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illuminatedquill · 3 years

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Extracurricular, An Analysis

Oh Ji-soo and Bae Gyu-ri

“Love is the ultimate outlaw. It just won’t adhere to any rules. The most any of us can do is sign on as it’s accomplice.” - Tom Robbins

You know the story. You’ve heard it before, right?

Boy meets girl.

Girl finds out that boy is running a side protection business for prostitutes.

Girl decides to blackmail boy into letting her join his business.

Classic high school criminal shenanigans ensue leading them into more dangerous situations where they are forced to make desperate decisions to stay alive.

Oh, and they fall in love along the way.

Oh? You haven’t heard this one before? Then let me introduce you to this delightful kdrama called Extracurricular.

I watched this one while waiting for the newest Hometown Cha Cha Cha episodes to drop and ended up binging the whole series in two days. There are many remarkable parts of this series: it’s a crime drama, first and foremost, that showcases high school teenagers caught in a cycle of violence and crime, abandoned by the society and adults that are supposed to be protecting them. There are no clear good guys and bad guys in this drama; everyone is cast in shades of grey. Our main leads, Oh Ji-soo and Bae Gyu-ri, run the prostitution business, and are both from broken family backgrounds. Their actions are morally questionable at best, but the top tier performances from Kim Dong Hee (you might remember him from Itaewon Class) and Park Ju Hyun make you cheer for them anyway. You want them to have a happy ending, despite the horrible things they do. The audience is always reminded that despite how clever they are in staying ahead, their actions have consequences, and they’re just high school kids. The drama never pulls it punches.

But, weirdly enough, it’s also a love story. And that’s the part the really sticks with me until now. (The chemistry between the main leads is absolute dynamite and I could watch ten episodes of them just verbally sparring with each other. They don’t even kiss. They’re that fantastic when together on screen.)

I’m writing this because this is undoubtedly one of my all time favorite kdramas and I have a lot of feelings about our main pairing, Ji-soo and Gyu-ri. I can’t call them a couple (wait, didn’t I just say they fall in love) because their relationship can’t be labelled simply as that. Think of it as something similar to the main leads in My Ahjussi. Two people who should have become soulmates, yet met at the wrong time.

This kdrama is not particularly happy, and while I do encourage people to watch this, I am warning that the subject matter is extremely dark. If you’re sensitive to scenes depicting sexual assault, graphic violence, or anything in that zip code you’ll want to steer clear.

Also, I’ll be diving into spoiler territory in this analysis. So if you want to go in clean, then stop reading here.

Still here? Awesome. Let’s dive deep into the messy, amazing pairing that is Oh Ji-soo and Bae Gyu-ri. First, let’s do a brief character background on our two main leads, starting with Ji-soo.

Oh Ji-soo is one half of our main pairing and this story starts with him. He lives by himself and has been essentially abandoned by his only parents; his father is a failed businessman who gambles whatever money he acquires on scams and his mother ran away. His apartment is small, sparse, but functional. He owns only a few outfits aside from his school uniform. The only unique item he owns is a pet hermit crab that he takes care of. His life outside of school is non-existent; he has no friends, no one to hang out with and do typical high school teenager activities with. He takes care of himself and lives only for himself and his “dream”: to graduate, attend college, get married, and have kids like a normal person.

But to do that, he needs a large amount of money. He has no other financial means to do so (his father is largely absent, as is his mother), so he decides, at some point, to start up this protection business for prostitutes. The drama doesn’t go into detail about the how and why he came to this conclusion that this was the best way to make a lot of money in a short amount of time, so you’ll have to suspend your disbelief from the get go. Considering the themes of the story (how youths abandoned by society tend to act out in extreme ways to make it in this world), it’s not hard to believe his desperation would drive him to make such a decision.

Ji-soo, despite his shady business, is actually a decent person. There’s a streak of humanity that exists inside him that refuses to go out, despite the increasingly dark and bleak events that start to overtake his life. He’s attached to his hermit crab, cares for his “employees” outside of them being tools to make him money, and doesn’t want to see anyone get hurt. He goes above and beyond what’s required to help out people at the risk of his own life (in particular, Gyu-ri, and we’ll get into that shortly).

What we learn from the first few episodes is that Oh Ji-soo is extremely smart and methodical in how he approaches his life. At school, he is known as a model student - quiet, top of the class in terms of grades, doesn’t draw any attention to himself, always follows along with what the teachers ask of him. Only his homeroom teacher, Mr. Cho, seems to consider his quiet style of existence to be concerning and tries to make him less socially awkward by pairing him up with another student in a new extracurricular club. This leads to the introduction of Bae Gyu-ri, Ji-soo’s longtime crush and future partner-in-crime.

Meet Bae Gyu-ri, the other half of our dynamic duo. Her introduction into the story kickstarts the entire plot, as one of her earliest actions leads to a domino effect that spells increasing doom and tragedy for our main leads. She messes with Ji-soo’s operation at a critical moment and she spends the rest of the drama doing her best to make up for the consequences that follow.

In my personal opinion, she is probably the best main female lead I’ve ever seen in a kdrama. Hands down, no other character exists (currently) that rivals her sheer cunning, wit, and badassery. Gyu-ri is Crazy, capital C, and is the chaos to Ji-soo’s control; the fire to his ice. Despite being the direct cause of half the events that happen to Ji-soo in the drama, he can’t help but need her because of what she offers. They make an incredible team. Her competitiveness, her need to win no matter the odds, helps them survive time and time again.

Gyu-ri is from the opposite end of the spectrum of Ji-soo; he’s dirt poor and she’s insanely rich (always nice to see a reversal of typical kdrama tropes). Her mother and father run a successful entertainment company. Gyu-ri is popular at school, friends with seemingly everybody, pretty, cheerful and gets along well with her teachers. Ji-soo, and the audience, believe from the beginning that she has the perfect life. It’s not hard to believe that she’s just involving herself in Ji-soo’s business because she’s bored and needs an outlet, at first.

We soon learn otherwise. Gyu-ri has more in common with Ji-soo than he initially realizes, in that they’re both trapped in circumstances beyond their control - it’s just that Gyu-ri’s cage is gilded, whereas his is not. Her parents are strict and have her life planned out for her, all without her consent or input, leaving her feeling frustrated and powerless despite her rich lifestyle. A suicide attempt hasn’t done much to change her parents attitude towards her, only serving to further their control over her life.

So, when she learns of Ji-soo’s operation she immediately seeks to angle her way into it. First, she tries to rip him off, believing that he’s an evil “pimp” and thus deserves it. But after spending some time with him, she changes her mind last second and decides to help him out instead.

And, now, let’s get into their relationship, which is one of the best (if not the best) aspect in the entire series.

I need to be upfront about something: the relationship between Ji-soo and Gyu-ri is not exactly healthy. I wouldn’t describe it as toxic - the circumstances surrounding them aren’t exactly the best environment to encourage open and honest communication - but it’s definitely not what should be considered ideal, especially for young adults, and especially for young adults who are dabbling in crime instead of studying.

So, why do I love them so much? If you’ve read some of my previous posts, you know that I loathe toxic relationships in kdramas, so I understand if you think I��m coming off as hypocritical here. Why do I like Oh Ji-soo and Bae Gyu-ri when I didn’t like, for example from recent history, (oh boy, here I go again on my Nevertheless BS) Park Jae-eon and Yu Na-bi?

First, Ji-soo and Gyu-ri are way cooler than Jae-eon and Na-bi ever could be. They run a criminal enterprise that involves having a high amount of intelligence, cunning, and daring to do so. Do Jae-eon and Na-bi run a criminal enterprise as a side business? No, they don’t, because they’re boring art students.

Secondly, Ji-soo and Gyu-ri actually progress in their relationship and change their views as they learn from each other. Now, granted, that progress isn’t towards becoming better versions of each other - quite the opposite. But at least they have progress. Jae-eon and Na-bi stayed in the same stupid cycle for the whole series and then decided that it was better staying that way as opposed to trying for something else.

Last, but certainly not least, Ji-soo and Gyu-ri are actually interesting to watch for me. The chemistry between Park Ju Hyun and Kim Dong Hee is explosive and they way they spar, exchange looks, and just generally exist around each other on screen is something I can watch forever. I’ve said this before but Han So Hee and Song Kang’s on screen chemistry, outside of their intimate scenes, really didn’t impress me.

Okay, back to Extracurricular. This relationship, man. It’s all I can think about (other than HomeCha’s Du-sik and Hye-jin, but that’s another post). Ji-soo and Gyu-ri are so good together.

I’ve noted before that Ji-soo is methodical in how he approaches his life; he plans out everything ahead, and rigs any situation as much as he can in his favor. It’s brilliant, but when a crisis happens, he doesn’t know how to deal with it effectively. He panics and flounders; becomes indecisive at a time when clear, decisive action is required.

Enter Gyu-ri. She quickly becomes the partner he never knew he needed. When there’s a situation, she becomes invaluable in her quick thinking and wit, coming up with solutions on the fly. It’s not perfect, but it keeps them just one small step ahead of whatever is coming their way.

The only thing preventing them from becoming unstoppable is the lack of communication and trust they have with each other. A lot of that has to do with how Gyu-ri entered Ji-soo’s business - she blackmailed him first, and, when that failed, she strong armed her way into getting him to accept her help. It’s implied in the drama that Ji-soo has had a crush on Gyu-ri for a while (since ninth grade, I believe) and in the first episode he actually gets the chance to spend time with her outside of school on a sort of quasi-date.

It goes sideways pretty quickly because of some shenanigans from his business, but not before she gets to know him and says some pretty touching words regarding his situation. Poor guy is head over heels - even after finding out that she’s the one blackmailing him, his feelings are only dampened, not extinguished. When he catches a glimpse of her family’s situation, he gains a deeper understanding of her and why she acts the way she does. Even more importantly, Ji-soo treats her the same after finding out this information which, to someone like Gyu-ri, means more than if he comforted her about it.

If you want to see a physical representation of how he feels, other than paying attention to his actions, you can see it in him keeping mementos from Gyu-ri. She has an interesting habit of folding bags into origami shapes and giving it to him. Even after the blackmail reveal, you can see that he continues to keep these in a container on his desk. It’s really cute that he keeps these, when it probably doesn’t even matter that much to Gyu-ri.

Towards the end of the drama, Ji-soo prepares to turn himself in to prevent Gyu-ri from being implicated in the crimes they committed. And it costs him almost everything to protect her. Ji-soo, the quiet, nerdy kid, puts himself on the line time and time again to protect Gyu-ri, knowing that it puts his life and his dream at risk to do so. And all for what? For some girl that he thinks doesn’t even like him in return?

Well, let’s talk about that. Because I’ve seen some comments that Gyu-ri was only using Ji-soo for her own selfish gain. And I can agree that was how it was at the beginning for her; she definitely was only interested in acquiring money, like Ji-soo was, in order to achieve her own goal of being free from her parents.

But, oh man, that is not what is motivating her at the end.

It’s actually pointed out relatively early by some of her friends that it’s obvious that she likes Ji-soo more than he likes her. Understandably Ji-soo is keeping her at arms length from him given the whole recent blackmailing, so it would make sense that it looks that way.

Further questioning reveals what she likes the most about him:

“It’s not like I’m crazy about him. He’s fun. And amusing. He’s smart. And there’s a certain charm he has. He also has a wolfish side to him. But he thinks he’s a puppy.”

- Bae Gyu-ri

But, as she gets to know Ji-soo better, you can certainly see that she starts to fall hard for him. As a cover story for why they hang out so much together during and after school, Gyu-ri states to everyone that they’re dating. The reactions across the school definitely imply that this is a shocking development, which means that Gyu-ri hasn’t dated anyone before. So why Ji-soo other than the reasons she herself states?

He challenges her, just as she challenges him. Gyu-ri may be the more dynamic, quick thinking of the pair but Ji-soo is every inch her intellectual equal - just in different ways. She doesn’t seem to be the type to be easily impressed, but you can tell that she’s definitely impressed by Ji-soo’s operation and how thoroughly set up it is. When Ji-soo is frustrated at the beginning by his setbacks, he blows up at another student (knocks him out in a crazy punch) and immediately walks over to Gyu-ri afterwards (who saw the whole thing) to inform her that she is now his partner in crime.

The look in her eyes, and the small smirk she has speaks volumes about her attraction to him in that scene. Smoldering.

And, oh yes, she’s prone to jealousy. Another classmate, Min-hee, gives Ji-soo a present out of the blue (it was supposed to be for her boyfriend, Ki-tae, but that’s another sub-plot) - all within view of Gyu-ri. It’s hilarious how she tries to brush it off. Later, for plot reasons, Ji-soo has to spend more time with Min-hee which only furthers Gyu-ri’s annoyance.

And her motivations stop being entirely about the money and more towards helping preserve the dream that she and Ji-soo share about being free. There’s a scene in episode 8 where it’s revealed that, due to a business partnership with a local gang (set up by none other than Gyu-ri herself in a desperate move), Ji-soo would have to drop out of school permanently to work on their behalf. Gyu-ri overhears this and, despite badly needing the gang’s help in sustaining their own business, immediately terminates the partnership.

All because it would interfere with Ji-soo’s dream.

Man, if that isn’t love.

In the following episode, Gyu-ri, and later on Ji-soo, is kidnapped by the same gang in retaliation for terminating their partnership. Ji-soo comes to her rescue but Gyu-ri is already almost free (again, she’s really, really badass) and is demanding that they bring Ji-soo to her instead of running for her life.

Surviving this latest attempt puts the two in a reflective, vulnerable mood and Gyu-ri asks Ji-soo why he keeps saving her. Ji-soo asks later on why she keeps risking her life to be with him. They don’t say the answer in words but in an almost kiss (yeah, you read that right - almost).

And then, if you aren’t already convinced, Ji-soo crosses his one last remaining line in an effort to keep Gyu-ri safe; he accidentally pushes a fellow classmate down some steps and, instead of helping her, leaves her to die after grabbing the evidence she has on him and Gyu-ri.

Extracurricular pulls off quite the magic trick here, hiding this well done love story in the middle of a serious crime drama.

The real tragedy is that Ji-soo thinks that Gyu-ri views this whole business, and by extension his life, as one big game. It’s something that she takes offense at, visibly becoming upset when he says that.

But even if that were true, he should be assured since Gyu-ri doesn’t like to lose.

As they hurtle towards the end and face up to the consequences of their actions, Ji-soo and Gyu-ri undoubtedly lose sight of their original goals and dreams. They do some fairly horrible things to stay alive and ahead of the police who are close on their trail. You can’t really blame them for doing what they did; in the face of a society that has abandoned them, what they’re doing is a logical outcome to gain what they want so desperately and deserve so much: the chance to be free to live like normal, care-free people.

I can’t say for certain that they achieve that. The drama is serious in consequences and, at the end, the net around them is drawing tighter and tighter. I won’t spoil the ending scene for you, because I highly encourage you watch this drama yourself but I will say this: Ji-soo and Gyu-ri seem stuck in an impossible situation with nowhere to go, and no one to help them, with a clock ticking down towards either death or discovery by the police.

But, all the same, I’m always the optimist. They’ve gotten through situations like this before and they can certainly do so again. Maybe not as bad as this one, but not too far out of their league. And, like I mentioned before, Gyu-ri doesn’t like to lose. Especially when it comes to Ji-soo.

Their relationship is truly dangerous, as Ji-soo himself notes. Them being together is the source of their problems; they’re too much alike now, as opposed to the beginning of the drama where he stated that they’re too different. Their love is the kind of love where both of them are willing to burn the whole world down if it means keeping each other safe.

I’m a real sucker for those kind of love stories. No one’s a hero here. They’re just kids in high school, doing the best with what they know.

Who are we to judge what is right and wrong? Especially when the one committing the acts are high school kids who don’t know any better and just want to save each other?

Do we have that right?

Do they really deserve that punishment? Shouldn’t we be pointing fingers at the society that forced them to act this way?

Extracurricular really makes you think about that. Is it really so outlandish and terrible what Ji-soo and Gyu-ri do to survive when the adults who are supposed to be protecting them, teaching them better, have failed in their duty?

Maybe they really did win at the end. Not so much in succeeding in their goals but in gaining something that not even regular people are likely to find - a partner, a soulmate, someone who will stand by you no matter what.

If you do watch the ending, and are not an optimist like I am, then all I can say is this: whatever happened, they were together at the end.

They were together.

#extracurricular netflix #human class #netflix #kdrama #oh jisoo #bae gyuri #park joo hyun #park ju hyun #kim dong hee

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youwontlikethisblog · 3 years

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Yo Soy Betty, la Fea

So about a month ago I started watching this show as a form to entertain myself, in other words, ironically.

I was introduced to this novela by the Mexican version of it. I grew up with La Fea Mas Bella and during my depressive episodes that was my go to binge show. One day I was sitting on the couch, as one does, and Betty La Fea was on. I laughed for like a solid minute because I thought that acting was so serious that it was hilarious. See I was so used to the dramatics and comedy effects of the Mexican version that I thought the original was just too serious. So as a form to mock myself and the original novela I went on a search for it. Sadly here in the states the only way to watch this show is through NBC/Telemundo and the ads are just so long and it's not even the complete, all 335 aired episodes. Also for me the NBC website crashed to frequent it just made me miserable BUT that's not the point of this.

Hey, hi, I'm a writer.

I feel the need to say this because this show has... I am extremely fascinated by the writer Fernando Gaitan. I haven't seen any of his other works but this show alone is a masterpiece and I don't mean to say this because of the tropes, the moral, or the characters themselves but the mastermind to create so much detail into three minute scenes, the directing and the acting as well just add such a lovely splash of color, of life to this already beautifully written story.

I'm new to this already well established fandom and while I have read many breakdowns of characters, mainly Marcela, I haven't seen much regarding the story itself and many things said and done that foreshadow certain events.

For example, (I'm not sure what episode I'm on because I accidently bought the bootleg version of this novela so chapters aren't titled) This episode is the one when they offer Betty a 10% commission so that she can get Armando to do business with RagTela. The scene in particular however is when Armando is laying in bed with his fiancé, Marcela.

Now this becomes almost a regular thing that I noticed between the lives out of the office between Armando and Betty. We get back to back scenes of Armando with Marcela and then scenes of Betty at home with family or her friends that it becomes almost a way for the viewer, or if this were a book, the reader, to distinguish the difference of lives these two characters have. Though one could assume one is lonely because they don't go out or have a S.O and only work or count numbers is shown in a home with loving parents that are always worried about their child and present in her life and a loving best friend that shares the burden of being outcaste by society and finding the humor in it then we get scenes of a couple always arguing and then jumping into bed. Of a man that while his S.O sleeps lays awake with unheard questions, whose best friend is constantly placing temptations and pushing him to do wrong by his S.O, and whose parents aren't really present and ever only talk about the company or his relationship with Marcela to then again Betty. However in this part of the episode it's Armando awake while Marcela is asleep while Betty writes in her diary and we hear her monologue and then they both drift into sleep.

