duniadisair

[ennn]

The kiss did kill Agatha but it was because she made it happen. "That's cute, but you know that [absorbing Rio's powers] would kill me" they had that line for a reason and having the line again on the previously on was to remind the audience of that. So a normal agathario kiss wouldn't cause death, but Agatha actually absorbing Rio's powers while kissing definitely would.

That being said, I agree with all the things you highlighted that you liked. May I ask which things you would've done different or didn't love as much, maybe?

Also, from the most neutral point of view, do you think Agatha still loves Rio? Did she ever?

I agree with that read! Note: this also means Rio would have needed to let her magic go into Agatha. Agatha can only take when blasted with magic, not by touching people, so Rio was aware she was killing her but it was Agatha's choice to take it on the mouth

Ooh good questions, time to play editor / script doctor for a bit. This is probably going to be long... and can be negative so I'm keeping it under a cut.

Things I did not love / would have done differently — not comprehensive — just off the top of my head:

For the love of god use a different ghost SFX. I hate the current one with the fire of 10,000 suns. It makes it hard to see the actor's performance, their outfit, and it messes with their body language as well. Outside the fantastical reality of the Road, it's too distracting.

Burn that white-grey wig for ghost!Agatha. Between this and the SFX I was struggling to focus on the scenes and their pathos. I think Episode 5 wasn't so bad because Evanora didn't really do much except float around in a smock and say some mean lines but Agatha's moving around, talking a lot, and trying to land some emotional beats.

The whole showdown in the garden feels weird to me, and I think you can tell that Aubrey Plaza wasn't on-location for much of it except for the kiss? I suspect that's why we have shots focused on Billy hitting the greenhouse, Death on the house, and a very very short magical fight. You also don't get proper reactions from Rio on what could have been a couple of revealing beats like when Agatha initially offers Billy up and walks away.

The big one: I'm not convinced Agatha had a proper arc here. If it was planned I don't think it landed for me. You get a hint of Agatha making some peace with how death just happens at the end of the earth trial: "Sometimes boys die" – beautiful moment -– but it doesn't seem to follow through? Yes, she ultimately makes a choice that allows Rio to continue pursuing her (because Rio would have kept her word if Agatha handed Billy over). But coming to terms with her grief and Nicky's death? Has she forgiven Rio? Has she forgiven herself? It feels unresolved to me imho.

Agatha being protective of Billy is... some development I guess but she was already instinctively protective of him in like Episode 3, and by then she already knew he wasn't Nicky. I needed more growth from Agatha, I think?

I'm not sure about the whole mental messaging power of Billy's. Is it supposed to imply he's also reading Agatha's mind? Did he not say it out loud because then we'd have to get a reaction from Rio and Plaza isn't available?

Cast a younger kid for Nicky lol. I know there are production limitations but to me that kid looks too old for a 6-7 year old. Is it just me? I don't usually hang out with kids.

Streamline the flashbacks with Agatha and Nicky. We get it: she loves him, it's their song, he's not a fan of the murdering, he dies. I'd fit in a scene (it can be a short one) to underline how Rio did care about Nicky (she visits him?) and show Agatha having conflicting feelings about loving but fearing Death.

In an ideal world, not have Billy in his superhero outfit because that should have had some build-up for a reveal. I know it's Marvel and they need to sell merch and stuff but there really was enough stuff going on and how the hell did Billy get that suit anyway? The crown I can overlook but the rest is weird to me. --

For your last question about Agatha loving Rio I'll tackle it in another Anon Ask coming up that's similar!

[inafieldofdaisies]

SurrealEstate (2021-) | Season 2, Episode 7 “God & Monsters” | Favorite scenes | Clytemnestra Lomax appreciation post

[sparklingpax]

logging on here to say that. I truly think,

"I am but a soldier, Megatron. And you are a prisoner of your own twisted delusions!"

has to be one of The rawest lines Optimus said of the whole series. and I think about it often......anyway

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[fujouppy]

youreaddictedtolonelinessand desperationitsthestrongestemotionyouveeverknownsoyoursubconscioustellsyouthatitsyourdestiny.com/careers

[neil-gaiman]

Every day my mind realises just how seriously and deeply devastating that final episode of good omens was. I don’t even mean devastating in the bad way, but in the way where it makes you feel REAL feelings, when you can feel your heart sink with frustration and compassion. Idk i might just be an overly emotional gal but this is my thank you and well done note to you. Not many people have the ability to create a story so fictional yet SO real. Thank you <3

You are so welcome. That was what we were all going for: to make people feel real feelings.

I'm glad that people are responding to it like this, too.

[incesthemes]

in provenance, the impala is depicted as quite dirty and beat-up, scuffed up and covered in mud. this is not the typical image that comes to mind when you say a man loves his car. in later seasons too, the impala tends to look shiny and new, and dean is seen performing maintenance on it pretty regularly—at least, there are many scenes that show dean taking care of it, and there are also many scenes which touch on dean's possessiveness and care for his car.

this isn't the case in season 1. season 1 dean has a beat-up hand-me-down from his dad which he loves and admires but is still willing to let it get dirty and dented and scuffed.

in season 1, the impala represents john.

based on how john talks about the car in dead man's blood, he still has a semblance of ownership over it: john gave dean the car, but he still considers it "his" in the sense that he feels entitled to judge how dean cares for it. dean, too, doesn't argue with this. in season 3, dream dean even uses this against real dean to drag out his insecurities and his abysmal self-esteem:

both john and dean agree that the impala is john's car. this makes sense because the impala is also sam and dean's literal home, or the closest to home they've ever gotten.

you have a good "home is where the heart is" kind of connection here: the impala is home, and john is the impala—john is home, john is their father, john is the thing that connects sam and dean by blood. et cetera et cetera.

