I just want to say that the repeated mentions of Tim being like Bruce - Dick telling Tim that “you’re more like Bruce than I ever was” and even things as small as the other members of Young Justice assuming that Batman is literally Robin’s dad - mean so much to me because like-
Tim is so similar to Bruce. They are both rich kids, only childs, people like them but they never let anyone truly know them. Tim’s deductive ability is so often likened to Bruce’s, and even his combat prowess or leadership skills are more often compared to Bruce’s than Jason’s or Dick’s. Despite being Robin, and the third one at that, Tim really takes being the Batman of the group to an entirely new level with just how much he really is like Batman.
And that’s why they work so well together! Tim and Bruce are so similar, but they’re fundamentally different! Bruce is afraid to get hurt again, afraid to feel connections to other people, afraid of revealing his emotional vulnerability. Tim is afraid of disappointing people, afraid to fail to rise to the standards other people set for him, afraid of revealing that he isn’t as calm as he appears on the outside. Bruce and Tim both begin fighting crime out of love, a love so strong that it would lead either of them to give up their lives for that love, but Bruce does so out of a love for Gotham City and his parents and the legacy they represent to him while Tim does so out of a love for Gotham City and Robin and Batman.
Their partnership is built on their similarities, but it’s improved by their differences. Tim is softer than Bruce. He wants to trust people, he doesn’t enjoy making lists of ways to kill all of his friends. He tries to talk, to draw things out, to banter, while Bruce is more straightforward. Which, honestly, being more subtle than Bruce is a talent in its own right, ngl
Tim is described a lot as the perfect Robin. And, I can’t help but feel like yeah, he is. The writers really made this character perfect for Bruce specifically. Tim is a person who understands what Bruce wants him to do, even if he doesn’t always understand why. Tim cares about Bruce, both Bruce Wayne and Batman, and that care knocks down a lot of Bruce’s walls. Tim wants to fight crime with his friends and enjoy himself, but he also has his main goal which is to protect Bruce, especially from Bruce himself.
And it’s a two-way street. Bruce knows Tim so well. Like, I can’t even begin to describe how well Bruce can read Tim. He can tell that Tim’s care is sincere, and he wants to reciprocate that care. He trusts Tim, on such a deep, foundational level, and he trusts that if Tim lies to him, then Tim has a balid reason for doing so. He’s protective of Tim, even more than Tim is protective of him (for obvious reasons), but he’s also proud of Tim. He’s proud of how Tim can work with people and how Tim can handle his own and how Tim can solve cases.
Bruce and Tim are such a dynamic duo, literally. The understanding they have of each other is amazing. The trust they have in each other. The care. Bruce treats Tim like his son, and Tim honestly treats Bruce like his dad, even while Tim’s birth dad is still alive. These two are great together, they work so well together, they fit each other almost perfectly because Tim was literally made to be perfectly suited for Batman.
And, of course, there is an obsession there. Tim’s obsession with Batman runs deep. He would almost certainly make a great Batman, no matter how you look at it, because he has moments where he reaches that ability to be threatening. Of the times I know that he played Batman, he didn’t do a bad job. He’s intimidating and frightening and he manages to have his cape pulled around himself so he’s just a shape, just like Bruce does, and that’s mostly because he also literally does that same thing as Robin. Tim prefers to be Robin, because he prefers to be partnered with someone else.
(To be completely honest, I think Tim’s first choice of who he would want to be paired with at any given moment is almost certainly Dick. Dude loves that guy. I haven’t seen if Batman Dick and Robin Tim interact in those respective roles, but Tim is almost equally made to be Nightwing’s Robin. Bruce is his second choice though, definitely.)
