his little brother credit for. 
In their adult lives, the Hotchner brothers had never seen eye to eye. It had only gotten worse when their mom had passed leaving the last real reason for them to be civil behind. Not that they were outwardly hostile, at least they hadn’t been until this afternoon, just that Aaron carried a lot of guilt and Sean had never seen to be able to step past his anger about what life had thrown at him. Neither could be blamed for their responses. But when Aaron arrived at the restaurant, Sean moved forward and shook his hand, and even gave him a hug with his other hand. Hotch returned the hug, realizing just how many years it had been since Sean and he had seen each other. 
They pulled back and looked at each other for a moment before moving inside and being seated. They both decided to just have a drink. Aaron got a mezcal mule and Sean opted for a margarita on the rocks. They both did a bit of catching up on their first drink, but things started to get rocky when Sean said, “So, I’m seeing someone new. Her name is Jennifer and she’s got three kids from a past relationship. I’m going to visit her and her family over the weekend. If things look good I’m thinking of moving from Nashville. Or I’ll invite her to move down with me.” Hearing this, Hotch took a sharp breath in. Sean had always been impulsive, but this was a lot, even for him. Aaron had hoped that with time, his brother would have grown out of this lifestyle. 
Hotch furrowed his brow and asked, “How long have you known her?” Sean sipped his drink but didn’t love Aaron’s tone. He replied a bit defensively, “A month and a half, but I don’t see why that’s a big deal. I’m just feeling it out, Aaron.” Hotch couldn’t help but scoff and say, “It sounds like a bit more than that.” Aaron’s reply only solidified Sean’s defensive nature, and he replied hotly, “Well what do you mean by that? You don’t even know Jennifer.” Aaron took a steadying breath. He didn’t want to come off as creating a narrative, or not trusting Sean, but Aaron had seen the same thing play out with his brother again and again, and each time Sean got hurt. Hotch looked at Sean and said, “I shouldn’t have said it like that. But what I’m trying to say is that you jump into things. You and I have both seen it before. You say that I don’t know Jennifer well, but from what I’m hearing I don’t know if you know her that well either, and you’re already talking about you or her moving across the country. Does that sound logical or well throughout to you?” 
Sean was already heated. Something about Aaron’s attitude made him feel judged. His older, well-put-together brother always had something to say about his life. Sean set down his empty glass and said, “Well maybe you’d know more about me and my life if you called me sometimes. Or unlocked yourself from the chain connecting you to your desk and came down and saw me sometimes.” Aaron sighed and tried to defend himself even though he knew Sean was right saying, “Sean, I have Jack. And my work doesn’t just let me have off time like yours does. Plane tickets go both ways. And you never answered my question.” 
Aaron pinched the bridge of this nose.  He just once wanted Sean to think through his actions. Sean responded, “You’ve always thought you were better than me. And I think you really stopped caring about me when Mom died. But let’s be honest, you stopped caring when dad passed.” The mention of their family so quickly broke Hotch’s facade of composure and he said, “Don’t bring family into this Sean. You know I don’t talk about that. I care about you and I want you to make good choices.” Sean let out a sharp breath and said, “You don’t talk about it because you refuse to admit how fucked up it left you emotionally, Aaron. At least I can connect with women. And don’t start acting like dad on me now.” Sean’s latest comment landed like a slap on the face to Aaron and he said, “You better not be comparing me to him, Sean. You had better not be doing that right now.” After all the beatings Aaron had taken for his mom and for Sean who always seemed to be getting into trouble during his younger years, the comparison made Aaron feel sick. Before Aaron had a chance to reply or defend himself for making a comment he already regretted, Sean continued, “And I don’t think you're qualified to comment on my relationships or how I’ve hurt people before. Haley dumped you and then died because of you. So I can think of at least one woman who’s been treated worse because of a Hotchner and it wasn’t me.” 
What Sean said made Aaron see red for a second. He stood, towering over Sean who was still sitting. It was one thing to have Sean bring up their parents, it was one thing to call him a workaholic and be emotionally unavailable. He knew these faults already. It didn’t really hurt him to hear them again, but the comment about Haley ate at him like acid on flesh. He had tried. He had tried so hard with Haley. He had loved her. He’d loved her with everything there was in him, and yes, it wasn’t enough, but that didn’t mean he didn’t love her. That her brutal death hadn’t torn him open sinew by sinew. Aaron felt his heart pumping in his ears. He was biting his tongue so hard that he tasted iron in his mouth. His fingernails dug into the calloused skin of his palms. If Sean was anyone else but his family, he would hit him. However, after all the abuse Aaron had seen, he made a promise to himself that he would never be violent with his family. It took everything in Hotch to uphold that promise. When Aaron came back to his senses, he realized he was standing. It was a good thing as Aaron grabbed his jacket and moved away from the table. He looked at Sean like he didn’t know him as he said, “Don’t ever call me again,” and walked out the door. 
The first hour of the drive back to Quantico was filled with a silence so oppressive that Aaron felt it weighing him down like an iron vest. The next hour all Aaron could think about was what Sean had said, and how he had responded. It wasn’t a good feeling. The way he’d ended things, but he wasn’t sure what else he would or could have done at such a cruel statement. If Sean could say something like that to him, to his face, then he felt justified with his final words of their conversation, even if Aaron had seen shame slowly creep up Sean’s face as he realized what he’d said. What Aaron ended up feeling for the rest of the hour was grief. Grief not only for missing Haley but for what felt like a death in his and Sean’s relationship. 
Hotch would have liked to drive all the way home, get another stiff drink, take a hot shower, and sleep, but the fact that he had a drink and it was still a long way off from home made that an impossibility. Aaron checked his gas tank. He did need a top-up and he hadn’t seen a station for miles, however, he approached what looked like a small bar nestled in the middle of nowhere. He slowed slightly and looked at the exterior of the old wooden building with a wrap-around porch. The Coors Light and Miller Light neon signs fighting to be seen in the bright daylight gave away that it was a bar and not some old building with a few cars parked outside. Hotch knew he needed a bathroom and this was going to have to do. It would be in and out. He’d grab a beer so he didn’t look like he was just there to relieve himself; even if that was the case. 
Aaron pulled into the parking lot. His hands tapped the wheel restlessly as he picked one of the many empty spaces. Something in his gut felt off, but he blamed it on the argument. As good as he was with dealing with stress, this was different. Hotch dropped his head for a second and tried to get his bearings. When he’d taken a deep breath, he raised his head and unbuckled his seatbelt, opened his door, and swung his feet out onto the gravel of the parking lot. The stones crunched under his tread. Hotch stepped up the three stairs onto the wooden porch. He could tell the building had seen much better days. He wouldn’t be surprised if there was rot in the wooden beams that smelled of pine sap. Hotch opened the door which creaked on rusty hinges, as soon as he stepped into the dim, ill-lit room, Aaron knew that he had made a mistake. There there were five patrons and the bartender scattered around the small space. Three of the big burly men were sitting at the bar, and before they turned around to look at who had entered their space, Hotch could see the symbols of hate on their leather vests The antiquated flag of the South that rested above the bar solidified that this was the hangout for a very particular group of people. If he could, Aaron would have walked right back out the door. Even his more casual slacks and button-down were a far departure from the denim jeans, stained baseball caps, and leather, but it was too late, the men sitting at the bar had turned in their seats and eyed him suspiciously. 
It was too late to turn around now and just walk out the door. It would look strange and there was something inside gnawing of him to investigate this space further. Call the FBI with evidence of the type of activity happening here. Not only that, but his bladder protested as well. He quickly cleared his throat and moved into the space and toward the restroom sign on the far wall. He strode with a false confidence toward the bathroom, the men turned back to their conversation but with lower voices. After Aaron relieved himself, he moved from the poorly lit room that smelled like piss. He rinsed off his hands and realized that there weren’t any paper towels, so he opted to wipe his damp palms and fingers on his pants. It wasn’t ideal, but it would do. 
Moving back into the bar, Aaron stepped up to the wooden countertop next to one of the men who continued to eye him with distaste. The man behind the bar turned his gaze at the tall, broody man standing in front of him, sizing Aaron up. After an awkward moment, the barkeep asked, “What can I get you?” It was clear from the way everyone was acting that he was not welcome here. At this point, Hotch didn’t want to be here either. After letting out a low breath, Hotch replied steadily, “Just a Budlight.” The bartender nodded and grabbed a clean glass from the cups stacked up on the back side of the bar. He moved to the draft beers and filled the glass to the brim, the frothy head spilling just the smallest bit over. The man didn’t bother wiping the side of the glass dry as he added a lime to the rim. As the red-faced man sat the glass down in front of Aaron he said, “That’ll be five dollars.” Hotch nodded and pulled out his wallet. He made sure to keep his FBI ID hidden as he pulled out a ten-dollar bill. Aaron’s eye flicked up the flag on the wall, and he regretted giving this place any money. But he’d just drink his beer as fast as he could without it looking conspicuous and then get the hell out of there. He handed the man the cash who grunted and pulled out a slightly wet five-dollar bill from the tip jar. Hotch took a few sips from the drink trying to drain the glass as quickly as possible. There was no chance of taking a picture without it being obvious, but he’d call the FBI as soon as he was back in his car. In fact, as soon as he was out the door.  As he was drinking, one of the men from the tables near the window moved to the bar next to Hotch. 
“Another Coors Steve.” The man who had just ordered was so close to Hotch that he could smell his sweat and very clearly see his hateful tattoo. The fact that the man had that visible in this place only solidified that Aaron would never take this road again. This place seemed more than just a spot for the locals to hang out and chat over a cheap beer. Hotch was halfway through his beer and making good time when the door opened again. Aaron couldn’t help like the rest of the patrons to turn his head slightly at the entryway. Hotch felt his stomach clench as he saw who was walking in the door. All other thoughts left his mind, and his work side kicked in. Aaron knew the man walking in the door well. He’d arrested him one year ago for a litany of hate crimes. The memory of the two young men who had been killed by the man stepping up to the bar with a familiar smile made Aaron’s stomach turn. Roman Invictus LeBrant, formerly Hayden Jude LeBrant before he fell down the alt-right pipeline and joined a hate group was a hard person to forget. 
Roman noticed Aaron too. He was the man who had put him away for a year and two months of hell. Half of his time in prison had been spent in isolation for his protection as he kept picking fights with the inmates. Thanks to the fact that Roman had no spine and didn’t want to spend any time in jail, he had ratted out all of his co-conspirators and so-called ‘friends.’ Due to this, he had gotten off with a lighter sentence. The very sight of Agent Hotchner shot a bolt of rage through him. Roman’s face broke into a malicious smile. This time the tall and sauve FBI agent was on his turf, with his people. He didn’t have all of his friends to back him up. The man moved up to the bar with confidence. Everyone in the room's attitude shifted as their chosen leader entered their space. The man sitting next to Aaron quickly got up and made room for the man. Everyone also stood at the sheer presence of the man that they so revered. He stepped between Aaron and his friend. Roman looked at Steve and then to his left saying, “Steve, Dan. How are you motherfuckers?” The felon was so close to Aaron that he was brushing his thigh. The lack of personal space was meant to disturb Hotch, but it wasn’t working. Aaron had set down his glass, his eyes facing forward with a determined gaze. The fact was, as quickly as Roman had gotten out of prison, he had began his normal campaign of terror again. After that the man had made himself very hard to find, and to the top of the FBI’s most wanted list. So Hotch had a responsibility to make sure Roman got put back where he belonged. Unfortunately, Aaron couldn’t just whip you his phone and get the FBI here in an instant, and Roman knew this and was enjoying it. 
