#trigger child abuse

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[neon-candies]

Happy Halloween!

Warnings for: Child abuse, emotional abuse, unhealthy relationship

Angel probably has this nightmare frequently after Annie was "born". And he probably tried to avoid talking about it at first. But it gets to a point where he can't even hide his fears and concerns. However that's a conversation for another time.

[sm-baby]

Well can we see Mei-Lyn as a baby?

[dianagj-art]

This idea got out of hand way too quickly but I have no regrets<3

Isn't it fun to think that with all the crossovers One would actually have a support system of friends that care about him?

Coin Toss Michael by @gemini-forest

Bonus!

[furiousgoldfish]

I have not been raised well. Nobody raised me. I was pushed down and told to stay down. People think well-raised people act pleasing so they assume my upbringing was done well. I'm acting pleasing out of fear, not because I've been taught it's the polite thing to do. I was never taught about politeness. I was taught 'displease me and you die'.

[matutito]

i digitized this post from @nerves-nebula tm(n)t version. its been months since i last drew these guys aaaaughh

mike doods

[duskyashe]

CAMP NANO DAY 6

[chapter 4] [AO3]

(please see tags for trigger warnings)

============<×^-^×>============

It was a little known fact that Bruce Wayne hadn't only fostered his boys. As one of the few above-the-board trained and highly experienced foster parents in Gotham, Bruce had actually fostered dozens of children from all kinds of situations over the years. The only kids the press ever actually found out about were the ones he legally gained custody of, in one way or another, due to stringent privacy policies set in place back when he'd applied to be a foster parent for Dick.

Sometimes Bruce is able to keep in contact with his former foster kids, and he's always happy when that's the case, but other times he loses complete contact with them and can't legally track them down again. It's those children, outside of the ones he's legally able to claim as his own, that he worries about relentlessly. But even among those kids, there's two he worries about the most.

Jasmine Madeline Fenton and her younger brother Daniel Jackson Fenton had come into Bruce's life and home when Dick was thirteen. They weren't the first kids he'd fostered since adopting Dick, but they were the most impactful. Jazz was six, her hair was freshly cut and washed, her clothes neat and a bit on the baggy side, and her backpack still had a tag on it. Danny was three, he, too, had freshly cut and washed hair, his clothes were brand new, and his diaper bag was fully stocked.

Jazz was six and her clothes hung off her frame. She had bags under eyes and didn't know how to brush or wash her own hair. The backpack she had when she walked in his front doors was the very first new thing she'd ever seen that her parents hadn't immediately cannibalized for their experiments.

Danny was three and hadn't been given a real bath in almost a year. His clothes were all either too small or his sister's hand-me-downs. His diaper hadn't been changed in over six hours.

Bruce had been so sure he was going to be awarded permanent custody of the two. There had obviously been criminal neglect going on in that household at least, it should have been child's play to gain permanent custody of them. His lawyer and the children's case manager had assured them their case was practically airtight.

The kids had only been in his custody for two weeks before the state awarded full parental rights to the Drs Fenton. Jazz had only barely started getting used to eating three times a day again. Danny had just started smiling whenever Dick played peekaboo with him. And the courts sent. Them. Back. A month later and the Fenton's moved without a word, leaving behind not a single trace. It was almost as though they'd vanished.

Dick had been devastated. Alfred was crushed. And Bruce? Bruce experienced the five stages of grief for the second time in his life twice over. For years, he had private investigators searching everywhere he could think of for the siblings, desperately hoping to find even the slimmest glimmer of hope that they were alright, that they were still alive.

Jason coming into the household lessened some of that pain and desperation, especially after Bruce obtained full custody of him, but the tension between Dick and Jason drove the lingering tension between Dick and Bruce to critical levels. Argument after argument, fight after fight, all about the same topic: Why did Jason get adopted when Jazz and Danny were still out here?

