#< the ppl the quotes are from!

[rosiedawsons]

your love won't absolve you of your sins.

[fanaticalthings]

POV: You're on Gothamtwt

just gothamite things

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[isjasz]

Remember, there is always a great big beautiful tomorrow.

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[lotus-pear]

whatever happens, please don’t break

[hajihiko]

Don't be mad over dumb internet things. Or, if it's inevitable, share it with someone unconcerned and then laugh about it later

[felassan]

What's all this about Solas speaking in iambic pentameter? English isn't my first language so I never noticed anything odd about the way he talks, but your blog is the first time I've seen it mentioned by anyone

hello! ◕‿◕ Solas sometimes speaks in a specific pattern or rhythm. It sometimes gets described as or compared by people to iambic pentameter. (which is a type of rhythm common in traditional English poetry. Shakespeare used it in his sonnets and plays.) Though, I'm not sure that it's actually literally that or always that. The main point is that at those times, he's speaking particularly poetically, with a specific poetic rhythm in his speech. (Like where the stress on syllables is and the 'beats' in his speech.) Occasionally, the Inquisitor's dialogue line[s] in response to him are the same.

When Trick Weekes wrote Solas in DA:I, they wrote some of his key scenes to KD Lang's cover of the song Hallelujah on a loop. They talked about some of their process and the reasons for the use of this technique in terms of Solas' characterization in this DA:I-era blog post:

Trick Weekes: "When Solas talks about things that he saw in the Fade, things that speak to a distant past, I needed him to sound ever so slightly otherworldly and wistful – someone remembering a dream with a sense of both sadness and inevitability. If you follow [that link] and look at some of Solas’s lines, you may notice a familiar rhythm come out. It would have been forcing it to give lines the same rhyme scheme, but giving the words the meter captured some of that wistfulness and made Solas sound ever so slightly otherworldly. (In the rare cases the player got into the same rhythm, there was always an approval bump from Solas. For that brief period, it was like the player was thinking like he did.) I used this a few times over the game, and I love what it did to his voice. Also, Cori (who edited Solas) is exceedingly kind for putting up with my request that changes to those lines keep this surreptitious rhythm."

[source]

An example of when it happens in DA:I is:

"I've journeyed deep into the Fade // in ancient ruins and battlefields // to see the dreams of lost civilizations. I've watched as hosts of spirits clash // to reenact the bloody past // in ancient wars both famous and forgotten. Every great war // has its heroes. // I'm just curious // what kind you'll be."

Compare this with the song's lyrics:

"I heard there was a secret chord // That David played, and it pleased the Lord // You don't really care for music, do ya? Well it goes like this: The fourth, the fifth // The minor fall, the major lift // The baffled king composing Hallelujah Hallelujah // Hallelujah // Hallelujah // Hallelujah"

An example from Trespasser is:

"I lay in dark and dreaming sleep [I heard there was a secret chord] while countless wars and ages passed [That David played, and it pleased the Lord] I woke still weak a year before I joined you. [You don't really care for music, do ya?]" etc.

Recent mentions of this are:

Q. Will Solas still occasionally or dramatically speak in iambic pentameter? A. “Massive kudos to Patrick, who always writes Solas so well. Again, Solas is a returning character. It’s the same Solas you know and love (or hate depending on who you are). The same writer. So I think the answer is yeah, it’s Solas.” – John Epler

[source: BioWare dev Discord Q&A on June 14th]

User: "you really went off with solas. but the iambic pentameter makes writing fanfic dialogue for him so treacherous..." Trick Weekes: "It doesn't always have to be in the cadence! Just when he's deeply feeling The Old Days! He's written in standard prose 99% of the time!"

[source]

I think he does it a bit in the gameplay reveal video [Veil ripping scene with Varric] too. hope this helps :>

[msg refs this post]

[For the developer Q&A from June 14th on Discord: Notes are here, re-watch link is here]

[quixoticanarchy]

Finished reading Cobalt Red by Siddharth Kara and he does a good job showing how the cobalt supply chain is inextricable from incredible human suffering, near-slavery, rampant exploitation, environmental devastation, and child labor. And it’s very clear that no promise a tech or battery manufacturer makes that their supply chain is clean means literally anything bc industrially and artisanally mined cobalt are mixed into the same supply untraceably. And the book also covers the fact that cobalt supplies are finite and when the DRC’s cobalt is exhausted the industry will move elsewhere, rinse and repeat, and the people in the Congo will be left with the ongoing and unremediated -maybe irremediable - damage. All of this so that we can have smartphones, electric vehicles, iPads, electric scooters, almost anything with a rechargeable battery.

