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#-have an 'unusual fashion sense.' like. really? because no the fuck they do not and you're being obtuse on purpose at this point
mymarifae · 1 year
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my favorite trans girl in the whole wide world isn't she so beautiful and pretty and special i love her dearly and i think prsk fans should explode
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venusianc0mplex · 10 months
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Children of Apollo
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Children of Apollo are charming, brilliant, and attractive people endless charisma emanating from them. They are rays of sunshine to the masses, people look up to them as if they are looking at the source of all the warmth in this world. They teach everyone how to truly embrace themselves as they are.
Gifts
They shine BRIGHT amongst everyone
They naturally know themselves very well by birth
They are extremely artistically gifted
They usually have a very unique sense of style and they own it confidently
They naturally know how to attract attention (for better or worse)
They know how to express themselves in their own unique way
They are usually not scared of anything
They are very loyal friends 
They naturally inspire others to just be themselves
They naturally radiate warmth
They are gifted with visuals that stands out a lot
They are usually gifted in multiple fields of art, not just one
They are very dedicated lovers
They naturally know how to show confidence and not make people around them feel less
They are observant of their environment
Extremely talented musicians
Natural comedian
They draw in massive numbers of fans by just being themselves 
They usually have very nice hair and/or teeth
They give and receive love very naturally 
They are mad geniuses when it comes to art
They are very popular especially as they age
People follow their orders very well
They can teach any art skills to themselves
Extremely spiritually gifted
They KNOW how to move their bodies
They are naturally funny as FUCK
Spiritually protected under sunlight
They naturally work their stage presence very well
Common Themes in the Lives of Apollo Kids
They usually work in the entertainment industry or work as an artist in some ways
They are usually always in the center of some huge friend groups
They usually don’t end up pursuing traditional higher education
They tend to like unusual or unique fashion styles because they see fashion as a form of self-expression
Popularity tends to be their biggest advantage over other people
They are usually very extroverted and speak their mind with ease
A lot of them have troubled relationships with their fathers
They LOVE being the chaser in a relationship, almost to a fault
You usually KNOW when they like you romantically
Emotionally clingy to their lover
Their biggest source of inspiration comes from their romantic experiences
They usually view romantic relationships as the center of their life
Relationships can really make or break them
They are extremely attracted to Hekate kids for some reason (Sun & Moon and it’s usually one-sided from Apollo kids)
They are extremely independent people 
Black sheeps of the family
Sexually open to trying different things
BIGGEST SIMPS
They get d*ckmatized very easily
Head empty when it’s not art or romance related
They are extremely generous to their lover/friends 
They usually end up attracting very good friends into their lives
They all have the YOLO attitude to life 
Can be clumsy with their words 
They love to do funny things to garner attention from people
They usually got the cutest chubby face UwU
Usually have prominent sun/Leo/Scorpio/Libra placements in their astrology chart (sidereal/Vedic)
They prefer an unconventional lifestyle
They are very delightful to work with on sets/stage
Their existence is meant to teach people to embrace themselves as they are
Challenges
Sometimes genius sometimes VERY VERY DUMB AND CLUELESS
They need a lot of socializing and self-reflection to understand social cues and become more emotionally intelligent in social situations
BAD taste in lovers when they are young
Can idealize romance way too much
Can idealize situations way too much
Their ego can go out of control very easily and believe people should all comply to their standards
Can become narcissistic and extremely egotistical if they don’t receive attention and support for their artistic endeavors
They can do the wrong things to attract attention to them 
Sometimes they become too desperate for fame and agree to the wrong things to achieve recognition 
Can be very one-track minded and forget about people around them
They are self-centered by nature, not maliciously, consideration for others just don’t come natural to them
They can get too stuck to their own opinion and disregard other people’s words of advice
They can be too focused on themselves and end up ignoring people around them that really care about them
Extremely troubled love life cuz they constantly put up with red flags once they are mesmerized
It takes a lot for them to heal from a past relationship
They usually avoid working on their daddy issues or cope by pushing the problems away in their head
A lot of them can come off as patriarchy princesses
Not very girl’s girl until they understand friendships better later on in life
Spiritually less protected at night
Can be BROKE as joke their entire life because they don’t make the most practical financial decisions
The broke artist archetype probably came from them
The men have a hard time understanding women emotionally 
Jumps from lover to lover without self-reflection
Can easily hurt people with their selfishness/inconsideration
Doesn’t become a very considerate person till after 25 
They LOVE to mindlessly chase after someone
Tendency to be too callous at the wrong times
They can be too harsh with their criticisms and end up hurting people around them or make themselves look bad
When you get too close to the sun you WILL feel burned by them
Disclaimer: Everything written above stemmed from my own observations, I'm not claiming to be 100% accurate on everything
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bluravenite · 1 year
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Do you do ghoul HCs? If so how do you see everyone's personality?
I have talked so much with my moot friends about this!! To be honest a LOT of our HCs make no sense,, I'll list a couple below the cut!!✍️✍️
There’s a LOT…
Dew is afraid of children (he doesn't know how to interact,, they freak him out)
Dew absolutely sneaks into the kitchen at night, mountain might make him a sandwich if he's there
(dew isn't allowed in the kitchen,,, he's burnt things before)
Dew gets really soft and mushy if you catch him at the right time,, woken up hungry?? Feral demon,,, cuddled in bed woken up by soft kisses?? Mushy baby, you might even get kissed back,, but if he wakes up too much he's like "fuck off I’m to sleep!"
Aether always has a banana,, how?? Banana pockets, no I will not argue.
He keeps extra banana stashes hidden in his room and in the walls (rain keeps them for him)
He took so many bananas from the kitchen imperator had to limit him to 1 banana a day per ghoul,, sometimes the ghouls are nice and give him theirs so he can have extras though
Rain lives in the walls,, absolute gremlin,,
Rain likes to be paid in dabloons (he calls chocolate coins dabloons, he will eat the wrapper too) I cannot explain this one… it just happened…
Rain keeps Chex mix boxes inside the walls,, i also cannot explain this one but all the rain has belong to @ghostsseeghosts
I also believe Rain is a slimy boy,, not intentionally,, he’s just unusually moist at times…
Swiss enjoys those sensory dancing vegetable videos, no he's not high, he just likes dancing vegetables....
I remember making one about the kind of coffee they’d get with @nocturnal-birb ,, dew would def get like a frap with extra whipped cream and caramel fsr,,, I think mountain would enjoy his coffee black because it’s more “earthy” i think,, I don’t remember some of the rest bc i have shit memory dhjgfdhjgf
I also remember a hc I made with birb about what if Mountain’s room floor was just covered in soil lmao,, so maybe the ghoulettes saw that mountain really liked being barefoot in the garden (this is a partial projection bc I really like being barefoot in damp soil hsjfhfjhf) so they put some garden beds in his room where he can soak his feet while he cares for his plants :)
He’d also have vertical planters I think,, total plant dad,,
The ghouls have plushies,, like a lot of them,, it started off as a cute playful joke,, where cumulus gave dew a plushie because Aether and rain had their own, and Swiss was like “none for me??” So cumulus got more,, and then they just began gifting each other plushies
Dew has the most plushies bc he says he hates them even though he will 100% snuggle up with them when it gets cold in the abbey,,
They do cuddle piles with squishmallows,, rain gets squished too,, mountain is the little spoon
I think Swiss is actually a bit insecure about his fashion sense, I imagine he enjoys fashion but he rarely talks about it unless it’s with Aether and cumulus who 100% support his fashion choices and help him pick outfits,, he likes vintage and somewhat feminine styles also,, sometimes cumulus does his eyeliner! It really builds his confidence but he tends to overthink it a lot and so usually on a bad day you’ll see him wearing solid colors or blacks,, and on good days he’ll wear flowy fabrics, nice patterns, and very sexy silhouettes!!
Aether really likes rolling up his sleeves,, that’s a fact.
I think cirrus likes pants a lot,, she’ll wear big pants, flowy pants, crazy pants, tight leather pants, Amy fun pants, she likes pants,,,
Cumulus likes fluffy clothes,, idk why, she just does,,
Sunshine really enjoys sundresses (pun not originally intended),, but she enjoys dresses with pockets… although she has to wears shorts underneath bc she will hang down from the ceiling if prompted,, or unprompted….
Swiss likes peanut butter,, dew hates it,, they both eat it straight out of the jar with a spoon… nobody knows why..
This is also a personal thought,,, but I’m at least 69% sure half the ghouls have fucked papa fjhjfghgjk (especially terzo and omega but also the ghouls and copia lmao,,)
I think as for personalities rain is a secret menace,, dew is a rage baby, Aether very much the dad friend of the group, so is cumulus,, i think cirrus is very stern but loving, sunshine,,, MENACE,, WORSE THAN DEW,, will scream into your eardrums if she thinks its funny sdfhjgh… Swiss,,, Swiss is like an idiot with a dick lmao,, absolute himbo i think,, as well as mountain, i think mountain is very chill but can be playful and even scary if he wants,,
as for sexualities I’m pretty sure most of them are some form of bi, pan, or curious,, I wouldn’t say they’re strictly a polycule but I’d say they def delve!!
I also have some comfort Swiss headcanons!! If you want those <3
There’s always too many ghoul headcanons to be able to fit all of them in one post!! But lmk if you like these and if you want more I’ll definitely write them down next time jshfhsjfgsjhf💖💖🫶
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ichorblossoms · 3 months
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glance, stature, canvas, roots, texture, wardrobe for grimm & yarrow :)
HELL YEAH THANK YOU A TON CHASE!!! >:D love talking abt these two
okay this one is long bc i can never be concise and has a lot of pictures, so i'm putting it under a cut
glance: At first glance, what stands out most about your OC's appearance? What's their distinguishing feature?
i think for grimm it's their preference for wearing dark clothes that catches people off guard. not enough to make them stand out too much in a crowd (as long as they're not wearing their poncho), but enough for someone looking at them long enough to think "you're wearing that in the desert? in the summer?" its hair would be more distinguishing, but it actually has it tucked into its hat most of the time. i don't draw it like this often, partially bc it's fun to draw its hair down, but also bc i don't really draw it On The Job
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^ in most cases, if they're out in public they wouldn't wear both the bandana and poncho bc of the attention it draws, but it would wear this while working, especially since it's mostly at night
while the clothes can sometimes be distinguishing enough between the all-black, the bandana, and/or the poncho, if its face and/or arms are uncovered i think a lot of people notice its scars; the one on its jaw is particularly notable, especially when it starts talking bc it tries not to move its jaw a lot when it does (it's a combination of hiding its extra teeth and its jaw being genuinely kinda fucked). grey eyes aren't unusual for this universe, but there's a certain intensity that grimm has in theirs sometimes that can stick with people too
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as for yarrow it's defs the Bee Shit they have going on that stands out, i mean it's not like there's really any way they can hide that hdlkfhg though before that yarrow really is kind of just A Guy. they have an approachability and harmlessness to them that a lot of people take notice of, especially when most men in town are miners and more of the rugged sort. he earns enough respect for his work that people don't give him shit about it
some people notice when they talk to him that he has straight teeth, which make it really evident he's from the city and not one of the many small towns. some people are wary of him because of this (at least at first), others will ask how he came to live out in the middle of the desert. gold/yellow eyes aren't unusual in this universe either, but i think a lot of people notice them bc in a way it compliments the "warmth" he has when talking to people.
stature: What's your OC's body type? How tall are they? Do they wear clothing to accentuate their look or do they try to mask it?
told myself that if someone asked this one i'd finish the refs i was drawing for how they looked at the beginning of each part SO
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honeybee takes place over ~10ish years, so both of them defs psychically change; yarrow's ofc more drastic than grimm, but also grimm was humod before the story
anyways yarrow's 5'8", skinny at first but puts on weight in the five years between p1 and p2, then gets bee'd between p2 and p3, which doesn't affect his body type at all but. still significant. while they don't dress to intentionally mask or accentuate their look (at any point during the story), not passing as particularly masc in their late teens~early 20s affected their fashion sense, so there's a lingering preference for layering clothes
grimm's 5'11" and always thin. their build fluctuates a little throughout the story, but not drastically. it's not pictured since these are all the beginnings of their respective parts, but over the ~2ish years that p2 encompasses, grimm works as a cowboy (instead of their freelance outlaw stuff) and also eats regular meals, so by the end of p2 it's a lot healthier overall. still thin, in a lean sort of way rather than a scrawny one if that makes sense? it likes sleeveless and occasionally tight shirts paired with baggier pants, but it's more of a motion thing than a look thing. that being said, it can pass as a man or woman depending on the situation/how it dresses and occasionally does so for work shit or hookups.
canvas: Does your OC have any scars, piercings, tattoos, or other markings? Do they display or cover them up at all?
gonna throw these older (but still accurate) refs here too bc they show both their humod traits and scars a bit closer
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yarrow's got a handful of scars, most of them are just day-to-day ones he got from accidentally stabbing himself with a scalpel or being clumsy. while they're generally nonviolent, they do have a fight response and earned some scars trying to give their captors grief between p2 and p3. he doesn't think much about his scars or his humod stuff and wears clothes as normally as he can (the secondary arms do pose a problem, but he mostly tries to tuck those into his torso). also will often cover up their face with a bandana if they're in public as to try and be less memorable. if if either of these two had piercings it'd be yarrow, but in all likelihood he had them pierced as a kid and prolly let them close up
grimm doesn't care to hide it's scars or display them, but it absolutely hides its humod traits. after yarrow gets transformed, it becomes more lax with trying to pass as pure human and doesn't shave its face anymore bc it's like "well you can't hide what you've got going on so there's no point in me doing the same"
i'm playing with the idea of grimm having a tattoo/marking/scar/thing specifically from their past as a bodyguard, but i haven't figured that out yet. if i do figure out something, that shit is either covered, burned off, or carved out
tbh it's not unlikely for either of them to have decorative tattoos, those are just always a low priority for me character-design wise that i haven't gotten around to it hlsdkhf
roots: Is your OC's look inspired by any specific style of clothing or fashion trend? What are the roots and/or inspiration for their look?
bc honeybee is a low-tech sci-fi(ish) western, i'm ofc influenced by "cowboy" clothes and anything that fits that vibe. i've been bopping around and doing some research into clothing styles, but also its a sort of free-for-all style-wise bc it's not beholden to having historical clothes. bc it takes place in the desert, there's also a heavy emphasis on practicality, so clothing made of cotton or otherwise breathable fabrics/styles, large hats, sunglasses (that i don't really draw oops), as well as facial coverings for dust
for grimm specifically, the jumping point for their design was actually nezumi from no.6, their design very quickly became it's own thing, but i think that influence is evident with the grey eyes/dark hair combo but also the scarf...thing he wears. grimm's definitely the more "cowboy" or the two of them and their style tends to drift towards gothic western with a touch of techwear? something like that
yarrow didn't have concrete point i derived their design from, i just wanted to doodle a character with bee mandibles and the rest came later, though the inclusion of pink in their design was inspired by the scar shion (also from no.6) has. their design gets more cowboy/ western elements to it in p2 and p3, but overall yarrow's fashion sense was inspired by my own: muted colors, button-ups, rolled up sleeves, maybe silly socks idk
when i design new characters, i try to look for gaps in my current cast for traits i haven't featured a lot, which is why grimm has long hair, a small chest, and wide shoulders, and why yarrow has that hairstyle and build (his build specifically was to challenge myself bc i need to practice drawing different body fat distributions). yarrow was designed about...30 minutes before grimm, so they were more or less developed in tandem to one another and their designs are kind of me playing with themes of like warmth/cold and sun/moon. also the nonbinary flag. though that gets thrown off bc there's not really a purple in either of their designs so much as that vaguely-purplish black i use for grimm
texture: Does your OC favor any specific kinds of cloth or textures? Is there anything they can't wear or don't like? What sort of fabrics do they prefer?