Eventually the tension exploded in one of the worst ways possible, and the family was reduced back down to three. The first six months after Jason's funeral, Bruce refused to take on any new children. He even asked the private investigators to only contact him if they definitively found proof of the kids. The pain, the grief, the guilt was just too much for him. He'd failed Jazz and Danny, and he'd failed Jason, too. He couldn't handle failing yet another child.

Then Tim showed up, too tiny and too determined to get his way. The shock of seeing the obvious evidence of yet more criminal neglect from his own neighbors drew Bruce out of his downward spiral just enough to realize he needed help. Tim was right, he had been killing himself with his work, and doing so was the exact opposite of what Jazz, Danny, or Jason would have wanted from him. He notified CPS of a possible situation he was keeping an eye on, as well as the fact that he was pulling himself back together so he'd be able to reapply to be a foster parent, and then sought the help of a therapist sworn to absolute secrecy with the help of multiple NDAs.

A year later, he was reinstated as a foster parent, awarded first temporary, then later full, custody of Tim. He fostered a pair of blonde little girls for a few nights before an aunt was found in Vineland, New Jersey, who got custody instead. About a month after them, he fostered a ten year old boy for a week before his dad regained custody. He even fostered Tim's friend, Stephanie Brown, for two months while her mom went through rehab.

And then Red Hood came to town.

Between trying to track down and figure out who Red Hood was, Bruce also took on twin eight year old boys for about five days, a fifteen year old girl for two and a half weeks, a pair of cousins for ten days, and three siblings for a night. When Red Hood was finally revealed to be a revived Jason, angry at the thought that Bruce had replaced him and missing a few key memories, it had been two years since the last time he'd heard from the private investigators he'd hired eleven years prior. After weeks of careful negotiation and peace talks between Bruce and Jason, the family of four was well on their way to being the family of five they legally were, when Bruce decided it was time to get back in contact with the team he'd left in charge of the investigation looking for the Fentons. They only had a potential sighting of the Fentons at a class reunion in Wisconsin a few months prior, but any sighting was better than what they'd had for most of the eleven years prior, so Bruce asked them to double down and see what came from it.

Two weeks later, there was a knock on the manor door. It was the middle of a torrential downpour, one of the worst thunderstorms Gotham had seen in years, yet there was undeniably someone knocking at the door. Bruce, who'd been passing through the entry hall on a late evening stroll through the manor, was the one to answer the door.

She was in her late teens, her hair was long, wet, and stuck to the side of her face, her clothes in poor repair with splotches of dark red and neon green on them, and her backpack was worn and frayed. He was in his early teens, he, too, had long, wet hair that stuck to his face, his clothes were rags and barely hanging onto him with more of those dark red and neon green splotches, and his duffle bag was stuffed to the gills.

"Mr Wayne?" Jasmine Madeline Fenton asked, voice quivering as the two of them huddled on his doorstep, Daniel Jackson Fenton's eyes drooping to half mast from exhaustion. "We need your help. Our parents are trying to murder us."

============<×^-^×>============

I'm not gonna lie, it took me forever to figure out what I wanted to write today, but once I decided on this, it just wrote itself (⁠^⁠_⁠^⁠メ⁠) I actually got the idea for this fic from a prompt @evandarya had posted in the Batpham server a while back, which I absolutely loved and just had to write, so this ficlet is dedicated to them (not that they're aware of it yet lol)

Once again, I have no idea if I'll ever continue this ficlet, for my muse is fickle and likes to play favorites ¯⁠\⁠_⁠(⁠⊙⁠_⁠ʖ⁠⊙⁠)⁠_⁠/⁠¯ I might get lucky and get sudden inspiration for a sequel for this, or I might not, who knows? Honestly, if anyone wants to add onto this, go right ahead lol that'd be amazing.

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[woaheyeradioboy]

I genuinely don't fucking care what you like in fiction. I don't care how disgusting, heinous, or "illegal" (not actually) it is, as long as you aren't agreeing with it or acting out things you read in a non-roleplay/fiction setting.

