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#7 point story structure
bangjiazheng · 7 days
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7 Point Story Structure Found In Every Great Movie - Paul Chitlik
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individuating · 9 months
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my #truth:
ep 1 = ep 7 (beatriceless)
ep 2 = ep 6 (furniture)
ep 3 = ep 5 (tools)
ep 4 = ep 8 (ange focus)
#.me#umineko#weird fucked up mirror structure tht barely makes sense. but i will try to explain in the tags regardless#ep 1 and 7 revolve entirely around beatrice without her actual presence#if anything in both it’s her lack of presence that sets the mystery of the episode in motion#one is the introduction to her story and the other is the conclusion of it. fairly straightforward tbh#ep 2 and ep 6 again have very obvious similarities in that they are both shkanontrice episodes#we also have the starting point and ending point of beabato’s relationship. starting with biting and killing and ending with marriage. waho#battler’s first real gameboard vs battler’s last real gameboard. i cld go on but the shkanontrice focus is probably the meat of it#ep 3 and 5’s connection is a bit looser… ep 3 is the first to introduce the braun tubes/catbox to fight using antifantasy#and ep 5 gives us the decalogue to fight using mystery. both give battler/the player tools to understand the rules of beato’s game#we also get ronove/virgilia on one hand and erika/dlanor on the other which are extensions of the tools/concepts themselves#ep 4 and 8 is self explanatory. theyre the Ange episodes and the endings of their respective arcs. both begin and end with ange’s journey#and her trying to find the truth. really theyre so similar in theme (+ content tbh) it is probably the most obvious of these#anyways. it is an actual mirror structure if you consider 4 + 8 as epilogues… <— strying to make it work.#thinking abt umineko at 8 am the grind never stops *trips falls dies
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lilacstro · 4 months
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Astro Observation Pt 4
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I hope you all are doing awesome and the last few posts resonated with you! Also, thank you so much for 250 followers <33 means so much to me
here we go :)
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1.Taurus placements really like food, cooking. I mean, we all do, but its a little extra with them.
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2.Taurus moons really have a soothing presence and voice, however, they may come as highly opinionated sometimes. They are usually very kind and polite while talking and may like things like art, music, poetry or, reading/ enjoying such things and actively talking about it.
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3.I read somewhere that 8th house is temporary death while 12th house is what happens after death, maybe that is why it is the last house. Example, 12th house Capricorns may come back to give/receive karma, 12th house Scorpios may learn and complete the soul lessons or karmic contracts.
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4.I dont know how many people does it resonates with since I only know a few capricorn risings but more these natives like structure and order, they sometimes secretly wanna run away from all and everything, probably just disappear or move to the countryside lol...may even struggle with maldaptive daydreaming. Also, they definitely don't wanna/can't be tamed AT ALL...you can't tell them what to do lol ..I wonder if it has something to do with the Sag 12th house. They do accept opinions and suggestions, but very selectively
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5. The birth of a capricorn sun/rising/stellium child can be karmic. In the sense that, they are here to dispose karma to other people, while learn their own. Maybe because the ruler is Saturn. One of the things that can follow is a change/shift in the circumstances of the family.
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6. This makes me think, 12th house indeed can show our hidden thoughts or desires. People with Sag risings have scorpio in 12th house, and this can secretly make them wanna have some kind of command, control and authority. I am a Sag rising, and this holds true for me.
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7. Speaking of NN in solar return, I read someone reblogging my post saying they believe NN can also represent the lessons you learn and grow from, I instead believe its more of a karmic/soul lesson/fated thing, that rather tranforms/grows your soul and you may go through a huge shift in your perspective and some life-changing experiences concerning that area of life. Something that we are moving into, and will affect us from that point onwards, like a new theme unlocking.
Chiron, on the other hand, is different. No one wonder chiron is actually call the wounded healer, something that hurts and then heals.
example, nn in 1st house can mean you will go through major themes and experiences that will make you focus more on yourself and finding your identity and purpose and this should affect your further years. more of a spiritual growth
chiron in the 1st house can instead mean you will go through experiences that will make you question yourself, some kind of identity crisis, that will further lead to you believing and finding your true self. more of a personal growth.
i hope i made sense. moreover, astrology interpretations are very personal :) and you dont have to agree with anything i said if it doesnt feel right.
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8. libra moon imo is one of the best moon placement to have. they are able to present their emotions pretty nicely and in order and that makes sense somehow. This is also a placement for a hopeless romantic tho lmao.
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9. Libra MC people may always look confused. Somehow even struggling to chose between a pastry and a cake lmao.
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10. I think women with Virgo+ Scorpio placements are the ones that can make the best lie detectors/detectives/real baddies. They may also enjoy dark psychology/ true crime stories/thriller.
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11. Men with Venus in Saggitarius may like spiritual/religious women.
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12. I think people with Venus-Asc aspects may always/eventually find beauty and confidence in their appearance and themselves, and that is very amazing imo.
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13. Women with Pluto-Asc aspects may like dominance in some shape or form and may have a really good self control and hold of themselves.
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14. I will want to ask, do people who have Uranus Retrogade in their chart somehow struggle with breaking electrical appliances/gadgets often? Like it will just break somehow?
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15. Having asteroid industria at 28 degrees can show you have a potential to earn huge money through your career.
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16. Wherever Jupiter lies in your chart, is where you can expect divine protection. Jupiter in 10th house? Protection from people with malicious intents/a bad public image. Jupiter in 6th house? Protection from accidents and diseases. Jupiter in 12th house? protection from hidden enemies/backstabbing. Jupiter in 11th house? Protection from fake friends/people.
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17. I have often seen people say you should marry your 7th house sign but i would disagree again. The 7th house/DC is more about the qualities we admire in other people, and what do we look for while forming ANY relationship with others and this does not always have to mean that you would get along with them romantically.
support me on ko-fi :)
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thats all for this post<33 i love you all. Please leave post recommendations, if you have any in the ask, messages or comments :)
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readychilledwine · 2 months
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Hello. I hope everything this going well with you. I have to say I fell in love with your book boyfriend post and... It got me thinking on an idea I hope you can write for me.
So reader is the daughter of either feysand, necessian Or gywnriel ( sorry if I got the spelling wrong) and she is reading books which are way more smuttier than what the ladies read. And the dad is just not having it and momma is having that moment where she believes she raised her child the right way and is encoraging her.
Thank you and i hope you have a great weekend ❤.
Like Mother, Like Daughter
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Summary - After finding his daughter in the "I don't want Cassian to know I'm Reading Smut" Pose, girl dad Cass loses his cool
Warnings - girl dad cass, mentions of knife play and kink, smut
A/N - Happy @cassianappreciationweek! I should have posted this for family day, but day 7 it will be 💕
🗡Cassian Masterlist🗡Master Masterlist🗡
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"No," Cassian muttered to himself as he saw his daughter in an all too familiar pose. "No. No. No. No. No!" Each no grew louder as he observed her. The soft flush on her cheeks, the subtle way she bit her lip, the way her eyes were wide with excitement.
That pose was one Nesta mastered. One of the many he had named, and seeing his babygirl, his little y/n sitting in it had his heart feeling as though a Naga had ripped it from his chest. He stormed his way to her, ripping the book from her lap and gasping at the filth before him. "Y/n! What is this?!"
You were in shock, tea stilled near your mouth as you blinked at your now empty lap, "Um, my book?"
"This isn't literature! This is! This is! Oh, Cauldron! No!" Cassian could look away from the words, could stop reading the sentence about the mysterious warrior using his dagger for obscene acts on the young maiden. He could stop the way his gut twisted with each word. "This is worse than what your mother reads!"
You stared at him, wings twitching, "Dad, I'm 27. If I want to read smut, I ca-"
"You can not," he cried. "Not my daughter. Nope." His head was spinning as Nesta came into the room, looking between you two. He turned on her so quickly, striding to her with two steps and holding the book to her pointed nose. "What is this!? Who gave my daughter this?"
Nesta couldn't hide her smirk, those silver eyes lighting up as she took the book, "Oh, this is delicious. Who is this by, my sweet dove?"
"Some new author. They just go by Yarrow."
Nesta nodded at your answer, sitting next to you on the couch, "And you understand this is dangerous in real life?" She was satisfied with your nod before pulling you into her so both of you could read the scene being painted before you.
Cassian felt the air leaving his lungs. His throat grew tight as he tried not to scream. "Nesta, we need to talk," he grit out. "Now, please."
His mate held her finger to him, grabbing your pressed flower book mark from Aunt Elain before setting the book on the coffee table. "Yes?"
"She can not be reading this shit, Ness. She needs to read... Anything but that." He motioned towards the book he desperately wanted to throw into the fire. "This is completely inappropriate for her at her age."
Nesta only hummed, "She is reading books similar to what I did at her age. I do not understand what you are so upset about." You glanced between both of them, suddenly feeling so small, so insecure. "I would rather she is reading these things than going to pleasure halls and-"
"Do not finish that sentence," Cassian's tone grew sharp. "Do not even joke about my daughter doing something like that. Do not put it out into the world."
"It's a book," you whispered. "It is just a book. I like how the author writes. I love their use of language and structuring. I enjoy the way they build worlds. Yes, there is smut, but the world building in this series is fantastic. Everything is vivid, well layout, clear, consistent. I really enjoy the story. The smut is just a bonus."
"It's very well written," Nesta hummed. "Graphic without teetering the line of uncomfortable."
Cassian glanced between the two of you again, "I do not like it." He began to pace, "I am not comfortable with her reading garbage."
You shrunk slightly, "It's a fantasy series about found family, finding inner strength, and healing, Dad."
"It's a smut novel!"
"It's her choice," Nesta growled back. The room grew cold at that. Cassian sitting in a mix of fear and respect as he stared at his wife. "She is a grown female. If she wants to read smut, that is her choice. This is a much healthier option to so many other things she could be doing to explore her sexuality, Cassian. We should be proud this is the method she has picked and not whoring herself out."