hm. this one is a little tricky bc i don't have any particular fabrics or textures i'm adverse to, so this isn't something that crosses my mind all too often...?
like i said above, i think people in this universe wear mostly breathable fabrics like cotton or those cotton/nylon/polyester sort of blends bc that's not a hell to exist in, esp during the summer. some people have heavier winter coats (nothing like fur coats through), but yarrow runs too warm for really heavy fabrics and i dunno if grimm could afford/have the space for that.
yarrow likes layers and button-ups, his go-to is either a button up with a tank top underneath or a t-shirt with an open button-up over it, so he definitely leans towards breathable fabrics that won't make him overheat. fucking hates it when one of their open shirts or jackets snags on something though. also wears latex gloves a lot bc of work and doesn't mind it until his arm hair gets pulled by it
grimm prefers to sleeveless when it's warm out, if they're outside during daylight, they'll usually wear their poncho to prevent getting sunburnt. the poncho itself is a funky tarpish material (it's based off those military ponchos that're durable and can act as a tent or smthin if needed) and it's not like, the most pleasant thing to have rubbing against their skin, but it's tolerable. still gets sweaty though, so grimm prefers to travels by night, or at least low light. it'll switch to longer sleeves in the winter to stay warm. it's gloves and boots are leather, and honestly it might have a leather jacket idk, i haven't given much thought to what their winter clothes might look like
wardrobe: How big is your character's wardrobe? Do they wear things threadbare, or can they afford new clothes often? Are they any good at mending and repairing their own clothing?
grimm's constantly travelling and moving around with the exceptions of p1 and p2, so its clothes are pretty limited to what it can carry between places and jobs. it has a few hideouts around that it might have a spare thing of clothes at, but if it's keeping something there, it might not get it back. has moderate mending skills, but will wear boots and gloves until it can't any more. when it settles down in p2, it collects a few more clothes, but still is in the habit of keeping its wardrobe small
yarrow starts p1 with basically the clothes on his back, so he doesn't have a huge wardrobe then, but since he's not on the move until p3, he has the space and time to accumulate a wardrobe. he doesn't make a hobby of collecting clothes or anything, but it's like...idk average? someone taught them mending skills at some point, and if they can't fix it, they can probably go to someone in town who knows how, so many of their clothes last a long time and they don't feel the need to buy new ones all that often
OKAY i think that's everything. i'd love to draw pictures for all of these answers but some of them i had no idea or too many ideas for drawings hgkfhdlk
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some unsolicited thoughts about chief pilot fairbairn, the man who haunts both the narrative of herc shipwright and my mind
let’s base ourselves in canon first. linda HAS to have a good relationship with him otherwise what are we even doing here. why would she pursue the same career as him in the same company if they didn’t get along?
flying is obviously a passion of hers so it wouldn’t be a big stretch to assume her father was the one to encourage it in her childhood. or probably even introduce it to her himself
all im saying is the man probably started teaching her to fly the minute she could repeat radio communications after him.
imagine this man during her first solo, just anxiously watching her from the ground, listening in on the frequency to make sure everything is going to plan, then when she lands upending a bucket of water over her head and hugging her so tightly she sees stars, ignoring his airfield buddies dumping more water over him
i just think chief pilot fairbairn’s first thought when he saw his baby for the first time was “there’s my new flying buddy”
there aren’t rules against family members flying together, but i do think chief pilot fairbairn probably limited them at air cal, to remove the temptation of flying with his daughter too often and stunting her growth by not exposing her to her colleagues’ ways of thinking and working. also because if something happened to both of them, he wouldn’t want to put that on his wife.
oh yeah i also think linda’s parents are still together. i love that contrast with four-times-wed herc shipwright
chief pilots are part of the hiring process at airlines. it’s canonically established that he did everything he could on his part to make sure she got the air cal job without his conflict of interest getting in the way. bc i don’t think he would have even let her apply if he didn’t believe she would be the best fit for the position
he’s got to be such an upstanding man to his employees. he must command so much admiration for people to want him to notice them (and try to get his daughter to put in a good word for them in the process). he must command so much respect for linda to be so upset at the mere suggestion that he might have influenced her acceptance to the company.
speaking of employees, he and herc have to at least have an understanding for herc to be so confident that he can recommend arthur higher up in the air cal chain of command
herc was probably hired in unusual circumstances, so chief pilot fairbairn probably remembers him in particular. even without the headcanon of herc and linda being work besties, that has to be true
even then, if herc and linda are besties, chief pilot fairbairn wouldn’t be warm with herc on the basis of that understanding. he’s literally like “linda, you think you can ‘fix’ him?……well, i’ve never found the desire to doubt in you, and i’m certainly not about to start now.”
but i think he comes around. eventually. maybe herc and chief pilot fairbairn don’t become bffs but fairbairn feels at least some gratitude for herc being there for his daughter where he couldn’t
chief pilot fairbairn is just so suncoded. everyone basks in his warmth. he’s a cuddler through and through, who loves when he is able to hold his wife and/or his daughter. but Watch Out
he’s always calm and gives the appearance of having an easygoing personality which is kind of opposite of linda canonically being headstrong and sometimes combative, but i think if you fuck up so badly and manage to piss him off. Watch Out
he has a mustache and thighs and a belly and body hair. and his sense of fashion is stuck a few decades back. he’s irresistible.
i think he listens to a lot of 70s soft rock. sometimes mellow 80s. linda got her music taste from him too
i really don’t know how to end this. stan chief pilot fairbairn i guess
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thewuzzy · 2 years
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They just released this excerpt from Shonda’s new book “Inside Bridgerton” where she and another executive producer talk about Colin. The way that neither of them even understand his character. Talking about how he got honor and a savior complex. As if he wasn’t the one being scammed left right and center and was a prick when Anthony asked about why he was taking out so much money for that scam.
that's fucking hilarious 😂
Colin does have a sense of honour...but only in the deeply misogynistic old fashioned sense; that is, the one where women in his social orbit are helpless possessions whose purity and innocence he needs to defend for the sake of his own reputation.
It really isn't made clear in the show at what point Colin realised Lord Featherington was a scam, and I do think he was initially in serious danger of falling for it. Anthony is a chauvanist patriarch who controls the family finances then resent his siblings for not sharing the burden but my GOD was I pissed when Colin just ran off with a wad of cash without even letting him know!!!
He treated Penelope like an object when he concocted his covert plot to "save her family's reputation" without ever thinking to involve her --- even though this issue deeply materially affected her, NOT him. I can't imagine the pressure Penelope was under, and yet he never even considered to ask her how she felt about it or what she knew. He's a piece of shit.
It would never occur to Colin in a thousand years that Mrs Featherington could be involved with the scam, or that Penelope might already know about it, because he doesn't see women as humans capable of agency or rational thought. It would never occur to him to ask them if they are okay, because he sees women as empty vessels, whose only feelings are projections of his own. This is why he continued to delude himself around Marina even after her marriage. This is why he will never, ever be able to recognise that Penelope loves him unless he decides that he loves her first. This is why despite Eloise's obvious unhappiness and jealousy, it never occurred to him to ask if she wished to accompany him or even VISIT him in Europe with a female chaperone (which absolutely was within the realms of respectability at the time, if unusual). Because women only feel what Colin feels.
(This is another difference with Anthony. Anthony fully recognises that the women around him know and think and feel things, and crucially that women can disagree with him. That's why he verbally spars with them, and gets pissed with when they undermine the sexist or stupid roles he's trying to enforce for himself and the family. Whereas Colin....doesn't even talk to them.)
Honestly, based on his behaviour around his siblings I don't think it's just entrenched misogyny. He is so staggeringly unobservant and careless with others that I think he actually doesn't have a theory of mind about other people.
Thank you nonny!
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larathia · 2 years
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Analysis: Why *does* Chuuya annoy Dazai so much? And vice versa?
iDISCLAIMER: Y’all that ship these two, just move along. This isn’t about shipping, this is about canon. I know the shippers have their own ideas on this and that’s fine - I just wanted to poke at the reasoning without assuming some kind of sexual relationship.
So, these two meet when they’re both fifteen. And it seems to be hate at first sight, which is...unusual? So I started thinking about what it might be about each of them that got on the other one’s nerves so immediately. And what would keep them that way even after working together for years in life-and-death situations (which usually have a softening effect on this kind of aggravation).
What annoys Dazai about Chuuya: I think, at the core, it’s that Chuuya loves life. He loves life, he loves living, he actually manages to project a love-for-life that comes across immediately. This is a kid that, by Dazai’s understanding of the world, should be at least as fucked up as Akutagawa is...and he’s not. Chuuya was taken from his family, cloned, experimented on, abandoned without any memory or means of survival at an early age...none of this so much as fazes Chuuya. This is Tuesday for Chuuya. For Dazai, who has apparently lived the whole of his life at that point in the dark embrace of the Mafia (even when not a member himself), watching countless lives just get ground down and stubbed out, it must be like watching a fool happily dancing on the edge of a cliff, refusing to heed the danger. Worse than that, though, is that Chuuya is smart. So Dazai can’t just chalk this attitude up to Chuuya being a moron. Chuuya has his own way of doing it, but he can keep up with Dazai most of the time. 
Nothing pisses off a depressed person like a cheerful sunny person throwing back the curtains and proclaiming it a Beautiful Day. And Chuuya takes it a step further and proclaims it a beautiful LIFE. A life for fine wines and expensive clothes and doing insane tricks with his motorcycle BECAUSE HE CAN, YO. 
And longterm? What keeps the fires of aggravation burning?
Dazai...has to come from money. He probably comes from a well known family, too - or at least a family that has a few well known members. (I know, my personal theory is he’s a son or ward of the Old Boss, but there are other options too.) Dazai never worries about money the way you see Atsushi do, even when he flat out hasn’t got any. That kind of lack of concern tells me he’s never really had to worry about it. (I think they mention at one point that between quitting the Mafia and joining the ADA, he spent two solid years doing nothing but drinking. There’s a man who has no worries about paying the bills.)
I mention this because Dazai’s got a general air of ‘old money background’ - he might be the black sheep of the family (and probably is, if any are left alive to care) but he knows that world, he knows those graces, and just because he chooses not to bother with them doesn’t mean he’s unaware of them.
Dazai is, in a very functional sense, a prince. The probable heir to the Port Mafia. That he chooses to ignore that is just that - a choice. 
Chuuya is the very epitome of nouveau riche, on one level, and a very different, much older kind of nobility on another. Both of the possible levels are at the very least annoyances to someone like Dazai.
On the ‘nouveau riche’ level, there’s Chuuya’s tendency to wear fashionable clothes, and drink expensive wines. It’s..flaunting wealth, which is usually considered gauche by old money families. Chuuya’s out and loud and proud of his success, which just comes off as ‘loud and arrogant’ to old money.
On the ‘older nobility’ level...I’m talking feudal. Chuuya lives like he’s a feudal lord - one of the ones that had to work for the position. He’s a warrior, he cares about his men, and he fights fearlessly whenever he’s sent into the field. That’s old school feudal lordship. In ancient days, Chuuya’s type would be the kind of samurai that legends are made around. Dazai’s type might win the wars through their clever strategizing, but they wouldn’t get any songs or poems made about them.  Terribly, terribly annoying, and also a possible threat. Just to stick some thorns in. Chuuya’s type of action is flashy and attention grabbing, which can mean the light of favor shines on them longer...maybe exclusively.
What annoys Chuuya about Dazai:
Mostly, you can just reverse the list. Dazai acts like of course he should be in charge, when he rarely does any fighting and isn’t actually all that good at it when he does. Chuuya is incredibly strong, and really doesn’t need to do anything Dazai’s way. Sheer raw power will get most of it done for him.
There’s also that Dazai has access to pretty much everything and anything he could possibly want, yet spends all his time moping in the dark dreaming of suicide. Which. I mean. Why, y’know? Yet Dazai’s in favor with Mori, and - even more annoying - if Chuuya kills him, Corruption is straight off the table. (Because Chuuya does not mope, and does not want to die, and therefore a glorious suicide is not gonna happen.)
Dazai is, bluntly, an aggravating little shit that Chuuya is not allowed, for practical and authoritative reasons, to kill. Or even smack around very much.  And worst, from Chuuya’s perspective, is that Dazai has from moment one attempted to establish himself as Chuuya’s master. Chuuya does not want a master, but if he’s going to have one it’s because that person has something to offer, something to teach. Dazai doesn’t. (Mori did, but that’s a different matter.) Chuuya is well aware that Dazai moves in his own little world, by his own little rules, and rather than find this at all Interesting or Mysterious, Chuuya flat out gives no fucks. Dazai can stay in his own little world and rot. Except, annoyingly, he never does.
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doritofalls · 1 year
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I don't know how to say this, but I think Korekiyo sliced open my brain in some capacity. I became a fan of him through his execution before I even knew that Danganronpa was a MYSTERY game, and then just everything about his character -- the murder. the fact that he was a murderer before the killing game. the self-soothing gestures. the mask -- and then the more OFF-PUTTING ELEMENTS of the character like the sister angle or bondage aspect or the military uniform just cleaved my brain in the fact that you can really just. rod serling a character in a work that was not made for it. just go "man, wouldn't it be fucked up if there was a guy like that" and they DID. And it's not like Danganronpa has never done mini stories or implied arcs for the murderers of the given chapter or handled sensitive topics poorly, but Korekiyo just tips the scales in such a way that I find RIVETING. It's actually gotten me more interested in more disturbing media and movies to just try and figure out how to do it myself. I kinda just want to take Korekiyo and jam him into a different work and try to DO something with him, grant closure or something, but I can't even imagine how I'd start, if that's even my plan. It's all so much in ways I can't even begin to comprehend and I have no idea if any of this sounds coherent, but I guess that's my general take on things and your Korekiyo analysis is just so. so good to me. so good for me. bless.
that first sentence hit me as such a jumpscare i was like hE DID WHAT TO YOUR BRAIN????
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that being said fantastic ask, let me answer properly under the read more 💕
i think just generally speaking, the executions are one of the strongest visual aspects of dr. like sure they are usually quite silly and over-the-top, which is very brand conscious of the games, but i always found the disconnect between the situation and the (lack of) expression of the character so. eerie is not the word, but something like that. a strange disconnect between the world these characters claim to be from and the situation they are forced to exist in. very fun.
and kiyo's execution is definitely one of the stronger ones imo, both visually and conceptually! it takes near full use of his themes and motifs as a character and it's just. brutal, unusually so. not an execution as much as torture stacked up till he's dead, and even after that. which i think, makes reasonably good sense when you consider his victim count compared to any of the others.
it also carries a great symbolic reading looking in from the "kiyo Was abused by his sister" angle, because near all of its elements - being tied up, being slowly boiled alive - can be interpreted in a symbolic relation to an abusive relationship. i also find it interesting that kiyo's execution continues post-mortem because he is deep enough in his delusions for death itself not to bring him despair. he is used to pain. he is used to death. monokuma needs to use his sister's explicit rejection of him to break his spirit, something he has spent his life convincing himself, working to ensure could never happen. like the writers really said fuck this guy in particular.
i hadn't touched upon much of the bondage/milita inspirations of his character - it kind of baffled me for a long time as an odd aesthetic choice to make tbh -, but i feel like i understand the line of thinking, at least? even if i'm not a fan. korekiyo's character takes a Lot of inspiration from both japanese folklore (the kuchisake-onna and futakuchi-onna inspo) and just the edo period in general, of which the roots of kinbaku are originated from. from there we make the leap of bdsm and bdsm fashion culture (gimp mask and the frequently echoed miliata motif), and you kind of get from point a to point b, even if it makes very little sense outside of a character specific angle. i do NOT think kodaka my man put this much thought into anything at all concerning this game but that's what my brain's for ig.
yeah though, even compared to edginess level of any previous addition of the series, korekiyo's just a Handful. it's not like we hadn't had a murderer part of a killing game before with a long track list (genocide jack), or a murderer with a quote-unquote split personality (genocide jack...TWO) or a victim of explicit csa (kotoko) or a crazy guy that's just a touch too fruity (nagito) but with kiyo it's just. all of it and it's SO much. and it's all handled and framed so BADLY. like kiyo's just such an insane character, not referring to his mental health, more like, the concept of him. he's norman bates from psycho and he's billy from black christmas and he's pinhead from hellraiser and the narrative is completely unable to handle half of his over-the-top baggage. he's the perpetrator and he's the victim in a way the narrative refuses to elaborate on, and while he doesn't exactly deserve better, you feel like he deserves at least a fighting chance in a competent narrative. iunno. i also don't make sense here, but feel free to dm me anon if you wanna talk about kiyo not making sense. i'm free all the time.
thank you for liking my analysis!!! he is the worm in my brain i have no say in the matter right now, but i love to know that people actually read them and go hm :'] i've been busy with work/a dhmis drawing i been sitting on but have like some...post game kiyo shoochi sketches where they're friends and niche internet micro celebrities.
