I kept thinking about how Forever would react to seeing Martyn, but I feel we all expect him to react a certain way, so instead my interest shifted to another thing: how would Martyn react to Forever.
You know, Martyn is a lot emotionally smarter than most people Forever has shown any interest in.
Bad, Phil, and Brunim tend to wear a mask about their feelings and show their emotions in weird ways, and Max just doesn't tell you how he feels. Martyn may joke a lot about his own feelings and kind of hides them but never to the extent that the other 4 do, and, more importantly, can see the emotions of others and act accordingly.
Although, most importantly, he is not auto-destructive like them. Bad and Max are super auto-destructive if you are aware of their lore, but Philza and Brunim are quite bad too. Brunim is willing to die if it helps to prove a point and Philza is more of the sacrificial type, which is not great, thank god he is good at surviving otherwise he would have died who knows how many times.
Martyn is more "sure, why not" but can draw a line and say "That's a bit too much". So, of course, he would say "yes" if Forever asked him out, but could tell he was just a replacement just by Forever talking. He would probably think that Phil is the ex, not Brunim, unless Forever straight-up says his name.
But, of course, he is not immune. He recognizes why he actually accepted Forever's idea. He can recognize it on Forever because he may or may not be doing the same but at the end of the day. Forever is Forever. Martyn is Martyn. They cannot be replaced.
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DPxDC Idea
Danny working at Wayne Enterprises as some sort of engineer, uses the in-house app for all his blueprints and stuff
He starts getting notes from a coworker in-app, and assumes its this annoying older guy in his department who constantly undermines him because of his age, despite his education and past achievements (i feel like in this AU the Fentons react well to the reveal and they work together on a number of non-lethal ecto inventions that have Danny's name attached to them)
Except one day his coworker mentions never using the app, and Danny suddenly realizes there's only one other TD he could've been arguing with in the notes of the app
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i'm sorry but i don't think we should call this the "autism website" when there's still posts with tons of notes mocking people who:
struggle with social skills / have anxiety around social settings
are unemployed / unable to work certain jobs
have intense or "age-inappropriate" interests
haven't had certain life experiences that are deemed universal/essential
struggle with personal hygiene
don't have any friends or dating experience
don't go outside much or at all
take things literally / don't get sarcasm/jokes
have unusual ways of speaking
generally aren't "normal"
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People who experience romantic and/or sexual attraction are so funny sometimes
They will ask "who's your crush?" And you will answer "i don't have one" and then it starts
"Why are you liying?", "you can trust me", "don't hide", "i don't belive you", "what?! Everyone has one come on", "hmhu it's [name] isn't it?".
in the extreme cases (mine once) they won't let you even leave the conversation and place it started
And so you lie
And when if "confession" comes from "name" and you reject it every single persson who made you lie will be angry.
Honey. Why the fuck are you angry? You decided a lie is more realistic than reality
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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