Cassian seemed to pale at that. The image of you doing what he had done as a young male, racking a body count with different fae every week, scarring his mind. He didn't want that. He wanted better for you.
He picked up the novel, "This isn't the only type of smut you read, correct?"
"No," you answered softly. "I prefer dark fantasy, but I do soft things too. I just finished one you might actually like." You ran to your book shelf, grabbing the novella. "It's about a warrior and a lady. He partakes in a knights contest and she offers him her favor. Very strangers to friends to lovers, slow burn."
You handed the book to your dad, smiling as he looked at the romance novel hidden behind a black leather cover.
"I also have this one about a couple who met over summer, fell in love, she went away for something, family stopped their communication, she comes back, they're still in love," you ran back to grab the other book. "There's a super passionate rain storm kiss. It'd be neat to have that some day."
Cassian rolled his eyes as the books slowly piled up. The novels varied from great adventures with a kiss of smut to downright no plot. He let his eyes go to Nesta, watching as she stared at you with a look of pride, love, and admiration. "Hey," he whispered to his wife. "That's your hard work, Ness."
Nesta sighed dreamily, watching as you grabbed a 10th book and physically crawled into Cassian's lap, telling him about the fae King of Night who forced criminals into bargains before falling in love with a siren.
Cassian tugged the bond, sending his white flag to Nesta, a silent "You win," as you settled into his lap, showing him how the author of the first novel had built her world, the maps included, and the brief history that went into the fantasy smut novel.
He found himself in the same spot hours later, you asleep on his chest while he read a soft romance novel and Nesta read something that had her eyes going wide.
He decided then that perhaps this wasn't so bad. There could be worse things than having a daughter so much like her mother.
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General Taglist:
@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects @sleepybesson @tayswhp @itsswritten @milswrites @littlestw01f
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novlr · 1 month
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How do I strengthen my writing? I tend to fall back on bad habits because I can't find good habits to replace them.
Building sustainable writing habits that really help you improve can be really difficult. Especially if you don't know where to look. So, here are 10 tips for building good writing habits that can help strengthen your writing!
1. Clear out your creative faucets
Step away from your project and do something else! Write something different. Let yourself write badly. Or just plain old take a break. Your writing will suffer if you're constantly forcing yourself to work on something that isn't bringing you joy.
2. Read voraciously
In the immortal words of Stephen King: “If you don’t have time to read, you don’t have time to write.” 
Read widely in your own genre and outside of it. Take inspiration from other authors, and read critically to see what they do well and what they could do better.
3. Read some bad writing, too
Breaking down exactly why a piece of writing doesn't work for you can be super helpful for understanding what to avoid in your own work. 
4. Try on different writing styles
Try out different approaches to storytelling to find the voice that feels most like yours. You might find yourself attracted to descriptive, sensory prose, or more to austere and pointed prose. Your writing will be strongest when you're the most authentic self you can be.
5. Explore characterisation 
People are messy. Accurately and compellingly conveying this innate messiness is essential to creating a powerful story. Explore your characters and who they are, and if it's a character-driven story, don't be afraid to let them drive.
6. Make friends with your thesaurus 
A great way to make a piece of prose shine even brighter is to expand your vocabulary. There are a lot of words in the English language that mean similar things but have slightly different moods and tones. Finding the exact right word to convey what you’re trying to say will help your writing land more emphatically with your reader. 
7. Banish filtering words
Filtering is one of the most common mistakes new writers make. It involves describing a character’s sensations or feelings with filtering words like felt, saw, heard, knew, watched, or realised. This holds the reader at a distance and makes them feel like they’re hearing a story, rather than living it.
An example of filtering would be, “She watched the sun rise majestically over the mountains”. It would feel more immediate to simply say, “The sun rose majestically over the mountains”. The reader already knows your point-of-view character is watching; now, the reader can watch it with them. 
8. Glare disapprovingly at the passive voice
Passive voice isn’t necessarily wrong all the time, but nine times out of ten, it will slow down the pace of your story and encourage the reader to lose interest in your characters. Passive voice means having something done to a character — “John was punched in the face by Nick” — instead of a character actively doing something: “Nick punched John in the face”.
9. Familiarise yourself with story structure
The best stories follow an established plot structure, and follow it so smoothly that the reader doesn’t even realise there’s an ancient storytelling template behind it. These structures are designed to introduce just the right amount of tension and suspense and to give the reader the ideal payoff by the end. Rather than being formulaic, they help with pacing and plot development.
10. Get peer feedback
Finally, the best way to make your work as strong as it can be is to get some feedback from other writers. This can be from a professional editor, a beta reader, or a collaborative writing group. Getting a second pair of eyes can help you catch plot holes or inconsistencies before you send your story out into the world.
Want to know more? Read the full post at the link below!
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georgescitadel · 1 month
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George R.R. Martin on power and Varys' riddle
Interviewer: I think one of the things that is so involving about the story is that the people who start out with power might be quite limited in some ways and lose it while the people that are allegedly powerless with the right kind of cunning and guile and smarts and heart can find a way out of situations that seem hopeless. Did you intend to examine this idea of power and hierarchy and how these things are not as fixed as people think that they are?
George: Definitely! The whole subject of power is fascinating to me! How does power work? What’s it based on? In Varys’ riddle - which I was very glad they included (in the show), I think it’s one of the most important parts of the book – he asks Tyrion who has the real power in that situation. The rich man, the priest and the king are each telling the sellsword to kill the other people… It’s actually the sellsword who has the power since he's the one who has a sword in his hand. He has the power of life and death over the other three, but he’s going to obey one of the other three because of some allusion of power… When I see that scene played out in my mind’s eye, these are three old fat guys and none of them can do anything themselves to the sellsword and yet they command him because they can summon other sellswords… Well, why do all of those other sellswords obey? Our societies are built on this structure of sand and you see that periodically with the falls of great empires and nations… The Soviet Union, it looked solid and eternal and one day it just blew away – “we're not going to follow those guys anymore, let's get rid of them and we'll bring in some new guys.” and suddenly the Soviet Union was gone overnight. Why does that happen?... I was reading a book a couple months ago about the history of Jerusalem and this one particular crazy sultan or caliph. At one point he decided his doctors were trying to kill him so he had all of his doctors killed… okay. Then he decided that the women of the court were conspiring against him, but he liked women as they had babies and other uses, sexually and stuff like that, so he commanded his guards to cut off the hands of all of the women in the court, not only his own wives and concubines, but evidently their wives and concubines as well, and they did it! Now… what the hell was going on there? Why doesn’t the captain of the guard say to the sergeant: “this guy is fucking nuts! We have swords!!! Why don’t we kill him instead of cutting off our wives’ hands?”. I don’t really know where the matter comes from, but it’s a fascinating issue to explore and huge drama comes out of that. Don’t be surprised if sometime in ASOIAF I have a crazy king cutting off the hands of a bunch of people!
- George R.R. Martin, Chicon 7
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10 Words Related to Medieval Art & Architecture
for your poem/story
1. Atrium: An open courtyard at the entrance of a church, usually surrounded by covered aisles. The atrium of the Early Christian church was originally a place for the catechumens to wait during the celebration of the Eucharist.
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2. Blind Arch: An arch which encloses an opening in a wall which may appear to be a window but which is actually only a shallow indentation in the wall.
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3. Campanile: Italian name for a bell tower, usually one that is detached from the main building.
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4. Depressed Arch: A flattened arch, slightly pointed on top. It appears in Late Gothic of the 15th and 16th centuries.
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5. Ecclesia & Synagoga: Personifications of the Church (Ecclesia) and Judism (Synagoga). Both appear as female figures. Ecclesia was crowned and holding a chalice and Synagoga was blindfolded and held the Tablets of the Law (the Ten Commandments given to Moses). These two personifications were often paired in painting and sculpture, but they could also appear separately.
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6. Fleur-de-lis: Stylized lily which served as symbol for the French monarchy.
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7. Greek Cross: A cross with four arms of equal length.
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8. Historiated (or Figured) Capital: A capital which is decorated with figures of animals, birds, or humans, used either alone or combined with foliage. The figures need not have any meaning, although they may be symbolic or part of a narrative sequence. Historiated capitals were most commonly used in the Romanesque from the late 11th to mid-12th centuries.
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9. Keystone: The voussoir (i.e., a wedge-shaped or tapered stone used to construct an arch) at the top of an arch; in vaulting it occurs at the intersection of the ribs of a rib vault. It is important structurally since it marks the apex of the vault.
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10. Latin Cross: A cross with three short arms and one long arm.
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If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!
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idrellegames · 4 months
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Hello all,
This is a general announcement post to cover a few changes, as well as a public build patch.
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This patch addresses some lingering issues and bugs in Episodes 1 & 2. This is not a content update.
✦ Playthrough Restarts
Because of changes and fixes, if your save file is from June 24, 2023 or earlier, you should load a save file from the beginning of the Lethalis meeting in Episode 2 or restart from the beginning of the game. If you do not, you may encounter continuity, UI issues, or other errors. None of these are game-breaking. 
If you keep Wayfarer running in a tab, please either refresh your browser or close the tab and open the game in a new one. This is the only way to ensure the patch takes effect.
Full patch notes can be read here.
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✦ A Statement on AI
NO AI TRAINING. Using Wayfarer, its images, or any of its written work to train generative artificial intelligence (AI) technologies to generate text is expressly prohibited. Creating chatbots based on the game’s text is not allowed. 
✦ A Statement on the Alpha Build
Wayfarer’s public build is free to play. It will not be updated until the alpha build’s Episode 4 is complete. Half of Episode 3 is available to play on my Patreon (available for the Recruit tier and above). Currently, the alpha build is a couple months behind the planned trajectory announced in the 2024 roadmap. Progress will be reassessed in July and updates made. 
The last alpha build update was on May 28, 2024. 
