#And it's out of character but excusable because

[thepersonperson]

Gege is doing to his characters what they did to jfk there's so much character assassination happening djsjdsnsdjn

This ask was sent to me shortly after I complained about JJK 269 leaks. (Aka before JJK 270's release so be nice to them.) And while I still agree that chapter contained character assassinations, JJK 270 has given me a good reason for them. 

Since my other post related to this topic was trimmed down by Tumblr’s 30 image limit, I’m going to use this ask as an excuse to this burning question...

Why does everyone feel so out of character in JJK 268–270?

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

4) Written as of JJK 270.

5) Read the light novels.

(Another extremely 'hear me out' discussion under the cut. Click pictures for captions/citations.)

Preface

This post is banking on the framework I set up in the previous related post so please read/skim over it. (If you don't? Just hear me out!)

Short Summary of the Previous Related Post:

Yuji is projecting a massive delusion onto Megumi that gives him a happy ending. JJK 268–270 is a mesh of Yuji and Megumi’s memories and dreams that serve to rationalize all that’s happened to them in a way that allows them to forgive themselves. Sukuna’s vessel memories are probably mixed in too.

Because of this I’m assuming the following:

>The battle recollection in JJK 269 is Yuji constructing explanations from his, Megumi, and Sukuna’s memories during their battle. Neither of these 3 ever knew the plan in full. This can explain why so much of the battle recollection is wrong.

>The characters we see outside of Yuji and Megumi are constructs based on their memories of these people. They’re more like representations than the actual characters.

I don’t know if it means they’re dead or not, but that doesn’t matter. I want to explore the way the characters feel off can be explained by them being memory constructs.

In the previous post, I used "Without love it cannot be seen." from Umineko to give my best faith reading of these past 3 chapters I've hated so much. This time the tool I'll be using is:

"Flipping over the chessboard."

This refers to how one should try to see things from a different perspective.

Memory in JJK

A neat touch that has always been around in JJK is characters remembering others as they last saw them. When Gojo recalls his best students, Hakari has a very different hair style from when we meet him. His recollection of Yuta's is accurate though. When Panda recalls Yuta, the hairstyle differs from what Gojo recalls. And when he recalls Kiara, he mistakenly refers to her as a guy.

This all can be explained by considering when Gojo and Panda last saw these characters. Gojo last saw Yuta in Kenya with Miguel where he changed his hairstyle. Panda hasn't seen Yuta since he's left the country. Neither Gojo or Panda have seen Hakari and Kiara for a very long time.

Their memories reflect how they last knew them. Kiara is a whole girl now and Hakari is blond. But if Panda and Gojo never saw them again? Those memories would be true to them, even if it’s no longer accurate.

And sometimes the memories aren’t accurate. See this side by side recollection of Gojo meeting Megumi from both of their perspectives.

I believe Gojo’s memory of this event is the accurate one because he’s 19 when it happens, not under distress when he recalls it, and has the Six Eyes which act like a supercomputer. Megumi’s memory is iffy because he’s 6 when it happens, has a head injury that knocks him out when he recalls this, and doesn’t have perception enhancing abilities. And though Megumi can’t recall the memory in its truest form, what he does remember still tells us a lot about his feelings towards the event and his relationship with Gojo.

The emotions child Megumi felt at the time distort what Gojo was actually like back then. Instead of a benefactor, he’s a suspicious weirdo with a funny face. The heart behind Gojo crouching down to his level, being way too honest with him, trying to give him options, patting him on the head—it’s all missing.

With all this in mind, I don’t think it’s unreasonable to assume Megumi and Yuji’s impressions of other characters via memory would influence how they appear in these delusions too. Yuji’s impressions probably take the most precedence since I think his will is shaping the delusions the most.

Recalling Incomplete Information 

Yuji is very good at understanding people. He can intuit their feelings and sync up with them easily. (I go over this in greater detail in this post.) But that doesn’t mean he fully understands their hearts. He gets close enough to their core to bond with them, but the little details aren’t quite right. 

If all the characters (save Megumi) we’ve been seeing in JJK 268–270 are constructs based on Yuji’s perception of them, I think this can explain everything off about them.

What made me consider this possibility was JJK 270. There’s this pattern I keep seeing... Characters’ motivations being misunderstood and being resolved by scenarios that aren’t quite right. Every time I try to explain what exactly is wrong with them, assuming their inconsistencies align with Yuji’s perception of them solves the problem.

Amai Rin

Rin is introduced as a coward. He’s unable to fight and goes along with the whims of those stronger than him to avoid getting hurt. This is why he keeps his head low as his friend is being harassed by bullies during his Jr. High days. Still, he tries to help. Just not at a risk to himself.

When Yuji saves his friend and beats all the bullies up, he turns to Rin and assumes he was part of the bully group. This simply isn’t true. He was a bystander. That’s why it’s weird for him to apologize like he was the one who beat the guy up.

Yuji’s false impression of Rin, one where he’s a bully that feels guilt over his actions, explains this. Rin’s actual guilt comes from him being a bystander—someone who doesn’t take action for others when something is wrong. He dealt with that in the Culling Games by helping Yuji and risking his life to save Angel. And he really stepped out of his comfort zone to join the medical team for the Sukuna battle. He might be the reason Yuta survived. (Yuji doesn’t know about that though.)

And what’s this? Here Yuji outright admits he doesn’t fully understand what kind of person Rin is. All he knows is that he did some good things and is trying to become a better person. So now we’ve got this other Rin that’s apologizing for something he didn’t do for the redemption he’s already earned.

(And that’s the pattern! Rin’s motivation is misunderstood by Yuji so he’s doing something that seems out of character to us readers, but is perfectly in character for Yuji’s perception of him. When I apply it to everyone else. Everything makes sense.)

Takaba Fumihiko

What Yuji knows about Takaba is pre-Kenjaku development. Yuji knows the Takaba that speaks over others, rejects their criticisms, and insists he’s funny. That’s kind of what he’s doing to Totally Not Kenjaku. In reality, Kenjaku caused Takaba to reflect on his approach to comedy and they are nearly in perfect sync by the end of it. Kenjaku satisfied Takaba.

Yuji didn’t see that battle and he hasn’t spoken to Takaba since. So he’s constructed a happy ending where Takaba has found his partner and is working towards the show of his dreams that already happened.

I also want to note that Takaba is 100% ok with sex jokes. Kenjaku makes one and he doesn’t object to it. This is just another little detail that makes everything so slightly off.

Higuruma Hiromi

Yuji knows that Higurama wants to go back to his roots. He knows that he feels guilt over killing people.

What he doesn’t know is that Higurama’s roots are him being a defense lawyer that cherishes the flaws of humanity. He doesn't want to ever look away from the impurities that even Yuji has. That’s why I think Yuji resolves his problems with him becoming a sorcerer who saves lives.

Yuji seems to think that Higuruma is like him. He’ll make up for the lives he’s taken via sorcery by saving more. That’s something he could assume from their convo, but that’s not actually what Higuruma wants. He wants to fundamentally change Japan’s legal system for the better in his own way.

Kurusu Hana

She’s the most in character of the bunch. In fact, there’s nothing out of character about her interaction with Megumi. What she represents is Yuji misunderstanding Megumi’s desires.

Yuji understands that Megumi’s type is someone with an unwavering humanity (literally the definition of Yuji’s name) via access to his memories. But for some reason (he’s kind of dumb academically), he thinks this means Hana is perfect for him. 

I think this is because Hana meets Yuji’s definition of a good person. She’s just like Megumi. She saves others for a selfish purpose. And that means…Hana does not meet Megumi’s definition of a good person. Not once has he considered her saving others as selfless. (...But Yuji has.)

And that’s just facts. Hana is kind of unhinged. She’s extremely possessive of Megumi and saves others solely to win him over. Yuji saves others because it’s the right thing to do.

Megumi’s preferences are Yuji, not Hana. Which has led to the most awkward confession and rejection scene. That might have clued Yuji in to construct an alternative. In the memory Yuji is probably recalling, Todo does clock Megumi as someone into dudes.  …The very next scene is Yuji hitting on a dude in front of his gf in a way that causes him to blush. (Yuji has not once complimented someone’s body up to this point if I recall correctly. And he’s been around some beefy dudes.)

(Yeah Nobara me too. Second most leftfield possible bisexual confirmation I’ve read in a manga. The first will always be from Baki the Grappler.)

Is this Yuji letting Megumi know it’s ok to come onto him? Is he not initiating because Hana’s forwardness freaked Megumi out? It’s possible. 

What this suggests is that Yuji is kind of fine tuning this whole delusion to make Megumi as content as possible. It’s telling that the moment Megumi starts getting super uncomfortable the scene jumps to something else.

It happens at the beginning of the chapter too. Gojo is mentioned by Shoko in a way that causes Megumi to pause. And Bam! Change scene.

Anyways, I hope this demonstrates that Yuji working with the limited information from memories is most likely the reason for everything being so funky. It’s character assassination by accident.

Why make these happy endings when this is all for Megumi?

Two reasons as to why I think Yuji is trying to give everyone a plausible happy ending.

1) He genuinely wants them to live good lives.

2) It has to be believable for Megumi to accept them as real and forgive himself.

This line may have been about Yuji, but Megumi’s not any different. He blames himself in the exact same way Yuji blames himself.

I also think there's something to be said about Yuji crafting a dream that resembles the perfect cookie cutter Shonen ending. The guy gets with girl he has no chemistry with. All these complicated plot lines are wrapped up with a neat little bow. Everyone lives and goes on like nothing traumatic happened.

Yuji is a big fan of Shonen. Straight up his final move against Sukuna is a Hunter X Hunter reference. That's not just Gege doing a reference as a fan, Yuji himself is a fan of that manga.

I think Yuji is trying to make this fiction a reality because it's the only way he knows how to cope with his trauma.