The bartender could sense the tension between Hotch and his friend but chose not to speak. Roman looked straight ahead as well saying, “Hotchner.” Aaron replied, “LeBrant” in greeting. Aaron could feel his gut clench with worry. There was little he could do right now. Roman had come in the front door and was well aware that he was alone, so Hotch was left with not much more than his wits. He had his small pistol on his left ankle, but reaching for that would do little good as everyone in the bar was probably armed. Roman finally addressed the bartender saying, “Steve, I’ll take a shot of whiskey and one for my agent friend too.” At the word agent, the whole room's attitude shifted again. It was tense before, but now that they knew a fed was in their midst, the tension turned to simmering anger and fear. 
Aaron knew that there wasn’t much worse than to be in a room full of people like LeBrant who were angry and afraid. Steve let out a chuckle and poured two generous double shots and placed one in front of Aaron and one in front of LeBrant. Aaron wearily looked at the drink and Roman took him with a single swig before turning to Hotch for the first time saying, “Aaron, I don’t think that drink is poisoned as I just had one myself, so drink up. I think you’re going to need it for what’s coming next.” Aaron met Roman’s hateful gaze, raised his shot glass, and said sarcastically, “To your health,” before downing the shot. The dark liquor burned down his throat and he stopped himself from coughing. As Hotch kept his face straight LeBrant asked, “So, have you liked my recent work? I’d think this is a sting operation on the FBI’s part, but you’re looking pretty alone from where you’re sitting right now.” The large man’s words were true as the group of men in the bar had all slowly started surrounding Aaron and cutting off any escape plans he might try and make. 
Aaron was racking his brains for a way out of this situation but the repetition of the question, “Didn’t you like my stunt at that church, Agent? Didn’t it get your blood flowing? It certainly had me, excited.” Hotch cringed at the implication and replied, “I find little to be excited about to send a sixteen-year-old suicide bomber into a church filled with people, mostly women and children.” Roman scoffed and nodded at Steve for a beer bottle. Aaron shifted in his chair slightly which had an impact as everyone, including Steve, pulled guns on him. Everyone, except LeBrant that was. He was the king of his castle and he knew he would be protected no matter what. Roman raised his hands and said, “Easy boys. Take it easy. We don’t want things to get messy, just yet at least.” Hotch swallowed thickly and Roman grabbed the bottle off of the bar, looking at the label before quickly whipping it above his head and over the back of Aaron’s skull. 
The sound and feeling of the ice-cold beer and the shards of glass colliding with Hotch’s head was so intense that it knocked him off his chair. Aaron took in a sharp breath as he closed his eyes as the alcohol streamed down his head and wetted his hair and the collar of his shirt. Closing his eyes didn’t help Aaron much with keeping a handle on the situation as he leaned heavily forward against the bar before being wrenched back by serval hands on his body to the center of the room. 
Aaron stumbled as he was led away from any support. He could hear a few low laughs at his condition but was more worried about what was going to happen next. Hotch opened his eyes to see the floor swimming in front of his eyes. Before he could even get his feet under him, a knee met painfully with his groin. The pain of the glass tearing open his scalp and the feeling of warm blood flowing from his head was surpassed by the acute pain emanating from his nether regions up his body. Aaron grunted with pain and screwed his eyes shut again. The hot, large hands fondling a sensitive area of Hotch’s body had him open his eyes again. 
He wasn’t surprised that it was Roman doing the fondling, thankfully at this point over his clothes. LeBrant spat in Aaron’s face as they made eye contact and Roman’s hand slowed as he said, “How do you like that Hotchner? How does it make you feel?” Aaron’s gaze hardened and he refused to reply to LeBrant’s taunts and demeaning actions. The gruff man gave Aaron’s groin a hard squeeze before stepping back. Hotch had just started to catch his bearings, when he realized he was being supported on either side of his body by two men with the rest of the gang stepping in front of him. His eye caught that his only gun had been taken. Roman, like a shark circling a bleeding victim in the ocean, hoping to get some sort of fearful response. When the man didn’t get one he snarled and pulled out a jack-knife and moved back to Aaron’s face flashing the point of the blade dangerously close to his skin. Still, Hotch didn’t flinch and Roman flicked the knife over Hotch’s cheek drawing fresh blood apart from the red liquid slowly causing Aaron’s vision to be disabled. Hotch naturally pulled back and Roman laughed before saying, “How would you like me to blind you, Aaron? Or cut off one of your ears. Do you think the FBI will still want you after that?” Aaron couldn’t stop himself from coughing out in pain as the men holding him tightened their grips on his forearms. 
Roman was happy with his enemy's position, as bloody drool slipped from his mouth and onto the floor of the bar. LeBrant stepped back and stated, “Boys, if you want to have some fun you can. You can blame Agent Hotchner for locking me up for a few years, so why don’t you pay him back in kind? Now, no serious boldly harm, and not too much blood. You’ll have to clean this shit hole up after the mess you make of him, but enjoy for a bit.” Hotch raised his head to look at Roman defiantly, hoping to show that he still wasn’t afraid. Whatever he had planned for him, he still didn’t regret putting him away, and putting him away again. LeBrant met Aaron’s stern brown eyes and sat back at the bar, grabbing another drink like nothing was happening. The man said over his shoulder as the real beating began, “You’re welcome for the whiskey, Hotchner.” 
LeBrant managed to down two more beers while watching and listening with a sick satisfaction to Aaron as he got punched, spat on, had drinks splashed in his face, and forced down his throat. Hotch gaged as another bottle was cast aside and hit the wall with the sound of shattered glass. He was beyond the point of silence as he took blow after blow to his face and torso. Aaron was sure his nose was broken as he took another hit to the face and his nose radiated pain through his nasal bridge and up his skull. He grunted in pain as his ribs got another beating. If pulverizing him to death was the plan, then the men surrounding him were doing a good job at that. However, what these bruisers weren’t very good at, and apparently Roman wasn’t good at noticing either, was that Aaron’s DNA was getting spread everywhere in the room from his saliva on the shattered beer bottles, or his blood dripping on the floor, or his hair which had been harshly pulled to jerk his head up. That was the thing about groups like these, they loved to act tough and strong, but their brains weren’t aways fully used. People like LeBrant could use others as a shield, but no matter what happened, it was going to be hard to get rid of every trace Aaron would leave in the space. 
Hotch’s hold on consciousness was becoming harder, but he managed to notice when the front door opened again. Aaron had hoped it would be someone who was an outsider like him, someone who didn’t belong here. But the normalcy of seeing a man being beaten told Aaron the new man was part of the group. Hotch’s neck hurt as he made eye contact with the man. He had sandy blond hair and clear grey eyes. The look of surprise and innocence quickly left the young man’s face before anger and hatred took over. Aaron dropped his head not sure what was happening but unable to support his own head. Because of this, he didn’t fully understand why the arms that were holding him up suddenly slacked and there was a heavy scuffle of feet as the floor came dangerously close. Before he could reach the ground there was shouting and then a loud popping sound that Aaron realized was a bullet once he felt a searing hot pain tear through his side whipping his body back and to the ground. The pain was worse than anything Aaron had already felt before now. The pain was so bad that he struggled to get oxygen in and his vision went black for a few seconds before he took a huge choking gulp of air in which only blinded him with more pain. 
While Hotch was writhing on the ground trying to get a grasp of what had happened and not blacking out, the older, more seasoned members of Roman’s gang stood for a brief moment of silence, as the men realized what had happened before an uproar started. They dropped their victim and rushed to the newest person in the bar throwing the gun from his hand. Roman stumbled out of his chair, face turning red with rage as he took a breath and shouted at the top of his lungs, “What the fucking hell are you doing Davies? What the mother fucking hell!” Spittle flew from his mouth and Davies, the newest, and youngest recruit to LeBrants' cause swallowed nervously. He hadn’t expected this response. He thought he’d get praise for his actions as he was always told to take bigger steps and take risks for the cause. Greg, one of the senior circles slapped Davies in the face and said, “Roman’s talking to you. Answer him.” Davies stuttered as he said, “That’s the guy that put you away. I thought that I should put him where he belonged. Hanged from a noose or underground. I ain’t got no rope, so I shot the fucker.” Davies was all in and zealous for the group's beliefs and in his case. Roman bowed his head and muttered “Fuck, fuck, fuck,” under his breath. 
LeBrant came back to the moment when Aaron let out a soft whimper and placed his hand over his stomach where blood was pooling dangerously fast beneath him and onto the ground. Even in his agonizing state, Aaron knew that the most important thing was to try and stop the flow of blood as much as possible. If it was instinct or training, Hotch couldn’t be sure with the pain he was in. For now, all he could do was try and survive. Roman was thinking the same thing for himself as a multitude of options flashed in front of his mind. He was the leader and he needed to act like one as Davies looked at him like a deer in the headlight while the rest of his men glanced uneasily between Aaron’s hunched-up body on the floor and their leader. 
Roman cleared his throat and took a more secure stance, with his feet apart and chest out. An idea was forming in his mind and he just needed his people to fall in line. Roman looked at Davies first and said, “It’s alright son. You did well shooting the fed. He earned it.” With those words, the men seemed to relax a bit and one knelt down next to Hotch to see the damage. Roman nodded a self-soothing gesture before saying, “Okay. Steve. Get us a trash bag or something to stop the blood so it will be easier to clean. Let’s do that first.” Steve rummaged through his back bar and tossed a roll of saran wrap and tape to Greg. Hank another senior member moved next to Greg and asked Roman, “Are we saving his ass?” LeBrant scoffed and replied, “Funk no. Just don’t want the fucker bleeding all over. Now, wrap him up tight, and don’t make it too comfortable on him either.” Hank snorted back laughter and he pulled Aaron’s torso off the floor roughly. Hotch tried uselessly to stop anyone from removing his hands from the gunshot wound, but he was too weak to put up a fight. His large hands were slick with blood as he tried and failed. Greg took out the plastic wrap and pushed the roll to Hotch’s stomach causing Aaron to groan out in pain. The pair on the floor moved the roll over the agent's wound minimally stopping the flow of blood. Davies watched as Aaron convulsed in pain on the ground. 
The young man had thought he would feel better killing a fed, but what he was seeing was making him want to vomit instead. When the seran wrap was taped tight over Hotch’s blood-soaked shirt Roman instructed, “Greg, Hank, Davies, go take Agent Hotchner into the woods. Far away. I’d recommend the national park. Don’t kill him. Let him bleed out or better yet, let some animal finish him off. Take him in his car and then when you’ve dumped the body torch the car.” Everyone else, we’re cleaning this place, top to bottom. No drop of blood, nothing can be found here.” Everyone nodded and took on their roles quickly. 
Hotch was jerked back to consciousness as he was dragged out the front door. He blearily saw someone open the door to his SUV before he was placed in the back seat. His brain was thinking of trying to run, to call for help, but he was stripped of his phone and hardly had the strength to keep his eyes open. Davies was standing outside the car still not sure what to do exactly, and most certainly not sure how to feel. Roman looked out the window at the man that had the potential to fuck his life over again. He turned to Steve and said, “Go out there and kill Davies. Headshot, make it fast, and don’t let him suffer.” Steve looked up at Roman and said astoundedly, “Roman?” LeBrant turned to Steve and said, “You heard me. The kid’s a liability. I am not going back to that shit fucking hell hole of a prison cell, and Davies seems to be trying to send me there, so go out there and get the job done. Put his body in the truck with Hotchner and tell Greg and Hank when they set the car on fire to leave Davies's body in there.” 