✦ Updates to the Game’s Structure
Since 2021 Wayfarer has been conceptualized as 3 acts and 15 episodes. While that story structure is still at its roots, it’s very apparent now that this is far too much story to be contained to a single game. So, I am breaking it into a trilogy.   
I have had this idea for a while, but I have held off on doing anything about it because of technical issues. Because of the way the story builds on itself, I need to ensure that continuity (including details like the player character’s inventory and locations they have visited) is preserved across all three game. However, even with some technical things to still test and figure out, I am at a point where I would like to move forward with the new structuring.  
WAYFARER 1
Prologue
Act 1: Episode 1, Episode 2, Episode 3
Act 2: Episode 4, Episode 5, Episode 6,
Act 3: Episode 7
Epilogue
WAYFARER 2
Prologue
Act 1: Episode 8, Episode 9
Act 2: Episode 10
Act 3: Episode 11
Epilogue
WAYFARER 3
Prologue
Act 1: Episode 12
Act 2: Episode 13, Episode 14
Act 3: Episode 15
Epilogue
The structure is still very much the same as it was prior (what is now a single “game” in the new structure was an “act” in the old one). The change has been updated and reflected in the Story Log, which now only goes up to Episode 7. 
With this change, I will be looking into getting new cover art that is more specific to the first game’s events. All titles are TBA. 
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If you’ve enjoyed Wayfarer and would like to support my work, please consider supporting me on Patreon. Patrons receive access to the alpha build, a private Discord server, exclusive previews, bonus content, side stories, and other benefits.
Wayfarer is a passion project and creating it is a full-time commitment. Any little bit goes a long way to help me bring it to fruition.
If you aren’t in a position to support financially, reblogs, shares, ratings and comments, and spreading the word about the game are much appreciated and do a lot to help me out! 💕
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ladykailitha · 6 months
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The Harrington Pattern Part 8
We have finally got to the part that started this whole story. Steve being validated by a professional.
Robin gets a pretty dress. And Eddie gets a little jealous.
Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7
MY TAG LIST FOR THIS STORY IS CLOSED!!!!
@mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @emly03
****
Eddie joined them at the shop just as they were finishing up. Will used the extra ten he had to buy Steve a pretty little dagger that was mostly a letter opener, but Steve fell in love with it.
The dagger was silver with a moon in the hilt, the cross guard had moonstones on either side. It was nestled in a black velvet box that he was told he had to leave the dagger in and not pull it out while at the fair.
Steve promised he wouldn’t and turned around to nearly run right into Eddie.
“Whoa!” Eddie said, putting out his hands to steady Steve. “I didn’t realize I was that close to you.”
Steve blushed. “You get your schedule sorted for tomorrow?”
Eddie grinned. “Sure did, sweet thing. Will get his staff?”
“I don’t think I’ve seen anyone so happy,” Steve said with a smile. He jutted his thumb behind him to where Will was happily chatting with the seller.
Eddie peered around Steve to see where he was pointing and sure enough, Will was talking to the guy about magical users in DND and how they should expand it to include other types.
Will spotted Eddie and said goodbye to the seller. He rushed over to where Steve and he were talking.
He held out the staff for Eddie to look at. “What do you think?”
Eddie and Steve shared a fond smile. “It looks great. Will the Wise has finally got a staff worthy of him.”
Will blushed.
“We should put it in Eddie’s van,” Steve suggested, “so it doesn’t get stolen.”
Eddie cocked his head to the side. “Why my van?”
“Because it won’t fit in my car,” he replied with a blush staining his cheeks and creeping up his ears.
Eddie cackled. “Fair enough, Stevie!” He looked around and spotted Gareth with an arm full of all sorts of wares, from swords and armor, to decorative goblets and boxes that no doubt held jewelry.
“Hey Gare!” he said following an ear piercing whistle.
The younger man lit up and jogged over to the trio.
“Hey, Ed!” Gareth said with a shit eating grin. “You like my haul?”
Eddie shook his head. “Sometimes I think your parents have more money than sense, but I’m not about to begrudge a well plotted haul.”
Gareth grinned. “Oh, they absolutely have more money than sense. I just know how to use that to my advantage.”
Will and Steve laughed with them.
Eddie pulled out his keys. “Since you’re clearly in need to be relieved of your loot or grow three extra arms, you should take Will to stash your stuff for later.”
Will’s eyes lit up. “Oh, that’s a great idea!”
Steve just shook his head fondly as he watched the two boys walk off chatting about their prizes.
“It’s nice to see Will come out of his shell around new people,” he said to Eddie. “He really needs friends outside of the Party.”
Eddie nodded. “And it helps that I forced them to be read in with Wayne because there was no way I was going to keep a secret that big with the people who are my family.”
They began their stroll through the other stalls, stopping here and there.
Steve spotted a clothing shop and armory and he sided eyed it longingly. There was no way he would the money for anything in that shop. He chewed his bottom lip and was about to move along, when Eddie grabbed his wrist and pulled him toward a black leather cloak.
Steve was admiring the construction when he heard a voice behind him say, “That’s a neat tunic, but you do know that you’re supposed to wear a chain shirt under that specific kind, right?”
Steve turned around to see a buxom red head in a bodice and flowing red dress. Her hair was piled messily on her head, but Steve could tell it was artfully done as the structure seemed too sound to be accidental.
“Can’t afford the see the armorer,” he said with a wink and a half shrug.
She laughed. “I guess I deserved that.”
Eddie smirked.
“I like your tunic,” the red head said, looking Steve up and down. Eddie bristled next to him. “Where did you get it from?”
Steve grinned, placing a comforting hand on Eddie’s elbow. “I made it.”
She raised an eyebrow. “No shit. Really?”
“Yes, he did,” Eddie defended. “He’s amazing.”
Steve flushed with pleasure at his praise. “I dabble. I’ve been sewing for about a decade now.”
She walked up to him and admired the stitching on the hem on the tunic. “That’s really impressive.”
“Thanks, I was admiring your work on the construction of the cloak here,” Steve said. “Was it hand sewn?”
“Fuck no!” she said, rolling her eyes. “I wouldn’t have time to breathe if I did that.” She smiled to have him join in on her joke. But when Steve continued looking at her in awe. “Wait...” she said, as it slowly dawned on her. “You did all of this by hand?”
She brought the hem of his tunic up to her face. Steve blushed and Eddie batted her hand away.
“Oi! Don’t get fresh!”
She raised an eyebrow at him.
“I think a name would be a good start before you go and get grabby,” he growled.
“Oh!” she said slapping her forehead. “Right, sorry! I’m Katie. I run Damsel in this Dress. Nice to meet you.”
“I’m Steve and this is Eddie,” Steve said.
Eddie looked only slightly mollified and Steve rubbed his lower back soothingly. Eddie preened, leaning into the touch.
Steve cleared his throat. “But anyways, yeah I stitched it all by hand. My parents didn’t think a boy should ‘play’ with a sewing machine.” He put play in air quotes.
Katie’s eyes went wide and she looked back at the tunic hem in her hand. “But it’s so tight and even...”
Eddie grinned. “Isn’t he amazing?”
She looked over at him. “He do yours too?”
Steve shook his head. “No, not his.” He spotted Robin walking by. “But I see someone else’s outfit I worked on.”
“Robin!” he called out.
His soulmate came to a...well stop wouldn’t be quiet accurate as she kept in motion, flailing around a bit trying to regain her balance from her aborted step.
“Steve!” she called back and hurried over to him.
Katie looked her up and down. “You did her costume too?” She raised a skeptical eyebrow at Steve.
Robin grinned. “Hell yeah, he did! He’s awesome!”
Katie looked back and forth between them. “May I look?”
“Oh I know!” Eddie said cheerfully. “Why don’t they try on something of yours so that you can take a look at their costumes without you having to get all handsy.”
Robin raised an eyebrow at Eddie but turned gleefully to Katie. “That sounds like a great compromise.”
Katie cocked her head back and forth. “Could do, I suppose.”
Steve immediately went for the chain shirts, while Robin wandered around some.
“You’d look pretty in one of my corsets,” Katie said waiting for Steve to get out of the tunic to hand it to her.
Robin blushed. “Aren’t they like painful and gross?”
Katie laughed clear and bright. “Not really. For centuries they were the only form of support a women had. Now, there were tight lacing bodices and corsets, but that wouldn’t happen until much later.”
Robin chewed her bottom lip. She really liked the blue dress and the blue and gold corset. “Can I try on those?” She pointed to the ones she liked.
“What’s your bra size?” Katie asked pulling out the right size dress.
“Uh...” Robin said with a blush. “It’s not very...”
Katie nodded. “It’s fine. I think I’ve got the right one for you anyway, but if it’s too tight or too loose let me know and I’ll find a different size.”
Robin nodded and Steve came out of the dressing room to hand her his tunic.
Eddie let out a low whistle. “Looking good, Sir Stephen.”
Steve did a slow turn and both Eddie and Katie gave him appraising glances.
Robin peeked her head out form behind the curtain. “Um...help?”
Katie was immediately by her side. “What’s up?”
Robin walked out with the laces in her hands and corset not tied.
“Oh!” Katie said. “God, the heat must getting to my brain today. Odd’s Botkins!”
She grabbed laces and showed Robin how to lace it properly.
“How does fit?” she asked stepping back to admire her creation on Robin.
Robin grinned. “I never realized how much I slouched until just now.”
“Yeah,” Katie said with a laugh, “I hear that a lot.” She spun Robin around causing the skirt of the dress to billow out like water rippling in the breeze.
“Wow, Robbie,” Steve said in awe. “That’s gorgeous.”
Eddie hummed his agreement. “Looking good, Buckster!”
Robin squeaked and then dashed back into the dressing room. She came back out with the shirt Steve had altered for her.
Katie took the shirt and tunic and laid them both out on the counter where the cash box was.
“It’s literally seamless,” she said in awe. “And you did this by hand?”
Steve nodded. “But I’ve been doing it for years so...” He half shrugged.
