#utilizing only the ones “useful” to make them more efficient and more “

[iwonderwh0]

I have a theory

It was mentioned more than once, that androids in dbh don't feel pain, but somehow every time they're punched or stabbed they react as if it actually hurst: with a gasp, scream or something else, to the point of even killing a human who is "hurting" them. So I have a theory about what causes them to feel "pain" without actually feeling it in a human terms.

Pain for an android is an instant sensation of intense fear and panic that encourages them to get away from whatever causes it in a similar way pain would. So the function of it is the same as pain – to keep them safe. This way, even if it doesn't cause them pain in a physical sense, psychologically it is the same, so it is no wonder that in case someone tries to abuse them repeatedly causing them physical distress, this fear response is miserable enough to actively avoid it and seek whatever it takes to finally make it stop. It also explains the noises they make, if we look at it not as reaction to pain, but to fear.

Psychologically they are still canonically human, so I think if instead of feeling physical pain when hurt we would feel as if we just got scared with some jump-scare it'd still be pretty fucking similar to our usual pain response, in some ways better, but some others even worse.

[optiblog]

OPTİVİSER - GOLD

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[brucewaynehater101]

Batfam Suicide Squad AU:

Villainous versions of all of the Bats are shoved into one universe together. Up until this point in the AU, they do not know each other well. They've maybe seen each other on the field (which probably ended in fights and held grudges), but they aren't family. They are practically strangers.

Amanda Waller just wants to kill them. However, somehow, there's a force that's even worse than these fuckers. She needs a team to take that down, even if the participants are unwilling.

Bruce Wayne:

A cunning villain who can naturally lead teams. He primarily works alone but has proven to be efficient with any person he has to work with. He can bring out their better attributes, but he's ruthless, wary, and an asshole. He has contingency plans to take down anyone and everyone

Dick Grayson:

Practically immortal half-Talon assassin for hire. His rumored mentors are other Talons, Deathstroke, Superman, and various Titans. His skills in combat are fierce, his abilities are enhanced by his state, and his early childhood acrobatics do wonders for his abilities to escape and fight. These pale in comparison to his natural charisma and ability to turn enemies into allies.

Barbara Gordon:

The best hacker on this side of the galaxy. While she mainly stays off of the field due to her being paralyzed from the waist down, she is a formidable opponent. A significant number of politicians worldwide owe her favors, heroes and villains work for her, she knows top secret information, employs a number of traps to protect herself, and understands the nuances in social structures.

Jason Todd:

A brutal enforcer who utilizes fear, power, and death in his territory to demand obedience to his rules. Extremely skilled in various weapons, hand-to-hand combat, bomb making, and demonstrations of force. His senses, healing speed, and reflexes are uniquely enhanced by his exposure to Lazarus Pits. Despite his persona of being quick to anger, he's a masterful tactian and manipulator.

Cass Cain:

The only candidate who does not kill. Her combat prowess exceeds all other candidates and is rarely defeated in battle. Her eerie silence, ability to read others far more accurately than even psychics, and her stealthiness lead her existence to being more of a feared rumor than a confirmed sighting.

Tim Drake:

While he can defeat a range of opponents in combat, his strength lie in the plots he enacts anonymously. He is skilled in plucking strings and dominoes to create the outcomes he desires. Other abilities include hacking, combat, stealth, disguises, and manipulation. For any battle he prepares for, he rarely loses. Only a small handful of his crimes can be proven to be caused by him.

Steph Brown:

She is skilled in deflection, disguises, social circumstances, combat, and observations. Brown utilizes a variety of personas to distract her victims and lead them astray. She's deadly, but hides this aspect well.

Duke Thomas:

A daring and charismatic leader of a meta rights movement. His group has committed various crimes in their pursuits. He is the only born meta of the group, extremely skilled in utilizing his powers, decisive in outcomes, skilled in combat, and ruthless to prejudice. He can be charming and is extremely emotionally intelligent, which is a skill he uses to subtly influence others.

Damian Al Ghul:

Due to his high kill count, special permission has been given to allow the sixteen year old to be entered into the program. He's exceptionally skilled in all weapon combat but primarily uses swords and knives. He's astute and can utilize his age as a finely tuned weapon to infiltrate, distract, or disappear. He has experience with leading, murder for hire, and complex missions.

Alfred Pennyworth:

A formidable marksman and retired serviceman for MI6. His skills with all styles of guns, acting abilities, unflappable manner, medic training, vehicle maneuverabilites, and sharp tongue aid him in any supportive role. Although he is unlikely to assist on field, he will provide necessary background aid.

Tim and Barbara, in this AU, have both grudges and respect for each other. Tim does not match Barbara's computer skills, but he's a far better foe to her than most. Usually, Tim has a policy to bow out when Barbara is involved or find a way to hide his involvement from her.

Bruce doesn't know Damian is his biological son. Damian hopes to keep him in the dark. Dick, due to his training with blood scents, is the first to know about their relationship. This only occurs after Bruce and Damian get injured on separate missions and Dick makes the connection.

Jason and Damian both have tried to kill Tim. Because Tim seemingly can't die to their attacks, the two have made a game out of trying to kill Tim whenever they see him. Jason and Damian do not know the other also does this. Jason refers to Tim as a "cockroach-like bastard."

One of the batkids jokingly refers to Bruce as "Dad" and Alfred as "Gramps" due to their older age. This catches on with the rest of the batkids until it becomes a regular and fond nickname for the older men.

Bruce had a plan to escape with the help of Kate. After seeing Damian (he doesn't know that's his son), Bruce decides he can't leave a kid. Then he becomes fond of the rest of the group and delays his escape plan again until he can escape with them.

Which of the Bats know each other from encounters in the field? Who holds grudges against each other? What led each Bat to become a villain?

As far as background shit, idk.

I might update with a criminal dossier for each bat later

(In case it wasn't clear, this is a batfam meet late forced found family AU)

@hisaribi helped me with this ^^

[nihilistem]

adhd study tips.

by a stem student with adhd.

disclaimer!!! I’m by no means an expert in mental health or adhd but I do happen to have it. My intention with this post is to help others with adhd get more comfortable with studying so the process will be smoother for them!! At the end of the day, despite having the same disorder our brains will still work differently so do keep in mind that these may or may not help you, but are something you can try out if you’re stuck on not being able to study efficiently.

here’s some adhd study affirmations + tips on straying from discouragement if you’re experiencing burnout.

(And here’s part 2 of adhd study tips.)