I have to assume the obsession goes both ways, because the story is a lot more interesting if it does. Bruce is protective of Tim, even as he trusts Tim with the fate of the entire planet. His protectiveness of Tim is funny, actually, because he doesn’t mind Tim fighting gods but he does mind Tim showing the other members of Young Justice his face. (I mean, I get that one of the members is named Impulse, but Bart himself said that Batman gave him that name, so I feel like Bruce bringing it up as a detractor is just a bit hypocritical)
All the times we see Batman with Tim in the Young Justice run, Batman is pretty chill. Like, during the Sins of Youth storyline, when Bruce is Robin and Tim is Batman, Bruce seems totally cool with it. He doesn’t seem worried about Tim messing up. His comments on Tim talking to much read more to me as banter than actual criticisms. Bruce trusts Tim to be Batman, and I find that both sweet and a bit funny for a variety of reasons.
We see Batman get mad when Arrowette says the Justice League doesn’t understand any of the Young Justice members, although even then he just glares at her, he doesn’t say anything. Bruce is like “Yes, I know I don’t understand the majority of human interaction, what of it?” Batman doesn’t say much during that whole comic, actually? Like, he shows up with the rest of the Justice League and he taunts Tim (literally like someone taunting a child pfft) but he doesn’t actually seem to think they won’t pull through? He makes a quip about them being late getting back, but it doesn’t go anywhere, it was him teasing Robin, why was he even here?
(I like to think he kind of hoped Young Justice would disban so he could take Tim back. He obviously wants Tim around, he implies as much in the World Without Grownups arc, and he obviously enjoys Tim’s company, he seems to genuinely enjoy fighting crime with Tim, even when their roles are switched, and he lets Tim talk to Oracle all the time (he definitely could have cut that connection off if he really wanted to make it difficult for Tim during that whole bet thing) Like, Bruce believes that Tim is capable, I think he’s like Wonder Woman and thinks that the others (coughImpulseandSuperboycough) are bad influences. He is taking his boy wonder and leaving to get him good influences, like Nightwi- oh, wait, no, yeah, let’s let him hang out with Impulse and Superboy-)
This turned into a ramble about Young Justice, but I can’t help it!!! I really, REALLY wish that Batman had gone to the parent-teacher conference. Like, Nightwing showing up was wonderful on so many levels, but can you imagine?? Batman?? Dealing with Bonnie King-Jones??? Like, I think if he ever met her he would break the no-killing rule, full-stop, no hesitation. I want to know how the parent-teacher conference would have gone if Batman was there. I think it would have been mostly awkward silence while Batman lurked in the shadows and Red Tornado didn’t understand why everyone was so nervous, like, it’s just talking about what time he should feed their kids, why are you guys sweating-?
I love Tim and Bruce’s relationship. They’re so codependent. I don’t know if Bruce could ever not hold the next Robins up to Tim’s standard. Like, Damian trying to kill Tim makes a lot of sense if you look at it as Damian viewing the situation as “there only needs to be one Robin, and if there is a Tim to be compared to, I will lose.” Dick and Jason were great as Robin, but neither of them were Robin during the period of time in the nineties and early 2000s where Batman got a lot edgier and needed an edgier boy to be Robin. Dick was perfect for the 50s through to at least the 70s, and Jason was probably just fine too (still haven’t read Jason comics hrnng) but Tim fits Bruce perfectly because he was made for the more modern vision of Batman as a character.
Tim is a dweeb and a nerd, just like Dick before him, do not think that he isn’t, but he really works as a balance for Bruce. He was introduced to be that equilibrium, and he fulfills that role.
Tim and Bruce work so well together because they’re just on slightly different sides of a spectrum. They’re so close to being too similar, but they’re dissimilar enough that reading their dynamic is engaging and interesting. Tim really just is the Robin I understand people mistaking for Bruce’s blood kid, y’know? Before Damian, I mean. I feel like the Justice League members met Tim and went “whoa, shit, Batman knocked someone up, holy-“ The Young Justice members continuously genuinelybelieve that Batman is Robin’s dad (which makes it a lot funnier, because if he was Tim’s dad, Tim would essentially be saying: “my dad made me do this and won’t let me do this and to make things worse, my DAD moved us out!” Like, why would he just randomly mention who the subject of the conversation was again at such a pointed time? I understand that Superboy and Bart were not paying attention to him, but it’s just really funny to think that Tim would talk in such a strange way?) I like to think that Dick does not help matters, and instead goes out of his way to worsen them, because Dick is always the one telling Tim that he’s doing great and that he’s so similar to Bruce (he means it as a compliment, like Tim isn’t making the mistakes he thinks he’s making because he, just like Batman, just is unlikely to make mistakes) so I think Dick definitely tells his friends that Robin is Batman’s kid because it’s funny-
And this has gone from rambling about Young Justice to writing fanfiction mid-post, I should really stop while I’m ahead.