“Hey, man,” Eddie huffed, “don’t diminish your awesomeness. This is hell of a job.”
Steve nodded, blush creeping back up on his cheeks again.
“What’s this?” Katie asked, tapping the embroidery on the hems of both pieces. It was a lovely little floral pattern that was off white on Robin’s shirt so that it blended in, but was a striking silver on Steve’s tunic.
Eddie leaned forward. “Oh, I never noticed that before.” He smiled widely at Steve. “It’s cute.”
Steve flushed even deeper, the red now covering his whole face. “It’s a little something I add to all of my designs. It’s a little signature if you will, so you’ll always know I made it.”
“A Harrington pattern?” Robin asked, leaning over to inspect the embroidery, too.
Steve nodded.
“Have you thought about selling your pieces?” Katie asked. “You could be making bank with these.” She lifted up the shirt to emphasize her point.
Steve shrugged. “Sure, but I wouldn’t have any idea where to sell them or who to sell them to.”
“I’ll sell them for you,” she said, “for a cut of the profits, of course. I sell at gaming and comic conventions, Ren fairs, sci-fi and fantasy conventions.”
Steve chewed on his lip. “I don’t make them very quickly. With them being all hand sewn.”
“Which makes it all the more valuable,” Katie insisted. “A hand sewn dress from a major clothing designer would be worth thousands, sweetie.”
Robin mouthed the word ‘thousand’ in shock.
Eddie pounded Steve on the shoulder. “Hell yeah! Just sell a couple of pieces every once in while and you’ll always having spending money.”
Steve thought it over and then nodded. “Yeah. Yeah, I’d like that.”
Katie and Robin cheered while Eddie and Steve shared a warm smile between them. A smile that sent butterflies through Steve’s chest. Eddie was always there for him.
Always.
Katie pulled out a business card. “Give me a call when you’ve got pieces you want to sell. And don’t leave off that signature either. Your Harrington Pattern as your friend called it.”
Steve took the card frowning. “But won’t that make it harder to sell? Especially the male stuff?”
She shook her head. “The people that buy this sort of thing are the last people that would care about a floral design, particularly since it would make it more authentic.”
He blinked and mouthed ‘oh’. She was right. “Yeah okay.” He lifted the card. “Thanks for this. I guess Robin and I better go change out of these so you can have them back.”
Katie shook her head. “Think of them as an investment in Steve Harrington’s clothing venture.” She lit up and dashed over to the cloaks. She grabbed the leather one that Eddie had been admiring and held it out to him.
“For you too.”
Eddie blinked, he wanted to turn it down and would have, had Steve not taken it and draped it on his shoulders.
The inside had a soft almost fur like material that was a slate grey. It would be too hot to wear in the summer, but in winter he would be outright toasty in it.
“Thank you,” he whispered. He wasn’t sure if he was thanking her or Steve, but it didn’t really matter. He was grateful to both. He looked up at Robin.
“You’ll probably want to change out of yours, Robbie,” he said, carefully removing the cloak and draping it over his arm.
“Why’s that?” she asked with a pout.
A grin took over Eddie’s face. The mischievous one that always sent a lance of heat in Steve’s gut every time he saw it. “Because you’ll want to look rocking for the joust tomorrow.”
Katie grinned too. “That is an excellent idea, good sir!”
Robin seemed to agree because she grabbed her shirt and dashed back into the dressing room.
Steve was surprised she remembered the shirt, if he was honest.
Katie and Eddie helped him get the tunic over the chain shirt without snagging the cloth on the metal.
Robin came out mere seconds later with her prizes clutched to her chest.
“Thank you!” she squealed. “I can’t wait to wear it tomorrow!”
They all went to the parking lot to put away Eddie and Robin’s prizes. The cloak in the van, and the dress and corset in the trunk of Steve’s car.
Steve was grinning from ear to ear and couldn’t stop.
****
Part 9 Part 10 Part 11 Part 12 Part 13
Damsel in This Dress is an actual Ren Faire staple from where I'm from.
Yup, still on my Gareth lives in Loch Nora agenda.
And while I don't ship Will/Gareth Will needs friends who aren't trauma bonded, you know?
MY TAG LIST FOR THIS STORY IS CLOSED!!!
Tag List: @spectrum-spectre @estrellami-1@zerokrox-blog @gregre369 ​@a-little-unsteddie @chaosgremlinmunson @messrs-weasley @chaoticlovingdreamer @maya-custodios-dionach @danili666 @goodolefashionedloverboi @val-from-lawrence @i-must-potato @carlyv @wonderland-girl143-blog @justforthedead89 @vecnuthy @irregular-child @bookbinderbitch @bookworm0690 @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon @cinnamon-mushroomabomination @dragonmama76 @scheodingers-muppet @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @thespaceantwhowrites @paintgonewrong @mogami13 @beelze-the-bubkiss @croatoan-like-its-hot @retro-vagabond @sani-86 @pansexuality-activated @y4r3luv @dauntlessdiva @vampire-eddie-brain-rot @lololol-1234 @nightmareglitter
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withoutyouimsaskia · 6 months
Text
Sometimes It's Fated (Sandman Short Story Part 4)
Part 1 | Part 2 | Part 3 | Part 5 | Part 6 | Part 7
Tumblr media
GIF: Originally posted by @teenwolf-theoriginals
Pairing: Morpheus/Dream of the Endless x AFAB reader
Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)
Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Tension. Threat. Dubious/non consent. Groping. Language. Kissing. Nudity. First time. AFAB receiving oral/manual sex. Fingering. Mentions of overstimulation.
Word Count: 3.3k
A/N: Hello there my lovelies! I come bearing a new chapter and this time it is pure smut. It's probably the darkest, filthiest thing I have ever written so brace yourselves. Any feedback would be greatly appreciated. In other news, I watched All of Us Strangers on Friday and it broke me in half. Hope you are all doing well. All my love, Saskia xx
Sandman Masterlist
---------------------------------------------
The first thing that registers upon returning to your physical body is the touch of Morpheus' hands and mouth.
Warmth blooms at every point of contact and counteracts the biting winter weather.
Both hands have gone under the hem of your shirt to explore the skin of your back. The top three buttons have been undone to give access to your throat. Morpheus nuzzles there, pressing possessive kisses to the sensitive skin.
Navigating through the lingering brain fog, you realise that this was the source of the ghostly grazes you had felt during your meeting with the Fates.
Even when your mind was disembodied from your physical form, he was still able to affect you.
The connection between your souls is strong.
His sense of curiosity is strong too as he creeps a hand round and upwards to cup the flesh of your left breast. Your mind fully snaps back into your body and you make a squeaking noise, overcome with the intimacy.
He removes the exploring hand and pulls back from the crook of your neck, speaking your name eagerly.
Gentle fingertips stroke from your temple to your jaw bone. The world undulates when you try to open your eyes, and you sway on the spot.
He takes the weight of your body until your strength returns. Your eyelids flutter as you try to blink away the excess moisture that has accumulated there.
"That's it, come back to me," he murmurs.
You see the ocean blue of his eyes first, and then pan out to take in his whole face. Once again, you are wonderstruck by his exquisite beauty. Have you ever seen a bone structure combination as exemplary? No. Absolutely not. No one ever has.
The angles are balanced perfectly with his pouty lips, all pink and swollen from use; the sight of them urge you to replicate the same activity with each passing second.
There is no chance allowed for Morpheus disrupts your objectification. "Did you gain some clarity on the situation?"
You pull your coat closer to protect your décolleté from the weather, and take time to thoroughly contemplate his inquiry. There was much to unpack and while you had no inclination to do so standing out in the winter-washed street, you believe that for now Morpheus at least deserves an abridged version.
"Yes. And no. I may have more questions than before I spoke to them..."
"I see." He swallows visibly, hinting at trepidation. "You need not tell me of the specifics of which you conversed. All I need to know is that they have not changed their minds. That you are still mine."
You are smiling reassuringly before he has even finished the sentence. Your intuition tells you it was agony for him the entire time you were gone and you cannot leave him lingering in that state any longer.
"I am yours," you say ardently as a blissful, expanding feeling blossoms in your chest. "My soulmate."
You brush your knuckles over his cheekbone and cup his face with the gentlest of touches. "My Morpheus."
Saying his name in front of him for the first time has a considerable effect on him. His pupils dilate, lending him a feline air and he groans lowly and quietly in the back of his throat. Hips then roll forwards to give further evidence to his arousal.
You reflect this lustfulness by putting both hands on the back of his neck to pull his face down to yours. He goes willingly, of course, laying claim to your lips like he is an addict and you his vice.
The previous kisses you had shared had been led by Morpheus. You had participated with enthusiasm but he was clearly the one conducting the order of events. Now it was a duet.
Your confidence is shown in your touches. The placement of your hands on his nape and the small of his back, gripping tightly to maintain his closeness. Peppering in open-mouthed kisses in an attempt to get him to open his mouth in return. You want to taste inside him with your own tongue.
He lets you.
You both moan as you trace the inside of his upper lip with your tongue. The taste is just like before; a heady and delicious mixture that blinkers and exposes you in equal parts. You open your mouth further, intending to go deeper when he suddenly delves into your mouth too.
You kiss and kiss and kiss, all the while becoming aware of a trembling heat just above your sternum that carves a path straight and true down to your core.
The hands that were at your sides disappear and the wind begins to pick up. There are gritty specks hitting your bare skin, but you are too overcome with pleasure to wonder why. Morpheus takes hold of your hands and squeezes tightly.
Your head begins to swirl. Is it due to a lack of oxygen? You breathe in through your nose. The adrift feeling persists. The grip Morpheus has on your hands is causing them to go numb.
There's a pressure in your ears similar to that created by the ascent of an aircraft. You feel it straining against your eardrums and spreading across your sinuses. All sound then disappears, as does the floor beneath your feet. Your heartbeat thuds frantically in the back of your throat, pulsating with red flashes behind your closed eyelids. You don't stop kissing him though. He is the only thing that has sense and stability in the disorientation.
