#this is just why I don't have any recommendations to offer

[quotidian-oblivion]

How do you get people to interact more with your fanfic?

I AM SO GLAD YOU ASKED

Mainly because I love ranting about psychological patterns and discussing analytical points on stuff like this.

So the following tips are general things which can be used for any kind of advertising, I will let you know when something is fanfiction specific. These are just personal tips from the stuff I learnt in psych class, stuff I learned while being in a professional environment, stuff I learnt through programs and stuff, and just stuff I've learned through experience. SO GET READY!

The first thing you should know before following any of this is: Don't let disappointment crush your life. Look, sometimes nothing works the way we want and it's bound by fate to crash. Don't let it stop you from living your life or trying new things or doing things which you love. If you lose interest in something, fine, it's okay. Really. There are quintillions of things in this world and you have only one of them in your hand. Get out there. Do stuff.

Now, let's see.

1. Networking

Always, always, always say this when someone wants something to be known. Because this is how it works:

Alexandra 👧 is very excited about her cookies. This is her first time baking them and she thinks it's the best thing ever! So she tells her friend Mariam 🧕about it and asks Mariam to try one. Mariam does and she enjoys the cookies very much because they're halal and so she is able to eat them and enjoy them!

One day, Mariam 🧕 is talking about baking to her work friend Bethany 👩 and she mentions Alexandra's cookies. Alexandra 👧 was regularly making cookies so Mariam 🧕 took some and gave one to Bethany 👩. Bethany ate it and enjoyed it very very much!

Mariam 🧕 also gave a cookie sample to her mother, father, sister and brother. They loved it very much and enjoyed them.

Bethany 👩 was later craving some cookies so she asked Mariam for more and Mariam directed her to Alexandra 👧. Alexandra and Bethany met and chatted and Alexandra gave her more cookies.

Time passed, and Alexandra one day got up from bed and started her routine of making morning cookie when she realized... she has three hundred people who were asking for her cookies and some were overseas too, asking for her cookies. She had started a whole business simply by talking to people. Wasn't that an awesome way the world worked? 🍪

~

Okay, so here's what happened: one person told another person about their product. Assuming that person is a very sociable person, they told their family, friends and whoever they came into contact with about the product when a related topic was brought into the conversation. The people who heard about the product from her are 80% from the same culture as her, so there is one type of community who knows about the product and may or may not purchase it. Either way, if they remember or if it's relevant, they will bring up the product to other people and those people will tell other people and the cycle will go on.

But then, one of those people has a connection to a person outside of that community, and that person may or may not purchase the product and like it. And if they like the product, they will remember it and they'll tell others about it and soon, a whole new community will know about the product and may or may not purchase it or spread information about it.

The cycle goes on and on because humans are literally like the strands of a spider's web. They're connected with the entire world one way or another, no matter how far their connection points are.

That's why networking is so important. And you'll see that the best kind of advertising is when it's someone you know recommending you to try something. This is a type of social conformity and it's beautiful to see how humans love sharing things. Use this aspect of humanity to show what you have to offer to the world.

I don't necessarily use marketing stuff for my fanfics except sometimes because a) I just like writing and posting things and b) going full on marketing is exhausting and I'd much rather save up that energy for money-making things or irl things. For me, fanfiction just happens. But I totally and absolutely respect people who do what they can to reach out and show off their work to everyone as they should! I like it when people do that because it means that they're proud of what they created and humans are sharing creatures, so when they share, it strengthens human connection and that's beautiful.

So, in terms of advertising and marketing, it's very very necessary to network.

How do you network?

I'm glad you asked! In terms of fanfiction, here's what you can do:

Follow: Follow and keep following people on tumblr, no matter how many digits your following stats show. My following stats are nearly in quadruple digits cuz I abesnt-mindedly click the follow button lmao. The good thing about this is that the more you follow people, the more the chance that they might see the notification and check out your blog and come into contact with your fanfiction.

Post: This seems obvious, but there's more to it. The more you post on ao3 or whichever platform you use, the more your username appears to people and the more people might see and register and remember your name and check out your account. In terms of fanfiction though, I'd suggest you post only things you want to, don't pressure yourself to write please. Fanfiction is one of the things that are meant to be enjoyable and if you don't enjoy it, then even if you get like a thousand kudos, you will still not feel happy because you're tired from all the forced content.

Content: In order for more views or people to see your stuff, not just fanfiction but anything in general, then your content must be memorable. Alexandra's cookies were memorable bc of their taste, which is why Mariam and Bethany were able to remember it and pass it on to other people and ask Alexandra for more of it. The content can be a) very good in quality b) have a lot in quantity (only works on some stuff) c) be very beautiful or pretty or noticeable d) content is posted on a regular schedule e) be relatable. The content has to be something that is memorable. The two best ways a content is memorable is if it's either very good in quality or relatable. In terms of fanfiction, the plot would be brilliant or the writing would be brilliant, or the plot would be something the readers wanted to see like a certain trope or an underrated trope which is in demand. Or the plot is something that has happened to the readers and provided them with a secondary experience (this, you cannot control).

Creator: The creator of the content must also be memorable. Because content can get lost sometimes. Bethany may forget where she got the cookies from had she not had that chat with Alexandra. Fanfiction titles can get lost and people might not remember. Authors are easier to remember than fanfiction titles a lot of the times because there's that human-human connection. So in the author's notes maybe you drop some lore about the story you've written, or mention something crazy that happened to you while writing the story, or you rant about a part of the fandom you are or maybe analyse a thing from canon. Whatever it is. In terms of fanfiction, it's especially good for your author's notes to relate to the story. But since it's fanfiction and it's literally something I do for fun, I use the author's notes to just... talk 😅. I really don't care if people read it or not, I'd like it if people read my notes and comment on something they want to comment on because I love holding conversations in the comments. Which brings me to another thing: Answering comments can be a way for you to be noticed. But not just any answers, if the commenter has left a unique comment or if it holds something like an analysis or something, then replying in equal to it means that the reader may see your reply and your name appears twice in their brains, creating a wrinkle in the brain which stores your name. BUT. Since it's fanfiction and it's something fun (wow, that's becoming my phrase) I hold conversations in the comments because I like talking to people. Fun fact! The way I talk in text, like with the "uh"s and "um"s and the elipsis and stutters is literally how I talk irl. Even the word "lol" and "lmao" I actually do say those words irl lmao. So my replies to comments take a while because sometimes I don't have the energy to hold conversations or interact with people and I just don't feel like a simple "thanks!" and heart emoji is enough. Another fun fact about me.

Other ways to reach: Tumblr has been a huge part in people discovering my fics because I like socializing with people on there :) I like sending asks to people, I like messaging them, I like talking to them over reblogs even if it means scrolling all the way down my screen, I like doing tag games, I like collaborating with people on different projects. I like doing all this because it's like... I'm better in terms of talking online than irl because there's not pressure of facial expressions and since I can get quiet irl sometimes, I utilise my ability to be able to actually socialize online. I love my moots and our conversations ^^ So it's not advertising in my book, but it is a strategy to use when you want to market something. I use it irl when I want to be noticed for a job or for a position or if I want to sell something, I make friends all around and make sure they're okay with me talking about the thing I want to sell or talking about me being good for a position so when the time comes, they can purchase something or I can use them as referees. In fact, this is a very, very very important tactic to use in the professional world. Make. Work. Friends. Make work friends, they're so so helpful and make sure that you're a work friend for someone too, because it all only works in reciprocity. Becase when you make a friend, a friend will behave like a friend. And friends (good friends), check out each others' works or interests at the very least. Even if they're not interested, they're willing to hear about it. But other than tumblr, there's another big thing you can do: READ AND COMMENT ON OTHER PEOPLE'S WORKS!!! PLEASEEEEEEEEEEEE. TRY TO COMMENT ON EVERY SINGLE FIC YOU READ. Fanfiction is a community. If you don't take part in it, you'll be left out. It's a rule, I'm sorry, but that's how humans work. Wherever you live, if you don't take part in the community you're in, you'll be left out. It's the real world, kids.

2. Quality of content

We already touched base on this and I've said quite a lot on it already, but. This is definitely something I do for my fics in terms of advertising (and also self-improvement). Because no one will want to read something which has the grammar of a kindergartner and has a plot as obscure as a sphinx's riddle.

Improving your product, constantly and regularly is very, very important. If you compare my first work to my most recent one (okay- maybe not my most recent one, cuz the current fic I'm posting rn is something I wrote after months of writer's block), you'll see that there has been a drastic improvement. So.

How do you improve the quality of your work?

I'm glad you asked that too!

Peers: Have people or friends you made online or irl who look over your writing and provide feedback. If you look into my yes beta and no beta tags and also see how many people I've co-written with, you'll see that I interact and involve a lot of people a lot of the time with my writing. It's a) because self-improvement is awesome and b) just having people involved in your interest is awesome!

Open mind: Always have an open mind when it comes to creating. If someone has a mindset of "I'm already good at this" or "I can do wayyy better than this writer", they will never, ever, ever, ever, ever improve and therefore they will never get the amount of attention they want. Trust me, I've met people like those, and they're arrogant assholes. Sure, you will feel like that sometimes, and yes, I feel like that sometimes too. But here's the thing: use it to your advantage. I've come across many fics which I thought "oh my God, the plot/writing is so shit", but I never voiced it out loud. If it was something that really irked me, I complained about it to my friends privately, but didn't (or tried not to) mention the name to protect the integrity and passion of the creator. What I did instead was something that was better for me: I let it improve my work instead. I intently read the work that annoyed me and when I found exactly what I didn't like about it, I took it in stride and then went back to my own work and made sure that my work didn't have that. It's very humbling to see something you hate and then you go back to your own work and see you have the exact same thing there. Multiple times. It's humbling and also an advantage because you've improved yourself. If you knew the amount of fics I wrote out of spite because I found something I didn't like and wanted to fix it... Yeah. The important thing here is that this process does not disrupt - or even touch - the original creator's process. They are not your responsibility. You are. In this note, be assured: no matter who you are or what your content is, it will always have someone who is yearning to find that exact content. Even if you think it's shit, it will have an audience. And you don't want to pop their bubble do you? So please, please please for the sake of all fanfic readers out there, do NOT enter "I'm so sorry, my writing is bad" or "oh my Goddddd, guys don't read this it's so bad loll" or "I don't really like what I've written here... but here you go anyway!" or anything like that. Do. NOT. It's simply the worst thing you can do to others and yourself.

Find tips: I have a hundred page google doc that is compiled of every single tip I could gather in the year 2022 from tiktok, youtube, pinterest and tumblr. Every. Single. One. I could. Find. And I constantly refer to it when writing. (I also have another google doc full of study tips, and another which is just general tips. Yeah... i had a lot of free time in 2022. I don't now lol, so it hasn't been updated in years)

3. Reaching out

By this, I mean tagging. I use every and any tags in my fics, but only correct or relevant tags. Ao3 is amazing in a way where people will actively search what they're looking for. So a brilliant way where people will find you is when you tag.