so if the impala represents john, then how dean treats the impala gives the audience a lovely visual metaphor for how dean feels about john. provenance is just one episode after something wicked, where dean is finally starting to extricate himself from his father. the entire season has followed dean as he experiences betrayal after betrayal from his father, and in shadow we see evidence that he doesn't actually believe that his father will come to protect them anymore—he's effectively given up on john as someone to rely on, and he's spent the whole season separating himself from john and attaching himself to sam instead. provenance gives a nice wink and nod at this by showing the state of the impala—dean is upset with john, their relationship is crumbling, and dean doesn't know how to repair it.

one episode later john remarks on the state of the car, and one episode later dean finally defies his father for seemingly the first time.

so when dean starts destroying the impala in everybody loves a clown, what dean is actually destroying is john.

he feels angry, upset, hurt, betrayed all over again. john is dead, and his final words to his son gave him an impossible task. dean takes the crowbar to the impala right after sam corners him into another conversation about john—this is an outpouring of his emotions about him, all concentrated on the last remaining symbol of his father.

but what i think is interesting is that sam doesn't see the impala this way.

sam sees the impala as dean. the symbolism here is very, very obvious. if sam gives up on the impala, then he's metaphorically giving up on dean. and sam refuses to let dean die, so he can't let the impala die, either. to sam, the impala is dean. which necessarily means that to sam, dean is his home, as well.

which is exactly what he just chose in the season 1 finale when he picked dean over his revenge. sam spent the entire season scared to "go home," and in devil's trap he finally returns for good to his home—to dean.

and in bloodlust, the impala is fixed, and she's shining like new. from this moment on, dean shows a rather pointed possessiveness over his car.

this is also the first time dean calls the impala "baby." this is the first thing that happens after dean destroyed it in the episode prior. the dissonance gives a sense of rebirth: something happened between dean destroying the impala and dean fixing it. something happened between dean using the impala as a stand-in for his father and dean calling it his baby.

in season 2, the impala no longer represents john. john is dead, and dean killed him. "home" is no longer centered around john; their father is no longer the thing that connects sam and dean. in devil's trap they chose each other, they chose codependency, they created a relationship between them that transcends the family structure they inherited from john. john is not part of this new relationship—it's just sam and dean now, and john is dead.

dean assimilates to sam's perspective when he rebuilds the impala: his car is now an extension of himself, and he is the home that sam chose. this is now his car, not john's; he is now sam's family, not john. and throughout the first half of season 2 dean struggles with this new responsibility and what that means for him—how their codependency should work, whether or not he should try to fill john's shoes, what "home" is supposed to look like for them without john in it.

i think it's an interesting way to depict dean's emotional shift across this stretch of episodes. seasons 1 and 2 especially do a lot of great work to depict john even in his physical absence, from allegorical substitutes to his haunting presence to this, representing him through the symbol of their literal home. noticing this makes me much more emotional about the impala's role in the story, because it's a physical manifestation of the effort dean put in to become sam's home and commit to their codependent relationship. he loves his car because it's his home, and his home is where sam and dean's hearts are.

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 3)

Part one

Part two

There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.

So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.

I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.

Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.

Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.

Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.

It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?

They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.

And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)

And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.

Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.

It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.

[cemetery-sunset]

Cullen Family Helping You Through a Depressive Episode [headcanons]

divider from: @saradika-graphics

🧣Carlisle

- The most logical one to be honest

- Being a doctor, he knows how important it is to keep you healthy

- He keeps you fed/watered/nourished, makes you whatever food you want and brings it to you in bed

- Carlisle always makes sure that you have a cool glass of water on your bedside table

- He also helps you stay clean; he will offer to hop in the tub or shower and bathe with you, or if you asked him to he would just wait in the bedroom getting some pajamas for you

- He’ll brush your hair for you, but he’s not a very good stylist so dont expect anything more than a simple braid (and even that would look a little wonky lol)

- Offers to lay with you, if you accept he will hold you so gently and lovingly

- Continuously praising you and telling you how strong you are and how good you have been doing

- Sometimes he will read to you while you cuddle, any book you want 

- He's always there for you, he never hesitates to help you whenever you need

- Sometimes he knows when you start spiraling before you do

- He knows just the right things to do and say to help you calm down

- He’s surprisingly scared that you’re going to do something stupid if things get too bad. He hides his fear well, he doesn't want you to worry about him on top of everything else

- Always tries his best to help you and stay by your side for as long as you need

🐴Jasper

- He can feel that you’re feeling down, without you even telling him

- Never try to hide it from him, cause thats never going to work. He always knows what you’re feeling, and he is always on red alert whenever he feels literally any negative emotion from you

- Jasper is a quiet person, so he isn’t very forward or aggressive about his approach, his is more subtle but still very much effective

- He doesn’t really say a lot, it’s his actions that speak volumes.

- His love language is quality time and touch, so he is always by your side

- He is definitely the type to ask if he can touch you when you start to spiral. If you’re panicking, he asks to give you a hug; if you dont feel comfortable with that, he’ll just hold your hands

- Jasper has never been more grateful for his powers than those times when you feel so down and self hating

- It hurts him so much to feel all that pain and suffering you feel for yourself, and/or in general

- He enjoys quietly cuddling together, which always seems to improve your mood

- If things are really bad, he will hum some old country songs from his childhood, but thats very rare

- The biggest thing he does is to use his powers to help you, but he doesn’t do it to much because he doesn’t want to control your emotions, he just wants to help you know what i mean?