The spinning ceases and the pressure fades as your feet find solid ground again. The chill factor has reduced to an ambient temperature. Morpheus extricates himself from your mouth slowly and unwillingly.
There's a sleepy dust-like substance in your eyelashes; you dislodge and wipe it away and open your eyes.
Your location has changed.
The puddle strewn pavements are now white marble. The stinging light emanating from the lamp post replaced by a peaceful mixture of moonlight and starlight through vast windows.
It is extremely familiar. You are trying to figure out why when your focus falls on the statues.
The niggling thought that you put on the back burner is suddenly set free from its cage.
The King of Dreams and Nightmares. That was what the Fates had called him.
You had visited this gallery as you slept and touched yourself in front of a ethereal man.
You vocalise the end of your train of thought as mortification clenches in your gut.
"You were in my dream last night."
"Yes." There's a tiny movement of his lips that suggests pride at your comprehension. "I've been in your dreams for many nights now."
"In the crowds, and that room?"
"Yes."
It all made sense now. It was him you had been waiting for in the blank room and after then, he was the one you had been able to feel watching you from afar. That was why he seemed so familiar. He'd been with you for weeks.
"I can't believe I did that in front of you."
The predatory gaze is back as he surveys your flustered form.
"Hmm," he purrs, "You were quite the spectacle."
"Did you make me do it?"
"I set up the parameters of the dream. Your actions within it were your own."
"I don't remember choosing," you comment in a small voice.
You feel his hands about your waist. "Perhaps you were guided by instinct, rather than conscious thought."
It sounds very plausible for instinct had undoubtedly been in the driver's seat since he touched you for the first time.
You decide to change the subject from your exhibitionism. "So this is your realm?"
"We are at the heart of it, within the palace. Few are able to come here when they sleep. Even fewer are permitted to see it with a cognisant mind."
You look down as a bashful blush stains your cheeks. It is truly moving that he let you into his inner most sanctum, even before he had divulged your connection.
A strong thumb and forefinger find purchase on your chin and tilt your head up so he can assess your countenance. "What are you thinking of?"
"I'm just... all of this. What's happened tonight, it's beyond anything I could -"
"Dream?" He offers with a quirked eyebrow.
You laugh. "I was going to say imagine, but dream works just as well."
He brings you in for another passionate kiss, one that goes from lips to earlobe to neck, designed to make your head loll back and knees go weak, and you do both with a sigh.
"I would like to take you to my chambers now," he whispers against your pulse point.
That delicious vibration in your sternum shifts up a gear and you let loose a faint groan in lieu of a reply.
He speaks your name.
The inflection of his voice as he says it is so beguiling that you would probably do anything he suggested.
You are nodding, hazily repeating the word yes a few times even though Morpheus hasn't technically asked you a question.
The pressure you felt before in your ears returns for the briefest of moments and in the time it takes for you to blink, your surroundings have changed once more.
The first thing you notice is the bed, the lone piece of furniture in the room. The frame is an ornately carved pale stone, it twists and turns with gorgeous fluidity. The silk sheets upon it are a stark contrast; black with an iridescent quality that looks like the wings of a corvid. Its presence carries a raft of expectations with it and sets forth a barrage of nervous energy. You ignore the bed for now and look to your soulmate who has moved a few steps away from you.
He looks correct here, you note with intrigue. It's not as if he was out of place outside the function hall, for he has a humanoid form, but the grandeur of this private place is casting him in a different light. Here, with the omniscient gaze, assured tilt of his chin, graceful poise; he looks like the King he is.
And through a funny quirk of fate, he is all yours.
Your chest begins to ache, you raise a hand to it and frown in confusion. It's like your soul is pining, calling out for help.
Morpheus is by your side in an instant.
"I need to touch your bare skin again."
You waste no time in permitting this, shrugging out of your coat and letting it fall onto the black marble floor. Next to be shed are your heeled boots and socks. The height difference between you is lengthened by a couple of inches as you relax the tendons in your feet. You're left in your underwear after you take off your button-up blouse and trousers.
Morpheus' lips part as he observes your body. His eyes dart up and down and you can see the hunger within the darkening irises. His long fingers skim liberally and indiscriminately across your skin, diligently taking away the pain and cataloguing the sensitivity of your body at the same time.
The fingers of his right hand then twitch and his all-black ensemble dissolves into nothing, leaving him completely naked.
Your flush must be fuchsia as you notice his size, and twitches that traverse the length. You look to your own pile of clothes that took you several minutes to remove, hoping that a change of focus will steady your stomach's ever burgeoning butterflies. "That was efficient."
"Once you are dressing in garments created in the Dreaming, I will be able to disrobe you just the same."
You're not entirely sure how you feel about that. It's risky yet also kind of sexy.
"As long as you don't ever do it in front of people by accident," you assert playfully.
"You need not worry, I would never do such a thing to taint your honour."
You nod and close the gap between you.
To say you are astounded by his nude form would be an understatement. Whispers of sinew cord through slender limbs and across his torso, and for each angular peak proffered by bone there is a counteracting swathe of soft, flawless skin that covers it.
You yearn to touch him.
Morpheus' stares are intense as you place your palm over his heart. He hums out a sound of pleasure at the warmth this new skin-on-skin contact has created.
He draws you closer and suddenly lifts you off the ground, knocking the breath out of your lungs. You feel safe in the strength he possesses yet you cling to him with all four limbs regardless, pressing against his bare chest. Having so much of his skin against yours is creating a heat that is close to burning in the most wonderful way.
He lays you onto the bed and watches you with unwavering focus.
"Are you going to perform for me again, or would you like me to take control?"
The notion of that kind of pleasure being administered by him causes your reply to be breathless, "Touch me again, please."
The mattress dips slowly as he gracefully joins you on the bed, straddling himself on top of you.
He starts with your face, caressing you with adoration. Next, pressing kisses to your neck and shoulders before reaching down your body. One hand fondles your breasts while the other cups between your legs. You sigh, relishing in the warmth and how slowly he is taking things.
Deft fingers then dip below the waistband of your underwear.
You jolt and moan, simultaneously thrilled and taken off guard.
"Good," he says with dark delight. "You respond well to me."
He teases at your entrance and you are all at once very overwhelmed.
"I look forward to seeing how you react when I push inside you."
It truly does sound like something you want him to do - you've longed for a physical relationship for years however there's a detail that you know your soulmate should be privy to before you try. How it will be received, you cannot begin to guess, but you need to be upfront.
"I've never been with anyone in that way," your words sounding even more vulnerable than you feel.
Morpheus stops his attentions immediately and for a handful of heartbeats, you are admonishing yourself for the bluntness of your admission.
He moves back up your body and his eyes find yours. His expression is gentle and devoid of judgement, the following sentence backing up what your optic nerves are perceiving.
"Then I will teach you."
He presses a single chaste kiss to your lips; an act that seals his promise. Your apprehension melts away. You run your hands through his hair as you bask in the sweetness of the moment. The Fates were right: Morpheus really is perfect for you.
"I am going to worship you now."
He's ridding you of your bra and underwear immediately after you consent. The second he sees you fully bared, his eyes turn black.
You wonder what you've just agreed to.
He kneels on the floor at the foot of the bed, grabs your ankles and pulls you towards him until your legs hang off the edge.
You've seen depictions of oral sex in media however you have always reasoned that they are likely to be unrealistic; fantasies created in controlled environments and you would be naïve to hope that it could be like that for you, when it happened. Until now. Morpheus is the expert in dreams after all. Maybe you are allowed to get your hopes up.
His lips tease your inner thighs as he settles himself closer and closer to your throbbing, wet core until you feel the tickling of his breath.
He observes you for a moment, parts your folds with a single finger, grasps your hips and then goes down on you like you are an enticing, delectable treat that must be devoured.
Your lips falls open as his own closes around your clit. The heat that is brought from this touch is an inferno. You moan, and look at him, at this otherworldly being smothering you so adeptly, and how his intense eyes dance with pleasure of their own. He is enjoying this. It makes you gush.
Morpheus, taking advantage of this, very quickly collects the slick on both his index fingers and reaches up to lubricate your hardened nipples with it.
You groan from this additional stimulation and throw your head back with abandon, getting a good view of the vaulted ceiling above you and the seemingly literal constellations that float glimmering and glowing in the rafters.
Soon you are writhing on the cool silk of the sheets and he is forced to resume holding your hips to keep you still.
He then switches to a two-fronted approach. Two fingers sink into your cunt, the thumb of the same hand curling up to press on your clit. It's quite the step - letting another person inside your most intimate place and his reverent groans at feeling your tightness envelop his digits shows that he acknowledges this too. All it takes is a few deep, well angled pumps and then you are granted a mind-shattering orgasm.
His hand presses into the softness of your lower abdomen and the ecstasy becomes ten fold. You repeatedly moan his name as vibrant colours explode behind your eyelids, like the green and purple phosphenes that form if you rub your eyes too hard.
"Was that to your satisfaction?" He asks once your body has gone limp.
You look at Morpheus through the pulsing haze of aftershocks; his cheek resting against your inner thigh as his skin gleams with the same divinely beautiful quality as the stars above you.
"It was more than that," you declare emotionally.
What he's just given you is beyond your highest hopes of what intimacy could be. You had let another person see you at your most vulnerable, and reaped the rewards of that trust. Now, you must show your devotion to him.
"Your turn."
He stands and shakes his head. "No."
You are crestfallen but catch on when he begins to spread pre-cum over the length of his erection.
"Oh, um, Morpheus, I'm sorry. I don't think I can take you right now."
The notion of any kind of touching so soon after climaxing would be the guarantor of pain.
He ignores you, his movements calculated as he adjusts your position; arranging you in the centre of the mattress and splaying your trembling legs.