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bitegore · 1 year
Note
13, 14, 15 for the fic writer meme!
13. What’s the best writing advice you’ve ever come across?
Already answered this one; copy-pasted:
Writing Good FIction™ is the enemy of writing Fiction That Exists. AKA: perfectonism is a liar and writing more always trumps writing that one thing super perfect. The more I write, the better I am at writing, and also the things I think are great are not necessarily what other people think are Well Executed. So just like. Write bullshit. Write junk. GIve zero shits about if it’s good or not. and then it will get better anyway because the world is a giant joke and you are the punchline.
14.What’s the worst writing advice you’ve ever come across?
Ive seen so many. Probably "show, don't tell" applied strictly, though- narration is not the enemy. No one reads A Series of Unfortunate Events and goes "wow, I wish Lemony Snicket would shut the fuck up and just show us the story" and stories with bland narration are boring because they're bland, not because of the presence of narration. Telling is a useful tool and one you should keep in your arsenal.
Like- even telling-exposition can be made fun. You can tell things and make them more fun than showing them. A scene where Jimbob Sidecharacter puts butter on toast and eats it to show he is acting like a Normal American Man is boring; the narrator simply saying "Jimbob Sidecharacter was a normal american man. He prided himself on being the most ordinary person he knew. He religiously toasted his bread on the stove and ate it with butter every morning, since that was what normal people did, and he went to his job in one of six identical suits he owned so that no one would think he were so unusual as to have fashion sense. In every way, Jimbob Sidecharacter tried so hard to be ordinary that it unsettled anyone who spent too long around him." THAT'S FUNNY! That's interesting! If your story is about Jimbob Sidecharacter's weird hyperconformist nonsense or something, sure, then you can show us that, but you don't have to! And it's not going to be as interesting!
Showing is for scenes that matter. Telling is for facts that no one wants to suffer through experiencing. You do not need to show us the characters taking a piss, or going to work every single day, or any other inconsequential thing that doesn't matter. Show us the scenes that matter and that are interesting. Tell us, in ways that are fun and/or funny, the things that aren't or don't. If i have to sit through one more bullshit paragraph about how this person takes their coffee or three and a half pages of characters eating bread and cheese like they do every day i am going to scream.
15. If you could choose one of your fics to be filmed, which would you choose?
wailing and sobbing because the one i actually want to see filmified isn't DONE and i cant reference it ;-; long story short haunted house gorefest horror.
of my published fics....
Soundwave Says: Fuck Off would make an excellent G1 plot, I think. And be really fucking funny.
and "You really wanna know where I'm from?" is only partially done but i wouldnt mind seeing a 15-minute short film of Bait just lying to people over and over until suddenly you recognize the character across from her and you're like oh shit that's Jazz. and she continues doing her little song and dance until Jazz calls her by her actual name and you're like shit that's her name. and then she turns into a giant knife lizard and they fight. that would slap
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ap-trash-compactor · 1 year
Text
telbun AU set up notes
Zsinj has been sent to wild space to do surveying (how Thrawn was ~allegedly~ banished from the imperial court in legends , lol)
Parck and his gaggle of cadets chases the smugglers (per yoozh) but runs into Zsinj’s SSD
Zsinj has already begun the first contact protocols and offers to let Parck’s team get some practice in (Zsinj could give a fuck)
Thrawn is a nuisance of epic scale (per yoozh)
But when Thrawn is captured his disposition is actually Zsinj’s purview, not Parck’s
Zsinj is wrathful, vengeful, petty, stupid, short-sighted, and extremely space racist. (Per his appearances in the EU.)
So instead of presenting Thrawn as a ‘gift’ to the emperor he decides to make this walking ulcer of a being vanish with the rest of xenotrash, and to pocket some cash on the side by selling him to a fighting ring. Not sure which gang’s ring yet.
Thrawn is just… like… he’s a gladiator now. He’s very good at it. And you know our man, he makes the most of wherever he finds himself. There’s a lot of learn about a society from the bottom, not just the top.
Meanwhile Arihnda’s doonium expertise has gotten her to wind up with a gig as Renking’s representative on Kuat, because where tf are you gonna sell doonium if not to the drive yards (yeah the empire is eating up doonium for stardust but that just means Renking thinks it will be a seller’s market at Kuat if he can set himself up right).
Arihnda makes friends who think it’s fun to show their poor friend a good time but also who genuinely are showing her the societal ropes.
One of them suggests she get a telbun. When they clock that she really isn’t into the idea of buying a baby daddy and having a kid she shrugs and says sometimes the young and fashionable avail themselves of (made up word incoming) ‘telbunaki,’ who no one expects to be for reproduction but who are considered a ‘scandalous’ form of personal courtesan.
Unlike proper telbun, who are humans raised from birth to be companions and reproductive partners for the Kuati, telbunaki come from a variety of backgrounds — the more exotic, the better — and are kind of a way for the rich and vibrant to show off their sense of adventure and to go slumming it without leaving their gilded social circle.
The older folks disappear but the young have a little bit of a game of it: the person who finds the most interesting courtesan gets to be the main character of the haute ton until their arm candy becomes boring or is supplanted by something shinier and more exciting.
It’s also not unusual for telbunaki to be from a variety of species. Kuati themselves are not technically human, although they look the part and have made a tradition of interbreeding with humans to cultivate The Look because it gives them an edge in galactic power politics to look as human as possible. (Kuati think they themselves are quite superior, but breeding for aesthetics is nothing, a minor concession, and humans are biologically compatible at a higher rate than any other species, so it’s fine.)
Telbunaki are also popular among foreigners who are staying on Kuat. It’s considered very normal for people on vacation from their real lives to indulge by hiring or buying a telbunaki while they’re visiting. There is absolutely a sex work industry of short-term telbunaki.
So her rich friends suggest she get a telbunaki instead, but not one of the short termers. That would be very passé. Something for middle aged Chandrillans to get excited about. No, if she really wants to make a splash she should do something more outre than that.
As part of partying and the general hedonism of Kuati society, her friends take her to see a fighting pit.
Well guess who’s there!!!! lol
One of her rich friends says she heard that the fighters are often also available to be hired for sex (yes I am stealing this from the Roman Empire, where this was the subject of endless rumor, although we don’t really have definitive sources either way, but in this AU in the GFFA it’s happening), perhaps Rinna should look there for an ‘aki.’
She’s not too hot on the idea but guess who puts on an amazing show~~
Blah blah blah she ends up with a Thrawn
Except she does not have sex with him. She will not. This is just about putting on a show it’s really not necessary to make it real behind closed doors you have your own room please stay ten feet away me thank you thanks so much thank—
This does work fine for Thrawn who is now able to see more of the Galaxy, meet new people, slice data terminals, and sneak off and do his own shit when Arihnda doesn’t need his company in public.
But he is. You know. He’s mildly curious about the person he’s essentially living with.
Cue medium burn.
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moemammon · 3 years
Note
Could I request HC of MC falling asleep on the brothers and someone asks them to do something but they don’t want to move bc of MC🥺 kinda like how it’s illegal to move if an animal is asleep on you🥺💕 thank you!
I'm soft for stuff like this tbh
The Demon Brothers react to GN!MC falling asleep on them
Lucifer
Lucifer has found that he works best when you're near him. Something about your presence calms his old soul. So it's become a habit that he has you near while he's going through paperwork, always touching you in some fashion.
Today, you were resting your head against his shoulder in the late afternoon, the warmth of his body and the sound of his pen scribbling on paper lulling you into a sense of peace and sleepiness.
He looked over after noticing the added weight against his side, and found you'd drifted off to sleep. And man.... this man realizes just how soft he is for you. Like, can you BE any cuter??? You're gonna kill him.
He feels a warmth swell up in his chest, not only from his affection for you, he the way you seem so peaceful sleeping against him like that. The fact that you feel secure with him, while others only seem to fear him, makes his heart fill to the brim.
But now he can't move, or you'll wake up. And to make matters worse, he just heard a loud ass crash in the hall right outside, and the sound of Mammon cursing under his breath. MAMMOOONNNNN-
As much as it pains him, he doesn't have the strength to get up while you look so content and secure sleeping against him like this. Besides, he can always kill punish Mammon later. He’d just text Beel to string him up from the ceiling until then.
Mammon
It's not unusual for the two of you to chill on the couch together, and he doesn't even care that you're all over him. Actually, he's probably the one that pulled you into such a position.
You're laying on his chest, and he's got his arms around you while he plays around on his phone. And that's when he notices the tiniest of snores coming from you. He looks down and sees that you've fallen asleep.
FUCK does that make him wanna scream. His heart is so full of love that he's literally trembling. You were so.. sO CUTE. IT SHOULD BE ILLEGAL. HE LOVES YOU, DAMN IT.
But then he gets a text from Lucifer, asking him to go back to RAD to fetch some documents. Why'd he have to be his errand boy all the time? Why not Satan??
Mammon is no stranger to Lucifer's wrath though, so now he has a strong need to get you off of him, yet an equally strong need to hold you close.
Especially when you mumble something that sounded vaguely like his name in your sleep. Maybe... it’d be fine to let you rest a little longer? It's not like those lousy papers were going anywhere, right?
Levi
You????? Felt comfortable enough to sleep on him?????? In the middle of a movie he put on????
There's practically steam coming out of his ears. He's short circuiting. He's going to die and it's all your fault. WHY ARE YOU SO CUTE YOURE JUST SLEEPING ON HIS ARM AND YET THE MOE IS TOO STRONG-
Seriously though, he's so red up to his ears that you'd think he might die. The only thing that keeps him from death is that you aren't awake to look at him. He was safe!
But then a notification pops up on his D.D.D, and he suddenly remembers he’s got a tournament to compete in with a couple of online friends! He promised them!!!
Maybe... he'll wake you up? No no no, he'd really die if that happened! You can't wake up yet!! But the game-! The dungeon run-!! The loot!!! What can he do?! There's no way he can ruin this 'straight-out-of-an-anime' moment!!!
Levi's never been one to miss a chance to game, so why was he so conflicted?! Now he was thinking that maybe he could just reschedule the match? Besides, when was the next time he might get to see your sleeping face so close to his own? He wonders if he could sneak in a picture or two...
Satan
Satan's entire room, albeit cluttered, has a cozy vibe. Just the way he likes, as a man who prefers to keep calm and indulge in the wonders of books. And he's invited you over to indulge with him, per usual
Though he'll admit it IS a little late, so he understands that you're sleepy. It doesn't even surprise him when you slump against his arm from your position next to him, the book on your lap sliding to the ground.
As much as it pains him to see the book fall like that, he quickly realizes he can't bend down to grab it, or you'll wake up.
And he hasn't had a chance to really look closely at your sleeping expression, so he has to get his priorities in order. He could get that boom later, anyway.
He laughs at you, and how easily you've fallen asleep. Why didn't you just tell him you were tired? He’d walk you back to your room so you could sleep. Yet you wanted to spend time with him so badly that you pushed through?
He closes his book and leans his head against yours with a soft sigh. Peaceful days like this were all he could ever ask for. He wished he had a spell to preserve this moment forever.
Asmo
Helloooo? Are you even listening anymore?? He was in the middle of telling you about the time Beel ate his entire collection of bath bombs, and you fell asleep right on his lap!
Probably because he was making you lay there while he dabbed products onto your face. "This one is a great toner. Doesn't it smell good? And this moisturizer here is sooo creamy!"
He can't help but notice how peaceful you look laying there, fast asleep. He could just eat you up! Catch him leaning in to kiss you a million times, wondering if you'll wake up.
He's gotta put that kissing on hold when he realizes he has a photo shoot to get to in an hour! He'd need every single minute to get himself ready of course, so he needed to start now. The only problem was... you. On his lap.
He can't get up or he’d be cruelly abandoning his precious MC! And there was no way he’d be that heartless. But that photo shoot was pretty important... How else would he give the devildom its dose of his gorgeous face???
Cue Satan coming in and finding Asmo doing his skin care on his bed, straining to see his reflection in the far away vanity mirror... all so he wouldn't disturb a hair on your adorable little head.
Beel
Beel had asked if you'd lay on his back for extra weight while he did his planks, but he never expected you to fall asleep there. Belphie does the same thing sometimes, so he's no stranger to having to stay still for someone else's sake.
The warmth of your form draped over his back makes him smile, and he wonders if you're cozy laying like that. Wasn't his back kind of hard?
He was fine with waiting until you woke up, since being stuck in a plank for an unknown amount of time would be a great workout, what wasn't so great was the gnawing of hunger slowly starting to creep up on him.
Beel was hungry. Starving, even. And he was stuck because you fell asleep on him. He tried muttering a soft "MC, wake up" as a means to gently wake you, but when you didn't budge, he wondered if he might die like this.
The longer he waited, the more his hunger built. It was five minutes. Ten minutes. Twenty, and then- he lost it.
You wake up to being suddenly dumped onto the cold floor, and you only catch a glimpse of the avatar of gluttony rushing off to empty the fridge of its contents.
He'll apologize when he's full, okay? He promises he loves you, but his hunger is no joke. Promises to treat you to Madam Scream's later as an apology.
Belphie
Not unexpected that you'd fall asleep while in Belphie's care. He had a knack for that sort of thing, bringing the air around him to a sleepy halt and making your eyes heavy with that smooth voice of his.
You were listening to him talk about the old days, when he and Beel would sneak away from their brothers to have their own adventures. Then the next thing you knew, you were drifting off to sleep.
Belphie immediately noticed when your head leaned against his hand; he’d been toying around with your hair and occasionally stroking your cheeks. This was one of those moments he didn't feel like bullying you, after all.
But now he kind of does. You were so innocent, and so vulnerable right now! He could tickle you awake at any moment and you wouldn't be able to stop him at all... Though he doesn't.
He instead looks up when the door opens and Beel pops into the bedroom to ask if Belphie can help him find his jacket. There's no way he’d deny his brother, sooo sorry mc. He hesitates for two seconds, but he's leaving you.
Belphie is a sleep expert, and that includes his mastery of the art of not waking people up, so somehow he's managed to carefully maneuver around you so you're still fast asleep.