This becomes a ritual where the viewer can tell the clear line between these two characters and their own worlds.

Why do I mention this?

Because dreams are often, in the literary world, seen as prophecies or for the reader to interpret the future or the secret desires of the character. In other words, a form of foreshadowing.

Now in this episode Armando is laying in bed with Marcela, Betty is writing in her diary and the scenes switch between the both of them until we are taken to a dream. In the dream Betty is wearing a bright red dress with long sleeves, and a red hat with Armando in a black suit(I have theories based on the clothing they wear lol) . They're both dancing to tango. While Betty isn't watching him much, more concentrated in her movements, Armando is busy watching her. We then see him dip her, where she finally stares at him and they near for a kiss, just as they are about to kiss we hear Betty's name echo and she straightens up and walks away, while Armando is left there confused and alone.

Why do I think the mention of this dream is important?

Up until this we've seen Armando go from feeling indifferent about Betty. He is a terrible boss and constantly yells and mistreats her to then being fazed by her tears, to having moments of being a good boss and defending her. We begin to see a pattern of Armando's change towards her. Even before the terrible plan to use her is set and I believe that Fernando Gaitan used these dreams to not only give a break of humor and show Betty's crush towards Armando but to give the viewers a look into an otherwise unbothered, unfazed, and mysterious character's mind. AKA Armando Mendoza's own personal feelings towards Betty.

This is solidify by the dream they both share the night that Mario tells Armando about the plan to win Betty's heart to secure the company.

When we're learning to be good story tellers we're told that when writing you writer for yourself. The first draft is a huge info dump. While editing you take out all the unimportant factors and scenes, no matter how much you love that scene if it doesn't help with the plot, character development, or pushing the story forward, it's to be taken out of the story. Therefore most things are written with the intention to mean something. The cuts between Armando and Betty before we see this dream signify that it was both of them having the same dream.

I believe that this was the moment we start seeing the bend between their own worlds outside of the office.

Now, I'd love to have more cohesive analyses of the episodes because this is as if a book came to life. A lot of people in the fandom believe that Armando wouldn't had ever fallen in love with Betty had it not been for Mario who told Armando to make Betty fall in love with him to secure the company, a lot of small details in the character development and the story say otherwise and I have no one to talk to about these small details so maybe this blog might change from being a writers blog to the occasional fandom reblog to now being an analytical commenter of Yo Soy Betty, La Fea.

Even if no one ends up reading this, I need to get it out of my system so until next time.

#yo soy betty la fea #ysblf #don armando #armando mendoza #betty la fea #analyze #beatriz pinzón solano #Marcela valencia #armando ysblf #betty pinzón solano #Mario Calderon

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starkerintheparker · 4 years

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starker reclist - AUs

Hey guys! Welcome to the second part of my personal Starker reclist, dedicated to AUs. Last week I posted my canon-based recs, you can find them here.

I tried to incorporate as many tropes as I could, hoping everyone will find something special within their interests. There are a few a/b/o and underage fics, all properly tagged in case anyone wishes to avoid them. I also tried to highlight soulmate AUs because I reckon it’s a somewhat popular trope. Enjoy! ❤️

Last updated: April 25th, 2020. All new fics added will be marked with ***

• 007 AU by @darker-soft-starker (T, 4k, completed)

Summary: Undercover and bored at an art auction, Tony finds entertainment in Peter Parker.

Review: Look, I’m a simple woman. Daniel Craig has owned my ass ever since Casino Royale and I was reading 00Q and Hartwin before I even shipped Starker. Point is, I like spy movies, ok?! So naturally I couldn’t leave this fic out of my reclist. I you need further incentive, consider this quote: “What, a little late night espionage not romantic enough for you?” Peter retorts, whipping a pistol out from his jacket and aiming it at Tony’s chest.

• 3 Times I Told You I Loved You & 1 Time You Said It Back by @starkeristheendgame (E) background Peter/Steve, Peter/Bucky, Peter/Scott

Summary: Peter Parker confesses his love to Tony Stark three times. Once at ten, once at fifteen and once at twenty. Finally convinced that Tony will never love him back, Peter ventures out into a different path, desperate to find the love he seeks from someone else. But you know what they say about star-crossed lovers.

Review: This lovely fic holds a very special place in my heart. I’m so invested I decided to wait until it’s finished so I can read it all in one sitting. Peter’s longing and heartbreak hurt my poor soul but I trust Jensen to give me that promised Starker endgame - I know it will be glorious when it finally comes.

• A Night on the Town by @scarletmanuka1 (G, 2.3k, completed)

Summary: Nightclub AU. Years after the events of Endgame, Tony has hit rock bottom. The Snap left him crippled, Pepper has abandoned him and has taken Morgan with her, and he's feeling old and lonely. Peter arranges a night out at the nightclub that he works at to try and cheer Tony up.

Review: I love get together fics, especially if it involves oblivious!Tony getting his shit together and going after his man. Seeing him bitter and broken after Thanos was hard, but special kudos to IronBros moments because that friendship is true goals!

• Age of Adeline by @starkerforlife6969 (completed) background Harley/Peter, Bucky/Peter, Wade/Peter

Review: I’d never in a million years think about this movie as a Starker AU but gosh, this is everything I needed in my life and it completely devastated me but I loved every minute of it. As a devoted monoshipper, I was surprised to realize that I got emotionally involved with all pairings, even more so with Starker, which totally paid off. Gorgeous, powerful and heartfelt. God bless SFL.

• assume makes ass for u and me by @pretty-well-funded (M, 1.6k, completed) tw underage

Summary: In Tony’s defense, he was sure the kid was a rent boy.

Review: This 1.6k fic caught me completely off guard and now I’m crying because I need MORE. I love the premise, the dialogue is criminally good, their voices are amazing and I can’t get enough of cheeky!Peter charming Tony with his wit and filthy mind.

• Bamf!secretary Peter by @starkerforlife6969 (M, completed)

Review: Who could ever resist some corporate espionage drama with bamf!Peter leaving Tony speechless and horny? Not me. I’d read more 30k of this verse because competent, sassy Peter Parker is such a kink, omg.

• Biker!Tony by @starkerforlife6969 (T, completed) Part 1 Part 2 Part 3 Review: Same age AUs are not usually my thing but I can’t resist cute high school sweethearts written by this fandom goddess. Plus, protective!Tony calling Peter “doll” does things to my heart - and Peter’s.

• Breaking Character by @cagestark (E, 8.3k, completed)

Summary: Tony Stark, billionaire, playboy, philanthropist, and spy for SHIELD. Working with another SHIELD spy, the infamous Spider, he will take down an infamous human trafficking ring in New York. But the act they have to put on will demand more from Tony than he ever thought he'd have to give. Not that he minds.

Review: The spy trope seriously needs more fic like this one, because I’ll have bamf!Peter lying back to save his country while Tony freaks out any day. Cage hits the perfect balance between plot building, fantastic sexual tension, clever dialogue and the hottest smut sequence. What a ride! (Pun intended).

• Curiosity Killed the Cat by @areluctantsblog (T, 1.5k, completed)

Summary: Peter has been modelling in an art school for years. He's used to strangers' eyes roaming his body - clothed or naked - and he knows that it's not him they are looking at. Not him who they are interested in. He's just a model, a tool for their work. And for a long time he doesn't notice the one pair of eyes that, despite seeing him but rarely, is looking right at him.

Review: Very soft and atmospheric, this fic left me in a bit of a daze and it took me a while to realize it was over. Great writing will do that to you.

• Detective!Tony, Graffiti Artist!Peter by @starkerforlife6969 (M, completed)

Review: Oh don’t mind me, just appreciating this author’s talent at writing from the filthiest smut to the softest “Tony saves Peter in all ways that matter” like this ficlet. We stan.

• Eat at Pete’s by feyrelay + glorious art by @peachbabypie (E)

Summary: Peter gives him an unimpressed look, “If you didn’t do your work, then you wouldn’t be able to earn my time though, would you?” Pfft. “Kid, I have more money than god. I can splurge on your delicious pancakes and attention, trust me,” Tony informs him loftily. Peter smiles that wicked, crooked little smile that's just for him. It's not even and perfect like his the-customer-is-always-right one that's more frequently on offer. “I didn’t say you couldn’t afford it. I said you wouldn’t have earned it.”

Review: How can we ever say no to dom!Peter putting Tony in his place and hopefully on his dick + Tony loving every second of it?? Their dynamics are fantastic and that TASTY COUNTER DIALOGUE KILLS ME. EVERY TIME. Check it out and come scream with me: sub!Tony rights :D

• Fire and Ice by LeafyGreenQueen773 (M, 3k, completed) Soulmate AU

Summary: AU where when someone writes on his or her skin, the same thing shows up on their soulmate in the same place as a Mark that fades away in a few hours.

Review: This was the first Starker soulmate fic I’ve read and it made my heart ache so soft and good. Lovely and bittersweet, quiet and painfully honest.

• Genius, Acrobat, Playboy, Philanthropist by @scarletmanuka1 (E, 28k, completed)

Summary: After Peter's aeriel acrobatics partner, Adrian Toomes is fired from The Avengers Circus Troupe for theft, he is shocked to discover that his replacement is non other than legendary performer, Tony Stark - the man that Peter had hero worshipped since he first learned how to tumble.

Review: After reading this fic I realized I need more Circus AUs in my life. I could read jealous idiots falling in love while doing beautiful acrobatics for the rest of my days. Original plot, nice character development and I really appreciated how the author inserted little canon things here and there.

• Happy to Disappoint by @deaded-blush (M, 60k, completed) tw underage, domestic violence

Summary: Adrian Toomes is in quite deep with notorious mob boss Tony Stark. But when Tony comes to collect the debt owed, he's surprised to discover Toomes has an adoptive son. The chance meeting changes the direction of both their lives...

Review: Hands down one of the best Mafia!AUs I’ve ever seen. Read it all in one sitting and by the end I was SHOOKETH and utterly obsessed with this story. Nothing about it is okay so brace yourself for whump!Peter and lots of h/c. Bonus points for an incredibly satisfying ending that will make you gasp out loud.

• Hey Baby, Slip between my Beta-Pleats and get to know my Alpha-Helix? by @starkerforlife6969 and @darker-soft-starker (E, 37k, completed) A/B/O

Summary: Even though Tony can't tell the difference between Manolo Blahnik and Jimmy Choo, Peter really has no other choice. His heat is around the corner, so even though he loathes the party-going, booze drinking, smug playboy know-it-all that is Tony Stark. He'll just have to do.

Review: I can’t believe life went on as we know it (or did it??) after these two geniuses wrote together. This is the Starker version of “enemies to lovers” we all wanted and deserve, where spoiled-bratty-posh princess Peter finds the perfect balance for his chaotic energy in goofy-unapologetic-charming playboy Tony. Their falling in love is just so tender, so genuine and so good, it’s impossible not to cheer for these two sweethearts through this delightful, carefully crafted story.

• If you let me by @css1992 (E, 12k, completed)

Summary: Peter had tried dating younger guys, but it just didn’t do it for him. They were often too eager, too fast, too rough. Just too young, in general. Not that older men couldn’t be too much, too, Peter learned it the hard way. The man looking back at him from across the room seemed like a good one. He knew he shouldn’t judge a book by its cover, but he was gorgeous. Possibly the most handsome man Peter had ever seen in his short life.

Review: I remember the first time I read this fic it hit me in such a powerful way I cried a bit and was too overwhelmed to do words and tell the author just how much I loved it. But I never forgot this fic or the way it made me feel. It’s so evocative, so sexy, so raw, so heartbreaking, so sweet and so gentle. Great atmosphere, even greater characterization and some of the hottest smut I’ve ever read. Treat yourself and check this out right now.

• I’ll be Home by @starkerforlife6969 (M, completed) A/B/O

Summary: The story starts when Soldier Tony comes home for a few days, and is introduced to the love of his life.

Review: Will I ever stop reccing SFL’s works? Maybe, but today is not the day. This gorgeous, breathtaking fic attacked me in my own house during Christmas day and made me cry like a baby. I’m a sucker for reunion stories - the longing, the heartbreak, the power of endurance. This fic reminded me that no matter how long or difficult the journey, love will always find a way.

• Little Spider by @stfustucky (iwillpaintasongforlou) (E, 5k, completed)

Summary: Peter Parker is one of the country's best hitmen, known in the underworld as the Little Spider. He spends his days in the lap of luxury with his billionaire fiance Tony Stark, and his nights doing dirty work for various shady characters. Life is good, right up until someone puts out a hit on Tony and wants Peter to pull the trigger. It... might be time for them to have a talk.

Review: Omg this fic was so deliciously good in a totally surprising and sexy way. Bamf!Peter took my breath away with the perfect balance between his two personas. Tony getting off on that sheer power and confidence is a BIG MOOD and my second favorite thing in this fic. The first being the badass power couple they make.

• love somebody like you (E) by @intoxicatelou

Summary: five times Tony was Peter’s roommate and one time he was his soulmate instead.

Review: Who doesn’t love some forced proximity mixed with the unbeatable soulmate trope? This plot is the hottest take and my heart cannot handle young!Tony with his brilliant mind and sassy charm protecting and flirting with Peter, unfff feels everywhere *cries in Starker*

• Love Thy Neighbour by @darker-soft-starker (T, 2.3k, completed)

Summary: Tony's new neighbour is kinda weird.

Review: I know I keep saying that same age!AUs are not really my thing but I’m the softest bitch for feel-good, cozy domesticity, and I love how this charming story shows that ordinary life become magical when shared with someone special. I could babble all night about how eccentric and confident Peter seduces our man of science that for once has absolutely no idea of what’s going on - but you really should see it for yourself right now :)

• Mafia Boss!Tony Break Up Make Up by @starkerforlife6969 (E, completed)

Review: Man, this fic was so rude to my heart. The heartbreak, the rough sex, the guilt, the hopeful make up, the gorgeous ending. My body literally cannot take the stress, why are Mafia AUs so doomed and beautiful and more importantly, why is SFL so good at writing them???

• Microcosm Series by @bloomblood (M, 32k) tw underage

Summary: Tony and Peter become each other’s heroes after the Snap, saving themselves before they offer aid back to the world.

Review: I haven’t read many post-apocalyptic fics but this series’s raw atmosphere sucked me in. I adore the quiet intimacy, the slow and tentative healing, and all the silent and complex emotions underneath apparent simplicity. Big aesthetic mood, just as its lovely author.

• Musechaser by @nightskygardenia (M, 10.5k, completed)

Summary: Eighteen year old art student Peter Parker is desperately searching for his muse, someone who can bring his creative skills to the next level through inspiration. Lucky for him, his next class just so happens to feature a gorgeous model by the name of Tony Stark, a man Peter's convinced is his muse, to the point of staying after class to ask for private modeling sessions.

Review: Another big aesthetic mood, this fic paints a gorgeous imagery. I love the setting, the slow pace and the building anticipation until the sexual tension finally breaks. Peter is adorable and Tony exudes confidence; their voices are spot on and their chemistry is palpable and intense.

• My Best Friend’s Dad by @darker-soft-starker (M, 17.6k, completed)

Summary: Peter is home for the summer, back from his first year away at college. Having stayed over at Harley's house every weekend since they were fourteen, he never used to think much of his friend’s dad. A few years worth of college experience has Peter noticing Tony in a different way. This time, Tony notices him back.

Review: Turns out that Tony Stark being a dad and a daddy is too much for my body. I worship this fic. I wanna get married to it and have its babies. No words will ever make it justice *sobs* no but seriously, secret relationship is a perfect Starker trope and this one will take you to the edge of your seat until the very end. A+ characterization, lovely build up, infuriating cliffhangers and the wholesome happy ending we all deserve. This is the kind of fic that leaves you a bit depressed once it’s over, because you suddenly realize you’ll never read it for the first time ever again. So get to it and make sure to enjoy every second!

• One Call Away by @readysetstarker (E)

Summary: Tony didn’t need the phone sex gig. He was more than well off, his own sex life was in great shape, but damn, there was just something about listening to someone else get off to his voice.

Review: Omg who could ever resist sex hotline + daddy kink + identity porn? Dev is coming after our own hearts and bodies with this hot combo. I love the balance between their cute chemistry and the hot phone sex, plus the identity porn is deliciously fun. I was so happy to know this fic is getting longer than the author had previously anticipated because I’m definitely not ready to let it go.

• Open Road by @starkerflowers (E, 2.5k, completed)

Summary: It’s not love, but it’s good. TW: implied abuse (not between Tony/Peter); bruises/violence; panic attack.

Review: This refreshing not-quite-a-love-story will capture your heart, make it hurt, make it ache, make it hope and finally, make it heal. This fic is so gorgeously written I honestly cannot rec it enough. Yes, it’s dark and angsty, but it’s also gentle, hopeful and deeply evocative.

• Panty Raid by @starkerforlife6969 (M, completed) A/B/O

Summary: Imagine Tony being forced to do a panty raid as an initiation for his fraternity. So Tony, keeping up his playboy appearances, sneaks into the omega dorms. And he sees sweet innocent Peter who is so alarmed by the alphas raiding their dorm Tony can’t help but comfort him.

Review: Unf this fic is just too charming and cute, my heart cannot take it. Frat stories are so fun they make me forget my preference for age gaps and realize I could read more 50k of protective young!Tony any day, please and thank

• Pete’s Eats by @darker-soft-starker (T, 9.3k, completed)

Summary: Peter has a YouTube channel where he just drinks wine and teaches people how to cook things if they live in a mediocre apartment. While cooking and drinking he just talks about stuff like memes and school and, most importantly, his undying thirst for Tony Stark.

Review: This is legit the funniest shit I’ve ever read, everybody else can go home. I was already sold on Peter being a relatable thirsty dork, but Tony’s A+++ characterization (for a moment I thought it was RDJ on the big screen) and the identity porn side trope killed me for good. And what a way to go. I’m an angst hoe but I could read this forever and would be okay with it.

• pondus, pondera by spqr (M, 9.3k, completed) underage prostitution but not between P/T

Summary: Peter sells his virginity for $5,000 when he’s fifteen.

Review: Ugh I’m so weak for the angsty hooker trope, I just love the potential to simultaneously explore whump, mutual pining and gentle recovery. Trust spqr to deliver it all with a carefully crafted slow burn, god-tier characterization and a heartfelt and satisfying get together. This fic is a gem.

• Powerful by @cagestark (E, 4.6k, completed) SIM!Tony

Summary: After finding out about Peter's abusive ex, Tony privately vows revenge.

Review: This fic took my breath away and made me realize that dark!Tony with a soft spot for Peter is everything I need in my life. Precious Peter being empowered by a viciously protective Tony is now my absolute jam, and it was fascinating to see see their dynamics mutually feeding each other’s nature. This fic is gorgeous, sexy and liberating.

***Red Light District series by @starker-stories (17k, ongoing)

Summary: Everyone knows that Tony Stark is a playboy who has dozens of women passing through his life and through his bed. What everyone doesn't know is that Tony Stark is deeply closeted, longing for something he can't ever have -- a life and a love with another man.

