They don't wear them, they've never needed them. Hobbits rarely venture outside their hometowns, and their hometowns are populated exclusively by Hobbits in most cases (correct me if I'm wrong) so most of them never see shoes in their lives.
So, therefore, would they be freaked out by shoes? Would they simply accept this as a weird thing that outsiders do? Like I feel like Merry and Pippin would have bothered their traveling companions with questions about them. "What are you wearing on your feet?" "Why are you wearing those?" "Are your feet weak?"
And then Sam would just assume that those ARE their feet. He would be so freaked out as soon as someone took off their shoes, but he wouldn't mention it to anyone but Frodo. Frodo, being the way he is would have figured out exactly what shoes are and what they're for, though he would still be perplexed as to why anyone would need them, and he would try to explain to Sam. Sam of course would still be freaked out, but would believe him.
A little hopeful moment which I missed on the first watch, but which I think is so important. Nina and Maggie come to have their talk with Crowley. Now, we all know that Crowley is Maggie—yes, sure, Nina is sarcastic and suave and cool and calls Maggie angel—but it’s obvious that Crowley is Maggie and Nina is Aziraphale. Crowley even admits it himself in the very beginning of this conversation when he tries to justify meddling to get Maggie and Nina together:
“Nina needed rescuing.” Yeah, you know who else always “needs rescuing”? Anyway, moving on.
Nina says she just got out of a relationship and it would be a disaster to get into another one right away. And then this happens:
Nina says she hopes Maggie will still be around, but she knows she can’t ask Maggie to just wait while she figures out her own baggage. There's no guarantee. And then Maggie interjects—
The parallel between Maggie/Nina and Crowley/Aziraphale is so intentional as to feel heavy handed. So what does it mean that we get this exchange in at this particular moment in the script—buried within the conversation which is the catalyst for Crowley confessing his feelings, occurring in the lull immediately before the spectacular dissolution of everything the first two seasons were building towards?
“We could have been us,” Crowley says. Crowley walks out of the bookshop. Crowley turns off their song in his car. Whatever tentative blooming thing has been building between him and Aziraphale for six thousand years appears to be very clearly over. Aziraphale presses the kiss to his lips and knows there is no guarantee they will ever have a chance to be together. There's no guarantee that Crowley will ever want to forgive him, that he will keep on waiting for him.
arthur is immortal in the same way merlin is immortal, he can die but he bounces back after a while. merlin putting arthurs body on a boat and sending him out onto the lake but not burning him as he did to lancelot and freya. merlin disappearing off the face of the earth, unable to go back to camelot where every stone is carved with arthur's name, every room holds the faintest echo of his laughter, the shadows cast by the flickering flames of torches match each line and curve of arthur's body which merlin had memorized after years of dressing and undressing him, wandering and lingering hands that were just casual enough to pass off as platonic.
arthur crawling out of the lake the night after the morning merlin put him to rest, dazed, confused, and alive. arthur searches for merlin but can't find him. he's disappeared. gwen rules camelot as queen, she lifts the ban on magic, and rules fairly. arthur is content to leave his kingdom with her as he searches the land for merlin. he visits every place he and merlin every visited but he's nowhere to be found. time passes but arthur only grows more desperate. he's sure he's searched every inch of albion twice. no merlin.
enough time passes, everyone he's known has died and he looks exactly as he did when mordred drove his blade into his abdomen. arthur is forced to admit to himself that enough time has passed that merlin was bound to have died, leaving arthur all alone. immortal merlin is literally like chilling in ireland or some shit. but both immortal idiots are living in the same area and end up just missing each other. literally like end up holding the door to a coffee shop for one another but they don't meet each other's gazes bc they're busy mourning each other
Paulina was walking home from her little self-care date~ when she noticed a familiar figure, she slowed, double checked to make sure it wasn't some random civilian, grinned and-
threw her knife!
Wes caught it, because of course he did cautious bastard. And yes she realises this now that fighting on the street was not the smartest move but it was a long time since she saw her friends from Amity and they got along fairly well with Weston.
So they had a good time, she managed to nip him on the cheek with her knife (after taking it back) he left her with a new bruise (it will be gone by tomorrow noon) and then they were both taken in by the police...
And now she has to explain why she did what she did to the GCPD and Ancients help probably Batman as soon as she gets back to her apartment. Who could've guessed that having a friendly brawl would be so taboo in Gotham? (who is she kidding of course it's suspicious it looked like they were trying to kill each other to any normal person!)
i think one of the reasons i really like bernard and darla is because they met him at a time when he wasn't robin. to me, tim drake has always felt like an amalgamation of robin and tim. and he's good at it y'know? being tim drake and robin but when bernard and darla meet him at grieves he can't be robin. he has to just be tim drake. and he's obviously struggling but he tries for his father. and that's so interesting to me because who is tim drake without robin? he obviously doesn't know either. and we see him explore this in urban legends. he even asks himself in urban legends, "who am i if i'm not robin?" and i don't think it's too much of a surprise that at the end of urban legends, when he's figured out what he wants, he chooses the boy who only ever knew him as tim drake.
Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.
Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.
Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.
Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.
He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.
Can you please talk about thw weird fucked up au where catlina flores is Jason's parent?
hoo boy. tw for rape
Okay so if you're in fandom enough you'll have heard about how Dick Grayson sort of took Catalina Flores under his wing to train as a vigilante for a bit. Her name was Tarantula. Long story short he sort of let her kill Blockbuster (a major Bludhaven villain) and immediately went into shock cuz he blamed himself. She then proceeded to force herself onto him.
In this au, she got arrested for Blockbusters murder, but escaped her prison sentence by traveling back in time. She was pregnant with Dick's kid at the time.
Meanwhile Jason is hoping around looking a lot like Dick. Kinda weird, but sometimes that just happens. It was weird tho that they seem to have similar genetic markers/allergies/blood type. Oh well. And oh look, he's dead.
And now he's not. And now he really looks like Dick now that's he's an adult. Still weird but not totally impossible.
Then Blockbuster happens and Catalina escapes prison and people are looking for her. They realize time travel was involved and are trying to figure out when she'll appear, thinking she's gone forward in time. They don't figure anything out until Jason shows up i the bat cave one day and is like "yo why tf is my dead mom's mugshot up on the screen?"
Question of the hour: Which member of the Chain is emotionally intelligent enough to know why Sky had a complete meltdown in my story, Numb, because otherwise they’re all gonna be like “that was weird” and Sky’s gonna be like “yeah can we never talk about this again” and the consensus will be halfway agreeing and then watching Sky out of the corner of their eyes because what the hell even was that
prankster!soap pulling a mean girls and cutting holes in all of ghost’s shirts so his nipples show and ghost goes full regina george not giving a single shit that his pale pink tiddies are on show
Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.
Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.
How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!