TW: Rape, Child Abuse, Pedophilia, Age gaps, Abuse, Bestiality, Grooming, Incest, and similar content

You can read about someone being raped. You can read about a child being raped. You can read about incest. You can read about pedophilic incest. You can read about someone fucking a dog. You can read about someone being raped by an animal. You can read about someone grooming someone else. You can read about horrible power imbalances. You can read about Victim x Abuser. You can read about gang rape. You can read all of that and more, whether the content is "romanticizing" or "sexualizing" it or putting it in a "positive light", because I do believe if you're reading these things you are capable enough to not have your morals and "respect" of laws immediately broken because you didn't get told 100 different times during the story how bad the content was.

You can read WHATEVER THE FUCK YOU WANT, however you want, forever and ever. Don't act out the fiction in real life unless roleplaying with another consent adult (or teenager within your age range if you're not 18+) and it DOESN'T MATTER.

Fiction can affect reality, but usually only if you're allowing it to. Children oftentimes shouldn't be online but even if they are, it is never an authors fault or the people who enjoy the fiction the author writes that the child ends up exposed to bad things. If someone who is mentally unwell and cannot separate fiction and reality due to this is online and is affected by these things, it is not the authors fault or the fault of the people who enjoy the authors fiction.

If something that someone else wrote affects someone else in a bad way, it is not the authors fault.

Censorship of fiction is bad no matter what, and if you want to censor any form of fiction you are automatically already getting closer to people like transphobes and racists and ableists, because being pro-censorship ALWAYS leads down the same exact rabbit hole of puritan beliefs and controlling others.

[7-crows-in-a-trench-coat]

‼️TOH s3 spoilers and tw for child abuse‼️

yknow what really small detail from ‘thanks to them’ just breaks my heart?

it’s this. hunter says “that throne room”.

“that”

not “the throne room”, THAT throne room.

he refers to the throne room in the castle the same way people who have had a traumatic experience (especially abuse victims) refer to where it took place. like when people who were abused as children talk about how they remember being in “that house” instead of “the house” when talking about their childhood residence.

obviously hunter was abused by belos, that’s not news, and the show has always had his behavior and mannerisms reflect that. but something about him saying “that throne room” just hurts to hear.

you can tell just from that one sentence that he experienced so much pain at belos’ hand in that throne room over the years.

[inkskinned]

am i gonna put you in the book acknowledgements am i gonna be able to say your name without flinching am i ever gonna get a word in edgewise am i ever gonna recover the time i spent with you. computer virus kid; i arrived in your life already begging to be let in. somehow insecure i could even be your friend. like you had a line outside the door and we were all shifting our weight, begging.

you're so fucking good at that - at making people feel like they need to earn you, like you're a commodity none of us can afford. no kindness or careful communication could work on you - you were so good at just going-ghost, about deciding someone just wasn't cool-enough. something about that is super ironic. even the parts of it that weren't romantic felt like a romance book. i wanted you to like me so badly i scrubbed myself clean just so you'd spare me - what. your favor? a look?

okay okay okay. it's just a friendship - if it was even true that we were friends, if you even saw me as someone you trusted. on reddit someone would tell me girl literally just cut her out of your life, it's not that difficult. even i was aware of how fucked up the whole situation was. like, why the fuck do i even care about your approval? you're like, not even that fun to be around. you are often a little bit cruel.

but for almost four years of my life, i thought i had found someone like me. somebody who liked the same things i do. someone who liked to read and who liked making jokes with esoteric references and who spent maybe too much time on the internet and who was absolutely a little bit pretentious. i don't know, something about that was powerful and addictive.

i keep thinking about our last conversation. about how i said - okay, enough is enough. you pushed me too far, you really hurt my feelings.

and how you laughed and said - you think you're the victim?