"Morpheus. I appreciate that I'm inexperienced but I know my body. I can't -"
His tone is dangerous as he interrupts you, "You are my soulmate. You have been made for me and as such, you will be able to take me."
You sit up. "I want to do things for you too."
He climbs on top of you, takes your wrists in his long-fingered hands and leverages you back towards horizontal.
You still don't concede. "Morpheus, tell me what you want."
His voice rumbles with authority, "I want to fuck you without delay. Pour myself into you. Possess you. Merge with you and have us become one."
He ups the persuasive tactics, leaning in close so all you can see are dark eyelashes framing even darker eyes. The heat under your skin is stifling.
"This is the final stage in your awakening. Don't you want to know what will happen when it's done? Allow me to guide you there. Be your first and only, make you feel exquisite with my touch."
He places a palm onto your chest and smiles a twisted smile when a luscious shuddering in that spot above your sternum makes you whimper and squirm.
"Submit to fate," he whispers. "Let me tie our souls together."
He is so eloquent and compelling and he delivers the killer blow as he lines his thick, long cock up at your entrance.
"Will you surrender yourself to me, Y/N?"
-------------------------------------
Tag list: @herfantasyworldd @kpopgirlbtssvt @littleblackcatinwonderland @1950schick @lollipopsandlandmines
"In the middle of the night in my dreams, you should see the things we do. In the middle of the night in my dreams, I know I'm going to be with you so I take my time. Are you ready for it?"
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yuurivoice · 5 months
Text
Saw a goofball post about ASMR Roleplay, romantic plots, narratives, etc. and so on.
Let me share some of my philosophy with you as someone in this game for 7 years, 150k subs on YouTube, and who turned this into a lucrative business for himself. I say all that not to flex, but to assure you that maybe I know a little bit about what I'm talking about.
Audio Roleplays, ASMR Roleplay, etc and so forth is not some sort of rigid, strict thing. If you believe that content in this niche has to adhere to strict rules, structure, and expectations, you've already entered into this with strange expectations because there is such a vast array of ways you can go about presenting this content.
Some of it is slice of life moments in time with an assumed relationships between character and listener. Before narrative audios started to pick up steam, or rather, a handful of folks (myself included) developed followings centered on original characters and stories, the vast majority of creators in this space were just doing snippets of experiences. And, in case you were unaware, that approach is wildly successful. Boyfriend Experiences, audio smut, etc. has a much wider appeal at this time because a listener can drop right in and enjoy it.
If you have somehow deluded yourself into thinking that every audio has to adhere to strict narrative rules, be defined by conflict, or things happening beyond whatever the vibe calls for, you're willfully putting yourself and the niche in a box. Which is fine, but seeing people piss and moan about it is strange.
My approach has been to blend narrative series along with one-shots. One-shots serve as super self indulgent audios that aren't tied to the narrative and allow listeners to engage with some of their favorite characters they fell in love with in the narrative without furthering the plot.
Sometimes I play the game, explore tropes and clichés that are popular for the sake of taking a crack at it. Because it brings in new listeners who then become fans of my narrative work and creates genuine supporters of my passion projects.
And ya know? It fucking works. It works really well. I can drop a very straightforward, stripped down comfort audio with Alphonse like I did today and move listeners to tears. And then we can continue on with BitterSweet when I'm good and ready. It keeps the channel running, keeps the audience engaged, and keeps me working.
The bigger point here is that creators should be able to approach their work as they see fit, without concerns about goofballs with strange expectations and standards dictating to them what is and is not valid. You wanna know what's valid? Creating shit that you like, that the people who support you like. However you achieve that is all good in my book.
Having some goofy ass superiority complex about how people play pretend with pretty voices is strange behavior. I'm proud that my community has never flung that kind of nonsense around, and I'm speaking on it to affirm that kind of stance for the folks who rock with me.
If you're a listener who has recently stumbled into this niche, I implore you to explore, listen to others, find what you like and enjoy it because you enjoy it. There are countless people making audio content these days and there's no wrong way to do it, never has been. There's something for everyone, and if someone tries to tell you otherwise, be wary.
I'm not about negative nonsense, not about tribalism or putting down one person over another. Lift up your faves and share why you appreciate them and their style. But petulant bickering and shitting on others because of something as trivial as audio content? Nahhhh. If I catch anyone spouting nonsense like that in my name, I try and snuff it out as fast as possible because that's not how my shit is built.
If you are someone who fucks with me and my work but has had some opinions like that, I implore you to chill because none of this has ever been that serious. I want people to enjoy what they want to enjoy because for the love of fuck, life is too short to try and grandstand over this silly little niche. Or please get all the way away from me and my people.
Deuces. ✌️
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machinesonix · 6 months
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Somehow I have made it this long without realizing that none of the screen adoptions of Dune so much as mention the Butlerian Jihad. Like I guess it's burned into my brain so hard I sort of assumed it was part and parcel of the universe. Don't get me wrong, I think that's probably the first thing you learn if you want to dive deeper into the setting, but it still hits me like if the LotR movies showed us the big flaming eyeball tower and was like ‘Oh, that's why there are bad things, but don't worry, that's just background stuff.’ Yeah, you can understand the movie, but if the story is just like Frodo vs. The Witch King you are losing out on any of the conversation about the corruptive allure of power or theological undertones. So without further ado let's pretend this is for the benefit of interested new fans roped in by the movies and not part of my desperate attempt to silence the howling specters of literary analysis that live in my blood.
The Butlerian Jihad is an event set ~10k years prior to the events of Dune in which humanity won their freedom from the machines that they had enslaved themselves to. As a result, it is a religious taboo to create a machine that thinks like a human. That's frankly the bulk of the information presented by Frank Herbert in the text without dipping into books 7+, but whether or not those are canon is frankly an enormous can of worms, which really makes sense when you consider the size of the worms. But boy howdy, Frank loved his subtext and parallelism. Everyone has a foil character, every theme is hit from multiple angles, and Villinueve has been doing an excellent job of capturing a lot of that in repeated imagery and dialogue. The Butlerian Jihad happens off camera, but it's themes are absolutely critical to the big picture.
The Butlerian Jihad was a holy war. It was not merely a rebellion against the machines, it was a crusade against them. The prohibition against thinking machines isn't just a law, it's in the pan-universal Bible. Absolute psychopath Pieter DeVries himself claps back at the Baron for insinuating he might have a use for a computer, and this is a guy who has been hired specifically for his preternatural absence of morals. Let's hold onto that idea for a minute. 
Probably my favorite scene in the first book is the one where planetologist Liet-Kynes is dying out in the desert. As the last of his strength fades to dehydration he hallucinates conversations he had with his father concerning terraforming Arakkis for human habitability. He's told that the means are not complicated. There is already enough water on the planet, the Little Makers just have it all trapped deep underground as part of the sandworm reproductive cycle. You just need to isolate enough water to start irrigating plant life, and once it's established that'll keep the water on the surface on its own. The hard part is making sure everyone on the planet is environmentally conscious enough to foster a developing ecosystem. Nobody can drink any of that water while it's being collected, because they'll just introduce it back into the water cycle where the Little Makers are. It's going to take generations, so that sort of water discipline is going to have to go above and beyond a social convention. People need to be willing to die before they'll take a sip and compromise the plan. Ghost Dad Kynes concludes that the only mechanism in the human experience to enforce this consensus is religion. 
In the context of this whole parallelism thing, you have probably noticed that the Butlerian Jihad is not the only holy war in the narrative. Paul sees a new jihad as the only way of creating a future where humans can flourish. Now you might be saying ‘Wait now, Machines. I thought the point of Paul’s holy war was to avenge Leto and disempower established power structures by taking away the control of the spice!’ And you’d be right. The thing is, without getting into spoiler territory, Dune Messiah is not going to be about how everything just gets so much better now that Paul has destroyed the economy, government, and untold billions of human lives. This isn’t the endgame. Dude can see the future and the way he does it involves looking into the past. Paul lives in a society defined by a holy war and his goal is to redefine society. 
Putting it all together you can see what I mean about the Butlerian Jihad being essential to the themes even though the story never shows us a thinking machine or a narrative beat where the absence of computers changes the outcome. It helps us see the big picture. I’ve seen a lot of dialogue lately on whether Paul is a tragic hero or a consummate villain and I’m not here to answer that, but I am here to underline the critical detail. Paul intends to be seen as a tyrant. Just like Kynes’ hallucination says, religion is the lever to make a value stick around forever. He wants to traumatize humanity to hate chosen ones and emperors the same way the machines traumatized humanity to change them forever. The Water of Life ritual doesn’t invert his values, it lets him realize these visions of war are the means, not the ends. He is absolutely not happy about it, but this is Paul’s terrible purpose. 
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Keep Moving Forwards, Part 6
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Azriel x Reader Fic
Summary: After finally deciding to leave your abusive and manipulative mate for good, you find unexpected companionship with Azriel, the Shadowsinger of the Night Court. As you navigate the aftermath of your traumatic relationship, you struggle to understand where the mating bond went wrong and contemplate your path forward, vowing never to return to the past.
Find other parts here: Master List
Content Warning: This story contains depictions of extreme emotional manipulation and abuse, mentions of physical abuse, loss of a child, and general trauma.
Word Count: 1.7k
Author's Note:
Just a heads-up that the next part of this series will offer two reading options due to sensitive topics in the upcoming section. There will be the original post titled "Keep Moving Forwards, Part 7" with the unedited content, and another version titled "Keep Moving Forwards, Part 7, Summary" that summarizes the material to avoid any discomfort.
For those who have asked to be tagged, you will be automatically tagged in the summarized part to ensure no one accidentally encounters content they might find triggering or uncomfortable. If you are tagged and wish to read the original, please visit my main page when the next part is posted tomorrow at 12:00 PM EST. The two options will be posted simultaneously.
Thank you for your support and understanding. I'll see you tomorrow.