⚾Emmett

- My favorite himbo <3

- His biggest thing is to distract you and get your mind off of whatever is hurting you

- He will be the one to offer cuddles before you even ask, he hugs you so tight and starts talking about everything and nothing

- Emmett would be the first to help get you out of bed

- He would make a huge effort to keep you fed, he just wants to keep you healthy

- If you’re feeling up for it, he likes to take you on hikes in the woods. It’s a simple thing but it helps you focus on something else

- If you don’t want to get out of bed, he is perfectly fine just cuddling and watching something on tv

- He will whisper sweet things into your ear

- Telling you how much he loves you

- He focuses a little less on the actual situation and more on hyping you up in general

- Like he will compliment your personality and appearance. He will go over everything he loves about you and every single part of your body and tells you why he loves all of it

- He loves to cover you in kisses and doesn’t stop showering you in praises until he knows for a fact that you’re feeling better

🎹Edward

- Would either be the sweetest, most comforting man ever or a distant, super cold one

- There’s no in between, sorry about it :/

- Sometimes he would be almost suffocating with how worried and close he would be

- He wouldn’t leave your side for a second, always doing anything you need

- But sometimes it would start to make him start to spiral

- Like he would start to worry that he’s not good enough to take care of you and you dont deserve him

- After he sees how stupid that thought is, he sees how much you need him in this hard time so he steps up to the plate and starts doing much better

- He doesn’t know how to cook, but he’ll buy you any food you want

- He will gladly cuddle and praise you whenever you need

- Sometimes he will even play you some piano, to help you drift off to sleep

- He would surprise you with a song he wrote for you

- Even if he doesn’t want to force you to do anything he would persuade you to get out of bed

- Both of you sit at the piano and she will teach you a thing or two

- But usually he likes to take you on walks in the woods, his favorite thing to do is just lay in the field with you and feel the cool breeze and your warm hand in his

- It brings him peace. Being there with you and knowing that he’s helping you feel better

👑Rosalie

- She is similar to Jasper with the more subtle approach

- Rosalie understands what it’s like to have those really bad days because she’s had them

- She will help you stay clean and eat something

- Rosalie would take baths with you and brush your hair, doing it up in a beautiful style

- Usually people see her as the cold, stubborn type of girl, but she’s much more than that

- She knows what it’s like to feel that broken

- That’s why she offers her help in any way she can, anything you want, it’s yours

- It’s the little things for her

- Like she’ll make you a simple sandwich or just be cuddling with you

- A bunch of those little things just keep adding up and she doesn’t stop there

- She would bring you gifts to try to raise your spirits

- She’s a little awkward in her approach to showing you this much affection, thats why she does a bunch of little things rather than huge declarations of her love

- It’s more of an unspoken understanding about how much she loves you. But when times like these hit, she realizes that you need her reassurance and love more than ever

- She puts in a huge amount of effort into those small gifts and actions, just to make sure you know she loves you and will always be there when you need

🌖Alice

- I know that all of the Cullens know what it’s like to feel broken and hurt, its just that some know the feeling more than others

- Alice definitely knows that feeling

- Sometimes she sees that you’re going to have an episode before it even starts

- So she starts gathering all the supplies: your favorite snacks, blankets and anything else you need

- She is super worried for you but she hides it with her positivity

- She will give you makeovers and take care of you, without you even asking

- The makeovers are her favorite because not only is it a way to get your mind focused on other things but it’s an easy way to help keep up your hygiene with the showering and the self care she helps you with

- Sometimes, if things are looking really bad she will get really worried that something bad was going to happen

- Then she sees a vision of everything being okay in the future

- She very much enjoys wrapping you in tight hugs and whispering nice things to you

- Everything from “You’re so beautiful inside and out, i love you so much” to “everything is going to be okay, we’re going to get through this together. I’ve seen it”

🥀Esme

- Dare i say: she would take a much more maternal and protective approach

-  I dont want to say she forces you to eat and drink but she definitely makes you stay nourished

- She is more than willing to make you anything you want, she just wants to help in any way she can to make you feel better

- She will help you bathe and cuddle all day if you need

- Cuddling is her specialty, she makes it even better because she likes to sing quietly

- She likes to hum and sing you cute little songs until you drift back to sleep

- As much as she doesn’t want to force you to do anything, she does make you take regular walks and get outside every day

- The movement and fresh air are very important

- She will make a picnic basket and take it on a small hike, just the two of you

- Esme would gladly make your favorite food (or try to) and have a cute little picnic to take your mind off of things :)

[ash-says]

Being in touch with your sensuality:

On today's episode of ash-says we are going to talk about how to get in touch with your sensuality. Personally it's something I am very passionate about and kind of indulgent too.

Sensuality helps me in feeling alive and in tune with myself. I can't guarantee it for everyone but for me it works wonders. It's like the "Amrut" or "rejuvenating water" (for a lack of better terms) for me. Along with that it's the most healthy way for expressing my sexuality and keeping it in control to not let it affect my day to day functioning.

Here are some ways I incorporated in the last five years of my life to be in touch with my sensuality:

1) Exercise: No matter what I am going to vouch for this always. The way it helps me in expressing the surplus energy and controlling my desires is a chef's kiss. Plus helps in tackling the sluggish feeling.

2) Dance: Especially the slow sensual seductive dance. Not only it's a good outlet but above all that it validates the emotions and creates a space to delve in it to create a beautiful synchronisation with the body movements.

3) Art: Create! Create! Create! Nothing better than creating beautiful art or writing poems, stories,etc to voice your passion for the world and it's offerings.

4) Music: I have playlists on Spotify that specifically cater to my sensual mood. It has all the songs that can set a tone for the bedroom (iykyk). Singing to it or dancing works wonders. It's a magical experience.

5) Meditation: You can meditate on those feelings to internalize it and put all that energy in proper use for achieving a goal,etc. This is something I very rarely do because I am a very active person but putting it out here cause it works for some people.

6)Play Barbie: This is my personal favourite. After all I am just a girl. I put on some makeup, wear a bold sexy outfit or a cute dress (depending on the mood) then spend my time reading a romance novel and listening to sensual songs. It's my kind of therapy🦋🦋

7) Be a model: Being all dressed up but not clicking any photos you got to be kidding me!!! Come on girl! Pose and click! You are not going to be this young again. The best thing I do is this. It literally helps in skyrocketing my confidence. I don't click pictures daily but boy when I do, God forbid!!

8) Unlearn the shame: The basic one. You need to own your body first and appreciate it. I know saying is easy but hey you won't get there if you never start.

