#the world needs more fun stories with these perspectives <3

[skinandscales-if]

Hello Rein! Hope you're doing well :) I wanted to, first, thank you for adding the ability to have disabilities in-game. It means a lot to me and, I'm sure, to others as well <3. I also wanted to know how we'll see the physical disabilities present themselves throughout the game? My MC, like myself, is HOH. I haven't tested other paths (yet!) but I really like what I've seen so far. I'm so curious to see the effects they'll have on the story/MC!!

Hey there! :D I appreciate this message more than you know- I really wanted to make the representation (if limited) significant in game, so I’m really genuinely glad to know that you find it fitting!

I think I’ve mentioned very briefly in some random tags before that the whole story, in its first phases, was extremely personal to me because it happened alongside me recognizing my own mental disabilities, so there’s a lottt of themes centered around concepts of community, care, and how society treats it. I won’t be able to cover all of the nuanced ground a conversation like that deserves, but I can sure as hell write some fictional dragons talking about it !

I’m hoping to make this clear especially to players who make their MC’s disabled in one way or another! There are currently multiple conversations planned about just this between the MC and the cast, with every character with their own relationship to it. For example, Skye is a lot more comfortable talking with someone with visible disabilities like her about her history, while Puck is still getting used to having such company. (sneak peek below the cut at the bottom👀)

So though for now it’s mostly flavortext, I’m really excited to dive into the heftier stuff in future chapters, where the significance really kicks in. It doesn’t make much sense to me for characters to just ignore this, especially when the story so heavily centers around similar themes, yknow?

Anyways! Sorry for the ramble didn’t mean to just talk at you lol but I hope you have a wonderful day anon! <3

[EXCERPT: “Me? Psh- nah.” They reply, lifting a hand and adjusting their glasses as they look back out at the scene ahead of them. The group is still talking. “I'm not nearly that talented. I'm basically half-blind anyways.”

<<if $blindeye is true>>They take a second before whipping their head to look back to you, eyes flashing with worry as they let out a sudden regretful bark of awkward laughter.

“Shit. Not like that. You know what I mean- sorry.”]

[guacamoleroll]

— ᴘᴇʀ ᴛᴇ ᴇ ᴘᴇʀ ᴍᴇ ɴᴇʟ ᴄɪᴇʟᴏ · ꜰʏᴏᴅᴏʀ ᴅᴏꜱᴛᴏᴇᴠꜱᴋʏ

content. gn!reader. based on a request. forehead kisses, flirting, slight character study, possible inaccurate depictions of italy, teasing, slight suggestive themes (towards the middle), soft!fyodor, translation at the end. muse-typical metaphors. not proofread. 1.7k+ words.

author's note. this was so fun to write! a very delicate balance of sweetness and humor, along with the slightest dashes of spice and angst. thanks to @rusmii for descending from the heavens to remind me of "love in portofino." i had it playing on repeat <3

would you like to see more? join the taglist or comment under this post!

It was difficult to describe the issues that arose from you and your lover's hectic schedules, at least to others. How would you ever begin to explain it—he's a terrorist dead-set on the eradication of sin from your world, and sometimes that doesn't mesh with your nine-to-five career. Yeah, that would be well-received at brunch. But it was your reality, and for the most part, you made it work.

Simple meals served between stints of scheming in his office; convoluted stories discussed amongst infrequent breaks in your living room. Both of you were aware that a relationship would not be easy, but you made it work. It wasn't for lack of trying on his part; however, you knew he disguised his desire to be close underneath a mask of perfection, pretending it was solely for your benefit. Sure.

So, to your surprise, a pamphlet appeared on your nightstand. You scanned the cover with scrambled thoughts—its glossed sheen describing the wonders of Rome—and when you inevitably arrived in his office to question its sudden appearance, he simply stated that he 'required a visit to the country' and that he knew you'd be interested in joining him.

To most, he's an enigma, but you read him like an open book. There was no use in pointing out his scheme, so instead, you settled into the idea of a vacation, joyfully assisting in any help he needed booking the trip—you had been to the city before and often spoke of your wish to return someday, which had seemingly caught his notice. He placed you in charge of specific details of the itinerary—smaller stops on your preset route, the transportation, restaurants for lunch—though he noticeably had already planned many of the larger events. 

And that's how you arrived here. Rome, Italy. It was as luminous as you left it. You traded in your everyday attire for breathy linen and flowy cotton, allowing the Mediterranean sun to dance across your skin. Your ebony-haired lover was not far behind in fashion, a stark difference from the heavy wools and flannels of his motherland, which you had forced him to leave back in Yokohama so as not to worsen his already weakened constitution. 

The brilliant city held a beauty incomparable, its streets nestled with centuries of history that went beyond books, laid to rest underneath soil and entombed in stone. Even Fyodor, with many years of travel under his belt, couldn't help but admire the manmade structures of a bygone era, which reached like beacons of human ingenuity into the firmament. 

It had been ages since you explored the streets, and it was better now that you had a partner to hold your hand, hopping from place to place as you took in every destination with a new perspective. And in your exploration, you prayed Fyodor would find a connection with some kind of sight, with anything at all. He was a man so distant from mankind that you couldn't help but fret over his self-made isolation.

You were both exhausted—you had been on your feet for hours, and even though he tried to conceal it, you'd be foolish not to notice the slouch of his back as he tried to fight off sleep. He struck you with a knowing look whenever you cooed at him, forcing you to advert your eyes straight out onto the road as you scanned for the vehicle that was supposed to take you to the hotel.

Half an hour passed—nothing. You started to get worried.

"We've been scammed," he said, beating you to the punch as he stood from his seat on the sidewalk. You filled in his place, slumping against a wall as you hid your face in shame—one of the few tasks he had charged you with, and you had managed to mess it up!

He let out a breathy chuckle, patting the back of your head like he were comforting a scolded child. "We'll simply get a taxi."

You groaned, your stomach twisting at the sensation of your own incompetency, before allowing yourself to peek between your fingers to look out into the open world—and that was when you spotted it. A quaint shop with a flickering sign and a handful of mopeds slumped over outside. Fyodor's gaze followed yours, his brows furrowing as he found the target of your ire.

"Absolutely not."

But you had already grabbed onto his hand and pulled him out into the street, with surprisingly little resistance from him as he allowed himself to surrender to your will.

"You haven't experienced everything Rome has to offer," you hummed with a noticeable smirk, tilting your head to gaze at him between your lashes in a mocking attempt to sway his favor. "Come onnnn, Федечка."

He huffed, although his normal stoicism held an unmistakable look of fondness. "Ты маленькая гадюка."

You didn't need a translator to understand the meaning behind his words, heart filled with an almost sadistic joy as you approached the older gentleman that was running the shop. He seemed equally as amused as you were once he deciphered the situation, trading cash for keys as you skipped out the door.

Fyodor had planted himself onto the Vespa's seat without complaint, though you could not help his striking resemblance to a child on a bike that was far too small for them. He had his legs propped at an awkward angle to keep them from scraping against the ground, and the subtle twitch of his brow told you everything you needed to know.

You, on the other hand, were more than comfortable enough to settle between his legs, leaning against his chest as you reveled in the rare domesticality of the moment. That was until two arms decided to slither around your waist, a span of warm breath prickling your skin.

"You're quite brazen for someone that fell right within my grasp," he cooed, his voice dropping into that velvety, sadistically sweet tone that never failed to make you melt. 

The bastard had planned this on purpose—he had reviewed your travel plans beforehand, including the transportation company. Much like you could read him, he knew your story from cover to cover, often reading over every page like his favorite novel. And he knew the best ways to make you squirm, his hand snaking up your side, brushing the sensitive divots of exposed skin as it made its way around your throat, giving the slightest but most lingering of squeezes.

That was until you unintentionally floored the gas pedal, propelling you both onto the street—luckily, there wasn't too much traffic at this hour. Despite the rush of the sudden acceleration, you had found that your heart returned to its normal pace as you moved with a rhythm within the twists and turns. You zipped past various sights, most of which were the most enjoyable, in your opinion—a glimpse into the lives of those who occupied these homes. There was a comfort in the consistency. People had passed and left, but the atmosphere remained the same, passed with care through every generation.

And then, your eyes caught onto something, and the muscles of your fingers instinctively flexed against the handlebars. The arms around your waist squeezed you when you began to tilt the moped steadily to the right.

"Don't—"

But you chose to do it anyway, slipping into a narrow sidestreet. You tried not to burst out in laughter at Fyodor's dumbstruck expression through the wing mirror, wishing to capture this moment in a frame somehow. Who knew that all it took to shut the mouth of the destructive mastermind Demon Fyodor Dostoevsky was a trip on a potentially dangerous vehicle? 

You had recognized the pathway as a detour to an infamous part of the city—a perfect view of the Tiber River. It was difficult not to divert your path straight into the water when you funneled out into the road, the setting sun drawing a picturesque scene that could not be replicated, even if you returned to the same spot at the same time. There would never be another moment like this again. That sweet breeze parted the sky, both cradling and revitalizing you. 

You crept onto a safe spot to park the moped and jumped off to rush to the edge of a bridge that overlooked the entire river, leaning against the railing while being careful not to tip your body over the side. The water sparkled and flickered from the rays of the dying light, twinkling as creatures rested underneath its surface. It enveloped you in an atmosphere of complete calm as if you and Fyodor were the only ones to exist in the world.

Speaking of.

His eyes had drifted toward a view completely different from yours, at least in aspects of physicality. You may have admired a sunset as the peak of fleeting beauty, but you seemed completely unaware that you encompassed every aspect of such a celestial entity, yet in such a strikingly ethereal way. He had seen many sunsets many times, much like he had seen many humans—unique and fascinating in their own way, but not always beautiful. But then, you crashed into his life, and he knew it was always intended for you to remain at his side. Much rarer than a sunset, much more precious.

He would take your life into his hands, ones stained in blood and sin, and unlike all the others he held within his grasp, he would nurture it—cherish it. Like a blossoming flower, he intended to care for you, an invaluable treasure.

He had already found the sight he had been searching for.

"Look!" you exclaimed, practically bouncing as you pointed toward the swaths of fluffed clouds that embellished the sky. "Isn't it gorgeous!"

You didn't even notice the slip of his mask as he joined by your side, brushing a kiss against your temple as he eyed the blooming excitement on your cheeks with your grin. The wind swept through in another attempt to swaddle you, letting the fresh smell of water brush through the folds of your clothes and the tresses of your hair. You turned your gaze to Fyodor, laughter caught in your throat as your eyes peered into his—locked onto you with an almost unnoticeable but most genuine of smiles.