Review: I’m completely in love with this series and not only because it explores the good old hooker trope which I’m very partial to. It’s so well written and atmospheric, if a tad bittersweet and heart-wrenching. Great narrative tension, Tony and Peter’s chemistry is insane, their voices and dialogue are amazing and the smut is looong and scorching hot *chef’s kiss*

• Samadhi by @starkercrossedlovers (E, completed)

Summay: Tony goes to yoga to try and deal with his anxiety and ends up falling for the instructor, one Peter Parker.

Review: Okay so yoga fics are among my guilty pleasures and I can’t get enough of feel-good fics like this one. Peter’s such a sweetheart, so thoughtful and amazing with Tony. I love it when they take care of each other and find solace together, this fic made me soft :’)

• Single dad baker!Peter and lawyer!Tony by @starkerforlife6969 (G, completed)

Review: I’m not usually a fluff girl but this fic is just too wholesome to go by unnoticed. Nothing hits my soft side harder than a cynical character reaching that turning point that makes them start to believe in love. Fuck yes, YOU SHOW THAT MAN SOME HAPPILY EVER AFTER PETE

• Soft Kitty by @ko-fiandfanfiction (E, 33k, completed)

Summary: Peter wasn’t wearing something Tony would call normal, not that there was anything inherently wrong with what he was wearing or anything. It just struck him as…different. To put it plainly. Tony is not sure what to make of this new development.

Review: For those of you who love some occasional feminization, this is the perfect treat. Soft, sexy and sweet, it combines top guilty, pining Tony with oblivious idiots in love, two of my favorite tropes. Amazing slow burn with glorious sexual tension, infuriating dancing around each other and a very satisfying get together. Bonus points for including the “Avengers living together in the Tower” trope, this is the 2012 team building fic we deserved.

• Solitaire by @darker-soft-starker (M, 29k, completed)

Summary: After a traumatic experience, Tony loses his marriage and his business empire in one fell swoop. At rock bottom, it takes real change to pick up the pieces, to dig himself out of the funk he's been living in. It's not pretty. Along the path of healing Tony meets a bright young man, Peter Parker, who makes the entire journey worth it.

Review: Oh man, this was a tough ride on the soul. Few things hurt me like reading whump!Tony but his healing journey is so beautiful it’s all worth it. Top notch characterization, amazing dialogue, FEELS EVERYWHERE, and a gorgeous portrayal of loneliness, friendship, hope and love.

• Someone Who Makes you Happy by tuesday (T, 6k, completed) Soulmate AU

Summary: Peter was born with several marks already marring his skin, including an interlocking AES over his heart. A scar-sharing soulmate AU.

Review: This fic is absolutely stunning and it makes my heart ache in all the right places. Great worldbuilding (I LOVE the scarring concept, so unique and fitting to these characters), A+++ Tony characterization (the wit and the self-hate are so spot on I could weep) and a journey full of longing, until they finally get to be on the same page.

• Splice by Mezzymet (E, 35k, completed) A/B/O

Summary: "He's not...." The doctors polite nature and disposition hadn't been able to mask the odd tone of his voice, like he had been reading someone's death certificate. Only Peter hadn't been on his death bed. "Peter isn't like the other kids.

Review: I keep coming back to this story because it’s such a fascinating and unique take on this trope. Very well thought and put together - the world building is fantastic, the sex sequences are breathtaking, and Tony’s gentle thoughtfulness makes me wanna cry.

• Stopover by @cagestark (E, 10k, completed)

Summary: A stopover is just a break in a journey. Tony is on the run from the organization he used to kill for, and when he stopped for gas and coffee in the small town of Stopover, IL, he had no plans to leave with anything more.

Review: *sigh* this is the mob boss!Tony fic I’ve waited for all my life. Even more impressive than the delicious smut checking all my kink boxes was the phenomenal build up, the overall urgent atmosphere that surrounds those “on the run”, combined with the gentle wonder of stealing a moment in time to find solace in the most unlikely place. Breathtakingly moving.

• Student Body President Election by @starkerforlife6969 (T, completed)

Summary: Tony and Peter are competing for Student Body President and a smear campaign takes things a little too far.

Review: GIMME ENEMIES TO LOVERS AND ALL THE HIGH SCHOOL DRAMA. This ficlet is so fun and adorable it will make your heart smile. Great plot idea and the usual bonus points for protective!Tony being a sweetheart. Will have more 30k, pls and thank.

• Such a Softer Sin by @css1992 (E, 18k, completed) background Peter/Norman

Summary: Tony is a self-made man. Peter is a sugar baby – someone else’s sugar baby.

Review: Another fantastic slow burn that hit me hard in the feels. I love it when fics explore the characters’ personal struggles before they get together, and while the Peter!whump destroyed my heart, Tony’s parallel journey of growth took my breath away. css1992’s talent took the good old sugar baby trope to a whole new epic level.

• Summer Daze by @darker-soft-starker (NR, 4.3k, completed)

Summary: Starker no-powers au where Peter watches construction worker Tony from his bedroom window as the older man works across the street.

Review: Ahh yes, the classic “food as metaphor for love” trope, my absolute jam. This fic is so adorable and endearing, pining!Peter in his wooing mission makes my heart ache and the sweet anticipation is so good. There’s something about this fic that gives me nostalgia; it’s as soft and warm as a summer breeze.

• Tamed by @cagestark (E, 8.3k, completed)

Review: It’s no wonder this is Cage’s most beloved fic. Bad boy!Tony being all soft for Peter is everything we deserve, not to mention a mesmerizing (and HOT AF) first time together. This fic shows how rich and captivating Cage’s writing is - she’s able to transform that old basic trope into something unique and heartfelt. If you need one more reason to read this, please consider: best first bj ever :)

• Teacher!Tony wrong number by @areluctantsblog (T) tw underage

Summary: Peter’s using a replacement phone and mistypes Ned’s number asking for help on a physics problem.

Review: I have such a soft spot for this fic! It was one of the first AUs I’ve ever read and I’m completely in love with their dynamics. Peter’s underage but this fic is carefully written and pretty tame, so I’d rec it to anyone looking for the good old “they probably shouldn’t, but then again nothing’s happening” trope.

• The Bleedover Effect by tuesday (T, 11k, completed) Soulmate AU

Summary: The first time Tony got punched in the face by nobody there, he had a lot of very complicated feelings about it that mostly boiled down to, "I deserve this." A pain-sharing soulmate AU.

Review: Tuesday truly is the queen of soulmate AUs, we have no other choice but STAN. First of all, I adore the concept here - being such a sucker for whump, this could easily become my favorite soulmate trope. As usual, her Tony voice is perfect and his devotion to Peter hits my fragile heart every time. Kudos for the soft and hopeful ending. The series has been discontinued but the sequels are very much worth the read, if you’re up for it :)

• The Catfish Chronicles by @stfustucky (iwillpaintasongforlou) (E, 32k, completed)

Summary: Peter creates a fake profile under the name “Benjamin” trying to catch his scumbag boyfriend cheating. Tony creates a Tinder profile for "Anthony" looking for love late in life. Funny how two geniuses who fight side by side every day can only manage to fall in love after they've accidentally catfished each other. This is... gonna get awkward.

Review: My identity porn thirst might be showing but who cares, I want these two idiots pining after each other in every possible way. This was such a fun and exciting ride! The suspense had me legit freaking out and their get together was lovely and wholesome. I particularly adored how thoughtful and sweet Tony was dealing with Peter’s insecurities, that was handled really well. A treat!

• The Concept of Domesticity by @peters-tofu (E) mpreg

Summary: Tony has accomplished nearly everything he's set out to do, now he wants something different. A family of his own? Sounds easy enough. But he's far too impatient for a relationship, so surrogacy it is. Meanwhile, twenty-two year old college student Peter Parker has just volunteered to be a bearer at an agency.

Review: Can’t say I’m a big fan of this trope but since every rule has its exception, here it is! The only Starker mpreg I’ve ever read is so so good and adorable I can’t help smiling every time I think about it. I just love their dynamics, the soft domesticity, the cute bantering, and the fact that Peter has one baby daddy all wrapped around his little finger but what else is new ;)

***The Date by Neuropsyche (E, 33k, completed)

Summary: Tony has a high society gala and he needs a date.

Review: My favorite fake dating AU so far, this fic is so sweet and wholesome. Confident!Peter is my jam and it was amazing to see their sassy bantering evolving into genuine affection towards each other, not to mention the delicious hot smut with dom!Tony :D

• The Final Heist by @starkerforlife6969 (G, 10k, completed)

Summary: Tony’s only got one more heist. He does this, he can be retired on an island in the Mediterranean in a month. All he needs is a world-class art forger. (White Collar inspired)

Review: Honestly, the amount of times I’ve mentioned SFL in this list is getting embarrassing. I must have done something really good in another life to get such a talented author writing something inspired by one of my favorite TV shows. I feel like this fic was personally crafted for me; it’s original, romantic, sexy, fun, clever and so very atmospheric. I’m a lucky hoe.

• The Heart Benefits of Exercise by @areluctantsblog (E, 14k, completed)

Summary: Personal Trainer Tony and Gym Newbie Peter. Peter can hardly keep it together watching Tony demonstrate different exercises and lift weights. Tony is very much aware of the effect he has on his trainee, and after a session, Peter begs to be shown a whole different array of exercises.

Review: This fic was a lovely surprise, very relatable and entertaining. Love myself an adorable Peter thirsting over Tony (can’t really judge lol), especially if it comes with a good amount of pining and hot, kinky smut :D

• Tipping the Scale by JayPendragon (E, 119k, completed)

Summary: Peter has a rhythm. A system. All runs like a well-oiled machine, engineering pun intended. Every wheel of his life is churning perfectly. He doesn’t expect Tony Stark of all people to throw a wrench in it.

Review: Hooker!AUs are my kryptonite, I’m so here for the “fuck first, talk later” and the general pining + misunderstandings + h/c combo this trope provides. This amazing longfic delivers it all with a well-paced, delicious slow burn told from Peter’s POV, which is always a delight to read and makes you fall even more in love with him. If you also enjoy this trope you’re in for a treat!

• To Catch a Spider by Thekeyandquill (E)

Summary: After the war, Peter Parker left his career as a spy behind to live a simple life in the south of France. But when someone frames him for the theft of plans for a new weapon, he must re-enter his old life and get close to the real thief's likely next target - one Tony Stark. A To Catch a Thief AU.

Review: TKAQ is so skilled their writing should be experienced like fine wine. Amazing research, top notch world building and characterization, and the loveliest atmosphere that makes you feel like you’re inside a movie. Clever, organic dialogue and a sexual tension so palpable you can almost taste it. This is a gem. Make sure to check their other works.

• Two White, Two Black, One Pink by @starkerforlife6969 (E) poly fic: Peter/Tony, Peter/Steve, Peter/Bucky, Peter/Strange Summary: Peter has three (maybe one day: four) men in his life who mean the world to him. Review: Ugh, this fic is pure bliss. It has legit ruined me for any and all other poly fics. Words just cannot describe how gorgeous, poetic and unique SFL’s writing is, or how deeply it has affected me. So if you enjoy Mafia AUs, poly fics and soft-but-also-bamf!Peter taking care of Tony AND being taken care of by the men he loves, give this a chance and experience transcending storytelling.

• Uranium Heart by spqr (M, 11k, completed) Soulmate AU Summary: It’s probably better, Peter thinks, that he doesn’t know who his soulmate is. He wouldn’t want to lie to them about Spider-Man, but he doesn’t think he’d be able to tell them the truth, either.

Review: Be still my heart. This is such a gorgeous fic! Not only it combines two major tropes in a coherent 11k story, but I also appreciate how spqr explores these characters and their dynamics in a very unique and realistic way. I strongly recommend checking their other works, especially Landslide.

• Waiting Game by @cagestark (E, 6k, completed)

Summary: Peter hasn't seen Tony in fifteen years. Not since he had their hasty marriage annulled, graduated college, and moved across the country. Their twenty year high school reunion will find them reunited. They've both changed, but one thing hasn’t. Hint: it's their feelings for each other.

Review: This fic literally made my heart BURST WITH FEELS: the whole build up and anticipation, the slow disclosure of their past, the first uncertain moments of their reunion. I also appreciate the powerful and moving message underneath it all, that true healing comes after we overcome our demons at our own pace. A masterpiece.

• Wooing Peter Parker by Neuropsyche (E, 62.5k, completed)

Summary: Tony and Rhodey dodge the press and sneak into the library where they meet Peter Parker - who immediately catches Tony's eye. But Peter isn't a one and done kind of guy and Tony's going to have to work for what he wants this time.

Review: This is the kind of fic that warms you all over and makes you smile non stop. It has so many elements I love in fic: cute flirting, clever banter, hot sex, soft domesticity, boys being reasonable and talking their problems out for a change. If you’re looking for something light, sweet and honest, this series is a must read!

#starker #reclist #peter parker x tony stark

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diyeoracha · 4 years

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IwaOi Master Fic Rec List (50+ Fics)

Hello! In celebration accumulating over 190+ bookmarks on my AO3 account featuring IwaOi and Iwaizumi coming back into the manga (and for his (almost) birthday), I decided to create a masterlist of all of my favorite fanfictions in order to keep myself organized as well as contributing to more traffic on those works! I decided to split the works up by my own self-imposed genres, such as angst, coming-of-age (or the childhood-friends-to-lovers trope that we all love which depicts how their relationship changes as they grow up and will mostly be canon-compliant), and alternate universe. With the revival of Iwaizumi in the manga, alternate universes will be broken down into adulting AU where he and Oikawa’s diverge differs from in canon and actual, legit AU where there’s basically no volleyball.

I’ll include the title, link, word count, fic summary, and my own commentary (mostly for my own personal entertainment). While the AO3 fandom has been going strong since 2014, I personally have only been reading IwaOi fics for about 3 months, so I will most likely be recommending some cult-favorites, especially since I’ve been reading my fics by sorting through the tag with the most kudos.

My absolute favorites (or the ones where I personally push onto my IRL haikyuu friends) will be denoted with ♡ in increments of 1-3 with 3 ♡ being an absolute must-read. Fics marked with a * indicate that Iwaizumi or Oikawa or both are professional athletes because that’s honestly my Favorite Trope. This is incomplete as I got distracted while re-reading a lot of these and have only gone through half of my bookmarks, but feel free to check my own page here for the rest of them! This took me about 9 days to compile (aka this was in my drafts for about 9 days) but I do hope you guys enjoy reading these and leave comments and kudos!

Adulting AU

*♡♡Thirty Years and Change (the Games of the XXXIII Olympiad)

Word count: 19k

Summary: It’s July 10th, 2024, and Oikawa Tooru is an Olympian. His smiling face airs on an NHK promo every 45 seconds. He’s captain of the national men’s volleyball team, reigning star of the professional leagues, and he hasn't spoken to Iwaizumi Hajime in two years.

Thoughts: THIS IS IT. THIS FIC IS GOD TIER. They’ve been separated but now are falling back into old habits and there’s a confession on the line? Akaashi is in here and he’s pretty funny. I reread this all the time.

*♡♡♡the courtship ritual of the hercules beetle

Word count: 66k

Summary: Tooru is pretty sure he could manage the mating habits of a mosquito. It’s the mating habits of people he can’t seem to get right.

Thoughts: Absolutely the best IwaOi fic I’ve ever read. I’ve reread this about 4x and I always pay attention to a new sentence or detail that leaves me breathless. The characterization is pretty spot on, and I have to admit that this fic made me appreciate IwaOi a little more. I’ve cried countless times too. A cult-favorite but it doesn’t have nearly as many hits as it deserves.

♡days fall away

Word count: 17k

Summary: Except now he’s back home, so close to his old haunts and to Oikawa himself, and it's—weird.

Thoughts: They’ve separated for a bit but now they’re back in the same city and learning to be around each other again. Cue teasing from the biological and Seijoh family

it's been so long (nobody knows me the way you do)

Word count: 8k

Summary: Tooru hums, only half-listening. Somewhere along the way, Hajime’s palm has settled itself over the curve of Tooru’s cheek, thumb tracing over the line of his jaw.

Thoughts: They’re living together post-college feat. snapshots from their lives before getting together and their Seijoh team! It’s really soft but it manages a humorous tone as well.

Time

Word count: 5k

Summary: When they're twenty-three, their story only begins.

Thoughts: A piecewise fic told from Oikawa’s point of view. The tone is almost chatty but it really fits the pacing of the work as you get snippets and sentences of their relationship throughout the years

♡Almost a Stranger

Word count: 16k

Summary: Iwa-chan's leaving Japan. Tooru's not sure he can forgive him, but he's not going to admit his long-held feelings, either. A trip to Miyajima complicates everything.

Thoughts: They go on vacation right before Iwaizumi leaves Oikawa for a year. Oikawa ponders their relationship.

where fireflies never die

Word count: 4k

Summary: >>Oikawa: Hey Iwa-chan >>Oikawa: Did I ruin it?

Thoughts: Oikawa is a mangaka and basically writes his best selling series based off of him and Iwaizumi. This was pretty angsty ngl with a lot of introspection and second-guessing.

In the Business of Love

Word count: 22k

Summary: Meet Oikawa Tooru: He's a best-selling shoujo manga artist, a hardcore romantic and you won't believe where he's getting his lovey dovey fodder from...Enter Iwaizumi Hajime: He's Oikawa's best friend, a realist who also happens to be a wedding magazine writer despite not believing in romance...

Thoughts: Mangaka Oikawa but this is basically a rom-com lmao

Alternate Universe

Even Heroes (have the right to dream)

Word count: 20k

Summary: Oikawa Tooru, ace reporter of the superhero beat of Asahi Shimbun, hates superheroes. Or maybe he just hasn’t met the knight one yet.

Thoughts: Superhero-hiding-his-identity-Iwaizumi and begrudging Oikawa? Sign me up. This fic spent a little more time on worldbuilding than eventual romance, but it is still absolutely unique and entertaining

The secret omega

Word count: 17k

Summary: Iwaizumi’s annoying as fuck best friend. Who absolutely, definitely, no matter what, cannot find out that Iwaizumi is an omega.

Thoughts: A/B/O dynamics where Iwa is the omega and Oikawa is the alpha. 90% plot building which is pretty nice.

Conquering the Great King

Word count: 105k

Summary: Oikawa's lips twitched into a smirk and he brought them hovering just over Iwaizumi's, "One time thing, Two time thing, what's it matter as long as it's not a Relationship thing?"

Thoughts: Malicious and flirtatious Oikawa meet immovable object Iwaizumi. They’re businessmen trying to navigate friends-with-benefits and love all at the same time. A+ sex scenes tbh.

♡Infinite Risks

Word count: 8k

Summary: “It’s my fate,” Oikawa responds slowly. He’s crying.“It’s too lonely,” Iwaizumi’s heart sounded broken. “And I’m not there with you. Not really.”