JJK 269’s Character “Assassinations”

I promise I still hate this chapter. But I won’t deny how fun it is to pretend these are all delusions Yuji created for Megumi’s sake. I went over Kusakabe to cut him some slack in the previous post, so let’s do everyone else.

(The chapter’s formatting as one long unending nightmare makes it hard to separate this stuff out by the character. I’m just going to do groups this time.)

The 2nd Years

The most common complaint from readers outside of Kusakabe telling Yuji he should’ve died is Maki being really fudging mean to Yuta. Maki is mean, but she’s not that mean. You could assume this is her showing Yuta she cares and that her anger scales with worry but… Here’s a side by side comparison of her getting angry over Yuta risking his life in Vol 0 vs JJK 269.

Pretty big difference I think. Here is a Maki with a Yuta she thinks is about to die vs a Maki with a Yuta who is 100% ok. And the only reason she even gets mad in Vol 0 is because she had no idea Yuta did something that risky. Maki already knew Yuta was going to body hop if all else failed, so her reaction here is disproportionate, especially since he survived.

Speaking of survival, the first thing Maki, Panda, and Inumaki do when Yuta survives in Vol 0 is ask if he’s ok and thank him for saving them. This doesn’t happen in JJK 269. They're all very protective of Yuta after the events of Vol 0. We see them defend him from Gojo for being a little mean about his training. They’re all against the plan because of how much they value him. The 3 of them not checking in on Yuta immediately after the fact is wildly OOC.

The explanation I have? This version of Maki is based on Yuji and Megumi’s memories of her. (And let’s remember that Megumi claims he can’t openly respect her and the other 2nd years outside of Yuta.) When Megumi and Nobara mourn Yuji’s “death”, Maki does this to them.

Maki also intimidated Yuji pretty bad when they first met. Her, Panda, and Inumaki went along with bullying Yuji after he came back to life. It makes sense that Yuji would up Maki’s meanness. He’s not been around her long enough to know she’s not like this when it comes to people she cares about. 

I do think it is weird Maki is pre-awakening levels of mean. This could also be Yuji trying to return to the time before everything went to absolute hell. Or...because she’s Yuji’s construct, this could be him expressing his anger at Yuta for defiling Gojo’s body in a very roundabout way. From both Yuji and Megumi’s perspective, Yuta didn’t discuss this beforehand and used it as a last second plan. And that’s kind of how the conversation goes. Everyone talks about Yuta’s Yujo plan like he didn’t clear it with them first.

It’s also telling that they harp on Yuta over Miguel and Larue. Miguel said no help unless Sukuna’s domain was down. Everyone except Yuji knew that. There was never a scenario where they’d help from the start. But to Yuji who only heard they might show up? It’s a missed opportunity.

Say if you were, trying to find a reason for such a horrific defiling of a loved one’s body. Wouldn’t you try to reconstruct the crime by considering the motives and methods? That would help give you some closure, right?

I think that’s what Yuji is doing for himself and Megumi. Yuji is trying to figure out why things went the way they did through a blend of what Sukuna intuited and what makes the most sense to someone who never had full knowledge of the plan. 

And if you think about it, this is still a happy ending for them. They’re all absolved of their guilt surrounding the outcome of the battle. Even if they screwed up, they’re all still alive and able to move forward in a better world. They did the best they could, so it’s time to move on from what happened to Gojo. Thinking about that too much would break someone.

Mei Mei and Ui Ui

Mei Mei is out of character in a way that’s unique compared to everyone else. She’s still herself, but with less…yikes. It’s odd since Yuji has seen how awful Mei Mei can be and is deeply uncomfortable with how she treats Ui Ui. He’s not missing information about her motives so why have we gone from this to this?

I propose this is an extension of Yuji’s denialism. (We’ve seen how avoidant he is with Gojo’s death.) Mei Mei is grooming Ui Ui and has made it clear this is all for money. Ui Ui is being abused, but he’s so attached to his abuser that separation would break him. How do you make a happy ending out of that?

Well, you can soften those edges. Spin a tale where Mei Mei is an over-doting sister who would kill for her cute little brother. She doesn’t touch him inappropriately, she just plays with him. She loves money as much as him! No abuse here! She’s not someone who would kill a child for cash.

And in a weird way this whole Simple Domain debacle mirrors Gojo killing the higher ups. If Maki is Yuji's rage towards the Yujo plan, then this could be him trying to process his mentor slaughtering a bunch of old people in mass for his sake.

It probably helps that Yuji wasn’t there to see Mei Mei tell Ui Ui to die for her. There’s no way he knows she was paid to help kill him either.

Mei Mei doesn’t care about the well-being of other people. She’s just a hardcore capitalist who loves money and will do anything for it. But this version of her can be less terrible to Ui Ui while still getting her cash and that’s sort of ok I guess? Yuji has moved on from this and so will I.

The Megumi & Nobara Problem

The 1st years going on like nothing happened after Sukuna has made readers feel betrayed. It flies in the face of everything that’s been established for them when it comes to mourning.

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, this is how the trio deals with grief.

Despite knowing Yuji for only 2 weeks his death screws with Megumi and Nobara pretty badly. In the manga, it looks like Nobara is more upset because she’s visibly in pain, but I think the light novels show they’re equally shaken. 

This is why the non-reaction to Gojo’s death makes no sense. Megumi has known Gojo for a decade. He’s 6 when he first meets him and 16 when he dies because Sukuna used his Cursed Technique (CT). Nobara knew Yuji for 2 weeks, and didn’t see him for another 3 months. In all that time, Gojo was her teacher. She knew him longer than Yuji. When she “dies” Gojo is on the same tier as Yuji and Megumi to her.

So why is it that in JJK 268, Nobara thinks of Gojo as a creep? Why did she toss his letter despite him being one of the people she thought of in death? 

Well… When Yuji came back from the dead via Gojo’s prank he heard Nobara say this.

Nobara is prone to saying out of pocket nonsense to people. If she thinks it, she says it. Yuji also doesn’t understand Nobara’s thought processes (Just like Amai Rin he admits it too!). Nobara tries to hide her feelings to appear tougher than she is sometimes. So I think Yuji has done to Nobara what he has done to Maki—upped the meanness and neglected the heart.

And though Nobara being a construct can explain her behavior, this still leaves us with Megumi who is definitely not one. Why is he acting like Gojo meant nothing to him?

Megumi in particular is super fragile when it comes to his feelings. This is how stressed he gets when he learns exactly why Tsumiki is in a coma.

She’s not even dead and he’s halfway to a mental breakdown. The idea that he can just look at her grave once after having a hand in her murder and move on this quickly makes no sense. Inadvertently killing his defacto guardian he’s been raised by for 10 years should be upsetting him to a similar degree. (Maki said Gojo treated him like a precious treasure!)

When Megumi is on the verge of death he thinks of Tsumiki, Yuji, and or Gojo. It’s always at least 1 of those 3. There’s no way Gojo dying and having his corpse reanimated for reasons Megumi might feel responsible for isn’t screwing him up.

Unless…Yuji is suppressing his memory on purpose. He can’t even cope with what happened to Gojo, how is Megumi supposed to? How can either of them forgive themselves for that if they acknowledge it in full?

When Sukuna tries to tell Megumi to give up, he looks miserable. Every time Sukuna has verbally kicked Yuji while he’s down, he’s done it with a big old smile and laugh. He doesn’t hold back and goes for the throat.

Sukuna is being very nice to Megumi here when he doesn’t mention Gojo at all. The only death he blames on Megumi is Tsumiki. Everyone else? Nothing. That’s weird given that Sukuna will pass the blame of his kills onto Yuji to torment him.

Is this Sukuna a construct or is he playing nice because he respects Megumi? Who knows. Whatever happened here seems to point to Gojo’s memory being suppressed for Megumi’s sake. 

And why might Megumi accept this suppression? Why does he seem to be going along with Yuji’s delusions? The Unlimited Void brain fog. Megumi brings attention to it after he wakes up. 

If Sukuna can’t think straight after Gojo brain damage, neither is Megumi. Still Yuji has to be careful. If Megumi thinks too much, the illusion will be broken. 

What does this mean for them?

Well, the character assassination isn’t real (probably) which is a good thing! Other than that? Not a clue. We’ve got a real catbox situation here. I can’t tell who is dead anymore.

Sukuna projects delusions when someone he’s connected with is dying. Yuji projects delusions when he’s dying. Both of them are kind towards the people they’re interacting with in this space between dreams and reality. They try to give people endings that leave them satisfied.

JJK 270 ends with the hunt for a curse user who can distort perceptions of reality. This curse user is initially mistaken as a cursed spirit. That sounds like Sukuna I think.

I’m pretty confident this happy ending illusion will be shattered, that's for sure.

My Final Answer

I'm betting it all on this being a delusion. This is a kind of prediction that will either age well, very badly, or interestingly. I don't know what's in store for the final chapter...but I do have some ideas I'd like to speculate with.

"Without love it cannot be seen."

This time I'm going to use this phrase very literally. I'm going to make one final gamble on the assumption that love is the answer. So let's go back to Love itself—one of those reoccurring themes in JJK.

Love is a curse in JJK. It has the power to distort reality and transform loved ones horribly. Desperation to save a loved one from death over and over has resulted in extremely traumatic things. Yuta turned his childhood crush into monster that caused havoc for years. You can pin blame everything that has happened in JJK on Gojo being unable to get over the loss of his loved one, Geto.

Hana could've vanquished Sukuna on the spot, but she didn't because she loves Megumi. It's something a lot of people blame her for. If she had just killed him there, the Sukuna battle wouldn't have happened. But that's not really the truth. The only reason Sukuna even got his powerful is because Megumi refused to let Yuji die.

Megumi and Yuji going back and forth trying to save each other have been acts of love driving the plot of JJK since the beginning of this manga. If Megumi actually died on Yuji? Who knows what would happen.

...