It was with blind adoration that Steve hesitantly grabbed his rifle and stepped outside. The young man was still standing while looking at Aaron’s SUV as Greg and Hank looked at a map to decide where to drop Aaron off to have his last few moments of life. They were arguing about accessibility, getting the car in without being seen, and lugging the agent out into the middle of the surrounding forest. It had to be just right without the chance of anyone catching them but still able for two men to pull off alone. They didn’t trust Davies for shit. He was too green for the whole operation. Not trustworthy in their eyes.
Meanwhile, Aaron had gathered some of his bearings in the back seat. He was unhappy with his supine position in the back. It would be far too easy for him to be taken out quietly and quickly after the SUV had pulled away from the bar. While Aaron was waiting for something to happen, he pressed his left hand to his side tightly, grit his teeth, and used his right to slowly inch himself up to a seated position. He was well aware that this position was causing him to bleed out faster, but at this stage, life didn’t seem too long, and if he was going to go out, he would understand as much as he could as to what was happening around him, and if possible, leave traces for the team to find his body after. 
The thought hurt Hotch as Jack would lose both of his parents. Aaron held himself back from crying, but the idea of his son being alone tore at him just as badly as the hole in his torso did. Aaron did not expect to see what he did. Just as his eyes got high enough to see out the window, the young man who had shot him had his name called from the porch of the establishment. Davies was about five feet from the bar and turned around. He didn’t see the shotgun in Steve’s hand, but Aaron did. There was nothing Hotch could do but close his eyes just before the blood splatter and brain matter painted the tires of his car. Aaron fell back onto the seat, not expecting to see an execution like that. He was too beaten to get back up, but at least he was laying on his side instead of on his back which would afford him a look out the front window so he could see where he was going or try and make mental notes of some landmarks; assuming that he wasn’t going to be blindfolded. From the state of things outside and groups shouting at each other, Hotch didn’t think that those dumping him would do anything more than take him far out and drop him. 
A few moments later the back door was opened again and several men heaved Davies's body onto the floor in the back of the car. Aaron didn’t focus on the body apart from unintentionally seeing what was left of what had been a youthful face. He was unrecognizable now. Hotch closed his eyes and tried to steel himself for the ride to come. If he survived long enough he’d think about the man on the floor -- later, much later. Right now he centered his head on Jack, then on the team who were on a case in Ohio. Lastly, he tried his best to listen to Hank and Greg as they got in and revved the engine. 
They were silent as they slowly drove out of the parking lot. The crunch of gravel and Aaron’s labored breathing punctuated the silence. It was clear to Aaron that the two men in the front were remaining quiet so Aaron wouldn’t have any more details about them, their plans, or the organization. He and the BAU had taken Roman down once, and they didn’t want to be in that frying pan again. As they hit the main road, Greg, who was driving, stayed just at the speed limit to not attract any attention from passing cars even though there were none on the road. However, as the car started hitting bumps, Aaron couldn’t hold in his pained grunts and whimpers as searing pain shot through him with each unexpected dip or rise in the SUV. It seemed that Aaron’s pained sounds were too much for the men, and they looked at each other and then the downed agent in the rearview mirror before they both started a light conversation that was fully juxtaposed to the gruesome scene around them.  
The men began talking about the weather and then talked about their wives. Aaron could hardly hear the conversation as he tried to keep himself awake. The duration of the car ride took about half an hour, and Aaron noticed one very strange-looking tree that had been struck by lightning and bifurcated down the center almost perfectly. His brain had started to be pulled into so many different directions as his sanity slipped away from the blood loss. His brain wondered how many trees like that got struck annually, and he knew that Spencer would have an answer to that question. The team flashed before his mind when an abrupt halt of the car almost had Hotch fly into the seatbacks in front of him. He managed to not have that happen, and shortly after Greg and Hank were at the left side of the car and both grunted as they pulled Aaron by the legs out of the car. 
Hotch almost hit the muddly path, but the two men held onto his underarms jostling him back to awareness. As strong as these men thought they were, they hadn’t realized just how hard it was to drag a limp body around, and Aaron had no strength to walk on his own feet and no desire to help in his own demise. In fact, if he could make it harder for them, he would. So Aaron coughed and made sure that some of his spit and blood got on the ground. Not only that but he also dug his toes into the earth so his tennis shoes left little trails in the mud. Hotch knew that if he was dealing with a more competent group, they would do something about this now, but Greg and Hank were too busy hauling him along to care at the moment. Greg was significantly taller than Hank and due to this, Aaron’s left side was far lower to the ground making the weight distribution of his toned body uneven. After only ten minutes, once the trio had entered what seemed to be a secluded and wooded part of the forest, the shorter man who was carrying the greater bit of weight grunted out, “Let’s dump him here. I can’t keep doing this and then have to trash a car too.” Greg, who was also tired agreed and they dropped Aaron like a load of bricks and took off as quickly as they could discussing loudly that there was a cliff face nearby and it was unlikely that anyone would find Aaron for days. Hotch moaned slightly and took in the scent of the wet earth near him. He supposed that dying in the forest, in nature, wasn't the worst place to go. It smelled nice and if he could only turn over he’d see the sky and canopy of trees above him once more. As his vision started fading again he realized he might not have that chance. 
Nearby Aaron’s dump site, y/n had been on a four-day long backpacking trip. They’d asked their boss for the Friday and Monday off months ago. y/n had needed a chance to unwind, be alone, and potentially scream into the void. That type of behavior didn’t normally fly in their apartment and they were feeling so much more at peace after their first day of hiking. y/n had found a lovely spot to set up their small one-person tent for the evening. When y/n had gotten up the next morning and looked down the tall rock ravine, they saw the bolts in the wall from previous climbers. They regretted that it had rained the last night making any climbing impossible. y/n considered continuing moving along the twenty-five mile trail they had mapped two months before, but realized that they weren’t with a group and they were already almost halfway through the trail and could finish hiking it in a full day. Because of this, and because y/n had promised to do whatever they felt like on this trip, they decided to stay in that spot for the day. It was a bit off the beaten track which is what they wanted and in all honesty real life had been so stressful recently that just taking a day to sleep, read, and swim in the nearby river sounded like exactly what y/n needed. 
y/n slept in another hour before making a cup of _c/t_. While they sipped their steaming cup, they picked up their most recent book and took a few minutes absorbing the pages of the story making small mental notes about where the plot might go and if some twist was coming in the next chapter. Somehow all the books that y/n read ended up having weird twists that they loved to hate. After getting through their drink and feeling warmed, y/n changed into light hiking attire that could be stripped down for a dip in the lake as long as the water wasn’t too cold or full of bramble from the rain last night. It was a short hike down to the water's edge and it was crisp, but not too cold to for a midday swim. y/n laid a towel down on the rocky shore after getting out of the water and drying off in the warmth of the sun. They dozed on and off as they tanned for a bit. Not that y/n was a vain person, but with the oncoming of summer, having a bit of a tan couldn’t hurt. When y/n was happy with their time by the lake, they moved back toward their tent and supplies which they had put in a bear bag and lifted high above the ground. It was about a thirty minute walk back to the tent when y/n would plan on what to do with the rest of their free day. 
It felt wrong to just waste such a pretty day. When y/n was close to their campsite, they stopped in their tracks abruptly. The sound of voices and heavy footsteps is what made them halt. y/n’s stomach dropped for some reason. If they were on a more well-known trail or popular camping site, y/n would likely greet those on their walk in the opposite direction. But this was different. This area was secluded, off the beaten track. And from the sound of it, it was two men moving slowly nearby. y/n had spent enough time outside camping and backpacking to hear loads of horror stories of those having bad things done to them on the trail. Sure some of them were overembellished, but certainly not all of them, and y/n wasn’t willing to take the risk with their own safety. y/n slinked back into the brush and hoped that the men would stop before catching sight of their tent. y/n took slow soft breaths and waited, all there was to do was wait. Just as the footsteps seemed to be right on them, they stopped. 
y/n couldn’t see the men. They’d stopped just out of sight. As they stopped, y/n realized that something was very, very wrong. The strong breathing of the men had hidden the sounds of another person. Someone who was clearly in pain. Their breathing was raspy like air wasn’t fully supplying their body. There was also a very painful-sounding grunt as the injured party hit the ground. One of the men said, “Fuck, that’s hard work. I don’t believe Roman’s stories now about all his brawls and picking people up in the clanger now.” There was a grunt and another, deeper voice replied, “Shit man, I don’t believe half of his crap, but he’s the boss. He says jump and I jump. Now let’s get back to the car and torch it. The agent here won’t last long.” The first voice agreed and said, “Yeah. I need a shower and another beer. Let’s hope it’s all cleaned up by the time we get back to Steve’s.” 
y/n felt like they couldn’t stand still any longer. The desire to take a deep breath of just look out to see what was happening at the men who were talking pulled at them like an itch. But not all itches should be scratched. Some needed to not be disturbed, and it felt like torture, but y/n held back from moving until the sound of chatter and footsteps were long gone. Even after they were out of audible range, y/n waited. After another few restless minutes, they got up from their hiding position. From the sound of it, someone, perhaps someone unsafe was very injured. Even so, it wasn’t like y/n to leave someone hurt to fend for themself. With caution, y/n moved through the low brush and mud, and after a few paces, they noticed a man lying on his stomach. It didn’t take y/n more than a second to realize that the man on the ground, even if he was some hardened criminal, was unable to fight. Besides this fact, there was the comment about the “Agent not being around long,” so the man might have been on the opposite side of crime. Without hesitation y/n moved next to the prone form in the mud and set down their backpack. The man gave a small sound, perhaps aware that there was someone else near him. y/n looked over the man and noticed the saran wrap around his torso. It was a poor attempt to staunch the flow of blood from a bullet wound. Given how much blood the man had lost, there was no time to lose in getting the man medical help. 
y/n knelt down next to the man and noted the thick blood coating his forehead and brow. y/n patted his shoulder, and he managed to open his eyes. Aaron could see the blurry figure of someone kneeling in front of him. He thought it was a hallucination until they touched his shoulder and tried to say something to him. Understanding the stranger's words was beyond all comprehension to him now. y/n could tell that he didn’t understand or see them well, but at least he was awake. It would be in his best interest to keep him awake. If the man slipped off to sleep, he may never wake again. So with that in mind, and to try and keep him in as calm a mindset as possible, y/n took off their jacket which they had tied around their waist, and placed it on the man’s back. It would do for a bit of padding and something to soak up the excess blood. There was no need to cut this side of the plastic wrap, and why it had been added in the first place was a mystery. But that wasn’t the main goal right now. The main goal was to stabilize the man for long enough until medical help arrived. y/n grit their teeth and said firmly. “I’m going to roll you over onto your back and then run to my tent and grab some supplies while I call 9-1-1 for you, okay.” 
The man didn’t make a sound, but y/n knew that shifting his weight was going to be painful, so they didn’t waste more time. Given the man’s parlor, there was no time to waste. y/n grabbed the man’s shoulder and hip and tried to slowly and carefully roll him onto his back. As soon as y/n pulled their hands away, which were slick with blood, the man groaned in pain as his body settled. He was still awake. y/n cringed to hear him and said, “I’m going to run to my camp, get some supplies, and call in an emergency helicopter. I’ll be back in five minutes max.” y/n swallowed thickly trying not to be sick at the sight of the man. They grabbed his right hand and placed it over the bullet hole. The man’s hand was crusted over with blood, and it was large. His fingernails had dirt caked under them, and y/n imagined that it might be painful when he got washed up with all the hair his arms had on them. y/n snapped back to the moment. It had only been a millisecond, but in moments of high stress,  they always found themselves focusing on the smallest, most insignificant things. They shifted their eyes to the man’s and he seemed to be locked on theirs. y/n nodded their head and said, “Hold your hands here, as hard as possible, okay.” The man nodded slightly, and with that, y/n got up and ran toward their campsite. 