Thoughts: Edge of Tomorrow AU!!!!! Please watch Edge of Tomorrow first because it’s truly a brilliant movie that I wholly enjoyed and this fic reflects that. This also made me really sad so Beware

*♡Something Like Us

Word count: 28k

Summary: Friends since childhood, Oikawa and Iwaizumi now live together, both playing for the National Team. It's no secret that athletes who are bonded perform better. So if the two of them happen to bond...It'd be for the good of the team, right?

Thoughts: ABO dynamics (and somewhat canon-compliant) as they’re roommates, on the national team, and try to navigate being “fake” mated while harboring feelings

And All the Prince’s Men

Word count: 65k

Summary: “Father only loves that which he owns, and I am the one thing that can never truly be his.”

Thoughts: Royal bastard son Oikawa and his servant Iwaizumi. An enthralling read and universe. The romance takes a secondary seat here as it focuses more on plot and world-building.

♡long nights, no peace

Word count: 18k

Summary: It's the steady knowledge that Iwaizumi Hajime will always be someone that he can rely on, that no matter what the world throws at the two of them, they share in a piece of each other's soul.

Thoughts: Pacific Rim! AU. Otherwise known as my favorite types of AUs because they’re basically soulmates (platonic or not,, but they’re not platonic here)

♡(sing with me) A Song of Conquest and Fate

Word count: 26k

Summary: When Seijou receives a missive from Aobajousai to discuss a potential peace, its emperor Oikawa Tooru could not have foreseen the series of events that would follow.

Thoughts: Warring states/historical fantasy AU. The world building is amazing and this author has great control over her language use

Cotton Breathing

Word count: 13k

Summary:

Thoughts: Long-distance and summer only but childhood friends Iwaoi!!! A dreamy summer piece and reading it almost makes me feel like I’m in a Studio Ghibli movie because of the mood it puts me in

Similar Creatures

Word count: 53k

Summary: "What's your name?" "Whatever you want it to be."(Or, Oikawa gets directions from an attractive stranger on a street corner.)

Thoughts: Iwaizumi is an escort and Oikawa needs a fancy date

Space

Word count: 44k

Summary: Tries not to think of his rooftop garden, or the apartment he used to inhabit, or Hajime’s broken expression on the night they whispered their goodbyes before Tooru’s launch, attempting to push it all to the back of his mind behind visions of this alien world terraformed

Thoughts: Oikawa’s in outerspace. They’re separated. This left me feeling pretty empty ngl.

♡here comes your man

Word count: 8k

Summary: Iwa-chan, it reads, Have a good day today! Good luck! <3 <3 <3Suga chokes. It’s hard to imagine anyone calling the scowling and fierce Doctor Iwaizumi “Iwa-chan.” But marriage probably comes with all sorts of liberties.

Thoughts: Doctor AU where Iwaizumi and Oikawa’s relationship is pondered by Suga

In the Telling

Word count: 6k

Summary: Muggleborn Iwaizumi could not be less impressed with pureblood Oikawa Tooru.

Thoughts: Harry Potter AU where they’re in the same year and aren’t really friends but are also friends

♡♡The Loyalty of A Traitor

Word count: 76k

Summary: Iwaizumi Hajime was an undercover officer with a single objective: Infiltrate the Seijoh Syndicate of the Yakuza and tear them down from the inside out. His primary target was the boss, Oikawa Tooru. The job itself was simple enough, until Iwaizumi got in too deep and absconded not only from the mission, but from the city itself.

Thoughts: Oh fuck this was Good. Yakuza boss Oikawa???? Disgraced Iwaizumi??? Do they fall in love (again)?

and suddenly, we were traitors

Word count: 17k

Summary: "sorry, it's just... you’ve been amazingly kind to me these past few days. ...but i'm still not sure who you are.”

Thoughts: The amnesia fic this fandom needed

Trial by Fire

Word count: 78k

Summary: (lawyer!AU - in which Iwaizumi loves his objections, Oikawa is beautiful, and they have more chemistry than two opposing attorneys probably should.)

Thoughts: Hot

dear diary, i met a boy

Word count: 15k

Summary: Iwaizumi's first impression of his upstairs neighbor involves getting woken up at two in the morning to the sound of Oikawa singing along to trashy pop music. He'd thought it would get better, but it all just goes downhill from there.

Thoughts: Model Oikawa and salaryman Iwaizumi meet and try to make it work

on shipwreck shore

Word count: 8k

Summary: “I’m going to murder you in cold blood and feed you to the basilisks,” Iwaizumi says conversationally.“You can’t do that, I’m your boss,” Oikawa sings, positively sparkling. “Also we’re partners, which means,” he points at Iwaizumi and leans in, “you’re stuck with me.”

Thoughts: Detectives but they’re actually funny

♡Lockdown

Word count: 72k

Summary: Within the first few months of his stay, Oikawa gets caught up in a war between cellblocks, becomes a prime target, and must decide just how far he's willing to go to protect Iwaizumi Hajime.

Thoughts: Orange is the New Black AU!!! Im a sl*t for tatted Iwaizumi

an allegory of all the things we could’ve been

Word count: 16k

Summary: “I don’t know anything about some red string,” Iwaizumi murmurs into the cracks of Oikawa’s skin, “or even about lifetimes or fate. But no matter where you are, I’ll find you. Gods or otherwise.”

Thoughts: Reincarnation AU throughout the timelines. A good soft read that leaves you sort of empty

Angst

Timeless (We Have 30 Days)

Word count: 12k

Summary: Or AU where you're branded 50 days before you die. But Oikawa doesn't tell anyone so now there's only 30 days left.

Thoughts: Ahhhhhhhhh tears

the weight of water

Word count: 6k

Summary: “Again,” he says, the smallest tremor in his voice, and Oikawa blinks at him a moment before smiling, soft and sweet. “Iwa-chan,” he replies, and Iwaizumi closes his eyes. “Again.” “Iwa-chan.”

Thoughts: Death fic

open when

Word count: 1k

Summary: Iwaizumi knew it was coming, but it still hurt. It still hurt when he opens one letter and drowns it in the tears he cannot keep at bay.

Thoughts: It takes only 1.6k words to make me cry

Canon Compliant/Coming-Of-Age

♡♡i sing the body electric

Word count: 8k

Summary: It was never part of the plan, falling in love with his best friend, but then again, most things in Iwaizumi’s life that involve Oikawa rarely unfold the way he thinks they will.

Thoughts: A beautifully introspective piece told from Iwaizumi’s point of view. It’s wholly intimate and it toes along the lines of pining and soft angst. It’s told in snippets from their lives growing up together.

♡we can do better than that

Word count: 16k

Summary: Oikawa and Iwaizumi go on a road trip during the summer after their high school graduation. It doesn't go as expected, but maybe that's not such a bad thing after all.

Thoughts: There’s a lot of character analysis and it takes a step away from the casual banter they’re always portrayed to have and focuses on the intricacies of their relationship. The tone is almost a little more melancholy. (also they have to share a bed! trope)

♡when it starts to rain, they go inside

Word count: 33k

Summary: “Where?” starts Iwaizumi.“My parent’s old lakehouse, silly, didn’t you hear me the first time?”OR: Oikawa takes Iwaizumi to his lakehouse for two weeks, post-graduation.

Thoughts: Oh This Is It IwaOi stans. This fic really solidified my own headcanon for Oikawa (spoiler alert, OP isn’t too fond of Oikawa but she fleshes out his character and his idiosyncrasies so well that you can’t help but be drawn into all of his imperfection) and this fic respects Iwaizumi as well. It has absolutely great characterization and the fic ends on an ambiguous note.

to be first, to be best

Word count: 26k

Summary: Hajime is apparently something of a masochist, and as he stares down at the tie-dyed AREA51 T-shirt in his hands, he thinks “I’m totally in love with this asshole, aren't I?”

Thoughts: College roommates trying to navigate having feelings for each other while also dating others and not realizing that they’re jealous? A cult favorite.

♡things that change, things that stay the same

Word count: 8k

Summary: Oikawa realizes he's in love with his best friend; it sucks for a while. (But only a while.)

Thoughts: Ahh a slow burn featuring daily moments between Oikawa and Iwaizumi, and Oikawa starts to notice the little things. This was a cute read because Oikawa just comes off as wonderfully earnest. My first Iwaoi fic! And a great one because it really set the standard to how I interpreted their relationship.

it’s better than words

Word count: 3k

Summary: [ or : oikawa makes iwaizumi participate in three bonding activities for new friends, and iwaizumi just wants to know why oikawa's being so weird about this]

Thoughts: Soft pining, fluff, banter, and whispered confessions. This fic really nailed the banter of high school students really well.

♡shiver

Word count: 16k

Summary: Oikawa was always the brave one. Hajime just followed two paces behind.

Thoughts: Oikawa falls first and but Iwaizumi realizes his feelings later on! So soft, so slow burn, so much pining. We get to see their relationship through Iwaizumi’s eyes and actually read him analyze his own feelings.

♡we shine like diamonds

Word count: 26k

Summary: "You know Abe-kun from class?" they snicker, hands cupped around their mouths like they're passing along a filthy secret. "I hear his older brother is... gay."

Thoughts: Character analysis, homophobia, and coming of age makes a good and angsty iwaoi fic

terrarium

Word count: 11k

Summary: At this point, is he really happy with just staying best friends forever? Will he be writing journals and collecting rocks forever (he will, he knows, but that is aside from the point)?

Thoughts: Oikawa has a terrarium and names all of the rocks he puts in (that Iwaizumi gave him) “Iwa-chan #_”

Chasing Paper Suns

Word count: 10k

Summary: Post-high school, Oikawa makes it to the national volleyball team but Iwaizumi doesn't. The next three years become an exercise in growing up without growing apart.

Thoughts: This was pretty sad tbh. Of what it means to grow up together and then suddenly having to adjust to living without each other’s presence.

with every second that you could give

Word count: 9k

Summary: The journey of Iwaizumi and Oikawa going for gold.

Thoughts: Of growing up together, making decisions for each other, and wanting to be together

Only the jellyfish know

Word count: 6k

Summary: Their third and final year at Aoba Jousai has come to an end, and the guys decide to go to the beach the day after graduation.That day, the ocean water is salty, the watermelon is sweet, and the people are sweeter.

Thoughts: Established relationship

Smut

strange.

Word count: 1k

Summary: "god, i fucking hate you."oikawa smiles, cause he knows it's not true. he knows iwaizumi loves him, knows iwaizumi adores him. but he plays along."i hate you too,"

Thoughts: It’s hot

Say My Name

Word count: 2k

Summary: “Hey, have you ever tried saying my first name?” Iwaizumi blurts, and the thought jumps out of his subconscious only after he's posed the question.

Thoughts:

No Touching Allowed

Word count: 10k

Summary: “You’ve got one rule,” Iwaizumi winks at him.

Thoughts: ExoticDancer!Iwaizumi and stressed out/repressed businessman Oikawa also an AU.

Honorable Mentions

things wikipedia doesn’t tell you

pillow

Phone Home

Share my life, it’s yours to keep

in progress to you

no sleep in the city

The PDA jar

Kissmarked

#iwaoi #oikawa tooru #oikawa #iwaizumi #iwaizumi hajime #haikyuu!!#haikyuu #hq!!#hq fic rec #haikyuu fic #haikyuu fanfiction #id ask that u guys pls reblog if u can so more people can enjoy :') rly there are some Underrated works #and im surprised bc it looks like iwaoi is the most popular pairing in hq rn with the most fics #and there are iwaoi fics being uploaded like everyday #some of my favs were published in 2020 too

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susie-dreemurr · 4 years

Note

For the ask thing... 6, 19, 22?

6)) What makes Your Turn to Die stand out among any other game?

A lot overall, but what makes it so good to me is how the emotional matters are handled, including portraying the “feminine” way of coping as a good thing and not “weak”. @sip-of-depresso wrote two great metas explaining the maturity of this game in this regard.

Aside of that, the way that none of the deaths (aside of maybe optional ones in ch3 idk I didn’t let any dummy die) are forgotten and the cast honors all of them in some way, letting the dead characters still be relevant either through plot, character connections or both.

19)) What do you think about the dolls throughout the game, from characters like Ranger to the Obstructers in Chapter 3?

Sue and Safalin are humans, however I’ll talk about them anyway.

Sue Miley — Although I do think she’s entertaining enough in all her Early Disney villain glory, she doesn’t make me pay attention to her tbh. So far, she’s just a one-dimensional character, though I do know Nankidai will likely add depth to her post 3-1A.

Rio Ranger — I like him! His sadistic, wacky cartoon villain-like personality is something I enjoy, adding in the depth and sympathy makes the second most real villain so far. And since that villain can be sympathetic, it makes me take them more seriously than villains like Miley. His “death” and actual death scenes do suffer from feeling kind of out of place, but they’re still good despite that.

Safalin — much like Miley, she doesn’t really have much depth. However I like her more because she’s a, well, “two-sided bitch.” I enjoy it when characters seem sympathetic and maybe even good misguided people but are actually bad, manipulative and (for now, tho I won’t complain is she isn’t) unsympathetic. I want to know more about her.

Midori — his potential is KILLING me!!! He’s got so many directions he can go, so many ways he can become a character I consider great!!! (Aside of any potentials, I do feel similar to him as to Miley, though I also have a dislike of him because abusive characters hit kinda close lol)

I don’t care much about Anzu, Kurumaeda or Mai. They’re still okay, I just don’t pay much mind to them for now. I see that changing later, they still got more time after all...Mai’s design and personality do appeal to biromantic little me, she’s cute and I’m cool with the trope “stereotypical ditzy character is actually very competent.” Anzu and Naomichi’s banter is good.

I like Ranmaru due to his relationship with Sara, and it’s funny when he gets all flustered. His personality can be calming to be around but uh. Not much else to say about him.

Shunsuke Hayasaka — Definitely my second favorite dummy! His relationship with Asunaro seems like it is interesting to explore and his dynamic with Gin gives him some points. I really hope he becomes important later on!

Hinako Mushuku — Likely my favorite dummy! Her personality was what made her gain this place, considering she has the exact same type of personality in characters that make me instantly like them! She becomes even more interesting considering the mystery of her painting in That room! Really, what’s not to love?

No comment on Obstructers. They’re barely characters.

22)) How would you rank the other characters? Feel free to explain.

??? I didn’t understand the question lol, sorry. Does this want me to rank the non-doll floormasters? (since the participants are already mentioned in another number of the ask thing) If so, there’s only Gashu left.

Gashu Satou — probably the only character I actually dislike, though it’s not because I think he’s a bad character or anything. Abusive parents just hit kind of close home and he’s pretty realistic, which while it does make him a good character, renders him pretty unlikeable to me.

Hope this was good!

#long post #yttd spoilers #yttd #kgs spoilers #floormaster gang #floor masters #dummies #mine #your turn to die #kimi ga shine

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fuckyeahwarriorwomen · 4 years

Link

Copy of article below thge cut, should the original ever go away

Leading up to the 20th anniversary of the March 10, 1997 premiere of Buffy the Vampire Slayer, Yahoo TV is celebrating “Why Genre Shows Matter” and the history of how these shows have tackled universal themes (e.g. how much high school sucks) and broader social issues.

Perhaps because they seek to imagine the world that’s possible rather than the world that is, genre shows have a long tradition of striving to expand the horizons of what’s possible for women on television. Within the realm of space operas alone, there’s a direct line that connects Lieutenant Uhura’s prominent perch amongst the Enterprise‘s largely male bridge crew on the original Star Trek to The Expanse‘s fiercely independent engineer, Naomi Nagata. And each point along this continuum helps inform the next: commanding officers like Babylon 5‘s Susan Ivanova and Voyager‘s Kathryn Janeway are linked by a devotion to duty, if not necessarily temperament, while Killjoys‘ scrappy bounty hunter, Yala, could have been a student of Firefly‘s highly-skilled soldier, Zoë Washburne. On this International Women’s Day, we celebrate the accomplishments of one such influential intergalactic heroine.

Her name is Aeryn. Officer Aeryn Sun if we’re being formal, one of the interstellar outlaws at the center of Farscape, the wildly ambitious Australian/American space serial that ran from 1999 to 2003 on the Sci-Fi Channel. Bred from birth to be a loyal Sebacean soldier in the Peacekeeper army that patrols her section of the galaxy, Officer Sun switches careers after inadvertently ending up aboard a living spaceship named Moya that’s occupied by a motley crew of jailbreakers. These convicts-turned-comrades include towering warrior Ka D’Argo, blue-hued priestess Zhaan, flatulent deposed despot Rygel XVI, and John Crichton, an Earth-born astronaut who is very, very far from home. Created by Rockne S. O’Bannon and produced by The Jim Henson Company, Farscape enjoyed a bumpy four-season stateside run that ended prematurely when the network declined to fund a fifth and final year. (Sci-Fi later aired, but didn’t finance, a wrap-up miniseries, Farscape: The Peacekeeper Wars, in 2004.)

The original cast of ‘Farscape’ (Credit: Everett Collection)

One of the joys of Farscape is that its defining house style is the lack of a defining house style. Episodes can range from standalone homages to body-switching comedies and vintage Loony Tunes cartoons to densely plotted multi-part stories that don’t conclude with conventionally happy endings. The primary constant amidst this narrative and tonal juggling is the turbulent love story between Aeryn Sun and John Crichton. Revisited today, Farscape stands as something of a bridge between eras of space opera, linking the last wave of episodic space adventures like Star Trek: Voyager and Stargate: SG-1 to the intensely emotional serialized narratives that later drove Battlestar Galactica and its ilk. Aeryn is both a traditional and transformational figure as well; raised to be an impersonal enforcer in the Imperial Stormtrooper mold, she comes to live out a promise that John makes to her in the very first episode: “You can be more.”

“Oh, I’ve got chills down my arm,” says Aeryn’s alter ego, Claudia Black, as she reflects on the character and those prophetic words nearly two decades later. “Her evolution as an individual takes off in an extraordinary way [after that].” Over the course of Yahoo TV’s hour-long conversation with the Australian actress, it’s clear that she does regard Aeryn as an individual unto herself, one who took on a life that sometimes superseded the actress’s own. “I was always happy to hand the character off,” Black says. “I would say [to the producers], ‘If I’m going in the wrong direction then please find someone to serve Aeryn, please. Because she deserves to have the full love of a person who can give you what you need.’ She was honestly such a privilege to play, and I never abused that privilege.”

And Black very nearly didn’t get that privilege. The role had already been cast when she first auditioned for Farscape, but the creative team encouraged her to read for Aeryn anyway. That reading later led to a screen test opposite Tennessee-born Ben Browder, who would be playing John Crichton. (Interestingly, Browder’s casting is, in part, what opened the door to Black inheriting the role from the English actress who had originally been chosen as Aeryn. “Because of the Australian co-production agreement, if they brought in a lead actor from America, the second lead had to be Australian,” Black explains. “So thank god for our union!”) Immediately recognizing the crackling onscreen chemistry between them, Browder pushed hard for her to land the role over network skepticism. “I was a controversial choice for sure,” Black says now. “I was just lucky in the end.”