A lot of readers have been on a very funny copium because of these last 3 chapters. Some of them joke that they are just one massive Takaba-induced hallucination. This theory has some merit to it! After all, his CT does two things:

1) It distorts reality.

2) By sheer force of will it bends people's souls to his whims.

One of the biggest complaints about the past 3 chapters has been the Merger plot ending abruptly. As of JJK 270 Tengen and Sukuna's remains have been mixed into the barrier around Japan and everything is just fine according to Gakuganji.

People wanted to see what the Merger would do, just like Kenjaku. In universe, Tengen made a prediction. They guessed that the impurity from humans would dominate and consume everything. The impurity that Higuruma wants to protect. The impurity that Higuruma sees in Yuji.

Would Sukuna activate the merger and kill Megumi to spite Yuji? Absolutely.

Would Yuji do or become anything to save Megumi's life? Absolutely.

Do whatever you want with this information.

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[bi-conbuckley]

On Tommy and the writer’s purpose for him in s2

The thing we all need to remember is that the writers created Tommy for a reason. He was the character chosen to represent the “Boys Club” that the 118 was under Gerrard, he was the character chosen to show that Gerrard enforced a very toxic racist/misogynistic/homophobic work environment. Hen and Chim, and the way they were treated by Gerrard and this by the men under his command, shows what happens when you’re not a straight white man. Tommy was the chosen character to represent the 118 at this point, which means he is also the chosen character to represent how it changed because of Chim and Hen. You watch Tommy grow to respect them, and grow to understand that he was being a really shitty person; you watch him actively then begin to try and mend things between them and become friends.

And they do. They do become friends. This is shown in Bobby Begins. The three of them actively hang out outside of work. They have created their own little group to survive the revolving door of captains, the three of them: Hen, Chim AND Tommy. They don’t even stop here to show the way he grew and changed into a better person, they bring this specific character arc to a close by having him be the hero. Chim calls Tommy for help and he saves the lives of the rest of the 118, even the cinematography is meant to show it as this really big, cool, heroic moment. THAT is the bookend to his character arc; his REDEMPTION arc.

Remember when I said “shows what happens when you’re not a straight white man”? Let’s not forget that Tommy is gay. He was a gay man who grew up with a shitty father who was like Gerrard [as said in the finale], was then in the army [remember don’t ask don’t tell?], and then under the command of Gerrard [we all know how he feels about gay people]. All he EVER knew was to hide who he was to protect himself. Does that excuse how he acted toward Hen and Chim? Absolutely not. But he was doing the only thing he ever knew how to do in order to keep himself safe. It wasn’t until he got to know them that he realized there are other ways to live your life, pushing back against the people like Gerrard when you have the ability to [he was one of the ones who helped oust Gerrard, remember].

These are the things that people tend to ignore in order to justify hating him. You don’t have to forgive him nor like him, but you do have to accept that Hen and Chim did and you do have to acknowledge that the writers PURPOSEFULLY wrote him to have a redemption arc and to be forgiven and befriended by Hen and Chim in the end, and then gave the situation more complicated nuance when he came back and revealed that he is gay and had been scared in the closet the whole time Gerrard was there. It’s in the writing but that requires actually being willing to acknowledge what the writers are trying to show you.

[raven-at-the-writing-desk]

Hello Miss Raven!! So it’s unfortunately a pretty well known fact that the TWST English translation has a bad habit of botching important dialogue and lore, and even removing lines altogether, and I saw a reblog a day ago regarding that.

The original post was a fact sheet on Leona & how he interacts with women (alongside other stuff but that’s besides the point). And the reblog I was looking at was saying that the English translation just makes it sound like he’s a feminist, when it’s implied in the original JP game that the beastwomen tend to be more aggressive, giving Leona a reason to be afraid of them. And that reminded me that on the TWST fandom wiki under Leona’s trivia he said he’s intimidated by them, and every time I see that I remember that just can’t seem to find that detail at all anywhere in the English game.

So I wanted to ask you what did the original JP game say about how male and female beastmen interact with each other and why Leona would be cautious around them? Because this is a piece of info that I really would have liked to see in ENG, and I’m kind of annoyed I didn’t know about this before.

I believe this is the Leona lore post you’re referring to? Both TWST wikis (the fandom one and the .gg one) state the same trivia point about Leona being “intimidated” by beastwoman. I’m assuming this is where the reblogger picked up the idea of beastwomen being more “aggressive”, and this being Leona’s reasoning for being “intimidated” by them.

In a nutshell, the claims of Leona being a feminist only in EN + beastwomen aggression and Leona being intimidated by that is not true. The “Leona is a feminist” take was around long before the official English localization, and that’s because the Japanese text also has Ruggie (Leona Ceremonial Robes vignettes) and Cater (Cater’s School Uniform vignette) commenting that Leona is “nice” and “respectful” to women. To claim that they made Leona feminist in the localization is false. They never use the word “feminist” in JP or EN though; the label came from the fandom interpreting this bit of lore as Leona being more considerate of women.

As for the reasoning! Leona states in his Ceremonial Robes vignettes that “[Beastwomen are] already way stronger than us. Goin’ against them only brings more trouble.” I believe that someone probably misunderstood that second line of dialogue as Leona fearing the strength/aggression of beastwomen. He never actually indicates or implies that he feels that way. However, these vignettes being cited for the trivia on the wiki likely led to some confusion.

So if Leona isn’t afraid of beastwomen and their physical fitness, how is that second line supposed to be interpreted? Well, let’s think about his character. Leona is a smart guy. He dislikes having to put forth effort into pointless things, especially if he can plan ahead and avoid it. As I tend to say whenever I talk about his Big Brain Cells, Leona likes to work smarter, not harder. Again, look at this line:

“Goin’ against them only brings more trouble.”

It’s likely Leona just wanting to appease his sister-in-law to avoid having to deal with the fallout of not fulfilling her request. It would otherwise be a pain to deal with—and we’ve seen Leona act in various ways to avoid such pains. For example, he goes to Playful Land with Jack to make sure his dorm member comes back alright (or else Leona is responsible for the consequences), purposefully not choosing a vice dorm leader so he doesn’t have someone to challenge his authority, and generally has convenient excuses prepared to get out of things he doesn’t want to do.

If we want to think of it from another angle, this better fits what we already know of Leona’s cunning. He knows when to call it quits and make a strategic surrender. The most notable example of this occurs early in book 6, when he stops fighting Styx agents and willingly gives himself up to them. He also throws in the towel in book 2 and refuses to play because he already knows that his team is destined to lose to Malleus since they didn’t succeed in eliminating him beforehand. In the situation with Leona’s sister-in-law asking for a picture of him in his robes, Leona is acquiescing because that’s just the smart thing to do. Why even argue if he knows it won’t be fruitful? It’s wasted effort.

I would like to add that physical strength isn’t even the only factor here. Ruggie points out in one of his Chats that “Girls have both the grit and the camaraderie to triumph when the goin’ gets tough.” Grit refers to courage or resolve. The latter, resolve, lends credence to the idea that beastwomen are also determined or strong-willed. In which case… yeah, I don’t think they’d back down from an argument/verbal fight or a physical one.

If we circle back to the previous paragraph, it supports the interpretation that Leona giving in to what his sister-in-law wants is the result of him wanting to avoid a pointless and prolonged fight if he refuses. Cuz like… why waste that time and energy to come out of it with nothing, right?

If it was true that Leona listens to what women day only because he’s actually scared of beastwomen, then that doesn’t explain his interactions with non-beastwomen. Why would he agree to attend a party for an enchanted portrait (Rosaria), which has no means of harming him? He agreed to the proposition as soon as he heard Rosaria is a lady; there didn’t need to be a threat or significant verbal pushback for him to go. As Leona states in Cater’s School Uniform vignette, “Portrait or not, I respect ladies and Rosaria is a lady.” (I think the reblogger may have been confused and was actually referring to THIS line being made “more feminist” in EN. In JP, Leona says something closer to, “Even if it’s a portrait, a woman is a woman.” JP does not have the “I respect ladies” portion.)

Sooo, in conclusion… Leona agreeing to do as his sister-in-law says does not necessarily mean he is intimidated by beastwomen; as I’ve explained, there is an alternate explanation with evidence in canon: he wants to avoid pointless hassle.

I hope this helps to clear things up ^^ I know the localization isn’t exactly perfect, but let’s take care to not assume changes or mistranslations!

[kisakis-boyfriend]

🎃 nsfw headcanons for fyodor, nikolai, and sigma (+dazai and chuuya if you’d like) with a werewolf s/o?

Author's Note: I'll do Dazai and Chuuya in a separate post, thanks to tag limitations 😔

Pairings: Fyodor, Nikolai, Sigma x male reader (separately)

Warnings: Male werewolf!reader, dom/top!reader, sub/bottom!characters, mentions of breeding, knotting, biting, scratching, leashing, mindbreak (Fyodor), virginity kink (Sigma)

Fyodor

The 'fake dom' Slut

Fyodor likes to pretend that he's in control, but really, who's he fooling?

Trying to control a semi-feral beast. Yeah, good luck, buddy

You'll allow our favorite skinny Russian to put you on a leash, but it's only because you know that he can't hold onto it while you're railing the brains out of him

Fyodor is literally folded in half in a mating press, drooling like a whore. And you're loving every second of it

He definitely keeps track of the moon cycles — clearing his schedule on full moons and coming up with an excuse to be around you those nights

If your human form is also bigger/taller/more muscular than him; Fyodor will swoon

Not that he wouldn't swoon anyways, no matter what your human form looks like. He's just possibly got a little size kink 🤐

Nikolai

The Overt Slut

Nikolai is so not subtle…

"Oh my, what sharp teeth you have. You could totally bite me and make me bleed haha :)"

"Such sharp claws… it would be a shame if you accidentally scratched me with them!"