9) Imitate things that you find sexy: I will explain this with an example, so I find laying on the bed on my chest with my legs dangling in the air extremely sexy so when I am alone I will lie on the bed in that way as a way of expressing. Secondly, we all know sipping wine while reading a book is incredibly sexy while being dressed all slutty but I don't consume alcoholic beverages so as an alternative I drink pomegranate juice. Plus I find pomegranate as the sexiest fruit for obvious reasons.

10) Invest in things that make you feel sensual and seductive: It doesn't need to be costly. Find your sexy and invest!! For me it's aroma candles, jewellery, deep neck tops, skirts, ribbons, art honestly I have developed a knack to turn any ordinary thing into something seductive atp I feel. Everything works for me. So exploreeee!! If you are experimental enough and don't have parental risks you can try out sex toys too.

That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.

[velnna]

I know you generally work fast but I'm curious on how long on average it takes for you to get out a page of ThUG? I haven't had the opportunity to read it yet (it looks SO good) but I'm making the assumption a page is the size of an average print comic style versus webtoon scroll episode length format. Also curious on what short cuts you might take to get them out faster/more efficiently. I'm currently planning a comic in a similar format and am trying to plan my process ahead.

Thank you!

I don't do whole pages in one go (I do all the thumbnails then all the lineart then all the colour) so it's hard to tell exactly how long but maybe around 3-6h per page? Which makes a chapter (25-30 ish pages) take around 150 ish hours. I definitely prefer this to the webtoon format for a number of reasons, one of which being the satisfaction you get seeing a bunch of panels come together versus having to scroll through them separately.

In terms of speed, my entire process is pretty optimised for it, both in comics and outside. I stick to an A5 format and downsize it further (I tend to work with pages at 1000px width and 300dpi) to keep myself from overworking details. If an eye closeup feels tiring to get right or loses proportion, my resolution is too high

I also use textured brushes and leave the lineart more like a clean sketch, which allows me to not only skip straight from thumbnails to it but also to skip work on backgrounds, objects and figures at a certain distance

The main point of comic work is to convey emotions, movement, etc, not to draw everything accurate all the time, and that's probably the biggest lesson I've learned over the past years. You want your art to evolve in a way that means even without a lot of shading/linework/detail the scene gets properly conveyed, imo

Aside from that, I skip work on SFX and just. Write the sounds down or sketch motion lines as basic as they get. That's a stylistic choice but it works for me. And I have a workspace + automated actions + keyboard shortcuts that are all sort of optimised to make me move as little as possible between tasks and screens etc

[aimasup]

EPISODE 3 SPOILERS BELOW THE CUT

aka my live notes on the episode as I watch again

The second ep I couldn't do because it came out when I was still working, so no energy or time :(

Here we go, long post warning:

The cartoon biology is amazing, it would make sense they'd explore that with all the time on their hands, it's so damn creative

In an alternate universe they would make for fantastic circus tricks

Gangle is DRAWING

Jax obviously would want to know how the newest plaything ticks. jerk

Zooble's. New. Look. 10/10 I'm sorry Zooble I know you hate your body but you are a cartoon character with a cool design

The reason I don't redraw enough screenshots even though I badly want to is because if we sat here and picked out every pose, expression, shot, joke, and meaningful momeny that i especially loved, we'd be here all day

It's nice that Pomni is still inquisitive and here it's mixed with fear of the Gummigoo incident repeating, continuity! ( °▽° )

Caine probably does take plenty of user feedback: When Zooble never showed up, he probably took into account what they might like in an adventure and tailor it to include them!! Even comments like 'immature'. Headcanon territory again whoops

Ragatha's little hand shimmies at when saying the house is scary she's so adorable you guys

She always wants to make things fun or at least enjoyable for others, but she isn't super stable herself, nooooo

The cartoon gags being like, physically real is the right kind of wacky and horrifying, of course these humans would lose it after a while!! Fits the tone of the series well

"I remember my first wild take!" "Gangle I'll get it for you!"

Kinger is so helpful he always wants to help and he talks exactly like a nurturing figure ಥ⌣ಥ even if his mind is. Not all there

Jax would be the worstttt to be in a haunted house with. Or even just play a horror game with. He'd skip all the dialogue and take the cutscenes at face value bc he just wants directions to do things

Caine hunting Zooble down good lord

CAINE THAT IS NOT HOW YOU PLAY HIDE AND SEEK

Zooble is being held hostage by someone with worse memory issues than Kinger trying to give them therapy that they KNOW is pointless. Yikes

The 'specially for Zooble' horror is SUPERB!! Gooseworx your roots are showing

This has escape room vibes. A controlled environment designed for mystery and entertainment except this time the players were actually kidnapped

Kinger and Pomni duo is. So good

Kinger slowly becomes lucid while Pomni loses it

Also all the voice actors are so good all the characters' squeaks and stammers and yells are full of such emotion

The gags are great. The 2d bit was a surprise and welcomed! Made the monster unveiling itself to be more haunting

I'm not a huge fan personally of the 'scary moment followed by funny quip' because it can repetitive after a while, so I appreciate that it wasn't too much of the case here

It's always the non-horror shows that have at least one downright terrifying episode huh

Zooble being open with their feelings because they know it doesn't matter nooooo

Caine is squishy. I'm now realising this, he is very squishy, eyeballs and all, even though he's the most robotic of the sentient cast

Caine doesn't even apologise for his actions, which makes sense sadly

They are nailing his programmed helper nature of not understanding deeper issues out of his comprehension, including his own!! But he still holds immense power and needs to slow tf down asap!! The adventures are for Caine as much as they are for the humans, in this essay I will

And Zooble. Zooble doesn't totally isolate themself, they hang out with the others! It's just that their body is already so foreign and uncomfortable for them, why on earth would they want to bring it out for even more foreign and uncomfortable experiences? The tent isn't so bad, it's massive and there's enough annoying bullshit behind each curtain to keep things less monotonous. They want as much peace and quiet as they can get in this disquieting form in this world. Everyone is trying to get control of their own situations in some way. And it's canon that they were newest before Pomni, keep that in mind-- in THIS essay I will