Whatever the circumstances of how she got the role, Black climbed aboard Moya with strong ideas about how to play Aeryn. Superficially, the character is part of the wave of warrior women that swept through genre shows in the ’90s and early ’00s, whose ranks included Xena, Buffy, and even Cleo of Cleopatra 2525 fame. But as conceived by O’Bannon and carried forward by executive producer David Kemper, who became a driving creative force behind the show, Aeryn cuts against that archetype as well. Unlike Xena, she doesn’t necessarily relish battle; it’s something that’s been programmed into her. (Although, as Aeryn memorably remarks in The Peacekeeper Wars: “Shooting makes me feel better!“) She also reverses the arc traversed by Buffy and Cleo, which begins with them in places of perceived weakness — as a cheerleader and exotic dancer, respectively — and leads towards empowerment.

Because of her militaristic upbringing, Aeryn starts from a place of fierce strength. Her journey over the lifespan of the show, then, becomes about softening what Black describes as Aeryn’s “jagged edges” without surrendering her agency. “I’ve always loved science fiction because of the way it affords us an opportunity to look at humanity from an outsider’s perspective,” Black says. “And Aeryn really gets to experience it firsthand the best way that humans can, which is through love, in all of its forms. When I look at humanity, and my own life, we have to break before we can grow. That’s really what happened with Aeryn; she became stronger with softer edges.” (For the record, Aeryn may start out as a superior fighter to Buffy, but Black says that Sarah Michelle Gellar would easily mop the floor with her in real life. “Sarah has a black belt in karate, and I have two left feet! I always felt like a bit of an imposter [as Aeryn] just on the physical front. If I could push the reset button, I’d go back and get good at some form of martial art.”)

But that stronger-to-softer arc is also more treacherous to navigate than a traditional empowerment story, flirting, as it does, with the fanboy-friendly stereotype of the buttoned-up ice queen whose resolve (and inhibitions) melt when love, generally in the form of a strapping male hero, comes her way. The risk of falling headlong into that tired trope is something Farscape had to deal with throughout its run, especially as the core of the show was always the romance between John and Aeryn.

And while that romance takes a number of unexpected twists and turns — most boldly in a Season 3 storyline that saw Aeryn committing herself fully to a cloned version of Crichton, only to see him die and then have to re-learn how to love the original John — it ultimately culminates with two staples of a standard love story: a marriage proposal and a pregnancy. “It seemed pretty clear to me that Rockne’s intention in the pilot was that this was going to be a love story for the ages,” Black says. Not only that, but it was a love story penned by a largely male writing staff who had their own opinions about how to depict Aeryn’s gradual acceptance of Crichton’s love that sometimes ran counter to Black’s feelings. “I recall moments where they wanted me to be more vulnerable with Aeryn, and I didn’t want to be because I didn’t think it was time and I didn’t think she was ready,” she says. “But it wasn’t my place to say.”

Nevertheless, she persistently found ways to make her voice heard, whether it was by talking one-on-one with specific writers or her co-star, who was equally eager to avoid certain genre show clichés. Black recalls one instance early on in the show’s run when Browder actively pushed back against Sci-Fi’s directive that John Crichton demonstrate the same sex drive as James T. Kirk. “They wanted Crichton to have an alien girl of the week. Ben put his foot down and said, ‘No, he’s not that kind of guy. This isn’t the story I want to tell.’ And on my side I was saying, ‘Yeah, what does that say about Aeryn if she’s going to fall in love with a guy [like that]?’ We wanted to investigate and have them experience the more positive aspects of attraction, as well as what’s worth fighting for and what’s worth dying for,” she says. “Maybe the show would have continued longer if we’d been able to please the network! They know what they’re going to need in order to keep [viewers] interested and tuning in. But we’re very proud of what we managed to make regardless, because of those choices.”

The ongoing battle that Black personally waged throughout Farscape‘s run was ensuring that Aeryn maintained control over her own body. In the genre shows of her era, the female leads were stronger and savvier than ever, and that translated into fashion choices that expressed their own body confidence and sexuality. Xena rode into battle in a heaving breastplate, while Buffy fought vampires in halter tops and Relic Hunter‘s Sydney Fox always donned a tight tank top before exploring some ancient tomb. But flashing cleavage, leg, and midriff also made those characters desirable pin-ups for the male audience courted by networks and advertisers. (Farscape added its own version of a pin-up type midway through the first season in the form of Chiana, a grey-skinned con artist with a plunging neckline and a voracious sexual appetite.)

But those fashions didn’t make sense for a soldier fighting in an army where men and women’s bodies were interchangeable. In fact, Black remembers reading a very specific direction to the makeup department in the production notes for the pilot. “When I take my Peacekeeper helmet off [for the first time], the note read in big print, ‘She looks masculine.’ They thickened my eyebrows — which are already thick! — and shaded my face in very minimal makeup. All of the on-set gallery images of me in the first season are with that very masculine makeup.”

Aeryn in her ‘masculine’ Season 1 appearance (Credit: Everett Collection)

By Season 2, though, Aeryn’s appearance underwent a noticeable change; her hair got longer and straighter, and her Peacekeeper uniform gave way to outfits that walked a line between practical and revealing. Black, who describes herself as a feminist, agreed to these cosmetic changes as she felt they were part of a “natural progression” for Aeryn. “I was honoring where she had come from at the same time having to find a way to let her grow into whatever it is she was going to become,” she says. (This clip from Farscape‘s aforementioned Looney Tunes-inspired episode, “Revenging Angel,” neatly summarizes — and satirizes — the female body types commonly featured on genre shows that Aeryn deliberately defies.)

Already objectively beautiful, Aeryn’s sexuality continued to emerge as she grew into her new self. Even so, Black could sense it wasn’t emerging quickly enough to satisfy certain expectations. “I felt that I was being pushed to show more flesh than was necessary,” she admits, pointing to one incident in the show’s fourth season where it was written into the script that Aeryn would sit poolside in a bikini. “I just said, ‘I will get in a bikini for you if it makes sense, but this woman’s world is falling apart.’ It was the last thing I thought Aeryn would do [in that moment]. It felt really frivolous and superficial to me.” (Black had already donned a bikini to play pregnant Aeryn in a hallucinatory scene in the Season 4 premiere. “They not only had me in a bikini, but they gave me a pregnant belly as well, which is really hard to pull off and make it look naturalistic,” she says.)

Black remembers shooting down an even more egregious bit of flesh-flashing in an earlier episode. As an international production, Farscape frequently shot extra scenes for certain ad-free European markets that would fill the time normally allotted for commercials. The cast referred to these filler sequences as “Euro scenes,” and they rarely involved big story or character beats. According to Black, this particular episode dispatched D’Argo and Aeryn on a planetside mission, and the writers cobbled together a Euro scene that she describes as “absurd.” “They said, ‘Let’s have a scene where we cut to them by a lake, and Aeryn turns and sees a bunch of soldiers across the lake. Aeryn takes off her clothes, swims across the lake, and fights these soldiers completely naked, then comes back to D’Argo and off they go.'”

In later seasons, Aeryn naturally progressed towards more revealing fashion choices (Credit: Everett Collection)

“There were so many things about it that were so bizarre,” she continues. “I said, ‘You know what, please explain this to me, how this honestly can fit in.’ In the end, they just said, ‘All right, fine — we won’t do it.’ That’s what I felt I was having to haggle for a lot of the time: my right to keep my clothes on until it was appropriate. I’ve always felt as an actor — and I’m sure other females have felt like this as well — that when you sign on the dotted line and enter the business that somehow you’ve given your body away as a piece of property, and you spend the rest of your career haggling for pieces of it back.” And the actress credits Browder with backing her up in her fight for Aeryn to be in full control of her own femininity and, by extension, her destiny. “Aeryn is really as feminist as I am, but she’s nothing without Crichton, which is an interesting statement to make,” she says. “So as much as we praise Aeryn, we must give full credit to Crichton and to Ben for shaping him the way that he did. It’s the space that he gives her. He’s such an exquisite champion of her growth and development, that it becomes possible for her to grow to her full size.”

In the 13 years since the concluding Peacekeeper Wars miniseries, rumors have occasionally flown about Farscape‘s return. At one point, there was talk of a webisode series following John and Aeryn’s child, D’Ago Sun-Crichton, but funding never came to fruition. (The show did continue in comic book form for a time, but publication ceased circa 2011.) Black, whose recent credits include stints on The CW genre shows Containment and The Originals, has no updates on any future revivals, and jokes that if Aeryn and Crichton ever do return, they’ll be “tired, ornery, and not really wanting another battle.”

Claudia Black as Dahlia on ‘The Originals’ (Credit: Annette Brown/The CW)

In a way, though, Aeryn’s larger battle has already been won. One of the breakout characters on Battlestar Galactica — which premiered in December 2003, nine months after Farscape‘s series finale — was Kara “Starbuck” Thrace, who displays some of the same steely spine, and jagged edges, of Officer Sun. And today’s genre TV landscape is populated with women who, consciously or not, reflect Aeryn’s assertiveness, independence, and refusal to conform to societal (or genre) norms of appearance or attitude, whether it’s Orphan Black‘s Helena, Sense8‘s Nomi, or Jessica Jones.

For this Scaper, she lives on off-screen as well. When my wife and I learned that we’d be having a daughter, we thought about all the things we wanted for her life. To know that she, and she alone, is in control of her body. To be strong in the face of injustice. To be confident in her own power. And to know that when she chooses to give her heart to another person, that person will be her champion, and give her the space to grow to her full size. And so we picked a name that, for us, would embody all of our hopes and dreams for the individual she’s becoming with each passing year.

Her name is Aeryn.

#warrior women #aeryn sun #claudia black #farscape #feminism

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404fmdhaon · 4 years

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hi it’s hyeri back again, but this time with my rapper boy — and i��m gonna hope this breaks my three muse curse!! (blame resonance for this impulsive decisions because make a wish...yeah) anyways, this is chung gyujeong also known as haon. he’s the main rapper of knight, born in 1994. if you want to get the detailed information, here are his links. bio, stats, plots. give him love plz, and hit the like button so i can bother you for plots. a general run-down of this boy is below the cuT!

gyujeong aka haon — it really doesn’t matter what you call him because he’ll answer to both

he is a really ‘i dont give a flying fuck about your life’ type of muse because he’s so focused on his own life / can’t be bothered to care about anyone else’s

his family background is that he’s basically a rich bitch, but he doesn’t let anyone know that — think a chaebol that doesn’t want anyone to know that he’s a chaebol.

went to study abroad at a young age, hence why he’s fluent in english! it was during this time that he really fell in love with hiphop (perks of living in new york because of the culture)

came back to seoul during a vacation, and ofc his parents made him go to hakwon but instead he skipped out, paid off his teachers with his allowance and jumped over towards hongdae’s cypher scene

got really involved with the underground hiphop club, and basically created a name for himself there — albeit the crowd was one of those ‘bad crowds’ aka the type of people parents tend to hate

it’s here he got the name haon because of how ‘pure and rich’ he looked compared to the rest of the scene (shocker: it feeds into his insecurity about his family background) so he tries to hide it from here

put it short — he gets caught doing a show underage, drunk out of his mind by his mother and a big fight ensues (not like it matters the family company was already set to go to his younger brother lol)

his whole trope is about perfect timing — right place, at the right time. so, after the fight he leaves home for a day and crashes at his friend’s place. it’s there the friend says ‘i’m gonna go to a bc audition to sellout lol because i need cash’ and like any good friend / cliche, gyujeong follows through

to make it click, he sits outside while his friend auditions and then gets scouted right then and there inside the company — shocker, he passes but his friend doesn’t

life as an idol? it’s not something he wanted or didn’t want — but when he figures it’s not cut out for him, again missed timing and he’s already set to debut in a few days (too late to jump ship now so he goes through with it)

a few scandals — an attitude scandal, an iljin scandal, underage drinking photos scandal, and a minor dating scandal... boy has a horrid rep, but he doesn’t care the scandals give him entertainment to survive this industry — lucky for him!!! bc asked his parents to pay off, so it never blew up SO big to the point where he’d get kicked

he’s known for being a monster rapper, and bc doesn’t like that so they’re holding him back from releasing anything solo-wise. they want him to stick to his idol image, which he doesn’t like bc his creativity is stumped

in terms of personality — he’s cold, really ambivalent. blunt. has a pretty good moral sense of what’s good and what’s not in his head and isn’t afraid to call you out when it doesn’t seem right

direct and straight to the point, a go-getter that seems to not really think about tomorrow. it’s all about the present day

kind of sad, kind of lonely but he’s a true introvert that never voices these things to anyone. instead, he takes out his sadness and loneliness in anger on his bad days *hence the attitude scandal

a lowkey dick / asshole, so watch out!

but yeah..... he’s just a really bad boi so please love him

#fmdintro #fmdcall #ooc #뀨뀨 — queue

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k-odyssey · 5 years

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Dramas I’ve Been Watching in February

I was going to wait till the very end of the month but I’ve already written the post so… Thoughts are under the cut like last time, and I tried not to include spoilers.

Crash Landing on You (finished)

I’ve already mentioned this one last month. Also it’s been all over my blog for a while now. My post about the finale.

The spoiler-free version is that I loved the journey this drama took me on. Did I love the ending? No, but it wasn’t bad. It was just okay.

The romance ticked off most of my favourite tropes and the acting was flawless.

Se Ri is such a good character. Businesswomen are often portrayed as cold and heartless, and it’s kind of how she’s perceived in SK, but it quickly becomes obvious that she’s anything but. She’s extremely warm, funny and charismatic, and if she trusts someone (basically, if they’re not her family) she actually shows her vulnerable side. Also it’s great to see her thrive when she’s around people who care about her.

Great ensemble. The secondary characters are so attaching. The non-evil ones I mean.

Extraordinary You (ep6 of 16)

Teenager figures out that she’s a comic book character and, unhappy with the direction of her story, takes matters into her own hands.

It’s still early on for me but I love this fresh take on the concept. I actually don’t know where this is headed, and I’m anticipating the twists and turns.

I love a heroine who takes charge of her life.

Mysterious love interest is adorable and getting more fleshed out and compelling every episode. I can’t hate Baek Kyung though. At least not so far.

Joy of Life (ep36 of 46)

Mentioned last month.

I’m still enjoying this one a lot. It’s as funny and interesting as ever.

Wan’er doesn’t get that much screentime but she’s a great character. I loved that scene with the princess in ep30 or 31.

I’m still in love with Fan Xian.

Forest (ep12 of 32)

Businessman and demoted surgeon are reunited in a countryside village when he becomes a rescue worker for all the wrong reasons.

This one comes with plenty of mysterious childhood trauma and fate.

Gorgeous forest shots.

Park Hae Jin’s character has a soft side, but I have to say he often rubs me the wrong way with his attitude and values. Although he is changing. Jo Bo Ah’s is a lot more likeable, but I’m not in love either? BUT they have an interesting love-hate dynamic that I really like.

It feels like I can predict where the story is going and I’m not sure I’m going to like all of it, but we’ll see!

Chocolate (finished)

Mentioned previously.

I ended up liking it a lot.

The hospice setting was original, you don’t see too many kdramas speaking about palliative care. And if they do it tends to be about one particular character who’s dying.

Lots of food. Lots of heartbreak, which comes with the territory.

I loved the kids and their conversations with adults.

Lee Jun, who isn’t one of the leads, ended up becoming my favourite character. I found that I could relate to him more. Like, honestly I wrote a whole post about that and then I got self-conscious and didn’t publish it.

The romance at the centre of the story is somehow the least memorable thing for me, although there were a few great emotional moments. Usually tearful ones.

Terrius Behind Me | My Secret Terrius (finished)

Fugitive spy turns into the perfect babysitter for his neighbour, while investigating her husband’s murder.

I’d watched 4 episodes back in november, and kind of picked up where I’d left it.

It’s a lovely, heartwarming drama. Terrius with the kids makes for great comedy. That and the network of neighbourhood sort-of-spies, stay-at-home parents.

Go Ae Rin is a lovely, resilient character.

Yes there’s some big conspiracy and spy stuff but ultimately it’s more of a drama about two people dealing with the loss of a loved one in different ways, and learning that they can lean and rely on each other. (And their community.)

Find Yourself (ep19 of 42)

Supervisor and intern 10 years her junior begin a secret office romance.

Full disclosure: I skipped significant parts of these 19 episodes, that happens when I’m watching stuff really late at night and I need to know what happens next. Not before ep9 or so though.

The drama gives a great insight into the kind of pressure chinese women may feel to get married and have children by a certain age. For that reason, many interactions are very frustrating to watch.

So many characters dismiss He Fan Xing’s every accomplishment because she’s single, and I really want to slap some sense into them. She’s 32 but everyone acts like she has one foot in the grave.

Also very frustrating: the plot. As funny and entertaining as it can be, I get mad at the many misunderstandings and entangled relationships. I hate it when I can see the trainwreck coming episodes in advance. Maybe that’s just a “me” thing. It makes me anxious, which is why I’m currently taking a break from it. I think I’ll try to finish it though.

In a way it’s a great guide to what not to do in a relationship. I guess they’ll end up together in the end, but it’s not a smooth ride. Like, I hate how at some point she just assumes he can’t afford the gift he gave her and returns it without telling him! Girl, learn to communicate. There’s lots of lies on both sides tbh.

They do have chemistry though! Also Zhang Yu Jian from Le Coup de Foudre plays the main character’s brother and I enjoy seeing him in this completely different role a lot. I had no idea he had this whole range of facial expressions due to the fact that Yan Mo had a blank face 99% of the time.

My Holo Love (finished)

Lonely, faceblind woman ends up with expensive AI, falls in love with it. Unless it’s the hot human lookalike she’s into…

It’s only 12 ep, perfect if you like shorter dramas.

I can believe a human falling in love with an AI very easily, but the AI becoming sentient is usually were my brain draws the line. It’s still a very enjoyable drama. The hologram aspect gives it a fresh twist. And I don’t think I’ve ever seen this kind of relationship portrayed between an AI and its maker.

These are two very good-looking people. Not that the other dramas don’t have pretty actors but, just saying.

Best thing about it: it has a proper ending, which is a rarity for netflix shows. I hope they make more like this from now on.

#crash landing on you #extraordinary you #joy of life #kbs forest #jtbc chocolate #my secret terrius #terrius behind you #find yourself #my holo love #kdrama talk #monthly posts

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virtuamaes · 4 years

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Playing the Audience: Dealing with the Reality of Video Game Representation

If I asked you who comes to mind when you picture your friends or relatives that enjoy playing games, it’s likely that you draw a broad spectrum people of all races, age groups and genders who you know that spend hours on end enjoying video games whether on their phone, computer or consoles. Now for a follow-up question: think of as many lead characters from the most popular video game franchises as you can. The odds are that there is a wide disparity between the variety in the people you’ve known to play games, and the types of characters who take major roles in all the games that we play. As reported by the ESA in 2018, 41% of game-players in the US are women, and 31% of the entire game playing population are women over the age of 18, making a larger portion of the total than boys under the age of 18. So why is it that games aren’t representative of such a more diverse audience?