"What a big, thick cock! I could never take one that big… unless? 👀"

He'll sit next to you, knowing that you can see his phone screen, and look at werewolf knotting porn 😐

I mean, literally. NOT subtle in the least

Nikolai loves when you take control and breed all of his little holes

Just manhandle him and cover him in your seed please. You'll have a very happy jester in your possession

Personally, I think Niko has higher than average stamina; so he'd be able to go quite a few rounds, even after you knot him. If you want to keep rutting into him, he's all the happier ☺️

Sigma

The Shy Slut

“I am not taking that! You'll never fit!”

30 minutes later, Sigma is crying as you pound the virginity out of him

Sigma acts like he doesn't enjoy being filled and having some rough sex, but it's just his insecurities, really

If you make him feel loved, he will eventually agree to certain things :)

Always screaming "I can't take it!" Or "it won't fit" but, again, none of that is true

Sigma easily becomes your moaning slut once your dick is fully sheathed within his gummy walls

Full moons make him nervous — he, conveniently, hangs out with you on those dates though…

Sitting in your lap as the sun sets, cupping your face and requesting kisses too

In a rare, confident display, your pretty boy will ask you to fuck him in your werewolf form all on his own

Still complains about his sore ass and the scratches covering his body tomorrow though 😶‍🌫️

[sloanesallow]

seven minutes in heaven

Sebastian volunteers for a party game. The rules are simple: guess who the other person is. The caveat? You can’t look and you can’t speak but you can touch. Sebastian Sallow x F!MC (Siobhan Sloane) Tags: MDNI, NSFW! Sexual content, anonymous (but not really), Sebastian being the needy, horny boy that he is. Characters are in their 7th year and are 18. 2.8k words [Ao3] | [Wattpad] | [Tumblr Masterlist]

For reasons Sebastian doesn’t understand, a party is being thrown in the Slytherin common room. He knows better than to question it though, because one should never look a gift celebration in the mouth—or something like that. It’s Friday evening, and that is a good enough excuse for music and dancing, for firewhisky and more.

Sebastian leisurely wades through the chaos, choosing to relax and join in on the festivities. Drink in hand, he socializes with acquaintances and strangers alike until a hazy buzz forms at the base of his skull. He forgets how good it feels to be free of inhibition, welcoming whatever experience life wishes to bring his way. Tonight, that comes in the form of a game.

Seven minutes in heaven.

Sebastian blindly volunteers, laughing as he’s blindfolded and told there’s already someone waiting in the nearby storage closet. The rules are simple and thrilling: guess who the other person is. The caveat? You can’t look and you can’t speak but you can touch.

He’s pushed into the closet, quickly realizing how little space there is between him and his companion. It’s a girl, that much he can tell by the subtle scent of her perfume. His pulse quickens, though he isn’t sure if it’s from a sudden burst of nerves or excitement. More likely to be teenage hormones—it isn’t every day he’s trapped in an enclosed space with someone of the opposite sex.

Sebastian tentatively reaches out, biting down on his bottom lip to prevent himself from making a noise that would give away his identity. He barely registers the hushed hitch of her breath as he finds her waist—whoever it is, they are considerably shorter than he is, slender, and just the faintest curve to her hips. That doesn’t narrow it down much, with that description fitting most of the witches at Hogwarts.

Her hands meet his shoulders, one sliding up to briefly tease the hair at the nape of his neck. They slowly move down, smoothing across the front of his button-up, taking a moment to inspect his tie. He puffs out his chest, wondering if she can tell he is a Quidditch player, if she likes the toned muscles beneath her palms.

Emboldened, Sebastian moves his hands a little higher and sweeps his thumbs across her ribs. The blouse she wears is soft, and thin enough that he can feel the heat radiating from her skin, feel the rise and fall of her quickened breaths. He swallows hard, daring to trace the curve of her breasts, causing her to tremble. He brushes his fingers along the column of her neck and up her jawline, envisioning the shape of her face in his mind. She copies his careful actions and he shudders when her thumb ghosts across his lips.

He leans in, close enough to smell the sweet mint on her breath and feel the electric tickle of her mouth so close to his own. There’s something else there too—florals and earth—an aroma so recognizable it seizes his heart.

Sloane?

Sebastian tries to push the thought away, unconvinced that his dear, sweet Siobhan would engage in such a lascivious game. Yet, as her body presses closer, he can’t deny the spark of recognition. She fits against him in an achingly familiar way, stirring up memories of friendly hugs that linger a second too long, of accidental touches and longing stares that have gone unacknowledged for years.

It seems fate is done waiting for action. Sebastian contemplates and damns the repercussions in the time it takes for him to snake his arms around her torso and wedge his thigh between her legs. A shaky whimper slips from her lips and he hopes—no, he knows it’s Sloane.

It has to be.   

He closes the distance, capturing her lips in a kiss he’s craved for longer than he wants to admit. It’s hungry and demanding, his chest aching with every beat of his heart as she yields, mouth molding to his as if this isn’t their first, but thousandth kiss. Her fingers tangle in his hair and she grips his shirt collar, prompting him to hook one of her legs around his waist. He grinds himself against her, and she breaks away with a heady moan.

 “Ohh…”

Sebastian bites back a curse, the sinful sound shattering any facade of anonymity. The voice is more than familiar—it’s ingrained in the deepest parts of his psyche, a sound so often heard in laughter but never like this. It’s Sloane—his Sloane—the one who’s always been off-limits, forbidden. And yet here she is, wanton and responsive, melting under his every touch.

Doubt still dares to cloud his mind. Does she know it’s him? He wants to hear her moan—scream—his name, wants the whole damn castle to know how he makes her feel. But what if…what if she doesn’t want it to be him? What if Sloane wants—

No.

Sebastian refuses to entertain the idea that Sloane could ever want anyone but him. She must know it’s him, or she would’ve never let him kiss or touch her so intimately. It’s the only reality he will accept.

He trails his lips down her neck, coaxing out a dreamy sigh that makes his spine tingle. He slides his hand beneath her already bunched-up skirt, feeling the delicate fabric of her stockings, playfully plucking at the garter clip before stroking his fingers along her inner thigh. She tugs his head back and there’s a second of panic before her mouth clumsily crashes into his again. An amused chuckle morphs into a groan when her leg tightens around him, pushing his clothed arousal against her sex.   

More, he needs more.

Sebastian can hear his own racing heartbeat as he dares to inch his fingers higher, moaning into the kiss when they brush against the front of her underwear. She gasps but doesn’t stop him, her thigh twitching as he slides the fabric aside, just enough to feel her. His composure falters at finding her so wet, slipping two fingers through her slick heat and up to circle the tiny nerve bundling he’s read so much about.  

“Mmm—ah!”

She wobbles and he steadies her, his voice a husky whisper. “Shh, I’ve got you.”

She clings to him, whimpering between ragged breaths as she rocks herself against his hand, adding more to the already burning friction. His hips jerk forward of their own volition and Sebastian doesn’t feel in control of his own body, so lost in the moment and the sensation of her writhing against him and the heat of her that he thinks he must be dreaming, that he must be dead and gone to—

Fuck.

How long is seven minutes, anyway? 

The closet door bursts open and all Sebastian can hear is surprised laughter and drunken cheers as reality comes crashing down. He reluctantly pulls away, choking back a whine at the loss. He’s panting, heart pounding so fiercely against his ribcage it hurts.

“Took them long enough.”

Sebastian is too worried about Sloane to be embarrassed and yanks off the blindfold, blinking hard to adjust his vision. He turns to find her fleeing, pushing herself through the crowd to escape.  

“Sloane, wait!” he shouts, franticly following after her as she rushes down the first quiet corridor she can find. “Sloane!”

She slows just enough that he can catch up, gently grasping her arm to turn her around. When she doesn’t look at him he softly tilts her chin up, the ache in his chest worsening at the sight of her distressed expression. Her stormcloud eyes are glazed over with unshed tears, her bottom lip quivering as she sucks in a breath. They are swollen from kisses, a similar shade of the pink that tints her cheeks.  

“Sloane,” he repeats, caressing her cheek with an affectionate sweep before tucking a loose strand of hair behind her ear. Only then does he notice the tremble in his fingers, his gut churning with the fear that she really didn’t want him, that all she feels for him is regret. “That was…” he gulps, unsuccessful in calming his frenzied pulse. “I—I just knew it was you.”

He searches her face for a sign of what she’s thinking or feeling. Sloane is typically quiet and reserved but right now, Sebastian will do anything to hear her say anything. Their friendship has always had this underlying tension, a thin line he’s struggled to navigate and held back from crossing, until now. He steps closer, still cradling her face while his other hand squeezes her wrist.

“Please, Siobhan,” he whispers. It takes every last thread of restraint he has not to kiss her, not when he knows how sweet she’d be on his tongue. “Tell me you felt it too, that it meant something. Because…fuck,” he doesn’t want to imagine a world where they pretend tonight didn’t happen. “I don’t think I can go back to being just friends after that.”

“No, we can’t,” she finally says in a raspy, quiet voice. She lifts her free hand to rest on his arm, and he holds his breath. Sloane’s eyes dart to his lips and then back up. “Tell me, Sebastian. Tell me what you want.”

“I want…” Sebastian remembers to exhale, even as nervous anticipation takes hold. He takes a moment to look at her, this close, in the light. “I want you.”

There’s no use in adding more, sweet words to try and convince her, to take pity on his desperate soul. Sloane leans into his touch, her eyes slowly closing as she sighs against his lips. “Then have me.”

Sebastian moans into her mouth, a mix of relief and reignited passion as he registers the desire in her words. This isn’t a dream or a game, and he’d sooner be trapped in a storage closet, alone for the rest of his life, than allow this to be a one-off. He can’t help but scoop her up into his arms, grinning as she lets out a little surprised yelp. Sloane holds onto him and he has a hard time focusing on getting them someplace private when all he wants is to kiss her breath away.