"It truly is."

федечка = fedechka ты маленькая гадюка = you little viper

ᴛᴀɢʟɪꜱᴛ: @aureatchi @betweensinners @lovedazai @osameowdazai @ruru-kiss @ishqani @zyilas @lovesick-fairy @fedyascoffin @squigglewigglewoo @kelperspelt @miloofc @s1eepybunny @dazaisms @deepseafragments @ajaxism @himikoslove @little-miss-chaoss @justcallmesakira

© ɢᴜᴀᴄᴀᴍᴏʟᴇʀᴏʟʟ 2024 — ᴅᴏ ɴᴏᴛ ᴄᴏᴘʏ ᴏʀ ʀᴇᴘᴏꜱᴛ ᴍʏ ᴡᴏʀᴋꜱ ꜰᴏʀ ᴀɴʏ ʀᴇᴀꜱᴏɴ. ʜᴏᴡᴇᴠᴇʀ, ʀᴇʙʟᴏɢꜱ ᴀʀᴇ ʙᴏᴛʜ ᴡᴇʟᴄᴏᴍᴇᴅ ᴀɴᴅ ᴇɴᴄᴏᴜʀᴀɢᴇᴅ

[simplyreveries]

Hi I'm back lol (The person that requested the autistic reader that likes lights thing lol)

Can I request one of an autistic reader who's special intrest is like all things Wonderland related (like talks obsessively about it and relates everything back to the topic) with Riddle, Jamil and (platonic) Grimm?

Ngl I'm tempted to do one of those "(fill in the blank emoji) anon" thing lol

hii ty for the request!! and i totally would love to have another emoji anon, you should do it if you want to!<3

riddle rosehearts

riddle can understand your piqued interest in this world, as you're not even from it-! he is happy to see you absorbing and trying to take in and understand everything about twisted wonderland. the species, cultures, lands, magic- there's simply so much. He would be happy to share about all he knows, though he has held more of a sheltered youth, he still has spent his life here if you want to listen to any of his stories and history that he knows of.

he will always listen to you quite intently whenever you're talking about this world, he really finds it admirable how much you’ve gone into learning about this place. sometimes he adds his own comments as well, he enjoys discussing it with you- and even seeing your own side as a complete foreigner to this world. It's interesting seeing your own perspective. he has a gentle smile on his face as he listens (trust me he is 100% paying attention,, he loves listening to you ramble and talk).

notices your knack for collecting things, you tend to enjoy telling the story and fascination of trinkets and souvenirs you've kept along your time in twisted wonderland and he asks about the ones he finds set in your room at ramshackle quite often. it seems you've been able to gather things from everywhere you've visited!

jamil viper

he sometimes forgets that you’re completely unused to this world and are so interested in and learning more. jamil has grown so used to it he doesn't believe things you’ll be amazed at are shocking- he finds it cute. he likes seeing you light up and tell him about something new you learned and more you want to find out. he will talk a little, but he enjoys listening to you as he hums and nods, he loves your interest and desire to only learn more about this unknown world to you.

jamil will totally plan a trip to his homelands with you, he is more than willing to be your own tour guide as you follow him around and he shows you everything there- especially regarding his own culture and way of life in scalding sands. he will share the magic and myths that tend to lie around those parts and have an amused smile on his face when you only want to see more.

he is a little surprised to see you watching so intently and curiously when he's doing something such as potion making, once again it's something that feels normal to him. he'll raise his eyebrow and smile gesturing you to come over and ask if you'd like to help him get the ingredients he needs. you already seem like you know exactly what he'd need anyway, as you light up and remember the kinds of plants you were learning about in this world as of recently! haha

grim

grim gets so confused on how you find trein; history class so intriguing and fun, he practically complains and almost falls asleep most of the time. not going to lie though he was a little surprised at first when you're usually the first to answer questions regarding twisted wonderland and getting them right- you're just a magicless human?? from another world?? and yet you easily surprise students around you.

he may groan a little when you take so long to pull away from places like the school's library or the botanical garden. sometimes you may hear him make some comment like "eh? i heard trey talking about these..." or something because he himself is learning too.

when you're talking excitedly to the ghosts at ramshackle about their experiences and their lives grim finds himself perking up and listening as well. he also notices your love for the ghost camera crowley gave you, as you tend to take pictures of anything you find interesting in this world. when he's looking at all the pictures you've taken, he finds himself reminiscing and laughing with you as you tell him all about them.

[bu-blegh-ost]

How much time have passed since the beginning of Riptide? (up to ep. 115)

The blorbos have been together for ages, it seems like. And they have been, for years for us, but how long exactly has it been for them? Wanna find out?

So ages ago, @glo-katt84 suggested that it would be cool to count the exact amount of days that passed ever since the beginning of the adventure. And I agreed! So for a while now, alongside other data you may know me for counting I also have been recording a detailed log that describes each day briefly and adds it to the toll. I'm gonna very excitedly compress all this data now and put it in numbers, and have a lot of fun with it, so I hope you guys are enjoying it as much as I do!

But first, few clarifications on how I was counting it all:

A single day counts to me as from one morning to another. So it must include a whole day and the long rest, unless they don't sleep, in which case the day ends when Grizzly says: "The new day/morning comes". Or something similar to that.

There are exactly three instances in which Grizzly simplified a certain period as "few days of travel,"/ "few days", both very early on. Aside from that everything else has been remarkably clear, which I'm very impressed by! For these three times however, I decided to count each period as 3 days. Not long enough to be a week, but somewhere in the middle, which is as accurate to "few days" as I can get in this case.

Since everything in the campaign has been counted from the Mana's perspective, the time they spent in Feywilde is counted this way as well. Even if for them it was like a day or two max, their own world did not stop for them. To most, the captains were gone for two weeks, and counting everything in Mana time, then switching to Feywilde time and then back to Mana time would simply create a mess and provide you with genuinely inaccurate number. So we stick by Mana rules. Also including Feywilde time is downright impossible casue they literally spent half of their day in Feywilde and then the other half of the same day in Mana, which creates a whole different clusterfuck of confusion. So Mana time only, trust me. Trying to break down this shit in any other way will make your head hurt.

Alright, so without further ado, the three Riptide captains spent together:

1 day at Zero, half of which already on Loffinlot

15 days on Loffinlot

3 (rough assumption, described as few days) in the Royal Blue Casino

2 days on Desire Island

4 days in Joaldo

3 days in Edison Kingdom

1 day at Duke's

3 days at the B.L.O.C.K

3 days in Allport (first time)

2 days at Noctis

1 day in Liquidis

14 days in the Feywilde (Mana time)

1 day in Allport (second time)

1 day at Zero (before Gillion needs to be emergency Featherbrooked)

1 day at Featherbrook

3 days at Zero (post dying fish crisis)

2 days in Onowa Country

1 day in Promised Bastion (and sea)

1 day (for now and not a full day yet) at the Hole in the Sea

63 days in total on the open sea

So there you have it! Of course, you gotta add a couple of days of Chip and Jay sailing on their own, but from the moment the main three got together, it has been, as exactly as I can feasibly estimate, about 125 days

This constitutes of 62 days spent in various differnet locations and 63 days spent on the sea alone.

This would also make about 4 months of travelling together. And hopefully, many more as the story progresses and comes back after the hiatus.

Anyway, hope you found it as fun to learn, as it was for me to count. Take care everyone <3

[ladyluscinia]

Draft clearing. I think I had more of a point on the topic of Jenkins and genre I wanted to make when I gathered these, but I'm not feeling it anymore. However, I need spread awareness of his absolutely baffling ideas about pirate media and how he sounds half-convinced it must be a formulaic action/adventure. I only picked up on this by reading way too many interviews back to back so I'm not surprised I've never seen anyone else mention it, but like. It's wild. And he's SO additionally weird about how showrunning a piece of media about pirates relates to whatever concept he has of pirate media in his head.

Here's the link to my interview compilation if you want to check my sources on these.

Jenkins Quotes on "Pirate Genre"

"I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly.

[...]

Showrunner Jenkins sees Our Flag Means Death as having "joy. A lot of joy. I like Stede because Stede is, to me, the outsider artist of pirates. And I think in designing the show, I was conscious [of the fact that it's] a hard genre to do anything to. It's a very stubborn genre because it's been done so well and so often. So I kind of tried to look at, like New York, like Alphabet City in the '80s via a pirate genre via Mad Max and try to throw all these different things at it. So I think you'll get a different feel than you'd get on a normal pirate thing. I think we achieved that with our amazing crew." - (Gizmodo, 2/22/22)

"I guess I really… I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do." - (Collider, 3/24/22)

Despite creating a pirate show, he himself says he's not a huge fan of pirate movies. - (EW.com, 12/13/22)

"I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world." - (TV Guide, 10/5/23)

"The pirate genre is fun, but I wasn't dying to make a pirate show. Taika wasn't dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard." - (Variety, 10/13/23)

"I think there is something in the show about how piracy is a brutal way of life. It's essentially Mad Max, this world. There's no law, there's just strong and weak." - (Polygon, 10/21/23)

"And it’s also a pirate show, so he’s got to die." - (Vanity Fair, 10/26/23)

"Another thing I love is what I call shaggy stories, stories about people navigating each other. When you plug them into different genres, you get this great engine that comes with it. I'm not particularly dying to write a pirate thing, but I want to write a bunch of characters trying to navigate each other in a pirate thing." - (Vulture, 10/28/23)

"But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge, but I think the show benefits from we can pull pirate stuff out when we need it. Ultimately, yeah, I want to see these different relationships and perspectives on different relationships. Then it's fun to plug it into an overwrought genre.

[...]

Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff." - (Metro Weekly, 11/1/23)

"I think it's more interesting to me that I've never seen a love story like this in this genre, and you dream for that. Really, pirates, what can you do that's different with pirates?

[...]

To me, to tell the story about these two men in this very hetero action genre, falling for each other..." - (Metro Weekly, 11/1/23)

---

...This is the same guy who just ended a season on the British Navy blowing up Nassau for symbolism reasons that I'm pretty sure have nothing to do with the love story. 🤨

[xamiipholia]

okay y'all seemed to like the last one so here's a few more Horizon 3 thoughts:

Aloy won’t die. It would completely upend the series’ themes and just be really nihilistic.

