#*a matter of life and death

[lady-arryn]

2025 MOVIE DIARY

A MATTER OF LIFE AND DEATH (1946) dir. Michael Powell & Emeric Pressburger

[dudedidujust]

The daily planet runs a front page article calling superman the light of mankind

Cue the batfam launching a counter campaign in support of Signal,  the real Light of Mankind.

It starts as a joke but quickly derails into an all out war.

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[hoodedjelly]

Still Feel by Half Alive

(there is a second of flashing at the start was unsure if i should tag it or not, but this is the warning)

[youtube video link]

[egophiliac]

sorry guys, you're like twenty feet from shore, you're basically dead already.

(also I choose to believe that Malleus just spends the rest of the event with ham on his face. it's better that way.)

(seriously, I can't wait for this poor couple to excitedly get all dressed up in their wedding best and embark on the most romantic day of their lives, only to suddenly have Malleus Draconia pop up out of nowhere, covered in ham and Grim spit, and scream "BOAT! BOAT! LA LA LA" while gently misting them with a dinky little novelty water gun...in the name of LOVE)

(this event is amazing)

(RIP Grim though)

[mumblesplash]

in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem

[evie-da-bad-bitch]

Need a lil piggy to suck on em toes🥰🥰😈😈

[inkyrainstorms]

@aroace-get-out-of-my-face YOU. This. Woe be upon ye *casts animation on your fic*

they break my heart man <\3 I simply had to

[notwhatiam]

Look, I know we’re all intrigued by the concept of Alastor’s angelic wound being healed by Lucifer, but. He is from the 30s. Is there also a possibility that he’s just gonna do some cocaine about it

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[alabasterpickles]

@lotusquil brought it to my attention that I can add illustrations to my “A Matter of Life and Death” chapters! So that might be a thing that happens from here on out (schedule willing 🤞) though I’m not promising anything too complex, just some sketches for visual interest

Anyway! I don’t really listen to Chappell Roan?? BUT Good Luck, Babe! Came up on the radio and it reminds me a lot of the dynamic between these characters so I drew this out between finals this week to the song!

[yoku-yukihime]

double trouble

[burningcheese-merchant]

I think more ppl need to see this

Yeah for real lol. That's exactly what it is with him. Not to toot my own horn too much but I believe this post I made ages ago hits the nail on the head haha

"I'm bored" is... technically true. In a sense. Personally, I think it's a very simple and vague allusion to the real problem. That thin sheet of snow coating a massive, freezing cold iceberg. Just barely obscuring it from proper view.

imo it's been a bit disappointing seeing people take to extremes with Burning Spice's character. I've seen people either woobify him, downplay or excuse his actions by saying "he's not evil! He's hurting! He's depressed! He doesn't hate people, he's lashing out because he can't internalize his pain anymore!", or just demand he be put to death immediately on sight without trial. You can like a morally repulsive character and sympathize with their issues while also acknowledging that they're repulsive and need to face justice for their crimes. Burning Spice is one of my favorite characters, I love everything about him, he's sexy as fuck, I understand why he's the way he is, I'm still happy to see his ass beat because he's a piece of shit and he deserves it lol.

Not to throw shade at "simpler" villains ofc. I love me some assholes that are assholes just because they can be. Like Jack Horner in Puss in Boots 2. But Burning Spice isn't Jack Horner and he honestly shouldn't be. The deeper, sadder, more complex reasons governing his actions suit him better than just "I'm bored fuck this shit" and nothing else ykwim