“Your room?” she asks as he balances her to open the door. He nods, kicking it closed with his foot as soon as they cross the threshold. The dormitory he shares with Ominis and a few other seventh years is empty and likely to stay that way if the party continues as long as the last one did. Sebastian wants to take his time, without interruptions.

 He sets Sloane down on the edge of his bed, stepping back to admire the sight of her sitting amongst his belongings, looking up at him wide-eyed and expectant. “I’ve dreamt of this, you know,” he murmurs, rubbing at his jaw in disbelief. “Of you, in my bed.”

Sebastian loosens the ties around his neck before casting it aside, watching the subtle changes in her expression as he slowly unbuttons his shirt. Sloane drags her teeth across her bottom lip, eyes following his movements as he sheds his clothes one item at a time until he is bare. He isn’t one to be bashful, but his skin heats under her gaze and the way her body shifts, hinting at her arousal.

“Here,” he says, taking her hands as she stands, guiding them to his chest. “Touch as much as you’d like.”

Sloane hums in quiet agreement, her palms sliding tentatively across his skin. She traces the lines of his muscles, fingers dancing across his shoulders and arms as she counts the dustings of freckles she finds. Sebastian’s resolve nearly buckles from the sensation, the ache to tear her clothes away and bury himself inside her heat unbearable.

He forces himself not to rush, keeping his focus on her face as he untucks her blouse, pulling free the buttons until he can push it from her shoulders. Her skirt and chemise are next, fluttering to the ground with the rest of their clothes. Sebastian is fiddling with the clasps of her garter when her hand finds his cock and he bucks against her with a strangled moan.

“Is this alright?” she asks in a sweet voice that threatens to undo him before they’ve properly started. Sebastian nods, resting his head against the crook of her shoulder as she gives a few experimental strokes.

“Fuck, yes,” he hisses, kissing her neck and tracing the line of her collarbone with his tongue. He cups her bare breasts in his hands, rolling them in his palm as she sighs a delightful little sound, her grip tightening a fraction. Sebastian pulls her hand away and guides her back to the edge of the bed, encouraging her to lie down as he peels her stockings and underwear off. “But I need to be inside of you, love.”

“Oh,” Sloane’s naked body is flushed and more beautiful than he could’ve ever imagined. The quick rise and fall of her chest, the way her skin prickles with gooseflesh, and how her eyes darken with lust.

Sebastian eases himself onto the bed, using his knee to carefully spread her legs apart. He lowers his body to hers, weight propped up on one arm as his free hand tickles down her belly to the junction of her thighs. “Is that what you want, Siobhan?” he whispers, craving not just her consent but a confession too. “Do you want me?”

Sloane whimpers, her eyes fluttering closed as his fingers slide through her sex, parting her to tease at the spot he knows will make her sing. Her back arches and she rolls her hips against him, her hands snapping up to clutch his shoulders. Sebastian marvels at her reactions, the shape of her mouth as she moans and the little crease between her brow as pleasure takes hold. He sinks a finger into her, then another, continuing to study the way her expression shifts.

“Tell me,” he rasps against her ear, nibbling softly on the lobe as she clenches around his fingers. “Do you need me?”

“Y—yes,” Sloane’s reply is a broken moan as she eagerly nods. “I need you, Sebastian.”

Their lips crash together again, deep and desperate as he positions himself, replacing his fingers with his cock. Sebastian breaks the kiss to look into her eyes, his hand squeezing her hip as he eases into her, savoring the moment so he can etch it into his mind and never forget. It’s almost overwhelming, the heat and tight grip surrounding him, even more so when he’s fully sheathed inside. After a moment, he moves, rocking his hips against hers in a steady, tender rhythm.

Sloane’s hands slide along his back as he thrusts, her nails occasionally biting into his skin when he fills her completely. He drops his head to her shoulder, nuzzling against her neck as he listens to her sounds of pleasure, his ego flaring with the knowledge he is the cause. She hooks her legs around his waist and Sebastian follows the silent cue, pressing himself closer, cradling her body as he quickens his pace.

“Just like that,” he groans, feeling the way she flutters around him with each stroke. His lips slide across her throat, ragged breaths swirling around her ear. “Say you’ll come for me, sweetheart, say you’ll come for me.”

“Yes!” Sloane arches beneath him, her inner walls squeezing around his cock, ensuring he won’t last much longer. He thinks for a moment that she might be the death of him. “Please…”

He hikes her legs higher around his waist, changing the angle of his thrusts as he chases their mutual release. She moves with him, clinging to him until her entire body trembles, her head tossed back in a silent cry. Sebastian can only admire the spectacle of her release for a few seconds before he too finds himself falling over the edge, a strangled growl muffled against her skin as he ruts into her before collapsing, breathless.

It takes all the strength Sebastian has to keep his weight from crushing her, his limbs shaking and heavy as he carefully rolls to her side, one arm still tucked tightly around her waist. His eyes droop with exhaustion and he slowly blinks at Sloane’s profile, her expression a similar state of bliss. Sensing him she turns her face to him, lips turned up in a lazy smile, eyes shining with what he hopes is love.

“How do you feel?” he asks, hesitant to have too serious a conversation so soon. It can wait at least until the morning, until after he’s had her a few more times.

Sloane softly giggles, the blush on her cheeks endearing. “Heavenly.”

Sebastian laughs, tugging her into a tighter embrace so he can kiss her cheeks and her nose, their continued laughter muffled between lazy kisses. He feels the same.

[melu-lis]

anyone who simplifies the popularity of zuko to people liking "dark bad boys" is showing a sign of low media literacy. even before i watched atla, my friends recommended that i watched it solely bc of zuko. and after i watched it, i understood why. in the first episodes, most of the audience perceives him as this hot-headed jerk who's obsessed with capturing a 12 year old boy. but then we get to the episode "the storm" and we learn that the reason zuko wants to capture aang is because he was banished by his father; it doesn't excuse his actions but it is a reason. and then in the 2-parter of "the siege of the north, we learn that he has a sister and that their father often pitted them against each other, making him more sympathetic to the audience. from book 1, it is established that zuko will be more than just a villain. we don't see much of a change in zuko's character until book 2 after him and uncle iroh are branded as fugitives by the fire nation. throughout the season, we see him have an identity crisis and grappling with who he is. by the end of book 2, zuko seems to be content with his life in the earth kingdom and figuring out who he is by himself. that's why in tcod, the audience expects him to join the avatar especially after bonding with katara and confronting his uncle about teaming up with aang. but the show defies our expectations by having zuko join azula in her takeover of ba sing se. some people have a problem with this since he showed a lot of growth in book 2 and thought his betrayal was made to not make zutara a possibility but i think it make sense because zuko was more content being a neutral bystander and joining the avatar would be more risky especially he still wasn't on friendly terms with aang. when we see him return to the fire nation, we see that he's gotten everything that he ever wanted, he has father's approval and is hailed a hero by his country, but he isn't happy. this is why his confrontation with ozai is so satisfying, he realizes that not only the way his father treated him was inhumane and his approval is meaningless, but that his nation's century-long war was never a noble pursuit. when he joins the gaang, he tries his best to atone his past mistakes and demonstrate his sincerity of wanting to end the war and ends his arc by becoming the new fire lord ushered in an era of peace and kindness with the help of his ally and friend, aang. i think this why zuko is more popular compared to aang, the protagonist of the show. while aang and zuko are constantly portrayed as narrative foils to each other, aang doesn't have this constant inner turmoil that zuko does. this is why a lot of fans and casual viewers have an issue with gaang's confrontation with ozai. aang talks about how he struggles with killing ozai since it goes against the principles of his culture, a culture that is basically extinct, but this is never brought up until the series finale! it's not like there aren't any episodes where aang struggles with fulfilling his duties as the avatar, there are plenty and it does make him a sympathetic character. it's even more frustrating when you learn that aang not killing ozai was the plan since the production of book 1. there were countless opportunities where aang's struggle between wanting to maintain his identity and be a full-fledged avatar could've been addressed! i think this what aang stans who are resentful of zuko's popularity don't understand, aang's character arc is a lot more disoriented compared to zuko's.

[hxney-lemcn]

Time for a Break — Housewardens x gn! reader

summery: it's the end of the year and you have nowhere to go...

tw: slight angst (Riddle, Idia, Malleus)

wc: 1.7k (~230 per character)

Master List

With nonstop overblots, exams, homework, studying, and keeping your friends in line, you hadn’t even realized that the end of the year was approaching rapidly. You could barely take in your end of the year grades before coming face to face with the fact that you have nowhere to go while everyone gets a summer break. Didn’t you deserve a break too? You felt like you were going to collapse and evaporate if you didn’t sleep in a bed that doesn’t have lumps. In a fit of despair, you go to the only person you can think of.

Riddle Rosehearts

Okay…so you are not allowed to come home with him. His reason for saying no is vastly different from his mothers reason. He doesn’t want to cause you any more stress, or have to hear his mother’s insults that she’ll inevitably spout towards you. No, instead he helps you ask Trey. Although Trey’s home already is a full house, his family welcomes you with open arms. All his siblings overcrowd you (no matter how much Trey tries to stop them), his parents ask many questions to get to know you better, and you end up sharing a room with Trey. All the while, you can’t help but think about Riddle, wishing you could find a way to get him out of his own personal hell. Over time, you and Trey visit Riddle, your only meetings being through his window. Every so often you’d bring Riddle a sweet treat that you learned how to bake either from Trey or his parents. As much as you enjoy having a break with such a lovely family, you can’t help wanting for the next school year to happen. Not for the school work, or the overblots (hopefully there won’t be any the upcoming year), but because you’ll get to see Riddle again, not through a window or with hushed whispers. But in person, speaking to each other freely once more. 