This is a multi-part series. Unlike my previous works, this fanfiction delves deeper than just fluff, exploring complex emotional landscapes. As I navigate this new writing journey, I kindly ask for gentle feedback. The topics addressed are profoundly impactful, touching many lives with diverse experiences. Please be gentle with yourselves and others. Healing is a journey, and everyone processes it differently. Be kind to yourself. Take what resonates, and leave what doesn’t.
Please continue reading, being aware of the above content warnings, ensuring you are in a healthy headspace. Give yourself time to process and be gentle with yourself.
Days blurred together as you continued to heal. Azriel made himself scarce, sending Anthea to check on your progress and report back to him. However, he still ensured your meals were slightly more palatable than the standard fare of the training camp, often adding fruits or sweets when he could. Over the next two days, you shared your meals with Anthea, who only ever took a bite or two before refusing any more, despite your encouragement. Neither of you asked many questions, and your interactions remained brief. You no longer needed help turning over, but your body was still weak, limiting you to short walks across the room.
On your first attempt to walk, you collapsed, and Azriel appeared like a shadow to help you up. You quickly pushed him away, determined to maintain your independence. You also began hiding knives under the mattress and storing non-perishable food in the bedside drawers, preparing for the day you could leave. Your stash included two apples, a pear, and some rolls. Not much, but it was a start.
By the fourth day, you had enough strength to get out of bed and look out the window. The camp outside was a bleak sight. You could see distant mountain ranges, but the camp was nestled in a clearing deep in the woods, a space likely carved out by the Illyrians. The thought of ancient trees felled, sent crashing into the mud for this camp turned your stomach.
The camp itself was a muddy mess. To your right and left, you saw other log cabin-like structures similar to the one you were in, each with pointed roofs and a few windows. Below, the ground sloped down to rows of small, mud-splattered tents on wooden platforms. Footprints crisscrossed the muddy ground, and soldiers moved up and down the hills. In the center of the tent village was a larger log structure, which seemed to be the mess hall, where soldiers gathered at mealtimes.
Scattered among the tents were slightly larger tents, likely for higher-ranking soldiers, and raised platforms with canopies, tables, and chairs, their purpose unclear. On the edges of the camp were fenced-in pens where soldiers, each with their hulking wings, practiced sword fighting. They took great pleasure in knocking each other into the mud and continuing their fights with fists, resembling wild animals.
A particularly ostentatious Illyrian soldier often removed his shirt during fights, choosing to battle bare-chested, swinging his sword with reckless abandon. You half-wondered if only the strongest survived because they were killed before they could even make it to battle.
You noticed very few females around, and the ones you did see were in the same state as Anthea—battered, seemingly brutalized, and sneaking between rows of tents. They quickly retreated to hiding spaces or even into the woods at the sight of a group of males. Over the next few days, you watched Anthea tread a careful path from the mess hall to your cabin, ducking behind tents and listening intently for male footsteps before scurrying like a mouse to the next sheltered area. Every female seemed fearful of the soldiers, and it wasn’t hard to piece together why.
It rained incessantly here, with daily torrential downpours turning the meadow into a muddy quagmire. Despite the rain, the soldiers carried on with their training. Many ventured into the treeline in groups, disappearing for most of the day or night and returning either exhausted or invigorated. You never saw anyone without wings coming or going from the camp, making you acutely aware that you might be the only non-winged creature among them.
Once Anthea decided you had spent enough time wrapped in bandages, she brought you new clothes. She apologized for the fit, noting that they only had sizes for males, and these were the smallest options available. While they hung from your body and required extra rope to keep the pants up, you were grateful for the offer. Azriel continued to flit in and out at random times. In your time spent at the window, you often saw him leaving early in the morning, wandering into the tented area, and entering the larger tents. He rarely interacted with the soldiers, maintaining his role as Spymaster, keeper of the High Lord’s secrets.
On the seventh day, Anthea brought your breakfast and wished you a good morning as she set it down on the bed. You remained curled up by the window, but as she dropped the tray, you called over your shoulder, “I think I would like to go.”
Anthea paused, turning to you. “Go where?” she inquired.
“Just go,” you replied, stretching your legs out and standing to investigate the meal. You picked up a piece of toast with purple jam smeared on it and met her eyes, which widened slightly at your request.
“I don’t understand. Where do you want to go?” she asked again.
You shook your head slightly. “Go away from here.”
“Where are you going?” she asked, picking at the scabs on her hands.
You chewed and swallowed the toast, the rhubarb and strawberry blend coating your tongue with its sour deliciousness. “Not sure yet. I just need to get moving. I can’t stay here anymore.”
Anthea looked at you, still utterly puzzled. “You... you can’t leave.”
You stopped chewing, placing the toast back on the plate and wiping the crumbs on your pants. “What do you mean I can’t?”
“No one leaves,” she stammered. “They always bring you back.”
A lump formed in your throat. It wasn’t that you couldn’t leave; Anthea just couldn’t imagine a world where anyone could. “You tried to leave?” you asked.
Anthea nodded, her gaze cast to the floor. She didn’t elaborate, just continued nodding.
“What happened?”
Anthea shook her head slightly, pressing her fingers into a wound that oozed around them. She didn’t speak.
“Did they hurt you?” you asked.
Anthea still didn’t speak, just shaking her head as she found a new scab to pick at.
“Anthea,” you said, reaching for her to stop her from scratching. She took two steps back immediately, running into the swords and axes poised at the edge of the fireplace, sending them clanging to the floor. Azriel appeared instantly as Anthea dropped to the floor, trying to pick up the weapons while apologizing profusely. He looked between Anthea and you, trying to piece together what had happened. Anthea continued apologizing until Azriel knelt beside her and began picking up the weapons too. She whispered her apologies again before Azriel placed his hands on her shoulders. She jumped slightly, and her eyes seemed to glaze over.
“It’s okay,” he whispered. “Nothing is wrong.”
Anthea nodded, tears filling her eyes as Azriel released her. She quickly stood, glanced at you with a tear rolling down her cheek, then briskly walked out of the room, covering her mouth with her hand. You turned to the window and watched her exit the house, heading into the nearby woods.
Azriel finished placing the weapons back in their spots before turning to you. “What happened?” he asked.
You watched the treeline for a second, and when Anthea didn’t reappear, you turned back towards him. “Nothing,” you said.
Azriel looked around the room, then back at you. “You’re standing.”
“Yes,” you replied.
“That’s,” he paused, stuttering slightly, “that’s good.”
You nodded before taking a few steps toward him. “I want to leave.”
A flash of emotion crossed Azriel’s face, but it was gone before you could read it. “Where are you going?” he asked.
You looked up at him, noting how he towered over you, forcing you to crane your neck to see his face. “It’s none of your concern.”
Azriel sighed, running his hand through his hair—a gesture you had begun to notice he did when nervous or uncomfortable.
“Look, I-” Azriel started.
You interrupted him, “I appreciate what you’ve done, and you’ve been very generous. I just think I need to move on.”
“If this is about what happened earlier-” Azriel started again, but you cut him off once more.
“It has nothing to do with that,” you noted. “I just want to be on my way and out of your hair.”
Azriel paused, searching for the right words. “Let me at least get you where you want to go,” he finally said. “It’s not like your journey was going well the last time.”
You scoffed lightly. “There’s no need for that.”
“Please,” Azriel insisted.
“If I say no, will you make me stay?” you asked.
Azriel paused. “No. I won’t make you stay.”
“Good,” you replied. “I want to leave then. Today.”
Azriel’s eyes widened. “No, that’s not a good idea.”
“Why not?”
Azriel glanced out the window as clouds began rolling in for the daily downpour. “It’s going to rain soon.”
You didn’t bother looking out the window. “Then I will leave after.”
Azriel looked back at you, his eyes pleading. “Can you just wait a few more days?”
“What am I waiting for?” you asked shortly.
“Just give me some time to plan.”
Your brows furrowed. “Given you aren’t coming with me, I don’t particularly understand what you need to plan for.”
“Just, please,” Azriel pleaded, his eyes filled with yearning. “Stay a few more days, and then you can leave.”
You ground your teeth, feeling like a caged animal. “Fine.” There was no way you could push past him, and it was clear he could outrun you if you tried.
“Thank you,” he said, his face relaxing slightly. He ran his hand over his face. “What happened with Anthea?” he asked again.
You stopped, annoyed he repeated the question. “I asked her if I could leave, and before she could answer, she accidentally knocked down the swords.” You pointed to the weapons now restacked.
“Got it,” Azriel responded. He glanced at your half-eaten breakfast. “Are you done with this?” he asked.
You nodded, crossing your arms, the bruise on your side causing a pang of pain.
Azriel picked up the tray and left, leaving you alone in the room once more. It was clear your request had bothered him as his anxiety left hard rock in your stomach. You wouldn’t be staying long, certainly not a few more days.
Authors Note: Thanks for all the continued support from the following readers who asked to be tagged!
@thatacotargirl @mcuamerica @lilah-asteria @florabelll @fightmedraco @marvelbros-oneshots @mariahoedt @quinzzelx @romantasyreader28 @minnieoo @mysteriouslydeafeningwerewolf @annabethgranger123 @krowiathemythologynerd @scatteredstardustt @romantasyreader28
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juliametzgerart · 8 months
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I have shared versions of this on other platforms before, so I might as well make a tumblr edition: here some tips for MtG portfolios I gathered and might be interesting for some people who follow me. 1. Since this is a trading card game, here comes the obvious one first: Always keep in mind that these are card illustrations, they have to be readable in super small. Which means that strong silhouettes and value structures are a must have. If you work digital, check the zoomed out version on regular basis, or even have some jpgs to check their thumbnails in your file browser. That can give you an idea about their readability. Traditionally you can of course take some steps back, or take some photographs to look at smaller previews on your devices. Also: print illustrations often come out darker than their screen versions, be careful with your darks! It's rather easy for things to go muddy, even if they look good on screen. In doubt, increase the brightness a bit. It's okay to have different versions for screen and print to meet their needs.