Zooble has many choice words that come to mind when they see you, Caine

Also Caine's expressions will always be peak. Love how he doesn't show certain more intense (vulnerable) emotions the same way humans do, he flusters, freezes up or glitches out instead

RAGATHA AND GANGLE DESERVE A GIRLS NIGHT. GOOD. TIE UP THAT MEDDLING RABBIT

Kinger I am twirling my hair as we speak

He's being very calm! Still scared ofc but he's so used to the madness of the circus, and for the first time we're actually seeing that in a way that isn't him being PART of the madness

The possession was horrifying loveeee (shhh don't think about the content farms with possessed Pomni that may follow it's ok)

"How's your wife, Kinger?" uncalled for. (cocks shotgun) game's haunted

Seriously I very much doubt that Caine put that in on purpose. But it's not out of the question that the magic hell circus game that sucks your mind in forever would mix code and consciousness for some fucked up results. I believe it's called uhh divine machinery? Idk

Pomni, let it out girl

These adventures have not, in fact, gotten easier for her to adapt. Really shows that compassion matters huh

(or does it? Jax may have something to say about that)

It's canon! Queenie is canon! And the truth behind Kinger's pillow fort is even sadder than we imagined!

And what's also canon is that Zooble is a great listener!! They take note of everyone's behaviour even though they don't go on the adventures!! They distracted Caine from his crisis!! They ended up being the therapist!! And it's not even on purpose ajkshdksksjskslslsksl they have no idea how they ended up in either chair

Will Pomni have to go through each adventure and come out of them the only one carrying the experience. I hope not. That would hurt. But I hope so 👀

Ragatha! Getting appreciation! Pomni's hair tuck! How often does Ragatha hear that even? Also Pomni is getting closer with the others, already hanging out and stuff, good for her!! Our cantakerous jester is finding friendship!!

Please make it so that Caine's alliterative terms of endearment get worse every time. Please it's so funny

TADC IS ABOUT HUMAN CONNECTION AND ALSO VIDEO GAME/CARTOON PHYSICS RGHRGJEHHHSHH

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[sparkrls]

delayed proposal

MASTERLIST

Summary: in which Harry’s got a few secrets up his sleeve and Y/N just wants to know if he’s going to propose

Author’s Note: this is the blurb i was talking about with bandmates!harry x y/n. remember to like and reblog because i crave validation. love ya <3

Word Count: 1.1k

•••

“Are you going to propose soon?” Was the last question Harry expected to be uttered out of Y/N’s bright pink lips.

It was just another Sunday night, the couple trying to enjoy those last fleeting moments of weekend relaxation before Monday arrived with the usual burden and obligations of being working adults.

In little less than 12 hours, Y/N would be back to her 9-5 job being an assistant to a high-class executive of a finance company. Her boss had too much authority for being so irresponsible and more money than anyone would need in a lifetime. What a luxury it must be to have your dad pass down a company you didn’t know how to run down to you.

Her boss wasn’t a horrible person, he was quite respectful and kind when asking her to do tasks, he was just a very exploitative executive. He had learned from his father to be unbending and demanding.

Y/N’s work paid a good wage, enough for her to pay her bills and still have a bit left. She wasn’t one to buy luxuries, though, preferring to save money up so she could one day quit her 9-5. And then dedicate herself to the things she did every day after work: picked up her red electric guitar, adorned a black skirt that bordered on too short, and perform for (currently small) crowds of people who cheered her band on as they played.

There wasn’t anything Y/N loved quite as much as the rush of being on stage, the bass making the stage shake with each loud thrum, sticks clashing with plates of a drum and the velvet voice of an angel, Harry singing through the microphone and his eyes on her and her fingers moving over the fret of the guitar.

They played small clubs and rundown bars, getting payed a poor wage for the extrenous effort used to get four adults with full time jobs to align their schedules in order to rehearse. Sometimes all they got were free drinks, but they took what they could get and did it for the love of it.

That was how they got here, on Harry’s couch, his arm draped around her shoulders, and her head on his chest. They were watching Bluey, the way they did most nights they spent together. He would always roll his eyes when Y/N suggested it, pretending to hate it, but she knew it was his favorite show, and he always cried at the emotional episodes.

Their instruments lay forgotten on the table, his blue guitar next to her red one, as they’d spent most of the afternoon drinking beer and writing a new song.

It was a question that had been lingering in the back of Y/N’s mind, and she wasn’t quite sure why she chose that moment to blurt it out, but she did. “Are you going to propose soon?”

Harry’s gaze turned to her, eyebrows raised in light surprise, a small breath exhaled between his lips in a faint chuckle. “What?”

It was too late to take it back, so Y/N sat up and told him, “You’ve always talked about wanting to settle down and get married.” His features remained in small confusion. “We’ve been together for a while. Are you going to marry me?”

“Well, of course I’m going to marry you,” Harry said, like it were some scientific fact that everyone knew and was unchangeable. “You’re my forever, baby. I’ve written about a hundred songs about it.” His lips turned up in a smile. That smile he wore every time he told her he loved her, with a cocky and smug edge as if he were teasing her, laced with affection.

“I don’t mean we have to get married this instant, but I just, I guess we’ve never talked about if we were getting engaged or when and I-“

“Baby,” Harry cut off her nervous rambling, chuckling. He kissed her, soft lips with cracked edges from the cold and dry weather. “I already know what ring I’m going to buy. I’m just saving up for it.”

Y/N’s mind blanked for a moment. “You’re already thinking about rings?” Her lips parted in surprise.

Harry rolled his eyes. “Yes, silly girl. You’re not the only one thinking about marriage.” He smiled at her, reassuring her that he was just teasing. “In case you haven’t noticed yet, I’m hopelessly in love with you.”

“Oh,” Y/N said, still in shock. Here she was, getting all nervous and insecure about marriage and he had already been planning to propose. Her question now seemed a bit foolish. She looked up at him and said, “You know I don’t need some needlessly expensive ring, right? You could buy it on Aliexpress and I couldn’t care less.”

Harry looked at her with slight amusement. “Are you serious?”