Leaves you with a little kiss and tucks you into his bed. He'll come tickle you to death later 💕
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dreamcatcherrs · 3 years
Text
what catches their eyes/attracts them?; mcyt x reader
+ this is in no way factual information, only my very weird and specific opinions :)
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dream:
free-spirited people
someone who isn't afraid to speak their mind
confidence, to a certain extent
someone he can be loud with
someone who will wake up in the middle of the night with him to go on a car drive to nowhere
the colour blue (dnf👀)
clean and fresh-looking clothes
satin fabric
big height difference
the smell of citrus fruits
large smiles
silver jewellery
small hands
smart people who aren't afraid to show it
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george:
calm, laid back people
someone quiet, but still able to have a laugh
very friendly vibes - even when first meeting them
the colour blue (literally the only interesting colour he's able to see lol)
bright eyes
lip gloss
flower print
slightly shy people who are actually easy to interact with once you start a conversation with them
pastel-coloured nails, not too long
pink-tinted lips
ponytails
the smell of vanilla
puppy eyes
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sapnap:
energetic people
someone who can hype up their friends no matter the situation
the colour red
like, a bloody red
soft skin
full lips
loose shirts over skin-tight tops
when shoelaces have a different colour on each shoe
corsets
a very subtle scent of perfume
thigh highs
someone who just wants to enjoy life with the people they're surrounded by
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badboyhalo:
large, bright smiles that spread up to your eyes
freckles
button noses
rose-gold jewellery
french manicures
bangs
slightly shy people
genuinely sweet people
not the fake type that talks shit about people behind their backs and then will compliment them a few seconds after
someone who when they enter a room feels like a breath of fresh air to everyone else
someone completely selfless
the smell of lavender
shiny hair
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technoblade:
people who aren't afraid to take the lead
glasses
intellectual people
like, for example people who know a lot of random stuff from a bunch of different things that they're interested in
or also just book smart people
slightly clumsy people (finds it cute)
gold jewellery
someone with some mystery to them
refreshing scents, like clean laundry or shampoo
cat eyes (eyeliner)
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wilbur soot:
long legs
chokers
shy people
someone who gets flustered easily
glasses + thin bangs
the colours brown and beige together
baggy, comfy clothes
the smell of newly baked cookies
beanies
the kind of person that makes him feel like he can always talk to them - someone he can feel safe with
birth marks
accents
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jschlatt:
smart people
the way they speak is just so clean without even noticing
fox eyes
people who aren't afraid to wear sweatpants in public
generally just someone who isn't afraid to do, say and wear whatever they want
someone who stands for what they think and have the balls to say it when needed
nose rings
simple yet flattering pieces of jewellery
long nails
someone who he can stay up all night with and never get tired of them
high heels
hip dips
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corpse husband:
fishnets, of course
someone who give 0 fucks about what everyone else thinks of them
unique people
wether that be physical features or straight up the personality, it draws him in
chokers
chunky, black sneakers or boots
someone who can make him happy without even trying
a positive aura for the most part
as in he doesn't want to be surrounded by someone who’s negative or dragging everyone else down with them
the colour yellow
rings - lots of them
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karl jacobs:
a walking ray of sunshine, basically
tbh, karl has a couple of things in common with what corpse is attracted to;
positive energy, uniqueness and rings
a palette filled with bright colours
like, almost rave style colours
that could be clothes, makeup, hair, nails, accessories
chunky, white shoes
selfless people
someone who as each day goes by becomes more charming to him
he likes the smell of candles from bath and body works, as we all know
the colour purple
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skeppy:
big eyes
someone who’s able to make him laugh without even trying
tooth gaps
someone who has very playful, innocent vibes to them
and someone who can take jokes and pranks
people who walk confidently
the smell of strawberries
long eyelashes
someone who collects things others usually wouldn’t
someone who is very respectful to others
a mix between really comfy clothes and really feminine clothes
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fundy:
someone who comes across as “different” than others
and don't you dare think of ✨I’m not like other girls✨ (I know you did -_-)
he just thinks people who think and act very different than others are very interesting
beauty marks
nicely shaped eyebrows
someone who finds mystical things interesting
fox eyeliner (yes, I put this in here because: furry)
someone who has unusual, yet surprisingly good taste in music
people who are constantly warm
red lips
the colour light brown, almost beige-like
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quackity:
someone who gets his humour
someone like him, but more quiet and slightly shy
especially when on screen in front of an audience
sliver necklaces
the smell of flowers
dark, extreme eyeliner
loose clothes
freckles
piercings
someone who teases others and who can handle to be teased by others
the colour dark blue
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punz:
the colour grey
a fresh fashion sense
yet still very comfortable fits
messy buns
someone who he just knows will be a cool person before he even talks to them
someone who just has that kinda vibe, y’know?
glossy lips
independent people
someone responsible and caring to others
tattoos
navel piercings
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awesamdude:
cropped jackets
the colour neon green
hair put up in a bun
someone with a free nature
someone who is a complete wild card
like, someone who will jump over a fence just to get closer to a bunny they think they saw on the other side of it
loose strands of hair
clear nail polish
cargo pants
the smell of chocolate
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slimecicle:
people who have comfort items
someone who knows random facts that no one else usually knows
people who have a unique way of thinking
passionate people
and when they talk about what they’re passionate about, they talk for hours
shorter hair
sweet and nutty scents
natural beauty
fluffy hair
honest people
but not brutally honest
the smell of coconut
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eret:
eye glitter/shimmer
silky clothes that shine in the moonlight
platform boots/heels
long, flowy dresses
someone who does whatever they want
and who doesn't like being told what to do by others
the colours pink and dark purple
the smell of the ocean
someone who already knows how to live their life
stretch marks
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foolish:
low-cut jeans
someone very silly who knows how to have a good laugh
someone very supportive of their friends
curtain bangs
long-sleeved sweatshirts
someone who loves food
puppy eyes
straight, white teeth
someone who is willing to help others in need
someone who doesn't talk badly about others behind their back
someone who knows what they want
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jack manifold:
confidence
white, wide-legged pants
the colour light blue or just pure white
people who are very easy-going and fun to be around
someone who can fit into and understand anyones humour
an open-minded person who likes to hear from other people’s point of views when they have a different opinion than them
butterfly patterns
crop tops
oversized t-shirts
hair beads
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tommy:
people who are just as loud as him
and at the same time knows when to be serious
the colours yellow and grey
people who are kind to everyone
creative eyeliner
fluffy hair
people who can get so lost in their own world, they almost forget about their surroundings
colourful accessories
someone who isn't afraid to be who they are
someone who has many passions and loves to talk about them
oversized hoodies
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tubbo:
hoodies layered over skirts or dresses
frilly socks
people who are very adventurous, and wants to make their life as interesting as possible!
someone who can help him overcome some of his fears
charm bracelets
cute habits
the colours yellow and orange
dimples
the smell of almond milk and honey
people who twirl their hair unknowingly when bored or unfocused
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ranboo:
someone who looks intimidating at first (he thinks people like that are cool as fuck)
but then is, like, the sweetest person he’s ever met
loves someone who can speak fluent sarcasm, just like him
he likes sass
glassy skin
fingerless gloves
people who act cocky for the fun of it
but actually don’t care about winning or losing or proving anything
simplistic earring placements
people who have hidden talents, and the more you get to know them, the more talents are revealed
people who don't gossip
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1K notes · View notes
quarthly · 3 years
Text
Twilight characters as random animals that I think are oddly fitting
(Also yes, I am roasting the animals as well)
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Edward: He would be a Cheetah. Now I know, seems like a cop out just because of his speed but hear me out. Cheetahs are, at face value, pretty cool. They used to be my favorite animal as a child, but then I grew up.
Cheetahs, through no fault of their own, are severely inbred. Now thats mainly because of poaching, but the cheetas anxiety also comes into play. In captivity, cheetahs are usually given emotional support dogs. I will admit it is cute but it negatively affects the population. Excluding one in the wild, cheetas can be to anxious to breed and thats not good for conservation efforts.
Cheetahs can hit up to 80 miles per hour in a couple of seconds. They are designed for fast running and agility. Their claws are similar to that of a dogs for better traction and they have elongated spines for longer strides. They have a thin build, long legs and a long tail for balance.
This has downsides though. Many times after making a kill, it will get stolen for them by larger predators. Thats right, they get absolutely bodied by the other animals. I should probably make these shorter but I'm on a rant now, so I guess this will be semi educational.
Throughout the series, we see Edward over estimated his abilities and value, constantly getting bodied by others. He's essentially a perfect mormon, though thats on S'meyers. He constantly judges others, dehumanizing them to their baser flaws, without doing any self reflecting. Him viewing himself as a monster doesn't really count to me. While he definitely hates himself, the only thing he is truly demonizing is being a vampire.
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Bella: Picking up from Edwards, Bella is a Chocolate Labrador. Yes, she is his therapy dog. I feel like this is really fitting for her. I know Golden retriever would make more sense, as thats the most common breed for service animals. However, I kind of focused on her appearance. Only at first though! I just know that Edward raved about her human qualities and that would pass over as animals as well. Her chocolate eyes and brown fur, very average and boring. Thats essentially Bella. Even Edward wasn't into her until he got a wiff. Labradors a very loyal dogs and while they have more personality than Bella, I just couldn't shake it. Their also very stupid. Ok that's kind of mean, they're not stupid but when it comes to love, then yeah they are stupid.
I used to have a lab, loved him to death, but god he was something else. Very much danger prone, from their own stupidity or their lack of survival instincts. I know that labs are almost aquatic. They love water, swimming, all that jazz. We can just say that bella has a few screws loose in her dna and is just "not like other labs."
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Rosalie: Now she was hard. There are quite a few animals that I think would fit for her. I'll list the other ones, but that one I went with is the Swan. Like Edward, seems a little on the nose, but I have my reasoning.
I was going to pick a predator for her, as she is shown to be very vengeful and viscous. I would have pick some type of cat, most likely a purebred, from a rich family. It could still work, but the swan just speaks to me on this one.
Swan's are known for being beautiful, graceful, and are pictured as the symbol of love. They are also very vain. Edward constantly brings up Rosalies vanity. She was constantly valued for her beauty as a human, so of course that crossed over in the transformation. She was raised to be married into wealth, she was used as a bargaining chip to increase the family's standing.
Rose has a very strong character and makes her opinions known. She's assertive and aggressive at times. She's not afraid to get dirty.
Swans mate for life and like geese, are known for being great parents. I was also going to choose geese as an option for the maternal instincts. I was wary at first because swans can be really aggressive. Like actually, you think geece are bad? Yikes bestie...
I was conflicted because swans are known for drowning dogs and sometimes people. However, I can actually see Rose drowning Bella. It's not that unbelievable lmao.
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Emmett: Now this one is just ironic. I only associate him with bears. Its inevitable, but picking a Grizzly or Black bear is too obvious. So I went a slightly different route...
So I was going to pick the Sun bear just because of looks alone. Like, I'm not exaggerating, it looks like someone wearing a bear costume. I don't think it fits him but I know for a fact that he would dress up as a sun bear and sneak into a zoo to see if anyone would notice. I'll put a pic of it here
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Like look at this thing. I have no words...
Anyway, what I picked was a Sloth Bear. Now Sloth bears are mostly nocturnal, which either way works consider vamps don't sleep. Their diet is also odd but honestly so is the cullens. They're native to the Indian subcontinent, and are known for being aggressive towards humans. Its said that for the most part they're pretty calm, so I think its just fear of humans that make them act aggressively. Honestly, that's a good thing because they are listed as vulnerable on the IUCN Red list.
They have some similarities with sloths, which is where they get the name. They have long claws and unusual teeth. They are known to hang upside down from tree branches, and is described as having a messy appearance. Honestly, Emmitt has a messy personality. Sorry bestie but you're a lot of work.
Now heres the biggest reason for choosing this bear. Aside from Baloo from the jungle book being a sloth bear, they are known to run fades with Tigers. Honestly, how fucking badass is that!? Now I don't think there are recorded instances of a Sloth bear killing a Tiger, but when push comes to shove, they can hold their own and I find that incredibly impressive.
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Carlisle: This one was somehow the easiest as well as the toughest. I know Owl seems like the obvious choice, and I can see it. However, I believe Carlisle values emotional intelligence as much or if not more than academic intelligence. He is so charismatic and values other's above himself. He might not be as Saint like as Edward thinks, but he does try and I think he genuinely cares about others. For that reason alone, I choose a Elephant.
Elephant's are very social animals and are extremely intelligent. I could rave about them for ages, I love them so much.
Now elephants live in a familial unit and are usually matriarchal. Bulls usually are on the outer edges of the herd or form little groups with other males. Honestly, they're not that bad aside from when their in musk.
In the group of males, the elder ones will teach the younger where to get the best food, water, how to use things as tools, and every other thing that will increase their odds of survival. This is really cute to me tbh, they do this because the females usually choose the older males because they've proved that they are intelligent and strong, that they have survived and will continue to for awhile. Teaching the younger males these things are to make the odds of them getting chosen to mate more likely. The whole unit just reminds me of a father that has to deal with rowdy teens.
Carlisle likes to take in strays, he might not have a herd but he will make one and teach them to thrive. That's how he envisions it anyway. He just has a found family and is trying his best.
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Esme: Now this might seem like an insult, but I promise it's not! This is in no way misogynistic. I love cattle and ever since I took animal science in highschool, I have appreciated these grass puppies like they deserve. Call me Castro because I love cows.
Yup! I chose a Cow for her. Specifically a beef cow. That might sound weird but its because beef cows have higher maternal instinct than dairy cows. I'm thinking Scottish Highland based on vibes alone.
They are nicknamed the Gentle Giants of Scotland. Super maternal and sweet and ugh look how cute they are!
Esme came from a abusive marriage and had just lost her child, she was depressed and desperate. Her changing was, in a way, salvation. She just fits in. She adopts all these strays along with him and will protect them to the death. She might be gentle by nature, but don't fuck with her family. She lost her first one and she isn't going to lose this one.
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Alice: She's an odd one. There are so many possibilities and maybe I'm biased, but I feel like she would be a Crow.
Ok listen, I'm definitely biased but it just feels right. Crows get a bad rap, they are so cool! They are so intelligent and have the ability to actually sit and think about the past, prest, and future. I forget what its called, but this was only seem in humans! Maybe other apes, I can't remember exactly, but either way its awesome. They do live in groups, or murders, and remember people and faces. They remember locations and are able to pass down information through generations. They essentially have their own language! They are able to use tools too!
Alice's story is really sad. When we first meets her, it revolves around the death of her mother and her institutionalized. She was essentially tortured and forgot everything from her past. All she had was the future and even that wasn't constant. Crows a often viewed as omens, they are associated with death. I personally believe that instead of being the cause, they just know something is going to happen. They are very inquisitive and can be creative.
If you befriend a murder of crows, sometimes, depends or the group, they will bring gifts. Its can range from food to shiny metals and colorful plastic. Hell, I think I've seen a post of one stealing things from people just to gift it to their human.
Alice's love language is gifts. Even if they are focused around fashion, she still goes out of her way to get something that will look good and at least be a little comfortable. By that I mean she tends to forget peoples comfort zones, but she means well.
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Jasper: Honestly not to sure what to put for him. I know a predator would be more fitting, but for some reason I can see a donkey working. I know, seems like I'm clowning on the confederate. Fair, but I'm serious about the donkey thing. Honestly, it would be perfect if it wasn't a herbivore. Porcupine would also work.
Being a predator would make more sense. Given his backstory and his characterization, it wouldn't make sense for him to be a prey animal. Usually I wouldn't count this, but given his gore filled past and trouble with the diet, it seemed fitting.
I see him as a Big Cat. Honestly, vamps in general just give cat vibes. Jasper though especially have some cat like qualities, which originates from hunting and being a soldier.
I specifically see him as a Mountain Lion. Aside from him being blonde, he just has the predatory stealth to him. In midnight sun, we see him use his gift to make the nomads overlook him. He's honestly really powerful.
Mountain lions are known for being stealthy with an air of grace and power to them. They are stong animals. And I mean strong. They can jump 40-45 feet.
They're very elusive and quite. They stalk their prey and tend to attack from behind but don't think they won't hold their ground if need be.
Jasper was changed during the Civil War and forced to fight in the Newborn wars. He was a soldier as a human and as a vampire. He's able to feel and manipulate others emotions. He's covered in scars and is very intimidating.
He still struggles with the diet and honestly I hate how the others handle it. Like they have no room to talk. I don't want to defend the confederate but it just pisses me off. He has to deal with his hunger on top of everyone else's. Like damn, besties always on edge! Everyone doubts him which I don't think helps any.
Also, Mountain lions and Cheetahs can purr!