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2. Be versatile about your topics and compositions. Zoom in, zoom out. Don't fall into the trap of your own comfort zone zoom level of showing things, or one way of doing things. It can be positive to offer purposefully unusual options.
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3. Be aware of the focus. If you have a magician with a staff, ask yourself if the card is about the staff(artifact), the mage (creature) or perhaps even the spell. The composition and focus of the illustration should shift accordingly! Clear action is important for readability – since that is not just visual hierarchy here, but also storytelling. Which brings me to the next point: 4. Good narrative matters, but mechanics matter even more. So, again, be very aware of your illustration's focus. You can potentially add extra elements for the story to make it more fun, but it should not get too convoluted, and even less should it distract from what the card it actually about. If you come up with your very own ideas for a portfolio this is of course much more open than if you work from a description. But you can find a bunch of official MtG descriptions online which are super useful for training.
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5. Show care. Plan the illustration, get the references in place. It's the best time to get good habits in place, and really finish the pieces. Don't make them weaker by going too fast, that is not convincing. It just lets people assume worse things for tight deadlines. This does not mean everything needs to be rendered to death - but shape design should remain thoughtful and purposeful even where soft and lost edges are used.
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6. It's potentially okay to have your specific stylistic or thematic niche. It can mean less assignments at times, but can also mean more special ones. It's cool though for your voice to be visible as long as the other needs of the product are met.
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7. Never stop using those references. Get them, make them, use them - take them seriously. (at least for any of the more realistic styles). It's one of the most repeated tips for any student to actually just use more references. They do a ton to get complicated things like anatomy and lighting right, but also cultural references and versatility. Many of the best Magic artists also make the best references – it's not a coincidence. Learn from the people who have already established themselves, they have great wisdom to share. 8. Your quality has to match the current roster. Yeah, sorry, no way around that one. You need at least to be as good as the currently "worst" artist in the roster to have a chance. And the ADs need to be sure that even on a bad day your art can meet their quality bar. Which is the reason why you likely need several art pieces at the required level, to prove it wasn't just some lucky fluke. Though once you're really there, that also means a bit less pressure to perform, since you're likely comfortable at your skill level and can only go up from there.
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melonteee · 2 months
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On the subject of One Piece being a very un-shonen-like shonen, one example of this is how the recruitment of all the Straw Hats has way more in common with the structure of romantic comedies than it does with shonen rivals-to-allies.
...
... Okay I know that sounds like a joke but seriously hear me out:
Every single Straw Hat recruitment story has the moment where the character accepts themselves as Straw Hat that's facilitated by a Grand Gesture. And I don't just mean the popular ships, I mean literally every Straw Hat. Luffy deflects bullets at Zoro's execution and gives him back his swords. Luffy destroys Nami's desk at Arlong Park. Luffy punches the Black Cat Pirates for laughing at Usopp. Luffy destroys the Baratie in response to Sanji saying he's willing to die for it. Luffy shields Hiriluk's jolly roger in front of Chopper. Luffy & the crew burns the WG flag in front of Robin. The crew steals Franky's trunks to lure him back to his magnum opus. Luffy reveals that he made the same promise to Laboon as Brook (this one even happens while Luffy is sprawled over a piano). Luffy and Jinbe share blood.
Now, these Grand Gestures for the Straw Hats serve the same exact purpose as the Grand Gestures in romcoms, though in One Piece's case romance isn't the endgame. BUT. But, in a romcom the purpose of the Grand Gesture scene isn't just to be a flashy show of affection/devotion. It's the moment where Character A proves they understand Character B, and Character B in turn realizes that they are understood.
But that's not all! When reading "Romancing the Beat: How to Write Kissing Books," by Gwen Hayes, I'd argue there's a lot more similarities in how Hayes describes the common structure of romcoms. Specifically, a lot of romcoms have what she calls the "No Way" beat - when one or both characters expresses why they think they will Never-Ever Work Together; and the thing that needs to be overcome for the relationship to happen. Which is pretty much what happens with every Straw Hat. The vast majority of Straw Hats have had a literal "No Way" reaction to the prospect of joining the Straw Hats, and even the ones that don't there's still an implicit "No Way" factor underlying their arc.
Straw Hat recruits also hit similar beats to what Hayes describes as "Adhesion" i.e. the circumstances that force the characters into each other's company and making them be literally/figuratively stuck. This is another one story beat that's pretty much everywhere in Straw Hat character arcs: Luffy getting roped into being the Baratie chore boy, Nami being sick in the Drum Kingdom, the Merry being damaged in Water 7, half the crew ending up on the train to Enies Lobby, half the crew's shadows being stolen in Thriller Bark, etc. It's the point in the story - both in romcoms and in One Piece - where the characters have no choice but to bond.
... I don't really have an conclusion to this honestly. I just thought the similarities were neat.
lmao I have nothing to add on cause I totally agree. I read One Piece like a love story, but the love story is between Luffy and everyone and everything he loves HAHA
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lurkingshan · 7 months
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Dead Friend Forever is a Marvel of Mystery Writing
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I haven’t been watching Dead Friend Forever live, because I am not always that into the slasher genre and I figured I would wait to hear whether it holds up before jumping in. I admit, I was a bit dubious about a drama sustaining a slasher narrative for 12 entire weeks and didn’t want to spend time on something that might be too shallow to sustain and would end up falling apart. I basically told bestie @wen-kexing-apologist to vet it for me and holler if I needed to start paying attention. And a few weeks ago, they started poking me with increasing intensity, along with a few other friends, because the writing was holding up better than they could believe. I started asking questions, and once @ginnymoonbeam mentioned that Sammon was the writer, it all started to click and I dove into a binge to catch up.
And they were right! This show is excellent, and its strength is sourced in an incredibly strong script from a writer who knows how to construct a longform mystery. Because it turns out, that’s what this show actually is. How do you sustain a slasher for 12 weeks? By embedding a deeper mystery within the slasher framework and pacing your story so that the entire middle delivers a backstory narrative that is even more compelling than the current events. This show is expertly structured to grab your attention and then get you deeply emotionally invested in the coming bloodbath, which is crucial for a slasher to feel like it has any stakes. Let me also note that the excellent writing here is supported by extremely smart direction and editing and some standout performances from young actors. I am going to focus on the writing here because that’s what I do, but it should be said that this whole production is all around excellent. 
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So let’s talk about why the writing in Dead Friend Forever works so well! Great drama mysteries should support two kinds of engagement from the viewer: 
no thoughts head empty engagement from the people who just want to be pulled along for the ride and be constantly surprised
red string board theory engagement for the people who enjoy finding clues and trying to solve the mystery in advance. 
It’s actually really fucking hard to thread this needle as a writer, because it requires seeding strong enough clues that attentive viewers could reasonably guess some of the big reveals, but not giving away so much that you are unable to surprise them. A reveal in a good mystery should have you saying “oh my god WHAT” and “of course, that makes perfect sense” at the same time. And the best mysteries support the viewer being able to go back and rewatch, find new meaning they missed the first time, and realize every single thing that happened adds up. A tight mystery has no loose ends and no false steps; it never lies to the viewer, it only works to draw your attention where it wants it at any given point in the story.
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Dead Friend Forever does this masterfully with several of its reveals, but I will highlight the biggest example: the reveal of Phee and Non’s relationship in episode 7. In the first four episodes of the show, the story lets us in on a few crucial facts: Phee is newer to this friend group (along with Tan and White), he was not present for whatever went down with Non three years ago, he has some kind of fucked up not!friends with benefits relationship with Jin that involves lots of sexual tension and dick biting, and he seems interested in figuring out what the hell happened once all these dudes start acting crazy about the videos. The string board theorists had enough to go on there to reasonably guess that he was intentionally trying to uncover the truth—but not why—and the no thoughts head empty crowd could just vibe, enjoying his scenes with Jin and wondering how exactly he ended up hooking up with him and getting involved with this group of people he doesn’t even seem to like.
Once we get to the backstory and see Non’s narrative, additional clues emerge, like the existence of both an older brother and a mysterious sweetheart that is only saved as [heart emoji] in Non’s phone. No thoughts head empty is over here going huh I wonder who they’re gonna be and hey when are the rest of the characters going to show up; string board theorists now have two clear options for how Phee could tie in to Non’s story and why he might care enough to investigate, but no one knows for sure. So when the show ended episode 6 with Phee running into Non’s room and began episode 7 with The Most Effective Five Minute BL Of All Time, everything clicked into place. No thoughts head empty got to experience a very pleasant shock moment, the string board theorists got to feel satisfied that they figured out at least part of the reveal, everyone got to enjoy an unexpected shot of romance in the middle of this stressful narrative, and there were still parts of Phee’s motives and involvement with this group that we didn’t understand and would require additional reveals. That is great mystery writing in a nutshell.
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And it’s not only the mystery construction that makes the writing here so smart. It’s also the way Sammon is weaving in tons of social commentary, embedding Thai cultural and religious values, incorporating complicated crimes with lots of players in the mix that somehow don’t get confusing, and drawing complex and nuanced characters whose choices and behavior you understand even if you find them abhorrent. It’s not easy to make a viewer both despise a character and still care what happens to them; when you write a story about despicable people you run the risk of inspiring apathy in the audience, which is a death knell for a mystery. We have to be invested for this story to work. We have to feel deep empathy for Non to the point that we fully support axe murdering his bullies, but we also have to be interested enough in the bullies and why they behave the way they do to watch 12 weeks of them running around being awful to each other and harming everyone in their paths. And Non, too, gets to have real complexity. He is not a perfect little Mary Sue who never does anything wrong. He makes big impulsive mistakes, and seeks attention and affection from the wrong people, and lies to the ones he loves, and doesn’t always ask for help when he needs it. He is a flawed human being and that’s so important, because he is the center of this story and we need him to feel real.
In conclusion: holy shit. I tip my hat to you, Dr. Sammon, and I am very excited to be on this ride for the final four episodes. 
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