Tag correctly. When people tag popular ships or certain characters or other popular tags for "reach", it creates the opposite effect. It will make sure people will never read any of their works again if they can help it because that's just a shitty thing to do.

When you do tag correctly though, you will find the exact people who want to read fics like yours and you will make a name for yourselves.

Tag as much as you can unless it's inappropriate. Tagging everything you can think of is another way to get reach and it's something I absolutely do (and also bc, idk why, but tagging is one of the fun things about posting fics for me lol. Ig I like the organization). Whether it's character trait tags like "Tim Drake Whump" to plot tags like "Ice skating" to genre tags like "Crack and fluff" to warning like "waterboarding", it is a) a way where people who don't/can't read the stuff they want can stay away from it and no one receives hate comments and if they do, well, that reader is just fucking stupid and blind and it's not your fault and b) the people who do want to read those tags will find your fic. Yes, tag everything. Trust me, there will be people scrolling through tags like MCD and Dead Dove (example: me when I'm in a Mood) and when they find your fic, they will be delighted and leave excited comments.

~

So this isn't exactly very organized lmao, but I typed this up in one sitting. I hope it helps!

[myrtles-and-blood]

hi i'm not really all that new to this sort of thing but i keep seeing people use the term "deity work" and i don't exactly understand what it means? like what is it, what does it entail, how is it different from deity worship? could you explain? thank you so much

Hello! I'll explain it as best as I can, so if anyone sees something out of place go ahead and correct me! Other people have answered this before here, I recommend looking into those posts as well.

What does Deity Work even mean?

Let's say this is a giving-receiving relationship you have with a deity. I'll talk about my case as an example:

I started my worship with Lucifer, right? We talked, I gave him offerings, etc. Before I did a reading with him I noticed the responses were not like he usually responds. You know, the energies were off. The thing is I ended up landing that deity was Beelzebub just checking on what I do. I asked Lucifer and he said "Yeah I told him about you, he's nice and he wants to work with you".

"Why would a deity want me to work with him? That's weird, I don't think I have anything interesting here" Well I did have something interesting: I was (and still am) extremely disorganised and I cannot concentrate on my studies. He is The Lord of the Flies™, yes, but he also can help people with management in business and working efficiently. So seeing me was like if you saw a stray cat doing the stupidest thing it can do to get food and going "Yeah I want one of those".

After we did a reading clearing up everything and what we'll do in this working relationship, we just started. What I do currently is light his candle every time I have to study and it works wonders because I can actually concentrate. I don't know how he does it, but it's really cool. Studying and anything I find with bugs in it (related to bugs, I'm not giving him a dead bug) I give it to him. In exchange he gives me concentration and some advice to organise my studying sessions while supervising them.

This was not me just telling a story, I want you to see how it can start and how it progresses:

That deity might come on its own or maybe another deity told them about you (Hermes is the god of "I know a guy" so he does that often)

They don't choose you like "You are the chosen favourite of God", it's not that serious. They just like what you're about and probably think they have the solution to that specific problem, just like stray cats lol.

In exchange for prayers and offerings they can give you advice and guidance through a problem. Depends on your dynamic with them, the problem that you have, etc., so it can look very different depending on the person and deity of course.

They can ask you to start this working relationship OR you can approach them! Much like I did with Aphrodite, and it's amazing, so I encourage you to ask instead of waiting for someone to pop up.

Also, the fact that they want to work with you does not mean you want to do so, you know? You can always turn down an offer. With Beelzebub I told him that I did want to work with him, but it wasn't the best moment, so we delayed it! Again, depends on every situation. This means they can turn down your offer if you wanna work with them too! It's just Consent 101.

How is this any different from Deity Worship?

Worshipping a deity is more like "I love what you do please take this cookie and keep up the good work" in my humble opinion.

Maybe you live by the sea and do horse riding, that means you'll probably like Poseidon and worshipping him is a way of thanking him for all those things you like. Maybe you are the absolute worst at studies and owls scare the shit out of you, but Athena is your girl because you like her and that's it. It's like having a friend who you share hobbies with or not, but you love them and give them stuff that you know they like even if you aren't really into it (I'm not telling you to go find owls for Athena, but maybe give them a cute figurine of an owl like "I hate that, that's not my thing, but it's your thing so here you go")

I am NOT good at sports. But Ares and I are close and I like him very much, my good time boy. We still have things in common and sometimes I'll tell him "I will do two push ups for you my guy, just for you" and I instantly fall flat to the ground not even finishing the first one, but the intention is what counts. He's probably not very fond of rocks but if I find some for my collection and start rambling he will probably go "I don't know what the fuck you're on about but looks cool".

THE POINT IS, worship is honouring what that deity does, and working is wanting to collaborate with them to get to a goal that relates to what they do. I personally won't recommend Dionysus if you want to get a raise at your law firm, but who knows, maybe he helps you pick the perfect wine for a work dinner to get your boss to like you as a small treat lol.

Working needs worship, but worship does not need working. Just clarifying.

If you lose your glasses and ask Hermes to help you find them quickly because you're getting dizzy does not mean you're instantly working with him. It's a small favour, that's common in deity worship. But deity work requires a process. I think it's meant for a long term goal. You won't ask Hermes to work with you just to find your glasses, but you probably want to work with him to learn French, you know?

I hope I cleared things up. I did as best as I could, that's how I practice my stuff. Again, if you feel like adding information and/or pointing out something that's not correct, you're free to do so with respect!

Anon, I hope I cleared your confusion even after beating around the bush so much lol. 🫶🏻

[no-psi-nan]

I always feel bad answering the fanfic question but I was already really picky with fics before (like... 2018 lol).

And then I entered a huge, prolific fandom where there was a deluge of fics written by people who've been writing for decades, so many that I literally could not keep up with how many great fics there were to read! Even in the nichest of niches!

And now I'm here and there's maybe a handful of fics I've truly enjoyed so I've had to write like 300k of fic myself. OTL

I'm just an Old Fan with extremely niche tastes, so it's probably more productive for the average fan to make a post in the general tag and so other people with more normal tastes can offer their top picks lmao.

Because all I can personally say when it comes to fic recommendations is "get in there and dig, and if there's nothing, then pick up a pen"! 🖊️

Or your thumb and a Google Doc on your phone lmao.

[lasnevadaslaborunion]

It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.

It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.

You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.

And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.

It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.

Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"

No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?

This is how deep colonialism runs.

[parfaitblogs]

risk ❀ s. reid x reader

in which you have the sweetest regular, and it’s probably too soon to tell him you love him!

pairing: spencer reid x barista!reader genre: fluff tags: s1 spencer. who rambles. biblically accurate career!reader sorry if some of the coffee talk makes no sense to you. reader makes all the first moves. y'all kiss (aww). written in timeskip sorta it's not crazy (like maybe a month). not proofread sorryyy (im not). word count: 2.2k a/n: first instalment of my spencer reid eras tour🙂‍↕️ season 1 spencer reid i freaking adore you. he's so cute. gif!! i thought gifs in this series could be cute lol. envisioned 1x10 spencer bc of his nightmares if that means anything. enjoyyy ily im off to work 🏃 

series masterlist

There are many reasons you come to work each morning. The money (an obvious one), your coworkers who usually make each day a little bit more bearable. And Spencer. A regular who had become a little notorious for having an odd coffee order, that most of the store workers hated making. 

Except for you. 

It wasn't especially odd. But in a store that thrived on making the perfect cup of coffee, sometimes it meant remaking it three or four times because the shots didn't pour at the right amount of time, and recalibrating the machine was a hassle you all didn't want to deal with in the middle of the morning rush he usually came during. 

You had taken note of him the first few times he came in — always keeping to himself, flashing the most awkward smile you think you've ever seen on a human being, and ordering his old order (a large latte with as much sugar as you could fit in the cup). It was by the seventh time that had you thinking of him a little more often than just while you were at work. 

He looked a lot more exhausted than usual. His usually tame hair now loose and hanging over his face as he took a weary step towards the counter, fingers brushing strands away and tucking them behind his ears. 

"The latte, right?" you had asked him, and he had frozen, and you stood in fear of this not being the Spencer you thought he was, and you had just asked a total stranger about a coffee they've never ordered. 

But then he let out a nervous laugh, shaking his head. "Uh, no. Not today. Um—do you guys have a limit on how much coffee I can have?"

Your eyebrows furrowed. "No... we don't. I wouldn't recommend any more than like five shots in our largest size, though. It'd probably taste gross. But we can add as much as you need."

"Five's good. Yeah," he nodded his head, fingers wrapped tightly around the leather strap of his messenger bag. 

"Just... a five shot latte?" you clarified, and he froze again, shaking his head once more. 

"Do you recommend anything else? I—uh, I want it to be sweet enough still."

"I can do you a mocha?" you offered. "White chocolate mocha if you're looking for it to be even sweeter."

"I'll try that," he nodded his head, and out came his awkward smile, which had you smiling back just as awkwardly. 

Which was how he got to his current usual. It honestly became a test to ensure your coffee machines were actually running well, considering pulling five well-done espresso shots at once was no easy feat. And, again, most of your coworkers hated making his drink. 

Which was why it was palmed off to you. Every single morning without fail. And maybe in another universe you would join them in the hatred for this man's frustrating drink order. But then, in that universe, you wouldn't get to talk to him every morning (and slowly break him out of whatever shell he had locked himself up in). 

"I never asked," you began, staring at him over the top of the coffee machine while putting white chocolate fudge into the bottom of the cup. "Why did you change your order randomly?"

He parted his lips and his eyebrows creased together for a few seconds, as if he was deciding whether or not to tell you. You were kind of grateful he concluded on trusting you. 

"I wasn't really sleeping. When I asked about changing my order," he explained, hands letting go of the bag strap so he could talk with them. "Then I guess I just liked the taste of it? And it kept me awake. Which is a bonus."

"I can imagine it would," you nodded your head in agreement, flashing him a small smile, which he returned, bashfully. "Why weren't you sleeping?"

He went silent, and you almost cursed yourself for asking. Maybe you had gone too far. It was why, when you had begun to busy yourself with making his drink a little faster, you jumped when he spoke up again.

"I was getting these nightmares," he said, and your head lifted from the milk you were steaming. "Because of what I do for work."

"Law, right?" you asked, and he let out a small laugh, tucking hair behind his ear. 

"Sort of. I'm with the FBI."

"Oh, that's right," you replied, nodding your head in recognition. He had said that to you at some point in the earlier days when he first started coming in, because you had asked where he works so close by to be coming in as often as he did. "Can you tell me what part? Or is that confidential?"

"No, no, I can. I'm with the Behavioural Analysis Unit," when your face twisted into confusion, he added, "We use psychology to analyse serial killers and catch them. Well, not just serial killers, actually. But that's what we focus on."

"And it works?" you asked, eyebrows rising as you placed a lid atop his coffee, sliding it out on the pick-up section where he was standing by. His face fell slightly, and so you were quick to add, "Not—I didn't mean it like that. I just mean I'm shocked. That psychology is all you really need to catch a serial killer."