It was in moments like these that y/n hated that they didn’t always carry their cell phone with them when they camped alone, but then again, they hadn’t expected to find themselves in this situation either. y/n was an experienced outdoors person. With friends and family that respected and highlighted being self sufficient and being able to take care of one’s self. In their world being unable to handle any situation was a weakness and therefore y/n had pressed themselves to always be prepared. This included knowing basic first aid and other skills that were more niche to their interest in spending a lot of time outside. Although it had been hard to be a parental figure and having to figure out being self-sufficient from a very young age, the parentification had equipped y/n for moments like these, and for meeting strange men in the woods if it ever came to that. y/n ran as quickly and as carefully as possible. It would be no good to anyone if they slipped and twisted or broke an ankle or wrist before getting back to the man. The image of his bloody and bruised body was seared in their retinas. They hadn’t seen anything this bad, ever, and the questions on what had happened to the man and who he was came faster than y/n could process them. It was all a sickening blur. y/n made it to their camp and almost dove into their tent. They found their phone first which was still on the solar-powered charging brick. y/n checked for a signal and let out a small prayer of thanks that there was a signal. Even though they were pretty far out, a signal was more often present than not. And if there wasn’t, there were always ways to contact emergency services, but it would take longer, and there wasn’t time for longer right now.
         After one ring the emergency operator answered, “9-1-1, please state your name and the nature of your emergency.” The woman on the phone sounded calm, calmer than y/n felt. Their breath had picked up with all the running, and they had to clear their throat before saying, “My name in y/n, _l/n_. I’m at Shenandoah National Park on the east side camped near Ghost View Lake. There’s a man who needs a Medevac as soon as possible. He’s been shot in the torso, and he’s been severely beaten.” There were a few clicks on the other end of the line and the responder asked, “Are you with this man now? Is he still breathing?” y/n nodded, taking in the person’s words before saying, “I’m not with him right now. He was breathing when I left him. I had to run to my tent to call you and get my emergency supplies.” There was more typing and a muffled voice on the other end of the line before the woman came back on saying, “Please get back to the man as quickly as possible. Do you have any medical training?” y/n nodded saying, “Some, but not much. The bullet seems to have gone clean through though, and he’s lost a lot of blood.” As y/n was speaking, they began packing all of the important things to help the hurt man into their large backpack. By the time they had started zipping up the sides, the operator had told y/n to get back to the Hotch and light a flare for the helicopter to see so they could find a spot to land. The woman relayed that it might be twenty minutes or more before help came, and to keep the man awake if possible. As y/n ran back toward Aaron, they were given more specific instructions on what to do once they were back. y/n kept the woman on the line and as soon as they found an open and dry spot close to where they had found Aaron, they pulled out a flare and struck it against the cap of the flare. Once the melting hot red light burst from the tip like the tale of a demon, they set the flare on a smooth rock, far enough away from the wet brush and leaves to not start a forest fire. Once this was done, y/n moved as quickly as possible back to the man.
         Since y/n had been gone, Aaron felt his strength ebb again. Had the person said something to him? The world was dark again and he was beginning to feel numb. But the memory of the feelings of their hands on his, pressing against his stomach reminded him that they had been real, at least for a moment. Hotch also knew that sleep was death, and therefore grit his teeth and pressed against his torso again over his wound. The pain shot through him again, though his time was less intense; he knew this was not a good sign. Just as Aaron felt his hand slipping, he noticed a bright red light in the corner of his vision, and the person who had been with him before returned.
         y/n skidded to a halt in front of the man, falling to their knees saying, “Hey, you’re still with me. Good. You’re doing good. Help is coming, I promise.” y/n placed their hands on either side of his head and the feeling of their fingers on the side of his face had Hotch open his eyes slightly. Just the simple feeling of touch was a comfort, even if he was doomed to bleed out on the forest floor. Hotch pondered how funny small things became huge things when life was about to end. y/n noticed his brown eyes on them and said, “I’m just making sure your head is laying flat. Then I’m going to check your mouth to make sure you’re not going to choke on your own blood.” Aaron tried to nod, but he couldn’t manage it. y/n knelt further forward and helped Aaron open his mouth. Thankfully there didn’t appear to be any blockage of his trachea, though his breathing was labored. Where or what that situation was, was beyond y/n, so they moved to the next thing the emergency operator had said to do. 
The woman was still on the phone, but y/n was so hyper-focused on the task in front of them, that they didn’t think to give a report on the man’s condition. While he was trying to see the person in front of him more clearly, y/n started pulling things out of their backpack and setting them on the ground, attempting to not get them muddy or contaminated while still being efficient. Once y/n had pulled out their small knife, their first aid kit, and the clean clothes they had, they rezipped their bag and moved to the man’s feet. y/n spoke loudly, so the man could possibly hear, “I’m going to raise your feet. Keep the blood going to your head as much as possible. y/n grabbed their bag and placed it just to the side of the man’s lower legs. y/n didn’t want to shift the man’s body much, if at all, so they had to have things in place. They took another sturdy breath and lifted his left leg just high enough to move their backpack under his knees. The man groaned and y/n said, “I’m sorry. Sorry,” y/n repeated one more time before moving the other leg next to the first. y/n knew that this would be the least of the man’s pain. y/n placed their hands on the ground and took another stabilizing breath, reminding themselves that they could do this. That they could do anything, that they had had to do everything. y/n tried to picture the man as someone they’d protected in the past. Someone that they would do anything for. This helped y/n in moving forward to the next step. Before doing what needed to be done, y/n looked at the man again, tapping his face. Those big brown eyes met theirs again, half understanding, half sad. y/n said more softly this time. “This is going to hurt. I’m sorry. Try not to bite your tongue. Keep your teeth clenched,” y/n demonstrated, “like this.” y/n they looked a fool, but what else could they do?
         y/n pulled a packaged sanitary wipe from the ground and ripped it open. They rubbed it over their hands thoroughly. When the moisture had evaporated, y/n grabbed their first aid kit and pulled out all of the cotton balls and cotton bandages that were inside. y/n placed them on top of the kit and hoped the no wind would blow the supplies away, there were already scant few as it was. Next, y/n grabbed their knife and opened it with a flick of the wrist. y/n knew that once they made the next move there was no going back until the medics arrived. With a look of determination, y/n shifted forward and carefully slipped the tip of the knife under the plastic wrap covering the man’s front. His shirt protected his skin from the sharp blade from cutting him further, and y/n cut up and out with as much care as possible. The blood made the surface of the saran wrap slippery in y/n’s free hand and the multiple layers were not as easy to cut through. However, after what felt like an eternity and with y/n’s heart beating loudly in their ears, the plastic was freed from his body. y/n quickly closed and locked their blade and pushed the plastic barrier aside along with Hotch’s soiled shirt. Even though the saran wrap hadn’t done much to stop the blood from leaving the man’s body, it’s removal along with the final absorption barrier being pulled aside allowed the blood to ebb up a bit more in a trickle of crimson. Again y/n didn’t have time to look at the deep red pooling up on the man’s stomach. Instead, they grabbed a cotton ball and with as much mental strength as they had, pushed it into the weeping wound. The man’s body jolted in pain, but y/n ignored him and grabbed another piece of cotton and then another, pushing each of the white puffs into the bullet hole. The clean cotton was instantly stained red, and y/n tried to ignore the man’s cries of pain knowing that this was for the best. Keep the blood in the body, get his legs up, keep him awake. That was what the nurse had said and what was what they were going to do. At least to the best of their ability. Another eternity later, the hole was filled. It was still releasing blood but at a slower pace.
y/n grabbed the biggest cotton bandage they had and pressed it on top of the packed wound. y/n placed both hands over this last dam, and pressed down to try and keep the man stable. To keep him alive. It wasn’t until all of this had been accomplished that they managed to look up at his face. The man’s eyes were drooping closed and y/n said, “Hey, hey, stay with me. What’s your name? Can you tell me your name?” Aaron turned his head to the side slightly to try and get a better look at the person helping him. It was a comfort to be in their presence. He still couldn’t see them so he said in a low voice, “Hotchner.” y/n nodded, assuming it was a last name. They were at a loss for what to say next. Nothing felt right, so they opted for questions, easy ones. Or at least ones that seemed easy for them. “Hi, Mr. Hotchner. Where were you going today? What brought you this way.” 
Aaron, whose brain had been feeling numb for some time, had started getting more blood circulation thanks to his legs being lifted off the ground. He could feel his helper's hands still over his side. Where he was and what was happening felt beyond him again. He didn’t like the feeling at all, but his body was shutting down and he half-mumbled, “I’m going to see my wife. It’s been a long time since we’ve seen each other.” y/n, nodded and replied softly, “I’m sure she’ll be so happy to see you. And I know you’ll be happy to see her.” It wasn’t until this point that y/n had thought about him as a person. Not actually as a person, person, but as a man with a life and things outside this very moment of survival. But as they raised one hand and just barely shifted his hair that was caked with blood, off his forehead it became increasingly more difficult to see Mr. Hotchner as anything else than a man who is hurt and probably afraid to die. At the person’s touch, Aaron moved his dominant hand up and this allowed y/n to see that he wasn’t wearing a ring. This fact only came to y/n’s mind because Mr. Hotchner had just said that he was going to see his wife. y/n justified that perhaps the man was just one of many many husbands who didn’t wear a wedding ring, but for some reason, y/n didn’t think that this man would be one of them. Something in their gut just said otherwise. A moment later Hotch said something that would shock y/n even more as he said, “I’m worried about Jack. I can’t go away.” y/n looked up at him and moved their hand back to the now blood-soaked bandage and asked, “Who is Jack Mr. Hotchner?” 
The image of Jack passed in front of Aaron, and he saw himself holding his child, Jack smiling. Maybe it was Christmas time because the lights were twinkling in the background. Then Jack at his first soccer game came to mind, his little legs carrying him toward a ball he was sure to miss. Hotch blinked back tears as he came back to himself. Weakly he said, “My son. Jack is my son. He’s a good kid. Really good. He doesn’t deserve this.” Aaron was thinking about the very real possibility of his son losing both of his parents, but he didn’t vocalize that out loud. y/n furrowed their brow and said “You’re going to be fine Mr. Hotchner. It’s going to be okay. You’ll see your son and your wife again. I know it.” y/n was speaking to themselves now mostly. The trauma of finding someone brutalized in the woods and the possibility that he might die in front of them was finally settling in. y/n had experienced trauma before, but not like this. This was different. Thankfully y/n didn’t have much time to explore this train of thought as the sound of the helicopter approached nearby. y/n bowed their head in thanks for the sound that drowned out their thoughts and didn’t even realize that they had set their head on Aaron’s chest while still keeping their trembling hands on his wound. 
When they arrived, it took the emergency medics a moment to pry y/n off of Aaron as they struggled to let the man they were trying to save go. When y/n realized what was happening, they moved off to the side on unsteady feet and watched the flight paramedics assess and then begin rudimentary efforts to stabilize their patient. y/n watched as a blood transfusion was started and the packing of the bullet wound was made better with medical-grade supplies. These things felt like a blur and as the two-person medical team began moving Aaron onto a stretcher, the sound of police sirens in the distance became audible. y/n realized that the helicopter operator had shared the patient's location and law enforcement was coming to help. This allowed y/n to relax slightly realizing that they were not going to be left alone in the woods once the Medevac was gone. 