“Yeah,” Y/N said with a small nod. “It’s stupid to spend money on a ring when it doesn’t make much of a difference.”

Harry sighed. “Baby, it’s not about the ring being expensive. It’s about the ring being a symbol for my devotion to you. And I want my devotion to be apparent in the beauty of it.” He tapped the finger on her left hand where the ring would lay. “No, I don’t have to spend money on an expensive ring. That’s why I’m not just getting a huge diamond. I’m getting something you’ll love.”

“But it’s expensive and it’s a waste of money on a simple ring-“

“Is it just a ring? Or is it a symbol of matrimony, of us being together forever?” Harry said gently, correcting her statement. “Not to mention you’re going to be wearing that ring every day ‘till you die.”

Y/N made a sound of contradiction. “Unless we get a divorce.”

Harry stared at her blankly for a few moments. He deadpanned, “Not funny.”

“Kinda funny,” Y/N said with a small smile.

She waited for Harry’s stern gaze to soften with adoration the way it always did. It only took a few moments for his composure to crumble and he leaned in close to her. His nose grazed against hers as he muttered quietly, “You’re going to be the death of me.”

The way he said it sounded like a declaration of love. Everything he said to her did. Because his love could never be called in to doubt. It shone through every word he uttered, every song he wrote, every thing he did.

His lips locked onto hers once again, the tension in his muscles melting away as if all he needed to feel complete was to be pressed against her. To have every inch of skin surrounding her, the taste of beer still on her tongue, and the scent of spring enveloping his senses.

“I’m going to marry you,” Harry uttered, an oath murmured against her lips before placing a hand on the back of her neck, pulling her close once again.

[rebelumbrella46]

Let’s just be honest—The Umbrella Academy was essentially cancelled after Season 3, but given the massive fandom, Netflix gave them the chance to wrap up the story with a final season. It’s similar to what happened with Shadowhunters—it was cancelled, but after the outcry from fans, they were given two more episodes to tie things up.

For me, the first two seasons were masterpieces. They truly became my comfort show and introduced me to my comfort characters. This might sound cheesy, but it’s true—when the first season aired, I was going through a rough time in my life, and I held on to this show like my life depended on it. Season 2 arrived amidst the pandemic, and it was a light in the darkness for me as well. Even with the massive success of Season 2, I think Netflix hesitated to greenlight another season. I remember waiting for an announcement, and it felt like it took forever.

Season 3 was filmed during the pandemic, and if I recall correctly, Netflix cut the budget for visual effects. So, the season didn’t quite live up to the expectations set by Season 2. Regardless of its flaws, I enjoyed it, but I would have enjoyed it more if the writing hadn’t been so sloppy and, at times, cheesy.

But this last season? It feels like fanservice—and not even good fanservice. For example, the Lila and Five thing? The enhanced powers? The Jennifer Incident? All of it fell flat. Klaus’s storyline this season was basically what I wanted to see in Season 3, but it was delivered too late and added nothing meaningful to the plot.

But was the main plot really supposed to be about Jennifer? Who cares about introducing a new character in the final season instead of focusing on saying goodbye to the beloved main characters?

The subplots were boring. Klaus’s storyline was fanservice, but it felt like they just threw us a bone to appease years of fans asking for Klaus to get his comic powers. And it was insulting. Ben and Jennifer in love? Unrealistic and boring. The train station? Who came up with that cheap idea? I thought it would be a place built by Reggie, but there was no explanation at all.

The apocalypse no longer feels exciting or even important. There’s no sense of urgency anymore.

The family dynamics—the strongest part of this show—felt odd and weak. Pairing Viktor with Reginald was boring. Lila and Diego’s drama? Nonsense. And what was the point of Claire? I thought she would be the main conflict of the season, with everyone banding together to save a character we’ve known since Season 1, who has emotional ties to every Umbrella.

And where were the villains? To make it as interesting as Seasons 1 and 2, you need a great antagonist. Like Hazel and Cha-Cha, The Handler, Reginald, or even an antihero like the Sparrows, Harlan, or the Commission. Why not make Abigail the greatest threat? Or bring back some of the former villains?

What about resolving old family drama, so that if the show’s end was going to be the family sacrificing themselves, they could all go in peace?

Instead, they didn’t address Allison’s betrayal at all. They created a huge rift between Five and Diego. Nothing for Klaus and Ben. No Umbrella Ben. No Sloane. Why is Lila even here anymore? Why didn’t she just ditch out like Ray and leave Diego with the kids to be a single dad? That would’ve made more sense coming from Lila than from Ray, to be honest.

For me, the writers, producers, and directors knew this show was cancelled, so they didn’t even try anymore. For me, the ending of season 3 was meant to be the ending of the show.

I watched Game of Thrones after it ended, so I didn’t experience the same level of rage, disappointment, and betrayal that fans felt. But now, I do.

[agatharkn3ss]

Episodes and story predictions (spoilers!)

My restless brain has been on another quest.

Full theory explanation and lots of plot side-notes included below, but the short of it - I think the episodes order is going to be something like this (including previous ones for completion):

Ep. 1 - Westview: Agnes of Westview Ep. 2 - Westview: Setting up the journey Ep. 3 - The Road: Water trial - Jen (blue road) Ep. 4 - The Road: Fire trial - Alice (orange road) Ep. 5 - The Road: Spirit trial - Agatha (purple road) Ep. 6 - Westview: Teen backstory Ep. 7 - The Road: Air trial - Lilia (yellow road) Ep. 8 - The Road: Earth trial - Rio (green road) Ep. 9 - The Grand Finale (Agatha all Alone?)

BACKGROUND ON THE SYMBOLISM First of all, thank you to the production team for their incredible attention to detail. It is clear they have done a lot of research and put a lot of thought into symbolism and telling the story from the visual point of view. This is what makes theorising so much fun!