and of course, he's still wrong. Burning Spice's view of the world is wrong. Does a book begin just to end? Does a song play just to finish in a few minutes' time? No. They begin so that we may read, listen, and enjoy. So that they may make us laugh, or have us shake our heads in disappointment, or tell us some hidden truth. Make our days and lives a little more interesting than they were before. Life is beautiful BECAUSE it is fleeting. Born, grow, wither, born, grow, wither. Yes, that's how it goes. But there's so much more to those things than just what we can gather from those three words. Every day is different. Though the sun rises every morning without fail, it's never quite the same color, is it? Always a bit of a different shade of yellow, orange, red, bleeding into the sky a little differently each time. There are so many things to see and do, games to play, people to meet and love and cherish. Maybe some of those things and those people won't be here someday but that doesn't mean their existence never meant anything. We are not born to die, we are born to live. We must die for those who are to live, and live for those who have died. Regardless, we must never lose sight of the intrinsic value of all that surrounds us. Burning Spice very much did. Underneath his bitterness and anger and (not unfounded, to be fair) lamentation for the unstoppable cycle of life and death is a deep-rooted selfishness and fundamental lack of understanding and appreciation for life and other people. In the face of despair, he gave in and chose evil. He was and is wrong for doing so, regardless of why he did it. He could've stepped down. He could've just admitted he didn't have what it took to be the Herald of Change. Hell, if he really hates being alive so much, he would've committed suicide a LONG time ago. But he never did any of that; instead he chose to inflict an equal or greater suffering on everything and everyone else, even the undeserving. And for that he MUST pay. And Golden Cheese, with her personality and her experiences and the wisdom she came to attain when faced with the exact same despair as Burning Spice, is exactly the right person to make him do that

[captainfantasticalright]

A Matter of Life and Death- is Good Omens

According to Douglas Mackinnon: “Michael's character's voice [Aziraphale] is based on David Niven in A Matter of Life and Death. I think he'd say that himself, that it's a huge influence at least, if not based on.”

“There's one particular scene where he definitely went all the way into David Niven, in the pub scene. You know, that's there.”

What’s particularly interesting is that Powell and Pressburger were not that visibly apparent until season 2 of Good Omens, yet there were bits already intermingled in season 1.

“A matter of life and Death”happens to be Michael Sheen’s favorite film,

In which his favorite romantic scene happens to be one where mostly talking is involved:

And knowing that his speech was greatly influenced by David Niven and thus part of it incorporated into Aziraphale, what can we say about Crowley, whose hairstyle when they first ever meet is inspired on Kim Hunter?

In a way, they have always been embodying this love story from A Matter of Life and Death. Perhaps not exactly the characters, but indeed the love between them. Not to mention the countless references to the film that seeped into Good Omens 2.

There is no doubt as to the ending of these two. “Nothing is stronger than the law in the universe, but on Earth, nothing is stronger than love." Ultimately, it is love that ties Good Omens together.

[lloydfrontera]

the webcomic can have one (1) funny "earnest moment interrupted by comedy" joke. as a treat. but also because it is so in character for them ajkshdjkas

yes they will say the most earnest shit to each other and then immediately try to cringe out of their own bodies. they are best friends but they would rather jump out of a window before admitting it. they are incredibly devoted and grateful to one another but you could not water board that out of either of them.

the only thing that can get either of them to admit how much they care for each other is if the other is in life threatening danger and not a second before aakjshdks

[novelconcepts]

Thinking on how the surviving Yellowjackets are present for one another’s deaths and talk themselves out of culpability. Thinking on how Lottie’s distraction contributed to Travis’ death, how she continued to believe and insist she didn’t kill him. Thinking on how Misty’s injection resulted in Natalie’s death, how she continues to distance herself from fault. Thinking on how Lottie is now dead. Thinking on how Taissa might have been there, but not in control, how that might feel like she wasn’t responsible even if her hands did the pushing. Thinking, thinking, thinking on how they learned this early. We didn’t kill Jackie; the cold did. We didn’t kill Javi; the lake did. We weren’t going to shoot Ben; the Other was. Thinking thinking thinking on how impossible it is to forgive yourself for heinous actions (or inaction) if you refuse to admit to it in the first place.

Thinking thinking thinking on how Natalie was the only one to fully accept the knife in her hand, the blood on her skin, the choice resulting in a man’s death. Thinking on how she came the closest to actually healing. Thinking on how she, from the start, refused the blinders the others need to survive.