Although y/n had felt peace knowing more help was on the way, the questions seemed endless as police arrived and went over the course of the afternoon again. They pointed out everything. Said as much as they could remember and watched as the orange helicopter lifted off and moved Eastward. The last thing they heard from the trauma team at the hospital was, “We have a multisystem failure. Patient is already on a transfusion and Fentanyl…” as they passed by,. y/n’s brain now felt like scrambled eggs and they longed for some respite. Eventually, the police said that y/n would need to come to the station and that they could get a ride in one of the cruisers. Behind y/n’s back, the officers also noticed that y/n should also go to a hospital, and driving there themselves was not a safe idea for them. A few minutes later, y/n tipped their head against the headrest in the backseat of the police car simply letting things happen to them at this point. The officers had assured them that a recovery and crime scene team would gather their belongings from their campsite along with their car. This was all for evidence too, but y/n was too tired to comprehend what was being said to them. 
A few hours later y/n made it out of the room they had been seen in at the hospital. It was very dark outside at this point but the police had easily identified the man they had found, Special Supervisory Agent Aaron Hotchner. The words ran over y/n like a wave. Anything would bowl them over now, but finding out that they had found a federal agent near death in the woods was astounding. In the hospital, y/n was given a thorough exam and then given some strong sleep medication and some Benzos so that y/n could have a sound night’s rest. The local police station had called the Quantico Field Office to let the Beaure know that Agent Hotchner was in critical condition at the JFK University Medical Center.
 As it turned out the BAU was out on a case at the moment, but the Lead Team Coordinator said they would reach out. Within the hour the hospital and police station knew that a member of the BAU was flying up immediately on their jet and should be there sometime around three in the morning. With this information in mind, the police had asked y/n to stay at least one day in town before going home. The very professional-sounding man, Agent Rossi, who was headed to the hospital had asked them to stay and talk. The police had made the choice easy by booking a cab and a room to get y/n from the hospital to the hotel room they had booked in their name. Thankfully, y/n’s boss, after a few minutes of explaining what had happened, had given them the rest of the week off. y/n knew they would need it. Nothing felt quite real anymore and some more time alone would be good. Before y/n went to call the cab, to get a shower and sleep, they stopped at the receptionist's desk and asked, “Do you know if Aaron Hotchner is in a stable condition?” The nurse asked them how they knew the patient and y/n showed their own medical bracelet and explained that they had found Mr. Hotchner. The man looked at y/n and how tired they appeared, nodded, and replied, “I’m sorry, I can’t share any information about the patient” There was a long pause before they added, “However, Mr. Hotchner is still in the ICU.” y/n nodded, wanting more information but also knowing that they had already been told more than was allowed. With that scant information, y/n moved outside and caught their ride. 
The first thing that was surprising to Aaron was the fact that he woke up at all. The feeling of the stiff mattress against his fingers and the crisp sheets covering his body. The sterile scent of antiseptic was the next thing he noticed. He took a few moments to just take in the fact that he had survived the ordeal with Roman. Much of what had happened after the beating in the bar was foggy and beyond his reach. He tried to take a deep breath to center himself but that was a serious error as this triggered parts of his body that weren’t ready to be used that way yet. He let out a cough only exacerbating his pain. The feelings of multiple IVs which he detected now became more apparent and when he opened his eyes, the blurry figure of someone standing came into better focus as the door to his room opened letting in more light from the hallways. As his vision cleared, he could see Dave turn around and greet someone who must have been a doctor. Rossi stepped back a bit, but just knowing Dave was here let Aaron be checked over and taken care of. He didn’t have the energy for much more than being pocked and very lightly prodded before he slipped back into unconsciousness. 
The next time Hotch woke, he was more aware. The room didn’t spin and he could see Dave looking down from his seat near the hospital bed. Aaron didn’t know what to say and just said, “Hey.” At hearing Hotch, Rossi sat forward in his seat and softly replied, “Hey there. Looks like you had a hell of a time with Sean.” Sean hadn’t even crossed Aaron’s mind, but Dave’s attempt at humor while he was feeling like hell was actually funny and Aaron let out a half scoff, half laugh before leaning his head back on the pillow. It wasn’t until he tried to move the blanket to feel more covered that he realized his arm was in a cast. His whole body felt numb, and in that moment, he was grateful for opioids. Rossi moved forward and moved the blanket up and over Aaron’s shoulders. Hotch looked up at Dave and asked, “How bad?” Rossi’s eyes moved toward him, a sure sign that it wasn’t good. After a deep breath, Dave said, “You lost a lot of blood, you’re fighting an infection, concussion, broken arm, and multiple lacerations to your head and body.” Hotch nodded, absorbing the information before saying, “Yeah, Sean really did a job on me.” Rossi could see regret in Aaron’s eyes even though the statement was an attempt at a joke. Dave frowned. Something had happened with Sean and it wasn’t fair to Aaron after being through such a crucible that he should feel bad about anything at the moment. Dave thought about reaching out and patting Hotch on the shoulder, but it was likely Aaron wasn’t looking for touch right now, so he settled with telling his best friend that the team was coming to find LeBrant, who had gone into hiding, and how Jessica would bring Jack down when the doctors said it was okay. Aaron nodded again, thankful that Dave knew him so well. When Rossi had given him some time to just relax and center himself, Aaron asked, “Who was it that found me? Have you seen them?” All Aaron could remember about the person who had saved his life was that they had stayed with him. That their presence, even if he had died, had made him feel safe. 
Rossi replied, “I haven’t seen them yet, though I’ve asked them to meet me here. There are some questions I still have about their report. They should arrive in a few minutes, and that way you can have some time alone if you like. I did read about them, they’re name is y/n y/l/n y/a and they live in Virginia.” Aaron swallowed, his mouth feeling dry before saying, “I’d like to see them when they come. If they’re comfortable with it.” Dave nodded and replied, “I’ll ask them when they get here. For now, just try and rest. Let me know if you need anything and I’ll get the nurse.” Aaron nodded and let his eyes slip closed again. He could sense that Dave was keeping things from him, about what he couldn’t tell, but he’d ask in time, for now, he was alive. 
y/n entered the hospital again. This time it felt better. They were going to get some answers, hopefully, or at least some information about Agent Hotchern’s condition. They’d answer more questions about that information. After the last few day or so the thought of Mr. Hotchner hadn’t left their mind. y/n went to the receptionist who paged another party in the hospital and after a few minutes, an older man walked into the hallway. y/n could tell that he was Agent Rossi instantly. His clothing and demeanor gave him away, along with the deep circles under his eyes. y/n turned toward the man and extended their hand toward him. Rossi gave y/n a reassuring smile and as he took their hand said, “Hello. I’m Agent Rossi. You must be y/n y/l/n?” y/n nodded yes and said, “Yes Sir. That’s me.” Dave gave a small laugh at being called sir, and gently led y/n to a seat on the far side of the waiting room. They both took a seat and there was a moment of awkward silence as they both made mental observations about the other. Finally, y/n said, “Agnent Rossi, I’m happy to answer any questions you might have about my report, but could you tell me if Mr. Hotchner is alright?” Dave dipped his head and pulled himself together saying, “He’s doing better. He’ll have a hard and long recovery, but he’ll be alright. Hotch has gone through a lot, he’ll make it through this too.” y/n listened thinking about the type of person that can say with confidence after such an ordeal that they would make it though. It seemed like a lot, but Mr. Hotchner was clearly cut from Kevlar. y/n replied, “Thank you for telling me. Now, um, what questions did you have for me? I wrote down some notes to try and jog my memory.” Rossi lifted an eyebrow as y/n pulled a notebook from their mini backpack and flipped to a page that had a neat, color-coded timeline of events. Dave smiled at this before saying, “I would like to look at your notes, but I have some questions of another nature to ask first.”
y/n looked confused about what Rossi had said, and he clarified stating, “I’d just like to know if Aaron said anything to you while you were with him?” y/n let out a breath realizing this was a more personal visit. This was to see how his coworker was, not physically, but mentally and emotionally. y/n felt bad for not having thought of that before now and swallowed, realizing this was going to be another layer they would need to unpack within themselves as well. After this thought had passed, y/n replied softly at first, “We did kind of talk, though I did most of it to keep my mind still.” Rossi nodded encouraging y/n to continue, which they did. “I did ask him where he was going and he said that he was going to see his wife. And that he was sorry for his son. He tried to say more after that but it was all sort of jumbled up.” y/n looked up, fresh emotions welling up in them at the remorse that Mr. Hotchner had shown while he lay dying. There was a glimmer of tears in Dave’s eyes too and y/n moved a hand to his comfortingly and asked. “Agent Rossi?” to check in on him. Dave sniffled and moved a handkerchief under his eyes before squeezing y/n’s hand back replying, “Please, just call me Dave. Aaron’s wife passed a little over a year ago. I, I guess I didn’t know what he would think about, but it would make sense.” 
Hearing Dave’s words, a pang of hurt shot through y/n. Suddenly Aaron’s words made more sense. He said he was going home and being sad about it. Jack’s name popped into their mind and y/n asked hopefully, “His son, Jack. He said he had a son. Is he okay? Is Jack with his mom?” Dave closed his eyes and replied reassuringly, “No. Jack is fine. He’s a sweet and hyper kid.” That thought, of Aaron’s son being there for him, made y/n feel better. It was strange for them, to have such intense and strong feelings for a man they hardly knew, but then again, they had been through a lot together. There were a few more minutes of silence as Dave processed and moved on by asking to look at y/n’s notebook and to ask questions for them. Looking at y/n’s notes and the very detailed recount they had written was precise and smart. Not perhaps like a profiler, but somewhat so. That conversation lasted about a half hour and Rossi could see that y/n was tired and he still needed to broach the topic of them seeing Aaron, so to take something off of their plate he began by saying, “y/n this has been very helpful for me, both as Aaron’s coworker and as his friend. I know you’ll need your own time to process and work through all of this but I might need to contact you again by myself or a member of my team. Would it be okay if I left you my number and I got yours?” y/f felt a hitch in their breath thinking that this might be over. All the adrenaline came to a big crash like a wave on the rocks. But it had to end sometime, at least they thought so, so they nodded yes. The pair traded numbers and then Dave said, “y/n, I know this has been a lot, but I was just with Aaron and he asked if he could speak with you if you’re up to it. If not, he’ll fully understand.” 
At the suggestion, y/n’s eyes shot up in surprise. Not that they hadn’t been thinking about the man twenty-four-seven since they’d first seen him in the woods, but the idea that he would even want to see them felt like a surprise. Curiosity suddenly turned into apprehension and for a second they thought about running out of the room for some wild reason. But y/n came back to earth and knew that perhaps this would be their only time to see the man they’d helped and it would hopefully make things feel more resolved, more final. And they’d have the peace of mind of knowing that he really was alright. So y/n nodded yes and Dave gave them one of his reassuring dad smiles and got up, leading y/n toward Aroon’s room. He flashed his badge when he came across anyone looking at him funnily. At the door to Hotch’s room, Dave knocked and opened the door slightly saying, “I’ve got a visitor for you, Aaron.” There was a muffled response from inside and then Rossi stood back and said, “I’ll be just outside when you’re finished.” y/n swallowed thickly and stepped into the room. 