"It's not all we need. There's a lot of other elements that go into finding one. But our primary focus is how their brain works and we use behavioural science to figure that out. Actually, we used to be called the Behavioural Science Unit when it was first created."

He was too busy talking animatedly with his hands for him to have picked up his coffee, and you were too busy watching him with a smile to remind him it was ready. 

When he did reach for it, you could feel the familiar pang of disappointment that had started shooting through you every time he was picking up his coffee and leaving. A weird sensation that left you clawing at the walls of your brain to come up with something to say to keep him there. 

It was probably why you blurted out, "Are you seeing anyone?" Which was followed by stunned silence from him, and regretful silence from yourself. What a question. 

Slowly, he began to shake his head, his lips twitching into a confused frown. "No. I'm—I'm not." 

It shocked you a little. He wasn't jaw dropping, per se. But he was attractive. You had said it a few times to your coworkers whenever they asked why you talked to him so much — there was a running joke that you were already secretly dating him behind their backs. Not funny.

"I was just wondering if you wanted to..." you hesitated. "Go out for dinner? Maybe? I'm so sorry if I'm totally overstepping. In fact, I encourage you to say no, because this is a little weird. I'm so sorry," you rambled when you were met with only silence from him, wondering if you had weirded him out of the ability to talk. 

"With me?" he pushed out, his voice a little higher pitched than usual, and you nodded your head, because maybe he wasn't weirded out. Maybe you had just flustered him. You hoped so, at least.

"Yeah," you said. "Is that weird? Or is it okay? To ask that?"

"It's okay. Yeah. Yes. I would love—like to. I mean, that would be nice. Yeah," he stammered, and you smiled. 

"Here," you held your hand out and gestured for his coffee, taking it back and picking up a Sharpie to write your number atop the lid, before you slid it back to him. "I get off work at one. Call me?"

"I will," he nodded, eyes fixated on the number for a few seconds more, before he returned his eyes to you. "I will. Um—bye!" he took a step back, and you let out a loud laugh when he stumbled into a chair behind him. 

He was sheepish as he waved to you, bidding you another goodbye, the sound of the bell above the door ringing once, and then again when it fell shut. 

And you had, somehow, secured a date with Spencer.

Which turned into two dates. Then three. And then, with some weird stroke of luck and twist of fate, you were spending every evening you could at his apartment, and him at yours. 

But you were yet to kiss. 

Not by any particular reason. Really, nothing either of you did ever really called for a kiss. Which was as frustrating as it was understandable. Frustrating, because you felt like you were simply friends, who sometimes went out for dinner, and had feelings for each other. But he had told you very early on he'd never been with anyone before, let alone ever been on a date. Hence; understandable. 

But frustration was more overwhelming than you had thought, because you were on his couch, blanket draped over both of your bodies, as he read you a book — The Chameleon. A short story by Anton Chekhov (an author whom you were only barely familiar with). And yet, all you could think about was kissing him. 

In your defence, he was very kissable, as you stared at his lips while he spoke, your heart stuttering quite uncomfortably in your chest. You weren't sure what it was precisely about him that made him like that. Maybe it was the natural pout of his lips, or how they twitched in humour at the little jokes Chekhov had written into the book that only made sense in Russian, despite him attempting to translate it for you. 

Whatever it was, it was overriding your senses, and in true Spencer fashion, he hadn't noticed you weren't intently listening to his reading until he glanced down to catch a reaction to something he said. You caught as he closed the book and placed it off to the side, jostling you from your haze. 

"You don't like the book, do you?" he asked, and you were quick to shake your head. 

"No, I do," which was true. The parts you were actively listening to you enjoyed. "Sorry, I'm distracted."

"By what?" he shifted on the couch to face you.

You fell silent at that, the answer hanging on the tip of your tongue, unsure whether or not saying it could ruin things. You didn't think it would. "You."

"I'm distracting?" he asked, eyebrows creasing together and a confused frown pulling his lips down. 

Which confused you. "Yes?"

"I don't think I'm meant to be sorry for that," he said. "But I am."

"You shouldn't be," you breathed out with a small laugh. 

"Right," he nodded his head, laughing too, awkwardly. "How am I distracting?"

You studied his face for a few moments, which ended up being a pathetic excuse for a lip study, because you were fixated on them again, and you decided Spencer probably didn't even realise that that was what you were doing. 

"We haven't kissed yet," you told him, instead. 

"No. We haven't," he agreed. 

"Do you just not want to kiss me?" you asked.

He did that thing he does when he's thinking — furrowed eyebrows and parted lips, eyes blinking a few times, before he comes up with his response. 

"I just don't want you to be disappointed. I've never kissed anyone before."

"I concluded that," you answered. "I won't be disappointed."

"You might be," he mumbled, and his gaze averted from your own, which had another smile stretching across your lips. 

"Only one way to find out, right?"

He hesitated before nodding his head, lifting his eyes back up to look at you. It was then that you learned that, like everything else, you might have to make the first move on him. Again.

The thought made you laugh, and though he wanted to, he didn't get a chance to question why you were laughing, because your hands were on his face and you were pulling him into you, lips meeting his in a gentle kiss that elicited a surprised squeak from him. 

"You've gotta kiss me back," you murmured against his lips, and his response was a quiet 'oh'. 

But he was a fast learner, because soon after he was. Objectively, it wasn't the best kiss you've ever had in your life. But it got better by the second, and he was doing enough to make your heart stutter in your chest, his hands reaching up to cup your own face, palms and fingers covering the mass of your cheeks. 

His hands there provided him the ability to keep you there, and you had to pry them off your face so you were able to pull back for air, breaths coming out in short pants. Only for a short second, because he was chasing your lips again, and you laughed, before letting him kiss you again. And again. And again. 

Until both of you were out of air, and he was glassy-eyed and pink-lipped. Though, you were probably his mirror image of that.

And he smiled at you, crookedly. And you wondered if it was too soon to say you loved him. 

your reblogs and replies are always appreciated dearly ♡

[lotus-tower]

The Swiss Cheese Model of Covid Prevention

An edited version of the swiss cheese model tailored towards the measures that you as an individual can take to minimize your risk of infection. Public health is ultimately what its name implies, public, but that doesn't mean you're powerless.

Covid prevention is not all-or-nothing. Think of it as risk reduction, rather than a binary.

Let's go through these step by step.

VACCINES

The current vaccines are meant primarily to reduce chances of severe illness, hospitalization, and death. They will reduce your chance of infection a bit--but not nearly as much as you might think. You should still get your boosters regularly, because avoiding severe illness is of course worth doing.

If you haven't gotten the updated monovalent vaccine yet, go get it. It is not a booster. Think of it as a new vaccine. It's targeted towards the XBB lineages, which are now the most common variants. Your last boosters were likely of the bivalent type, aimed at both the original Covid strain from 2020 and Omicron. The new vaccine is monovalent, meaning it targets one family in particular.

Some studies suggest that the Novavax vaccine, which is a more traditional protein-based vaccine, is more effective and safer than mRNA vaccines, and offers better protection against future variants. Of course, the data we have so far isn't 100% conclusive (the last paper I linked is a preprint). Make of these findings what you will, just something to keep in mind. The new Novavax vaccine's availability is still limited, especially outside of the US.

MASKS

Masking is one of the most effective ways to protect yourself. While it is true that masking and reducing Covid transmission protects those around you, the idea that masks can't protect the wearer is outdated information from the early days of the pandemic when medical authorities refused to acknowledge that Covid is airborne.

The key to protecting yourself is to wear a well-fitting respirator. You want to minimize any gaps where air might leak out. If your glasses get fogged up, that's a sign that air is leaking.

Headbands will always have a tighter fit than earloop masks (and therefore provide better protection). However, you can use earloop extenders to improve the fit of earloop masks. You can find these online. Your comfort in wearing a mask is important, but there are options for compromise.

The above graphic doesn't include elastomeric respirators. While some (like the Flo Mask) are expensive, they can be much more affordable than buying disposables--look for P100 respirators at your local hardware store, but make sure it fits your face well.

For more general information, see this FAQ. For mask recommendations (NA-centric, sorry!), see my list here or Mask Nerd's YouTube channel.

For situations where you need to hydrate but don't want to take your mask off, consider the SIP valve.

Not even N95s are foolproof (N95 means it filters at least 95% of particles--with the other 5% potentially reaching you). Most people will likely not have a perfect fit. There will be situations where you'll have to take your mask off. The key is risk reduction, and that's why the Swiss cheese model is crucial.

If you can't afford high-quality masks, look for a local mask bloc or other organization that gives out free masks. Project N95 has unfortunately shut down. In Canada, there's donatemask.ca.

AVOID CROWDED INDOOR SPACES

This is rather self-explanatory. Indoor transmission is much, much, much more likely than outdoor transmission. If it's possible to move an activity outdoors instead, consider doing so.

If possible, try going to places like stores or the post office during less busy hours.

Viral particles can stay in the air for a considerable amount of time even after the person who expelled them has left. Do not take off your mask just because no one is currently present, if you know that it was previously crowded.

A CO2 monitor is a decent proxy for how many viral particles may have accumulated in the air around you. The gold standard is the Aranet4, but it's expensive, so here are some more affordable alternatives.

VENTILATION AND AIR FILTERS

Ventilation is effective for the same reason that outdoors is safer than indoors. If it's warm enough, keep windows open whenever possible. If it's cold, even cracking them open occasionally is better than nothing. Try to open windows or doors on different sides of a room to maximize airflow.

HEPA air filters can significantly reduce viral transmission indoors. Make sure to find one suitable for the room size, and replace the filters regularly. You want to look for devices with HEPA-13 filters.

You can use websites like these to calculate how long it takes for a device to change all the air in a room. Remember what I said about viral particles being able to hang around even after people have left? If an air purifier provides 2 air changes per hour, that means that after 30 minutes, any potential viral particles should be gone.

If you can't afford a commercial air filter, here's a useful DIY filter you can make with relatively simple materials. The filtration capacity is great--but due to being built with duct tape, replacing filters will be a challenge.

If you have to hold meetings or meet with people at work, having a smaller filter on the desk between you will also reduce chances of infection.

As a bonus, HEPA filters will also filter out other things like dust and allergens!

REDUCE LENGTH OF EXPOSURE IF EXPOSURE IS UNAVOIDABLE

Viral load refers to the amount of virus in a person's blood. If you've been exposed to someone with Covid, how much you've been exposed matters.

You might escape infection if the viral load you've been exposed to is very small. Or, even if you get infected, there will be less virus in you overall, leading to milder illness--and crucially, a lower chance of the virus penetrating deep into your body, creating reservoirs in your organs and wreaking long-term havoc.

A low viral load is also less contagious.

This is the same reason that wearing your mask most of the time, but having to take it off for eating, is still much better than not wearing your mask at all.