All in all, to sum it up, TLDR: Tim was made to be the best Robin specifically for Bruce as Batman. That’s why they work in harmony, but are ultimately entirely different instruments.
have discovered a new enemy while doing research for the honours essay. why are you pretending to understand psychology and BLATANTLY misinterpreting actual terms and concepts in order to tear down a movie aimed at teenage girls, my good bitch. i'm going to start biting
Pointedly ignoring your ask but do you have any books about writing
This is absolutely heart breaking I'm going to cry about it forever and ever my tears are carving the mountain in half and allowing for improved travel and exchange of resources between the two communities divided by this huge fucking mountain in the middle of nowhere.
Do you mean like, books about writing that teach you how to write better? Writing advice books? Because unfortunately I do not and everything I've learned is through trial and error and the people around me, I've never read any writing advice books. I wish I could give you recommendations though, my apologies (oh actually Neil Gaiman has a book called Art Matters and its about writing in an inspirational way? it has nice reminders about the value and purpose of art, about creating, but not in a technical way as much. it tells you to create badly to learn and how to deal with failure, but not how plot structure works, if that makes sense)
Or do you mean books that involve writing, because if so oh boy do I have the perfect book for 9 year olds for you called the Princess and the Page
If Civil War didn't end in divorce and everyone lived together Part 2
Read Part 1 here
Tony: Why is Underoos mopping the ceiling?
Sam: Told him since he's sticky that's his chore
Bucky: It's only fair he helps out around the house
Tony: Hm. Makes sense
-
Vision cooked dinner:
Peter: *pushing around food to make it look eaten*
Natasha: *surreptitiously spitting into napkin*
Steve: *taking small bites with tons of water*
Bucky: *just stares at full plate*
Tony: Well this is disgusting, I'm ordering pizza
-
Sam: C'mon man stop moping around, you gotta get yourself a girl
Bucky: Ok.
Sam: Ok? Okayyyyy! I know-
Bucky: Give me your phone
Sam: Oh you got a number in mind already hotshot? *hands phone over*
Bucky: *ring* Hi Sarah ;)
Sam: BOY-
-
Peter: Ned thought you would seperate your colours from your lights but he also thought you'd be homophobic so I don't pay him much mind cuz clearly I'm more of a superhero expert than him but he does have a 2% better average than me in history so like maybe you do hand wash your clothes and that's why I asked what underwear you wear because-
Steve: *listening intently with apprehension and alarm*
Natasha: I can't believe you found the one person on Earth who talks more nonsense than you
Tony: I know right, it's incredibly unnerving. I'm planning on adopting him
-
Peter: Mr. Stark I have to tell you something. I think Vision is a... *whispers* pervert
Tony: Um, why?
Peter: He keeps floating through my room without knocking! He saw me changing, he saw my nipples !
Tony: Well if anyone's a predator here it would be you. I mean showing your nipples to a 2 year old? Deplorable.
Peter:
Peter: Oh god, I'm the pervert...
-
Bucky: Y'know animosity isn't good between teammates. I think we should spend more time together
Sam: Am I being punked right now? Where's the camera
Bucky: I'm serious. I think it would be healthy for us to bond
Sam: Okay fine I'll bite... what did you have in mind
Bucky: Wanna go for a run?
Sam: *slams door in Bucky's face*
-
*staring at Bucky's sparkly clean metal arm*
Bucky: Dishwasher?
Peter: Dishwasher :)
(later that day)
Bucky: I've decided to let the child live
Peter: YoU wHaT?!