The space was large enough for a chair or two by the hospital bed, surrounded by medical equipment that beeped on a cycle of minutes, keeping time. The lights had been dimmed and as y/n’s eyes adjusted, they took a small step closer toward the bed. Mr. Hotchner was all cleaned up from his blood-soaked state and now that he was visible, y/n couldn't help but notice how striking and attractive he was. y/n pushed that thought aside, it wasn’t the time. His dark eyes met theirs, and y/n said awkwardly, “Hello Mr., I mean Agent Hotchner, Sir.” Hotch let out a half laugh and said replied, “It’s alright, you can call me Mr. Hotchner, or just Aaron is okay.” y/n nodded listening to his deep voice. Different than how it had been in the woods. There was life in this version of him, and it made y/n feel better. y/n took another step forward, not sure what to expect. 
Aaron watched y/n move forward. They were young. Younger than a normal person should have to deal with such stress and anxiety. He could see their apprehension even as they stepped close to him. Aaron cleared his throat and said, “Why don’t you have a seat, y/n.” y/n did as he said feeling the authority in his presence even as he was in bed recovering. Of course, he wasn’t directing that toward them, just that that power was there in him. It didn’t surprise y/n that he was someone important in the FBI. y/n sat in the chair closest to Aaron so they could hear him better. y/n wasn’t sure how to act now. They wanted to say they were sorry about his wife. But that was too personal. y/n opted for just asking, “Are you feeling okay?” The words sounded hollow in the face of the pain he had experienced in his life. 
Hotch smiled slightly, seeing the struggle in y/n’s eyes. He was glad to see y/n. To really see them and know who they were given how they had kept him calm and feel safe a day ago. Once y/n was seated he replied, “I’ll be okay. It’s just going to take time. I wanted to see how you are doing actually.” y/n’s eyes widened slightly. Shone in the darkness of the room. Taken aback they said, “I’m… okay. I always end up being okay in the end.” Hotch nodded, seeing himself in y/n instantly. Another survivor of a difficult life. It was easy to compartmentalize, and he didn’t want that for them. Not this young. So he said again, “I hear you. But how are you, really feeling?” y/n took a deep breath and tried to suppress the emotions before saying in a shaky voice, “Tired, scared and I don’t know why.” Aaron nodded in understanding. He moved his hand toward y/n, not sure what his intentions were with that movement. Hotch replied, “You don’t have to think about it all right now. But don’t let it out with someone at some point it will eat you up. Do you think you can take this?” 
y/n knew that Aaron was asking about just life in general. How overwhelming it could be after something like this. They had dealt with these feelings before, not like this, but close enough for y/n to say, “Yes. I can bounce back.” Hotch knew that response too. The bounce back. He didn’t want to pressure y/n to seek help, he’d be a hypocrite for saying so, but he worried. This person had saved his life and he didn’t want to see them crumble for it. Hotch took a moment and said, “Thank you for being there for me. I wouldn’t have made it without you.” Not really thinking he added, “You made me feel safe in that moment. I didn’t know if I was going to feel that again.” There was a long silence after his statement as they both absorbed his words. The quiet was punctuated by y/n’s quiet response of, “You’re welcome. I’m happy I could be that for you, Aaron.” y/n looked over at Hotch and could see there was something there. A bond, a name whisper on the wind, or a star. It was a flicker for just a moment and it was gone, but they had both felt it, some of the overwhelming feelings they both housed within. 
In another moment Aaron said, “I’ll let you go, but I’m sure Dave has given you his number, but tell him to give mine as well. I may not be at my best right now, but if you ever need anything y/n, anything, you can give me a call.” y/n nodded and stood wondering if the last they’d ever see of Aaron Hotchner, and was at least grateful for having crossed paths with him. They brushed their hands over his hand for a moment before smiling, saying “I hope you are well soon, Aaron,” leaving the room. Aaron watched as their figure moved outside and stopped to talk to Dave for a moment then disappeared. 
Rossi entered the room and asked, “Do you feel better now?” Hotch nodded and replied, “Yes. Did you give them my number?” Dave laughed and said, “Sure did, office and cell.” Aaron huffed but then said seriously, “y/n will need protection for a few weeks at least.” Rossi replied, “Already on it. Or Garcia is on it. Knowing her, y/n will be getting flowers and chocolate for life.” Hotch laughed at the truth in that statement and felt better. Yes is sucked, this sucked, and his body hurt like hell, but he was alive and things would get better. Aaron’s mind flickered back to his fight with Sean and he laid back on the bed with a groan. Dave watched and eventually, Hotch said with his eyes still closed, “Would you call Sean for me?” Rossi had Sean’s number in case of emergencies with Aaron, Jack, or Jessica. Rossi had everybody in the team's close family on that list. Dave couldn’t help but say, “Why do I have to call him, if you do will he throw his phone out the window or something?” Hotch scoffed and replied, “Just about, but I need to talk to him.” Rossi understood and took out his phone and dialed Aaron’s younger brother before handing the line over to Aaron. 
Aaron had something planned to say, but Sean beat him to it saying, “I’m sorry, Aaron. I shouldn’t have treated you like that. You don’t deserve it.” Hotch let out a breath and replied as lightly as possible, “You bet I didn’t. But I want to apologize too. I got hot-headed…” Rossi motioned for Aaron to ask if he wanted him to leave the room or not. Aaron nodded his head no, and Dave settled in his chair. As Sean and Aaron spoke, and attempted in their own ways to make amends, Aaron knew that things would get better. There was family, be it Jack, Sean, or the team, and there were people out there willing to help. The image y/n smiling down at him filled him with a strange warmth, and he let the image and feeling linger as Sean went on about his day.
Tumblr media
Text Break Banners by @cafekitsune
Tag list: (🩷) @tgskitten @geminitap @silk-spun @criminalskies @alicewonderao3, @timelapsequeen, @oi-oikawa-tooru, @kleff03, @hotchfiles @samaldonado5 @potatovoyager
Want to be added to my tag list? Please check out this post (linked) 
Want to send in a request? Please check out this post, CM Request Post (linked)
96 notes · View notes
septembercfawkes · 3 months
Text
The "Bathtub Story": Why It's a Problem, How to Fix It, When to Use It
Tumblr media
Writing a "bathtub story" is rarely a good idea. It often fits right up there with flashbacks; most of the time you shouldn't use them, but in certain circumstances, you can get away with them. Bathtub stories lack immediacy and as such, often bring the narrative to a grinding halt. 
Yet they are common for new writers to write. So let's go over them, why they're a problem, how to fix them, and when to use one (if you dare 😉) . . . I also have a little offer for my followers at the end, so don't miss that 😊
What is a "Bathtub Story"?
The term "bathtub story" originates from author Jerome Stern, who talks about them in his book, Making Shapely Fiction. He writes:
In a bathtub story, a character stays in a single, relatively confined space . . . While in that space the character thinks, remembers, worries, plans, whatever. Before long, readers realize that the character is not going to do anything. . . . The character is not interacting with other people, but just thinking about past interactions. Problems will not be faced, but thought about.
A bathtub story is essentially a story that takes place in introspection.
While most novels won't literally be an entire bathtub story, many new writers have bathtub scenes or chapters, where the character simply reflects and doesn't do anything meaningful. While Stern likens this to someone in a confined tub, I would argue these can happen even when the character is moving. The character may be taking a walk or washing the dishes, but the story elements only exist in her head.
Tumblr media
Why Bathtub Stories are Problematic
Bathtub stories are a problem because all the interesting stuff is in the character's mind (if there is any interesting stuff). This brings in several issues.
1. The Story isn't Moving Forward
Because the bathtub story happens in a character's head, the character isn't taking action. Instead, she's likely ruminating on the past. While you can have a characteristically lazy protagonist, when it comes to the actual plot, all protagonists need to be problem-solvers. And not just in thought, but in deed. A true protagonist is a driver of the story. She must be actively trying to solve problems (that come from antagonistic forces and conflict). Otherwise, she is a passive victim or passive observer (in which case, she probably isn't the true protagonist, but just a viewpoint character).
If she's not problem-solving, the plot probably isn't moving forward. The protagonist should be in the concrete world, taking action or revealing important information, creating turning points. She should have a goal, and a plan, and should be pursuing them--even if the goal is to avoid something.
When she's stuck in her head, she may be thinking about her problems (or past experiences), but she's not influencing the trajectory of the story.
If she's not acting, she's also not completing a meaningful character arc. A character arc shouldn't be superimposed on a story, it should happen because of the story. How the character responds to meaningful antagonistic forces (which includes how she tries to solve problems), creates the character arc. The antagonists challenge her to change, or test her resolve. That can't really happen if she's not doing anything.
At the end of the bathtub scene, ask yourself: Has the protagonist's goal or plan shifted? Has her belief system been challenged or tested by antagonists? 
If the answer is no, you likely haven't progressed the story.
2. The Character doesn't Demonstrate Agency
The protagonist needs to be making meaningful choices. For those choices to be impactful, they will be shown by the character taking significant action or revealing important information. Otherwise, his choice never leaves his skull, and therefore doesn't actually matter. So what if he thinks about what he wants to do? Real decisions will be shown. 
We all think about things (goals, plans, or otherwise) that we don't actually pursue. If someone thinks about fixing your leaky roof, but never shows up, who cares? If someone thinks they can help with your relationship problems, but never reveals any advice, does it matter? Not really.
Because the role of the protagonist is to be a driver (and not just the antagonist's passive victim), he needs to act on choices to try to achieve goals and solve problems (which helps move the story forward).
Many writers mistakenly think that making the protagonist a passive victim makes him more sympathetic and likable. In reality, the opposite is true. An active protagonist who demonstrates agency is more sympathetic, because he carries some level of responsibility and accountability for any negative outcomes that happen (plus, he also shows us how badly he wants his goal). We all have random crap happen to us. It's more painful and sympathetic when well-intentioned choices lead to heartbreak. (For more on this topic, scroll down to #4 on this post.)
Not demonstrating agency, again likely means the plot or character arc isn't moving forward (and that your protagonist isn't interesting.)
3. Lack of Immediacy
With the "interesting" stuff happening in the character's head instead of concretely, the bathtub story lacks immediacy. The story isn't unfolding for the audience, and because the character is confined to introspection, she's not impacting anything at hand. A lack of immediacy almost always means a lack of tension. If there isn't a current threat, there isn't potential for problems to happen.
4. Focuses on the Past
Speaking of a lack of immediacy . . . bathtub scenes almost always segue into one or more flashbacks, which are likewise frequently frowned upon. Bathtub scenes at least usually focus on the past (even if there is no official flashback.)
Writers tend to look at the past--how the character got to where he is now, or how the current situation came about. While that can be meaningful for the writer, it's often boring for the audience. Or at least less interesting.
The past has already happened. You can't change it. What the character or antagonist does now, won't influence what happened then. (Well, unless you are writing a time travel story, but let's assume you're not).
Instead, the audience wants to be in the present, which holds more tension (or it should, if you've set up your story right). In fact, they actually prefer to lean into the future on a regular basis. The future hasn't happened yet, so it's more exciting, and what the character does now, will (or should) alter the future. While the audience likely can't verbalize it, they want you to imagine the different paths forward the story could go, and then convey them on the page. This is what creates stakes. Stakes are potential consequences. They are about what could happen if a certain condition is met. And what could happen is exactly the sort of thing that hooks and reels readers in.
Think about it. At the most basic level, hooks work by getting the audience to look forward to a later point in the story--to anticipate something they may read later (or soon). So, they keep reading.
You want to regularly lay out what could happen, and almost always in relation to the protagonist or antagonist. If the protagonist successfully does X, then Y will happen. If the antagonist successfully does A, then B will happen. Now the audience needs to see if the protagonist successfully does X or the antagonist successfully does Y. (Or something of that sort.)
In fact, one of the few times visiting the past works well (including with flashbacks), is when doing so provides insight that could affect the future.