RECHARGEABLE PORTABLE AIR FILTERS

You might attract some odd looks. But if you're at high risk or just want to be as protected as possible, small portable air filters can help. Try to find models small enough to take with you on public transportation, to school, or while traveling.

These devices will be far too small to clean the air in the whole room. The goal is to have it filter air in your immediate vicinity. Be sure to angle the device so that the air is blowing in your face.

Unfortunately, rechargeable devices are much rarer and harder to find than normal air filters, and many are also expensive.

The best option at the moment, apart from DIY (which is possible, but you need to know what you're doing), seems to be the SmartAir QT3. The size and shape are a bit clunky, but it fits in a backpack. Its battery life isn't long, but it can be supplemented with a power bank.

NASAL SPRAYS

There's some research that suggests that some nasal sprays may be effective in reducing risk of infection by interfering with viruses' ability to bind to your cells.

These sprays are generally affordable, easy to find, and safe. The key ingredient is carrageenan, which is extracted from seaweed. So there are no potential risks or side effects.

Be sure to follow the instructions on the packaging carefully. Here's a video on how to properly use nasal sprays if you've never used them before.

Covixyl is another type of nasal spray that uses a different key ingredient, ethyl lauroyl arginate HCI. It also aims to disrupt viruses' ability to bind to cell walls. Unfortunately, I think it's difficult to obtain outside of the US.

CONCLUSION

None of the methods listed here are foolproof on their own. But by layering them, you can drastically reduce your chances of infection.

The most important layers, by far, are masking and air quality. But you should also stay conscientious when engaging with those layers. Don't let yourself become complacent with rules of thumb, and allow yourself to assess risk and make thought out decisions when situations arise where you might have to take off your mask or enter a high-risk indoor area, such as a hospital.

Remember that the goal is risk reduction. It's impossible to live risk-free, because we live among countless other people. But you can use knowledge and tools to keep yourself as safe as possible.

[goldfades]

𝐓𝐎 𝐘𝐎𝐔 𝐈 𝐂𝐀𝐍 𝐀𝐃𝐌𝐈𝐓 𝐓𝐇𝐀𝐓 𝐈'𝐌 𝐉𝐔𝐒𝐓 𝐓𝐎𝐎 𝐒𝐎𝐅𝐓 𝐅𝐎𝐑 𝐀𝐋𝐋 𝐎𝐅 𝐈𝐓 ─ PB⁵ ft. UCONN WBB MANAGER

౨ৎ ─ summary | this is taking place pre-relationship! paige apologizes for distancing herself after her injury. this can be read by itself but i would highly recommend reading my headcanons first so you have a bit of context!

─ word count | 1.1k

─ warnings | paige's injury, mention of tension/pettiness, the reader and p weren't on good terms for a while.

─ ev's notes |

⇨ missing out on updates? check out my wcbb masterlist! (updates once a week or so)

THE KNOCK ON your apartment door was sharp and slightly unexpected, your expression turning confused and slightly annoyed.

KK and Ice had left your apartment almost an hour ago, could they really be back already? You sighed before closing your laptop, getting up to open the door only to be met with the person she least expected to be there.

Paige, in all her glory ─ crutches and everything.

You couldn't really explain exactly what happened to prompt Paige to begin acting weird, but she was. She had been, for a while now and you didn't really know why. This was almost two months before her injury so you couldn't even use that as an excuse; she just was.

Despite her efforts to create distance, you couldn't help but worry about her. After all, you had grown close and you even considered her to be one of your best friends at some point, but right now you really didn't know what your relationship was. And of course when she got injured, you made it your mission to take care of her, offering support and comfort whenever she needed it.

But no matter how hard you tried, she always pushed you away. You didn't understand it, you didn't even know why ─ so eventually, you just gave up.

As Paige stood at your doorstep, a whirlwind of emotions seemed to flash across her face. You ushered her in quickly, noticing the slight grimace of pain as she maneuvered on her crutches.

Before you could even begin to speak, she began to talk. "Look, I'm sorry."

You stared back at her, taken aback by her sudden apology. This whole thing had been happening for three months, and even after the millionth time you tried fixing the issue, she continued to act distant with you. It was frustrating and disheartening, to say the least. You had racked your brain trying to understand what went wrong, what could've caused Paige to pull away, but you always came up empty-handed.

"I'm sorry for being a bitch, especially the other night," Paige's voice was devoid of any of the usual excitement she had, it didn't even sound like her.

You couldn't really blame her though, she had just suffered a potentially season-ending injury and the weight of it all seemed to be pressing down on her shoulders. Despite her usual extroverted energy, Paige appeared diminished, her usual spark dulled by the frustration.

You felt a pang of sympathy as you looked at her, realizing the immense toll her injury must be taking on her both physically and emotionally. It wasn't just about missing games or the possibility of a season-ending setback; it was about the loss of something she loved, something that defined her in many ways.

"No, it's okay. Don't even apologize, I get it," you said softly, your voice laced with empathy. "I shouldn't have pushed you, especially with your injury and all,"

"You were just trying to help, I really am sorry," Paige mumbled as she sighed. "I've been so caught up in my own anger that I haven't stopped to think about how it's affecting everyone else, especially you."

You frowned at her words, your heart aching for her. You had been there; the exact moment it happened and you almost couldn't believe it, all the pettiness from the previous months were thrown out the window as you ran to her side.

You moved closer to her, wanting to offer her some comfort. "Please, don't stress yourself out about it. I just wanted you to get better and... well, I just wanted my best friend back," you let out a nervous chuckle as you spoke.

Paige finally met your gaze, her eyes watery and red as she sniffled. She felt ashamed, she couldn't believe that she let anything get in the way of her relationship with you.

"P, it's okay," you said gently, reaching out to wipe away her tears. "I understand why you've been feeling the way you have. And I want you to know that I'm not going anywhere. I'll always be here for you, through the good times and the bad."

Paige sniffled, leaning into your touch as if seeking comfort. "I'm really, really sorry, Y/N. I've been such a mess lately, I missed you."

You could practically feel the exhaustion radiating off of her as you sighed. Without any hesitation, holding her close as if trying to shield her from the weight of the world. Paige buried her face into your shoulder, her body trembling with pent-up emotion as she finally allowed herself to release the weight she had been carrying.

"You don't have to apologize, P," you whispered, your voice filled with warmth and reassurance. "I've missed you too, more than you'll ever know. But more than anything, I just want you to be okay."

Paige buried her face in your shoulder, her breath hitching as she let out a shaky sigh. "I'm trying, Y/N. I really am."

You held her tighter, offering her the comfort and support she so desperately needed. "I know you are, Paige. And I'm here for you every step of the way. We'll get through this together."

Paige nodded against your shoulder, her breaths coming out in ragged sighs as she let herself be comforted by your embrace. In that moment, the walls she had built around herself seemed to crumble as she let go of all her fears.

Paige spoke up again, her tears soaking into the fabric of your shirt. "I don't know what I'd do without you, Y/N. You've always been there for me, even when I didn't deserve it."

"That's what I'm here for, right?" You replied, tightening your hold around her.

Eventually, Paige pulled back slightly, her eyes red and puffy but filled with gratitude. "Thank you, Y/N. I don't know what I'd do without you."

You gave her a gentle smile, brushing a stray tear from her cheek. "You don't have to do anything alone, Paige. I'm here for you, always. Are you hungry?"

She was slightly taken aback as she let out a soft chuckle. "Sure, yeah. What's on the menu tonight?"

You smiled back at her, feeling yourself fall back into the natural swing of things. "Mac and cheese, if you're up for it?"

"Hey, it's a thanksgiving food! It's kinda fitting the vibe, don't ya think?" Paige's voice came out hoarse but you could see the amusement in her red-brimmed eyes.

With a gentle arm around her shoulders, you guided Paige to the kitchen, mindful of her injury. As you worked together to prepare the meal, the tension that had been weighing heavily between you seemed to dissipate, replaced by a sense of familiarity.

However, you could still sense a little tension in the air ─ but you decided that issue was for another day.

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[suiana]

lol am I allowed to ask for yan!fwb? or have you already done that? like darling isn't looking for something serious, just casual, but yan!fwb is already planning their marriage when they get darling inside their sheets

(yandere! fwb x gn! reader) (silly😜) (dom reader)

"can we just fuck why do we have to go out for dinner?"

"because... because it's for the plot?"

you stare at the male, deadpanning at him as you roll your eyes at his stupid answer. what plot? you two were just friends with benefits, why'd he need to bring you out to some fancy ass restaurant to eat?

and he even made you dress up?? what the hell?

don't friends with benefits just fuck and get it over with? that's the whole point isn't it? why's he treating you like you're his lover?

"dude this feels like a date."

"i- it's not!"

the male stutters, cheeks pink as he nervously offers his hand to you to escort you into the restaurant. you stare at it before slapping the hand away and walking in. geez, did he seriously think you were about to act like his lover? no way!

the male pouts, cheeks flushed as he quietly trails behind you like a little puppy. aw... his hand really felt lonely and he thought yours might be too ☹️ no matter, you'll be fucking him tonight anyways...

"ahem-"

the male clears his throat as he anxiously fiddles with his phone, walking up to the main desk. you watch in slight amusement as the receptionist and waiters immediately gush over him, carefully bringing the two of you to what seemed like a private room? woah, you knew he was rich but you didn't know it was like this rich.

"a-ah... you can order anything you want... I'll pay."

"thanks."

you mumble boredly, flipping through the expensive menu that you'd never have touched if it weren't for him. dawg maybe you'd let him dominate you for once... as a way of saying thanks.

...

nah. actually you think he'll break down in tears if you told him to dominate you. he's such a crybaby.

"hey-"

"yes my love?!"

the male exclaims, hearts in his eyes as you stare at him with the most disgusted look you can conjure. ugh, he's always like this! treating yoh like his lover, calling you petnames... is he delusional or what?

"firstly, don't call me that. secondly, what do you recommend?"

"o-oh... hm, i recommend the A5 wagyu and the caviar-"

you blink in confusion, brain not processing any of his words. god damnit, why was rich people food so confusing?! all these fancy names for a tiny plate of food?!

"you know what, forget it."

you mumble as you slam the menu shut. the male jumps slightly, whimpering as his lower lip pouts. aw, it's times like this where you can't help but think he's so freaking cute.

"ah... I'm sorry darling! w-we can go to another restaurant instead... oh i knew this place wouldn't be to your tastes and i-"

"i want you instead."

you cock your head at him, grinning as you make your way towards the flustered male. you drink in his delightful expressions, humming happily as your friend with benefits turns into a cute puddle of blabbering words.

yes...

you never were that hungry for food anyway.

and he would fulfill your hunger much more easily.

"hehe, you really are the cutest, aren't you?"

"oh darling!"

ah. guess it really is time to devour him. in more ways than one.