Since Nemesis is a gestalt entity I think it’s a safe bet that we’ll see Sam Witwer, Carrie-Anne Moss, etc again. I’m curious how they’re going to do it because at least structurally, it’s basically a reaper. Maybe it’ll use different Avatars when communicating like the Leviathan in ME3. 

It's gonna take some work to make a flashback/dream/vision not contrived but I would love to see Varl and Rost again. I think we deserve that.

Minerva is gonna have its work cut out for it blocking access to both the dormant Faro Swarm and the ZD terraforming system. 

I wouldn’t be surprised if Nemesis has some sort of corruption function that becomes the equivalent of the corruption in HZD. It would be a really fun tech showcase if GG uses Zenith nanotech for machine corruption and leans into mechanical body horror.

If we’re going to Ban-Ur I really really hope they do the work to make the Banuk less problematic and more fleshed out as a culture. A quasi-Spartan society absolutely would not survive in an extreme environment, *especially* without megafauna to hunt. The Banuk characters are lovely and well-written; they deserve a society as well thought out as the Utaru or Carja. I’m honestly fine if there’s retcons or revamps to the cultural lore because the whole “outsider barges in and becomes chief” is rooted in racist, colonial tropes and we just don’t really need that imo.

The most recent footage of Death Stranding 2 (also running on Decima) has me SO excited for the visuals. GG’s gonna knock it out. The facial rendering and animation that Kojima Productions are doing looks industry-peak and I’m sure GG’s gonna match that. Aloy’s Gay Panic™️ scene on the beach in HBS is already top-tier nonverbal storytelling through animation. Digital Foundry actually just posted a really cool tech breakdown of the current Decima engine. I’m especially excited about the environmental stuff. The ocean simulations in HFW are already incredible and I hope they increase verticality in the world. I can’t wait to see the Sacred Lands in current gen graphics. 

I really love Kotallo’s DIY arm and it’s so so important to his development but Beta and Gaia now have access to Zenith nanotech, maybe give your buddy a sick upgrade hmm?

Speaking of, I can’t wait to see Beta come into her own. She’s one of the best parts of HFW and Aloy’s character absolutely shines in a sibling dynamic. 

I wouldn’t get your hopes up for a romance mechanic. Everyone’s feelings on that aside, it would be really odd from a game development perspective to just overhaul part of how the narrative develops Aloy’s character in the last act of the story. Yeah, there are flashpoints but I would argue that the presence of choice in Horizon is smoke and mirrors- cosmetic at best. Kentucky Route Zero (which you should play) does something similar where the player is given a certain amount of control over the substance of individual conversations and scenarios and it does absolutely nothing to alter the plot, by design. I think it’s the same here - this isn’t really a choice-based RPG, the flashpoints don’t really affect anything plot-wise or for Aloy’s character development. Olin is still out of the story, Nil lives, Regalla still dies one way or another. Aloy’s character development is pretty firmly on rails (think Jin Sakai, not Shepard - you get to guide some momentary character reactions but that’s it). I don’t think HBS is a testing ground either - If they were gonna introduce a romance mechanic I think they’d just do it, and not spend two years making a direct continuation of HFW’s main quest and establishing a specific romance hard-baked into the plot, complete with multiple leitmotifs for the character relationship (which is something they haven’t done before afaik) just to introduce a side quest mechanic coming in 5 years. I genuinely can’t think of any game or dev that has beta tested a major alteration to upcoming game mechanics that way - it doesn’t really make any sense in terms of developer resources, and these games are extremely time-consuming to make. I know this is a thing a bunch of people want and I can totally empathize with that! I just think it’s probably not on the table. 

I would bet money the series will bookend itself and the epilogue will involve a) the naming of Zo and Varl’s kid and b) Lis’ pendant. 

Mostly I'm just looking forward to being surprised. One of my favorite things that Horizon does is use carefully established elements in the world to pull the plot in unexpected directions and keeping the world grounded while they lean into speculative science fiction. I can't wait to see what Guerrilla is cooking up

[ivesambrose]

꧁𓊈𒆜𝐑𝐞𝐦𝐢𝐧𝐝𝐞𝐫𝐬 𝐚𝐧𝐝 𝐚𝐟𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧𝐬 𝐲𝐨𝐮 𝐧𝐞𝐞𝐝 𝐫𝐢𝐠𝐡𝐭 𝐧𝐨𝐰𒆜𓊉꧂

1. 2. 3.

4. 5. 6.

This reading is timeless 🖤 ⏳

And based on law of assumption 🌹

To book a personal reading with me DM or email me at jovescorpioreadings@gmail.com with your name and query 🌙

Services offered

Reviews

Thanks for the tip 🌹

Picture 1

You've done enough.

You do not need to overdo this at all. Why are you pushing yourself to take actions? Understand the difference between "inspired action" and continously wondering what you should do next in a way that makes you feel hopeless.

With that being said, you're not hopeless.

You're not stuck either.

The answer you're searching for is to come when you stop seeking it. Sounds simple? Because it is.

Shift your perspective. Flip the narrative.

Once again, you've done the work.

Affirmations:

⋆ What I seek is seeking me.

⋆ My manifestions come to me naturally.

⋆ I deserve to feel my feelings and still know that things will work out.

⋆ My heart/I am safe from bitterness / bitter people.

Picture 2

It's on it's way relax!

It's money isn't it? Or something that makes you feel emotionally safe too? It's yours. Stop LOOKING for it. Would you go out and stand outside for your amazon order knowing it's gonna show up anyway?

Rest. Chill. Visualize. You'll see it happen in your dreams, these dreams are confirmations.

The world, my friend is your oyster.

This or that? Why not both?

Have fun and see things come quickly. You don't have to be so serious all the time.

Affirmations

⋆ My manifestions are always instant.

⋆ I gotta declare once and I have it.

⋆ What I want comes to be effortlessly.

⋆ I always have more than enough.

Picture 3

Stop applying logic to your desires and dissecting them especially when you're harming no one but yourself.

Manifestion overrides logic.

When will you stop holding onto beliefs and assumptions that are keeping you from getting what you want? No one's going to change anything but yourself and there's no one to change but yourself.

Let go of that addiction. The need to constantly check and seek validation.

Actually, drop everything. You need a break.

You can't be double minded you know?

This one has a bit of tough love to it, but I feel you need it right now.

Please recognise your worth and stop repeating the same pattern hoping for a different outcome.

Affirmations :

⋆ I let go of whatever that's no longer serving me. Be gone.

⋆ Universe / guides / whatever you have faith in - always has my back.

⋆ I will always be shown the right way.

⋆ I am not a victim. I don't have to struggle.

Picture 4

You'll have peace and you'll make the right choice.

Set your boundaries. Be quiet about your goals and your thoughts when you know someone might try to project their own insecurities onto you.

Sometimes it's okay to be selfish.

It's okay to unlearn what you've been taught for so long. It's also okay to not follow the crowd.

Your mind is so beautiful, so precious and so unique. Please honour your thoughts and please continue ro write, if not for others but for yourself.

I know it gets lonely but you won't be alone for too long, I promise.

It's okay to go through cycles and it's beautiful to embrace change. The change you've been waiting for.

It's okay, you're okay. Even if you're not, you will be. You always are.

Affirmations :

⋆ I got this, I aways got this.

⋆ Sad for them, but I'm built different.

⋆ Everything always works out in my favor.

⋆ Everything is a bridge of incidence for me.

Picture 5

You're already determined as hell.

Stick to your vision, stick to the new story, persist on the bigger picture. You already know this. So you already got this.

You've taken time in building yourself up so you won't be giving your power away to anyone or any circumstances.

I believe you know this already that circumstances do not matter in your reality.

I also want to remind you that the love you want, wants you even more.

The money? The career? Wants YOU.

The beauty? It's already yours.

Stay in this sweet receptive energy. I'm proud of you, you've got this.

Affirmations :

⋆ It's done.

⋆ It's already mine.

⋆ I have nothing to worry about.

⋆ Everything is rigged in my favor.

Picture 6

Trust in the unseen, trust in the unknown. Because you've always had the power.

Justice will be delivered, how and when? Not your concern. Same goes for anything that you want.

When? How? Why? What's it to you? Why focus on crumbs when you can have it all?

I believe you have at least one person or connection you deeply trust. They want the best for you as you for them, cherish this and focus on the feeling this brings you.

The right connections, the opportunities, the circumstances will all unfold suddenly and when you least expect it. Enjoy the ride.

Listen to your intuition and remember what you deserve. Do not settle till you have what you want.

Again, you weren't made for bare minimums.

Affirmations :

⋆ I am beautiful, inside and out.

⋆ I radiate (insert whatever energy you want to identify with)

⋆ I have spoken so it's done / because I said so.

⋆ If I can picture it, I can have it, it is mine.

[waitmyturtles]

Turtles Catches Up With Old GMMTV: Not Me, and Negotiating the Romance Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I offer thoughts on Not Me, GMMTV's first BL that decentralized romance to share space with an issues-based storyline.]

Yes! I feel like getting to Not Me on the Old GMMTV Challenge list was a touch of a milestone, as I engaged a good number of friends (including the wonderful @wen-kexing-apologist, @ranchthoughts, and @chickenstrangers, when we're not talking about Only Friends, ha) on their love and/or appreciation for Not Me.

Not Me falls into the sub-echelon of BLs on the OGMMTVC list that navigated romance storylines with what I call either issues-based storylines (as we also see in The Eclipse), or other genre-based storylines (such as crime storylines in Manner of Death and KinnPorsche). Manner of Death was the first of this kind of BL (or maybe it wasn't a BL?) to appear on the scene, premiering on WeTV, and Not Me was GMMTV's first foray into this world.

I'm going to break down this review into a couple of potentially non-congruent parts, and I hope this all comes together. I'm going to take a look at:

1) How successful Not Me was as a holistic story, facing competing sides from its issues-based storyline and the need to incorporate a romance storyline for OffGun/SeanWhite,

2) How the in-built sponsorships of the show reflected on the issues-based storyline that Not Me was telling, and

3) In an attempt to tie these two together, whether or not the DanYok storyline specifically was helpful or detracting from the success of Not Me as a complete drama.

I admire both Nuchy Anucha and Golf Tanwarin (of Not Me and The Eclipse, respectively) for tackling BIG issues in their BL-centered shows. From a narrative infrastructural perspective, I cannot imagine the writing and directing of these shows to be easy. I've learned a TON about the Western romance genre from @lurkingshan, my drama structure guru par excellence, because honestly -- while I've watched a lot of Asian dramas in mah day, noting which dramas nail it by either being rooted in or inspired by the Western romance genre in terms of their fundamental elements is something I'm still new to. (Thanks to @lurkingshan and @neuroticbookworm for reviewing this post in advance for accuracy!)