Leona Kingscholar

When you hinted about not having anywhere to go, hoping that the lion would take the bait and let you stay with him, he just ignored you. Didn’t even pretend to act like he was listening to you. Squinting your eyes, you stood up from his bed, announcing that Malleus might be willing to take you in…you couldn’t get far before Leona grabbed your wrist, pulling you into him and holding you close. Who said you could go and stay with that overgrown lizard? Wasn’t it obvious you were staying with him? You were scared of meeting his family, they were royalty and Leona had spoken bad of them. You had met his nephew, and little did you know that the boy had talked his parents ear off about you and Leona for a day before finding a new topic. Leona’s brother and sister in law welcomed you to their palace with open arms, greeting you warmly before excusing themselves. It was a bit to get used to, trying new foods, sleeping in a bed that was way too luxurious, being treated like royalty, becoming a nanny…yeah. You now realized one of the reasons why Leona dreaded coming back. As much as you adored Cheka…he could be a bit much. Overall, it's not the worst place to stay, but it would feel a bit lonely without Leona or Cheka around. 

Azul Ashengrotto

Oh boy…were you both that far in your relationship already? No? He’s just overthinking it? Okay, this was fine. He was a host after all, and he did owe you for basically saving his life…and being the one he loved. His only problem? His mother. As much as Azul loved his mother…he could not have her sharing his baby photos with you. He’ll have to work overtime over the summer to make sure that doesn’t happen (who is he kidding he can’t say no to his mom). How are you going to stay entire months under water? Who do you think he is? He’s got stocks of underwater breathing potions. When you meet his parents, you don’t have time to think before you’re swooped into a giant hug (probably the best damn hug you’ll ever get too). Then Azul is added to the hug and you're both being squished together. His mother loves you instantly, cooing over you both, feeding you some of the best food you’ve ever had while telling you embarrassing stories of Azul when he was just a little fry. Once again, you start seeing him in a new light, a much softer and loving one. He always tried to show you his gentlemanly and suave side, keeping just how soft of a person he was locked deep down, but you wouldn’t have him any other way.

Kalim Al-Asim

What do you mean you have nowhere to go? Weren’t you coming to his place? He would be honored to have you as a guest! Just think of all the sleepovers, dates, game nights, and kisses! Actually, he might’ve gone crazy if he was away from you for such a long time. Kalim’s family doesn’t mind either, they don’t even notice one more person in their extravagant palace. Instead of just being swarmed with siblings, you’ve got cousins and distant relatives around you as well. They have both good and bad intentions, some scheming on how to get closer to Kalim, and others scheming on how to get you to play hide and seek. Kalim is practically bouncing off the walls as he drags you down the halls on his grandiose tour. Laughing heartily over the feast his family calls dinner, then taking you on a breathtaking carpet ride above the Scalding Sands. Each day is a different adventure, and Kalim is the one leading you hand in hand into what awaits you both. Poor Jamil, Kalim only got ten times more impulsive as he tries to show you everything he loves (and buy you anything you eye for a second too long). Also…you are in a bit of danger being seen in public so close to Kalim and with how he shows how much he cares about you…

Vil Schoenheit

Do you think he’d let you stay at Night Raven College for months on end without supervision? You’re crazy. Just be prepared to be in a giant mansion alone for a bit. Vil goes without seeing his father for weeks on end, and he himself has a busy schedule. He’d love to take you with him, but unfortunately the media is as savage as a pack of wolves and would shred you apart without second thought. You didn’t mind too much, as long as you could get away from school for just a minute. With those warnings in mind, you were surprised to be greeted by servants taking your luggage to a spare room (right next to Vil’s) then being treated to a fantastic dinner with Eric, Vil’s father joining you two. Even Vil seemed surprised, asking his father about his latest movie. Eric only laughed, stating that he wanted to meet the person who caught his son's attention. You never felt too alone in the mansion, you’d get ready in the morning with Vil, seeing him off, doing your own thing for the day, and ending the night with a home prepared meal or going out to eat if Vil was feeling extra. On his days off, Vil would take you out, sometimes it would be to a spa, going shopping, or you forcing him to take a break and relax at home and watch some movies. You don’t think you could go back to that wack job of a school after getting a taste of luxury.

Idia Shroud

What. You want to go home with him? You do know where he lives right? You’d be totally isolated from all your other friends…you still want to come home with him? He supposes Ortho would be happy to have you around…fine, he just doesn’t like how excited his parents get when he asks for permission (after all he lives in a very secret location). He’s a bit overwhelmed at first, it seems like such an intimate scenario. You’re going to be living with him in the same house in a super secret base in the middle of nowhere. When you arrive, Idia tries not to shove you into his room and lock the door because his parents are non stop pestering you. Asking you about how you met Idia, how he was doing, and about you and your world. Thankfully for Idia, they had to rush back to work quickly, giving you a warm welcome and telling you to ask for anything if need be. To your surprise, Idia watched you like a hawk (and that’s the times you knew of). S.T.Y.X. was a dangerous place, and he’d be damned if he lost you like he lost Ortho. Be prepared to be trapped in a room lit with blue led lights and playing video games and watching anime until you feel your brain melting. Please bring some vitamin D…you’re not going to get enough sunlight. 

Malleus Draconia

Don’t worry child of man, he already has a room in his palace ready for you. Do you really think he was going to let you stay all alone (with Grim but okay) at Night Raven College? Of course not. You’re his precious child of man, he’ll make sure you get nothing but the best. Of course…he had to make sure his grandmother warmed up to you. You are a human after all, and she hasn’t had the best experience with them. Not to mention how his people will view him for bringing a commoner human into the castle and given the royal treatment. He doesn’t care. In fact, Malleus didn’t even think of such a thing, not until Sebek brought it up. When you arrived you felt overwhelmed as the servants bowed (you almost forgot that Malleus was standing next to you). He tried staying by your side for as long as he could, but as future king, he had many things to attend to. This left you on your own a bit, and you got acquainted with Maleficia. At first she terrified you, but over time you both warmed up to each other and Malleus found himself jealous with how much time you spent with her compared to him. All the while she found it amusing that her grandson was so hung up on a human…but she also found it heartbreaking. A fae falling for a human never had a happy ending, but she’s glad to know you’d take care of him well.

[lyculuscaelus]

Something something storywise Athena becoming an unavailable character at the end of the Wisdom Saga is required, since unlike Odyssey!Athena, Epic!Athena can’t “I know you’d make it but I don’t wanna fight my uncle” her way out of this one. She came back helping Telemachus out and finding out Odysseus’s trauma and asking for the release of Odysseus. But in what way can Epic excuse her absence in the rest of Odysseus’s journey to Ithaca? (chances are that Phaeacians won’t show up in Epic so Athena might not be helping Odysseus secretly) Most importantly—in what way can Epic build up the stage for the final showdown between Odysseus and Poseidon near the end of the Vengeance Saga? (much like what happened at the end of book 5 of the Odyssey though changes are made)

No matter what, the moment when Odysseus once again encountered Poseidon, he’s alone. Whether or not help would arrive at the end of Get In the Water (or at the beginning of 600 Strike), the atmosphere of Poseidon facing down Odysseus must be created. Hermes was gone because it’s not his business, nobody would randomly recall Aeolus at this point, as for Athena—where were you after asking for Odysseus’s release? You can’t be leaving him again for no reason.

She had to be unavailable. And it wasn’t like she’d be busy accompanying Telemachus to Pylos and Sparta cuz she’s a goddess who wasn’t affected by a schedule. She’d had to be “physically” unavailable and blasting her with lightning is the most reasonable way to fulfill that purpose.

[kurosagi-h8r]

Rain of Affection

Character: Alan Mido x reader

Summary: Trapped under the same tent during your camping, you had no choice but to seek warmth from each other under the sudden rainstorm.

tw/cw: just kissing. a bit slowburn maybe. grammatical error might exist

word count: 1340

The air was thick with the scent of wet earth and pine. The rain drops pouring down the tent like bullets made it difficult for you to hear anything else. It was soothing, in a way. But it put you in an awkward situation where you had no choice but to be stuck in the same small tent as your camping mate.

"I'm so sorry for making your tent wet, Mido..." You tried to hide the way your lip quivered from the cold. The jacket that was once protecting you from the rain is now dropping water on the floor.

"Take off your jacket. You'll catch a cold if you keep wearing that." He's sitting awkwardly in front of you, trying to make himself small to give you more space inside. Still, being the one carrying most of the supplies and gear, he had to carry them back in his own tent because of the sudden rain.

You're reluctant to take it off but he was right. You couldn't even hide your shivers anymore. "Maybe later... all of my stuff is outside, you see." Left outside under your unmade tent. You didn't even have the chance to bring it with you inside — not that there's any space left inside Mido's.

He awkwardly inched closer to you — even without doing that you could feel his breath on your skin. Flustered, your first instinct was to lean back, however you were met with bags of his stuff. His hand reached to grab something and you swore his shoulder almost touched you. You even caught a whiff of wood scent on him, most likely from gathering branches for the fire.

"Wear mine," He said.

You stared at the jacket on his hand. "But what about you...?"

“You need it more than me.” Alan sounded rather quiet compared to the sound of rainfall on top of him. “And we don’t know how long the heavy rain will last.”

Again, he was right. He knew more about camping better than you were, of course. You complied and took off your jacket. Some of the water at the hem of your sleeve left your skin freezing. Then Alan took your jacket and folded it to be put away elsewhere.

His jacket was thicker than yours, perfect for camping. Although the difference in size made you drown in it. Your hands could barely show themselves, but it made it easier for you to warm yourself. Looking at him, sitting in front of you wearing only a t-shirt that’s half drenched… won’t he also freeze himself like that? Even if he were, he clearly didn’t show it.

“Aren’t you also cold?” you asked. “I feel bad for having this all to myself…”

“You’re the one more drenched here, (y/n).” And you did. All because you weren’t that good in setting up your own tent. You couldn’t possibly ask him for help with that too on top of the pile of work he insisted on shouldering.