It’s also clear that the tech and battery industries are interested in good PR and making empty statements about human rights when they should be taking responsibility for the working conditions of small-scale miners (and minors) dying at the bottom of their supply chains. What Kara doesn’t really address is the demand side of this equation, not just the demand by companies whose products use cobalt-containing batteries but also the consumers sustaining that demand, who buy every new smartphone and eagerly pin their hopes on electric vehicles to let us keep our car-dependent world without the fossil fuel guilt. The book takes it for granted that cobalt will be required in high quantities for consumer electronics and for “green” tech, and to some extent this is true - as in, none of those demands or uses will cease overnight and in the meantime we should worry about how to address industrial and business practices and government corruption in order to treat Congolese miners as human beings.

But it feels incomplete without also asking questions like: should that demand continue? Can it? Do we need this many devices? What costs are acceptable? Can we really have our cake (smartphones, EVs, etc) and eat it too (slavery-free, non-exploitative supply chains that don’t kill the people at the bottom and lay waste to the environment)? What if - as the book would seem to suggest - we really cannot? If one goal of the book is for people to realize what conditions underlie the extraction of cobalt, what action is then incumbent upon us? Personal consumer choice will not undo all this harm, but it is a necessary step in rethinking or attempting other ways to live. Is it a right to have a smartphone, a new one every year or two, if it comes at the price of other people’s human rights? At what point do we say that it is not an acceptable cost that the extractive industries are perpetuating neocolonialism and near-slavery in order that we should have comfortable lives?

We know we have to stop relying on fossil fuels or we’ll burn down the planet (to a greater degree than is already locked in) but the “green energy transition” is not clean at all. Capitalism seeks the lowest price for labor and the highest profits; obviously these extractive relationships owe a lot of their horror to being conducted in a capitalist milieu. But even thinking about, say, a socialist world instead, if it aspires to still provide smartphones and electric vehicles en masse and maintain the comforts and conveniences of the “Western” lifestyle then we would still be relying on massive amounts of resource extraction with no guarantee of less suffering. The devices are themselves part of the problem. The demand for them and the extent to which “modern” life in “developed” countries relies upon them is part of the problem. It is unsustainable. It is built on blood and it makes a mockery of purported values of dignity, equality, and human rights. The lives of Congolese cobalt miners are tied to how we in the “developed” or colonizer countries live and consume. I do not think their lives will change substantially unless ours do.

[hypnogogyc]

Eternity is the light from dead stars.

[birues]

Do not blame the Exile, you betrayed yourself.

[crazy-fangirl2524]

“Andrew doesn’t live for himself anymore.” You guys don’t get it. People who say he doesn’t care or love his family is so so wrong. Andrew is trying his fucking best to live and his family is all he has. Neil is what got Andrew to start living but nicky and Aaron helped Andrew to survive himself. (There’s no Andrew without Aaron and nicky)

[opens-up-4-nobody]

:-P

[hermywolf]

ON THE SUBJECT OF LIONEL ANDRÉS MESSI CUCCITINI | thierry henry / luis enrique / carles puyol / jurgen klopp / antonio cassano / angel di maria / ray hudson / gianluigi buffon / sid lowe / josep maria minguella / javier mascherano / juan mata

[sun-stricken]

Hello. I absolutely love your Fairy Tail head-canons, especially about demon slayer Gray. Feel free to take or leave these little ideas. Always love when you post <3

~

Imagine Team Natsu has to rent a vehicle or something and they require actual legal paperwork like a birth certificate and address or something like that (more than just “guild business! Gonna need this!”). Lucy doesn’t want to rent it because there is no way she’s going to be responsible for the inevitable damage. Erza, being the leader and a good friend volunteers. A few minutes later she comes back out, puzzled.

Erza: “why would they need a birth certificate? Shouldn’t me being present be proof enough of my existence?”

Gray starts snickering in the background. Natsu goes in next but comes out even earlier than Erza, cause at least Erza had a probably legal address at Fairy Hills, Natsu on the other hand lives in a house in the woods.

By the time Wendy goes in the receptionist is exasperated. “Yes I understand you are with Fairy Tail but that isn’t until page three of the paper work. None of you have made it past the first page.”

Gray finds this all very amusing.

Lucy: “Since you find it so amusing why don’t you go register, Gray!?”

Gray: mutters something

Natsu: “What do you mean you’re legally dead?!”

Cause you know, Ur just found a kid (the only survivor) and just decided to keep him. Oh, no official rescue crews didn’t show up until two days later? My kid now :)

The search and rescue teams never found any survivors in Gray’s old town so everyone was pronounced dead. The magic council or whoever is in charge of that stuff is also disorganized enough that no one realized that Gray Fullbuster is both a famous wizard and supposedly dead. So, just, Gray technically being considered legally dead the entire time he was at Fairy Tail.

~

Also, the slayers all going out on a job together(the dragon slayers had to drag Gray). The job turns out to be a trap (surprise!) and the floor just opens up revealing a giant vehicle.

Dark mage: “Ha-ha! I have bested the dragon slayer! The most powerful mages-“spots Gray just chilling, perfectly fine and not motion sick. “what are you doing?” Cause the guy was planning to capture dragon slayer, not whatever a demon slayer was (the dark mage didn’t even know demon slayers were a thing). Gray defeats the dark mage but holds it over Natsu’s head for a week.