[theoddest1]

Hey, isn't it so..."Great" that Viv is out here liking posts that clearly find moments where Angel is being sexual with his rapist "Hot" How much more telling can this all get, right? We really sit here, having to explain how fucked up it is to take SA, try to tackle it "seriously" but then proceed to not even do it for that reason. Only for it to be for angst and goon material. How do you expect me to SIT HERE and take whatever Viv has to offer seriously? The number of people I have seen trying to justify this gross behavior is abysmal. If you have this kink or whatever, fine not like I can stop you, be into that shit somewhere else, but DO NOT try and TACKLE IT only for it to be not even seen as serious or as a way for you to get off to your sick fantasies.

Why the hell would you like this? "Angel with his abusive rapist boss😝, so hot guys! Can'tstop thinking about it!"

What good reason would Viv have in liking this post? Why do over 4k people find a post like this neat? "Oh they're fictional, it's gucci, stop bitching" wouldn't need to bitch if people didn't outright sexualize moments meant to tackle an irl fucking problem.

By the way, this person ships Angel and Valentino together. Their pinned tweet is legit sexual Val and Angel art. I wouldn't recommend attacking them regardless if you disagree with their ships and what they deem...ugh "hot."

Fair warning to I WILL be showing some of their arts and reblogs as evidence, so if you are not into that sort of thing (anything NSFW), I highly recommend scrolling past my post or past this section of it.

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I'm pretty sure Viv actively searches for this sort of thing on Twitter, like it's PAINFULLY obvious that she does. How you just so happen to like a post clear af lusting for this abusive relationship YOU CLAIMED to take seriously that ALSO happens to be from an account that ships the abuser with the victim? Gtfo with your two-faced shit, just say your find this hot instead of lying your absolute ass off. The audacity for some fans to go after one group of people for liking questionable stuff only to let other questionable things slide. Like homie, you can let rape slide, but draw the line for any other questionable thing? How's about you have that energy for EVERYTHING with your hypocritical asses. Ion wanna hear y'all stank ass make callouts if you're okay with a rapist being shipped with someone he actively harms in various ways.

And Viv

You say this entire sequence is meant to be uncomfortable, meant to not sugar-coat how awful this situation is, and supposedly have people who are victims/survivors themselves, yet here you are liking posts from people who do anything but take it seriously and even sexualize it. That's absolutely insane to me. And reminds me how you were drooling over some pins that glamorize the abuse Angel and supposedly Husk goes through, you know, the same character that COMPARED his abuse with Angel's.

Ah yes, let's downplay how horrible Angel's situation is further, shall we? Let's especially do it after adamantly arguing with other SA survivors who "haven't seen the episode yet" and need to shut up or don't watch 😃. Let's ignore the fact that Husk and Angel's situations STILL aren't comparable but it's still very odd to have pins on TWO situations taken seriously in the show. So do you actually view the situations seriously or not Viv???

God she's....actually fucking stupid and horrid.

[ageingfangirl2]

I Want A Divorce! Shanks (OPLA)

You get ill and Shanks offers to do your jobs around the ship, but he gets distracted easily and wants your praise. You love the man-child, but sometimes you have to tell him to actually like his age. Shanks x Reader FLUFF!

'You have a high fever so I'm going to recommend bed rest until it breaks, can't have you getting any worse,' Hongo states, placing a cold cloth on your forehead which was nice in your current state.

You cough, 'I guess I can take it easy Hongo.'

Over Hongo's shoulder, you notice Shanks watching and listening intently to the doctor's orders, 'I'm going to do all your jobs so you just rest up.'

You and Hongo snicker sharing a moment, both of you knowing Shanks wouldn't be able to cope with all that you did around the ship without complaining. Hongo pats your shoulder as he gets up from the bed. Shanks immediately takes his spot, tucking you in. You were the fourth crew member to join and the only female, and had been charmed into dating the notorious red-haired pirate.

'I love you darling but you don't even know half of what I do around here,' you whisper, throat sore.

Shanks puffs out his chest proudly, 'I'm going to make you proud, I'm going to do so good everyone will be begging me to do your jobs instead.'

You smile as he leans down and kisses the cold cloth.

TWO DAYS LATER

Shanks bursts through the doors of his quarters which you shared and throws himself on the bed next to you burying his face in a pillow. He could be an overdramatic diva at times but he was your diva. Before you can say anything Lucky walks in holding a tray of food that makes your mouth water and forget your partner.

'How are you feeling? Hongo said you should eat more fruit so I made you a fruit salad for after your soup.'

Ignoring Shanks who was now mumbling into the pillow you sit up and accept the tray of food and glass of water, 'You're all too good to me Lucky. How are the new guys?'

Lucky shrugs his shoulders, 'confused and maybe a little scared because they follow your instructions which makes captain grumpy.'

You nod, 'I'll talk to him. Thanks for the update.'

Lucky leaves and closes the door behind him. Shanks rolls onto his side and reaches for the fruit salad but you swat his hand away, 'My fruit salad captain.'

Shanks pouts, sticking out his bottom lip and shooting you his best puppy dog eyes, 'Why didn't you tell me what you did? I wouldn't have agreed otherwise. I love you, but dealing with the new crew is tedious.'

Just wait until he found out all the other odd jobs you did to help out the rest of the crew, there was a reason people called you mother hen. You pop a slice of apple in your mouth and sigh, 'What do you want me to do darling? Give you a pat on the back? Feed you a treat, give you a belly rub and call you a good boy? It's not easy but you never back down from a challenge. I know you'll give it your all until I get better.'

Shanks sits up and stops pouting, a look of determination in his eyes, 'You're right I can do this. I'm going to make you proud.'

You scoff as he steals some grapes and jumps off the bed with a new lease of life, you really did have him wrapped around your little finger.

FOUR DAYS LATER

Your fever had come down and you didn't feel like death anymore, but Hongo insisted you stay in bed for a few more days. The crew had bets on Shanks he didn't know about, he'd gotten better at doing your jobs but wasn't great. You promised to stay in bed so the crew could make some money off your partner.

THREE DAYS LATER

You were sat up in bed reading the newspaper feeling much better and enjoying relaxing for once. Shanks walks in and climbs on top of you, lying on you with his full weight, 'I know your secret babe,' he chuckles, head now resting on your chest, eyes locked with yours but he doesn't look upset.

You put the paper down and start running your fingers through his hair, 'Hongo asked me to stay in bed longer, I actually enjoyed not having as many responsibilities, makes a nice change. I'm sorry for deceiving you, Shanks.'

Shanks nuzzles into your hands more enjoying the massage, 'Now I know how much you do I want you to slow down. I'll try and help more when I can, and the crew promised to fix their own problems before coming to you for help babe.'

'Thank you. However, you lying on top of me is making parts of my body fall asleep.'

Shanks smirks, 'I'll wake them up when I need them.'

You throw your head back and laugh at his playful and flirty antics, 'I want a divorce.'

Shanks matches your laughter, 'I'm never letting you go, you mean too much to me. Maybe a few years after the marriage you can talk about a divorce.'

For all the years the two of you had been together you weren't engaged, everyone assumed you were married and the two of you kind of went with the flow. Little did you know Shanks wasn't joking about marriage this time around.

[dedalvs]

When will humankind learn the lesson of its hubris and begin to heal itself? Also can you recommend any undergraduate or graduate level resources (textbooks etc.) for learning about fiction? I already read Writing Fiction by Burroway. Thanks in advance

January 14, 3182. Make a note of the date and return to this post when it comes.

To your second question, I've never read anything on writing fiction, only writing in general. I've found something valuable in every book on writing, even if there were things in the book I found less valuable. For example, I read Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg, and while there was much of it I didn't care for, there are some passags that have stuck with me 22 years later. When it comes to writing guides, I think the best thing to do is read what interests you while understand that what you are really doing is building your own writing guide inside you. You're absorbing what you find personally meaningful and using it to create your own personal styleguide that, like it or not, you'll be following for the rest of your life. Rather than rejecting that, and trying to decide which text will be the text that tells you how to write, embrace it, realize that you are going to do what you're going to do, and then try to work within that framework. That is, if that's what's happening, how will you approach a styleguide? What will it mean to you to read a very didactic text (i.e. "All serious writers must do x; no serious writer every does y") vs. a loosey-goosey one (e.g. "Dance naked in the garden of your creativity and allow your flowers to bloom!")? What are you looking for in these texts and what will you do with information or strategies that you find valuable?

Returning to Writing Down the Bones, I have to say I found the book to be mostly woo. It was more a kind of self-help/empowerment book than a book on writing, in my opinion. But there is something in there that I'm sure I'd heard before but which finally resonated with me. Specifically, it was the way she articulated that it really, truly doesn't matter what you put on the page when you're drafting. Drafting is not the time to reject. Even some idea comes to you that you find absurd, illogical, thematically inappropriate—whatever. It's not the time to push it away. Indeed, it's wasted effort. Editing and revising is the time to question. If you're writing, you shouldn't let anything stop you—even your own brain.

Why it took till then for this idea to take root, I don't know. It could be how she worded it. It could be that it came at the right time. Perhaps I was more open to new ideas when I was reading this book. It may also have something to do with a transition that had taken place for me in writing. After all, when I started high school, I was not regularly using a computer (we'd only just gotten a computer that stayed at home). When I started writing, I wrote by hand—on paper. It's a much, much different thing to edit and revise when you're writing on paper than it is on when you're working on a computer! I mean, digital real estate is cheap. When you're writing by hand, it can literally hurt to write seven or eight pages—and then to discard them in editing! Right now I'm working on a novel draft where I've decided an entire section needs to come out. If I'd written that by hand?! I can't even imagine.

I guess the tl;dr of it is I don't have a specific text to recommend. Rather, I encourage you to look around and grab anything that interests you. In doing so, though, I encourage you to approach it differently, focusing on what in it you find valuable, without either wholly rejecting it or feeling you have to follow it to the letter like an Ikea manual. I even found something valuable in C. S. Lewis's The Abolition of Man, which I honestly can't believe I read.

If you'd like some fiction advice that may be generally useful no matter what you're writing, this is what I can offer:

A valuable skill to hone is being able to read your work as if you have no other knowledge of it. In other words, you need to be able to read your work like a reader. One of the most difficult things to do with fiction is to cut. You usually have a lot more characterization, a lot more plot points, a lot more detail, etc. than end up on the page. The important question is if you cut something, will the reader notice? Will it actually feel like something's miss it, or will a reader never notice? Mind, I'm not saying that as a writer you can't tell if something is superfluous, or that anything you cut will be superfluous. I'm saying sometimes even if you cut something important a reader will still get the impression that what they are reading is whole and unedited. That isn't a good thing or a bad thing: it's a neutral thing. The question you'll have to answer is what is this whole that the reader is getting, and is that whole something you're satisfied with?