Well, the answer is rather simple when you break it down: the games industry is plagued with inequalities on several levels that prevent the prevalence of stories and games including or starring people from minorities or marginalized groups from being told. In a study done by 20-first for Forbes in 2020, they found that a mere 16% of the executive teams of the top 14 gaming companies across the globe were women. The battle against systemic inequalities in the entertainment industries and tech fields have been fought for decades at this point, with gaming as one of the newest fields when compared to businesses like the movie industry, which is currently going through its own reinvention as the deeply embedded tendrils of patriarchal dominance were made clear before the public in the recent #Metoo movements.

This could paint a rather bleak picture for the direction that games are headed, but the truth is that the gaming audience has certain advantages in helping influence where games can go from here. While insiders with industry access can do great things like create networks and organizations to help women and people of color land positions at studios to help their voices be heard, the gaming audience is well on its way to taking full advantage of social media and other resources to develop platforms to promote diversity in the industry and share exceptional examples of positive change in the industry.

Criticism is a Kindness

In her popular online web series Anita Sarkeesian argues that, “It's both possible, and even necessary, to simultaneously enjoy media while also being critical of its more problematic or pernicious aspects.” Anita is saying here that audiences gain nothing if they passively accept the flaws of the media they consume, whether they are fans or not. A conscientious audience must strive foremost to develop on those complex feelings they have with games such that they can continue to build and improve upon media no matter how foundational the problematic works are considered.

This isn’t to say that all criticisms come from a place of good faith, however. Anybody connected to the gaming space throughout 2020 will easily recall the wildfire that spread across social media when leaked footage and documents revealed controversial plot details in the much anticipated PS4 title, The Last of Us: Part II. This type of outrage does little to advance audience relationships with developers or promote an environment of critical thinking in the gaming audience, especially considering the game in this example hadn’t even been released yet.

An Informed Opinion

Given the rise of social media, it’s easier now than ever to develop a platform for you to share your opinions. Examples like this springboard post by Aaron Anthony Williams give us a great example of how modern audiences utilize their voices to contribute to the discourse and discuss issues our friends and those who we share interests with may not be fully aware of. Thoughtful critique of games has exploded within recent years as the cost of video editing and production software has decreased to an accessible level. Often times, developers pay special attention to these voices, especially when those concerns are shared over platforms that developers personally frequent themselves or where studios have accounts they make to interface with fans, good examples are Twitter and Reddit.

A queue building outside of my local Best Buy on Cyberpunk 2077's launch day, in December, during the pandemic.

Your Wallet’s Voice

Controversy surround games these days get as much or more publicity when things go south. Take Cyberpunk 2077, one of the most anticipated games of last year: controversy seemed to follow the game for several months preceding its release when CD Projekt Red, the games polish developers were entailed in a handful of scandals surrounding the game’s representation of trans people and ethnic minorities in trailers and demos. When we’ve got the advantage of reliable news sources reporting on the questionable content of upcoming games, we’re able to hold those companies accountable to their decisions by not investing in those companies when their games release.

This concept also extends to pre-orders, which are often incentivized by additional content or pre-release access by developers. Cyberpunk had earned much of its cash haul in the years between its announcement in 2012, and especially after its “gameplay trailer” in 2018, well before controversies surround its questionable depictions of minorities had become public knowledge. The lesson here being that the sooner a developer has its audience in their pocket, the less mindful they need to be to their audience’s sensibilities.

In conclusion, the relationship between developers and their audiences is a fresh new ground for change given the new tools available for the gaming audience. The majority of game development studios including those at the height of the industry have a long way to go in accurately representing the audiences that play their games, but the voices of marginalized groups have developed new ways to broadcast a more critical and responsible means of analyzing and sharing thoughts on games. This new wave of discourse surrounding popular games has a potential to affect change one even the largest game titles from a consumer level, which was an as yet unheard-of degree of cooperation between developers and their audiences, which casts a bright portend for the future of inclusivity in games.

Works Cited

· Sarkeesian, Anita. “Damsel in Distress: Part 1 – Tropes vs Women in Video Games”. YouTube, uploaded by Feminist Frequency, 7 March 20 21https://www.youtube.com/watch?v=X6p5AZp7r_Q

· Wittenberg-Cox, Aviviah. “Gaming Industry: Please Wait… Gender Balance Loading”. forbes.com. Forbes, 28 August 2020. Web. 26 February 2021.

· ESA. ‘Essential Facts: Diversity in the Video Game Industry’ 2020, ESA: Entertainment Software Association.

· Williams, Aaron A. "What Does Gender Have To Do With It: The Biases Of The Video Game Industry". The Future of Video Games. Springboard. 20 May 2016. Web. 26. February. 2021.

· Henley, Stacey. “It sucks that Cyberpunk 2077’s edgelord marketing worked so well.”. polygon.com. Polygon, 4 December 2020. Web. 26 March 2021.

· @zehugex. “Cyberpunk 2077 pre-sold 8 million copies prior to launch. That’s over $500m in revenue prior to release. For reference, GTAV did $800m on its first day including pre orders + day one sales.” Twitter,20 Dec. 2020, https://twitter.com/ZhugeEX/status/1336974249144315904

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creativity-is-rebellion · 4 years

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More Top 20 Must-See Horror Movies

Especially now we are in isolation, who doesn’t crave a good horror movie to watch? To that purpose, I have created yet another top 20 must-see horror movies, along with why you should be watching them. So get into your comfy clothes and blanket, grab some popcorn, and settle in to watch these horror gems (WARNING: May contain spoilers).

1) Ginger Snaps (2000)

I first saw this movie when I was fifteen years old, and, watching it recently, I was still impressed how it handles the perils of transitioning from teenhood to womanhood. Ginger Snaps follows the story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger Snaps is a terrifying movie with good character development, acting is convincing and it has a fast-paced story line. If you're into well-done horror movies Ginger Snaps is the movie for you. It is one of the best modern werewolf movies I have seen.

2) Annihilation (2018)

Drawing on mythology and body horror, Annihilation is an intelligent film that asks big questions and refuses to provide easy answers. It is Sci-fi horror at its best, boasting a very intriguing and unique idea whilst entertaining the viewer throughout the film. Definitely a must-watch.

3) Green Room (2015)

A punk rock band becomes trapped in a secluded venue after finding a scene of violence. For what they saw, the band themselves become targets of violence from a gang of white power skinheads who want to eliminate all evidence of the crime. Influenced by exploitation movies of the 1970s (and punk music of the 1980s), this horror-thriller is rooted in a gripping, grisly kind of realism without resorting to lazy coincidence or stupidity. This is again a fresh take on horror and worth a view.

4) 1922 (2017)

I learned from a great film critic many years back that your own best judgement of a movie is best discovered when you realise that you are still thinking of it many days later. This Stephen King film stays true to the iconic master with all the tell-tale signs of a Kings classic: A haunting grimness that lingers throughout the movie, a tragedy and of course, outstanding performances. The mother that returns from the dead leaves you in a crazy suspense of whether it is simply a dream, a man’s demented insanity, or an actual reality. Thomas Jane’s performance was stellar and totally believable as a farmer in rural America in 1922. He actually takes you through the movie as if you were part of him and what is going on. The message that Stephen King leaves you with is dreadfully powerful of how greed can destroy all. Definitely worth the watch, especially for Stephen King fans.

5) Evil Dead (1981; remake 2013)

Both versions of this movie are great, but I have a special fondness for the original, which was Sam Raimi’s directorial debut. The camerawork is amazing for a low-budget film, and the creepy atmosphere is eerily accurate. We feel Ash’s pain when his friend, sister and girlfriend are one-by-one changed into Deadites, and the ending keeps you guessing, and wanting, a sequel. I am quite a fan of the Evil Dead franchise actually, and have just finished watching the TV adaptation Ash vs. Evil Dead. I’m savouring the last episodes, and am sad that it got cancelled. I look forward to more from this franchise, hopefully in the not-to-distant future.

6) Get Out (2017)

This film is unique, telling the tale of young black man who meets his white girlfriend’s parents for the first time. Jordan Peele’s film delivers a chilling satire of liberal racism in the US. More than just a standard-issue thriller, this brutal, smart movie is impeccably made, as well as surprising, shocking, and funny, while also offering a compassionate, thoughtful look at race. Expect only the very best a film has to offer, with a nasty twist at the end that you won’t see coming.

7) Hell Night (1981)

One of the best things about this movie which follows fraternity and sorority pledges who spend the night in a mansion haunted by victims of a family massacre is that it stars legendary Scream Queen of The Exorcist fame, Linda Blair. Other than that, prepare for a fun, wild ride, the way every good slasher movie should be.

8) Insidious Part 2 (2013)

I actually enjoyed this sequel more than the first movie, as it was less plodding and more action-packed, with an intriguing antagonist in the form of the mysterious “Bride in Black,” who turns out to be the evil spirit of serial killer Parker Crane, who, as we know from the previous movie (SPOILER ALERT) has taken over the body of Josh Lambert, and is fighting for control of his soul. I enjoyed seeing the return of Elise Rainier, who was (SPOILER ALERT AGAIN) killed off in the previous movie. James Wan directed this second helping even more masterfully than the first. A must-watch.

9) Sleepaway Camp (1983)

This is a campy slasher gem, where they cast real teenagers, which elevated the drama of the plot somewhat. Sleepaway Camp tells the story of a young girl named Angela who goes to Camp Arawak with her cousin Ricky. Once the two arrive at camp, a series of events/killings leads the campers to discover that there is a killer on the loose. Sleepaway Camp is not in any way intense or fast paced. However, even though many initially might look at as a “rip off” slasher film, the movie does get creative when it comes to the brutal killings and certain aspects to the film that no one saw coming. Including the jaw-dropping twist at the end. I’m not giving it away. You just have to watch it.

10) Cold Prey (Fritt Vilt) (2006)

This movie takes full advantage of its snowy, secluded set-pieces, using Norway’s harsh winter landscape to masterfully build tension and heighten the sense of isolation. As horror movies go, Cold Prey is a slow-starter, committing the first third of its running time to investigating the signs of violence scattered throughout the hotel, allowing the characters to theorise about what pernicious acts may have taken place before the hotel’s abandonment. It begins at the intriguing yet deliberate pace of a psychological horror film as the sequestered friends, initially inebriated and giggly, explore the hotel and sharing secrets, but the movie’s party-hard atmosphere bursts open at the 40-minute mark to reveal a black horror centre. Slick and stylish, Cold Prey is a genuine pleasure to watch.

11) The Hills Have Eyes (1977; remake 2006)

Even if it echoes a better film (namely, The Texas Chainsaw Massacre), the original movie is still an important one to view for lovers of the horror genre. This is a sometimes ghastly - and occasionally absurd - shocker that really gets under one's skin. Though many critics initially despised the original outing, it has since been called one of the best horror movies of the 1970s. Scary-movie specialist Wes Craven made this viscerally-violent feature on a low budget, and some horror connoisseurs call it his best. Ultimately the "normal" people strike back with a ferocious blood-lust they didn't know they had, and the question is how much a "civilised" person can be pushed before one becomes a savage. Are the Carters really all that much "better" than Jupiter and his spawn? That is a question that you, as the audience member, are required to ponder.

12) The Dawn of the Dead (2004)

This remake of George A. Romero's 1978 sequel to Night of the Living Dead soups up the zombies, cranks up the gross factor to 11, and has a lot of cheeky in-jokes about its predecessor. In comparison with the original, out are the shrieking blondes and rampaging looters, in are smart, controlled Ana (Sarah Polley as a believable nurse not afraid to wield a fire poker) and Kenneth (Ving Rhames), who is exactly the kind of cop you want walking beside you if you are facing scores of the undead.

The zombies are a bit spryer in this film, and the pregnancy of one of the main characters is not the life-giving promise it was in the first movie. But the ending is what differs most from the original. If you're a fan of the horror genre, then this flick is a welcome, if derivative, fright-fest in the school of Romero's classics.

13) The Cabin in The Woods (2011)

What starts out as another five-band teen getaway to a cabin in the woods ends up becoming a fresh take on the trope, with puppeteers behind what is taking place, in a twisted game of Choose Your Adventure. The ending is fittingly grim, but you won’t be disappointed. Definitely worth one hour and thirty-five minutes of your time.

14) The Babadook (2014)

The feature debut of writer-director Jennifer Kent is not just genuinely, deeply scary, but also a beautifully told tale of a mother and son, enriched with layers of contradiction and ambiguity. It presents grief as a demon, questions reality, and creeps out the viewer by making psychopathology seem like something that could happen to anybody. The style of the film is not teasing exactly - it's too sad and lonely - but there is certainly a hair-pulling mixture of glum laughter and vast apprehension. Is the demon real? Does it matter? That’s for you to judge. Either way, if it’s in a word, or if it’s with a look, you can’t get rid of the Babadook.

15) Suspiria (Original and the Remake - 1977 and 2019 respectively)

Suspiria is a baroque piece of esoteric expressionism that you enter - and exit - without understanding so much as feeling. It's always fascinating to watch; the thrills and spills are so classy and fast that the movie becomes in effect what horror movies seemed like when you were too young to get in to see them. Director Dario Agento works so hard for his effects -- throwing around shock cuts, coloured lights, and peculiar camera angles -that it would be impolite not to be a little frightened. This entry stands out as it is a visually beautiful horror movie, a bright fantasy that lives off its aesthetic. If you are a horror fan and haven’t seen this movie yet, then you’re not living right. The remake is also worth a watch, something that is oftentimes unique in the horror genre.

16) A Quiet Place (2018)

This gripping, clever monster movie is one of those rare genre treats that seizes on a simple, unique idea and executes it so perfectly and concisely that it elicits satisfying squeals of delight. It's directed and co-written by Krasinski, who's best known for his work in comedy but translates his experience in that genre to the expert building and releasing of tension here. A Quiet Place is, in many ways, like an extended classic horror movie sequence, such as famous ones in The Birds or Aliens, wherein the heroes must try not to disturb packs of resting monsters.

At the same time, Krasinski uses his quiet moments like music, ranging from moments of restful beauty -- including a father-son trip to a waterfall, where it's noisy enough that they can talk and even shout -- to moments of pause. A loud noise can cause a jump, but it's immediately followed by tension and dread: Will the creatures come this time? The real beauty is the movie's primal quality, based on the most basic elements of life, such as survival and protection of the species. No explanation is given for the monsters' existence; they, like us, are just here. Images of water, sand, bare feet, crops, and plant life serve to underline the theme of life itself. A few overly familiar horror movie clichés keep it from being perfect, but otherwise A Quiet Place is so good that it will leave viewers speechless.

17) The Exorcist (1973)

Once famously dubbed ‘the most terrifying movie ever made,” this movie is steeped in urban legend, especially concerning the unfortunate happenings that occurred when it was being made.

If you think your teen is ready for this shocking film, keep in mind that some audience members in the '70s reportedly fainted after seeing Dick Smith's grisly makeup effects on Blair. In some extreme cases, viewers even required psychiatric care. Also, the moans, snarls, and profane utterances from Regan (most are actually the dubbed-in voice of a well-known older actress, Mercedes McCambridge) amount to some of the most chilling audio ever done for film.

Thanks in part to Linda Blair's wrenching, Oscar-nominated performance, The Exorcist was a huge hit, earning back 10 times its $10 million budget (a then-lavish sum, outrageous for a "mere" horror flick). Movie historians cite it (along with The Texas Chainsaw Massacre) as the conclusive end of old-school spook shows featuring Dracula and Frankenstein and bobbing rubber bats. If you haven’t watched it yet, you may have your horror movie fan card revoked.

18) The Final Destination Franchise (2000 - 2011)

If I had to list all of the movies in the Final Destination franchise in order of quality, I would say 5, 1, 2, 3, and 4. Fourth instalment withstanding, the series is a formidable addition to the horror genre, as the invisible killer, Death Itself, stalks its victims and kills them off in creatively gruesome ways after they initially cheat death. The fifth addition contains an awesome twist at the end which in hindsight you should have seen coming throughout the entire movie. Pay close attention. The only downside is (SPOILER ALERT) that none of the characters throughout the series really survive.

19) Let the Right One In (Lat den Ratte Komma In) (2008)

Please watch the Swedish version, and power through the subtitles. This is a horror movie that is tragic on multiple levels, as it deals with a lonely and bullied boy who so happens to live next door to a pubescent vampire. When her benefactor dies, we see how the main character’s life will also unfold, and what lies in his future. A must-see film that is more than just your average horror movie.

20) Terrifier (2017)

This movie definitely gets back to basics by paying homage to the original slasher classics. Art the Clown, who we are originally introduced to in the 2013 movie All Hallow’s Eve (also worth a watch), is a vicious horror movie villain who kills just for kicks. He also subverts the horror movie trope by using a weapon which was previously considered off-limits to horror movie villains, especially those with supernatural abilites (mostly, anyway). This movie also contains one of the bloodiest deaths in recent horror movie history. I like the use of practical effects over the often-overdone CGI. What is Art the Clown? Deranged killer? Demonic entity? Who cares? Its all good fun. Watch it now on Netflix.

I’ll probably be back again some time in the future with a further 20 horror movies that are worth a watch, because there are so many of them. To everyone, take care during these uncertain times.

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christinaroseandrews · 5 years

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Randomization and You: How to ask the right questions, know when to roll the dice, and decide when to invoke the word of God

One of the problems that writers often run into is when they’re world-building, plotting, and character-creating, is finding the answers to every foreseeable question ever. Which is your main character’s dominant hand? When were they born? Did someone get pregnant from unprotected sex? Who dies in this horrific event that didn’t happen in canon? What race is this random side character? You get the picture.

You can answer all of these questions on your own, and if they’re important, you absolutely should. But when it doesn’t matter, when you don’t care, or if you’re unsure, sometimes randomization can help. Randomization takes out bias. Or, conversely, a roll of the dice can clarify the direction that you actually want to go.

The two of us use randomization a lot. Not just in our fanfiction, but in our original works as well. We do it for everything from character birthdays to ethnicity to who a background character might end up with to who lives and who dies. Randomization is a nifty tool if you know how to use it.

In this meta, we’re going to go over when and how to randomize.

A note: there are major spoilers for some of our fanfic and minor spoilers for some of our original fiction. If you want to know what those spoilers are, please feel free to message us.

oOo

When is it a good time to randomize?

Randomization is best done in the planning stages. It’s not something you want to do halfway through the story (although you can, if you discover you need to -- we certainly have!), but it’s best done early on, when you’re still world-building, plotting, and creating your characters.

Say you’re creating a fantasy world. You know you have three countries that are going to be your primary focus. But does the world have more nations? You might not know the answer to that. In which case, it might be time to randomize.