@aquanova99 I'll do a Volturi one too. That one will be fun lmao
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deans-haunted-baby · 4 years
Text
Okay I see there are those who are confused as to why most of us are pissed about 15x19 I will gladly explain in depth:
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Let’s start off with our boys Adam Milligan & Michael. These characters have not been seen for 10 fucking years. During that time there were Adam stans like myself campaigning like mad to have him and the infamous archangel return for some much needed closure. We had to content ourselves with headcanons, fanfictions and metas based on what we briefly knew of Adam and Michael as people while they unfairly sat in Hell. You might have seen the “Adam’s Still in Hell” memes that circulated. WE WAITED OVER A DECADE FOR THIS. And finally SPN answers our prayers and returns these boys back into the story for the final season. None of us anticipated what their arc and dynamic would look like. Before we could only imagine who these two characters were/are after having been trapped in a cage so long; what their personalities would be like and if they’d be antagonistic to TFW. 15x08 was a surprise because not only were Adam and Michael likable right out of the gate but the writing for them and their dynamic was damn near flawless! And Jake fucking stole the show he killed it as these two. It’s a crime they were not featured in more episodes because the chemistry between these characters is amazing and they’re played by the same dude.
We were given so much background into both Adam and Michael’s psyches in just a short period of time. Their motivations, interests and how they viewed those that wronged them (like the Winchesters); how Hell affected/changed them both and how they viewed their families. We got to see them banter, cooperate with one another and most importantly their different personalities. With Jake Abel appearing in only a handful of SPN episodes, he still fleshed out Michael and Adam beautifully; giving them layers and complexities that most side-characters (who’ve appeared more times than they have) didn’t. The way Jake played Adam’s anger and resentment towards his brothers was brilliant because it’s more under the surface compared to his angsty teenage self in 5x18. He’d become somewhat restrained, laid-back, gentler and wiser which works because Adam displays traits similar to Sam and Dean. He’s kinder and has a sense of humor but none of that distracts from rational thought as he’s quick to analyze and dissect situations. Man, he would’ve made a great hunter/Men of Letters recruit. We know right off the bat Adam’s pissed at his brothers for abandoning him in a thousand-year-prison-sentence and didn’t lift a finger BUT that ironically doesn’t compromise his willingness to help them unlike his past self in 5x18. Jake gets the point across with this character without saying much and that’s what made him so compelling to watch in this episode.
Now Michael was even more of a mystery onion since he wasn’t onscreen as much as Adam had been in past episodes so Jake got to really build on top of this character. Going from the uptight, cold-blooded merciless celestial warrior/dutiful son of God we saw in 5x22 to someone whom despite his arrogance and regal princely demeanor was very human, intelligent, fair, mindful and compassionate. He trusted Adam and respected his opinions even if he didn’t agree 100%. Whereas most angels take over the vessel completely from their original occupant; Michael chooses to share his vessel with Adam as a mutual agreement which says a lot about who he is. He’s fascinated with humanity and wanted to explore it instead of returning to his throne in the clouds. We know that Michael was created specifically to be Humanity’s protector and guardian of Heaven and Earth so these quirks he’d demonstrated in 15x08 aren’t too far off. He holds a lot of pain inside from his abandonment issues with his father whom he loves to a fault and grief over the death of his brothers. On the surface there’s very much an abused child syndrome thing going on with him though he masks it with a domineering presence. And above all this we saw that he was capable of forgiveness. Whether or not Michael always had these traits inside to begin with, its very evident that his friendship with Adam influenced the person he became post-Hell. And that was someone who, like Castiel, chose to rebel for the sake of free will by aligning himself with the Winchesters after witnessing the evil his father had committed. He actually cared about saving the world. This is what we call character development.
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What does 15x19 do? It shits all over that. We don’t get to see Adam and Michael’s dynamic at all; and this was perhaps one of (if not the first) most healthy portrayal of a relationship between an angel and its original vessel occupant in the history of Supernatural. Adam is just killed off-screen Thanos style without so much as one last word and Michael barely reacts like he gives a crap. It was just established to us in 15x08 that he’d developed an emotional bond with Adam through years of inhabiting the same body. He protected Adam while they were trapped together in Hell. They were each other’s only friend and source of comfort. They’d developed a certain co-dependency on each other while respecting one another’s space. They’d both made peace with their joint situation. All they had was each other and the writing in 15x19 basically tells us their relationship meant absolutely NOTHING to Michael based on his OOC actions in this episode. He shows up much darker and shadier now that Adam is gone and its like all those years of friendship, things like that independence, newfound strength and humility he’d gained from living with a human for so long are erased. Michael just reverts back to Chuck’s 5x22 bitchboy persona in the most ridiculous 180 shift I’ve ever seen in my whole damn life. And all because his little brother called him mean names. Pitiful. Just when he lectures Lucifer about standing up for what’s right; he betrays his own words, his allies and the rest of humanity in T-minus 2 minutes. That is total character assassination. Nothing about this motivation makes any sense.
There’s no build up to it, no foreshadowing in 15x08 or throughout 15x19 until they get to the lake. He’s completely deconstructed as a character in this episode and rendered weak. It’s like 15x08 never happened. Stripped of all his development for lousy shock value. Instead utilizing all of what he’d learned through Adam and sticking it to Lucifer by proving he could be more than what Chuck tried to mold him into; Michael becomes just another NPC in the story forfeiting the hero he was. And his reasons for siding with Chuck are never specified. Was it about about saving Adam? Was it about proving something to Lucifer (whom he’d already killed in anti-climatic fashion)? Was it all an act that he was in on with the Winchesters; cause there’s absolutely NO FUCKING WAY they could’ve predicted he’d flip on them like that for their magical plan to work. Not after everything Chuck’s done, killing Adam and Jack and leaving Michael to rot in Hell for eternity. And why would he suddenly go along with destroying the Earth when defeating Chuck would probably get Adam back (if that was his goal) which IT DID not to mention its his sworn duty to freaking protect humanity, hello? So his betrayal meant jack shit in the end as it got him killed by his fucking dad!! He’s brought back into the show only to be ruined forever and killed off in the stupidest fashion.
Moving on.
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Jack Kline & Castiel. This iron-clad relationship has been in development for 4 in 1/2 years since before Jack was even born. And next to Adam & Michael its the other most healthy relationship on the show. Castiel, a million year old celestial being, spent the first 9 years of his arc on Supernatural following around the Winchesters, being torn between his loyalty to them and to Heaven. He rebelled when he was supposed to be a straight-by-the-book warrior of God. And he defied every rule in the process even when the odds were stacked against him. There was an endless rinse and repeat cycle of love, loss, betrayal and redemption when it came to his relationship with Sam and Dean. It made his character complex, interesting and layered but it still didn’t give him an arc that was his own. Castiel started out moreso being written as just the Winchester’s angel BFF/side-kick. Until Lucifer got Kelly Kline pregnant in 12x08 then things really took off. Before this, Castiel was a lost soul. His faith was broken, he was depressed, lonely, battered and rundown from years of being conflicted over the other angels and Sam & Dean. He felt he’d lost a sense of self and meaning in his life. And didn’t have a mission. Once he turned on Heaven’s orders, Castiel was a rebel angel without a cause so to speak. But like I said this changes the moment he meets Kelly.
Originally Castiel was suppose to kill Kelly in 12x19 because she was carrying the child of the devil and Nephilim are considered forbidden abominations. Told that if Lucifer’s kid was born he could unleash even more evil into the world. But instead of doing what he thought he should, Castiel decides to runaway with her. Choosing to protect her from all threats (Lucifer, demons, other angels, princes of Hell); this especially included the Winchesters. During this short time-frame the angel develops a strong, emotional bond with Kelly and her unborn son that stretches all the way to the S12 finale; to the point where it actually gave him a power-boost. From the womb, Jack appoints Castiel to be his father and protector and he’s given a glimpse into the child’s destiny that he’ll bring paradise to the world. A prophecy that the writers establish head on. This is an unusual circumstance because right here is where Castiel’s solo arc apart from the Sam & Dean takes shape. The journey of becoming a first time parent and guardian. Its a new kind of independence that for the first time has nothing to do with his friends or his family members/colleagues in the sky. Its his own personal mission that he willingly accepts, the second he connects with Jack from inside Kelly. Castiel immediately falls in love with him, before they even see each other; and adopts the boy devoting himself to keeping him safe. Making a promise to Kelly that would later become a vital plot-point in the seasons to come.  
Castiel literally risks everything (Heaven and Earth) to ensure Jack’s birth and ends up dead by 12x23′s startling conclusion. Leaving the newborn infant Nephilim alone in the care of the Winchesters going into season 13; scared, confused and aged into a seemingly 18 year old boy for his own protection. And Alexander Calvert who is a fantastic addition to the cast really brings something wonderful to this role; he’s like a breath of fresh air and a bright light in the middle of a dark room. Jack’s naïve, innocent and curious about his surroundings but also as Castiel once put it “remarkably intuitive”. Right when he’s introduced his arc is intentionally paralleled with Castiel’s. Their alien-fish-out-of-water beginning is practically identical as is their adorable stoic facial expressions. Like father like son. And this helps because while the angel is currently dead in the beginning of season 13, there’s an empty void he’s left behind. So Jack is kind of his temporary stand-in. Odd enough this type of switcharoo would’ve been considered very controversial but it’s handled quite well. Alex is so likable and charming I almost wish Supernatural had introduced him sooner. I mean I really thought I was looking at Castiel’s actual mini-me and not the son of Satan. But I digress Jack’s story in the first half of this season is pretty much about discovery and reuniting with Castiel. He’s a baby so everything is new to him but he’s also one of the most powerful beings in the universe destined for greatness which makes the Winchesters very nervous.
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Jack remembers choosing Castiel as his dad which is why he already feels strongly connected to him. Its a bond so powerful that it actually resurrects Castiel out of the Empty the first time. Something Chuck himself was unable to do (that was until the mess that is 15x19). When they’re finally reunited the payoff comes so naturally. Misha and Alex have such a phenomenal onscreen chemistry starting with that first hug; they really play off one another so well that it doesn’t feel like two angels interacting but a genuine father and son duo. So much of what makes Jack and Castiel’s relationship so relatable, deep and endearing is because of what the actors bring to it. But they’re not just a fascinating relationship, they’re compelling on their own too. Both trying to find their way in the world and within the Winchesters’ lives. Death is no stranger to either of them (tragic being that Jack is only a toddler). They’ve each experienced their own personal pain, traumas, life lessons, mistakes and decisions. The biggest for Castiel would be his deal with the Empty to save Jack in 14x08. While for Jack it was the consequences of said deal that would lose his soul causing him to accidently kill Sam and Dean’s mom in 14x18 as a result (something that Jack struggles with immensely to the brink of depression from so much guilt and regret that he’d rather die). Repercussions that would follow into the shows final season. What’s interesting about this deal though is that Castiel made it on parental instinct alone not as a promise to Kelly. He chose to sacrifice himself for the sake of his son as a selfless act of love and kept it a secret from Sam & Dean until his death in 15x18. That’s the extent how much this child meant to him. The other great thing about their family dynamic is that it parallels nicely with the Winchesters. Castiel and Jack share this unconditional love that can never be broken. its even greater than their ties to the Winchesters themselves just as Sam & Dean’s love for each other is greater than any of their other relationships. They would do anything for each other. Castiel would go to the ends of the earth for the little nougat baby because that’s his son.  
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Each time these characters were faced with danger or died, Castiel and Jack were overcome with extreme devastation and distress. That said its not just pain that binds these two its happiness. Jack is the best thing that ever happened to Castiel. Literally becoming a father to that child saved him. It brought him back to life, restored his faith and gave him a sense of self-worth and hope he’d long since abandoned. And for Jack, Castiel is the best dad he’ll ever have! He gave this baby comfort, wisdom, nurturing, strength. Was always there when he needed him whether it was to talk or to have his back. No other person in Jack’s life has ever made such an important impact nor made him feel more safe and loved than Castiel. Even when Jack had done such a horrible thing to Mary alienating himself from his family; it was Castiel’s unyielding devotion to Jack that ended up being his salvation. This was huge because once again he’d chosen over the Winchesters proving that no matter what (whether it be the world ending) his son comes first. So when Castiel’s pact with the Empty finally comes due in 15x18 you’d think it’d have an earth-shattering affect on Jack in 15x19. I mean for the first bit it does...until he becomes God. Then its like to hell with that relationship. Castiel is a complete afterthought to Jack and the rest of TFW in this episode. JACK DOESN’T EVEN GET TO GRIEVE HIM PROPERLY. And he just lost his dad because of a deal he’d made a year ago for him. A DEAL JACK HAS BEEN FUCKING DREADING WHILE HE WAS SOULLESS MIND YOU. And when he finally has the power to bring him back, he doesn’t? Jack just walks around with a conceited smirk on his face, bids Sam and Dean adieu and fucks off. I mean who gives a shit right, its only your dad that you love more than anything. This was extremely OOC given that time in 14x14 Jack nearly lost his shit when Castiel got infected with gorgon poison; the anti-venom wasn’t working so Jack resorts to using his powers putting his soul at risk.
I mean if he was so limited to helping Castiel in the Empty AT LEAST FREAKING CLARIFIY THIS TO THE AUDIENCE. This is not about shipping a certain pairing btw. Jack becoming God is not the issue its his characterization after the fact. His first instinct would’ve been to save his dad above getting in touch with the Earth. Yes we knew this transformation was coming it was foreshowed way back in Season 12. Does that justify bad writing or character assassination?? HELL NO.
This is what I’m talking about, episode 15x19 deliberately butchers these characters and their relationships. It shat all over them. No one is behaving like themselves. The pacing is wonky and inconstant. The script feels like it underwent several rewrites and I swear there were scenes cut out. The acting is off too and maybe the pandemic could be blamed for these things but it ultimately falls on the writer. Buckleming screwed up by showing us they don’t know who the hell these characters are, their motivations nor do they give a rat’s ass. And its noticeable on screen. I’ve known better fanfiction writers for SPN than these guys. It’s like they all came back to work but just didn’t care to put the effort into it. That’s why people like me are upset and we have every freaking right to be. Some of us have been with this series for the entire 15 year run. I at least expect these characters to be handled better and for things to make sense. 15x19 doesn’t and its not satisfying its just a cruel joke. The writers and Dabb should be embarrassed to have put this out there thinking we’d just swallow it and shut up. But far as I’m concerned the only thing this episode serves is to disrespect and ruin everybody while angering long-time fans.
MICHAEL. ADAM MILLIGAN. JACK KLINE AND CASTIEL DESERVED BETTER. And that’s the tea.
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daswarschonkaputt · 2 years
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WIP Wednesday Aizawa/Harry Potter One Night Stand AU
okay, so when i wrote this i was deeply nostalgic for a period of fanfic where you just sort of dumped harry into whatever fandom you wanted and shipped him with someone. (did i read a lot of twilight x harry potter crossovers in my youth? yes. i am only slightly ashamed.) and i was like, you know who would be great? unlikely fandom sex symbol, aizawa. so that’s where this fic comes from.
Summary
A wizard and a pro-hero walk into a bar. It’s only the start of their problems.
Content warnings: attempted suicide and discussion thereof (minor character), suicide baiting (same minor character), implied/referenced animal abuse.
I.
“Two mojitos, and a—what do you want to drink, Shouta?”
Aizawa blinks, looking up from the menu he’s spent the past ten minutes supposedly engrossed in. “Water’s fine,” he says.
Beside him, Nemuri rolls her eyes. “He’ll take an old fashioned,” she says. “On me. I’m not letting you spend your birthday sober.”
The better present, Aizawa can’t help but think, would have been to let him sleep. He sighs, but accepts the drink when it’s handed to him, and dutifully follows his friends to a table at the back of the bar. He doesn’t even complain when they take the two seats facing the bar’s entrance, leaving him with the tactically unnerving position of staring at a wall.