Get multiple rounds of feedback from many different readers. I say this not because it's vital, because beta readers are important, because you have to have multiple perspectives on your work, etc. None of that. Getting feedback from many different readers is a form of self-care on the part of the writer. I was deathly afraid of feedback as a young writer. I welcomed praise, sure, but anything else felt too painful to bear. This changed when I took a short fiction class at Berkeley. Suddenly a short story of mine wasn't getting one round of feedback: it was getting fourteen. And not just from the professor, but from fellow students. This was a minor revolution for me in terms of accepting feedback. If I were to take, say, one round of feedback, certainly there would be some praise, but there would also be notes like "awkward phrasing", "why did x character do y?", "this is unclear", "too much description", etc. These things would burn me. I would seethe reading them, and it would hurt so deeply. But! Imagine that one of them circles a paragraph and writes "too much description" and then the other thirteen readers say absolutely nothing at all about that paragraph—maybe one even puts a smiley face next to it. THAT puts the criticism in its proper context. Maybe your writing isn't too bad! Maybe there isn't too much description. Maybe that particular reader just wasn't vibing with it, and maybe that's okay. And then let's look at it from the other perspective. Say thirteen out of fourteen papers have a sentence marked and all of them say things like "huh?", "what's this mean?", "confusing", etc. Guess what? The sentence is probably confusing. And for some reason if everyone's saying the same thing it hurts a lot less. It means, yeah, you probably made a little mistake, and that's okay. It's not one person singling you out, and it's not the case that they don't know what they're talking about. I can't emphasize enough how freeing it is to look at reviews of your work if you have a handful or more to draw from rather than just a single good friend.

It's okay to write the fun part first. You may have a plot device you're really excited about, but to get there, you have to introduce your characters, have them get together, have them go to a place, meet someone else, etc. And it may take time and energy to write all that. You may feel pressured to get through that before you get to the part you really want to write. You certainly can, but you do not have to. I don't know if younger writers can appreciate exactly what it means to have a computer. You can write a little bit now and literally copy and paste it into some other document later. Try doing that with a typewriter! You can write something like "Insert paragraphs later of characters traveling to x location". You can even drop a variable in there so it's easy to find with the search function later (e.g. "ZZZZZ insert scene description here"—now you just need to search for "ZZZZZ"). You can put it in a different color on the screen so it's easy to find when scrolling. You can paste a freaking photo into your document! It's extraordinary what you can do with a computer that you couldn't do in years past. You've got a ton of options. But most importanly, when your work is done, no one will know what order you wrote it in.

In fiction, nothing has to happen. Villains don't have to be punished; heroes don't have to win; characters don't have to have a specific arc that comes to some conclusion. Honestly, one of the tropes (if you can even call it a trope) that I find most frustrating in sequels for movie franchises is after the characters are introduced, they take a few character and assign to them the major story conflict, and then for the rest, they give them a mini arc. It's like, "Mondo 2: Exploding the Mondoverse sees our hero Larjo Biggins take on new villain the Krunge as the very core of the Mondoverse is threatened with destruction! Also, Siddles Nuli learns its okay to be left out sometimes and she shouldn't get her feelings hurt, and Old Mucko learns that even though technology is advancing, sometimes good old fashioned common sense is just what the doctor ordered!" If you get to the end of your story, and you feel it's done, you don't have to panic if you suddenly realize we don't know whether Hupsi ever made it to Bumbus 7. It's okay if Story A is resolved but Story B is not.

I don't care if you used Trope A in your new story even though you used Trope A in your past seven stories and neither should you. Seriously, you think anyone was complaining when Agatha Christie put out another mystery novel? "Oh. Mystery again, huh? Gee, we were all hoping you'd write a book about the struggles traditional fishing villages are facing in the wake of industrial modernization." No we fucking weren't!

I hope you find some of this useful. Whether you did or not, though, be sure you enjoy what you're doing. If you are, you're doing the right thing.

[dcxdpdabbles]

If possible could you do the Batkids summoning the Ghost King on a dare?

It starts with Tim because most insane things do. Kon had sent him a link to a trend, asking him to try it the next time Young Justice got together.

He made the mistake of clicking on the link while sitting near his siblings in the gaming room. The audio is also on full blast because he didn't realize his headphones were out of battery.

Thus while waiting for his turn to play Mario Kart, a loud male moan echoes from his speakers. Tim freezes in his seat, staring at his phone in horrified betrayal, as seven heads snap in his direction.

"Ugh, Timmy? Those are videos you should be watching alone" Dick says with half a teasing smirk. "I know you're growing up and are curious about-"

"It's not like that! It's a summoning circle!" Tim yelps, turning the phone around. On his screen, five male teenagers sit in a circle, each holding hands. Moaning. The caption reads, "Summoning the Ghost King! What's your offer?".

"What the hell?" Jason squints as the teenagers in the video burst into laughter. They jeer and taunt each other good naturally, indicating the random moaning was in jest.

"Oh, I know that trend!" Cullen chirps from the floor. He's been hugging the bowl of chips all night, laying down on his stomach to keep it guarded from the others. "Basically, you try to summon the Ghost King by offering something random. Guess he doesn't respond to human sacrifices or the typical stuff, so people have been getting creative. I once saw a group of girls who burned their training bras and offered the King the ashes. The point is to pick the weirdest thing you can think of."

"That's the stupidest thing I have ever heard. We have to try it." Steph announces, standing up. She pushes the coffee table out of the way. The rest of their siblings, who weren't as into the speeding game, perked up in interest. "What do we need?"

"Um," Tim scrolls through the comments. "We need four never before lite candles, each placed in the positions of the four directions. We have to sit crossed leg in a circle holding hands and call out to the King with a poem, and at the end, we make our offering."

Harper springs up. "I got some candles! Do they matter if it's scented?"

Tim checks online. "It's not recommended, but it's fine if they are."

"This is idiotic! Attempting to make contact with the Ghost King is far too dangerous. I shall take no part in this foolery!" Damian cuts in, face twisted into a- surprisingly- nervous frown. His hands are clasped tightly over each other while his eyes roam the room looking for unseen threats. If Tim didn't know any better, he said the brat was scared.

"Aw Dami, if you don't want to do a summons, we can play the game of life or something. It's okay to be scared of ghosts" Dick says, placing his hand on the kid's shoulder. He was obviously trying to comfort the kid but it has the opposite effect.

"I am not scared of a mere ghost!" Damian hisses. "I am merely stating we should not bother forces well out of our leagues!"

Jason snorts, planting himself on the ground as Harper returns. She had four different color candles, purple, blue, black, and green. After consulting with Cass- a human compass-she placed them facing the east, west, south, and north.

"Why did you make that disgusting noise Todd?" Damian demands narrowing his eyes at the striking man.

"Just admit you're scared of ghosts, brat. No one is going to judge you for it."

"I said I was not scared of a mere ghost. The Ghost King is far more powerful then-"

"Alright, alright. Damian is too much of a scary cat to play, but who else is in?" Steph cuts him off, a knowing glint in her eyes. The youngest flushes angrily before he marches between the green and black candle and sits with his legs crossed. A nasty scowl is playing on his lips, likely not noticing the high-five Jason and Steph share for getting him to join.

Cass gracefully falls right next to Damian, offering the younger boy a small. His scowl lessens just a little. Cullen crawls his way over, pressing the bowl of chips to his hip protectively once he's sitting up. He ended up between the green and the purple candle, offering Cass a smile. Harper lands next to Cullen, cracking her neck as if preparing for a fight.

Dick does an unnecessary flip over the couch to take the place between the purple and blue candles. Next to him, Steph sits, her knee bumping the blue candle slightly. Jason struts over to sit next to Steph right between the blue and black candle. Duke shares the space with him, giving just a slightly nervous chuckle as Tim and Babs push the black and green candle apart a little to squeeze into though Babs remains in her chair.

"Alright, so the person with the candle on their right side has to light it. Do it at the same time. Once that happens, we join hands and do chat about the poem. Says only one person has to say the words, but if you want, I can send the link in the family group chat so we can all say it?" Tim waits to see them consider it, but Cass excited nodding has him copying the link he found on an online forum. A few dings go around the room as everyone checks their phones. "Now we have to decide on a sacrificial offering."

"We should do our most embarrassing secrets," Jason suggests.

"No, no, our fabulous hair!" Dick perks up, flipping said hair in a dramatic flair.

"It has to be something we all share," Tim says, eyeing Duke's short hair.

The other teenager makes an offended noise. "My hair is fabulous!"

"We offer the gay." Cullen cuts in. The rest turn to look at him as he wiggles his fingers. "Ohhhhhh! We're all fruity~! Spooky!"

"Babs isn't," Dick puts in only to see his best friend shake her hand in a so-and-so motion. He gapes at her before throwing his head back and laughing "We really do flock together!"

"So we agree? The gay?" Tim tries to say seriously, but his lips are twitching too much, trying to suppress a smile. There is agreement around the circle. He gives on a single node before passing around the matches Harper had brought. "How are we going to do this, though. Do we just shout, "I'm gay," or are we giving material things?"

"Let's write our gay awakening on a piece of people," Babs suggests grabbing her bag from where it hands on her chair handles. She tucks out a spiral notebook and a few pens. "I read that summoning needs something physical."

Everyone agrees as they pass along the notebook, writing down their awakening. Tim raises a brow at Damian's "Jon Kent" but doesn't call him out for it. After all, Conner Kent goes under his little brother's writing in his own writing.

He does wonder who Danny Fenton is, but knows better than to ask Cass about her life before the manor.

"Okay, let's do this! On the count of three- one-two-three!" Tim calls, watching Damian, Harper, Steph, and Duke simultaneously lite at the candle. They all hold hands, reading off phones that are prompted up by either their legs or kickstands on cases.

"We call upon the Undead King,

The one who bridges the realms,

The one who wields the Ring,

The one who will lead dies and breathes!"

There is a moment of silence where Tim swears he feels a slight shock along his fingertips, but it passes too quickly for him to care. Seeing as he is the ring leader, he calls out to the air. "Oh great King of the Dead, my siblings and I offer you a list of our gay awakening!"

"Stop, stop!" The youngest yells, leaping to his feet. His eyes are wild, scrambling to a far wall like a cornered animal. "No! He's coming!"

"Coming out the closet, like mama, I like boys, I like pecs

Like the arms when they flex!" Stephs suddenly sings, swaying in her seat. Everyone laughs before joining, and Tim wonders if they should have recorded this when suddenly Damian shrieks.

"Damian, who-"

The candles' flames all turn green as a haunting voice echoes through the room. "Your sacrifice has been accepted."

Tim's mouth drops open as the flames rise into the air forming a portal of liquid green. Familiar green. No wonder Daimain had been so scared. That was Lazarus Pit water. This meant this was the real deal, not just a random trend popularized by stupid teenagers.

Leaping Lizards Batman.

"What-what do we do!?" Cullen yelps as a burst of wind rips around the room, throwing everyone back. A laugh that sounds far too much like the Joker is heard through the portal as everyone tries to get into a fighting position with the wind pushing against them.

A head of snow-white hair peaks out and they are greeted by a laughing teenager. "A gay awaking sacrifice list! That's hilarious!"

"Who are you!" Tim hears Jason demand over the howling wings.

Another laugh, but this time, it sounds like clicking ice cubes is a response. "I'm Phantom!"