It can also be used in character creation. Sure, you’ve got your main characters and you know what their main traits are, but do you know when their birthdays are? Or other seemingly unimportant details that may end up being important later, like religion, physical characteristics, or taste in entertainment. This is especially important when you’re dealing with secondary characters who may not be as fully fleshed in your mind when you’re in the character creation phase. Because seriously, unconscious bias will come into play here. The number of books and stories we read where the only characters are the ethnicity of the author is staggering. This is especially problematic when it comes to creating accurate representation. Randomization can solve this. Want to write a story about 5 friends who kick ass and take names? You can literally randomize every major trait -- age, gender, sexuality, race, religion, skillset… you name it. You don’t have to randomize everything if you have a vision, but you should randomize things that “don’t matter” like the doctor or the secretary or the janitor. Randomization can remove stereotypes and bias. It’s colorblind casting but for the author.

You also can choose ranges within which to randomize -- for example, if said story is about 5 teenagers, your range can be 14-18. You are definitely not required to use all possible options while randomizing.

Then there’s randomization when you develop your plot. Say you’re writing a romance. You know your main characters will end up together. But what about your secondary characters? Your main characters’ best friends/siblings are going to end up meeting. Do they hook up? Are they interested? Believe it or not, Prim and Bing getting together in Floriography was entirely randomized. (Floriography has since been turned into an original work, The Language of Flowers -- but we kept said randomized relationship.)

Another thing -- in a romance, you know your main characters will end up together and you may know how they get there. But what if you don’t? You can randomize where they have their dates (using both typical and atypical choices such as a restaurant or a monster truck rally), other events that might interfere, and various other beats in your plotting.

Or the biggie... who dies in a major event? Plot Armor is lovely. The trio in Let Me Fly has Plot Armor. (We are not killing our trio, stop asking!) But everyone else… nope… no Plot Armor. That meant when Johanna Mason failed her rolls to survive the flu, she died. We love Johanna. Love her. She’s a blast to write. But she wasn’t crucial to the story we wanted to tell, so she died. The same is true for a lot of other people in our stories. Some deaths we’ve planned. But some that happened ended up changing the story… we’re looking at you, Third Quarter Quell deaths in Let Me Fly. Don’t think we don’t see you. Justice for Justus, indeed!

So yeah. Randomization can completely change your plot and understanding of the characters. It can even help you out of an “I don’t know what to do!” slump.

You want to go wild with the randomization? Go to TV Tropes and pick a list of tropes that would make up a main character. Pick a list of villain tropes. Pick a list of plot tropes, romance tropes, whatever. Number them all, shove them into a list, use a randomizer, and pick ten of them. Congratulations, you now have the outline for a short story. Think this doesn’t work?

Well… here goes.

We went to TV Tropes Character pages first to get our protagonists and antagonist. And this is what we picked.

Sounds fun, right? I bet you can start imagining stories that could fit these tropes already.

We ran these through the randomizer and got the following:

A Gentleman Thief and a Big Beautiful Woman Wake Up in a Room on a spaceship wearing matching rings. The door opens to reveal a notorious Space Pirate who congratulates them on their Accidental Marriage. Unfortunately they won’t be able to enjoy the honeymoon Mwah-ha-ha-ha! While they are making their escape, they end up someplace where they have to truly pretend to be newlyweds and they realize that somehow along the way they’ve Become the Mask and are truly in love. YAY!

Sure it’s pretty rough and there are some parts missing, but it’s an absolutely viable plot… and I’m fairly certain I’ve seen something like this before. This is a great way to get out of a writing slump or even your comfort zone.

It’s all about asking questions and deciding if you know the answer, if the answer is necessary, and what the possible answers can be.

oOo

How do you randomize?

Randomization isn’t always as easy as rolling a die or flipping a coin. Sometimes it takes creating spreadsheets or lists, while other times it involves understanding probability and percentages.

For example, say you’re writing a fantasy novel that features swordplay. Knowing if someone is left or right handed is actually plot-relevant. However, fifty percent of the population isn’t left handed. Here, Wikipedia is your friend. Knowing the percentages will help you know what numbers to use.

Another common time to do randomization is pregnancy. Depending on what method of birth control and/or pregnancy prevention your characters are using, you can research the failure rates. For example, when figuring out if Katniss was going to get pregnant during the arc of Brand New Breeze (second arc of Let Me Fly), we looked up the failure rate for the rhythm method and applied it to each menstrual cycle she had -- which, by the way, the length and duration of her menstrual cycle was also randomized. She did okay for the first few months, and then all of a sudden, right around the time that the three of them got married (which was not randomized), she got pregnant.

That opened up a whole slew of other randomizations, including: did the egg implant? Did she have a miscarriage? Was she carrying twins? Who was the father? Was the baby a boy or a girl? What were its eye color, skin color, and hair color (based off of the parents and what was genetically possible)? How difficult was the pregnancy? When exactly did she give birth? How long was the labor? How difficult was the labor? What time was the child born? What were its length and weight?

You notice that was a lot of questions. But they came in order. The first question that got asked was: did she get pregnant? The rhythm method is one of the least reliable forms of birth control. Without proper medical data, Katniss was guessing, which increased her chances. According to the Mayo Clinic, thirteen out of every one hundred women get pregnant. Because of other reasons, we upped it to twenty percent for Katniss.

Using random.org, we rolled on a 1 to 100 scale for each menstrual cycle, with a roll of 81 or higher being a pregnancy. Katniss did not get pregnant on her first two; she did on her third.

After conception, there are two primary hurdles to a pregnancy. The first is implantation. Many fertilized embryos never implant. The numbers change based off of the age of the mother, the health of the mother, and other environmental conditions, but it’s estimated that at least 30% of fertilized embryos never implant. So Katniss got randomized on that with a roll of 30 or below being a failed implantation. She rolled higher.

Then there’s the risk of miscarriage, which, considering Katniss’s environment, health, and activity levels, we gave her a flat 30% chance of miscarriage. Again, she did not miscarry.

Then it was just answering a lot of yes/no questions and looking up pregnancy-related details. Did you know that the chance of twins is about 10%? Identical twins is 1%, so the other 9% are fraternal. If there are fraternal twins, they can have different fathers.

We didn’t roll for anything higher than twins because the chances of Katniss surviving a pregnancy with triplets or more with no medicine are extremely low, and that’s if she even got pregnant with more than two babies at once -- which is highly unlikely. We did not roll for Katniss dying in pregnancy. That was us invoking the word of God.

But wait, you ask. Didn’t Katniss have a chance of dying?

And you would be correct if this were the real world and not words on a page, Katniss would absolutely have a chance of dying in pregnancy. However, that was a direction we were not interested in exploring, and that’s when invoking the word of God becomes necessary. You have to know what you are comfortable writing as an author. Not everyone wants to write a pregnancy, so they might say, “Nope! This unprotected sex did not result in a pregnancy!” While others, like us, will occasionally roll for this -- while other times we’re like “Nope!” Trust us, we’ve totally noped Katniss getting pregnant… random.org has it in for her, I swear!

Some people might’ve said “oh hell no, I’m not dealing with a pregnancy in this story” and that’s perfectly fine. They wouldn’t even have rolled for it. It depends on what you’re willing to do as a writer. But often that’s something that randomization can help you with… knowing your own mind. Because oftentimes people don’t know where to go next because they have choice paralysis… randomization can help solve that problem.

oOo

So when do you invoke the word of God?

Well, here’s a secret. The two of us invoked the word of God when it came to both of the Hunger Games in Let Me Fly.

For the 74th Games, the original randomized winner was the girl from Three. Unfortunately, that did not work with our plot. Three was too far from our group for Cressida and her group to flee from there and conceivably make it to our characters, which was a plot point we wanted to happen. So we rerolled with an eye toward what would work, and Taylor, the girl from District Eight, won.

For the 75th Games, the initial randomized winner was the woman from Eight, and -- having plotted the 74th Games -- we realized that the Capitol really wouldn’t be okay with back-to-back winners from an outlying semi-rebellious district. So we rerolled and got Chaff. (By the way, some of the side characters -- the infant for instance -- had zero chance of making it out of the bloodbath alive, and each other character had a percentage for what their chances of winning were based on their age, skill, and other factors, and we used a 1-100 scale for randomization.)

However, there was another thing that happened that basically has colored our plot from the moment that it happened.

Justus came in second.

The six-year-old kid only had a two percent chance of being picked at any specific time. But he came in second. And we took that and ran with it.

That is how randomization can end up creating plot for your story, and also why you want to do it fairly early on. If your outline changes, you may need to do it later. Or if you’re a pantser. But if you’re a plotter, you’ll want all your ducks in a row before you get started.

In reality, randomization is all about asking questions and figuring out probabilities. And sometimes the questions can tell you which way you want to go -- and you end up answering the question itself without randomization ever coming into play. Or the randomization tells you which choice you wanted… something you often know by your reaction to the choice you rolled. (If you groan at something you roll, it is probably a choice you’ll want to override.)

Remember that you are not bound by your randomization. If you absolutely hate something that randomized and can’t figure out how to make it work, throw it out! It’s still giving you valuable information, because it’s telling you something about where you don’t want the story to go.

Sometimes it’s even fun to work with the hard things, the complicated things, the stuff you never expected to roll. Making something surprising work is a challenge -- and a way to grow as an author. But if you can’t or don’t want to, you can always toss your randomization.

oOo

So why would you want to randomize?

One of the downfalls of being a writer is that you know everything about your story. Where it’s going, the relationships, everything. Randomization creates that feeling of wonder that you experience when doing something new. It allows you to brainstorm, and it can force you down paths you might not otherwise have chosen to take.

The two of us were very hesitant about pairing up Prim and Bing in Floriography (later The Language of Flowers). They were the siblings of our main characters, they were seven or eight years apart in age, they lived a good four, five hour drive away from each other, they’d just met… and would they even want to be together? We asked the question on a whim. And then we rolled it. And then we ran with it. And it’s become one of our favorite pairings ever.

We would’ve never paired the two together if it weren’t for the randomization.

We’ve even done this when writing whole fics… like we didn’t know what we wanted to write, just that we wanted to play in a particular fandom. So we rolled what characters we were going to play with. This is how we ended up with a Darcy/Tony/Sif threesome because Why Not?

We also do this with original fiction all the time. As stated above, it deals with the unconscious bias that we carry in regards to racism, sexism, and a whole slew of other -isms/-phobias. It can also help shape directions where you might take a story. Like our Adeniyi Siblings Series… we initially had all of the siblings paired with white characters… but then (thankfully) we realized the serious Unfortunate Implications… so we broke out the randomizer. Other than Paige (who we’d already written her story). All three of the other siblings’ significant others changed, and it made our series better in the long run.

In addition to removing bias and answering questions, randomization can be fun. Even if you never incorporate what you’ve randomized, you’ve got these little details, special things that you know about the character or the plot or the world. We can tell you EVERYTHING that Katniss and Prim hunted and gathered in Damaged, Broken, and Unhinged. We can tell you every single character who got sick from the flu in Let Me Fly. This is information that none of you need, but gosh darn it it was fun to find out, and it colored how we wrote the story even if the specifics never made it on the page.

As we’ve hopefully explained, randomization can be a powerful tool in the writer’s toolbox. But like any tool, it’s about knowing when and how to use it. We recommend using it to answer questions. Develop plots and even plot twists. And most importantly, remove unconscious bias.

Now if you’ll excuse us, we have a Gentleman Thief and a Big Beautiful Woman demanding that their story be written.

Until next time!

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korora12 · 5 years

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Tagged by @corisanna

1. What is your favorite relationship type to write/read? Romantic, platonic, familial, and any subtypes.

I like romantic relationships that don’t rely solely or primarily on physical attraction, but instead on a deep similarity between the two characters. I like when two people meet eyes and realize that “You understand me. You get me better than anyone else I’ve ever met, and I feel less lonely knowing that someone else sees the world the same way I do.”

2. How much or what kind of research do you do for your fiction? If you don’t write, has a fic ever made you curious enough to research something?

Only as much as is necessary. I usually use research as a springboard for inspiration when I hit a block, letting myself wander the fields of Wikipedia until I stumble upon something that knocks the block loose.

Of course, sometimes I research stuff just for fun, with no relation to my writing whatsoever, until some random point down the line where it suddenly does and I’m super happy I already know [Random Fact #237].

3. What was the first work of fiction you remember becoming completely engrossed in?

Hmm. Probably Animorphs. I remember doing everything I could to hunt down the numerous books in the series (back in the ancient, pre-Amazon Prime days). I’d prowl the various school and public libraries near me, ask for specific books in the series for Christmas and birthdays, and even buy the occasional book at the yearly Scholastic Book Fairs, using what little money I got for an allowance.

I made it most of the way through the series, but then there was one book, near the end, that I couldn’t find, no matter how hard I looked. And it was an important, plot-changing, book that I had to read before continuing. Which meant I never actually finished the series.

Of course, nowadays you can find them all online as pdfs. Maybe I should revisit the series sometime and finally finish it. I already know how it ends, but I still feel like those last few books deserve to be read.

4. What work(s) had a lasting influence on you or your writing style?

Going back to Animorphs again. There is a straight-line connection between me reading that series as a child, through my elementary school friends Brooke, who was obsessed with dogs, and Caitlin, who was even more obsessed with dolphins (I used to find pictures of dolphins in magazines and cut them out just to give to her), through my Grandma’s love of science, all the way to my decision to study Zoology in college. If I had never read those books, I wouldn’t have developed the passion for animals and animal behavior that has shaped my life for over two decades.

Also, stylistically speaking, I really respect that series for how it treated its readers. Its target audience was grade schoolers, and yet it never shied away from showing the realities of violence and war. I don’t know that I’ll ever write children’s literature, but I’ll always have this series to remind me of what kids are capable of understanding and handling.

5. What kind of sound environment do you prefer for writing/reading? Silent, white noise, music with/without words, sitting in a public place with the ambient noise of humanity, etc.

Depends on how well my brain is cooperating. Pure silence is ideal, but more often than not there’s some manner of song stuck on repeat in the background of my mind, and the only way to drown it out is with non-lyrical music of some sort. Usually I try to pick songs that match the mood of whatever scene I’m trying to write.

6. Are you or do you like authors who are teases, in story or out?

¯\_(ツ)_/¯ I’m a big fan of the Death of the Author trope, so I tend not to get too worked up by whatever the author may be saying and just let the story speak for itself.

My first instinct is to say that an author shouldn’t worry too much about what their fans think and should write the story they want to write, and it will find readers that appreciate it. However, I recognize that the nature of serial online writing, such as fanfiction, changes the game a bit. Such authors have a much more immediate, direct connection with their readers than authors who release one or two physical books every year or so. Some authors take that to an extreme, turning stories almost into a dialogue with their readers, each new chapter in some way defined by how people reacted to the previous one. And that doesn’t even touch on Quests, a type of story on forums sites such as Spacebattles and Sufficient Velocity that require player input on a regular basis to continue. In these types of situations, I can hardly blame an author for playing with their readers heads a bit. The reactions they have can be a form of entertainment all their own.

7. Have you ever experienced a “the characters write themselves” or “character rebellion” mental state?

Not yet. For the time being, I remain in complete control of my universes, but I recognize the hubris of assuming this to be a permanent state.

8. Do you have a favorite franchise crossover? Like Bleach/Harry Potter, Madoka Magica/Card Captor Sakura, etc.

I don’t know if I have a particular favorite. I was really fond of Secret Trio for a while, which is Danny Phantom, American Dragon Jake Long, and Randy Cunningham 9th Grade Ninja. I’m still very fond of the Disney/Square Enix megacrossover that is Kingdom Hearts, despite being very disappointed in the most recent game in the series. Then there’s Kino’s Journey/Anything, mostly because I love Kino’s Journey, and I love seeing her response/reaction to various other worlds.

Also, Stargate/Anything. The only reason I ever started watching the show was because I’d read several different fics, all in different fandoms (Avatar, Yu-Gi-Oh, Star Wars, Naruto), and all of which crossed over with Stargate. Despite the similarities, both being sci-fi stories set around the turn of the millennium involving mind-controlling aliens, I’ve yet to see a good Stargate/Animorphs crossover. It’d be pretty easy to do, too. There’s a point in the Animorphs series where they decide to bring knowledge of their guerrilla war to the attention of the US government. If they’re already in the Stargate universe, I’m sure the president will quickly pass the problem along to the experts, and suddenly you’ve got the perfect setup of adults who think they know how to handle the problem, are mostly right, and don’t want kids fighting in a war, vs child soldiers who have no intention of giving up the fight so near its end, even if the adults are more competent than they expected.

I’m gonna have to write it myself, one of these days, if no one else gets around to doing it.

9. Do you remember anything about the first fanfic you ever read?

Two Halves by DameWren. My first fandom was Naruto, and my first fanfic was a NaruHina fic that both introduced me to the concept of fandom, and also sold the ship for me in a way that I’ve never shaken. I remember very little beyond that, except that it managed to correctly predict that Naruto would go on a training trip, despite being written before such an event happened in canon.

10. Is there a work of fiction that you are annoyed doesn’t have much if any fic? Like Bizenghast.

Kino’s Journey, Cowboy Bebop, Double Arts (just never got enough attention in general)

11. What fictional character do you strongly identify with?

Weiss Schnee, from RWBY. While I’ve never been accused of being rich, I am a middle child with a much older sister that cut ties with the family when I was young and a younger brother that I never got along with while growing up. My parents were also abusive, my father physically and both of them emotionally, and they taught me a number of unhealthy ideas about race, amongst other things, that I’ve had to put serious effort into unlearning. And I have, since becoming an adult, traveled long distances across the world, partially for my own benefit, and partially to distance myself physically from a family I’ve never felt particularly close to, resulting in a drastic personality shift that took a couple years to complete, but ultimately left me a very different, and much better, person.

So, yeah, Weiss is basically my favorite RWBY character, and one I really need to write more often, all things considered.

That was fun! I’ve never been tagged in anything like this before. My turn for questions!

1. What is your the most recent fandom you’ve gotten involved in? Have you made any content for it?

2. Do you have a favorite AU/plotline that you love regardless of fandom (ie. Peggy Sue, Coffee Shop AU, Space AU, Self-Insert)? What about it do you like?

3. If you write, how do you go about deciding a character’s sexuality? If not, do you ever have any sexuality headcanons for characters?

4. What’s the longest fanfic that you’ve ever read, beginning to end?

5. How often do you make something you’re proud of? Doesn’t have to be writing, just has to be something that wouldn’t exist if you hadn’t made it yourself.

6. What are your opinions on OCs in fanfiction?

7. What is your favorite storytelling medium (ie. television, written word, spoken word, video games, song, etc.)?

8. What was the last song you had stuck in your head, and what was it about?

9. Do you prefer reading/writing stories set in fictional worlds, or stories set in the real world/real world analogous (ie. Supernatural or Marvel Comics)?

10. If you could bring one fictional character into the real world, who would it be and why?

11. Pick your favorite of the questions I was asked to answer for yourself.

I just realized that I don’t know how many of my followers are writers. I guess @hunkygoddess @tmifangirl21 @queendarktigress @ladyvallhalla @i-mushi @xekstrin @shinobicyrus and anyone else who sees this and might be interested. No pressure, it’s just for fun!