“Still…”

Alan was sitting with his legs crossed beside you, not looking particularly anywhere – for some reason you hope he's not trying to avoid looking at you. But sometimes you do wonder what he's thinking at the moment… because it's getting pretty awkward with just the two of you, unable to go anywhere with the heavy rain happening outside. So you decide to be the one to break the silence.

“Mido… what do you usually do to stay warm?”

That five seconds of another silence felt humiliating. Was it a weird question? Anyone can ask that, right? But if you hear it again, it feels like you were trying to suggest something. Oh God, what if he feels uncomfortable answering it…

As you were about to apologize to him, he responded with, “Exercise. But we can’t exactly do that right now.”

“Ah…” you nodded. It was expected from him. “That's one way to do it.”

Exercising was out of the option. You needed to look for another way so that he wouldn't freeze himself, because giving back his jacket was also not going to happen, he would pull out other excuses to refuse.

Then it came to you…

“We can sit closer…” in a normal situation, you would've wanted to hide yourself from embarrassment. “I can't let you freeze yourself, Mido. Please?”

He stayed quiet for a few seconds. “There’s no option for me to say no, is there?”

A smile tugged at your lips. You scooted closer to him, attempting to embrace him, trying your best to not make things even more awkward than it already has. His body went rigid upon feeling your breath on his skin, his mind was screaming for him to back away but your warmth… Alan couldn’t help but find himself starting to melt to your touch.

“Alan,” you said softly.

He swore it went straight to his heart. You shouldn’t have let his name roll off your tongue like that. What blush was to appear on his face and you had to witness that? What if his heart beats a little too loud that you could hear them? So close to your ears like how close you were that you could count his lashes.

“Can I maybe…”

“Hm?”

“Can I put my head on your shoulder… please?”

Before Alan could react, a sound of thunder roaring not so far frightened you; making you jump at your seat– accidentally pulling him tighter in your embrace. You were trembling all over and his body confirmed it. To think that seconds ago he was only thinking about his own pride and honor…

Alan – not wanting to frighten you even more – carefully wrapped his arms around you, pulling you closer to him as he whispered in your ear, “It’s alright…”

His touches, albeit too rigid in fear of hurting you, brought you the comfort you needed. His hand soothing you on your back, and the other covering your ear from the loud noise. All you could hear was each other’s breathing, and each breath made you feel drowsy. In that moment all you wanted was to drown deeper in his embrace and never wake up.

“How are you feeling now?” he asked.

Thinking that he’s giving you a sign, you immediately put some space between you and him. But his hold on your back couldn’t get you far from him. “I’m sorry! I-i think I’m good now.”

His soft gaze was fixed on yours. “You sure?” 

The realization sent blood rushing to your face. His face was so close – too close that your nose almost touched. Did he ask me something? To be able to utter any word would be a blessing but your ability to talk seemed to jump out of the tent the moment your eyes locked.

Alan, with all the courage he had, “Y/n.”

“Yes…?”

He’s not sure whether you said something or not just now. Not with you looking up at him and your hair between his fingers. The voices in his head were whispering things to him. Telling him that he should let himself go and feel his fingertips against your skin; that he should do something with how lonely your lips were. You needed more warmth. So let him be your warmth.

‘Please don’t hate me for this,’ was what he wanted to say before he listened to his demons.

“I’m sorry, y/n.”

And then the rainstorm stopped. The world to your senses was no longer thunder in the sky, or the scent of wet dirt, or even the piercing cold in your bones. All you could feel was… Alan. His trembling lips on yours, his hand on the back of your head, the heat spreading through your body.

Your world had become him.

Everything became Alan. You see him when you close your eyes, you taste him at the tip of your tongue, drowning yourself in him and all his desire to have you.

And there’s nothing you want but to seek deeper, into the depth of his affection.

[mkpersephone]

I saw this on Qura about Professor X's character assassination in modern days comics and it fits perfectly:

it's pure character assassination. They've played with this idea before where Xavier's suppressed desires run amok for a while making him evil, or like Onslaught, the writers use the first excuse to make him an outright villain and plot device for "Heroes Reborn". Even Wolverine renaming the school the "Jean Grey School for Higher Learning" is one of the methods of trying to replace Xavier or rewrite his place in the hierarchy or question who is more 'saintly'. But when push came to shove the wheel would turn back because what actually sells (and is popular) is the classic, wheelchair-bound, parental, wise, and caring Professor Charles Xavier. I think they do this in these comics now because comics are dying, and the current writer wants these classic characters parroting their own thoughts and beliefs... even if it becomes the character's epitaph.

Honestly, modern writers DO NOT know how to try to build up a character or idea without tearing something down. And Xavier is always an awesome target because the ideal he stood for when originally created, (just like you pointed out in your answer) is one that ideologically is being opposed by today's progressives. There is no fight for equality, there is only ever varying levels of power and the struggle to have more. Having a straight white male who is a benevolent father figure to the wayward lost souls and moral center to an adoptive family unit is out of the question for modern writers. If you want to destabilize and re-write something in your own image, you attack the root, and Professor Charles Xavier is the root of the X-Men.

This whole story is WAY out of character for Xavier, but in their defense, I would say ever since Krakoa, each writer writes the characters as how they want to interpret the character. And this isn't the first character they've assassinated, including Moira McTaggert. Today, there is no Jim Shooter anymore trying to wrangle the whole bullpen and fighting the writers on bad ideas. (And to be fair, not all of his ideas were good and the writers fought him plenty, but the writers at the time were outstanding pros with long track records of great stories, not twitter account holders on their first comic who were given a job based on their race or sexuality).

When you stop knowing how to make great new characters, (heroes and villains alike), then you're stuck trying to reinvent the characters you have. That's been X-Men's problem for almost the last 20 years; when they make new characters, they're not really good and no one really cares. That leaves using the current stable... over and over and over again.

[sevilynne]

bro was literally "grieving" for like 16 years and abused her child and every other student in his damn class

you're fuckin mental

Anon, we're all adults here, no need to hide.

And yet we don't talk about how other professors did to children, I don't see you talking about Minerva doing more horrible things to Neville hmmm....

Point: It's normal in the Wizarding World to torment children, we don't comment on stuff like:

— Minerva leaving Neville out of the common room when there's a mass murderer outside.

— Minerva trying to humiliate Neville that he will never transfigure a teapot.

— Hagrid disfiguring and making fun of a kid's appearance.

— Pince hexing Ginny and Harry's things.

— And Mr. Stutter.

Minerva has favourites just like Severus and it's actually worse.

— Bending the 'First Years Aren't Allowed Having Their Own Broomsticks' rule for Harry.

— Sending Harry and the trio to Hagrid (Oh she knew OP, if Neville did that, Neville would serve detention with her.)

"Why are you bending this thing to Minerva?"

Because you are making excuses to hate on Severus, and never care about the fucked up shit that Minerva did (Because you're a fucked up shit too.)

And why not blame Dumbledore for hiring shitty staff lmao? This is completely normal for them and I'm not happy about it but I'm living.

And Neville was a sensitive child, Remus's fear isn't the literal moon, so is Ron having his boggart as a literal spider, Parvati having a mummy, and Seamus with a banshee. Neville can't have fears from Barty or Bellatrix because he never received them himself. Yet I don't see you commenting on them, hmmmm?

Yes, he was grieving for several years because his life is so fucked up no one loved him but her. And Lily was a horrible friend who laughed at him while he was being SA'd and defended his tormentors.

"He didn't wear trousers." It's literal culture in the Wizarding World not to wear trousers, James knew what he was doing and he wasn't probably even wearing trousers either.

Grieving is completely normal, it's like losing your sister who loved and took care of you, and I don't see you commenting on Sirius grieving James for twelve years and would've grieved more if he was alive.

Lastly, he's a fictional arse character ☠️ I can like anyone just like how Mstans can like the Marauders. :P

I feel so bad for the innocent Mstans who has done nothing wrong to be included into your mental help club of 1970s gay wizards.

Sure he bullied kids, but compared to other professors who never been abused and act the complete same as him? He's better ngl.

And the grieving one? Have you never grieved or are you emotionless? ☠️

[mister-tom-a-dildo-lover]

Confession Time!

So, over on Twitter, I'm a member of the Community Notes, and I can write Notes on any post as well as rate other Community Notes on those posts. This is done to fact check people. You have to provide a credible link as the source of your note before you're able to post it, right?

A bunch of M@rauders stans are attacking Tomarry writers, as usual, and because they can't handle that they like morally grey characters who did sus things, they make up all this shit to excuse those characters of their wrongdoings. Maybe that's why they're so jealous, cuz we can like a shitty character while NOT downplaying the bad he did.

Currently, there is an idea going around that Harry Potter was not abused in the canon story, and that everybody just swears he was abused when it was apparently, never addressed or shown and was just not treated the best. But when any M@rauder stans claim that Sirius was very clearly abused, it's unfair how no one agrees with them...

As such, they've been inundated with people pointing out all the abuse Harry has been through, from Vernon choking him out, Petunia trying to hit him with frying pans, them making him sleep in a closet instead of any of their extra bedrooms, lying about his parents, letting Dudley bully him constantly, punishing him when he doesn't understand that magic is at fault, starving him and his pet, putting bars on his window, etc... EXPLICIT ABUSE.

Now, one person gave a whole list of things that Sirius 'suffered' at the hands of his mother, and they're mad because it was pointed out that none of this actually happened in the story, not from anyone's mouth, and that that's just fanfiction tropes to make his parents worse and easier to hate. Harry's abuse is both told to us and shown as early as Ch. 2 of PS. We get to experience it through him in many ways throughout the books.

So usually, I don't get involved in these things, I just watch from the sidelines and laugh. But I thought it would be funny to put Community Notes on all of these people's posts because they're posting literal misinformation. And it's just funny to look at the post making all these claims and immediately see Rate Proposed Community Notes right at the bottom!