Tim has a second to see, wide green glowing eyes before the ghost reaches down, snatches their list, and zaps away.

Cass falls to her knees with a look of horror. "They know"

"I told you this was idiotic!" Damian screams, shaking so hard he looks like he will burst into tears in only a few seconds. Dick rushes over to him, pulling the sniffing boy into his arms. "We must never do this again!"

No one knows what to do in the wake of actually succeeding in calling the Ghost King or watching Dmaian cry from fear.

A ringtone plays from Cass's phone, breaking the ill silence. Tim catches a glimpse of "Danny" with two little hearts before his sister grabs the cell and leaps through an open window with what could only be a squeal.

"What the fuck just happened?" Cullen asks, but Tim can only offer him a shrug.

[twobluejeans]

HEARTBREAK ON TOUR!

charles leclerc x famous!reader

summary: in which the lavender haze has been lifted. or in which america’s it couple splits.

part 8: you’re losing me, part 7: revenge dress, series masterlist

faceclaim: madison beer

ally’s radio 📻: PART 8! taylor swift deserves jail time for creating you’re losing me. taylor swift also deserves jail time for not officially releasing it. def recommend listening to it reading the chapter! (might have to stream illegally bc mother is being stingy 🙄.)

INSTAGRAM, july 17 (midnight)

liked by paulwesley, ninadobrev, and 13,333,112 others

yourinstagram and just like that, the final chapter of Midnights, is out now. this is my most personal body of work that i'm putting out into the universe, and i'm so scared yet excited to share her with u. thank u to my team, my producer jackantonoff turned dearest friend of almost 7 years (woah!!!) we spent many noons & midnights on this album and i'm forever in debt n grateful. thank u to all my other friends who i didn't mention, yk who u are. to everyone else, thank u for your persistent patience and support. it does not go unnoticed. from my heart to yours, midnights (till dawn edition), is available on all streaming platforms. i love u. thank u 💗.

View all 101,273 comments

leclerccharl ain’t that the teddy bear charles won for her at the fair forever ago??!

y/nsfeverdreamhigh leclerccharl o em gee yeah..

fernandoalonso_offical Proud of you cariño

barbie 🥹🥹💗💗

landonoriss screaming crying shaking throwing up

danielricciardo gagging choking ascending to god

authur_leclerc Love you always, Proud of you always ❤️

INSTAGRAM STORIES, july 17

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TWITTER, july 17

The song’s big question: “Do I throw out everything we built or keep it?”

BY: ALLY PUBLISHED: JULY 17, 2023

Y/n L/n’s lyrical candidness is what has always made her standout as a songwriter. Whether she was writing about young love, relationships, or breakups, her songs never flinched from trying to paint a full picture, even if it was one that was hard to look at.

It’s been a while since the super star has released a breakup song, but it was only a matter of time; since the singer split with Charles Leclerc, fans have already began anticipating the inevitable breakup album. But it turns out they didn’t have to wait long. At Midnight (July 17), L/n released a second deluxe edition of her 2022 album Midnights, which included four new songs, among them the release of “You’re Losing Me,” a song fans have deciphered as ostensibly about her split with Leclerc.

via @yourinstagram on instagram

The nearly 5-minute track is a devastating relationship ender if we’ve ever heard one, as it details the hopeless and tragic dissolution of a relationship. Though L/n doesn’t include any names or details, it’s not hard to see why fans are interpreting it as being about her and Leclerc. 

When Entertainment Weekly first broke the news of their split in April, sources for both parties diplomatically described the breakup as amicable, and that “it was not dramatic.” “The relationship had just run its course,” one source told ET. However, that story was debunked as L/n herself, stated Leclerc had an affair with Australian Youtuber Lola Ransdell, in one of her Eras Tour Shows.  With the release of “You’re Losing Me,” L/n seems to offer a window into her perspective of how things ended while also releasing one of the most devastating songs she’s ever written.

Its lyrics don’t waste any time getting into the tragic heart of the matter. “You say, ‘I don't understand,’ and I say, ‘I know you don’t’/ We thought a cure would come through in time, now, I fear it won’t/ Remember looking at this room, we loved it ‘cause of the light/ Now I just sit in the dark and wonder if it's time,” she sings in the first verse, painting a portrait of two people who are unaligned and have seemingly grown apart in their relationship.

The pre-chorus lays out the song’s big question: “Do I throw out everything we built or keep it?” But waiting for resolution feels like something L/n doesn’t want to do anymore: “I'm getting tired, even for a phoenix/ Always rising from the ashes/ Mending all her gashes/ You might just have dealt the final blow,” she sings.

The most heart-wrenching part of the song comes in on the chorus, as she warns her other half, “Stop, you're losing me/ Stop, you’re losing me/ Stop, you’re losing me I can't find a pulse/ My heart won't start anymore/ For you/ ‘Cause you're losing me.” The lyrics mirror the song’s production which sounds like a quietly pulsing heartbeat, driving the knife’s blade of the song in even deeper.

Perhaps L/n’s biggest skill on this song is being able to convey all the heartbreak and roiling emotion without actually providing any specifics into the breakup. 

“You’re Losing Me” is rife with frank, confessional lyrics, but still keeps many of the exact contours of the split obscure. There are no accusations or fingers pointed at who’s at fault. There are no mic drop moments or explosive gossip; The closest L/n gets to revealing any details is on the second verse, when she seems to suggest that the relationship hadn’t been OK for a while now.

“Every morning, I glared at you with storms in my eyes/ How can you say that you love someone you can't tell is dying?/ I sent you signals and bit my nails down to the quick/ My face was gray, but you wouldn't admit that we were sick,” she sings.

On the bridge, L/n reveals that she “wouldn’t marry me either,” perhaps offering the tiniest, sliver of hints into one of the other reasons why they ultimately fell apart: “And I wouldn't marry me either/ A pathological people pleaser/ Who only wanted you to see her/ And I'm fading, thinking/ Do something, babe, say something (say something)/ Lose something, babe, risk something (risk something)/ Choose something, babe, I got nothing (I got nothing)/ To believe, unless you’re choosing me.”

It’s the lack of details, the palpable restraint despite L/n’s clear heartbreak behind its lyrics, that makes “You’re Losing Me” perhaps the most devastating song in her catalog (yes, even more so than “All Too Well.”) Amid the grief and sadness of the song, there’s also a feeling of inevitability, of sorrow that nothing more could be done, of pointlessly waiting for action when you know nothing is coming.

 In some regards, it’s one of L/n’s most mature breakup songs in her catalog, regardless of whoever it’s about. And if this is just a “from the vault” track, it makes one wonder what an albums-worth of these songs would sound like.

SEE MORE RELATED POSTS:

• Lola Ransdell Cancelled over resurfaced racism tweets

• Lola Ransdell loses brand deals over Y/n L/n drama

• Charles Leclerc finally breaks his silence over Y/n L/n Breakup

ally’s radio 📻:a filler chapter im sorry😞 but anyways, the related stories r a sneak peak of the next chapter🤫 if u asked me to tag u and i didn’t, pls send me a message or inbox me bc it might’ve gotten lost 😭 i try to stay up-to-date but sometimes i miss people so pls lmk!!!

taglist 🦢🪩: @incoherenciass@dakotali@405rry@topaz125@sassyheroneckgiant@hevburn@itsmytimetoodream@ivegotparticulartaste@crowdedimagines @asterianax @haydee5010@scenesofobx@christinabae@magical-spit@dessxoxsworld@myareadsbooks@honethatty12@hopefulinlove@diasnohibng@gentlemonsterjennie1@hummusxx@eugene-emt-roe@taestrwbrry @perjarma @cxcewg@chimchimjiminie16@glow-ish@allywthsr @millyswife @mrsmaybank13 @black-swan-blog27 @stargaryenx @lilsiz @ohthemisssery @leclerclvr @slytherinjimin3nthusiast @shessthunderstoms @cool-ultra-nerd @ncentic @playboykenz @canvashearts @tinyhrry @xeliaaaa @ifionlywould @gaviypedrisbride @callsignwindow @dhhdhsiavdhaj @chasing-liberosis @laneyspaulding19 @a-daydreamers-day @saikikusouswife @motorsp0rt @lifesuckslife @shessthunderstoms @drewsandsebastianswife @sainzluvrr @ietss

[godspeedviper]

How the therapists react to your "worst" symptoms - Headcanons

SFW || TW: mentions of self harm, mention of suicidal ideation, therapy sessions, very brief mention of (unlabeled) disordered eating, mention of psychosis & violent thoughts.

A/N: this was written by someone who has been in therapy for many years and has personal experience with these types of symptoms. this is not meant to romanticize any mental illness or symptoms of it. this is purely self indulgent fluff. just because your experience might be different doesn't make these experiences any less valid. if you don't like this simply do not read it, block if you must, and move on.

Jonathan Crane (Scarecrow)

He is the most objective and detached of the lot. Therefore he never seems to have much of a reaction no matter what you do or say to him. He really has seen it all before. This does help you feel less anxious as time goes on, knowing he won't ever judge you or ascribe any kind of morality to your actions.

"If it causes you distress or harm, then we should work towards eliminating it altogether." is his typical response to your concerns about your own coping mechanisms. "You do not owe anyone kindness, just remember to restrain yourself from causing harm whenever possible."

He is the only one to have no discernible reaction to your self harm scars/burns. One day, he noticed an especially fresh one and offered to disinfect and bandage the wound for you. He always gives you space to bring things up at your own pace, when you feel comfortable doing so.

"Not all of us have the capacity to be so gentle, and that's alright." he says about your outbursts. "I'm not known for being the warmest, but that doesn't make me any less skilled at my work, or any less worthy of respect. If you do not hold my lack of socially acceptable agreeableness against me, then you should not hold it against yourself."

Bonus: when you finally have the courage to mention the substance usage he remains as cool and detached as ever. "I am glad you were honest with me so we can monitor for any interactions with your medications. Know that I won't judge you for moderate usage, after all, do we not professionally refer to medications as drugs? It isn't ideal, but it is a way of self medicating. All I ask is that you be fully honest with me about your usage so I can better take care of you."

Hannibal Lecter (NBC)

He is surprisingly gentle and very soft spoken, although you were intimidated by him at first and the opulence of his office. He usually greets you with a warm smile and asks how your week went and if you've eaten yet today. He teaches you to enjoy food again, describing it as an art, and asking you to be mindful and present when enjoying a meal. Listen to your body, what it tells you about the ingredients, the quality of the meal, and the hands that made it.

He always asks you what you want to do, making sure to actively include you in your own treatment plan. He thoroughly explains treatment options, medications and their possible side effects, and has you weigh your options. This allows you to really analyze your own reactions and act accordingly when you are alone.

"Now, you do understand I am required to recommend inpatient treatment if you are feeling actively suicidal." he says, when you come in on an extra bad day. "However, I want to trust you and give you the option of what to do from here. If you think it will do you more harm than good, let me know, but you have to be honest."