“How goes the uphill climb?” Hizashi asks, sprawled in his seat. “You’ve got how many left now?”
“Three,” Aizawa says.
Nemuri’s eyes widen. “Three? It was four yesterday.”
Aizawa shrugs. Takes a sip of his drink, which seems to mostly taste like whisky.
“Man, you heroics tutors really have it easy,” Nemuri says. “You know how many kids get expelled from the management track? I’m lucky if I lose even one – let alone seventeen.”
“I’m not mad about it,” Hizashi says. “Seventeen fewer assignments to mark. Seventeen fewer times I have to look like an asshole for calling out obvious copying. Do you know how many of your kids supposedly mistranslated manual labour as a hand job, Nemuri? Fifteen. At least Shouta’s hellions are too dysfunctional to cooperate on cheating.”
Nemuri’s laugh is tinged with something close to pride. “Yeah, the little bastards are pretty industrious,” she agrees. “But – come on, Shouta. Don’t leave us in suspense. Which one of your brats got the axe this time?”
Aizawa swirls the amber liquid of his drink. “Yamakawa.”
Nemuri taps the table thoughtfully. “Blonde kid, cutting quirk, costume that looks like a peacock?” At his nod, she tilts her head. “Huh. Any reason?”
Aizawa sighs. He doesn’t especially want to get into this right now. “Penchant for animal abuse.”
“Ah.”
It hadn’t been a particularly fun call to receive – a police detective calling him in at five in the morning on the day of his birthday, because one of his wayward students had been picked up for illegal quirk use on stray cats. Listening to Yamakawa’s stuttering justifications – how else was he meant to learn control? – had been somehow even less fun. Hauling his exhausted body back to campus to try and drill some semblance of sense into his remaining students had honestly felt like twisting the knife.
Happy fucking birthday, Aizawa guesses.
Nemuri puts her empty glass down on the table with an audible clink. “Another round?”
Hizashi nods. “Maybe grab two, whilst you’re up.”
“Shouta, you good?”
Aizawa indicates his drink – barely touched.
She grabs her wallet off the table, then pauses, and undoes two buttons on her shirt. Her smile is wicked. “Cleavage discount,” she explains with a wink – and Aizawa momentarily regrets every second he’s ever known her.
As she saunters over to the bar, a noticeable swing in her hips, Hizashi’s relaxed smile falls.
“So,” he says, voice unusually quiet as he leans in towards Aizawa. “What was it this year?”
Aizawa momentarily considers downing his drink to avoid having to have this conversation – but he doubts alcohol would help much with it at all. “A watch,” he says, words stilted. “Patek Phillipe. Very expensive.”
“Engraved?”
He hates that Hizashi knows to ask. “To her darling Shouchan. There was a note. She wants me over for dinner.”
“You’re not going to go.”
Aizawa shrugs.
“Shouta.”
“I’m not stupid, Hizashi,” he says, because it’s easier than putting into words the gut-wrenching, sickening hope that he’d felt when he ran his fingers over the handwritten card. “She’s never going to divorce him.”
“Even if she does,” Hizashi says, “it doesn’t erase—”
“I don’t want to talk about this,” Aizawa says.
“What aren’t we talking about?”
Aizawa doesn’t jump, but it’s a near thing. He contents himself with shooting a scathing look at Hizashi – as the one with the vantage point, he’s the one whose job it was to watch out for Nemuri’s return.
Hizashi smiles apologetically at him, before picking up a glass. “Online dating,” he lies smoothly.
Nemuri laughs as she unloads the tray of drinks – a veritable armada of cocktails, all various degrees of lurid. “For Shouta?” she asks. “Really?”
Aizawa sighs. Trust Hizashi to pick the worst possible lie. “I work two jobs,” he says. “I don’t have time to date.”
“Please, I work like five, and I still find the time to take out a pretty lady or two,” Hizashi says.
“And two jobs is stretching it a little, given your class size,” Nemuri says. “It’s more like – what, twenty percent of a job now?”
“Fifteen,” Hizashi corrects absent-mindedly.
“Anyway, the whole point of online dating is that you can work it around your schedule,” Nemuri says. “Hizashi and I could even put together your profile for you. Just send me a photo of your abs and you’ll have to beat them away with a stick.”
Aizawa can’t think of anything less appealing than having a photo of his bare torso posted anywhere online, much less in Nemuri’s possession. “No.”
“C’mon, Shouta, live a little—”
“I’m not interested.”
Nemuri sighs. “Fine. But only because it’s your birthday.” She drains another drink, pushing it towards their slowly growing collection of empty cocktail glasses. Given the assortment she ordered earlier, Aizawa can’t help but wonder if she’s trying to complete some sort of collection. “You hear the rumours about All Might?”
“What, that he’s retiring?” Hizashi asks. “I’ll believe it when I see it. He’s been supposedly on the brink of retirement for the past ten years.”
“I meant more that I heard he’s considering a post at UA,” Nemuri says.
Aizawa raises his eyebrows. That is new. “Where did you hear that?”
“My sources are many and varied,” Nemuri says. “People tell me all sorts of things.”
Aizawa stares at her.
“Fine. I saw that skinny blond guy that works for him leaving Nedzu’s office.” She reaches for another cocktail. “Not many reasons why a hero’s secretary might be wandering the halls of UA – especially not one that looks the way that guy does. He looks like he’s a few sharp coughs away from losing a lung. All Might should let the guy retire – or at least hire him an assistant.”
“Pros like All Might don’t tend to be that plugged in to the concerns of their staff,” Aizawa says flatly. “It probably hasn’t even crossed his mind that his assistant might need help.”
“Careful Shouta,” Hizashi says. “Your anti All Might bias is showing.”
Aizawa opens his mouth to refute that, but is cut across by Nemuri. “Ugh,” she says. “Don’t make a scene, but I’m pretty sure the guy at the bar has clocked me.”
It’s a hazard of hero work, getting recognised off-duty. Aizawa knows some pros relish the fame, but the three of them try and stay fairly low profile. Aizawa has always eschewed the spotlight, and Hizashi looks completely different out of costume – so the only one of them who ever really gets approached is Nemuri, for whom scandal had come early and viciously, and never really left.
Curious, Aizawa subtly cranes his neck to glance behind them. He picks out Nemuri’s hero fan with ease – he’s not even trying to hide the fact that he’s staring at them. He’s—well, the first thing that comes to mind is handsome. He certainly stands out, that’s for sure. He’s not Japanese, but he isn’t white either, and Aizawa doesn’t know enough to guess at his background without embarrassing himself. Aizawa clocks the rest of his features absent-mindedly: average height; lean build; a mess of jet black hair barely restrained by a short pony tail at the base of his neck; large, circular glasses; and, behind them, a pair of vivid green eyes, the kind of intense colour that you don’t see often without some kind of quirk behind it.
“Why do you sound so mad?” Hizashi asks. “He’s hot, and he’s a fan of yours. Just your kind of man. Go forth and—sluttify, or whatever.”
Nemuri swats him. “It’s Shouta’s birthday,” she says. “I’m not about to abandon him for a nameless hook-up.”
“Ah. So you’re mad because he’s hot.”
“Don’t put words in my mouth,” Nemuri says. “It doesn’t matter if he’s hot. Who cares what a guy’s face looks like if you’re just going to sit on it?”
Aizawa glances balefully at Nemuri and Hizashi’s accumulated empty glasses. Three each. What, exactly, was the alcohol content in those things?
“I’m certain I don’t want to know the context,” comes a voice from behind Aizawa, and he tenses a little; he didn’t hear the approach, “but I’ll cop to curiosity.”
Aizawa turns around as conversation stalls. It’s the guy from the bar – the unknowing subject of Nemuri’s crude attempt at wisdom.
“I’m Harry,” the guy says. “And I was wondering if I could buy you a drink?”
Aizawa turns to Nemuri, ready to be appalled by however she decides to dismiss ‘Harry’ – but she’s frozen, eyes wide, mouth open. Aizawa looks back to the guy – and that’s when he realises that the question was directed at him.
Oh. Oh. This is… New? Unusual. Strange.
The thing is, Aizawa knows he’s not without appeal. He has good bone structure. As Nemuri frequently points out, he has abs. He even cleans up nice, on the rare occasions he decides to make an effort.
But – and this is the real kicker – Aizawa’s not trying to be attractive.
He doesn’t iron his clothes – doesn’t really see the point, when he never has the time, and the only people he ever sees are his students, who know to fear him regardless of his clothing, his co-workers, none of whom would be fooled by a pressed shirt, and the villains he arrests, who are generally far too pre-occupied trying to kill him to notice his outfit. On a similar note, he doesn’t own anything that’s not black or dark grey, because anything lighter tends to accumulate bloodstains which he doesn’t have the patience to try and remove.
His hair is long, because he finds cutting it more of a chore than simply pulling it into a scraggly bun when he needs it out of his face – and it’s full of split ends because he uses whichever shampoo is on sale whenever he gets the time to go to the store. He shaves when he remembers to, which is rarely, and it probably wouldn’t be an issue if his facial hair had gotten the memo that he was in fact 30 years old, and not a teenager delighted with patchy peach fuzz.
As Nemuri put it once: he looks just a little bit homeless.
Faced with objective, undeniable interest in him, Aizawa’s first thought is, This man is after something. Which, his rational brain points out, whilst paranoid and ridiculous, is probably at least partially true.
Just – the something this guy is after is probably sex. With Aizawa.
And not the drunk and slutty Aizawa who trawled gay clubs with Nemuri in his early 20s, desperate to prove himself and validate his sexuality – not even the well-groomed and professional Aizawa who’s been called into court to testify – no. This guy is into the scruffy, tired, post-patrol, post-five-AM-callout, post-teaching Aizawa who would rather be sleeping than drinking and looks like it.
Aizawa doesn’t really know what to do with that.
The guy is still staring at him, waiting for an answer. Aizawa opens his mouth, not even certain what he’s going to say when he starts. “I—”
“Get him something with coffee,” Nemuri cuts across him. Her shock has melted away to an almost predatory eagerness. “An – what’s the cocktail with espresso in it?”
“An espresso martini?” Harry says. He says the cocktail name in perfect, lilting English that has Hizashi tilting his head. Something in his accent then – something not American. Australian, most likely, but possibly British.
“That okay with you?”
The question is once more directed at Aizawa, who looks to Nemuri and Hizashi. There’s a palpable air of excitement between the two of them, now that Hot Foreigner’s target has been revealed to be Aizawa. They’re probably about two drinks away from stripping him naked and dropping him into the guy’s lap.
It surprises him when he realises that he’s actually considering it. Am I really going to do this? he asks himself.
The answer, when it comes, is deceptively simple. Yeah. Because I want to. Maybe this is the universe’s version of a birthday gift – or at the very least an apology. Good job on soldiering through those thirty years, Aizawa. Now go get dicked down like you deserve.
It’s the type of thing—
Never mind.
“You know what?” Aizawa says, standing. “How about I come with you and order for myself?”
Harry smiles.
As Aizawa follows him away from the table, he turns back to Nemuri and Hizashi. They’re practically vibrating in their seats, just waiting for Aizawa and Harry to leave their earshot, so they can explode into a thousand different conversations about what just happened.
Aizawa smirks at them, and turns back to Harry.
--
“I know it’s a cliché, but I have to ask,” Harry says, as they wait for the bartender to make his drink – which Aizawa had chosen blindly off the menu. He knows very little about cocktails. “Do you come here often?”
“No,” Aizawa says. “I’m not much of a drinker.”
“We have that much in common,” Harry says. “I’m only here because I’m staying at the hotel across the street. I haven’t even been drinking alcohol, though I think this is the most I’ve ever paid for a glass of orange juice.” He leans against the bar, somehow still graceful when he’s all but slouching. “So, do I get a name?”
“Aizawa,” Aizawa says simply. He’s not in the habit of giving out his full name – professional paranoia, if nothing else.
“Just Aizawa?” Harry asks.
“Just Harry?”
Harry laughs. It’s a nice sound. Easy. The laugh of a civilian. Aizawa doesn’t know many pro-heroes who can laugh like that. “Okay, okay, but you’ve got to give me a little more to work with than ‘Aizawa who doesn’t like drinking’.”
The bartender finishes making Aizawa’s drink and slides it over to him. Aizawa takes a sip. It’s sweet, with a sour kick – not his usual fare, but pretty good. “I never said I don’t like it,” he says. “Just that I don’t do it much.”
“There’s a difference?” Harry asks, leaning in towards him.
“I only drink socially,” Aizawa says. “And I’m very busy.”
“Aren’t we all?” Harry asks lightly. “What’s your particular brand of busy, then?”
“Teacher.”
“Troublesome students?”
If only he knew. “Saying that implies the existence of non-troublesome students,” Aizawa says, because it’s about the most neutral thing he can manage after the mess with Yamakawa.
Harry smiles again. “I want to refute you, but I wasn’t exactly a shining beacon of obedience in my school days.”
Aizawa takes another sip of his drink. “You seem to have turned out fine.”
“What’s adolescence without a little skulduggery and civil disobedience?”
“Easier on your teachers,” Aizawa says. “And you?”
“And me what?”
“What’s your brand of busy?”
Harry shrugs. “Depends who you ask,” he says. “If I tell you I’m a lazy, useless layabout, frittering away my youth and inherited wealth, will you walk away and never talk to me again?”
It’s said lightly, and with an air of self-deprecation, but Aizawa isn’t entirely convinced it’s true. Lazy, useless layabouts do not fly to Japan, turn up in bars wearing business casual, and decline the opportunity to drink. Aizawa would know. Half of his childhood friends turned out like that.
“Inherited wealth,” Aizawa says, instead of any of that, “usually comes with an accompanying burden of grief. So I’d say no, and I’m sorry for your loss.”
Harry blinks at that, his easy-going demeanour faltering slightly. “Thanks,” he says, after a pause.
It’s a little too personal for both of them. Aizawa drains the remainder of his cocktail, and puts his glass down at the bar. “Close your tab,” he tells Harry.
Harry raises his eyebrows.
“You have a hotel room across the street,” Aizawa says. “How about you show me it?”
--
Aizawa is awoken by a loud, persistent buzzing. There’s a pleasant kind of residual heat in his muscles, the kind he gets after a good workout, or a patrol that passed without any rough landings. An arm is slung over him, fingers curling loosely somewhere near his hipbone.
Aizawa closes his eyes, letting the memories of last night wash over him.
Harry. The bar. Harry. A fancy hotel room. Drinks from the mini fridge. A hand brushing his hair from his eyes. A wicked smile. Letting himself be pushed down onto the bed. Harry’s huffing laughter in his ear.
It was almost nice. Nicer than these things typically run.
The buzzing sound continues, coming from the floor across the room.
“You going to get that?” It comes from Aizawa’s side, raspy in a way that has Aizawa’s stomach coiling. He know who put that rasp in Harry’s voice. “Good morning, Aizawa-san.”
Aizawa turns his head, taking in Harry’s appearance. In the morning light, there’s something softer, less guarded, about Harry. Without the suit and easy charm, he looks younger.
“It’s a bit late for honorifics,” Aizawa grunts, rolling out of the bed. He picks up the first item of clothing he finds – Harry’s suit jacket – and puts it to the side.
“Eh,” Harry says, waving a lazy hand. “Formality and I only really have a passing acquaintance, even in English. Keigo baffles me.”
Aizawa finds his pants behind the television, and digs through his pockets until he finds his phone. It buzzes plaintively in his hand, screen alight with a call from an unknown number. Aizawa sighs and answers it.
“Is this Aizawa Shouta?” a woman asks.
“Speaking,” Aizawa says. He sees Harry mouthing ‘Shouta’ with a grin, and turns away from him.
“I’m calling from Mustafu General Hospital,” the woman says. “Last night a student of yours was brought in. Normally, we’d call the parents, but you were listed as her emergency contact.”