-
Thwip
Tony: Who took my coffee cup, It was right here
Thwip
Bruce: Um, has someone seen my book? I just had it
Thwip
Steve: I could've sworn I was holding a pen a moment ago
*giggling from the ceiling*
Tony: Young man I will take those webshooters away if you use them for shenanigans and rascality
Peter, muffled: Mr. Hawkeye told me to!
Clint: Oh so you're just gonna rat me out like that?
Peter: Sor- OOF
*falls out of ceiling vent*
-
Sam: You're in my spot
Bucky: There are no spots, it's a common area
Sam: Well that's my spot
Bucky: Did you buy the chair??
Sam: No, but everyone knows that's where I sit. Right Steve?
Steve: Oops I forgot something in my car, be right back *leaves*
Sam: Still my spot
Bucky: Still not
Sam: *sits on him*
Bucky: WHAT IS WRONG WITH YOU ALL THE COUCHES ARE FREE-
Sam: IT'S MY SPOT YOU CAN'T TAKE A MAN'S FAVOURITE CHAIR-
BUCKY: YOU HAVE ISSUES GET OFF ME-
(one hour later)
Steve: Hey so turns out I don't have a car! Isn't that funn...
Sam & Bucky: *Squeezed awkwardly on the chair together*
Steve: I think I left something in my car
-
Steve: Leave the bedroom door open when you have Vision in there
Wanda: UGH you're so protective
Tony: Teenagers, am I right? Caught Pete reassembling my particle accelerator at midnight because he needed to neutralize a miniature nuclear bomb he nabbed off some guy he neglected to tell me was trying to kill him
Steve:
Steve: Wanda y'know what do whatever you want
Wanda: Really?
Steve: Yes just keep being normal. At least I can read about our issues in a parenting book
-
Thor: Ah, new warriors I see! Good to make all your acquaintance. But why are you so grumpy my friend?
most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page:
outside it is sunset and
my dog is still in a gutter, bleeding a galaxy
out of his left paw.
or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
ok, i've gotta branch off the current ai disc horse a little bit because i saw this trash-fire of a comment in the reblogs of that one post that's going around
[reblog by user makiruz (i don't feel bad for putting this asshole on blast) that reads "So here's the thing: every Diane Duane book that I have is stolen, I downloaded it illegally from the Internet; and I am not sorry, I am a thief of books and I don't think I'm doing anything wrong, ideas are not property, they should be free to be used by anyone as they were before the invention of capitalism; for that reason I don't believe it's wrong to use books to train AI models"]
this is asshole behavior. if you do this and if you believe this, you are a Bad Person full stop.
"Capitalism" as an idea is more recent than commerce, and i am So Goddamn Tired of chuds using the language of leftism to justify their shitty behavior. and that's what this is.
like, we live in a society tm
if you like books but you don't have the means to pay for them, the library exists! libraries support authors! you know what doesn't support authors? stealing their books! because if those books don't sell, then you won't get more books from that author and/or the existing books will go out of print! because we live under capitalism.
and like, even leaving aside the capitalism thing, how much of a fucking piece of literal shit do you have to be to believe that you deserve art, that you deserve someone else's labor, but that they don't deserve to be able to live? to feed and clothe themselves? sure, ok, ideas aren't property, and you can't copyright an idea, but you absolutely can copyright the Specific Execution of an idea.
so makiruz, if you're reading this, or if you think like this user does, i hope you shit yourself during a job interview. like explosively. i hope you step on a lego when you get up to pee in the middle of the night. i hope you never get to read another book in your whole miserable goddamn life until you disabuse yourself of the idea that artists are "idea landlords" or whatever the fuck other cancerous ideas you've convinced yourself are true to justify your abhorrent behavior.
Or three times people mistake you and Jason as partners, and one time you let them think that on purpose. ~1.4k words
Jason Todd is your best friend. You just can't quite convince people of that. It happens more often than is good for your heart, people assuming that you and Jason are anything more than friends. Each time it makes your heart race, your face feel warm, and you have to remind yourself later that it isn't more, no matter if what you feel for him is.