I’ll start this off by listing more commonly known study tips that also work well with adhd.

change up your environment every now and then. we seek novelty even more than neurotypical people already do so switching it up will definitely help in our studies, especially if the place is well lit!

try some questions of the topic you’re trying to learn even when you know nothing about it. both neurotypical and neurodivergent brains are hardwired to remember things when we are proven wrong, and this is a great way of utilizing this neurological response!

take walks, exercise or stretch during your breaks. this tip is very effective at satiating our hyperactivity and also keeps us energized throughout our study session.

keep a notebook for your brain dump / ideas. we always either think of really stupid things or the most brilliant ideas in the middle of our study sessions and it almost always leads to distraction, but writing it down somewhere lets your brain know that the idea isn’t going anywhere and you can continue studying.

now, onto the tips that have personally helped with my adhd (and I haven’t seen many others talk about.)

alternate between various study plans, routines, schedules and techniques and always be open to finding more of them. majority of the time people always say ‘have a routine that works for you and stick with it’ but our adhd brains get bored very quickly, especially when it comes to repeated routines and schedules. I personally never stick to the same routine or plan more than three days in a row and sometimes I even make a plan on the spot and I’ve been more productive doing that than when I had only one or two study routines to switch between.

do not time yourself at the very beginning. Instead, focus on something in your studies you’re interested in and start there. what do I mean by this? well, since starting is always the hardest, when we begin our very first pomodoro we might find ourselves spending the first 25 minutes zoning out on a textbook just to get that ‘study time’ in even though you didn’t actually learn or recall anything. So to combat this, begin with something you’re genuinely curious about, or ask a question you can’t help but wonder the answer to. Once you find the answer, you might find you’re more in the zone and can continue from there. If not, take a short break and begin the pomodoros afterwards.

if you’re zoning out while reading up on a topic, try walking around while reading, looking at different sources on it or do some questions on that topic. again, novelty always gets us every time. sometimes the problem may be that the explanation in front of you isn’t making sense in your head and other sources may phrase things in a way that is better for your understanding. perhaps the problem is that you’re staying too still and you need to satisfy the hyperactive part of your adhd. or maybe your brain subconsciously believes that they already know what needs to be known about this topic, and there’s no better way to test that by trying out some questions on it.

switch between lyrical and non-lyrical music playlists, but make sure the lyrical music inspires you to excel. this definitely won’t apply to a lot of people but I found that when I constantly listened to piano, lo-fi or just non-lyrical music while studying in general, it actually promoted my likelihood of zoning out. but recently I found a playlist I deeply resonated with that was related to my studies called, ‘pov : a try-hard mid student who wants to ace everything’ and because I related very deeply with both the title and the lyrics of the songs, I was actively being encouraged to study as I was studying. but I also recognize when I really need to think in certain areas and that’s when I switch back to the non-lyrical music.

this is all I have as of right now but please do lmk if you guys want more of these!! I really wanna help out as much people as possible because my studies suffered greatly due to both my adhd and my late diagnosis of it and I’d love to help out others going through something similar.

[prokopetz]

Hi, Mr Prokopetz, I'm a big fan. Apologies if you've answered this before, but I was wondering what software you use to create the pdf and epub layouts of your ttrpgs, and whether you'd recommend it to a hobbyist who wants to try putting together something more professional than a gdoc for their own ttrpg?

My workflow is unfortunately not terribly accessible unless you have a fair amount of technical know-how.

In brief, I write all of my games in Notepad++ as HTML documents, taking care to use only the subset of HTML5 tags which are supported by most popular EPUB readers. I then use Calibre (or, more, precisely, the command-line utility that comes with Calibre, though you can get mostly the same results via the GUI) to bundle the HTML document as an EPUB3 file. I typically distribute both the HTML and EPUB versions (the former in a zipfile with all of the fonts and images and such) because web browsers tend to have much better screen-reader support than EPUB apps do.

The PDF, meanwhile, is generated from the same master HTML document using CSS paged media extensions – the layout is all generated automatically based on rules specified in a big, gnarly CSS file, and is never touched by human hands. There are a number of software packages which can do this sort of CSS-driven HTML-to-PDF conversion, some of them free or open source; I use a commercial product called Prince because, to the best of my knowledge, it's the only such software which has out-of-the-box support for PDF/UA semantic tagging (i.e., the stuff you need to do in order to make your PDFs screen-reader friendly), but you have more options if you're willing to tag your PDFs manually. (I am not.)

As for whether I'd recommend doing it this way? Like I said, unless you're a proper gearhead, not really; it's super efficient once you get it all set up – the only version of the game I actually maintain is the master HTML document, and generating updated versions of all the other formats is a one-click affair – but it's really only feasible for me because I already knew how to all that workflow automation stuff for unrelated reasons. I can't imagine teaching yourself all that from scratch just to write elfgames!

[opbackgrounds]

To be somewhat fair to OPLA, I don’t think the issues with the structural and story issues of the season can be entirely chalked up to “execs gonna exec.” A lot of it feels like it’s because the standard formula for live action television just feels fundamentally incompatible with the thing they were adapting. Live action tv’s comfort zone can be summed up as two people sitting in a room commenting on the plot, and then every 10-15 minutes the action (or “action” depending on the genre) happens. Which is a format that has made for some truly great, critically acclaimed television, but is fundamentally at odds with action-adventure/roadtrip format of One Piece. Between the inclusion of Garp and weird structural issues like characters randomly vanishing or plot points being immediately resolved/dropped, it feels like the live action adaptation is dragging its source material kicking and screaming into fitting that structure.

Season 1 was always going to be a little weird because they were going to have to make an overarching narrative where one did not initially exist in the manga. TV shows almost always utilize an A and a B plot story structure, so the marines were slotted into that B story arc role. This worked pretty good for Coby and Helmeppo, with the added bonus of them being able to adapt their cover story, but the Garp material was bad and the pacing of these scenes was also bad. However, I think it’s important to note that characters sitting around in an office set that can be reused for multiple episodes (or a set like Baratie that was already built) is cheaper than the island jumping the Straw Hats were doing. It was an efficient use of the budget for Garp to be the B plot, even if it mangled his character. This is and will continue to be something the live action will have to fight against for as long as it exists, so I would say get used to characters sitting around indoor sets talking. Otherwise an already ridiculously expensive series would just get exponentially more expensive.

TV shows also typically use mid season twists to help drive the narrative towards their second half, and as much as it pains me to say it, revealing Garp is Luffy’s grandpa early makes for a really good mid season twist. It recontextualizes everything that came before it and sets up a compelling drama for the episodes that come after. I’d have no problem with this, except, again, Garp was written really, really poorly.

The Alabasta saga has none of these problems. There is a natural marine B plot with Smoker and Tashigi that already exists in the manga with them spending a lot of time talking in offices (Crocodile also spends a lot of time hiding in an office so bonus points there, although if they are going to CGI some giant bananadiles that’d be expensive). There is an overarching narrative already written where one did not exist in the East Blue. And there is a compelling mid season twist in revealing Vivi is a princess. But by splitting the saga the live action is now going to have to come up with a narrative arc ending for the season where one does not exist in the manga, creating almost the opposite problem of season 1. Wapol as he is in the manga does not make for a compelling end of season villain like Arlong does, and I suspect that they’re going to turn Mr. 3 into that role instead just based on who they cast.