When I was first putting together the OGMMTVC watchlist, my general assumption about Manner of Death and Not Me was that MoD was not a BL, and that Not Me was a BL, by way of pure genre definition and the marketing of OffGun as the shipped leads of Not Me.

I discussed in my MoD review the debates between whether or not the show qualifies as a BL, and honestly, I think it's up to the eye of the beholder (and I had a lot of fun debating both sides). To me, MoD is first and foremost a very good and intriguing crime story (written by the EXCELLENT screenwriter, Title Nirittisai, also of the EXCELLENT BL, He's Coming To Me), regardless of the BL label/definition. And the romance between Bun and Tan (led by the wonderful MaxTul) was, to me, the icing on the cake of the successful crime story, not central to the solving of the mystery of the plot, but certainly a driver of the dramatic lift and impact of the show (and OF COURSE, it helps that MaxTul are just chef's kiss with their chemistry).

My drama friends and followers of the OGMMTVC know from my passing notes that I had quibbles about the structure of Not Me, keeping in mind that Manner of Death was able to decentralize romance while still keeping the BunTan coupling as a driver of the drama as a whole. After the first five episodes of Not Me, I was wondering.... what exactly am I watching here?

I admit: I'm not the biggest fan of anarchy, and extreme political movements as a whole. I'm more of an advocate for long-term change, and coalition-based advocacy. (I also experienced misogyny while engaging with anarchists back in mah day, and just -- that left a bad taste in my mouth.) It didn't sit right with me that multiple men in this show -- Black, White, and Gram, specifically -- all did not engage Eugene (played by the wonderful Film Rachanun) in prior explanations to their future actions. Generally speaking, when I see male anarchists either portrayed and/or acting in real life like that, I tend to check the fuck out.

I think that Not Me spent more time than necessary demonstrating that at the start of the series, these guys were acting out of their own set of uninformed and/or ill-informed concrete beliefs. What I did appreciate was that the show, over the course of the series, had the guys experience change by way of education (especially through their conversations with their classmate, Nuchy), and by the exposure to new minds in their space, namely White's approach to anarchic tactics being different, more measured, and more thoughtful than Black's. I think all of the guys (.... maybe except for Yok, but I'll get to that in a bit) ultimately demonstrated a much deeper and more intricate understanding of the complications of their beliefs, and how power functions in capitalistic societies, by the end of the series.

I spoke with @bengiyo and @lurkingshan when I was watching the series the first time around about how I felt the romance storyline of SeanWhite was a bit too fast in its implementation -- especially because, again, the first five episodes were so issues-based, and even the majority of episode 6 was based in the attempt to raid the drinks manufacturer.

But, @ranchthoughts reminded me that the first indication of Sean recognizing that White might be a man that he could love was at the start of episode 6, at the end of Gumpa's fake kidnapping raid -- when White said that he'd sell out his friends for the sake of saving Sean's life, and implored Sean to value his own life, which is something we could not imagine Black ever doing.

Thanks to @ranchthoughts's note, and a close rewatch of episode 6, I agree with her (thank you, Ranch!), and I think the series's transition to the SeanWhite romance through episodes 6 (the raid), 7 (the protest and the equality celebration) and 8 (the sleeping face-touching and the first kiss) was not as clunky as I first had experienced. Referencing @lurkingshan and @neuroticbookworm's notes to me (thank you, ladies!), it's also important to note that in relation to Sean's huge family loss earlier in his life: his hearing from an empathic person about the value of his life may not have been a message that Sean had previously been given.

All that to be said, though -- it's clear that Not Me had issues with that transition, if I had to rewatch the episodes to catch those nuances. Especially because an indication that this show either would be a romance (which it wasn't quite, exactly) or an issues-based show (which it was and wasn't), all wasn't very clear, even to the end. @lurkingshan and @neuroticbookworm, in the course of my writing this review, noted that parkour was an important piece to the storytelling -- I agree with that, and I might even argue that the early depictions of it (along with the cute dude pile, gotta love a cute dude pile) seemed to indicate a story moving away from romance and more towards an issues-based perspective.

While I spent a lot of words on this, I do feel that this a minor quibble, especially as I rewatched some episodes and I TRULY enjoyed AND LOVED the OffGun dynamic. Y'all know that I wasn't sparing in my critique of Third in Theory of Love, and I have to say: Gun's Third did not show his range. Gun was AMAZING IN NOT ME. I now know what y'all are talking about with his acting. His White VERSUS his Black -- oh my god. Brilliant. He kicked fucking ASS, and convincingly demonstrated character differences between White and Black. (I need to see Gun in more roles like that!) And also! I am an admitted Off girlie (cc @lurkingshan). And Off totally held it down in Not Me. I thought he was FANTASTIC, and despite the storyline not holding his transition to SeanWhite as smoothly as I would have liked, I think he held it together for a convincing deep-in-love posture by the end of the series. (And I must give it to OffGun for managing a fabulous intimate scene, which I know from @bengiyo was rare -- if not the first time that GMMTV had a sex scene in a BL. OffGun were fantastic, and I'm glad they held the mantle for that moment.)

And of course, OffGun gave us one of the most iconic moments in Thai BLs, one that I have loved going back to time and time again in the course of my processing this show.

(Source: @namchyoon!)

So -- speaking of a show being issues-based, I want to take a second to talk about the in-built advertisements in Not Me, from the Suzukis (POWER YOU UP!), to the Oishiis ("it's cold and fresh"), to the soy milk, everything.

Like I said earlier: I think Not Me demonstrated the growth of the guys in their education about the efficacy of their original anarchic tactics. Sean himself states that with White by his side, he will continue to fight for what's right. Not Me doesn't mince words with the issues that it examines -- but it does so alongside these in-built advertisements.

As an #old, I gotta hand it to Nuchy and team. I appreciate that the showmakers did not flinch away from the reality in which this show was made. I'm glad it was sponsored all over the place -- of course it would be, as an OffGun vehicle. The reality of a global capitalistic society was placed starkly AGAINST a dialogue of the pitfalls of that very kind of capitalistic society. It was a WELCOME juxtaposition. We literally could not have watched this particular show if it wasn't for the sponsorships -- who knows if it would have gotten made. I appreciate that this show demonstrated the kind of slow change -- that we NEED to make change in a world that doesn't change very quickly -- up against the stark political messages of the show itself.

I think that's sophisticated commentary. It didn't shy away from reality. For me, the show was summed up beautifully by Nuchy in the finale.

If I were to translate what Nuchy is saying here by way of the nature of the society that we have: we have rules in place. It's our biological predilection to want social order. We have customs in place -- like advertisements for shows. Can we change the paradigm on a dime? Not always. I thought it was courageous of Not Me to place those advertisements next to potentially hot political commentary (especially for a Thai government and conservative society that doesn't always take well to critical commentary) and serve it up to BL fans and drama fans alike, many of whom are younger and can contemplate positions like anarchic frameworks -- and to be creative about how to make good change happen from those positions.

(With this point, I wonder if it was truly Not Me's influence that allowed GMMTV to feel comfortable in its decision to air The Eclipse the next year without sponsorship funding. I hope so, and I'll get to that more during my The Eclipse rewatch later on in the OGMMTVC project.)

To tie up what I hope I can successfully bring together by way of an examination about romance and politics in this show: I really thought the DanYok side coupling was indicative (more so than the sponsorships) of the downfall of basic social expectations on a show like this. I totally see why DanYok is beloved -- listen, the chemistry that First Kanaphan has with EVERYONE is mind-blowing, let alone Gawin Caskey, a deep fave of mine. DanYok is definitely still a popular ship -- just check the tag on this site.

Anyone who reads around here knows that I'm not a fan of the branded ship pairings. That First is paired with Khaotung Thanawat now, another extraordinary actor, is so fabulous by way of pure talent, but damn it, I want them both to act with other people, too (I mean, for heavens' sake, Khao was paired with PAWIN in 55:15 Never Too Late, and they nailed it). And the economics behind them being paired with anyone else right now do not calculate, as FirstKhao are so successful as to be GMMTV's first pair to have an international fanmeet later this year in Brazil. It's the economics, in the end, that are driving this reality.

Going back to Not Me: it seemed to me that Yok's beliefs as an anarchist were set aside not for education (unlike Gram, who grew into an expanded belief framework through Nuchy), but for exposure to a really hot and artistically talented dude in Dan, who also happened to be a cop. And DanYok certainly provided a spicy edge to this show that could be comfortably marketed next to SeanWhite.

Now. I am extremely critical of the power cops hold. I also get, as a simp for dudes, the power of hot artist dudes. I get that Yok found Dan hot and appealing. I get it. If I were Yok, I'd be like, all ogly eyes for Dan, too. My man, I get it. But. If I had committed to my friends to not fuck up our work together for the sake of a crush, then I'd have to check myself. Separate work and romance, especially in dangerous situations -- that's advice that I'd give to my kids.

Yok's trajectory was unlike Gram's, in that Yok totally fell apart for Dan, seemingly forgetting the missions and values that he had committed himself to. I am ALL for change and growth (hello, Khai). Yok didn't seem to change. Yok seemed to trade his convictions (cc @bengiyo and @lurkingshan, thank you for the convo) to simp over Dan, a dude that, holy fuck, THEN sold his Yok and his crew OUT, AFTER admitting that he had killed Sean's dad. WOW. I mean, Dan's complicated! Yok might like complicated dudes, I respect that! But Yok seemed to totally forget, in the face of attraction and love, that he really had committed himself to his group that depended on his engagement for missions, and -- if you're gonna commit to a dangerous thing, at least don't leave your friends high and dry. And putting your trust in a cop that may -- and then DID -- sell you out is only just more problematic.

Did Yok redeem himself at the end? I think so, possibly. I think he showed critical awareness for the risk of his attraction to Dan. But I do feel like GMMTV played First a bit. Yok, Akk (also a cop), and now Sand. These are characters that are kinda givin' it up for the hot dudes. I want to see more backbone in First's characters. I'm not saying that I would have liked to see Yok as a one-sided character. But I think Yok's beliefs as an anarchy-inspired character, who traded his mindset in for love for a cop, could have been explored further. It wasn't, because there was SO MUCH else going on in the show (I haven't even mentioned Gram and Eugene, and Mond was SO GOOD as Gram), and I kind of think that the show added DanYok as a spicy BL romantic edge that really needed as much intricate ethical closure as only SeanWhite ended up getting.