It’s standard UA procedure to list a hero student’s homeroom teacher as their emergency contact. In cases where a student has been injured during a work study, or targeted by a villain, it’s useful to have UA staff notified as soon as possible following the incident – and civilian parents don’t tend to have the forethought to call their child’s school teacher in times of crisis.
Truthfully, it could be any one of his students – past or present – but Aizawa has a bad feeling. “Name?” he asks.
There’s a pause. “Toukei Hayaka.”
Aizawa closes his eyes. Of course. Because it was too much to ask for one night off.
Toukei is one of his Class 1A hellions, a meek and mild-mannered girl who has spent her time at UA quietly keeping her head down, and as such has dodged the worst of his ire. Arguably, she has the most potential of her remaining classmates – she works hard, she cares about people, and, critically, she listens, which automatically places her a cut above the rest. Her one flaw has always been indecision. She second-guesses herself, and hesitates.
In hero work, hesitation can get you killed.
Aizawa really hopes it hasn’t killed her just yet.
Glancing at Harry, who isn’t even pretending to hide his eavesdropping, Aizawa refrains from asking for any further details. He’s not about to broadcast a teenager’s private medical information to his one night stand. “Okay,” he says. “I’ll be down there soon. Is she awake?”
“No, sir.”
“Have someone available to brief me when I get there,” he says, and hangs up.
Aizawa shoves his feet into his pant legs, zipping up his fly, and hunting for his boots. Something dark appears in his field of view, and he flinches – before he realises it’s Harry, offering him his shirt.
Aizawa takes it. “Thanks.”
“Duty calls?” Harry asks, sitting on the edge of the bed.
“Something like that,” Aizawa says.
“Hm,” Harry says. “Well, this does disrupt my plans somewhat. I’d planned to ply you with breakfast in bed and intelligent conversation—”
“I really have to go—”
“—before asking for your number.”
Aizawa pauses, halfway through lacing up his boots.
“So?” Harry asks. “Can I get your number?”
Aizawa opens his mouth. Closes it. Opens it again. “I—”
--
“You didn’t,” Hizashi sounds far too appalled for how hungover he must be. “C’mon, Shouta, he was hot!”
“He was charming,” Aizawa corrects as he exits the cab, slapping his UA expenses card onto the reader without even glancing at the amount. “People like that don’t get told no often.”
“So, what, you decided to turn your morning after into a teachable moment?”
Aizawa rolls his eyes. “I wasn’t interested in furthering our relationship,” he says.
“That’s cold, Shouta.”
Aizawa sighs pressing his phone into his shoulder as he flashes his Hero ID at the receptionist of Mustafu General. “Toukei Hayaka.”
She nods, tapping away on the computer. A few moments, and she tells him the ward and bed number. Aizawa smiles at her and heads for the elevators.
“I told you last night,” he says, bringing the phone back up to his ear. “I don’t have time to date, not even conventionally attractive foreigners from—” He pauses, realising that he never actually managed to find out where, exactly, Harry was from.
“England,” Hizashi finishes for him. “He could have been after something casual.”
The elevator arrives before Aizawa can formulate a response. He boards, plugs in the floor number the receptionist gave him, and thinks over what, exactly he wants to say to Hizashi. Truthfully, Aizawa knew that Harry was likely only after a bit of fun – nothing serious, nothing involved. Inherited wealth or no, hotels like Harry’s aren’t usually affordable on a semi-permanent basis.
And that had made something in Aizawa curl. “I don’t do casual,” Aizawa says, after a moment.
“Your track record says you don’t do anything—” Hizashi starts, but at that point the elevator doors open, and Aizawa sighs.
“Hizashi, I’ll call you back.” He hangs up the call, dropping his phone into his jacket pocket, and walks over to the bench of seats directly opposite the elevator. Curled up, clothes soaked in blood is Gentoku Akira. 1A Hellion #2.
“So,” Aizawa says, and Gentoku flinches, eyes going wide at the sight of him. “Are you going to tell me what you’re doing here, or do I have to guess?”
Gentoku’s fist is white where it’s clutching his bloody shirt. “Sensei, I—” he stammers. “Hayaka-chan, she—” He looks at his lap. “I couldn’t—I tried, but I couldn’t—”
Aizawa suppresses a sigh. He’s probably not going to get much out of him at this juncture, but it’s probably not a good idea to let Gentoku leave – not until Aizawa has figured out exactly what has happened. “Here,” Aizawa says, handing Gentoku his phone. It’s locked, and Aizawa’s not on call, so he’s unlikely to get any sensitive phone calls. “Look after this for me.”
Gentoku takes the phone and clutches it like a lifeline.
“If Present Mic calls, feel free to answer,” Aizawa says. “Anyone else, reject the call. I expect you to still be here when I get back. If you run off with my phone, I’m going to be less than pleased.”
Gentoku nods jerkily.
Time to turn the screws a little. “I’m trusting you with this, Gentoku.” The guilt trip isn’t the kindest thing Aizawa has ever done, but it does the trick. Gentoku looks rooted to the spot, hands clasping Aizawa’s phone like his life depends on it. Likely, he believes it does.
With one last glance back at Gentoku, Aizawa walks through the sliding glass doors into the hospital ward.
--
“A suicide attempt,” Aizawa echoes dully. He looks through the sliding glass doors to where Toukei lies, pale and motionless, wires and tubing surrounding her body.
“That’s what we think,” Dr Hanabe says, fiddling with her glasses. “She was brought in by a classmate with a stasis quirk – he probably saved her life, even if he neglected to call an ambulance. He carried her across the city, and then promptly collapsed from quirk exhaustion. We got him hooked up to an IV, but he checked out AMA.”
Aizawa closes his eyes. “Has she said anything?”
Dr Hanabe shakes her head. “She had a brief moment of consciousness a few hours ago, but she was intubated. Couldn’t talk. She showed signs of distress, so we sedated her. She’s been asleep since.”
This is… a huge mess, frankly. Aizawa wouldn’t be surprised if there was an internal investigation at UA following this. A suicide attempt on his watch – he’s supposed to be better than this. More aware.
“I know it’s a long shot,” Aizawa says, “but did she have anything with her when she was brought in? A note, or a keepsake, or even her phone?”
“If she had anything, her classmate likely took it with him when he left,” Dr Hanabe says.
“Have you called her parents?”
Dr Hanabe shakes her head. “She’s a UA student, and you’re her emergency contact. Protocol says we wait for your arrival – just in case this is wrapped up in something sensitive.”
“You can call them now,” Aizawa says. “I’m going to be in the area all day. Let me know if she wakes up. If she’s up to it, we need to have a talk.”
“Of course, Eraserhead,” Dr Hanabe says.
It’s times like this that remind Aizawa why he doesn’t drink alone.
When he exits the ward, he finds Gentoku in the same position he left him. He’s staring at Aizawa’s phone like it’s a puzzle he can’t figure out.
Aizawa holds out his hand for his phone. Gentoku blinks a few times, and then hands it over.
“Sensei,” Gentoku says, after a moment of hesitation. “Are you gay?”
Aizawa raises his eyebrows. “I take it Present Mic called,” he says.
“Yeah. He, uh. He had a lot to say about someone named Harry,” Gentoku says. “He shut up when he realised it was me. He’s—he was very nice.”
Aizawa sighs, dropping into the seat next to Gentoku. “I heard what happened from the doctor,” he says. “You saved Toukei’s life.”
“I should have called an ambulance.”
“Probably,” Aizawa agrees. “But she’s still alive. No-one died, this time, and you’ll do better next time.”
“I don’t want there to be a next time,” Gentoku says quietly.
“Neither do I,” Aizawa says. “But there always is.”
Gentoku sits in silence for a moment. “Am I in trouble?”
“What would you be in trouble for?” Aizawa asks.
“I—I froze Hayaka-chan using Stasis Touch,” Gentoku says.
“Yes, and?”
“I don’t have a heroics licence.”
Aizawa sighs. “You have a medical quirk, Gentoku,” he says.
“It’s—I guess, technically—”
“Toukei would have died if you didn’t freeze her,” Aizawa says. “You saved her life, using your quirk – precisely the kind of situation that the medical exemption subclause of the vigilante laws is designed to protect. You didn’t do anything illegal.”
“So, I’m not getting expelled?” Gentoku looks like he might cry.
Aizawa sighs again. “No, you’re not getting expelled. Forgoing the ambulance was stupid, and I’m not pleased that you checked out of hospital against medical advice, but none of those are fatal flaws. You still have potential. I’m still willing to teach you to be a hero.”
Gentoku looks down at his hands. They’re still covered in blood – much like his clothes. Aizawa wonders why no-one at the hospital thought to grab him some scrubs.
“What if—” he pauses. “What if—I’m not willing?”
Aizawa looks at him closely. “That’s your choice,” he says.
“It’s just—” Gentoku looks up at him, and meets his eyes properly for the first time since Aizawa got to the hospital. “I don’t know if I can do it,” he says. “When I found Hayaka-chan, it was—it was the worst day of her life. She—she’d never have wanted me to see that. And I realised that heroes—all you see are the worst days of people’s lives. And I don’t think I can do that and still—” He shakes his head. “I don’t think I can do it, sensei.”
Aizawa leans back in his chair, looking at the ceiling. Truthfully, he’s not built for this kind of thing. He’s always struggled with the softer side of heroics – learning how to save someone with your words, rather than your quirk. Hizashi and Nemuri find it effortless – and that, more than anything else, is why he went underground, instead of into the spotlight.
Sitting in this cheap hospital chair, in the midst of losing one student, having already lost one today, he feels his inadequacy keenly.
“Heroics isn’t for the faint of heart,” Aizawa says at length. “You’re right. You see a lot of bad things – many more than you manage to stop. But the driving force of every hero is believing in the inevitability of gradualness. You have to have faith that just by doing your bit, by chipping away at the problem, you can make some small difference. That you can make the world better one person at a time. Not everyone can do that. And if you can’t, it’s better you figure it out now, than ten years down the line when the stakes are much, much higher.”
He lets that sit with Gentoku for a while.
“Sensei,” Gentoku says suddenly. “Hayaka-chan, she had her phone with her when she—” he breaks off, turning his head. “I didn’t mean to look at it, but the messages kept coming in. They were—they weren’t good.”
Aizawa accepts the subject change gracefully. “You still have it?” he asks.
Gentoku nods. He pulls it out of the front pocket of his hoodie and hands it over.
“Gentoku,” Aizawa says. “Regardless of whether you choose to stay in 1A, I want you to know I will not allow the matter of Hayaka-chan’s suicide attempt to be brushed aside. There will be an investigation, and there will be consequences for those involved.” He puts a hand on Gentoku’s shoulder. “You can rest now, Gentoku. I’ll handle it from here.”
He stands up.
“Are you leaving?” Gentoku asks.
“We’re checking you back into the hospital,” Aizawa says, “and we’re calling your parents. Quirk exhaustion’s no joke.”
--
Selfish bitch.
Just kill yourself already. No one wants you here.
Everyone knows you’re just a villain waiting to happen. Do us all a favour and—
A polystyrene cup of coffee appears in Aizawa’s field of vision. He looks up, following the hand up to its owner. Hizashi smiles sadly at him.
Aizawa puts the phone down on Toukei’s bed. “Thanks,” he says, taking the coffee.
“Any time,” Hizashi says. He leans against the wall next to Aizawa. “Anything of note?” he asks, nodding at the phone.
“A diatribe of harassment and suicide baiting,” Aizawa answers. “All from private numbers, or anonymous accounts. I’ll hand the phone over to Nedzu tomorrow. He’ll have more of an idea what to do with it.”
“How’d you get her passcode, anyway?” Hizashi takes a sip of his own cup of coffee.
“Touch ID.”
“Ah.”
It’s quiet in Toukei’s small hospital room. It’s just them, Toukei, and the one-to-one nurse assigned to watch her.
“Did you notify the hospital about her quirk?” Hizashi asks.
“It was in her file,” Aizawa says. He nods at the tube lodged in Toukei’s mouth. “Hard to hold your breath when you’re intubated.”
Toukei’s quirk is equal parts understated and terrifying. It freezes perception of time for people within her field of vision, so long as she holds her breath. Aizawa had been eyeing her for a future in underground heroics, but there’d been some mumblings between her and Gentoku about forming a hero duo that Aizawa had neither encouraged nor discouraged.
“You going to keep her in the class?” Hizashi asks.
“I can’t,” Aizawa says. “Not after this.” He swirls the coffee in his cup, watching the harsh hospital light glint off it at different angles.
“She could make up the missed hours once she’s done with treatment.”
“That’s not it,” Aizawa says. He lowers the cup of coffee without drinking from it. “Pro-heroes put their life on the line daily. I’d have no guarantee that…”
“That she wasn’t just waiting for a socially acceptable way to die,” Hizashi finishes.
Aizawa nods. Maybe another teacher at UA would have a different answer. Maybe Kan, or Nemuri, or even Hizashi would know themselves capable of supporting a student like Toukei. But Aizawa knows himself, and he knows what he swore, when he took his job at UA. He would not be complicit in sending children out to die.
He sighs, and finally brings the cup of coffee up to his lips for a sip. Oh. Yikes. “This is awful.”
Hizashi grins. “Yeah, I know. I was waiting for you to drink it.”
Aizawa feels something warm bloom in his chest. In an hour’s time, Toukei’s parents will be here. In an hour’s time, Aizawa will haul his body out of this chair, and bow to ninety degrees, and apologise for his failures as a teacher. In an hour’s time, he will calmly answer any questions they might have, and he will accept their reaction, whatever it may be.
But he won’t be doing it alone.
--
The afternoon is melting away into night by the time Aizawa arrives on Anzu Street in the suburban edges of Mustafu. He’s changed out of his casual black clothes into the only suit he owns – black, a little rumpled, usually reserved for funerals and weddings – and forced a brush through his hair. The end result is not quite professional, but presentable at the very least.
He inhales, flexes his knuckles around the handle of his briefcase, and then knocks on house number 38.
There’s a pause – the sound of footsteps – and then, the door opens.
He grimly meets the eyes of Aomori Shizuka. 1A Hellion #3.
Her eyes go wide. “Aizawa-sensei?” she asks. “What are you doing here?”
“Are your parents here?” Aizawa asks.
“My mother is,” Aomori says. “What’s…”
“I need to speak to you both. Can I come in?”
Aomori’s mother is pretty – she has that much in common with her daughter – and apparently baffled by everything about him. She gives him a polite, if confused, greeting, and invites him to sit at their kitchen table.
“Do you want some tea, Aizawa-san?”
“No,” Aizawa says.
“Or some water, or juice – I know it’s a bit late for caffeine.”
“Aomori-san, please sit down.”
Aomori’s mother falters. She sits. Her daughter hovers in the doorway of the kitchen. “You too,” Aizawa tells her.
With some reluctance, she does.
“Aizawa-san,” Aomori’s mother says after a moment, “is something wrong?”
Aizawa reaches into his briefcase and pulls out a manilla folder. He slides it across the table to the two women. “These are copies of messages that your daughter sent to another student,” he says. “Last night, the student in question attempted to end their life.”
Aomori’s mother goes very, very pale. She flips open the folder, eyes scanning down the pages of messages. “This isn’t—” she looks up at him. “This isn’t my daughter’s user name. Or her number.”
“Some of the messages were sent using UA’s campus wi-fi,” Aizawa explains. “We require students to login to our internet services with their details. We were able to track these messages back to her digital profile.”
Aomori’s mother is quiet. “The other student – are they okay?”
“They’re alive,” Aizawa says. “I’m not authorised to share any more details of their condition.”
“Will there be charges?”
Aomori jolts. “Mom—”
“Be quiet,” her mother snaps. “Aizawa-san, do you know if they intend to pursue charges?”
“The family of the student do not intend to seek criminal or civil charges against your daughter,” Aizawa says. “For now, they are focused on ensuring their child’s wellbeing, and a court case would not be conducive to that. That may change, a few months down the line. I have not advised them either way.”