Now, while I think the live action did a good job capturing the Straw Hats, the blistering pace for season 1 meant that very few of the side characters that are so important to the manga got time to breathe, or really even exist (rip Gin), and slowing down the pace will help alleviate that flaw. The giants on Little Garden will have time to shine. Zoro vs 100 Baroque Works agents will have time to exist. The live action onlys will get it cry over a giant whale.

But dammit all, I want to have my cake and eat it too. Give me 10 episode seasons when the material calls for it, and give shorter sagas like Skypiea shorter seasons. Take the time to adapt the story that’s already there in the form that makes the most sense instead of Frankenstein’s Monstering one of the best selling comics of all time into the format a bunch of suits insist upon because of algorithm bullshit. Just let a good story be told well and the people will watch it, just as much as they watched season 1.

The sad thing is that season 1’s success proves to the suits with algorithms that 8 episodes is the way to go. If it had been less popular the solution would have been cancellation instead of fixing the pacing, and that’s why thinking too much about the state of modern TV depresses me.

[whetstonefires]

Do you have any opinions on Scholomance?

I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.

Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.

Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.

Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.

I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.

I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.

Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?

I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.

Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.

And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!

Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?

The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.

...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.

Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'

I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.

Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.

Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.

Aadhya and Liu are also characters who fucking delivered.

Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.

[teecupangel]

So, I’ve been playing skyward sword and I’m in absolute love with the flight control - so naturally I started thinking of Desmond as a loftwing. I think he’d be light brown, like dark sand maybe, with gold and white accents. Colour of his hair, colour of his hoodie, colour of the Eye, etc. Hawk/eagle colours. I don’t think he’d find it hard to adapt to… uh, becoming a really big bird. Big enough to bite Templar heads off with his massive beak! Maybe even big enough for a human to… ride?

Huh. This is neat. Wonder if Altair wants to go flying. Thus: Altair becomes the Eagle of not only Masyaf, but also the Skies Over Masyaf. Well, at least he’s having fun! (Though the thin strap on the simple saddle Altair made for Desmond is distressingly flimsy, Desmond keeps worrying that the buckle will fail and his ancestor will fall off…)

Few centuries later, Ezio finds a massive bird in a stasis crystal in the Sanctuary under Monterriggioni, the same shape and size as the stone bird standing curled around Altair’s statue. When he puts a hand on the crystal, it shatters, and the bird wakes up, immediately moving to preen Ezio’s hair. Ta-da! Loftwing companion, get!

Leonardo agrees to make a more secure double-strap saddle for Desmond that buckles both in front of his wing joints and behind them under the feathers, for the low low price of letting Leonardo fly on him a few times. F-For science, of course! There’s no way a bird this big should be flight worthy, after all! It has nothing to do with how nice it feels to fly, or how the shape of the wings has Leo rethinking his flight machine, and, oh! This crest is so soft, and Desmond is very permissive with petting…

My first thought is that Desmond would have the same coloring as a roseate spoonbill XD

But your coloring matches him even better.

For the saddle, I think it would start off as a simple saddle then Altaïr would start to use the Apple to make a better, more efficient saddle.

And that’s the saddle that Leonardo finds in one of the codex pages. He modifies it so it would become a double-strap saddle with a design befitting a Leonardo Da Vinci work. (Not that Altaïr’s saddle was ugly, it was just focused on performance and Altaïr didn’t care about how it looked other than the colors should complement Desmond)

Altaïr also made the saddle have more utility and Desmond was used to having supplies on his back.

Of course, Ezio thinks that bulky supplies doesn’t look good on Desmond and Desmond is just like “I really don’t care but it’s not like you can understand what I’m saying so you just do you, Ezio.” while Leonardo agrees.

So, Desmond while with Altaïr felt more like a majestic wild beast of the skies.

With Ezio though? Desmond turns into a divine bird of justified vengeance courtesy of Ezio’s ideas that Leonardo has to interpret and turn into reality (the woes of all artists with unreasonable clients)

Claudia saw the expenses and borrowed a mercenary’s sword to cut her own brother down XD

[celestialholz]

Be still made, my beloved crossbow (or 'let's talk about Durge's other other weapon... and maybe a bit about Stillmaker too')

You've read this post, friends. You know it's true, I know it's true. (And it's bloody beautiful by the way, lovely job @darkurgediaries.)

But wait, there's more.

Let's have a quick chat about the Hellfire Engine Crossbow, because if Stillmaker is Durge's blade from Gortash, this is Durge's side-bitch from him... or it was meant to be, anyway. Man never quite got around to piecing it all together.

Okay, let's start with er... I mean look at it. It's white, has a phoenix head on it - a creature that symbolises resurrection, rebirth and immortality, how very Durge, and is also associated with sun gods when Gortash is this easy to turn into a Lathanderan and that guy brings light to each new day - and it's also embossed with Gortash and the Steel Watch's black and gold motif.

And then you take a mechanical look at it and... hang on.

What are you doing here, Lightning Arrow? The Steel Watch don't have Lightning Arrow, but you know who does have Lightning Arrow? Rangers - archery experts, usually - at level nine and up. And who can we consider that's on level nine and is really good at archery?

And who can we consider who might run out of lightning-basic magic in the heat of battle; who is white, and has a theme of rebirth either by rejecting Daddy Bhaal outright or embracing them anew, and knows a sun-coded Radiant guy, and may once have had business in the Foundry?

Well hello The Dark Urge Vanilla Edition, our old spicy friend. There's also the lovely addition of Reposition Malefactor - Lightning Arrow, grab, Stillmaker stab. Classic Baldurian efficiency.

You know what kills me about Gortash's Radiant coding and Durge's Lightning? The first thing you see of lightning is its flash, its brilliance, and the second thing you see is its destruction. The light isn't the part that hurts you, but it's inextricably linked to the thing itself, just as you can't have the destruction without the light. Symbiosis. Gortash could have been thunder-coded, but... no. Thunder isn't destructive, not usually. It doesn't happen at the same time in the storm.

It's not symbiotic... it's not equal.

... Yeah no, I'm fine, not emotional at all. No sir, could not be me. Despite being level nine too, Gortash doesn't have Lightning Arrow. Why would you need lightning, when your beloved has it in their veins, when you've made them a crossbow specifically for it? You just bring the 'light' part, don't you?

Symbiosis. Peace and love on planet Faerûn. Anyway...

If we must consider the application of Lightning Arrow as a helpful aid to the depleted Storm Sorceror, we should probably consider Stillmaker's equivalent.

Hold Person. Hold. Person. Which, yes - very useful bit of utility for our lovely Durge to have, 100% - but then you consider the fifteen separate dimensions of romantic overtones in Durgetash and you just can't help but feel: Hold Person. It's a bloody hug. It's support. He's made it easier for you to slaughter people, which at least used to be your favourite thing to do.