"You two look at each other just like my husband and I did when we were young. It's so nice to see such a lovely couple." The elderly woman tells you and Jason kindly, voice warm as she pats Jason's arm. She's come up to the two of you while you were picking over the novels in the bookstore, eyes full of reminiscent memories.
Jason reacts quicker than you can, draping an arm around your shoulder to pull you closer. "We are, aren't we? Thank you, ma'am."
She beams at him, and you nod weakly along with his words. "So lovely." She mumbles as she walks away.
"Jason," You hiss quietly, "did you seriously just lie to that sweet old lady?"
"What? It made her happy." He counters, lazily smiling at you, still tucked comfortably under his arm.
You make a face at him and tut, moving to pull away. "Still a lie."
"Ah ah," Jason tuts back, and his grin becomes more playful, "gotta keep up appearances now."
You huff and duck your head to focus on looking for books, "Wouldn't have to if you weren't a liar." He laughs, and if your heart beats a little faster for the rest of the time you're in the store, neither of you mention it.
Jason is twirling you around the dance floor of the latest Wayne Gala, your favorite fancy outfit swaying with each movement. It's always fun, to dress up with him. It's not always so fun to hear Gothams elite talking about you.
"Isn't that the Wayne boy? Todd or something?" An older man asks, champagne in one hand.
"Hm? Oh, yes." The lady beside him responds.
"And his partner?" He asks, sounding completely uninterested.
"I can't remember their name. They've been together for as long as I can remember. Though, it is always lovely to see them, isn't it? It is so rare for the Wayne family to be all here." The woman answers idly, and you miss the rest of the conversation as Jason leads you away.
"Hey," He cuts into your thoughts when you miss a step, lost in thought over if all of Gotham thinks you're dating Jason. He pulls you a little closer to his chest to keep you from falling, fingers splayed over your back. "Where'd you go?"
His words bring you back to the present, and you look up to meet his gaze and lie, "Just thinking about how stuffy these things can get."
He clearly doesn't believe you, but doesn't press as he leads you around the dance floor, "Wanna go then?"
"No," You tell him, giving into the urge to rest your head against his chest, screw what anyone else thinks, "I like dancing with you."
He says your name so tenderly you nearly miss your steps again, "I like dancing with you, too."
"Todd, your girlfriend is here." Damian calls as he opens the door to Wayne Manor for you. You laugh a little, surprised but happy to see Damian making a joke about your arrival. You feel a little awkward sometimes, joining in on their family dinners, but Bruce assures you you're more than welcome. And Jason swears if you don't go, neither will he.
"C'mon on, Damian, you know Jason and I are just friends." You smile as you talk, voice light as you step into the grand mansion.
Damian frowns, "But Jason said–"
"Shut it, brat." Jason cuts in, practically bounding down the hall to get to your side.
He places a steady hand at the small of your back, shooting Damian a warning look as he guides you down the hall and to the dinner table.
The moment passes before you can ask about it, read into it. You're distracted by calls of your name and bombardments of excited questions from Jason's family as you enter the dining room.
Dinner is delicious, as always, and when you end up sleeping over in Jason's room for the night, clad in his extra clothes, you forget to bring it up.
Jason doesn't mind when people mistake him and his best friend for partners. In fact, he kind of loves it. It's good for you to hear, he thinks, because the more you hear it, the more used to it you'll become.
He knows you don't notice the way he looks at you, and he can't decide yet if it's because you don't believe he could look at you like that, or if you're choosing to ignore it for some reason beyond him.
Jason also knows that you like him. He just doesn't know if you're exactly aware of that fact yet.
He supposes it doesn't really matter, it's probably for the best you don't see how his face pinches when someone goes to flirt with you, how his shoulders tense and his skin pricks.
The guy that came up to you while he was grabbing your coffee orders seemed innocent enough at first, until he said something Jason didn't quite hear from across the room. But he did see the way you stiffened.