Not Me was not a perfect show. I offer criticism here. But: I did VERY MUCH enjoy it, because it held a LOT, and I think Nuchy Anucha, as I said earlier, was extremely courageous for tackling ALL of what she did in this show. I love @he-is-lightning-in-a-bottle's tags on this post that indicate that the show went very deep in depicting accurate protest postures in art and messaging. I will absolutely appreciate this show for showing me Gun's true range. This show makes me VERY happy for OffGun's return in Cooking Crush. Mond and Film, I loved them. I have quibbles about the way in which the show's issues-based message may have been undermined for the sake of DanYok's love story. But I love First, and I LOVE GAWIN. DanYok could have been leveraged better for something more enlightening than an attraction-based romance.

For a show that held a LOT, I think the majority of the show was successful. Not Me will be at the top of my list of shows that I'll want to rewatch, to enjoy SeanWhite's unique turn as a couple that continually, in every single episode, spent intentional time learning more about each other. The love they ended up developing, alongside the issues they believed in, ultimately came together convincingly, which was indeed a dramatically complicated and successful feat.

[Okay friends! NEXT! I have wrapped up 55:15 Never Too Late, and that review will drop next week. I added 55:15 for its rumored BL storyline and macro commentary about BL culture from a GMMTV lens. I gotta say: Khaotung Thanawat's storyline went way beyond BL. It was a gorgeous queer coming-of-age storyline that included playing against an older version of himself in Kob Songsit (Kinn's dad), and just -- it was surprisingly sophisticated and mature. I love that GMMTV het dramas do not shy away from queer storylines, and I think 55:15 provided some fantastic generational context for what it meant, and means, to be queer in Thailand over the course of decades. I can't wait to process it.

NOW! I SHOULD be starting my long-awaited Bad Buddy rewatch, for which I will need some time, and will take a brief break from writing reviews to pen Many Deep Thoughts. HOWEVER! I am also going to pause on the OGMMTVC to watch Cutie Pie and Cutie Pie 2 You, to get to know Zee x NuNew, as they seem to be the first Thai BL pairing to come to America next month. This is culturally important! I'm gonna do my ZeeNew homework.

So, after next week, I'll be on a bit of a break for a beat, but I'll be back real soon with the motherlode of honorary analyses for my fave Thai BL of all time in Bad Buddy.

Here's the status of the OGMMTVC watchlist. For a more up-to-date version, please check this link!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review coming) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (watching) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch 34) Secret Crush On You (2022) [watching for Cheewin’s trajectory of studying queer joy from Make It Right (high school), to SCOY (college), to Bed Friend (working adults)] 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist 37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch For the Sake of Re-Analyzing a Politics-Focused Show After Not Me 39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) (Cheewin’s latest show, depicting a queer joy journey among working adults) 43) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 44) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 45) Only Friends (2023)]

[thewriteadviceforwriters]

Hello! Thank you so much for your time and content you bring into this confusing world.

I’m currently on the starting road to creating a canon-divergent fanfiction but noticed I have trouble with pacing and sentence structure. I don’t have a clear grasp on when to slow down and sit within the scene(s) the characters are in or when to go on and move on to the next scene of the story.

As well as chapter structuring and to keep it consistent at a comfortable pace yet keeping the story going.

I am at the very beginning of my write journey and as fun and exciting it entails, it’s also scary, intimidating, and feels like I’m doing everything wrong despite just pushing through. Any advice or suggestions is so so SO much appreciated, thank you once again for your time <3

-/ Yours Truly, D.F

Crafting Captivating Scenes and Chapter Structure: A Writer's Guide

I'd absolutely love to help you on your journey, congratulations and I wish you the best on your writer journey to create the book of your dreams. If you ever need anymore help just contact me in my inbox!

(If you'd like me to create a scene template for you to use and fill-out. Please let me know. I'd gladly create one for you.)

Today, I want to dive into the art of structuring scenes and chapters in a novel. As we all know, a well-structured story keeps readers hooked from start to finish. So, let's unravel the secrets behind creating compelling scenes and crafting an engaging chapter structure.

Scene Structure:

When it comes to structuring scenes, it's all about capturing the reader's attention and propelling the story forward. Here's a step-by-step guide to help you master this crucial aspect of storytelling:

Establish the Purpose: Every scene should have a clear purpose, such as advancing the plot, revealing character traits, or building tension. Determine what you want to achieve before diving in.

Set the Stage: Transport your readers into the scene by painting vivid descriptions. Engage their senses and create a strong atmosphere to make them feel like they're right there with your characters.

Introduce Conflict: Conflict is the fuel that drives any story. Whether it's an internal struggle or external obstacles, inject tension to keep the readers on their toes. Conflict adds depth and makes scenes memorable.

Build Momentum: Keep the pacing in mind. Start with a strong hook and gradually intensify the scene's stakes. Balance action, dialogue, and introspection to maintain a dynamic flow.

Climax and Resolution: Every scene should have a satisfying resolution that leaves the reader eager to turn the page. It could be a revelation, a new dilemma, or a cliffhanger. End with impact!

Chapter Structure:

Now, let's focus on the structure of your chapters. Chapters act as mini-arcs within your novel, creating a rhythm that keeps readers engrossed. Here are some tips to help you craft an effective chapter structure:

Determine Chapter Length: There's no strict rule, but shorter chapters often create a sense of urgency, while longer chapters allow for deeper exploration. Find a balance that suits your story's pacing and style.

Establish a Theme or Goal: Each chapter should contribute to the overall story arc. Decide on a specific theme, goal, or event that drives the chapter's purpose and ties it to the larger narrative.

Vary Intensity and Tone: Just like scenes, chapters should have their own rise and fall of tension. Alternate between intense action, quieter moments for reflection, or even comic relief to maintain interest.

End with a Hook: Leave your readers wanting more by ending each chapter with a compelling hook. It could be a revelation, a question, or a surprising twist that propels them into the next chapter.

Transition Smoothly: Ensure that your chapters flow seamlessly. Use transitional elements like time jumps, shifts in perspective, or recurring motifs to link chapters together cohesively.

Congratulations! By mastering the art of structuring scenes and chapters, you're well on your way to crafting a captivating novel. Remember, scene structure drives the microcosm of your story, while chapter structure shapes the macrocosm. Experiment, find your style, and above all, let your creativity soar!

Happy writing, and may your scenes be compelling and your chapters unputdownable!

-Rin T.

[bambamramfan]

Scott Alexander just de-paywalled this piece, and I agreed enough with its perspectives and understanding of fantasy narratives that I wanted to make sure other people saw it.

But I disagreed enough that I wanted to spend a lot of time describing what it misses.

First off, he says "Each part of the fantasy universe has a load-bearing psychological function." Psychological, as a word, goes too far and is misleading here. Scott is entirely correct to look at these elements in functional terms: what do elves, and magic swords, and ancient civilizations DO to the narrative? And we find more enjoyable and memetic stories benefit from these functions, so we end up seeing them over and over again. But it's not a psychological need. It's not about the inner-workings of our mind, it's about the structure of stories that lets them flow well. It would be like saying that the fact that airlines list too-low ticket prices and recover it with hidden fees has a psychological basis, when it's more proximately caused by a broken market system.

For instance, one common fantasy trope Scott didn't mention, but is completely obvious, is the "disposable, unredeemable race or nation." Many fantasy stories have a large army that is either evil-in-essence, or immediately threatening, such that we have no moral qualm about seeing the heroes kill as many of them as possible. Why? Because it makes it a fun "tactical" game of how many soldiers can the "good guys" kill. That's a fun story! It's not because psychologically we want to dehumanize our enemies. It's because Gimli and Legolas's race for who can kill more orcs is a simple and narratively entertaining device.

Scott talked about Unsong in relation to this essay, and I really wonder if his reaction to that was "why Unsong doesn't do these things" or "Unsong leaned into these." Because well, Unsong has many of these tropes. The laptop with a talmudic AI on it is a macguffin. The angels are an ancient civilization. Etc.

Scott undersells just how rich the function of the ancient civilization is. He's correct that the ancients are a way to imbue the magic sword/whatever with non-reproducible power, but it's deeper than that. Many stories and ideologies are "prelapsarian" which means they describe an Edenic time "before the Fall" where everything was right and harmonious. Somehow they got corrupted and we now live in a fallen world where evil runs free. Our heroes, at least in part, want to return to that purity (even if in some aspects it is impossible.) That's what the ancient civilization is really: Eden.

I am stymied by the race question: why do fantasy stories keep going back to elves and dwarves, and sometimes halflings or goblins or dragons, but with extremely little diversity in the type of being we could share a world with. What necessary function do these specific races serve? There are several HALF descriptions that explain a little of this, but don't go the full way: 1. The most thoughtful fantasy authors see these humanoid races as standins for groups in human society, and think you should just write human-only fantasy to wrestle with those questions properly. 2. The people who are most interested in writing genuinely alien intelligences, just write science fiction. 3. Elves and Dwarves DO serve specific functions. Even though every different story has a twist on their elves and dwarves, they do all share some sort of class-identity. In short, Elves are french aristocrats, and Dwarves are semetic scottish. Elves are the groups higher on the class ladder, who are more beautiful, longer-lived, quieter, taller, and more tranquil and quieter (also more tragic.) Dwarves are the groups lower on the class ladder, who are rougher and more practical, more scientific or at least technologically-focused, and whose lives are more easily spent by the narrative. Most fantasy societies are gonna have a "higher class" and a "lower class" standin, and they might as well be Elves and Dwarves anyway. 4. Tolkien did not invent Elves, or Dwarves, or Halflings, or Dragons. But all of these are very old in mythology, and fantasy is much more interested in telling twists on 1000-year old stories, than it is about adding wholly new elements (if only because of what sells.)