So Gortash has A. made your murdering life much more fun because you can savour the kill and B. made sure you can still kill from a distance if anyone else happens to be around and you're tired.

What a complete fucking simp. 🥺❤

On the subject of Stillmaker in fact, much as the Fabricated Arbalest to the Hellfire Engine, it's rather different to Durge's main dagger, Bloodthirst.

This is pure function. Made to please Papa in the most gruesome way possible, whichever hand you feel like using to wield it.

Whereas Stillmaker... it's got an attached hug. It's got a wavy blade, perfect for the task of slicing and dicing - one that's very difficult to forge, that must have taken time and care.

... Well. Must have taken a mortal time and care. Because lest we forget, it's not the only wavy blade Durge owns.

... Seriously, Larian. How are you going to make both of them wavy. I'm on your ceiling fans.

It's two separate dimensions to Durge's life, in two blades with the same nastiness to them - absolute utility, versus actual care.

This is literally more intricate than the thing presumably given by a god. That's going to tear like a bitch, truly. And it's even got Bhaal's delightful countenance up front and centre. What was that devnote, about convincing the child of a god that they're not a monster? Mm...

Oh, I don't know. It's almost like, for a while anyway, Durge's connection to Gortash was more important than the one to their father. Maybe they wrote something about that very thing, in fact. Imagine. 🥲

I'd like to take this opportunity to also note the very violent and Thunder-mentioning text attached to the Hellfire Engine...

... And the fact it's found in three parts, because y'know, Dead Three.

There's only one minor flaw in this whole thing, really. One teensy little tiny problematic detail.

Sorcerors, unlike Gortash, can't use Heavy Crossbows.

... But, then, they can't use shortswords either.

I'll let you be the judge, shall I?

[eldritch-spouse]

Oughh, for a second, I lost your account, and I was so sad because I love your world and oc's so much!!

Okay so I read again the Morell and Nebul interchanging pets for a day, and it made me curious.

Would they actually trust each other to babysit each other's obsessions for long spans of time? Would they ever schedule some kind of "play dates " for their humans, as a treat, maybe?- 🪶🍵

[Howdy! Thenk you and welcome back. :7]

[Ooough I had to go back and fetch context for that one.]

Likely not long spans of time.

Nebul knows that he can trust a properly trained obsession in the hands of one of his coworkers for a short span of time, because they're already trained to a fine level and can behave without provoking any sort of unfortunate incident. However, the longer he leaves his pearl in another's hands, the higher the probability of disaster is- He just doesn't perceive his coworkers as being able to properly care for or discipline you.

Morell's biggest fear is that Nebul will poke around your brain too much and that you'll come back to him an empty shell of your former self. To the point where he'll sometimes ask you everything you did with the wraith, just to try and make sure that no memories were eaten in his absence. So no, the chef naturally doesn't want you around Nebul for too long.

Play dates can happen, following a short evaluation of how stable both of you are. Both monsters agree that this should be a reward for good behavior, or otherwise utilized as a means to normalize the situation to one or both of you. Purpur, Turnip, Alfredo and Pepper may be involved. While Nebul is more partial that these get-togethers happen in his shop and Morell prefers them in the restaurant space, both have agreed that maybe the garden works well enough.

It's got scenery and enriching wildlife (very not-normal wildlife).

Likely not.

He wants your online presence to be as diminished as possible, ideally nonexistent.

Nebul will allow you to submit verified scores in competitions, but he holds all the information of your every account and never allows you to stream anything or interact with anyone.

Offline games are at your disposal if you happen to showcase good behavior. He particularly finds it amusing how you torture yourself with souls games. Beneath all that sweltering rage that nearly has you smashing controllers, there's an undercurrent of satisfaction that keeps you going.

He usually swoops in when you're defeated and sulking about it.

[Hawhawhawhaw-]

To be fair, Xiko himself is mildly embarrassed.

He usually plans what he deems to be his. Because it's kind of humiliating to chase after something he can't physically attain, isn't it? Kind of like holding a stick with a carrot in front of a pig. Except that pig is aware of what's happening, and can't do anything to stop the chase.

Here, Xiko didn't get to decide that you would be his over a decent period of time where he determines it's plausible to obtain you. No, he just saw you, listened to his urges, and paid for it via being forced to sprint after you until he can steal some poor sap's car and turn this into a news-worthy story.

He's angry at himself as he burns his own undead leg muscles with the rabid urge to reach you, he's furious! But the process cannot be stopped. And he will have you.

Honestly, he understands he looks scary to the average human -Even some demons find him gnarly- But if you crash and end up dying because of this, he's going to be so mad Xiko might actually reach into his mouth and pull his eyes out.

[Pip? 😭]

Make no mistake, once a certain level of efficiency is reached, you are effectively a glorified lap cat.

Cuddling is used many times as a subtle way to reinforce certain responses, without you even knowing. Nebul conditions you such so that you'll seek cuddling him even after he does something traumatic to you- Because even if he's the one that hurt you, you have already been trained to believe that he's also the only one that can comfort you.

While to you it might be nothing more than a relaxation session, the wraith is constantly testing how you respond to certain touches. How easily do you lean into him? How much do you fidget? Do you lean away? Do you seek his hand after he removes it? How bold are you in the way you position yourself? Are you relaxed enough to miss certain gestures? Yes, Nebul is enjoying himself too, but he's still evaluating you.

Cuddling is used a lot during the process of training you precisely because Nebul notices that you respond so intensively to it.

[chubs-deuce]

Hi!! Love your artwork and your Charlastor AU with Dawn!!

I was wondering if you think Alastor would make any dawn-themed dad jokes and puns in your AU, and if he does, what would Dawn and Charlie think of them? I can’t really think of any off the top of my head right now, but I know ‘a brand new dawn’ is a phrase he could maybe use!

Again, love your art!!! If you don’t mind answering questions about it, do you have any advice for artists who want to improve their drawing or any practices that have helped you develop your skills? And are there any particular artists that really inspire you?

You’re one of my favorite artists and I don’t know how to explain it but your drawings have so much life in them!! 🌟

sdlksdflkj thank you so much omg!!!

I'm so glad you're enjoying them ;W;

And he would be insufferable with them lmfaoo, especially because I'm sure Charlie would hop in on a few of them and add to the pile as well xD

One more I can think of rn is "Oh, I was wondering where the sun went!" whenever Dawn enters a room, because the implied punchline is "but then it Dawned on me" or something? XD idk I'm not good with puns sadly

Now regarding the art advice!! This one got HELLA long so I'll hide it under a cut for everyone's comfort lmao

I know it sounds shallow and like worthless advice, but a huge huuuuge part of getting better at art is to just... make art! Practice makes perfect - it develops your motor skills, gives you somewhat of a muscle memory for certain basic shapes that are a necessity to have a good feel of for good foundation sketching.