Aomori’s mother clasps a hand to her mouth. “Thank you,” she says. “Thank you, thank you, thank you—”
“There will, however, be consequences for this,” Aizawa says. “Given the conduct of your daughter, Aomori-san, UA has decided to proceed with expulsion from our hero course. We will not, at this time, be extending the offer of a place in one of our other departments.
“This incident will be included in your daughter’s permanent record,” Aizawa continues. “We have also made the additional decision to personally inform future schools your daughter may choose to attend of her conduct.”
Aomori’s mother looks—ruined. “Aizawa-san, please—”
Aizawa stands. “Thank you for your hospitality.”
“Aizawa-san—” There’s a thud behind him. He turns back, just slightly, to the sight of Aomori’s mother on her knees on the kitchen floor. She sinks into a deep bow, her head colliding with the floor with an audible smack.
“I have taught my daughter poorly,” Aomori’s mother says. “Please preserve her future.”
“Mom,” Aomori says, tugging at her mother’s arm. “Mom, get up. Mom, please don’t do this.”
“I have taught my daughter poorly,” her mother says again, rising, and then lowering her head once more. “Please preserve her future.”
Aizawa sighs. He kneels down, and pulls Aomori’s mother up, out of dogeza, and to her feet. “Aomori-san,” he says gently, “as a teacher, I understand your desire to protect the future of your daughter. My first concern is always to protect the future of my students.”
He notices that she’s crying. “Then—”
“But as a pro-hero,” he says, “I have a duty to more than just your daughter. I have a duty to protect the future of the student currently lying in a hospital bed, following a suicide attempt. I have a duty to protect the future of the student who found them, and saved their life. I have a duty to protect the futures of other vulnerable students your daughter may encounter. I have been as lenient as I can be, given all these things.”
Aomori’s mother looks at him, and then collapses into sobs.
“Thank you for your hospitality,” Aizawa says again. He turns and leaves.
It’s as he’s sliding out of the Aomori household’s slippers and back into his dress shoes, that Aomori the younger finally approaches him.
“Toukei-chan,” she says. “Is she really going to be okay?”
“I don’t know,” Aizawa answers honestly.
“I—I didn’t really want her dead.”
Aizawa looks at her. Even now, he doesn’t know why she did it. Doubtlessly, there’s some deeper reason – but he finds he doesn’t care. “For someone who didn’t want her dead,” he says, finally, standing up, “you were very convincing.”
--
“It’s a little impressive frankly,” Nemuri says. “Three students to none in 24 hours. You really are the picture of efficiency, Shouta.”
She reaches across their table and steals a piece of pork out of Aizawa’s bento. Aizawa, who has been subjected to this kind of vulgar behaviour for nearly fifteen years, lets it happen without a fight.
“What did Nedzu have to say?” Hizashi asks. He also dips his chopsticks into Aizawa’s lunch, but he’s after the red peppers.
“The investigation is still ongoing,” Aizawa says. “On the request of the auditing team, I’ve been temporarily suspended from teaching.” He pulls a few bamboo shoots out of Nemuri’s own lunch – fair is fair.
“Did he give you a prognosis?” Nemuri asks.
“He didn’t seem to think I had anything to worry about,” Aizawa says, “but it might take a couple of months. The team wants to re-examine my history of expulsions.”
Hizashi snorts. “A couple of months might be understating it in that case,” he says.
Aizawa shrugs. There’d been a little more to it when Nedzu went over it – some concern from the internal panel that his ‘trigger-happy expulsion policy’ (a direct quote) might have contributed to a toxic classroom environment – but Aizawa, much like Nedzu, isn’t worried about it. He follows UA policy to the letter, and he always strives to be fair – if not forgiving.
“You going to pick up a few more shifts as Eraserhead, then?” Nemuri asks. “Anyone else, I’d think vacation, but I know you’re congenitally incapable of downtime.”
Aizawa ignores the jab at his – non-existent – work-life balance. “I’ve been requested on a case,” he says. “International quirk trafficking. They want me full-time on the investigation team. I was going to turn it down, but it’s apparently a big deal to have been asked. It’s a joint task-force with foreign heroes.”
Hizashi wrinkles his nose. “Sounds like a bureaucratic nightmare,” he says. “Those joint efforts always end up tangled in red tape.”
That had largely been Aizawa’s perspective when he was first approached, a month ago. At the time, he still had half a class left – and they were working hard to make up for their deficit in numbers with pure stupidity – and it had been easy to tell the investigators he had too much on his plate. Now, Aizawa’s starting to feel that red tape might be a fair price for something to do.
“Don’t be so cynical,” Nemuri says, swatting Hizashi. “It sounds like a good opportunity.”
Aizawa shrugs. “We’ll see.”
--
The briefing room is fairly standard as these things go. Pale walls, rough carpet, tables arranged in rows with chairs pointing at a large screen. Aizawa is neither early nor late, but the room is only half-filled. He recognises a few underground heroes, and raises his eyebrows when he spots Hawks, off to the side, chatting with Abyssal, an underground hero who started out as a vigilante.
“A pretty good turnout, all things considered,” comes a voice from Aizawa’s left.
Aizawa turns. “Detective,” he nods.
“It’s been a while,” Tsukauchi says. He looks much the same as he had when they first met, all those years ago: like a salaryman who stumbled into a police precinct by mistake and stayed out of some sort of masochistic civil obligation. It’s an impression that Tsukauchi never quite manages to step out of – even when he’s competently sweeping rooms in full riot gear, he still looks a little like an accountant having a very dull day. “UA treating you well?”
Aizawa shrugs. “Can’t complain.”
“It’s good to have you onboard,” Tsukauchi says. “We’ve had issues getting heroes involved, even with the foreign cooperation angle.”
Aizawa privately thinks that Tsukauchi’s sales pitch must need some work if it relies entirely on the universal appeal of bureaucratic nonsense. “Joint ventures like this are rare.”
Tsukauchi smiles tiredly. “Hopefully a little less so, once we’re done here,” he says. “We’ve had some success cooperating with America, thanks to All Might, but this is one of the first times we’ve ever worked this closely with the British. It’s a big deal, even if the case is a little—”
“Okay, everyone,” comes a voice from the front. “Let’s take our seats.”
There’s a flurry of movement as everyone filters into chairs. “We’ll talk later,” Tsukauchi says quietly, before he shuffles across the room to a larger group of police officers – his team, most likely. Aizawa simply pulls out the chair closest to him and drops into it.
As more people sit down, the owner of the voice becomes visible. She’s plain-faced, with dark blue hair that’s pinned in a tight bun behind her head, and dressed in a navy pantsuit the exact same shade as her hair. She has an ID badge pinned to her lapel, but Aizawa can’t make out much more of it than the HPSC logo superimposed over it as a watermark.
“Good morning,” she says. “I’m Tanaka Mayumi, the lead investigator on this case. I work for the police, but I also hold a hero licence, hero name Vector. Potter-san, do you want to say anything?”
“Sure.”
Aizawa turns to the source of the voice, and feels his mind go blank. ‘Potter-san’ unfolds his body from where he’s been leaning against the wall, all long limbs and lithe grace. Aizawa watches it happen like he’s someone else, somewhere else. Suit and tie. Messy black hair. Vivid green eyes.
“I’m sure by now, you’ve heard that this is a cooperative investigation between Japan and the UK’s hero forces,” Harry says, with that same easy charm. “I represent the UK side of that equation. I’m Harry Potter, codename Fractal, but you can call me whatever combination of those names makes you most comfortable. I know I look young, but I have over a decade of experience in villain apprehension. I look forward to working with you all. For now, I’m in your care.”
He bows.
There’s some polite applause, but Aizawa can’t move. Harry rises out of his bow, and as he brings his head back up, his eyes catch.
Aizawa knows he’s been made.
Harry’s face twitches a little, eyes going wide with shock, and then—
He meets Aizawa’s eye and smiles.
Fuck.
[tbc??? maybe]
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amerrierworld · 3 years
Text
The World is Changing
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for the request: more nsfw galadriel/reader content? 👀
Summary: Galadriel travels to your world with you. And you introduce her to sex toys.
Characters: Galadriel x you
Word Count: 1,586
Warnings: SMUT. vibrators :) modern AU I guess? welcome to the sin bin
“That’s a microwave.”
“Fascinating.”
You snorted. Galadriel roamed about your home, touching and prodding unusual gadgets and unfamiliar items. 
She had jumped at the chance to come to Earth with you. Being one of the oldest beings in Middle Earth, there were few things that surprised her there, but here, amidst technology and modern culture, there were plenty of new experiences waiting.
She was wearing loose-fitted jeans that hung a little low on her hips. And when she reached up to one of your higher shelves, the knit sweater she had on rode up, revealing more gorgeous pale skin.
You salivated a little at the sight, but forced yourself back to the task at hand; making a decent meal for the both of you.
Her hair shimmered in the light of the setting sun. You offered her something to drink; she wanted to try one of those fizzy cans she’d seen you drink before.
Despite the childlike curiosity in her eyes, her body and demeanour still commanded nobility and respect like the Queen that she was. That quickly disappeared when she belched louder than you ever had, because of her idea to chug the sugary soda.
Dinner was grilled cheese, because you didn't feel like being original today, and you sat on the couch, eating, drinking, chatting. 
“Don’t you wish you’d gone to Valinor instead?” you asked her. “I mean, the Undying Lands, any place with a name like that sounds better than a world named after dirt.”
She chuckled, “one day I will. All Elves are destined to travel there. Our time in the mortal world always comes to an eventual close.”
Shuffling closer, she pulled your plate away and brushed her nose against your jaw, 
“But I wanted to experience something different before the end of all things. And you, meleth-nin, proved to be the most breath-taking change I could have hoped for.”
You squeaked as her lips sucked on a spot beneath your ear. She had a thing for ears.. maybe all Elves did. You couldn’t really think about it much as her malicious tongue swiped over your damp skin, making you shiver.
She pushed some pillows off the couch to make more room for her long legs  as she swung one over yours to straddle your lap. Your hands immediately roved over her ass, tight under the denim of her jeans. She squirmed a little in your hard grip, and kissed you on the mouth.
Your hips were starting to buck up, frustrated by the limitation of the clothes you were wearing. She gasped as you pushed up under her sweater, cupping her breasts- you had not yet introduced her to bras, mostly for the convenience of easy access when needed. Like right now.
You pulled your mouth away and trailed your lips down her neck, worrying your teeth along the column. Her body started rocking familiarly and your fingers tugged at her nipples.
“Fuck!”
Your body burst into flames. Galadriel barely ever swore, usually it was just you, but when she did, it was like an instant aphrodisiac.
Pulling away and tugging her sweater down, you held her ass firmly, making your eyes lock and you breathed,
“Bed.”
She was off your lap in a flash, her body thrumming with lust. You were nearly pulled off of your feet when she grabbed your hands and led you to the bedroom. Despite her slender figure, you were reminded of how strong she was, of the battles she had fought, and how somehow in some strange stroke of luck, this immortal Queen now desired you.
You successfully made it to the bedroom. She immediately wanted you naked, wanted to devour you, but you stopped her. 
“Take off your pants, and lay on the bed.”
She seemed startled by your command, but did as you asked. She pulled her hair out from the high pony tail she had been wearing, letting the long locks tumble down her shoulders, on the pillows. 
You returned with one of your favourite things to use in bed; a small, but extremely powerful vibrator. Her eyebrows furrowed at the strange shape and smooth texture as you showed her.
“This is a vibrator,” you showed her. “Do you wanna try it out?”
“Does it hurt?”
“No, but it may be a little intense the first time. I can show you, if you’d like. I’ll be gentle.”
Her breath hitched as you turned on the toy, the room filling with the low hum of the vibration. 
“And- where do you...”
“Wherever you want,” you replied sweetly. You pressed it to the side of her knee, and her jaw dropped a bit. Her legs fell open, giving you a clear view of the white panties you’d gotten her to wear. 
“If you wanna wear the jeans, please for the love of God wear underwear,” you had begged her, “that material is far too rough. You don’t want to chafe, I swear.”
Now you were exceptionally glad with your persuasion for her choice of wardrobe today, because her pale legs, her underwear barely showing, and the lovely soft sweater over her torso made her too beautiful for words.
“There’s plenty of other toys we can try, later,” you kept talking, pushing the vibe higher, pressing against the sensitive inside of her thighs. Her muscles tensed and her breathing sped up. 
“Y-yes,” she agreed, trying to maintain some sense of dignity as her resolve crumbled, “I-I think this will be sufficient for now.”
You grinned, flashing a smile at her which she weakly returned, and you took the opportunity to run it along the edge of her underwear, close to her clit, but not close enough.
The whine you received was like music.
“Th-thousands of years I’ve lived- a-and I’ve never-,” she choked out, hands scrabbling for purchase at the sheets underneath her heaving body. You avoided direct contact with her skin or her clit, wondering if you’d make her black out with how sensitively she was reacting to the toy. 
“This isn’t even the highest setting, baby,” you grinned, running it in slow circles over the hood of her clit. The panties she was wearing were soaked.
“T-turn it up higher,” she demanded. 
You paused. The only sounds were Galadriel’s gasps and the sound of the toy. 
“Are you sure?”
She pulled you closer by the back of your neck, mouth wide as she kissed you and devoured you, tongue licking into you. 
“Yes.”
You did as she asked, your own mind swimming with arousal, and her body began to tense, her gasps and groans going higher and higher in pitch as she neared orgasm.
Knowing she was close, you reached down with your other hand, pushed aside the panties enough for your fingers to slip through. You pressed inside, curled up and rubbed in that rough, delicious spot inside of her that made her scream, which she did.
Her body convulsed under your touch, thighs shaking as you held her down. One arm thrown over her face, gasping into the crook of her elbow. 
The Lady was sweating, her figure glimmering with a delicious sheen. You smiled wickedly as you tugged her arm away, revealing flushed cheeks and blown eyes. 
She pulled at your grip, wanting to hide her disheveled state, but you didn’t let her go, instead leaning forward and kissing her over and over. 
“Don’t pass out, please?” you begged her, watching her hooded eyes, “there's loads of other things we could try.”
“I don’t think I can handle any more of your world’s advancements,” she groaned, making you smile. 
“Then let me treat you with something a little more.. old-fashioned.”
You tugged her underwear off before she could protest, and nestled your face into her dripping cunt, licking up all of her juices and revelling in how sweet she smelled.
“O-oh, oh my,” she cried out, hands grabbing your hair as you feasted. 
You knew her libido was relentless; she’d pounced on you one or two times in  a way that made it clear she could be very sex-driven. So you pushed her to a second and third orgasm with ease, feeling her go limp and boneless by the time you finally finished licking her clean.
She was still wearing that adorable sweater, her long hair fanned out over your pillows, one leg pushed out far enough to dangle off of the edge of the bed.
She said something Elvish under her breath, body arching and trembling in the aftershocks. You urged her to sit up, tugged off the sweater, and she attacked your face with kisses, muttering sweet nothings, half of which you couldn’t understand.
Your body melted at her words nonetheless, filled with love and desire, and she never seemed to stop kissing you, 
“I may be the luckiest Elf alive,” she sighed, “who else has ever experienced such pleasure?”
Her words made you grin, because to you it was a simple, effective toy, but to her it was another world, another life entirely, something new and exciting. And you got to be the one to give it to her. The thought made your head spin.
You were sitting on the bed and she had crawled into your lap again, dipping her head low to kiss you, and her body began rocking against your thigh, signalling her need for more.
“Again?” you asked, turning up the vibe once more, and her eyes shone with mischief. She nodded, and you knew sleep was still a long way off for you.
A/N: this is basically like, polar opposite of my Hela/reader style of writing, and I don’t mind one bit :D hope u liked it my loves! wasn’t there something where CB had said Elves don’t wear underwear? Yeah I agree taglist: @the-obscurity​
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