[eerna]

okay wait actually now that we're on the book-series-strengths-and-shortcomings-train what do you love most about tlt and tlc? (multiple answers bonus)

HOHO A COMBO

TLC: 1) Friendship not being secondary to romance!! The series' main theme is love. In the grand finale the big bad taunts the MC about love... but she doesn't use her boyfriend, no, she uses her best friend. This is made even more powerful because by all means, the best friend was meant to be the secondary love interest by all rules of 2012 YA, but NO he is JUST A FRIEND and it is not treated as "something less". 2) Team building!!!! Oh my god!!!! Building onto point 1, but it needs its own point. Rarely does a fictional team of main characters feel as natural as the Rampion Crew. This is even more impressive because the 9 of them don't appear in the same room until the end of the series. Even though the team consists of 4 couples and 1 single, everyone has a dynamic with everyone, they have arcs that aren't tied exclusively to their partner but also someone else on the team, they interact with each other freely. 3) The wide range of characters! I am a sucker for a "team of girls totally different from each other saves the world" setup, and TLC does it perfectly. I think this is one of the best YA series out there because of how much it empowers different kinds of girls. The guys are also easy to tell apart even at first read, and I sooo appreciate that at least one of them isn't conventionally attractive (anymore). 4) It's so funny. I love these books and how funny they are. They hit the perfect balance between a fun teen adventure and a heartfelt emotional story. 5) This is one of the least "Here's what REALLY happened" series I've read. A bunch of times major things influence characters' thoughts and opinions, but those things are fake and never revealed as fake, OR the characters never learn some big things that could change their opinions at all. Seeing how impacted Winter was when she realized Levana truly loved her father, when I KNOW what really happened, always shakes me to my core - and Winter never learns the truth!!! Everyone who could explain what really happened is dead!! Winter will forever go on thinking at least her father had a marriage of love!!! And why should she learn the truth, really, it would only serve as yet another sad plot twist that traumatizes her even deeper. 6) Levana. I am not usually a villain girlie, but Levana absolutely slaps. She is simultaneously disgusting, horrible, and pitiful. Usually if I like the villain it's because he has something smart to say, but Levana doesn't, I can't relate to her or see things from her perspective... But the leads can! Levana seems to carry all the trauma and complexes of our leads, but she crumbled under them, showing Cinder what she might have become if not for her loved ones.

TLT: 1) Isn't afraid of people not getting it!! Do you understand how refreshing this is to see in a mainstream popular series??? The book doesn't act like you are an idiot, it acts like you are some sort of a genius, and you feel illiterate until you realize NO ONE got it the first time around and you're gonna have to do lots of rereading and thinking to get it. This makes it impossible to get into for some people, but so what. So what!!! What matters is that it rewards those who stay and put in the work!! 2) Absolutely bonkers insane relationships. No one can be "just a friend" in these, we need 1000 different layers of trauma and tenderness surrounding everyone. 3) Pathetic women. These books are the epitome of all the worst parts of yourself laid bare. These characters act out the most shameful, horrible memories and impulses of your heart, all the while spouting poetics about the entire situation. And it is pure catharsis!! It is so rare to see female characters depicted this pathetic without it being torture porn. 4) Writing style. It's the perfect example of how realism doesn't matter if you're good with your words. No one in these books talks like a real life person, but they are all distinct from each other and filled with personality. Every book has several lines that have the power to reduce me a to a sobbing mess just from hearing them. Just. The writing style is so good that I even enjoy reading INTERVIEWS with the author, she has a way of speaking that keeps you engaged and makes her sound so smart. 5) Each book is its own thing, keeping you on your toes, but they all still feel cohesive. It also means that even if the final book sucks, I won't have any hangups about it, since I will just be able to reread the first 3. Honestly even if AtN never comes out, I won't feel like I wasted any time, because the books are so fantastic and so worth reading that the end of the journey doesn't even matter to me that much - and if you've been here a while, you'll know what a radical statement that is for me. It is so nice to relax and enjoy the ride instead of stressing over my thoughts and opinions aging badly.

[mikkokomori]

is omari basil still a delinquent

(and side note here id LOVE to hear you ramble all about your Omari au)

Ahem,,,, if it is alright with you then,,,,,, I will talk about my OMARI Basil then,,,,

To answer your question, he was planned to be the delinquent of the group (as per typical swap aus), though over time, I really began to sit down and think about it the more swap aus began to pop up around the fandom. I didn't really like the idea of being a carbon copy of various other omari aus in specific, so during the time I have been absent on here I began to slowly revamp the AU over time. I had to start over with what I originally had in the first place since a lot of the au things in my take on it also had contributions by followers as well!

For Basil, his first concept was initially a delinquent take... but the thing that caused a problem with that was the fact that I had planned for him to also play a sort of "detective" role in this universe, as I had written a short snippet on Basil having caught on to something suspicious going on between the older siblings and Sunny's sudden disappearance.......

Frankly, as much as a delinquent Basil is my darling concept of all concepts, I had to, unfortunately, push it to the side and alter his role in this AU to fit with the revamped look I was going for him... therefore fully integrating him into his "detective" role. In a way though, looking through Mari's perspective, he's sort of a clashing force with her and is equivalent to an antagonist in her own story (but! Keep in mind, Mari in this AU isn't the Mari who you should be sympathizing for.... an unreliable narrator who happens to be a wolf in sheeps clothing....).

As for the emotions, while a lot of people tend to view the emotions being assigned to the characters as their possible role in RW (the happy-go-lucky, the perfect student, the delinquent), for mine I ended up making it were each friend had 2 main emotions.... Basils would be anger and sorrow (Aubrey and Kel tend to have anger as their second emotion, though that is still up for debate! I still have a few things to work out :3). So, in a way you could say that in Headspace they were only ever seen as a one-dimensional character by Mari/Hikkiko, while in the real world, they had a even bigger "mess" of emotions that they all dealt with. In turn, Basil's concept strayed further away from the path of delinquent and more into a path which.... ehehe..... obsession as a concept is such a fun thing to play around with, don't you think?

Just as much as he plays the "investigator", he also is meant to be a parallel of what Mari/Hikkiko is. Obsession has always been a part of his character, and in doing so, you could say I played around with it until I found quite a nice concept with this. Mari/Hikkiko both have a need to keep Sunny around as the perfect brother and therefore paint his Headspace counterpart to their own liking.... while Basil in turn has, on some level, a need to imitate Sunny as closely as he can. Both are a form of obsessions I have given them, and in a way, the only reason Basils is a more "lighter" version of this is because Aubrey, Kel, Hero (sort of), Polly, his grandmother, and Faraway Town as a whole have been there to guide him on a better path. Though his obsession to keep Sunny's memory alive by becoming like him is still there, it's not to say that he doesn't have people to talk some sense into him-- meanwhile Mari does not have that type of support.

Obsession stems from love, at least, in their case. And in the end, it really depends on whether or not they have people who are willing to reel them back into a state of sanity. Basil was, at least in terms of my omari lore, viewed as a delinquent at one point, though he never acted out aggressively towards others unless provoked enough and only ever kept to himself.... eventually the town residents accepted the fact that this was just his way of grieving and treated him with patience and respect, especially with the fact he took it upon himself to go around town and helping around with the little things, though especially with gardening and photography.

it's not to say though, that he doesn't have some... worrying habits. That as in, most of his plants being replaced with tulips and most of the heads of certain plants being chopped off with garden shears, left to rot. While Basil mimics his best friends habits, he isn't exactly the best at fully hiding his feelings and emotions as Sunny was able to. No amount of masquerading will change the fact that once he's laid his sights on you, it'll only be a matter time before he seeks for your head on a silver platter.

[forkaround]

This post is an extension to this post about what can be classified as a BL. I'd rec you read that post first.

I woke up in the morning with this in my notifs and I just....

Anyway, let's break it down:

Does a QL simple mean that the main characters are queer and you go in knowing that?

First of, in my post I say BL is where you know "Boys are kissing boys and girls are kissing girls." If there is no romance (thus the reference to kissing), the show becomes irrelevant to the conversation.

But to answer: What's wrong with that?

That makes literally *anything* centering queer people and queer love a QL

Great! It's QL.

I've seen this pointed out multiple times have these people wondered why they don't want to call something they think is good a QL? What is wrong with the title of QL?

and that imo is somewhat belittling of queer people's existence as in their presence in society as a a given is inherently 'genre'

Yeah, and Pride and Prejudice is a 'straight genre'

If that doesn't make sense, well, that sentence didn't make sense to me. Does making crime shows make the lives of cops and criminals in to a genre??? It's such an absurd statement. Or maybe I'm just sleepy....

this is very different from thinking QL is 'bad'--you'd never call anything with an expected straight romance in it 'romance' by default

Yeah! That's how it works! Romance is romance. Romance is a genre. It's literally the biggest genre there is. There is more romance written, published, made into animation or live action than literally any other genre by a huge margin.

Romance can and is often combined with other genres. Doesn't change that it is a romance.

you'd call it whatever genre it is; when you meet a series of fitting tropes you'd call it a rom-com

What does rom stand for again?

Romance is often used with other genres, from action to horror to contemporary to fantasy to sci-fi.

This I think primarily comes from people not knowing how genres work. It's not a Boolean (as one would say in computer science). It's not a True/False thing where if it's action it can't be romance. If it's romance it can't be political.

As they say: It contains multitides.

shouldn't queer stories be afforded the same discretion?

Moonlight Chicken, Kinnporsche, Old Fashion Cupcake, Bad Buddy, Love in the Air, Not Me, 180 Degrees, GAP the series, HIStory 3: Trapped, About Youth, Mood Indigo, Cherry Magic, I could go on. You don't have to go anywhere else for it. BL already has it all.

So I'll ask again: Why do you feel that 'BL' is a bad word?

Other people have wrote about this with better sources and much deeper understanding so I'll try my best to convey it here:

As I understand the situation, something got lost in translation when yaoi travelled from Japan to the US and people started understanding yaoi to be a 'dirty' genre, that did not depict honest queerness despite it being made up of majorly queer people. It became the genre that was 'for straight women by straight women'. If you look at US the same phenomenon can be observed when people talk, or at least talked, about slash fiction. Mix in some cultural context and yaoi goes from a fun escapist genre to the bane of queer existence genre. Fiction is enjoyed differently in different parts of the world. Nothing wrong with that. Hell, nothing unique or special with that statement either. It's a fact of life. If Shakespeare can't be universal, as many like to claim, we should not expect the same of anything else.

And let's never forget how westerners think their version of queerness is the only real version. I've had personal experience with this and I can say: People need to open their minds and understand that not everything is from their perspective. When I encounter any American thing in a show or book, I simply slide past it because I'm not American. I've never been to America. It doesn't change the story itself, so why bother, what would be the point. If people applied that approach instead of analyzing every detail and expecting it to fit your world view then we would all be happier.

(It turned sappy at the end there. I'm sleepy.)

[mogspawner]

Deceit. (smp)

It is not Sunday but Im making this post to show what kind of content I'd be bringing to my blog! Please follow if it interests you because I will do a series like this every week! Submissions of your own smp's / personal favorites allowed under conditions!