[zukosdualdao]

a wound to close, the whole thing open

zutara month, day 2: journal/diary.

summary: when katara searches the attic of ember island, she comes across a journal, hidden away on an old bookshelf.

warnings: implied/referenced child abuse wrt ozai's treatment of zuko. what's referenced here is emotional abuse and i would say at show-canon levels.

other notes: title is from gracie abrams' "camden". also, this fic is very much 'picture taken moments before mild disaster', because i imagine after the end, katara still finds ozai's baby picture, thinking it's zuko, and her thought process is 'well that was sad but look at cute baby zuko!' oops!

Katara knows she’s wrong to snoop, but it’s just so hard to resist now they’re somewhere a young Zuko once lived for stolen weeks of golden summers at a time. For so long, she’d never wondered about him much at all—she’d had, after all, no reason to want to know the boy who chased them around the world in his pursuit of capturing Aang—but things are different now.

First, there had been the catacombs of Ba Sing Se, and she’d caught another glimpse of that boy, another side of him. Wearing Earth Kingdom robes two sizes too big for him, with grief and sympathy that matched hers shining in his eyes, saying strange things about destiny and curses and seeming so lost.

Katara had spent long weeks after the fact wondering whether any of it was true as she struggled to capture sleep on that stolen Fire Navy ship. 

Of course, that was far from the only anxiety on her mind. Wondering when Aang would wake up, if he would at all… Sokka’s growing plans for the invasion, and what it could mean for all of them… being with her father for the first time in years, how half of her wanted to light up at the comfort of it but the other couldn’t dare because he went away and what if it happened again?

And Zuko…

She would turn to her other side, her chin resting on a flat hand, and wonder about him. He’d seemed so sincere, but Katara had wondered often how that could be the case when just moments later, he was catapulting rage and fire in her direction. 

But then he’d come to them and begged for a chance to prove himself. 

And even before she wanted to, far before she felt ready for it, she’d started to come to know things about him. How he would get up at dawn every morning—rising with the sun, she’d thought bitterly—to practice his own firebending forms before his lessons with Aang. How he’d sometimes frown when making the first batch of tea for them around a campfire and then make a second and always seemed to light up when their meals had a little extra spice to them.

How he would sometimes squirm just a little and hesitate a beat and sometimes even bristle before smiling shyly when the others teased him, as though it took a moment to steady his footing and catch up to the fact that it was only teasing.

She had started to know him, to really know him, before she’d wanted to, before she’d forgiven him, before she decided it was safe to let the distance between them shrink.

But now they’re friends. And with the comet looming in the coming days, with things a little tense and strange between everyone since that disaster of the play, and with the vestiges of Zuko’s childhood right here, it’s hard not to be curious.

And, as she reasons to herself while setting the cooking pot of solid silver atop the bookshelf, at least she has deniability. 

The shelves are lined with old books, with gold thread traced through their spines, and old scrolls with white parchment coloring yellow, with shiny maps, and…

Katara’s brow scrunches as she catches sight of what seems to be an old journal, bound by leatherskins, poking out from behind one of the old tomes, clearly meant to be hidden away.

She reaches for it. It’s such a small, delicate thing, really, but it feels heavy in her hands.

When she flips to the first pages, she recognizes the symbols for Zuko’s name, written out in a long, intense, careful scrawl. She’s never seen his handwriting before, but it matches what she might’ve guessed it would look like, teetering between bold and delicate.

Katara flips past the first pages, which seem to mostly consist of Zuko practicing his letters, and comes across what seems to be a draft of a letter he’d written to Iroh, certain lines crossed out or words respelled after an ink-permanent error. He asks after when Iroh will return from the war—and she shudders to think that the kindly old man who'd helped them on more than one occasion had once been much different, the terrible Dragon of the West, laying siege to Ba Sing Se.

But in another line, Zuko writes to his uncle about a festival and paper dragons. Her heart swells to think he was once so young and even playful.