5. It's Abstract
If there isn't a flashback, then chances are the bathtub scene is full of abstracts and hypotheticals. The character is musing or even pontificating about the meaning of life, love, society, or what it means to be a homo sapien.
A story that is full of abstracts, often isn't as interesting. This relates to the "Show, don't Tell" rule. Stories are almost always more effective when they appeal to the senses and render a concrete world. 
Even if you do want to write about love, it's usually more effective to "show" it, than tell it. (And if you tell it too much, in the wrong way, the story may sound preachy.)
6. Hurts Pacing
For all of the reasons stated above, the bathtub scene almost always leads to poor pacing. The lack of proper plot elements (and often, the lack of proper structure), paired with too much introspection focused on the past or abstracts, kills immediacy and brings pacing to a grinding halt.
If the story isn't going anywhere, then the reader is probably out before you can say "bubble bath." Maybe they'd rather watch paint dry and do their own pontificating in the tub.
Now that we've talked about all the problems, let's get into how to fix a bathtub scene!
Tumblr media
How to Fix the Bathtub Scene
1. Get Out of the Bath
Bet you didn't see that one coming, did you?
Get the character out of the "bath" (or off her walk or away from the dishes) and put her where the action is. Or better said, where the true antagonist and conflict is (and that doesn't always mean a "bad guy" or a fistfight or shouting match (see links)).
2. Give the Character a (Current) Goal and an Antagonist
Give your character a current goal with a plan she can start taking current action toward. At the basic level, there are three types of goals: obtain, avoid, or maintain. Any of them is fine, as long as the goal has an antagonistic force opposing it.
Often big goals will break down into little goals, which turn into scene goals. So really, most scenes should have a goal for that scene.
The (scene) goal should be significant, meaning whether or not the character achieves the goal somehow shifts the direction of the story and influences what happens in the near future.
A goal to shave your legs in a bathtub or wash the plates probably isn't significant enough to merit a scene. It's unlikely those goals have the potential to shift the plot's trajectory or affect the character arc. (If they do, well, that might be a reason for a rule break.)
For a scene, the shift doesn't have to be huge, but it needs to be impactful enough to somewhat alter the protagonist's path forward.
The shift for an act should be bigger.
And the shift for the whole story should be huge (read: super impactful).
If you have a bathtub act or literally an entire bathtub book, you probably have a major problem.
3. Demonstrate Choices, through Action and Revealing Knowledge (Information)
As per #2 above, make sure your character is demonstrating agency. A choice doesn't matter if it doesn't leave his head. His choices should be shown in how he interacts with others and the environment. If he chooses to fix a leaky roof, he needs to actually get his tools and climb the ladder. If he chooses to give relationship advice, he needs to open his mouth and reveal his knowledge there to another individual. Thinking about it isn't enough.
4. Write in the Present
Do you really need that flashback or long introspection about the past? For most newer writers, the answer is no. If the info isn't contributing to the plot (how to get the goal, how to defeat the antagonist, how to resolve a conflict, or how to influence consequences), or the character's journey (her heart's deepest desire or her character arc), or the theme (what the story is exploring and arguing), then there is a 99% chance it doesn't need to be in the story. If it does affect those things, it may be worth including. Ask, does taking it out "hurt" or weaken one of those elements I listed?
If the past info really needs to be in the story, does it have to come through a bathtub scene? Is there a way it can come into the story other than straight-up introspection? Can it be "exposition turned into ammunition"? Can mentioning it contribute to the present, or better, the near future? Is there a way the story can be organized so that it happens in real time? Sometimes the flashback can actually be moved into the present by starting the scene or story just a little earlier (though this depends how far back in the past the flashback takes place).
Strive to focus on the present, and even mention the near future. Sprinkle the past in when it contributes to, and doesn't take away from, what is currently playing out.
5. Be Concrete
Show more than tell. (That's really all that needs to be said here.)
Tumblr media
When to Use a Bathtub Story
With everything terrible a bathtub story brings in, is it ever a good idea to write one?
All rules are really more like guidelines and can be broken effectively, when handled with care.
In order to do that though, you have to understand why the rule exists, so you can downplay the costs that come with straying off the proven path.
So, now that we understand why the bathtub story is a problem and how you can fix it, let's marry what we've learned and talk about how to make one work.
1. You're Writing a Frame Story
A frame story is a story within a story. It will open with a character telling a story, and end with him finishing it. It's also possible that more than one story is told by the character.
The main story, is the story within the story, which essentially comes from the speaker's memory, so it is usually part of the past, as well as part of his mind.
I'm personally not a big fan of this method, but it does exist and can be useful in providing additional context for the main story. It's also usually more effective when the main story is affecting whatever is currently or about to happen to the speaker.
Obviously a frame story often acts as a sort of bathtub story.
2. The Antagonist is the Self, and this is Internal Conflict
A bathtub story or scene may work if the character is in (meaningful) conflict with himself. We are often cautioned against using a lot of introspection, but if a character is having internal conflict, then he both holds a goal and is also his own antagonistic force. This can be used to create a sort of rising action, as long as the proper plot elements are in place. It is a wrestle within the mind (or perhaps, between the mind and heart.) The climactic moment, the turning point, is the character coming to a definitive decision.
With that said, however, as Ross Hartmann points out in The Structure of Story, it's usually more effective to dramatize or "show" the internal conflict. Have the character take one action toward one outcome in one beat, and then an action toward the opposing outcome in the next.
But depending on where in story structure the internal conflict shows up, it may be handled better one way over another . . . 
3. You're in the Falling Action
Story structure is a fractal. Not only should the story as a whole have a rising action, climax, and falling action, but inside of that, so should each act, and so should each scene. 
Tumblr media Tumblr media
During the rising action, the character should (almost) always be proactive. During the falling action, almost always, the character is reactive. She's reacting to whatever just happened.
If you are familiar with Dwight V. Swain's approach to scenes, this is essentially what he calls the "sequel."
At this point in the structure, it may not matter too much what the character is doing physically, what matters is how she is reacting, and then, what she decides to do next.
If you are in the falling action, it may be perfectly acceptable to write a (short) bathtub story.
4. It's Focused on the Future
As mentioned above, we are often cautioned against writing a lot of introspection. This is in part because writers often focus introspection on the past.
But when the introspection is focused on the future--what could happen if a goal is or is not reached and/or what the character plans to do next--then it becomes more relevant and more interesting. In fact, not only does it not take away from the story, but it can strengthen the plot. Introspection can be used well to lay out significant stakes. And, technically, this could be done in a "bathtub."
Just make sure having the character think about the future, leads to him soon taking action to try to influence it.
5. The Point is to Show Nothing is Happening
In rare, rare situations, the point of a scene may be to illustrate that nothing important is happening, and no changes are taking place. Such scenes almost never work (and if anything, are usually better conveyed in summary), but, someday, in some story, you may find yourself in need of such a moment. A bathtub scene might arguably work there. 
Just don't make it longer than it needs to be to get the point across.
There are a couple of other times you may get away with a bathtub scene: if it's somehow contributing to theme, or if it's super entertaining or intriguing. 
All in all, be cautious.
They fail more often than they succeed. 
97 notes · View notes
the-cypress-grove · 7 months
Note
Hi hi I saw ur "So, you want to write ..." post for vamps and zombs would it be possible a werewolf one be made?
Love ur blog by the way makes my brain happy
So, You Want To Write Werewolves....
I had been planning to do werewolves next so I had already been making a list. As always, take the bits you want/need, don't feel you have to answer every question I write, and always always do what works for you and your story.
Werewolves Through History
Lots of myths around the world feature some form of werewolf, or at least people in possession of the ability to turn into animals. Sometimes they're helpful like the Wulver of Scotland who leave fish for people in front of their houses. Sometimes they're malevolent forces like the Skinwalkers of Native American legend.
In Europe, France especially, there was a fear of these creatures and many were killed because they were believed to be one. In some cases, these people were at least partially skinned as it was believed that a werewolf had fur on the inside.
If you want to research a particularly notable case of werewolves, then you should look into La Bête du Gévaudan, France. It was believed a werewolf perpetrated 210 attacks resulting in 113 deaths and 49 injuries. 98 of the attacked were partially eaten. Eye witnesses and survivors of these attacks claimed that it was a wolf the size of a donkey and then came the belief about werewolves for which some people were executed. All these attacks took place within about fifty miles of each other. These attacks were so bad it was brought to the attention of the king at the time, Louis XV, who sent people to deal with the creature.
You might want to make a note of the beliefs about werewolves i.e. their strengths, their abilities, their weaknesses, as these will be useful when you come to design your werewolves.
The Complete Book of Werewolves by Leonard R.N. might be worth reading if you find this interesting.
2. Genre Decisions
Before even beginning to design your werewolf you're going to want to decide what genre you're writing in. A werewolf in a horror story will have different qualities and weaknesses compared to, say, a werewolf of in a romance novel. There are usually fewer werewolves in a horror story and larger packs of werewolves in stories where the werewolves are more friendly.
3. Origins
In almost all stories the origins of werewolves as a species are entirely unimportant. This might be something you want to include / explore in your story so I'll touch on it briefly.
Was it a gift or a curse? Was it simply evolution? Have werewolves changed from the time of the first werewolf to the time your story is set? Were they created by a higher power? Was it magic?
4. Wolf Behaviour
Something you might want to look into is the behaviour of real wolves. If your werewolves lose their human mind / have wolf instincts do these follow the patterns of real wolves?
This will help you know how big a territory they might have, what leadership structure they might follow, what techniques they might use to hunt their prey.
Bare in mind, different types of wolves have different behaviours. Does this affect your wolves? Do different wolves of different regions behave in different ways?
5. Werewolf Design
So, now the fun bit. You get to make your werewolf.
Are they affected by the moon? When they turn, do they keep their human mind? How much like a wolf do they look? Are they wolflike or do they have wolf qualities but walk upright? Does shifting forms hurt? How long does it take?
Do you have to be born a wolf or can you be tuned? Does silver affect them? How can they be killed? Do they age? Is their aging process slowed? In some stories werewolves have soulmates, is that the case for yours? Do they live in packs?
How quickly do they heal? Are they strong and fast even in human form? What are there sense like compared to a human? If their abilities are better than that of a human, is it the same in both forms or are their abilities weaker when in human form?
Pick the qualities the suit your story / selected genre the best.
6. Themes
The beast is among us.
Themes of werewolf stories often depends on the genre. In a horror story the themes centre around the struggle between man and beast, humanity and the natural world, secrets, deception, and the illusion that we are in control.
7. Pack Dynamics
If your werewolf knows others amongst their kind then they will most likely be at least one pack in your story. You need to decide the size of the pack, how they function on a full moon vs when they are humans, how are they funded, their leadership structure. Are their packs strictly werewolf only, or can others be found amongst them?
8. Threats
What threats are there to your werewolves? Is it others of their kind Another species? Are there werewolf hunters? Who knows that they exist? Is it common knowledge or do they keep themselves hidden? How far are they willing to go in order to protect themselves?
158 notes · View notes
em-dash-press · 9 months
Text
The Biggest Differences Between Points of View
Sometimes stories flow from our minds. They jump onto paper when we channel our creativity, announcing themselves without plans or outlines. Other times, we have to make specific choices before putting pen to paper. Picking between the different points of view is one of them.
These are the biggest differences you should know about to choose the best POV for your next manuscript.
First-Person Point of View
First-person point of view happens when a protagonist tells the story from their perspective. It focuses on their experiences and understanding of things, while leaving out the direct input of other characters.