He's over at your side in an instant, one hand hooking around your waist to pull you securely against his side, balancing the tray of drinks and baked goods in the other. "Everything okay here, babe?" He drawls, eyes sharp. He wonders if you know that if you said the word, he'd jump this creep in this quiet, little Café right now.
He settles when you lean into him, and answer without a shake in your voice, "Yeah, I'm okay."
"Good." He says casually, taking the chance to trace his thumb back and forth across your hip. "This guy botherin' you?"
"No!" The stranger cuts in, clearly a little intimated.
'As he should be' Jason thinks before, lowering his voice to a threat and narrowing his eyes at the man. "I wasn't talking to you." His gaze and voice softens as he looks down to check on you. "Was he bothering you, baby?"
He can't help the smirk on his face when you actually seem to look proud. "Only a little, honey."
He has to actually force his eyes to leave your smile and look back at the man. "You bothering my date?"
The man steps back, "No– no, I mean, I didn't know they were with you– I– uh–" He stutters out, frantically looking between the two of you before turning and high tailing it out the door.
He nearly doubles over in laughter with you, careful to keep the drinks from spilling.
"That was kinda mean." You choke out between one giggle and the next, wiping mock tears from your eyes. He thinks it might be the nicest sound he's heard today.
"Eh, he deserved it for being weird to pretty girls in the coffee shop. What'd he say?" He says, reaching out to pick an invisible string from your hair. It's an excuse to keep touching you, and his eyes go fond when you lean slightly into his touch.
"Just something about taking me out for a drink," You answer, laughing while you grab your drink from him. "You're sweet, you know that?"
"Only to you." He says, eyes following your movements.
You hum, noncommittal. "You're sweet to other people, sometimes."
Jason laughs, hooking your free arm with his, "Sometimes," He relents, guiding you both out of the shop and back into the street, "But, I'm sweetest to you."
Pride blooms in his chest when you light up at his comment, "You should keep at that."
He grins, and swears to himself he will. "I'll keep that in mind, doll."
It's a little thrilling, how when you have to unhook your arms to walk the crowded streets of Gotham, you take his hand. He squeezes your fingers, and it's satisfying that it's so easy to mistake you as his, especially in this moment.
He'll bring it up to you eventually, the idea of being more, but he's content with easing you into it, with watching how you try to make excuses for why everyone believes that you're together. How you try to convince yourself you aren't more. But, you are more to him, so much more. You always will be.
I think aimasup puts it best in the caption above their comic linked below “They loved/love each other but not exactly romantically do you get me.” Bill and Stanford’s relationship was mutual and they definitely cared for each other in one way or another, however I don’t believe that love was romantic or even sexual in nature. Both Stanford and Bill show a lack of interest and/or understanding of romance in their respective books as countless people have pointed out, Ford even being referred to as “plansexual” (check out the Love page in The Book of Bill.)
[Photo of a pink page from The Book of Bill. The page says the following:
"Bill, have you ever been in love?"
"Sure -- tell your mom hi for me! By the way, have you taken a DNA test recently? Not asking for any particular reason."
"Seriously, though, have you?"
"Asking me if I've been in love is like asking a black hole if it liked your mixtape or asking a subterranean fungal spore network who its favorite animated princess is. I'm a multidimensional specter of chaos that transcends reality, I couldn't possibly care less about which bag of plasma blushes at who or why!"
"Okay, but like... You gotta be crushing on someone."
"I will light this book on fire."
"Methinks you doth protest too much."
" "Methinks"? Kill me before you start telling me about your polycule."]
[Photo of a grey page from The Book of Bill. The six fingered hand symbol representing Stanford Pines rests above a block of text that reads "Sixer dreams about a pop quiz that asks him, "What are you attracted to?" Usually writes, "I'm attracted to logic and preparation." Not sure what to call that! Plansexual?"]
And yet it seems that Bill and Stanford had a romantic/sexual relationship in the past. Bill gives you flirting tips and has done several of them on Ford. He gave him rats in the book and the “The “LOVE CAGE”” in the show itself.