Need some more Minecraft series to get into? A completed story hosted by Legundo for your viewing pleasure, watched this series when it released and truthfully its incredibly underrated. I will go in to describe this for you!

No warnings needed!

"May I interest you in an egg, in this trying time? "

In the words of our good man Legundo, himself: "Welcome to Deceit. Hardcore players meeting together in a world for a game of 'Survival' and 'Social Deduction.'"

This hardcore-based server is centered around two lives which each player has, their First life is your gentle run-of-the-mill Minecraft experience with friends.

Well, Mogspawner, you must be saying to yourself right now as you read this blog. What happens when you lose your first life?

You are onto your last life and given a role. (3)

Crafter(4): Survival route, aimed at continuing to stay alive in the endgame. Uniting with others of your shared role.

Traitor(3): Traitors are pretty self explanatory, they are the infiltrators to the Crafters and seek to dish out justice and mayhem alongside their traitor friends to remain the last standing team.

The Killer(1): The killer has a single role. Total annihilation. No side should be left standing when you are done with them, and oh boy are the possibilities endless.

The goal is for the Crafters to survive, the Traitors to kill or the Killer to try and win the game at all costs. Seems pretty fun, right? Wrong. Each player will do their best to lie, cheat and deceit their way to victory. Who comes out on top? Who survives after all's said and done. Find out on Deceit!

Let's meet our players!

Here I am going to list links to all the content creators involved Youtube channels. When it comes to getting into series, its always important to pace yourself and I will give some insights on which perspectives you should watch for your own catered experience! Spoiler free, of course.

Legundo: Legundo is a sure choice to pick if you like a little bit more seriousness. If you go in for lore, dramatic re-telling's and story rich interactions. This is the perspective for you! Legundo has participated in both season of Deceit!

Switchbackmongo: If you find yourself rather introverted and awkward Mongo is the person to watch! There a couple cinematics and plenty of jokes to sit back and enjoy. Mongo has been on both season of Deceit!

Taneesha: Personal favorite. Most hardcore players know Taneesha for her general aloofness and playful behavior, if you find yourself the type of person to leave floating tree's just to annoy your friends this is the perspective for you! Has participated in both season of Deceit.

Loony: Personal favorite. Favor yourself a little chaotic POV? This is the one! Loony has a share of getting into plenty of shenanigans while also giving it a good old MC playthrough feel. Loony participated in both season of deceit.

There are plenty of other content creators who do not have their playlist public, active or made into videos. The content you receive in other views is what is provided but I will list them here instead: Skyes, Pezcat, DavisWho, PainDomination, alongside characters from season two!

Fancy yourself a completionist? Here is a link to every single video in Lore order. I specifically adore Fixxit's perspective in season 2, but thats just me!

See you later, swompers!

[lavender-rosa]

Kny Characters + What stories would they write?

Ok last one for now I just had a lot of ideas

(Also kind of a modern au)

This is also really long, it contains the majority of the characters

Tanjirou: Pens a very lovely and whimsical tale about a boy who goes exploring in a sunny wood and comes across various talking animals who often say funny, charming and sometimes deeply profound things about the nature of the world. Think Le Petít Prince meets Winnie the Pooh. Half of the people who read the story thought that it was a delightful read while the other half thought it needed more conflict (lameasses)

Nezuko: When she was a human she was too busy taking care of her younger siblings and doing laundry to write down her little tween girl self-insert fantasies of joining Robin Hood's band of merry men and becoming the new leader who steals Robin Hood's heart <3 and other similar characters who fight sexily against injustice.

Zenitsu: Writes cringy self-insert fanfic both in modern au and in the taishou era. He writes selfcest fanfic (but don't you get it? It's actually a metaphor about the duality of the self, and he's working out his inner demons UGH don't make fun of him!!!!!) and is that guy who writes really dark, fucked up fanfic about cartoons (he has watched a lot of anime). He's really into theaters, plays, operas, musicals you name it. He went through a big Tennessee Williams phase and tried to write exactly like him to.....middling success. He tried to write a musical once only to realize one song in, that an advanced sense of hearing and proficiency in multiple musical instruments doesn't actually equate to having any compositional talent. He'll stick to critiquing and leave the creative writing to people with more style and imagination.

Inosuke: He narrates a story about a boy who escapes an opressive society and goes to start an anarchist commune in the woods with other refugees. The fact that there are no rules and everyone does what they want is epic and he doesn't miss his old life at all even a little bit and then they all live happily ever after, the end. Shinobu claims that while his narration style is direct and incisive, the story ultimately lacks nuance.

Genya: He had a really big crush on Mulan and Li Shang when he was a kid and when he saw the garbage straight to DVD sequel it dissapointed him so badly he vowed to rewrite it so that it was good now, actually. He got three pages in before it occured to him that this was a waste of his time because no one but him would ever actually read it, and he abandoned it. Little did he know that little Nezuko would have loved to read it, but he didn't know Nezuko yet. Alas.

Kanao: She writes a series of diary entries from the perspective of a teenage girl. At first she's just talking about stereotypical teenage girl stuff, like the boy she likes and the mean thing her friend said at the mall, but then at some point the narrator realises that she's in a story, and her diary entries get introspective and frantic and meta as she is ultimately crushed under the weight of her own narrative. Her teacher deems it "brilliant" and suggests submitting it to literary magazines for publication to which Kanao replies "no thanks Λ_Λ 🫧"

Aoi: She once wrote a story inspired by "Over the Garden Wall" about two characters who are clearly her and Kanao navigating a sinister, mysterious forest together. It really helped her work through some stuff.

Senjurou: He makes an artbook of his crafts, paintings and photography. It has a very special place on Rengoku's shelf.

Rest of characters under read more

Shinobu: She writes a story about a lesbian pirate who has an affair with a bisexual tavernkeeper who is cheating on her shitty husband right under his nose. One day the husband finds out and gets violent so they kill him and serve chunks of his flesh to stray alley cats. Her friends and family really enjoy the story but others don't understand "why everything Shinobu writes needs to have such an agenda"

Sanemi: He pens a tragic fairytale about an empress who loses all of her children to various causes and ultimately kills herself. The style is very poetic and beautiful but the story is so unbelievably sad that anyone who reads it is prompted to ask "what was the point of this" and "if you need help i have a pretty good therapist i can recommend"

Giyuu: He once wrote a novella about a miserable, traumatised young man who causes problems for himself for no reason. Shinobu reads it and says "Wow Giyuu, this is an amazing piece of satire I never knew you had such a great sense of humour!" And Giyuu is just like "it wasn't meant to be comedic" and Shinobu's like "Oh......." Many years down the line Sanemi reads it too and argues that the protagonist needs to be punished more by the narrative and Giyuu responds "thanks...I'll keep that in mind....."

Gyomei: While not a man of many words, the novel he has been dictating reveals a very beautiful, sensitive, poetic soul and may move you to tears.

Muichirou: Doesn't read books and now you want him to write one???

Uzui: He wrote touching and hilarious letters to his wives whenever they were apart, which they keep stored in a small wooden chest and pull out to read whenever they are feeling wistful. Besides that he has no desire to write anything. The most he ever writes is when he is writing letters to other Pillars, which always say the same thing "Hey come over here so I can talk to you in person. Fuck you. Tengen"

Mitsuri: In the Kimetsu Gakuen comic series she along with Shinobu brainstormed a manga called "Sishinta and Friends" where all the characters are pieces of sushi and the romantic rival is a piece of shrimp called Ebi that looks like Rengoku and gets into conflict with a fried piece of salmon called Yakishake that looks like Akaza, who wants Ebi to get fried because if he doesn't he will spoil and die, but Ebi argues that getting spoiled quickly defines sushi and that he would never become fried and thus the two engage in a vicious crustacean vs aquatic vertebrate battle. Not kidding, it's chapter 11

Iguro: He writes a story from the perspective of an electron that doesn't know that it's entangled but can sometimes still feel that it is connected to something across the universe when it spins. It is a brilliant poignant story about starcrossed love and the significance of relationality across the cosmos that almost none of his peers understand "because it all sounds too sciencey"

Rengoku: Had a diary detailing his childhood, his mother and her passing, his father's descent into alcoholism, his little brother, his training exercises, his missions and his unsuccessful attempts at making his father proud. As the years passed the diary entries became shorter and shorter until one day they completely stopped...

Kagaya: Writes a dark comedy about a horrible, pathetic man who makes everyone around him miserable including himself because he refuses to adjust his insane principles even when presented with tangible evidence that contradicts his beliefs, at one point he commits multiple murders and gets away with them until the end of the story where he is killed by his own myopic greed. Muzan claims that the hero of the story "is greatly sympathetic" and that "he deserved a better fate" Kagaya is just like "yeah...I kinda knew you would say that... :)"

Tamayo: She pens a lot of theory that is highly abstract, very dense, overly cerebral, sprawling and bordeline illegible. Her works are sort of like if Feynman and Derrida had a baby and also that baby was in highly need of an editor that could whittle down every four pages into one sentence. She writes theory on every scientific field imaginable, including fields she all but invented. People who can actually figure out what the hell she is saying insist that she is a genius and that her ideas changed their life, but most people don't even bother or just pretend to have read her stuff.

Yushiro: He writes academic criticism/theory/research, which is ever so slightly more lucid and succinct than Tamayo's.

Kyogai: Writes a story about ghosts throughout time occupying a single house together, haunting each other, ever temporarily overlapping in a cacophony of grief. While coherent it is very dense, and most of his publishers don't bother actually unpacking it, so they mostly just complain about the non-linear timeline being "too confusing" (lameasses)Tanjirou loves it though.

Rui: When he was still a human he had diary entries, which served as a treasured outlet through to vent his supressed and overwhelming feelings regarding his illness. He didn't write every day, and sometimes his entries were longer than others. In the weeks between him meeting Muzan and him murdering his parents, Rui's diary entries took a turn for the messy, rambling, dramatic and graphic. His diaries were well-hid under a rug in his room and thus never found.

Muzan: He writes about an ubermensch who is able to valiantly resist the liberal indoctrination of the pathetic sjws who are triggered by his inner strength and sharp intelligence. It reads almost identically to Kagaya's story (except with a vastly different prose style), but unlike Kagaya, it is completely sincere and not remotely a satire. Unfortunate.