Atop the right corner of the page, there is a tiny, shaded-in sketch of a blooming fire lily. Katara smiles.

She flips through more pages, most of which are much the same as the first several, but then pauses. On this one, there are dark patches—the kind that she can tell came from water drying on the parchment, and it’s now wrinkled. Once, she might have been able to salvage the page with her bending, but the water has long-since dried up and left only deterioration in its wake.

It’s…

The page is tear-stained. He’d cried when writing this.

Gulping, Katara squints her eyes to read his small script, so much shakier than the previous pages had been. She can’t read most of it, for the smears and the wrinkling of the page, and she’s not sure she even wants to, anyway, because what she does manage to scan through makes her feel a little sick, her stomach clenching.

—don’t know what I can do, he had written, and it’s all too easy to imagine a much younger version of her friend with tears in his eyes, sobs wracking his shoulders, a lonely figure in a dark attic. — to better, to not so weak. 

There's a series of words Katara can’t make out, but she does catch Father and love.

And then, one shining beacon of hope:

But Mom says—

The writing stops there. She will never know what his mother used to say.

She flips through the rest of the journal, but the pages are hauntingly blank. There are no more entries after that. 

Katara places the journal back where it was tucked and has the vague sense that she’s back where she started.

A strange guilt gnaws at her. Somehow, she thinks she understands Zuko both better and worse than she did before.

[traumasurvivors]

I really, really hate the TikTok trend where kids/teenagers tell their mom to “shut up” in front of their dad as a prank. The reactions of some of the fathers before they realize it’s a prank are really unsettling. The rage and impulsive responses are scary honestly.

I will say I had one video I liked. The dad was so shocked that he turned to the mom and said “is she okay?” Like it was so out of character and alarming to him and his immediate reaction was concern and why is she doing this instead of rage and she must pay for it.

[ninadove]

I think many more people would appreciate Feligami if they realised that they were not, in fact, written according to the enemies-to-lovers trope.

Their story is not about that; it’s about two kids who spent their entire lives being othered and rejected, finally found someone who went through similar hardships, and immediately developed a connection as a result. The fact that they were originally on opposite sides of the conflict is almost an accident.

Don’t believe me? Let’s take a look at the ✨ symbolism ✨, shall we.

Secret identities form the very core of the Miraculous universe: masks are worn by heroes and antagonists alike, and as such are manifestations of their narrative roles.

Which is why it is so important that Felix and Kagami’s first significant encounter took place during a masked ball, and that they were the only attendants not to hide their faces.

Kagami’s vulnerability even pushes Felix to throw caution to the wind and reveal way too much about himself, compromising both his evil plan and his safety. In that moment, they’re not Ryuko and Flairmidable, or even Ryuko and Argos; they’re just two children who have been hurt in similar ways, and bond over their shared desire to run away.

And of course, in Representation, they recount their love story and take off their masks in the same breath — because authenticity and acceptance are the foundation of their romance.

So to be clear:

Yes, they were once enemies;

Yes, they are now lovers;

No, it is not the point of their relationship.

“But Nina,” I hear you ask, “Why is it so important to make that distinction?”

Because it has a massive impact on the audience’s expectations, and whether or not Feligami was developed properly.

When reading an enemies-to-lovers story, chances are you’re looking for a slowburn; for chapters upon chapters of tension; for seemingly insurmountable hurdles that are eventually overcome through the Power of Love™.

But if you’re reading a story about two kids who have been through Hell and back (because they’re very very queer and very very neurodivergent on top of being child abuse survivors), desperately crave love and affection, and also might get murdered or torn apart any second — then suddenly it makes perfect sense for them to celebrate new beginnings by kissing in front of the sunrise within two weeks of meeting each other.

This is what Feligami is about, and this is why it works.

[tobiasrieper]

[goemon-fan]

This was easily one of the best Lupin episodes