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bpdanakins · 5 years

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Name ten favourite characters from ten different things (books, tv, film, etc.) then tag ten people

I was tagged by the dear @gffa who clearly enjoys making these lists and seeing everyone else also struggling with just choosing ten. It’s hard but I shall do my best sdfk <3

1. Lara Croft - Tomb Raider Okay, let’s just get it out: I prefer reboot!Lara. idk I know some people think she sucks and the games suck for whatever reason, but I found the games and their mechanics super fun, and Lara’s story really compelling. She was a young girl who was determined to make her own way in the world, and instead went through something extremely traumatizing. She kept pushing through, kept getting back up no matter what the world threw at her. She went on this clear journey that was compelling and fun and messy. She wasn’t perfect. She pushed people away, she fucked the world up because she was determined to find the answers she felt would make all she went through make sense. Her survivor’s guilt was present really well in RotTR but most especially in SotTR. People were dying but she was so focused on finishing her personal mission. She was numb to it despite the fact it still horrified her. And her arc ended well. She finally was able to reach a place where she was able to let go of her losses and try to join society again. And I’m gay for her. So, you know.

2. Senua - Hellblade: Senua’s Sacrifice I cannot recommend this game enough. It’s tough to play bc it’s not just a horror game but you feel a lot of Senua’s anxiety, which is part of the point to the game. Senua’s a Celtic warrior who suffers from psychosis, and the game devs worked directly with both professionals and those who experience psychosis. There’s a whole mini doc to it which is great, even if you can’t stomach horror. You’re in Senua’s head with her throughout the game. You see what she sees, you hear all she hears, and she talks to you directly at times. But the beauty of the game is Senua’s true journey. She goes on a quest to try to rescue a loved one she lost to Vikings, but the real story is about a girl realizing she’s not a monster for seeing the world differently. That the abuse and ableism she faced weren’t her fault at all. There’s so many little things I can point to in this game that just made me so emotional, and it’s such a beautiful and necessary story to tell. Senua is great and deserves a hug.

3. Anakin Skywalker - Star Wars If you asked me at what point in my life Anakin became one of my favourite characters, to the point I frequently talked about him even on my main blog at random intervals, I couldn’t tell you. I haven’t the faintest idea; he just was. And if you asked me why he was a fave early on, I also couldn’t tell you lmao. It might partially be that I grew up on the prequels, and maybe at such a young age I didn’t really grasp at first that this was a story about a guy who was already revealed to be a villain, but I haven’t the faintest clue. He just is now, and I’m so passionate about his story. He’s complex and difficult and written so well. You want him to be happy, you feel heartbroken seeing a good character fall so deep, and you want to smack him upside the head a whole lot. You laugh at his silly dialogue (which he has as Vader too smh), you cry when you see him struggling, you become horrified by his actions. His story’s also a great inversion of the Chosen One trope - whereas usually we see Chosen Ones struggle, become imperfect and undoubtedly traumatized, they remain heroes the whole time. Anakin doesn’t. He becomes the bad guy, one of the worst in the series (Palps takes the award tho). But even then, when you think this guy has nothing to offer but an intimidating villain, he’s shown to have good. And then we see how much good he had all along, the good he forgot and was punished for and hated himself for. His heart that had good intentions but he chose the worst actions. He’s complicated and I love him. And more over, I love how many people who struggle or have mental illness can relate to him. I love that he wasn’t treated as a guy whose actions were glorified, but that were honest in both the good ones and the bad ones. Anyone can fall, and anyone can get back up, if they choose to. I just. Love him. He means a lot.

4. Commander Shepard - Mass Effect I know that Shep is technically the player’s character and can be any combination of person, but anyone who’s played Mass Effect would get why they were put here. The original trilogy for Mass Effect touched on so many things, and was a really emotional one. You had your great moments with friends, you had your struggles against both unknown horrors, and horrors close to home (so to speak). There are so many small moments that stick out to you, and idk how many people can say that playing this story didn’t impact their life in a meaningful way, bc I can’t see how it couldn’t. I’ve played the games many times, but even after all of this, there are moments that I not just still get emotional to, but take on new meaning as I go through my life. And Shepard’s the hero of the story. They’re not perfect, and they can downright be an ass if you play them that way, but their story is one of perseverance, of fighting on even when entire worlds are being lost and everyone is still looking to them. Everyone needs them to find a solution. But even then, it’s a story about friendship too. About tons of amazing characters that all have their own motivations, their own pasts and goals and hopes and failures. About how all these varied characters become a found family. And so Shepard’s the hero of the story, but their companions aren’t just there to be sidekicks, but end up with all their own accomplishments and arcs and you go on this journey with all of them. idk the whole series is great dsalkkljads

5. Lexa & Clarke - The 100 Let’s not talk about how terrible this show got and how messy it was because we all know. But it started with a really compelling story that was interesting, and to see two characters on screen who were flawed but understood each other, and to have them both be women - one who was a lesbian and one who was a bisexual?? It made me so excited and it’s a really flawed show but it meant a lot to me at the time to have a couple like that on a tv show, and so despite all its flaws, that relationship still means a lot to me.

6. The BAU team - Criminal Minds Yeah, I put the entire friggin team down, and that means all of them. There was only maybe two or so characters that were on it I didn’t like so every iteration is put down. Criminal Minds isn’t exactly a complex show; it’s a typical crime drama, and its unique feature is that it looks into the behaviour and minds of criminals instead of finding the science, like we saw with CSI. But the episodes were compelling and entertaining to watch, and, what do you know, there’s a found family at the center of it all and naturally I’m a sucker for it. Strangely enough this show is kind of a comfort one to me, bc it’s entertaining but not always overwhelmingly emotional. I can put it on at any time and just have it on in the background, or when I’m not feeling well, and I’ll enjoy myself. Also strangely enough, I’ve seen almost every episode enough times that there’s a game in my house to see how long it takes for me to recognize the episode and its plot once a rerun is put on lmao. There’s a lot of good shows like this out there - I enjoy SVU a lot too - but something just draws me to the characters on this one. We’ve been with them for, what, 14 seasons?? And we’ve seen them go thru some shit, we’ve seen them grow and change and they’re all really unique. It’s not a complex show but it is good enough to just binge. A part that plays in it is probably the time in my life I started getting into it too, but I’m alright with standing by it.

7. Korra - Avatar: The Legend of Korra I probably don’t need to wax poetic about atla or atlok much at all. I just love her journey, as a brash and overconfident girl who realizes that being the Avatar is hard, the people expect so much and there’s a lot put on your shoulders. That, when things go wrong, people will blame you. She went and became this giant blue monster thing, but her struggles were all human. Her PTSD was shown really well, despite it being a kid’s show. She’s fun and her journey is lovely and it’s definitely true that Korrasami did it way better, and both characters are bi women too (◡‿◡✿) We Do Not Talk About That Dumb Love Triangle Nonsense Though

8. Chloe & Max - Life is Strange What can I even say about this game? I don’t know. If you’ve played it, you’ll know why it’s here. It’s.... way deeper than you’d think it’d get at first. I love the story, and I love the journey Max and Chloe go on together. I love their friendship, how Chloe was always trying to uplift Max and encourage her to follow her dreams, and Max just doing the impossible for Chloe. I love their relationship, because it was built on support and love and struggle. I love their complexities, their flaws, their strengths, their times together. I just fskljdjlksfd love them, I love this game and all its various stories and character arcs. It’s all so beautiful and raw and unique and yay, another pair of ladies loving each other is on this list.

9. Solas - Dragon Age: Inquisition Okay. There’s a TON of characters I adore in Dragon Age, and to be honest, I don’t know he’d be my absolute top one. But I do like his story. I love Dragon Age companions, because, like in Mass Effect, they’re all their own characters with their own stories and journeys. Solas is flawed. Like, really flawed. Here’s another guy on my list who went and fucked up the world a bit. His worst actions (and the consequences of them) were built on good intentions, on his desire to help his people. We can get into the way this direction BW went with the elvhen religion was icky, but it’s a different conversation. I adore elvhen lore and I love exploring theories on it all the time. For Solas, I just like that he’s complex. I mean, he’s still silly and kinda weird, and he loves to hear himself speak on topics and loves Lavellan for encouraging him to never shut up, but most of all I kind of like their relationship? A friendship with Solas is still great, but I like that it’s an asexual one (don’t fight me on this, idc, it’s how I see it). It’s soft, built on mutual respect, one with no pressures or expectations. Solas asks for time and Lavellan gives it. There’s no fade to black s.ex scenes that so many times aren’t optional in BW games. I just really like my asexual wolf god egg ok

10. Mulder & Scully - The X Files Okay, it’s super hard to choose characters for this holy heck. BUT I really, really, really love their relationship. Mulder is an idealist who believes in the supernatural, and Scully his pragmatic scientific counterpart. And we could talk about how Scully’s character as a woman in science meant to a lot of people, and how Mulder’s tenacity to not give up on his beliefs is a nice one (when it’s not getting him into trouble). Their relationship is the slowest of slow burns in television history, I think. But it’s good that way. Scully starts out thinking Mulder’s just a delusional guy, one who’s intelligent but wastes his accomplishments, and he knows that. Then they go through shit, they’re a team and many times it’s them against a whole bunch of unbelievable stuff (and their own government). What I loved most was also their son, and I’m literally deleting all knowledge of the new seasons from my brain bc I think it was gross and took away from the story, but I liked that they were so close, loved each other so much despite there not really being a romance yet, that Scully trusted to go to Mulder to donate to her bc he was the only one she could think of for this. It’s another asexual relationship on screen, and it’s built on a love that happens over time. I just fljksdfkjl could go on about it too.

This was hard lmao. I wanna give an honorary shout out to Peggy Carter since she had wonderful lines like: “I know my value. Anyone else’s opinion doesn’t really matter.” Which is *chef’s kiss*. Peggy was the true unsung hero of the MCU and they gave her and Steve a weird ass ending.

idk who to tag bc I’m not sure who’d be into this, but if you’re willing, I’d love to hear from @sapphicfinalpam, @mariaromanovs, @vinterskald, @zombiefishgirl, @nb-aziraphales, @serkonans and anyone who feels like doing it. Feel free to obvs ignore this, or only make a list without rambles, idk. I am never too sure about who’s into this or not, but if I didn’t tag you and you wanna do it, you can just say I tagged you and I definitely wanna read what you have to say!

#liz.txt #long post #there are others who were left out bc this shit's hard!! jldskljf #thanks gffa (◡‿◡✿)

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managician · 5 years

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ARC V Anniversary Day 4

Discussion prompt: Who’s your favorite character(s)?

Hoo boy, I ended up making a top 10 because there’s so many lovable characters in this cast and I want to talk about them all... Warning for incredibly long descriptions as the top goes on (I’m sorry for mobile users)

10. Reira Akaba

Look at this precious bab. Right off the bat I knew I would like them — I have a kind of weakness for child characters (Rua is one of my faves from 5DS too for a reason), but I never actually expected to love them as much as I do right now. Seeing this little afraid kid with no sense of self grow into a person of their own and playing a literal key role in the resolution of the final conflict was so satisfying.

09. Ray Akaba

Aand naturally, with me loving Reira it probably comes off as no surprise that I love Ray too. Even with the extremely limited screentime, she shot through the roof as one of my favorites. She was no goddess or super powerful entity that had the equal means to fight Zarc, but she did so anyway. And she won. She’s the porter of an incredibly inspiring message and pretty much symbolizes the core of ARC V’s narrative; she saw trouble and she knew cowering in fear would solve nothing, so she took a step forward with courage and believed in her own worth. POINT IS, Ray is awesome.

08. Rin

Ahh, Rin... It’s one of the few cases where it’s hard for me to articulate what I like about her the most. I actually wasn’t super invested in her when I first finished watching the show, but one of my friends really likes Yugo and Rin and that got me to think more about her beyond her lack of screentime, and I found myself suddenly appreciating her a lot. She has all her pragmatic yet caring personality and goals scattered throughout the show if you pay attention to her interactions with Yugo, and you can actually get a extremely solid grasp on the kind of the person she is — even her deck plays into it (a logical and ruthless Burn Damage deck, which showcases she’s not here for anyone’s bullshit).

07. Shun Kurosaki

Shun is a fairly biased case for me, I’ll totally admit. I didn’t actually like him that much during my watch of the show though, and it wasn’t until the XYZ/Fusion Arc that I looked at the events of ARC V in retrospective and realised how much Shun had been involved in. I’m a sucker for stoic and ruthless characters learning to trust people again, and Shun fit into the mold perfectly. And he definitely did strike me as cool from the first go, with Rise Falcon’s insane OTK against the LDS Trio back in Standard, so even if I wasn’t actively rooting for his character I wanted to see what direction he’d take. Seeing him grow and finally make peace with the Yuto/Ruri situation at the end of the show made me incredibly happy; I think that he could finally start leaving all the bitterness and pain behind and begin a new journey of hope with his comrades.

06. Serena

Another case of me being somewhat (okay, really) gay and biased for girls. I loved Serena right from the first go; her pushy and pretty aggressive personality caught my interest, and we got a glimpse of her backstory with Reiji pretty soon after her introduction, which made me feel connected with her very easily. Yet another misguided Academia student — though her arc is completely different compared to say, Sora’s or Dennis’s. She had even less information about the outside world than the rest of the Fusion gang did, and so of course the key for her was learning the truth. Thanks to Yuzu and Shun she was able to check by herself how horrorific her Academia comrades’s actions had been, and she immediately decides to fight against the injustice. There’s something admirable about her relentless courage and will to do what’s right, and she never stops being herself and fighting like she wants to the very bitter end. Pretty inspiring for me, honestly.

05. Reiji Akaba

And we enter Top 5, starting off with Reiji, who is frankly the trickiest character for me on this list. Unlike many people I know I didn’t ever think of him as an evil or dettached rival, because of... His scarf. Yes, his stupid gravity defying-scarf. Red symbolizes heroism in many Japanese shows, so I had the hunch that Reiji would end up acting nicer than he did at the beginning of show. And boy, did he. He’s an incredibly compelling and well-rounded character who is a clear contrast to Yuya’s bright entertainment, and he expresses his emotions in a very subtle way. He’s an unexpected rival who subverts tropes left and right, just like the protagonist; and while it’s clearly a case of the “I Had To Grow Up Too Early” trope, it’s executed so brilliantly well that you can’t help feel sorry for him, even if you don’t particularly like him. ...Which was actually what happened to me, I barely cared for him in my first watch of the show... And then I loved him and suddenly he was in my top favorites. He’s so great.

04. Sawatari Shingo

I’ll say it right from the go, I didn’t ever think a character of Shingo’s type could get me so interested. From the beginning of the show I saw him as Yuya’s ‘rival’ in a purer sense of the word than Reiji; they’re both Entertainment Duelists and have a more direct confrontation in the championship’s Action Duel. But that’s all he really was to me, another showcasing of Entertainment and a fun character to see when he was on screen, nothing else. And yet I found myself taking a deep liking to him when he finally tried to steer his own path; despite being a loud, kind-of comedy relief character if the situation requires for it (somewhat akin to Jounouchi in DM, perhaps), at the same time he’s a quite talented Duelist who enjoys pulling a crowd’s attention towards him. He wants to impress people and that’s something I could relate to in a very intimate way, as much as I preferred Yuya’s ideology. And he grew so much during the BB Arc with Crow too, it was so cute.

Tied for 3rd spot - Yuto and Yuzu Hiragi

Aka... I tried really, really hard to pick one... But I had to give up. Sometimes I say Yuto’s 3rd and Yuzu 2nd and some other days it’s the other way around, and then sometimes I straight up can’t decide. Like today.

I wasn’t big on Yuto at first at all. He did intrigue me, especially because thanks to him we were introduced to the same-face plot that set off the whole Standard arc in the first place, though that was it. I thought he was cool, a character you can appreciate if he comes up with screen, but don’t actively think of outside of that. Broodingly dark characters tend to piss me off unless they quickly grow on me, which probably added to me not feeling very interested in either him or Shun at the beginning of the show; even with that, I appreciated his rather calm and pacifist nature in comparison to his partner...

And then Episode 37 happened and I was completely thrown off the charts. His desire to bring smiles to people and to not hurt anyone anymore to the point of refusing to attack Yugo pulled at my heartstrings, and I’m a complete sucker for self-sacrificing characters, so when he protected Yuya at the expense of his own soul and entrusted that desire onto him... I was sold. His influence is rather subtle but shows passionately many times, and I found myself falling in love with his character despite the lack of screentime and dubious characterisation that every XYZ character suffers from; I think he’s the best one out of the trio in that matter, though. And his interactions with Yuzu, Ruri and Yuya are so sweet; overall he’s just a character I can find myself easily toying with and I love his role in the show.

What can I say about Yuzu? She’s my favorite female lead from all YGO series. I found her rather annoying but cute during the first... Ten or so episodes. And then I fell in love with her because holy damn, she’s such an amazing character. She actually Duels, has a beautiful and kickass deck and is deeply involved in the plot from start to end (which is already more than can be said for the other shows), not to mention she’s such an inspiring role model. Yuzu always actively worked to improve herself and it’s refreshing to see her be so open with her feelings and caring for people. She’s so strong and I really enjoyed all the bonds she had with the rest of the cast — when you had half of them going through hell and back to help her, it felt legitimately heartwarming and believable, because she always does her best to forge a connection with people and isn’t afraid to say what she thinks.

She felt like one of the most human characters in the show for me, as her best strength was the power of encouraging and inspiring other people (Yuya, Serena, Yugo just to name a few) rather than being unbeatable or not being allowed to fail. She��s everything and more I could hope from a female lead and she inspires me everyday.

01. Yuya Sakaki

*falls to the ground and sobs*

I can’t even begin to describe how much I love this precious ball of sunshine. Anime protagonists are always without fail a 50/50 chance for me, I either love them with all my soul or I hate them and I’m 200% more invested in other characters. Yuya (un)surprisingly fell into the first category from the very first episode, he’s so adorable and seeing him go on a journey to leave behind his years of bullying and depression and turn into someone he can be proud of is hands down the most inspiring thing in this series.

He genuinely makes me so happy and his character development is the very thing that made me invested in ARC V in the first place, I will never get enough of what an amazing and compelling protagonist he is. His attitude of trying to stay happy and make the people around him happy as well, but ultimately falling victim to his own emotions and crashing hard against reality is so brutally and openly real that my heart aches just from thinking of it. I’ve learned with him as I watched the show; as an audience we experienced the same happiness, sadness and pain that he went through, and I’m so proud of him for getting so far and never giving up despite all the odds always being against him.

He’ll always hold a special place in my heart, he’s so important to me and I’m just really glad he exists!

#arcvanniversary #ygo arc v #yugioh arc v #arc v #long post #i did not mean for this to turn into a essay but once i start talking about this cast i can't stop for a solid 20 minutes so

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