Practice also develops your eye for compositing and for how color theory actually applies in practice, it basically helps you develop a more consistent grasp on art as a whole :D

There are some things I've learned over time that definitely helped speed things up though xD

here's some rough sketches I did just to demonstrate what my rougher drawings can look like - also a little diagram (on the right side of the image) of things I keep in mind for the average proportions of a human body!

I tend to sketch very loosely and try to capture the overall vibe and silhouette/rough shapes first before I even think about adding details - there's a certain flow, squish and stretch to everything that's just much easier for me to get a good feel for when I use quick, loose brush strokes and as few lines as possible to convey a concept.

Repeatedly sketching humanoid characters of various shapes, builds and sizes for years genuinely helped enormously in getting not only faster but also more consistent with it!

I'm fairly well practiced with hands and expressions especially at this point since I like to focus on those in my art often, so those come fairly easily to me as well now!

Something I learned along the way about keeping a certain liveliness to my artworks is that sometimes you have to forego anatomical correctness a bit if you want to fully express specific emotions - if you try too hard to keep everything perfectly proportional and realistic, it can make the outcome look stiffer than you might've aimed for - this is something I actually struggle with in my cleaner artworks :'D The ones I do proper lineart for, since a lot of the flow of the original sketch gets lost in the process haha

As for artists/artstyles that inspire me...

There's @/southpauz for example!

Her artstyle is unbelievably expressive and her eye for compositing and her use of shapes is SUBLIME - it inspired me to let loose more with my expressions, exaggerate features a bit more and to push the way I try to vary facial features :D

Then, back when I had that massive Rise of the TMNT phase, the artstyle of it has actually greatly influenced how I draw today!

It manages to be detailed and highly recognizable despite its deceivingly simple style - it exaggerates shapes and uses it to communicate personalities, emotions and action super effectively and taught me a lot about utilizing those more efficiently myself :D

And last but not least Ishida Sui - the mangaka behind Tokyo Ghoul (which used to be a highschool obsession of mine)

His striking use of colors, textures in abstract, yet symbolically heavy ways and his courage to be rough and expressive rather than looking polished, yet also having such a solid understanding of realism blew me the fuck away as a teen and still does now!!!

His art may have less of an influence on my style today than it used to back then, but I think in my more exagerrated, more horror-esque drawings you can kind of see it still :'D Either way I greatly admire him as both a writer and artist.

-----

I'm genuinely so so flattered that you enjoy what I do enough to give me such high praise, thank you so much for writing me such a wonderful ask <3 I'm glad I got to gush about some of my favorite artists/artstyles for a bit haha

If you have any more specific (digital) art related questions don't hesitate to reach out!! I love giving pointers about a subject I'm so passionate about, we don't gatekeep helpful information in this house!!! <3<3<3

[genericpuff]

I followed artsangel since her previous comic immaterial. I have to say she IS talented and has the skills. But her style is verrrrry time consuming and she would only update every 2 weeks. I used to study her art a lot because I was always impressed by it, and Im fairly certain it did not look like like that when it was on canvas. I used to see her progresses on her stories and she uses a lot of assets and predrawn faces to keep her consistent pixar look. The faces were less uncanny and more expressive. Now the eyes are all wonky and displaced.

I think she may have used ai to polish her panels. Perhaps the workload proved too much, or maybe she was feeling insecure. I was concerned when she got picked up by webtoon because I could tell it would be difficult for her to keep up the schedule. Ai is super powerful but its not powerful enough to make a COMIC, not even consistently. She probably using it as an enhancer to her already great skills. A shame though, she doesn’t need it.

Also I think the reason her preproduction period was so quick is because she was highly prepared before launch. She already has multiple comics under her belt and webtoon probably didn’t need to change much. Im sure she just reused her canvas comic for her reboot and built a buffer in the meantime.

Having to meet deadlines can definitely be a reason but not an excuse IMO.

One creator I can think of who has a similar style (albeit in black and grey) is figmentforms, creator of A Tale of Two Rulers.

Updates are slow, she posts maybe a new page once a month, the art is gorgeous but it's clear it takes her time. It's a free to read comic. It's worth the wait.

That said, if she wanted to make her updates more frequent, I wouldn't blame her at all for utilizing new tools and methods to do so - but it wouldn't justify her in using AI tools that are stealing other people's art.

There are loads of shortcuts that artists already use that are fine because they're still genuinely handcrafted. 3D models, overlay textures, blur effects, etc. are all tools that artists use to help speed up the drawing process and were made by hand.

And beyond that, the need to make the process more efficient isn't a crime, but it's in how you do it. You can use these tools irresponsibly or at the cost of your own comic's quality. Case in point, Lore Olympus and Let's Play, which are both godawful in how they implement 3D backgrounds and stock images:

Creating comics is finding a balance between efficiency and quality, not sacrificing one for the other and using it as justification to avoid criticism for that sacrifice.

If Sarah Ellerton was using AI based on her own art and being honest about it, I don't think anyone would be nearly as upset. It might prompt a debate over what's ethical in the world of comics - whether or not it's right for consumers to pay for a product that's being churned out of an AI prompt - but at least it wouldn't be theft and it would probably just be there as an aid to an artist who's been doing this for 20 years and had to find a way to make the process more efficient. I think AI can be used as a productive tool if it's implemented responsibly and without being at the cost of another artist's work.

The issue is that 1.) Sarah is being VERY suspicious over the whole thing which leads us to believe that she's NOT using ethical AI assistance, and 2.) there's a VERY clear distinction near the end of her previous comic, Immaterial, where you can basically tell when she adopted AI. The main character Alex, for example, literally became a whole other person.

This is a common problem for AI coloring prompts, a LOT of them are bad at rendering darker skin tones (I think I mentioned this in my last post, but I literally got to playtest AI coloring tools from WT's a couple years ago, and they could NOT figure out darker skin tones, any dark colors that were put down were assumed to be shadows so characters just looked like white characters with the curtains pulled over their face).

She just looks like a SamDoesArts poster girl now. Everything unique about her has been stripped away and you can see this transition in the final page of Immaterial and the first episode of Quantum Entanglement:

None of it feels like organically her, it feels like a cheap machine reproduction.

I don't doubt that this person has evolved a lot as an artist or that her older work was genuinely her, she's clearly got a lot of skill that only someone who's been drawing comics for years would gain.

But it's clear somewhere along the way she succumbed to insecurity or stopped caring enough to start using AI to do the heavy lifting. I mean honestly, her work from before was fine! So I don't see why she would be using it for 'polishing', there are so many ugly ass webtoons on the platform so even the art from Immaterial - even if she had to simplify it a bit more to make it easier to meet deadlines - would likely be a refreshing change of pace.

But the way she's utilized AI here, I was quicker to assume Sam Yang drew Quantum Entanglement when I first saw it.