First-person POV uses “I” or “we”
It lets the reader in on the protagonist’s thoughts and feelings
It sticks with the protagonist’s understanding, opening the possibility for an unreliable narrator or plot twists as your protagonist learns new information later.
Second-Person Point of View
Second-person point of view happens when the author addresses the reader through their narrator. It brings the reader directly into the story and occurs less frequently in fiction manuscripts because readers generally want to experience stories, not feel involved.
Second-person POV uses “you” to address the reader.
It talks to the reader directly, like: “You sat in the room and listened to your brother talk.”
It doesn’t appear in fiction very often because readers don’t want to be actively involved in fiction novels. They also haven’t experienced the story.
You may only use this POV if you write fanfiction that purposefully involves the reader.
Third-Person Point of View
Third-person point of view happens when the narrator isn’t involved in the story. It includes pronouns like “he,” “she,” and “they” to describe characters. Writers use this to provide objective narration or an outside perspective so readers never fully understand what goes on in a character’s mind until the character or plot reveals it.
This POV also has three types:
Third-person omniscient: The narrator knows each character’s thoughts and feelings. People often relate this to the narrator being a god figure because they’re all-knowing.
Third-person objective: The narrator uses third-person pronouns, but doesn’t access the characters’ thoughts and feelings. The reader gets an objective view of the plot while the characters' outward words and actions further the emotional undertones.
Third-person limited omniscient: The narrator knows each character’s thoughts and feelings, but spends most of the time with the protagonist. The author has more choice over which character’s inner workings get revealed and at what time.
Point of View FAQs
What does point of view mean?
Point of view describes how a writer tells their story. All three offer different strengths and weaknesses, depending on the story you want to write.
What is an example of writing from an unusual point of view?
Writing from the second-person point of view would be most unusual in a traditional fiction story setting. Readers don’t pick up books to get themselves personally involved in the plot. It works better in fanfiction settings.
How do you pick a point of view?
You can pick a point of view for your story by going with your gut or reviewing the purpose of your plot. Sometimes stories have obvious perspectives, so we know how it’s going to translate on paper.
Other times, writers have to consider what they’re about to write. A manuscript that needs an unreliable narrator to deliver key plot twists might go with first-person POV or third-person limited-omniscient POV.
If you’re writing a story that jumps perspectives between more than one character, third-person POV could provide the omniscient tools you need to convey each different mindset clearly. You could also use a limited-omniscient point of view to jump mindsets while staying just within each narrator’s mind. The other characters around them would have minds that are off-limits to the narrator.
You don’t need to pick one point of view and never stray from it. If it feels wrong while you’re writing, edit what you’ve already written to morph it into another POV. Writers do this all the time. It’s one of the creative freedoms you have in your writing practice.
-----
Try not to stress too much about memorizing the different types of point-of-view or picking one for your next manuscript. You can always switch POVs by reworking your draft if you need to. They’re all great options. It just depends on what you’re writing, the plot elements that are most essential to your story, and what experience you want to create for the reader.
232 notes · View notes
frankingsteinery · 4 months
Text
for my 100th post (!) i thought i would, at long last, make a catch-all analysis on victor and elizabeth’s relationship, their marriage, and why specifically it was incestuous. throughout i may mention my interpretations of caroline’s past and her pseudo-incestuous relationship with alphonse, which you can read here. it’s not necessary to understand this post, but you’ll miss some of the nuance of the relationships between the frankensteins without it
in the 1818 version of the novel, elizabeth is the paternal first cousin of victor. she is, like caroline, similarly upper-class but falls into misfortune when her mother dies and she is left under the care of her father. these parallels become important later. after elizabeth’s mother dies, her father writes to alphonse “….requesting [Alphonse] to take charge of the infant Elizabeth” and that it was his wish “…that [Alphonse] should consider her as [his] own daughter, and educate her thus” (1818). that is, it was explicitly intended for elizabeth to be reared as a daughter to the frankensteins (and thus victor’s sister). 
in the 1831 edition, caroline specifically has an interest in elizabeth because she sees herself and her own situation in her, a background that mirrors her own. i’ll directly quote a post of mine instead of reiterating the same point. essentially: from the beginning caroline deliberately sets up parallels between herself and elizabeth. she wants a daughter, and adopts elizabeth specifically because elizabeth reminds her of herself, but grander: like she was, elizabeth is also a beggar and an orphan and homeless, but her story is more tragic, she is more beautiful, her debt to her caretakers more extreme, and her romantic relationship will go on to be more explicitly incestuous. through elizabeth and victor, caroline will perpetuate her own abuse. the difference is, unlike her own, this is a situation caroline can control.
from the beginning, at six years old, victor and elizabeth are raised with the expectation that they are going to be wed when they are older. as an adult, elizabeth reflects “that our union had been the favourite plan of [their] parents ever since our infancy” and that “we were told this when young, and taught to look forward to it as an event that would certainly take place” (1831). this is because of caroline’s “desire to bind as closely as possible the ties of domestic love” (1818), and so she is raised as victor’s “more than sister” (1831). they are encouraged to play at the role of mother and father/husband and wife together via raising and educating their younger siblings, particularly ernest. ernest is described as being victor’s “principal pupil” and, during his illness in infancy, elizabeth and victor were “his constant nurses” despite caroline, alphonse and maids/servants/caretakers being available
simultaneously, caroline grooms elizabeth into being a mini-me, calling her her “favorite” and encouraging her to embody the same values as her. caroline does all she can to have elizabeth be what is, essentially, a second version of her, while all the while dictating a marriage to her son
this becomes even more significant, when, on her deathbed, caroline reinforces her wish for victor and elizabeth to marry: “My children... my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love you must supply my place” (1831). by attempting to replace herself with elizabeth via telling her to “supply her place” (of mother/wife) to the rest of the family, caroline is not only dictating a marriage between brother and sister but now mother and son, as elizabeth shifts from a sister-figure to victor into a maternal substitute, and simultaneously is his bride-to-be. as a result the roles of mother, sister and wife become conflated in victor’s mind—to some degree, there is no one without the other.
there’s deeper things at play here too, namely that it creates victor’s later emotional obligation in honoring his mother’s dying wish to go through with the marriage (furthered because it is the “consolation” of his father… alphonse also says something to this effect after victor gets out of prison), but i have enough to say on how victor is relied on as a pillar of emotional support by all of his family that it warrants its own post
this subconscious shift between the role of sister figure to mother figure is further emphasized when, during his dream at ingolstadt after the creation of the creature, elizabeth morphs into caroline in victors arms: “I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth…Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms” (1831). that is, she literally changes from sister into mother. this is also the only kiss in the entire book, and the only instance victor and elizabeth display any affection for each other that is explicitly non-platonic (and elizabeth’s affections towards victor generally feel more motherly then amorous, particularly in contrast to the romance of felix and safie), and during it, she turns into victor’s mother and decays in his arms.
but why make the creature in the first place? well, as the common misconception goes, it wasn’t about reanimation (which was only mentioned once in a throwaway line) it was about creating new life. what victor wound up doing what was not reversing death, but what was, essentially, an alternate method of childbirth. this is a significant detail when considered in the context of victor and elizabeth’s relationship: victor’s goal was to create life, and he, at great lengths, intentionally circumvented women (elizabeth) in this process. why? so that he could dodge an act of incest—marrying elizabeth and providing the frankenstein heirs and carrying on the family legacy, which is what his family expected him to do.
there’s evidence to suggest elizabeth views victor as a brother. elizabeth indirectly acknowledges this relationship during justine’s trial, when she stands up for her defense: "I am," said she, "the cousin of the unhappy child who was murdered, or rather his sister, for I was educated by, and have lived with his parents ever since and even long before, his birth…” (1831). here, elizabeth calls herself the cousin of william (which is notably what she refers to victor as, both when they are literally cousins and when they have no blood relation—either way, a familial term) and then corrects herself, that she is actually william’s sister. her reasoning for this? she was raised and educated by the frankensteins alongside him ever since she was young. if you follow this logic, by extension she also considers herself ernest’s—and more relevantly—victor’s sister.
there is an egregious amount of subtext that suggests victor also views elizabeth as a sibling as well. before victor leaves for his vacation with henry, alphonse tells him that he has “always looked forward to [victor’s] marriage with [his] cousin as the tie of our domestic comfort” because they were “attached to each other from earliest infancy” and “entirely suited to one another in dispositions and tastes.” however, he acknowledges that because of this, victor may, perhaps, “regard [elizabeth] as his sister, without any wish that she might become your wife. Nay, you may have met with another whom you may love; and, considering yourself bound in honour to your cousin, this struggle may occasion the poignant misery which you appear to feel” to which victor replies: “My dear father, re-assure yourself. I love my cousin tenderly and sincerely. I never saw any woman who excited, as Elizabeth does, my warmest admiration and affection. My future hopes and prospects are entirely bound up in the expectation of our union” (1831). that is, he answers, no, he has not met any other woman he would rather marry, yet skirts around the former half of alphonse’s question and doesn’t acknowledge whether or not he views her as a sister or not.
this occurs again after victor is released from prison in ireland when, elizabeth, in a letter, does eventually ask him if he wants to back down from the marriage (this same letter features elizabeth literally hitting the nail on the head when asking if victor was going through with the marriage because he felt honor-bound to their parents). however, she poses this by asking: “But as brother and sister often entertain a lively affection towards each other, without desiring a more intimate union, may not such also be our case?...Do you not love another?” to which victor honestly answers no, he has not met any other woman. however, it’s not addressed whether he’s in love with elizabeth herself, nor does he address whether or not their affection towards each other is akin to that of siblings–again he entirely ignores it.
when victor and alphonse return to geneva after his release from prison, alphonse proposes victor’s immediate marriage to elizabeth, to which victor remains silent. alphonse then confronts victor once more: “Have you, then, some other attachment?” victor responds: “None on earth. I love Elizabeth, and look forward to our union with delight. Let the day therefore be fixed; and on it I will consecrate myself, in life or death, to the happiness of my cousin" (1831). yet the “hopes and prospects” that victor saw bound in their marriage earlier was, in fact, his own death–which was “no evil to [him]...and I therefore, with a contented and even cheerful countenance, agreed with my father, that if my cousin would consent, the ceremony should take place in ten days, and thus put, as I imagined, the seal to my fate” (1831). victor sees going through with a marriage to elizabeth as suicide, and embraces this.
they are both mutually hesitant and describe feelings of dread and melancholy on their wedding day itself. at the very least this indicates a lack of romantic interest in each other. after the ceremony, when they row out on the boat together, victor has a thought that is perhaps the most blatant example of his romantic disinterest in elizabeth: “Then gazing on the beloved face of Elizabeth, on her graceful form and languid eyes, instead of feeling the exultation of a—lover—a husband—a sudden gush of tears blinded my sight, & as I turned away to hide the involuntary emotion fast drops fell in the wave below. Reason again awoke, and shaking off all unmanly—or more properly all natural thoughts of mischance, I smiled” (Frankenstein 1823). victor also makes it clear to the narrator (walton) that they did not consummate their marriage before elizabeth’s death, which suggests there was hesitance or disgust around the concept. 
this is a neat little aside and more circumstantial evidence then anything else, but it is pretty well known that mary shelley's works tend to be somewhat autobiographical, and that her characters are influenced by people in her own life. this is most obvious in the last man, but its also present to a lesser extent in frankenstein, wherein victor's character is inspired by (among others) percy shelley. percy wrote under the pseudonym victor, which is believed to be where victor's name may have come from—and elizabeth was the name of percy shelley's sister.
87 notes · View notes