After that anytime a large group of dragon slayers takes a job together they take Gray along for “extra security during transportation” or just extra security in general.

I also head-canon that each type of slayer magic has its own unique weakness. Dragon slayers get severely motion sick. God slayers are claustrophobic. Demon slayers cannot handle sweets. If Gray gets even a whiff of cake or any other dessert his gag reflex acts up and he gets really nauseous and other stuff like that. He of course hid it at first (he was afraid Erza would disown him) but eventually everyone learned about the weakness of demon slayers. Natsu teases him about it but never pushes it too far to the point of accidentally making Gray really sick.

Anyways, sorry for the long ask. Feel free to expand on anything. Always love some good slayer bonding head-canons and just Fairy Tail head-canons in general. <3

This was so much fun to make tbh so domt apologize, i love long asks <3 and thank for for what you said ant my posts! theyre fun to make so im glad ppl enjoy them

Oh, you have no idea how often ive though about Gray being legally dead, my personal favorite scenario is him trying to fix it and prove himself alive but cant

“How the fuck would i know my social security number??? i was eight years old! i had no reason to know!!!”

There was no dna or finger-print records of him or his family so he couldn’t prove it that way either. Apparently, declaring someone born or dead is easier than someone ‘resurrected’. To the law Gray of Isvan is dead and although Gray of Fiore bares similarities, they are two different people.

But ALSO to the law Gray of Fiore doesnt exist bc he has no birth certificate. And while hes adamant, he has no real proof beyond his word he is Gray Fullbuster of Isvan.

So basically, According to the law, Both Gray Fullbuster of Isvan and Fiore are dead and never existed, respectively.

tbh this sounds like an identity crisis waiting to happen, but what else is new with him

Erza probably tried to fix it after she was told bc she legally didnt exist for a minute either (never was filed as a real person, she was able to file for a late birth certificate on account that she wasnt claiming to be a ‘separate’ person and also Makarov did it for her) (dont ask why he didnt for Gray, i like plot holes). But quickly realized their situations were very different, him waiting over a decade to check in as a survivor with the proper authorities definitely weakened his case considering he was running around free before he decided he needed a birth certificate.

But hey, as long as he doesn’t need to rent something, or get a license or id, or work somewhere beyond Fairy Tail, or get married, or, god forbid, die again, he should be fine!

i wonder if he would be considered a ‘john doe’ if he actually died again since they have ‘no’ birth records

This also makes games like ‘two truths and a lie’ amazing

“alright so, im legally dead, i legally dont exist, and ive never physically died before” “Gray what the hell do you mean” “Guess the right one and ill tell you” “WHAT THE HELL DOES THIS MEAN THOUGH??”

i love everything to do with the ‘dragon slayers + gray’ dynamic

‘Extra security’ just turns into Gray babysitting a bunch of rambunctious dragons for hours. seriously, get this guy a reward for how he hasnt killed or maimed any of them yet.

Imagine them trying to convince Gray to walk to their destination instead of taking the train

“Its not that far!!” “its fucking 5 hours by train, How long do you think itll take to walk? Why would even you pick this job if you knew how long the ride would be??” … “nobody looked..” “are you actually serious.” … “oh my fucking god”

and thats the story of how one Demon slayer ended up having to babysit 4 very pitiful looking Fairy Tail Dragon slayers on a train. Dude had to drag them off it once it stopped too.

His side career of ‘Dragon Slayer Babysitter’ only gets harder when they realize holy shit! cold compresses can help nausea! and what do they have? a walking cold compress.

Taking a train trip with them just means second hand nausea AND embarrassment, and absolutely no personal space. A dream come true.

At least he gets to hold it over their heads

Tbh i like the irony of Dragon Slayers being motion sick because, yk, dragons can fly, so my hc for side effects for God Slayers and Demon Slayers were along the same lines

God Slayers being wide open space or flying since Gods are like the epitome of freedom? all knowing and have complete reign over everything, But claustrophobia works so much better for that same reason. It would cause extreme panic and rash decisions

And Demon Slayers was the dark because demons are supposed to be these evil creatures who thrive in the dark n stuff? basically it would send a Demon Slayer into a paranoid spiral.

But sweets being a weakness instead is such a silly thing that im gonna take it and run

Gray never cared for sweets in the first place, gave him a stomachache, but now he has to walk away from Erza mid conversation if she decides to indulge, which is almost everyday. She was absolutely heartbroken and devastated when the weakness was revealed, it was such a dramatic reaction one wouod think she was the one with the new weakness

When Gray pokes fun at Natsus motion sickness he’ll go on about how Gray is gonna have the lamest parties since he cant handle even the smell of sweets, especially cake.

A terrible realization for everyone involved with him, on par with when Gray realized he wouldnt be able to have ice cream comfortably again, thats like a staple for ice mages

heart wrenching, truly

[kenobihater]

of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)

[twistedappletree]

love them ✨