And it is a shame, because, as you said, she doesn't need it. Her art is perfectly capable on its own and while I can understand her need to make the process more efficient, there are better ways to do that than using AI that's clearly ripping off other artists and then lying about it. It's a shame she'd put her reputation on the line as a seasoned artist just to meet Webtoons' stupid deadlines. Like, how can it be worth it?

[spiralnymph]

Re: A Word on the Prototyping Process for Rotdolls. Internal Communication.

I hope this message finds you well.

It has come to my attention that there is a bit of confusion among staff regarding the development, prototyping, and testing processes for the SPIRAL (Synthetic Priority-Intensive Reborn Automata Limbsprite) series Rotdoll. This will be a brief overview regarding the questions I found prevalent or important to note.

To start, the transitional candidate must be in a state considered “too far gone,” "incurable" or “irreparable.” This is the number one criteria used when our manufacturers’ scouting contractors are procuring viable product. In fact, we tend to advise them on using those exact keywords. These candidates are rotting, barely functional, and while we cannot “fix” them, we can give them a chance. Once a promising candidate is located, we make contact and gain approval. Then the rebirth can begin.

The sedated Limbsprite is brought in, and we begin taking our protocolar measurements. Stretch out the legs, measure from heel to back of knee. From back of knee to buttocks. Around the widest section of the thigh. Around the knee. Around the widest section of the calf. Around the ankle. Repeat the same pattern on the other limbs; There should be no skipping of the second leg, as these naturally occurring bodies have imperfections and mismatched measurements that must be accounted for in the upgrading/rebirthing process.

Once the measurement phase is complete, our manufacturing drones are utilized in crafting what we call the Reciprocity Vessel Shell, or more commonly the RV-Shell, for the lucky Limbsprites who make it this far. They should consider themselves to have won the lottery! Their Shell will keep them going, as well as allow them to act out fulfilling lives in service to those they are in the possession of. But I’m getting ahead of myself. Next is the programming phase.

Once the Shell has been installed on the fleshwire of the Limbsprite’s exterior, and the necessary processing, function and suppression components (which come with our proprietary firmware pre-loaded) have been implanted into the subject’s brain and body, we can begin the programming process. This stage is the most time intensive, as there has to be a determination made based on the individual unit regarding what services it can or should be put forth to perform.

Maybe this Rotdoll is more suited for deployment in war, or perhaps this one is only to be used for janitorial service. This one is bound for corporate chauffeuring, and this one will be the worlds most efficient espionage and infiltration tool. To draw from a real example, take prototypal batch F; Most, if not all, Rotdolls belonging to batch F were in some capacity suited for direct combat. This, however, is atypical. Most batches are far more diversified in their application potential; Batch H, for instance, contained no two Rotdolls consigned to the same Service. This variance in Rotdoll implementation is something our company (rightfully!) touts above our competitors; It takes a massive amount of expertise to be able to direct such dissimilar units on their individual utilities. Yes, due to this, we have investors hesitant to buy in, given that the demand ebbs and flows depending on the stock we have at any given time, but the investors we do have remain passionate about the work we do here, and know to trust our process, as they have seen the broadly-applicable results.

To continue the process, we reinforce what the Executives have come to call the “Exertive Will.” This is the drive that our SPIRALs (and all Rotdolls broadly) experience that pushes them towards the goal we assign to them. With Rotdolls being more prone to hardware exhaustion, processing fatigue, Wirepain, and the industry-dreaded Techrot than the average automata on the market, we strive to imprint the Exertive Will on our units very early and very concertedly, to ensure that the units we distribute are not doomed to early failure and unmarketability.

I won't get into the weeds on the details of Exertive Will. That is jargon for our engineers to untangle. The purpose of this email is just to clear up some of the disconcertment that seemed to be spreading around among some of our newer employment bracket.

I hope that this was informative, and if you have any further inquiries, please bring them to your floor manager, and they will explain what their (and your) clearance allows.

From the office of

[NAME MISSING]

Gossamer Branch Manager of [LOCATION MISSING]

** This is classified internal communication meant only for the addressees copied on the original electronic mail. Sharing this message or the information therein is a breach of company non-disclosure clauses as well as local law. If you have received this message in error, please respond to this message with your email address and delete correspondence completely.

[samueldays]

Sam Reviews: Factorio Space Exploration

That's Space Exploration the factorio mod (played v0.6), not Space Age the factorio expansion coming soon. I have finally completed SE with the cooperation of two friends across 300+ hours, I don't think I would have bothered to finish on my own, but it was a fine reason to hang out and chat. I had fun, but it was very irregular fun between good bits (spaceships!!) and facepalm bits.

It's A Scale Challenge

Space Exploration is a scale challenge, and I lead with this because I find the documentation misleading. On the Getting Started SE wiki page, which is also linked from the SE mod page, it says:

Space Exploration is mostly a complexity challenge and not a scale challenge. It's completely possible to beat the game with only 20SPM, unless you play with a science multiplier. But it'll still be hard!

Similar descriptions abound. However, Space Exploration has individual technologies mandatory for victory that cost more to research than the entire tech tree of the base game up to and including the Rocket victory research.

It's even worse than that sounds.

"Cost more" can be calculated in a quick and dirty way that vanilla Factorio's Rocket Silo victory tech costs 1000 sets of science packs to research.

Its prerequisite Rocket Control Unit costs 300, and so on back down to basic Automation technology costing merely 10, all of which add up to 5750 in total.

Space Exploration has a mandatory 6400-cost tech, some 5000s, a 4000 and a 3200, several 2000-cost techs used as filler in an already overpriced and bloated tech tree, and a 8000-cost (max spaceship size) that's theoretically optional but avoiding it requires you to play Tetris with your size-constrained spaceship layout.

But the numbers are not directly comparable, and the more detailed count makes Space Exploration look even worse. "5750 sets" vanilla includes several early technologies where the set is a subset, even one single science pack, it costs 50 of [Automation Science] for basic technology and gradually fills out to the Rocket Silo costing 1000 of [Automation, Logistics, Chemical, Utility, Production Science] which is a set of 5.

Space Exploration, meanwhile:

Which is 5000 of a set that's twice as large as the largest in basegame, so more like a 10K victory tech compared to the 1K victory tech in basegame.

But that number still isn't a direct comparison, because the multi-striped science packs in there are high tier packs whose ingredients include lower tier science packs that also need to be produced. Deep Space Science 4 (the black stripes) is made with various input resources + a DSS3 pack, which is made with more input resources + a DSS2 pack, and so on. If you count the fifteen intermediate science packs, it's something like a 25K victory tech compared to the 1K in basegame.

There's numerous techs like this. If you ever play Space Exploration, I advise you to slice a zero off everything. Set the tech cost multiplier to one-tenth. It is severely padded.

Pretty Cool Spaceships

Spaceships are of course the big draw of Space Exploration, though they come pretty late in the game, and before them there's two other methods of moving stuff between planets: Cargo rockets and railguns.