One day you get the courage to ask why there is a first aid kit on his desk, though you already assume why. He simply looks at you and asks "Do you need it today?" before gently tending to your recent self harm wounds. He never calls you out for it, but he does periodically ask you upfront if you've been engaging in self injurious behaviors. If you respond yes, he asks to tend to your wounds, and if you say no, he celebrates with you. "Good. I'm proud of you for holding yourself back."

Bonus: when you land in the hospital, Hannibal makes sure to go visit you while your therapy slot is on hold. He never calls attention to the circumstances that lead you here, and focuses solely on your recovery and how he can't wait to have you back in the office soon.

Harleen Quinzel (Harley Quinn)

It doesn't take long for her to shed her professional demeanor. She makes you feel like you're talking to a close friend, yet manages to never fully lose the "doctor" in her. She offers you fidget toys as a way to ease the tension of talking about such vulnerable and heavy subjects.

She makes everything into a little game or a challenge to motivate you changing habits. Every time you manage to avoid indulging in negative coping mechanisms, she rewards you with a little heart shaped chocolate at the end of the session. On bad days, she simply encourages you to try again and she gifts you a cute bandaid at the end of the session to signify your healing from a bad day (sometimes, the bandaids come in handy for self harm wounds).

"Being childish can be a good thing!" she tells you. "Its important to have a little whimsy in your life. Just because you grew up doesn't mean you have to... ya know, grow up." She encourages you to try and add a little joy to your daily life. You start taking fuzzy tipped pens to work and keeping plushies at home for comfort. Surprisingly, it does help.

Every now and again she asks for your advice or assistance on minor things, such as which dress she should wear for a date, or what show to watch next. Sure, you are technically paying for her time, but this fact alone doesn't entirely relieve you of the feeling that you are burdensome. Whenever that feeling creeps back up, she reminds you of all the times you helped her make decisions until you admit your usefulness with a smile.

Bonus: "Hearing voices or other noises doesn't make you evil." is her reply when she learns of your psychotic symptoms. "Everyone is susceptible to experiencing psychosis. Hell, I've felt it when I was losing sleep in med school. It doesn't make you a bad person."

Hannibal Lecter (Silence of the Lambs)

You are intimidated by him at first, but his hypnotic voice grows on you. He always sounds so self assured, but never assertive. He has an almost paternal quality to him, making you feel simultaneously comfortable and protected.

He always listens to you intently, you never feel ignored by him. Hannibal is the only one that makes you feel seen and you tell him as much. "Oh everyone sees you my dear, you can be assured of that, but not everyone has the courage to acknowledge you. Keep this in mind for the next time you should feel the urge to do something drastic for attention."

You were worried you would eventually do something to turn him away, as you had to so many therapists before him. However, he simply scoffs at the idea that you could ever do anything that could possibly frighten him or upset him.

When you finally have the courage to tell him about the violent intrusive thoughts he remains as calm as ever. "In the past, we humans had to hunt to survive. We also had to protect ourselves and our kin. As time goes on, that propensity for violence remains, even if our survival is no longer dependent on it."

Bonus: You come clean to him about getting into a fight with someone, being entirely overtaken by rage and paranoia. You call yourself a monster and cry. "I have worked with serial killers, family annihilators, rapists the worst that the world has to offer. I know monsters. You are not one. You wanna know why?" You nod yes. "Because my dear, you have remorse and regret for your actions, they do not. Besides, you would not be sitting here with me if you did not want the anger to control you."

AO3 || Guidelines || Request || Ko-Fi

[missmonsters2]

🥶

WandaNat

Pairing: WandaNat x Fem!Reader

Warnings: awkward!reader. clint slander. WandaNat no mercy.

Note: i miss them

Masterlist || Library Blog || AO3

Count: 999 (🧍‍♀️)

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Please do not copy, repost, or translate my work anywhere else.

⊶⊷⊶⊷⊶⊷⋆⊶⊷⊶⊷⊶⊷

This was your worst nightmare—trapped between the bodies of two incredibly hot, kind, and funny women. 

And no, it wasn't in the sexy way—your brain refused to even let you go down that route. You'd implode at even the slightest thought of it. 

This was Clint's fault, you quietly seethed, plotting his gruesome murder that could later be turned into a true crime podcast. Laura will have to be a widowed single mother, and the children will have to grow up fatherless, but surely it was for the best. 

"Come down to visit us!" Clint said to you, your mind mimicking his voice unflatteringly. "It's been way too long since you guys came to stay with us."

It was a normal occurrence; you thought nothing of it. You, Wanda, and Natasha often went to stay with Clint and his family quarterly. Natasha visited more with her girlfriend, Wanda, and they invited you every time, but you settled that four times a year was enough. 

It was usually fun, and the time spent was enjoyable, so you really had thought nothing about it.

Until Clint decided he was actually the incarnate of the devil and condemned you for some undisclosed sin. 

"Oh, you three are cool sharing a room, right? The other spare bedroom is under renovation. I mean, one of you can take the couch but I highly don't recommend it with what the kids have spilled on it over the years."

No, it wasn't okay, you wanted to say at the time, but Wanda and Natasha nonchalantly waved Clint off and told him it was fine, and the conversation breezed on, never to be returned to again. 

Why would he invite all three of you if there wasn't enough space!? You tried to tell Wanda and Natasha that you could drive to the nearest hotel at night, but they looked at you strangely and asked if you hated them. It was jokingly, but you could hear a tinge of hurt in their voice, which silenced you from offering to leave again. 

But now you were suffering. 

The bed was way too small for three people but left enough room for just a couple of inches to keep you from coming into skin-to-skin contact with either redhead.

You stared at the ceiling, despite being unable to make out any details of the room in the darkness. 

Why the fuck were you in the middle?

You should've been on the edge. At least then, you could hang half your body off it to keep some distance. 

You started at the edge of the bed—make no mistake. But then Natasha came to your side and asked you to scootch over. You assumed she preferred sleeping on the right side, so you started to make your way down to the other side. But then, to your horror, Wanda climbed in from the other end, effectively trapping you in the middle. 

The words were caught in your throat as you tried to force them out and ask if you could have the edge, but Natasha and Wanda mumbled their goodnights before promptly falling asleep. 

This was unacceptable; you mentally cried. This was—weird. You know that Wanda and Natasha have been together for ages, and they probably didn't care, but it was strange to be in the middle of them like this. You're way too awkward for this. 

It brought up the unwanted feelings you've been trying to get rid of for months. 

The worst part was that it was winter, and this room was so fucking cold. Was Clint going through financial hardship? Why isn't there any heat in this room?

You wished him ill, you wished him ill, you wished bad things upon Clint Barton. 

You shifted, trying to pull the blanket up higher and shrink yourself to retain some of the heat. You turned on your side, facing Wanda's back, and frowned. You could practically feel the heat radiating off her and wanted to scoot away from her. But you couldn't. You'd scoot right into Natasha, who was also radiating heat as she faced your back.

At this moment, you hated them for being so unaware of their temptations. 

You swallowed. Moving a little closer to Wanda wouldn't be too bad, right? Just to steal a bit more of her warmth, so you could fall asleep and wake up early to get out of bed. 

You scooted a little closer, your nose just inches away from her back since there wasn't much wiggle room. Her heat emitted off her like a goddamn fireplace, and you sighed a little at the warmth on your nose and the parts of your cheeks. 

It was still pretty cold, and you shivered a little. 

Your movement seemed to wake Wanda as she lifted her head to look around at you. You looked like a deer caught in the headlights. Turning back, Wanda lay her head back down and shut her eyes with a yawn. 

You started to scoot back to where you were, but Wanda grabbed your wrist from under the blanket and pulled it over her waist as she shuffled back into you.

The warmth pressed against your front jolted you, and you were stiff, despite how good it felt. 

"любимая, she's cold," Wanda mumbled in the dark as she threaded her fingers through yours.

Wanda was clearly speaking to Natasha because the redhead behind you shifted and moved closer until she was pressed against your back snuggly. Her arms wrapped around your midsection as she tangled her legs through yours. 

You wanted to die. 

You wanted to kill Clint Barton and then run into oncoming traffic. 

"Um," you croaked. 

"Is this better?" Natasha mumbled sleepily, and she was so close you felt her lips move against your shoulder. 

No.

Yes.

No.

"Uh," you dragged out before finally deciding with an awkward stiff, "Yes."

It was warm—almost too warm now. You closed your eyes with a silent groan. 

You weren't getting any sleep tonight.

[hotwaterandmilk]

Grabbed the latest issue of Sho-Comi because Mahou Shoujo Dandelion has been making waves on Twitter in advance of its release and I had to see how it actually turned out.

Mizuho Kaeru seemed a tad overwhelmed on socials about just how much anticipation the series was receiving based on concept and characters alone, but Mizuho should honestly be proud of how well they've lined up trending tropes in Dandelion.

You've got the nasty-cute monster dude (Shade) who would do anything for his bright ray of sunshine (Tanpopo). Throw in the nostalgic magical girl element and it's not hard to see why both Japanese and English-speaking fans have been anticipating this first chapter. So, does it live up to the hype?

I'd veture that yes, Dandelion is worthy of the excitement that has been building around it. It was good as a lunchtime read on my phone and while I'll probably have to re-read it to get everything I want from it, my initial impression is a positive one.

I'm not a fan of grumpy/sunshine type stuff but Tanpopo's strengths as a character really helped me enjoy what was on offer here. You can see why the Special Magic Warrior Management Organisation was interested in her, she's got a good heart and she's got gumption, even if Shade is the one who continually helps break her fall.

The complication here is of course that Shade, while obliging of Tanpopo in his own way, is also monstrous. He plays into this when he wants to, menacing Tanpopo herself at one point because he's A VILLAIN OK?? (Sure buddy.) With Tanpopo becoming Dandelion, how will their dynamic change? Can this uneasy relationship develop further when our leads are technically on opposite sides of a battle with life-altering stakes, despite a potential unspoken desire to present a united front?

What I like about Mizuho's approach in this first chapter is that the world these characters live in is already tinted with grey and what should be a black & white / good vs. evil situation is far more complex than this right out of the gate. The "monster of the week" that shows up here is grotesque and violent, hardly the sanitised version you'd see in childhood cartoons. However, the magic warrior org is quite willing to lop heads (literally) when they have to, showing that they are not all sparkles and rainbows either. Tanpopo and Shade are very much walking into unknown territory here and I'm interested to see how Mizuho handles things in chapter two.

I just have to add that I absolutely loved this moment where Dandelion, newly transformed, performs her first magical action -- restoring the umbrella she'd used defensively as Tanpopo. So much about her character expressed in this simple yet powerful action. LOVED ITTTTTT.

If the hype remains then I can see this one turning out to be a solid little series. There's definite potential here in both the characters and scenario. I highly recommend grabbing the magazine issue and supporting any other official releases that become available if you can. Mizuho is also happy for people to produce fan art, so maybe draw pic or share a tweet/post/etc. about it if you don't have the money to invest and help keep that hype train moving this way instead!