The whole show seems to revolve around the Wicca religion (also known as "The Craft" - I see you Teen!) that uses the pentacle (5-pointed star inside a circle) and typically worships Triple Moon aka Triple Goddess aka Hekate (Maiden, Mother, Crone) and Horned God (could be Marvel Mephisto). The magic circle uses 5 elements - Fire, Water, Earth, Air and Spirit. Together they are believed to be the root of all matter. Each element has a set of values associated with them, often also colours. While the colours are not always coded in the same way, I found that this (totally Agatha-unrelated) graphic below fits so well with the show's imagery.

The moon phases also play a big role in here. There are 8 lunar stages, but only 5 elements, so it will be interesting to see how the show continues to link these two strands (so far we've had Full moon for Water trial and Waxing for Fire). Moon phases are also linked with the stages of life - I won't go into full analysis but check out @shutupineedtothink post who beautifully explained possible connections with our witches.

I only wonder whether the full moon in the first trial was maybe mistaken and it was New moon instead? So that we are just moving through the first 5 phases of the moon? After all, it was Teen who identified it - although he was correct about it being the Water phase.

Episode 3: Water Trial - Jen - Blue - Full Moon Colour: we already saw that as the events unfolded, the light took on the blue tint, because of the water outside. Jen's own nightmare was all in blue. And the road (leaves, roots, mushrooms) leading to the trial was all blue. Story: Jen being associated with Water elements makes sense. Healing, Expression, Peace and Compassion fit really well with her role as a midwife and influencer (did you all realise that it was the midwife work that Agatha referred to when she explained why she spared Jen and her powers because it was "good work that matters" - a nod to Agatha appreciating maternal values). I don't think we will see much more of Jen's backstory - at least not as a dedicated episode, but only through bits of conversations like by the campfire. It feels like Jen's struggles were to do with a mental block and I think Agatha's pep talk was the one that made Jen realise her real power and, though she might not realise it yet, she might be regaining her magic as she starts believing in herself again. Plus I like the idea of not giving an evil man too much of a screen time because it's not his story. Trial exit: oven... so into the fire (as next trial)

Episode 4: Fire Trial - Alice - Orange- Waxing Moon Colour: red/orange tints were so much more obvious in this trial and the road to trial was orange. Even Alice's hair have some red/orange streaks. And her nightmare in ep.3 had some orange tint to it. Story: Alice also fits so well with the fire element values. Passion, Inspiration, Intuition, Creation, Protection - all of these align with her role as an ex-cop, but also her emotional journey as she thinks herself responsible for everything. Then there is the nod to creation when she overcomes the curse with the aid of a song. She is also (except for Teen) the youngest of them all (Maiden). When she was playing, there were flickers of orange magic between her fingers. So I think she's had magical powers all along but just didn't know about it, because she didn't believe in it. Her Road wish was to break the curse, not to get powers. Trial exit: piano... so into the soul (as next trial)?

Episode 5: Spirit Trial - Agatha - Purple - Half Moon? Colour: post-fire trial the road is purple - the leaves as well as fluorescent mushrooms etc. The scenes look dark and it's hard to see if they have purple tint. Agatha's nightmare in ep.3 was very dark too though. Story: This is the 80s sleep over episode (judging from the episode 5 font). Spirit values are the Soul, the Devine, the Mystery. While it's true these kind of also remind me of Rio, I think it's fair to say that Agatha is a total mystery, with all those many layers and masks that she wears. She is also the soul of the coven and the guide of the trials so far. She might have lied and not have walked the Road before (although I begin to change my mind on that), but she definitely leads the coven. It was her pep talk who guided Jen to the solution. And it was her who figured out Lorna's protection spell and guided Alice to play the song. As the ballad says "(...) we carry on, Spirit as our guide" (for a long time I thought it would be the spirit of the dead guiding them). So in this episode we see Agatha's spirit becoming possessed. So the Road is not just testing Agatha, but the whole coven - see how they manage when their Spirit is not available to guide them - and I don't think it ends well. I believe this is the episode where Alice realises she has magical powers. But because she doesn't know how to use them yet, we might lose her. Peppered across the promos, we see images of Alice wielding her orange power - once inside the sleepover room and once when she's on a broomstick. We also get to see Agatha absorbing someone's power while wearing her 80s jersey. We also see at some point Agatha has a whisper of red/orange magic in her palm. My theory is that although the trial is Agatha's, Rio will play a significant role. After all, they are going to have ouija board that will spell "Death" was in the room with them. And one of the posters for the episode was Rio. Agatha will become possessed and everyone acts scared, and it will be Rio who talks Agatha down. I hope we will get some soft moments between them and that we see some flashbacks of their story to give it more meaning. But then maybe Agatha needs magic to return her soul. Rio can't give it to her (I wonder if they explain to the witches why), so Alice blasts possessed Agatha instead. She absorbs the magic and returns to normal. They exit the trial on broomsticks. However, I think as they are flying away, they get attacked by Salem Seven. This is where Alice tries to use her magic again, but she might be exhausted or just inexperienced and she falls off the broomstick and we don't get to see what happens with her? This is why I think Lilia from the future tries to send her the message "Alice, don't try to save Agatha!" (but it gets split in two visions). I also think we finally get to see Teen using his blue power - maybe to help defend from the Salem Seven? Then leave us all on a cliff-hanger when the other witches realise this. (This would explain why he's poster is for that episode as well - and he's dressed as Billy Maximoff Halloween costume - the Wiccan). The red moon silhouette shows only 4 witches in clear view - I think they are, from right to left: Agatha, Rio, Jen and Alice. In the far left, in the dark, it looks like Lilia is there as well. So maybe Salem Seven kidnapped Teen because he protected Agatha with his magic, and now the witches are chasing them? I think Lilia somehow ends up left behind (I'll explain in later episode).

Exit: On broomsticks - into the Air (next trial)?