The rockets are very fuel-hungry to launch and also "consume" most of their ingredient parts as stages. The delivery railguns can't move fragile objects or players, and are same-solar-system only. (They double as expensive interplanetary weapons!) Spaceships are reusable as long as you keep them refueled, and much more fuel-efficient, as well as being able to mount laser/gun turrets for defense if landing on a hostile planet. You can even put artillery in a spaceship, which my team used to create a very short-distance-hop spaceship that was more like a suborbital bomber/mobile artillery platform for clearing the hostile fauna off our home planet.

Eventually you get spaceships to transport stuff at custom speed and scale between planets, with the ability to build and design your own. Then, the ability to set spaceship automation with docking clamps and the circuit network, and can give a spaceship instructions amounting to "go to planet X and wait until your onboard storage has 40K Cryonite, go to planet Y and wait until your onboard storage has 0 Cryonite and your fuel tank is refilled". It's the Factorio experience of automating stuff you were manually handling before, but at the much larger scale of interplanetary transport.

Here is my mini-spaceship for personal transport between planets, used to go over and tinker with things, has a few chests but doesn't take bulk cargo:

The side notch is to help me align the refueling underground pipes.

The Mod Maker Is A Control Freak

In the base game you have the opportunity to research Logistics Robots, small flying drones that carry items around for you, making automated transport more convenient so you no longer have to weave together transport belts, underground belts, railroad tracks and other physically connected means of item movement in the infamous "belt spaghetti".

Space Exploration comes with a mandatory dependency on the Robot Attrition mod, which makes logistics robots randomly collide and explode destructively if you're using more than 50 of them. (There's more than 50 item types in SE, so you will want far more than 50 logistics robots.) You can't not include this other mod when playing Space Exploration. There is a game setting which looks like it disables robot attrition, but it actually only disables robot attrition in the starting zone.

"Surely there's another mod which restores robot functionality?" you might ask, since Factorio has a lot of mods. Not that I could find, possibly because Space Exploration is distributed under a "no modding my mod any further" licence, formally the Factorio Mod Limited Distribution Only Licence.

You may make alterations for your own private personal use only. You are not allowed to distribute any content from the mod, or anything altered or derived from this mod with the following exception: You may post partial modified sections of this mod in Earendel's discord https://discord.gg/ymjUVMv for the purpose of providing bug fixes or enhancements.

Binding or not, I think that's an amazingly dick move for your Cool Spaceships mod to degrade some unrelated basegame functionality and tell people they aren't allowed to post a modmod which restores that functionality.

In other control freakery, Space Exploration is flagged as incompatible with infinite resource supply/non-depleting ore patch mods for Factorio, because the SE modder feels it would ruin the intended balance of his mod. It's flagged as incompatible with teleportation mods, to force you to use rocket/spaceship transport. It's flagged as incompatible with waterfill mods to prevent you digging wells where the modder wants to enforce a logistic challenge of delivering water in barrels. It's even flagged as incompatible with some mods that change the stack size of some items, because the modder wants to ensure you are inventory-constrained and pay for logistics.

Bizarrely contrary to the spirit of modding, if you ask me, trying to enforce that the mod is played the specific way one person wants you to play it.

Padding, Filler, and Bloat

It's not just the tech tree that suffers this, it's many aspects of the mod, and I'm going to list enough of them to make this post feel ironically padded.

In regular Factorio, when you put a drill on an iron ore patch, it produces iron ore, which you put in a Furnace to smelt into iron plates.

In Space Exploration, when you put a drill on an iridite ore patch, it produces iridite ore, which you put in a Pulverizer to crush into... a random mix of crushed iridium, stone (waste byproduct), and iridite ore that you have to feed back into the pulverizer and try to crush again.

To me this is something I shouldn't have to interact with in Factorio, it should be pre-automated below my notice. If an input ore is not properly crushed in the crushing machine, the crushing machine should keep crushing it until it's crushed, rather than demanding extra player attention to its one job. Reeeee. I have no interest in my factory's machines having what is effectively a random failure chance at doing their job. There is no upgrade tech or better machine which gets rid of that random failure chance.

It might have been interesting with one processing step whose unique gimmick is a failure chance and a need to filter-loop the output back onto the input, but Space Exploration recycles this recycle gimmick over and over again to pad out different processing steps with "do it again".

-

Speaking of random failure chances...

In regular Factorio, the "science packs" are kinda high-level abstractions. You put together a pair of engines, several electronic circuits, and a handful of sulphur to create "Chemical science", which could be taken to vaguely represent a process of destructively testing or consuming something and measuring it.

In Space Exploration, the advanced sciences are data-driven, which is a cool idea. For example you put together plates of iron, copper, stone, plastic, concrete and iridite with a blank data card to create "Tensile strength data" and recycleable scrap, then you use the data card in another recipe to create "Material science" and also outputs "Junk data card" representing data you've already analyzed and can't learn more from, and then you put the junk data card into a spacecomputer to erase the contents and get back a blank data card again.

It's a neat abstract representation of science involving data collection and material testing, with a reusable computer component and am expended material component, and it's undermined by the fact that erasing junk data has a 30% failure rate. That's the chance that the Super-Engineer Protagonist, with nuclear reactors and supercooled computers, will somehow fail to turn a Junk Data Card into a Blank Data Card and will instead break the card. So the data cards are in practice still expended consumables; you'll need to produce millions of them.

-

In regular Factorio, the various grades and kinds of steel (high carbon, low carbon, stainless, etc) are abstracted into a single "Steel plate" item which has many different uses. Storage chests, trains, power poles, handgrenades, armorplating, automation robots all use the same Steel Plate as ingredient.

This design holds true across the game: items represent broad classes of a material, also machines are multipurpose and an "Assembler" machine can be set to make gears, wire, pipes, or other stuff by configuration. One Assembler turns iron plates into gears. The next Assembler combines gears and more plates into engines. The next Assembler combines engines and more gears into transport belts.

In Space Exploration, there's several machines which only have one use, and there's even items which have less than one use.

The only thing the Xray Observation Telescope does is produce Xray Observation Frame items, the only use for Xray Observation Frame is processing into Xray Observation Data, and the only use for Xray Observation Data is combining it with Microwave Observation Data, Infrared Observation Data etc. to produce Astrometric Science. That's also the sole use for those other Observation Datas. All the different wavelength telescopes, the different observation data items, and the different observation data frame items collectively serve one purpose when put together, so I count them as having a fractional use each. Someone call an editor, fucking cut these.

-

In regular Factorio, drills on a copper patch produce 1 Copper Ore per production cycle, which smelts into 1 Copper Plate.

In Space Exploration, drills on a beryl patch produce 1 Beryl Ore per production cycle, and 20 Beryl Ore smelts into 1 Beryllium plate.