Kaigaku: Writes a story about a "really cool" alpha male whose girlfriend unfairly dumps him after their wannabe sigma male acquaintance who was jealous of him because he loved his girlfriend gets him cancelled on Twitter for saying a slur 10 years ago. But it turns out said guy who steals his girlfriend is actually a terrible person who treats women like shit despite posturing as a feminist for clout. Zenitsu reads it and is like "wow, this could actually be a very well thought out critique on performative allyship and how any kind of man can be equally abusive to the women in their lives....if not for the fact that THE SIGMA MALE IN THIS STORY IS CLEARLY A STAND IN FOR ME ???????"

Daki: She def has a "went through a phase of writing hardcore slash fic" vibes, I can't explain it but she does. She's also incredible at writing roasts. She gives a speech at every birthday party she has been invited to and it fucking kills.

Gyutaro: The first and only time he ever attempted constructing his own story was when he was very young, where he devised a truly gruesome story about woodland creatures that accidentally made Ume cry. Whoops!

Gyokko: He wrote the japanese equivalent of Donatien Alphonse Francois Marquis de Sade's "120 Days of Sodom" the book that inspired the well-known 1975 film Saló (on a sidenote: I have read the book and it's much worse than the movie, just read the wiki summary to get the idea) Anyways if you are familiar with the book or the film you should know that whatever the hell Gyokko wrote is not suitable for human or demon consumption alike.

Hantengu: Spent a couple decades or so publishing a series of action-adventure-erotica novels under a pseydonym. Once you've been around for long enough, you just start doing shit.

Akaza: When he was young he wrote about a brave and valiant samurai who goes off to slay an oni and bring it's head back as a trophy for the shogun, only to learn that the oni was really just minding her own business, leading him to question everything he thought he knew about the Japanese feudal government, and ultimately beheading the shogun instead. His teacher deemed it "intriguing, but slightly concerning" (Lame!!!) Also probably had a Magneto and a Robin Hood phase.

Douma: Publishes a book that is one part self-help, one part gloating memoir, one part spiritual guide, one part personality quiz and 100% barf. Hakuji cannot believe that Koyuki has read it cover to cover multiple times, as if it contains wisdom deserving to be gleaned even once. He'd burn it if he didn't know that Koyuki would just immediately go out and buy another copy, giving even more money to that bastardly scammer.

Kokushibou: He finds most novels insipid, poetry either boring at best or nauseating at worst, and fanfiction a hobby practiced only by the most simple minded buffoons so he doesn't think he's missing out. He once sent a letter to Douma but never received an answer from him, so when he asked him about it when they met face-to-face Douma simply told him that attempting to read through and trying to comprehend Kokushibou's highly antiquated and dense writing was sheer torture for him so he just gave up ❤ he advised him to modernize his writing, even just a tiny bit. Kokushibou could do that....but he refuses to ❤️

[agentravensong]

hello, fellow hatchetfield fans! here are my stray nerdy prudes must die thoughts, which i'm going to try to keep brief (she said, before spending an hour writing this)

the production level of the show as a whole really blew me away. the lighting; demon!max's costume and makeup; even the way it was shot and edited felt even more electric than past shows

this is the only one of the full-length hatchetfield musicals to have one consistent antagonist throughout (black friday has linda but half the leads don't know about her at all until the climax, plus there's wilbur and wiggly). and i gotta say, max's actor really killed it. hilarious, terrifying, and even with moments of nuance. he repeatedly stole the show.

some of the songs are already stuck in my head. off the top of my head i can't think of any that stood out in a bad/unmemorable way (though i could just be forgetting them, lol). ruth's song in particular i think is gonna really stick with me once i listen to it a few more times.

and i love the way the "i'm not a loser" motif gets used throughout the show. the closest any of the songs got me to having the visceral reaction i have to "did you know that i wanted to live with you" in "not your seed" and the bridge + ending of "let it out" ("i've never been happy...") was when richie sings that line right before... well.

speaking of richie: as a paul stan, what this show proved to me more than anything is that when jon matteson plays a sympathetic lead (or side character - hi daniel/stopwatch), he will always break my heart. he's just. really good.

thinking about how in the last of the originally planned 3 hatchetfield shows, initially conceptualized as the first, jon's character is the first one to sing, whereas in the first of those shows, conceptualized as the last, the whole crux of the musical is him refusing to sing, the audience essentially waiting for the moment he breaks and does it. thinking about how the opening of npmd tells us richie is going to die, already dying, already dead, while the opening number of tgwdlm tells us paul is the target, the Doomed Hero, the "star of the show" "destined to go viral" [read: get infected], whose story is going to be told, already written.

thinking about how singing dooms paul, and how richie singing "i'm not a loser", reigniting max's ire, is the final nail in his coffin.

...i'm normal.

there's a lot of meta jokes and nods of that sort throughout the show. maybe a few too many? like, at a certain point, as a fan, i do feel like i'm being pandered to a bit.

i liked the lords in black's scene, it was a lot of fun! it's always great to see jon get to let loose with crazy characters, and the others were great too. but i do wonder how it plays for people who haven't been following nightmare time stuff. like, i get that in one world this was our introduction to these characters, but even in that world, i wonder if including all five of them with their specific names and allusions to their individual deals is a bit too much for what the plot of this show needs. there's something to be said for not showing all your cards right away.

on the other hand, i feel like the paulkins coffee scene actually fully earned its inclusion: because when pete comes in asking for his hot chocolate, it reads differently when we're coming at it from having followed his perspective up to this point versus having been following paul in tgwdlm, in a way that strengthens both scenes. it's a nice reminder that emma and paul can be... rude, i guess. assholes, even (she really didn't need to spit in it). that idea of perspectives affecting how we categorize people arguably even plays into the themes of this show! how about that.

ah, yes, Themes. there are Themes to be drawn out of this show about the experience of high school, especially in an intertextual comparison to how tom and becky talk about their time in high school in black friday. something about how the two of them see it as this idealistic time they want to go back to, whereas the teens (the nerds/outcasts) in npmd sing that they'll "still despise it when [they're] gone". something about how in ruth's solo number, the fantasy future she imagines for herself (even in the context of it being a performance for an audience of no one) is of a standard, arguably dreary, middle-aged existence. there's definitely stuff there to be dissected.

and also there's arguably a theme of continuing cycles of cruelty, brought into focus by the ending, but also implied with the way the adults failed the kids (see max referencing his dad belittling him).

...but also, i feel like they could have done more with that.

that's my one big thing with this show, and it could very easily just be that the genre of this show isn't as much my jam, but i'll say it anyway: i wanted more from the characters, and more emotional weight in regards to certain things.

like, between this and tgwdlm, i think tgwdlm is still the better written show. there's just, a subtly to the characters there, a grounded human-ness, that i didn't quite get from all of the teens here.

as much as i clearly have a soft spot for richie, that's mostly on jon; as written, there really isn't much there, beyond "anime nerd" and "generally nice kid who wants to be liked". the scene right before he dies is comedic in how obvious it's setting things up, but its obvious-ness also makes it feel kind of cheap in terms of pulling on the heartstrings. similarly, ruth is initially just a gimmick (though hers at least ties into a deeper insecurity) and only gets her real moment of depth right before she dies. neither of them feel like they have much affect / haunting presence on the surviving teens once they're dead, past the initial shock of the reveals of their deaths.

and steph and pete are good, but... idk. i wanted a bit more from each of them. if they got to have a talk like paul and emma before "join us and die" - not even for the sake of the romance, but just for the sake of giving us more on each of them outside of their basic stereotypes and the romance - that would've helped, i think.

grace was great, though, no qualms. initially there was a part of me that was disappointed that the stereotype max was pushing on her about her being secretly repressed and horny was in fact true, but the way it gets used makes up for it, and in between max's death and when that specific thing comes up again in the climax, she gets to do a lot with the two conflicting sides of her personality, wanting to be good but having a capacity and arguable instinct for scheming and ruthlessness.

(also, as i mentioned earlier, max has a surprising amount going on, especially once you get into the Implications)

it could just be that i see those depths in the tgwdlm cast because i've had more time to chew on that cast, and that in time i'll see these teens in the same light. but i don't think it's just that.

i think part of it is how there are so many jokes about the teens being nerdy prudes (really, mostly just nerds). and like, that's part of the point, obviously, that they were being forced into those boxes and that they were still people with the potential to be more. but... i don't know if the show does enough to really make that point. again, richie doesn't really get to be more (and it's not for lack of time - there's a good amount of show before max comes back as the demon and kills for the first time).

in tgwdlm, the mains are all arguably based on stock characters, but they have more depth through their relationships. look at ted, the stock asshole sleazeball, who's shown to feel genuine remorse when he loses people he loves, in a way that contextualizes his bitterness. and there's a lot less highlighting of the stockness of them in their show than there is of the teens in npmd.

and the thing is, i think the cast of npmd at their foundations are more likable than the cast of tgwdlm (see the earlier point about emma and paul being assholes at times). they had a lot of potential. but i don't think enough of it is realized for the majority of them. the edges the tgwdlm cast has are part of what makes them compelling, and it's something the teens (minus grace) are largely missing.

the thing is, i know the fandom is going to see that potential and run with it. i know that they're gonna develop the teens' characterizations and relationships. i know they'll get into the trauma and the implications from everything that happened to them in the show. i know they'll get into... pete's survivor's guilt, and steph losing her dad(!!!), and what richie and ruth could have been, and all that. i know that they'll fill in the gaps. because that's what fans do. i guess i just wish there weren't so many gaps to fill. or, that the gaps wouldn't take so much effort from them to fill.

again, i acknowledge, maybe i'm expecting too much from the genre of show this is. it doesn't need to have A Point, i guess, it can just be fun, a comedic horror slasher in musical form. and it is fun, a lot of fun! ...but, tgwdlm was also a lot of fun. not as bombastic, for sure, but i'd say just as humorous. and it was also incredibly tightly written, and satisfying, with strong character arcs for multiple leads. it had commentary on musicals, on what makes a protagonist and what it means to be one, on conformity and institutions of authority, on romance even (you could do a very interesting aromantic reading of this show, trust me). and with a show that's titled nerdy prudes must die, that is About high school, there's, similarly, a lot you can do. and there's a fair amount of seeds planted there. but i don't think it all quite coheres. and it could've, if they really wanted it to.

...i did not keep that brief. ah well. i might disagree with half of this by the time i wake up tomorrow, i just needed to get it out of me. tl;dr, in my opinion, this show is stronger than black friday, but tgwdlm is still my favorite. all the cast and crew put a lot of love into this production and it really shows. i had a great time! :D but i'm always going to overanalyze things i care about as much as i care about the hatchetfield universe, and hence, here we are.