This person is ranting about how there are 'context clues' about Sirius was being physically abused by his family, while claiming that Harry's neglect was never explicit to try and make it seem as if Sirius choosing to leave home because of his parents' beliefs is proof of his suffering and is the same as Harry's blood relations treating him terribly for how he was born, his whole childhood.

When people have to sugarcoat and lessen Harry's experience because they want to uwu their favs so they can feel less bad about what their favs have done in canon... It's the weirdest thing. I'm not borrowing shame from a fictional character over their wrongdoings despite how all my favs are the villains. I'm here for the character, and to be so emotionally distraught over what your fav has done, that you need to gloss over it and invalidate canon over and over, is truly unhealthy behavior.

And then attacking people with different favs/ships than you, is peak madness. Get a life. Go figure shit out. You clearly cannot handle interacting with real people yet.

[twsted-idiot]

yall. @/dannysdreamgirl / @/studyandtamper (on discord) is a fucking proshipper and actually disgusting!! (I'm not blaming whoever invited her, because I'd assume whoever didn't know about this, just wanted to make this known ^_^)

Runs a mdni blog, that's fine, but then you join a server with SEVERAL minors?? Yes, most of us are 16-17 but are still legally minors, so that's irrelevant.

These are all from intros in the server from MINORS

Technically, nothing actually wrong with that..but it's still extremely fucking weird, yeah??

Then there's also this shit... about Nancy SAing Johnny and now it affected him or whatever. That's fucking disgusting, biologically her kid or not, and not something she would do.

That alone is genuinely gross and sickening, and then there's the repeatedly interacting with a KNOWN proshipper in the fandom.

They're deactivated because they actually got called out on their shit, as they should because that's nasty. Blood related or not, the family, shocker I know, SEES each other as FAMILY n guess what, incest isn't a normal thing. It's not cute, or funny, you're gross and actually need help.

"Proshipping's a coping mechanism" it shouldn't be. Yeah, cope with whatever however you see fit for yourself, no one can stop you, but this isn't a coping mechanism, you're just using it as an excuse to be fucking vile. Posting that publicly makes younger people think it's okay as well, and the cycle continues. "Fiction doesn't affect reality" except when it does, your brain can become conditioned to think something's okay when it's very clearly NOT.

This shit?? Why. Genuinely why?? Maybe let's not push our GROSS fetishes onto characters, especially not PUBLICLY.

There's other things too, I'm not going to continue to go through that disgusting blog to find it all though.. because then we'd be here forever.

[raven-at-the-writing-desk]

Now, with the 'Nightmare before Christmas' event fast approaching, how does it feel to know that there's a high chance of your old Oc coming to life? What was his name again? Ah yes, Jinx Skelton I think. Old follower here 👋

Even though I have to be honest I doubt we'll get any new characters this Halloween. I mean wouldn't it be strange for them to release new characters every Halloween? First it was Rollo then Fellow and now again? I doubt it honestly. Besides the thought of seeing a bishounen Jack Skeleton scares me. I love seeing new characters but at times point I'd rather have more information about the mysterious 4-year students.

[Referencing this post!]

THE WAY I FELT LIKE I GOT SHOT BY SEBEK'S UM WHEN I READ MY OLD OC'S NAME 🤡 A ZILLION WATTS OF LIGHTNING ARE COURSING THROUGH MY VEINS... . ..... .... ......... . .. . ........ . . . .... .. . . .

I think I first came up with Jinx like 4 years ago??? And the last time I drew him was like... 2 years ago?? BUT WOW, IT'S BEEN SO LONG SINCE I'VE THOUGHT ABOUT MY FAVORITE SPOOKY CHILD 😭 I'm so flattered that you remembered him, Anon!! (For those of you without any context, here's a fan art of him as well as my own design!)

adhbadoyqerqwvypnad I'm excited to see what TWST's interpretation of Jack Skellington might be! (I'm sure Yana and team's design would blow mine out of the water, lol) If they end up introducing a twisted!Oogie though, I might just bring Jinx back just to interact with him 👀

I'm not sure if I'm following what you're saying about the possibility of new characters though...? We may have had only Rollo and Fellow so far, but it seems to me that TWST has found a winning formula and an excuse to pump out a new limited SSR card every Halloween meaning more money for them. I don't get why they would backtrack now and do a whole event themed around a Disney property but NOT introduce a new character they can make bank on come next year. The first two Halloween events weren't themed, so it makes sense that no new character was introduced. Because this upcoming one is so blatantly going to be Nightmare Before Christmas-themed, I think it's all but guaranteed that we'll see a new face. adugkvqwodivqdi I JUST WONDER... WILL THE THIRST FOR THE NEW CHARACTER EXCEED THE THIRST OF FELLOWIVES??? Especially considering that the regular Jack Skellington is already a Tumblr sexyman????? Only time will tell...

I understand the anticipation for fourth year student lore, but I don't know that a Halloween event of all things would be good timing to make them relevant? So far, we only know that they temporarily return to campus for cultural fairs, in which NRC demonstrates the fruits of its labor to the general public. The fourth years would probably be better reserved for another kind of event or even later in the main story.

[mossyeyeballs]

TW: mentions of pretty much everything terrible. 🍇, trafficking, all of the above.

CLASS OF 09 RANT, FLIP SIDE SPOILERS

Ok not my usual post (I’ve posted twice ik but shush) but what the freak was the flip side??….. I was a huge fan of class of 09 + the re up but this game was so.. what’s the word….. dog shit? Even if we ignore half of the game being about the creators weird foot fetish, the sl@ve ending was so unnecessary. I feel like the only thing in that route that was worth writing was the issue in retail work and that wasn’t even the star focus, let alone side focus. The main plot of that route was the counselor having some weird illegal 🌽 warehouse, jecka finding it, and then him blackmailing her into human 🚙 🚙 ing?

The only ending I thought was necessary IF THAT was when Jecka found Nicole after the sue a side ending from re up. I thought it did a decent job at talking about sue a side victims, and how nobody really cares about them until it’s too late, And even then they only care for a week or so and then move on.

But the Jeffery dying one was the most out of place in my opinion (unfortunately it beats the foot ending.) For starters, Nicole was really out of character imo, like yeah she’s talked about wishing Jeffery was dead before, but her actually killing him just out of boredom is so odd. Her entire character is “I don’t put effort into anything unless it benefits me.” Killing Jeffrey was not only ALOT of effort, but she gained absolutely nothing. On top of that, saying it’s different than doing. Like how she talked about wishing her mom was dead, but then when she had a heart attack, she panicked. Plus, she PLANNED on making Jecka take some of the blame on his death, which she stated in past games she wouldn’t do. She literally never put Jecka in harms way, let alone jail if it didn’t also benefit them both. But this didn’t, she just did it to do it.

While we’re talking about Nicole being out of character, I feel it valid to mention her and Jeckas dad. For obvious (and gross) reasons, I won’t be detailing this, but her doing that to Jecka wasn’t fully out of character, but still odd. Like I mentioned earlier, Nicole never really did anything to spite Nicole, so I find it odd that she did in this game. You could blame it on “oh she’s a sociopath she doesn’t care.” But I don’t think that’s inherently true. Yeah, I guess it’s canon she’s a sociopath, but in that case they do a bad job at consistency. She’s shown in both games 1 and 2 caring about people she’s close with, whether it’s Jecka, her mom, or even Emily in one segment. So I find it completely random that she did this to Jecka over something as small as not sharing how she got into foot work. Jeckas done much worse stuff to Nicole, and Nicole just didn’t care because they were friends, or didn’t feel the need to put effort into doing something if she did care. So yeah, Nicole basically screwing Jeckas dad over something so little felt out of character.

One of the few things that bothered me the least, but I feel the need to mention was the foot work stuff. Not because it was out of character, i fear I’ve seen worse stuff mentioned in that game. But I guess the way it was portrayed as less of a story plot and more of the creator trying to live out his fantasies. He himself has stated Jeffrey is basically a self insert, so the whole being sexually obsessed with Jecka and her feet felt REALLY weird. Compared to Nicole’s my space favor thing, this just felt dirty. For comparison. Both Jecka and Nicole took up sex work to keep a home life or lackthereof, they both got money from strangers to do sexual things, and they both hated doing it. But why did Jeckas feel so much more personal and gross? Because the actual sex work was shown. In graphic detail. And all of Jeffrey’s (the creators) personal thoughts were stated with no backlash. Jeffery literally asked Jecka if she would 🍒feed him, and he was excused. When Nicole was asked the same hing from the same guy, he was insulted, yelled at, even told to leave.

So, creepy creator who’s obsessed with his barely legal characters, Jecka being sold to 🚙 🚙ing agaisnt her will, Jeffrey being murdered for no reason other than a giggle or two from his haters, Jecka accidentally killing Ari cause she was drunk driving, feet fan service, and fan service in general aside, the game is left only with the regular drug and alcohol abusage we always see. which in the game that was advertised as a new experience felt really stale and honestly left me bored. The ONE SINGULAR time during this game that I giggled was when the hat man appeared in the Ari route.

If you’ve fully ignored everything I said in this, maybe didn’t care, or didn’t even read it. Id just like to mention for everyone that the creator of this game said that anybody who disliked him, his games, his writing, or his humor were kid diddlers. In full seriousness. So yeah, no shock this game was bad, but I guess I shouldn’t have expected better from someone who thinks his haters are all child likers. All this being said, I enjoyed class of 09, and the re up. I’m hoping the anime episode that comes out soon with be a decent save. all of THAT being said, I don’t support this creator. I don’t support his actions, I think he’s a shitty person who’s made some shitty jokes, but made some not so shitty games that I decently enjoyed. I also haven’t bought them, so none of my money has gone towards him or his projects. I in NO WAY support him. Thanks for reading.

Feel free to comment down some of your own opinions if you feel so inclined, I’m interested in what everyone else thought of this game :))