(both ratios can be improved somewhat with Productivity Modules in your furnaces)

Which brings me back to the extremely overcosted science packs, because that blue-striped Astronomic Science Pack that you need 5000 of for the rocket victory? Its cost in raw materials for a set of 8 looks like this:

displaying 580 beryl plates instead of the 5800 ore needed, 725 per pack, plus some more for the data cards that don't calculate raw material correctly, adding yet another multiplier layer of bloated tech cost. I am infuriated by whoever wrote "not a scale challenge" on the Scale Challenge Mod which asks you to mine millions of ore to research a single technology.

Arcospheres

I have another post on these, so I'll keep it short: There is a type of special item necessary to win the game, which are only available in limited supply, which you can permanently lose by accident or bad luck.

The available supply is several times larger than what's needed to win, so I wasn't actually threatened by this, but I dislike it on principle.

Also, they're spoiler-enforced by the control freak modder who keeps the helpful information off the official discord, wiki, and mod page.

Verdict: Thumbs Down

I was suckered into this partly because I believed the "not a scale challenge" advertisement when my friend group was considering what to play next, and I regret it. Halfway through we felt it starting to drag, but we were having fun and community and spite so we powered through. This is a reason I have emphasised the bloat so much in my review. This mod really, really needs an editor to cut down numbers and cut out items and simplify processes so you can get to the Fun Spaceships part without so many Mine Literally Million Ore part.

[bayesic-bitch]

Making my own post to respond to this, because the point is pretty tangential:

When I first played stardew valley there was something I found really dissonant. You start in this shitty company that's implied to be cold and isolating and treats you as a a cog in a machine, and you inherit this idyllic and pastoral farm. So far so good. But then immediately you set about on trying to upgrade the farm and make it efficient and extract as much value from the land as quickly as you can. You clear cutt large sections of land and replace them with cash crops. You turn the land and the town into a well-oiled machine, just as your previous job had done to you. This process of upgrading and increasing efficiency is the central form of progress in the game.

Obviously the game never really addresses dissonance, but I really wish there was a game that did. I wish that the back half of the game turned into something like Factorio as you seek to automate more and more of your production so you can buy the late-game upgrades. Gradually these changes affect the town as well, people start to move away because of the smog, and you can buy up their land to have a place to put your new combine harvester.

One of the characters is a philosophy grad student studying Heidegger who's home for the summer, and she talks to the player about his theory of technology. Where modern technology is powerful enough that it's actually feasible to use of 100% of an existing resource, and so we start thinking about that resource in terms of how to most efficiently extract value from it. We objectify it, in a sense -- a river can't be a beautiful ribbon of blue stretching across the countryside, because we can only think of it in terms of "the thing that powers hydroelectric plant" and think about how to maximally utilize it. And the player slowly realizes that they've carried this mindset back with them from the city. That the dehumanizing aspects of their old life were never about the skyscrapers and asphalt, but about the way that their superiors viewed them as a resource, and the way that their environment facilitating efficient use of them as a resource. And that they've carried this attitude back to the idyllic country town where it's now spread like a virus, destroying all the things that drew them to the farm in the first place, and that they now live in a hell of their own making. They restore the community center, but they've destroyed the community it was made for. The only way to avoid this ending is to deliberately refuse to upgrade past a certain point. To accept that certain end-game content is forever out of reach, and to be okay with that.

now to be clear, I don't actually endorse all the politics implied by this. But I think it would be interesting for a game to actually grapple with the kind of pastoralism thats common in this genre. This flavor of pastoralism has fundamental tradeoffs against efficiency and reduction of labor. And I think if you want to endorse this ideal, that's a bullet you have to bite.

[diamond-draws]

Phantom Theives & their personas Headcanons: Powers

When awakening the user gains some subtle abilities withing the real world. For example Joker's third eye. Most commonly the thieves can use their elemental skills a little in the real world. Ryuji can control electricity, Yusuke with ice, Makoto with nuclear power, ect.

Their personas can also communicate with them telepathically, they can talk to each other too but the user can only hear their respective persona. Each of the Phantom Thieves aside from their skills have unique abilities that cross to the real world.

Ren: As already mentioned he has his third eye ability which works as it would in the game, but he can also increase it's power to sense things (think of it as Spiderman's spider sense) prolonged use of it however can cause some serious fatigue. Arsene's curse skills also carry on into the real world, when activated at will Ren can break down anything he touches with just his finger tip. He also gains heightened agility with he gets better control over thanks to "Kasumi's" training. He can hear the voices of other personas he has equipped too, you'd expect that to get rather noisy within his head but Arsene & the others usually keep to themselves for the most part. Since ice skills are Arsene's weakness, Ren is sensitive to colder temperatures as a result. He gets really cozy at home during winter & fall.

Morgana: With Zorro Morgana can make gusts of wind and even utilize his healing skills in the real world, albeit they aren't as strong as in the metaverse but he can at least stop an open wound from bleeding. He can also jump higher and much farther than the average cat (as if he wasn't much of a regular cat to begin with XD)

Ryuji: Surprise, surprise Ryuji can generate electricity at his fingertips or even his whole body if he concentrated enough. It's usually static but he is capable of giving someone a real shock if he wanted to. He can also jump higher and endure physical hits more. His general speed is increased too but not by much due to his messed up leg.

Ann: Much like Morgana she can also do some minor healing. Ann can as expected make fire, sometimes when she mad her hair will ignite slightly but go out immediately as she calms down. She's also bothered more by the cold too but she at least has an easier time keeping warm than poor Ren. Ann has more flexibility than normal which amazes even her when she successfully lifts her leg over her head.

Yusuke: He's more tolerant to the cold, it's hotter days he suffers a little. Yusuke can create ice and frost at will, he uses this at home during summer. He also has better agility like Ren.

Makoto: She can harness nuclear force into her fists, metaverse nuclear is not as lethal as real world nuclear (doesn't even involve radiation) she doesn't quite use her ability in the real world as often as the others. Her power can sometimes affect electronic devices when she's in a bad mood (or scared), from causing tv screens to go static to bursting a few nearby lightbulbs. Faint blue markings on her face resembling her mask can appear on her face under uv light, as well as glowing streaks in her hair. Her physical strength is also increased resulting in stronger than usual punches in the real world.

Futaba: She unfortunately doesn't have too much going on, being a navi and all but she can sense some things in the real world, much like Ren's third eye but a little weaker.

Haru: She also has an increase in muscle, moving bags of fertilizer has never been more efficient. As for her psi abilities in the real world that one is tricky to describe, suffice to say she can easily get a better idea as to how some of her friends might be feeling. She is likely to also generate small psionic blasts too.

Akechi: Akechi can also utilize curse in the real world too like Ren, through thanks to Robin Hood he can also utilize bless as well which in the real world is basically just lighting up a dark space with the palm of his hands. His signature Call of Chaos skill can be used irl too but he's not allowed to do so for OBVIOUS reasons.

Sumire: She can also create light in her hands, she can also do minor healing as well in contrast to the savage everyday Akechi. XD