[Photo of a damaged and yellow page from The Book of Bill. The page has a drawing by Ford of a pile of dead rats arranged to spell out his name, "Ford". Above the rat drawing is the text "Why?" with an arrow pointing at the rats.]
The karaoke page heavily implies that they went on a date and slept together too.
[A Photo of the aformentioned karaoke page in The Book of Bill. The page is yellowed and the text written on it is messy and completely unlike Ford's normal handwritting. It is also filled with spelling errors. It is hard to read so my best attempt to write out what it says are as follows:
"I probabbly shouldn't be writin this down but I had such a crazy??? WOW what a. It was a night! And now it's mornign? Cill Bipher.... He did a dream? Karaoke? And then one thing led to another thing and normally I try to be sober but... He mixed a dream drink and??? I gotta say. I just gotta say. Look it's just me and my journal here, I gotta say: This Bill guy he's really got it all figured out. Also the rats were his idea? I get it now. I'm gonna, we're gonna what a time. What a hangover. Gonna sleep. Whole day. Ad aspera asperin -Stranford Pi"
The pen then trials off the page and below the wall of mangled words is a drawing of Ford and Bill infront of the stars with mics in their hands singing. Ford is holding a drink in one hand with his eyes closed in a smile and Bill has an arm around him and is looking at him sweetly. The song they are singing is Disco Girl.]
So does this mean they aren’t aroace? Not at all. I believe that the two of them confused obsession for love. As wishwizardliv states in their post linked below “NOBODY CAN TELL ME IT WAS ROMANTIC[.] THAT SHIT WAS JUST OBSESSION ON BOTH ENDS”. Ford was practically consumed by obsession. His carpets, walls, everything down to the windows were made in Bill’s image. He prayed to him and his favorite constellation is Bill. He was a god to him.
[Photo of a page from Journal 3. The page is yellowed and there is a drawing of a few constalations. One being Ursa Major and the other being William. William is a triangle with a bowtie and one eye. The drawings are labled with a note underneath with a arrow "Favorite constellations".]
And Bill was no better. From the stories we have of his past his involvement in any one person’s life is a rarity and the fact that he visited Ford often says a lot. Not to mention I do believe Bill when he offered Ford to rule the universe with him. I think he honestly wanted to have Ford by his side for all of weirdmageddon. Not to mention he carried him around everywhere like a doll and made him out of gold unlike all the other people he petrified. They were clearly obsessed with each other and in our allonormative world that is hard to rationalize unless you assume it is romantic or sexual in nature.
Hana Hyperfixates in their video Gravity Falls and LGBTQ+ subtext: Decoding the Queercoding | A Video Essay, around the 1 hour and 33 minute mark they say “... there’s a lot here about Ford wanting women to notice him, and not a lot about him noticing women. He was a guy in the 80s who wanted stardom and acclaim. Women wanting men in power was imagery he likely was surrounded with growing up.”. You might be thinking “Okay but what about Bill? We know allonormativity exists in our world but how can we say the same for his actions?” Well I have news for you: we can also see Bill Cipher literally being pressured about how “you gotta be crushing on someone” (Book of Bill Love page); it’s clear that even though Bill is not even from our dimension even he can’t escape allonormativity. All of this in mind with how deeply obsessed with each other the two of them were it makes sense they would confuse it for the traditional kind of love and try their hands at dating. Which explains why a triangle that is above love (as he kinda states in the Love page), and a “plansexual” man would go on a date and sleep together. They may not ever actually have been in love but them attempting to flirt and date makes sense when you consider they just confused their obsessions with romantic love. In this context it recontextualizes Bill’s statement in the Love page shown below.
[Photo of a pink page from The Book of Bill. The words are written in white blocky but setchy leaters with a black box around them. The text reads:
"Love is a trick. And worst of all. It's a trick you play on yourself!"]
What at first seems like the bitter words of someone who feels like love is pointless could be taken more literally. It was in a sense a trick he played on himself.
As an aroace person myself who has often confused obsessing over fictional characters or gender envy, or just really caring about a friend deeply with a crush, I have to say there is nothing more relatable than that.