Episode 6: Westview - Teen story The episode list has this one circled in red, so I wonder if it's the "odd one out". Maybe we don't get to follow the Witches on the Road, but see flashback to Teen's backstory, following his blue magic cliff-hanger from the last episode? Maybe we see his family car crash mentioned in episode 1. We see that his parents (the two "perps") maybe don't die, thanks to the air bags, but are in a coma? That's why Teen says he's 100% certain his parents are asleep (or he talks about Wanda and Vision who tucked the boys in their beds right before the end of the Hex). I wonder if the body that Agnes investigates in the woods isn't Wanda or Darkhold, as everyone thinks, but Rebecca Kaplan - Billy's mom. Anyway, Billy Kaplan is at the back of the car and dies. But then two things happen - Death appears (Rio) to collect him, but Billy Maximoff reincarnates into the body and he lives. Hence the "Near death in Westview" hint for Joe Locke's end episode credits. Rio is intrigued and sticks around, maybe finally finds Agatha who is no longer able to hide from her because she has no Darkhold. I think Billy will try to summon the Witches Road by himself - maybe he wants to find his brother Tommy, maybe he wants to bring back Wanda and Vision, or maybe he wants to get back his Kaplan parents? I hope we get introduced to the final character that's missing from the end credits!

Episode 7 - Air trial - Lilia - Yellow - Waning Moon? Colour: Lilia's nightmare in ep.3 had distinct yellow tint. We also see lots of promo material of scenes with very heavy yellow filters. Even the road is yellow-ish at some point. Story: Air values are Intuition, Knowledge, Renewal, Change - this fits well with Lilia's divination abilities, as well with her age. We know she is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. Lilia is also always so vocal about the negative stereotypes that surround witches - she mentions green skin, broomsticks, talking to goats. Episode 5 might already give us the broomsticks and in this trial we will actually see Agatha as the green-skinned Wicked Witch of the West, so maybe we will also have a nod to the goat talking bit? That would be funny! Anyway, in this episode we see that Lilia will be Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch) and Jen looks like the Evil Queen from the Snow White, but in her old hag form. And even the "yellow" road would be a callback to the Wizard of Oz. So I think the trial will be about those negative stereotypes and how witches have been perceived. We know Lilia doesn't like having to predict all those tragedies and feels deeply for all the victims. So what if her tarot trial will be about her trying to predict something good because it's something she was never able to do? Or maybe about her trying to use her powers to manipulate the cards to change the prediction into a good outcome? Or - trying to reverse a tragedy that happened in the past. It's interesting that the card she holds in the promo poster is The Tower. The card stands for "sudden, disruptive revelation" - kind of like Lilia's 'blips', and the trial seems in a tower-like room. There will be swords sticking out of the ceiling, threatening to fall down. We also know Salem Seven make their appearance again. So I think Lilia tarot reading will be about sending all those messages to the coven in the past (check my other post to explain the detail) and to send herself the list of the witches name so she writes them down for Agatha. When she succeeds, the timer (sand glass) gets turn upside down, and everyone in the room gets inverted as well - so they are flying in the air? That could mean that the Salem Seven gets impaled on the swords... but eek, I hope Lilia doesn't share the same fate... I didn't see any other characters in the air though. There is also a rumour that we will get another version of the Witches Road ballad - this time focusing on Lilia, so we will hopefully see them using Patti's full potential.

Back to the rest of the coven... I think after the broomstick flight they get separated. Lilia gets to the tower/castle first as she was left behind. That's why we see scenes with only Agatha, Teen and Jen on the Road (yellow filter) and they somehow circle back to the start, where Agatha falls over a pair of shoes they left at the beginning. Alice and Rio are not there - maybe because Alice died and Rio is taking her to the underworld. Or maybe they just separated, fingers crossed. We also see Agatha and Teen looking at a castle in the distance - that could be the castle that Lilia is in, so that's how they rejoin her.

Trial exit: the ground - so that next trial is earth?

Episode 8: Earth trial - Rio - Green - New Moon? Colour: green? There are a few scenes with dark green filter but not much else has been revealed Story: Earth values are Fertility, Wealth, Abundance, Strength and Wisdom. I hope we get to see how Rio is connected to that. The trial itself is the one where we see Agatha and Teen inside a morgue. This ties in well with both Earth and Death - lots of buried bodies! So sometimes I think maybe Rio isn't Lady Death after all, but her powers make her connected to the dead bodies, maybe to bring life? Agatha has her hands on Teen's head, so I wonder if she's trying to finally get rid of his sigil. They somehow pass the trial - which they believe to be the last one. Maybe the trial room gets flooded with soil at the end, and they climb their way through it - back up to the surface in Westview - maybe we will find out that everyone else who "died" on the Road has actually just climbed back to Westview. But maybe Agatha doesn't get out that way and still has to find the exit. At some point she gets angry because she still doesn't have her powers back even though she passed her Spirit trial (she screams "I want my prize!"). Maybe she realises it's the hair locket (or the symbol behind it) that stops her from regaining her powers and she needs to sacrifice it? Can't really deduce huge amount about this episode yet, other than we see Rio in her full chaotic self. She blows a kiss to someone as well (Agatha?). I think this is going to be a big episode, where Rio's true intentions are finally shown.

Episode 9 - The Grand Finale I draw blank on that one. I don't want to guess how they tie it all those strands together and how they show the impact of the Road on the witches lives. But there is that thought that keeps eating at me - in ep.1 Agnes says "If there is one thing we can agree on is that these cases are always about the place. The specific small town, the history of it, the secrets buried beneath it. That's where the answers lie." I think this is important and there is some big foreshadowing going on in there. Because yes exactly - why did Vision choose Westview of all places for their forever home? (Was it even Vision who chose it or was Wanda just made to believe that? The reason she knew about the plot was that someone dropped a file in her car) And after the events, the traumatised people still choose to live there. And Mrs Hart mentioned she would've expected to see "remnants of a failed public transit system" under Westview. I mean, would such a small town need it? I think there is something going on with Westview itself, maybe there will be a big reveal about this Mephisto at the end?

But that essay will be for another time. For now, I think I need to give my brain some rest. What does everyone think? Have I missed anything or are the elements that don't quite line up with the above theories? I would love to know! Thanks to getting this far!