#Central Operating System
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pedroam-bang · 1 year ago
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Watch Dogs (2014)
“Everything is connected. Connection is power.”
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wheelercore · 5 months ago
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Theory with no coherent proof on my part: brenner only visibly ages rapidly when a portal is open.
#brenner 'dies' very early on after rhe portal opens in s1 so we dont see the effects#but in s4 he looks considerably older.#then in s5 he apparently has a whole bald cap - portal that opened at the end of s4 has been open for approx 1.5 years#theres the tie in to the ptsd/trauma metaphor with the UD representing repressed memories#or repressed memories aka 'lost time' in someone memory#the whole thing where ppl with traumatic childhoods cant remember their childhoods very well and it comes back sooner or later#i wonder if there is a supernatural tie into that in st? like when a portal opens to the UD all that 'lost time' suddenly is allowed back#into the light aka out of the subconscious and into the conscious re flashbacks and memory retrieval#i dont believe NINA at all beyond the flashbacks el has before brenner got involved#bc it seems to me that brenner possibly took advtg of els vulnerable state to possibly manipulate her memory retrieval#which irl has been a long time point of controversy which is psychologists convinving patients that they have memories of trauma#they dont actually have. which idk how valid that is but brenner is a psychologist so if anyone he could find a way#also when the 'lost time' comes back to the surface brenner ages bc of those time loops begin to unravel. the real years brenner has lived#take its toll rather than him de aging as time loops back again to the beginning#very dr who of him. or at least every time he dies its another time loop thats created except from our perspective as the audience we#wouldnt know. because we are only watching from a set linear timeline (1983-1986) and we dont see the time line resetting itself#since all the timelines are similar enough with only small differences ('easter eggs')#tying this into the wheelers- their name literally means 'creator/operator of wheels' aka time loops. so are they The Source?#with the subtext surrounding 'truths' and 'lies' in ST i dont necessarily believe all timeloops are created equal#one must be the 'true' timeline while the others must be 'lies'. aka lonnie saying how people sometimes make things up 'to cope'#that and the heavy subtext behind hawkins being a cursed town. not necessarily anywhere else in the US#and how you can only open portals in hawkins per alexei#makes me thinks these arent legitimate timeloops. like time isnt physically looping back and rerunning events bc otherwise it wouldnt only#affect one small town in indiana. also we dont see the UD/the MF be able to affect time itself but rather ppls perception of time aka#mind control and memories. meaning that could it be time isnt actually looping but rather everyone in hawkins has their memories wiped and#recreated every time there is an inciting incident (which is unknown)#^this doesnt really explain how brenner is able to revive every time he dies unless brenner is actually an admin of this system and lives#'outside' the time loop. so. brenner is a video game character actually whos actual player is blissfully safe from harm outside of the the#computer screen#isnt this just the plot of the matrix. with 'the source' (the central computing core aka the wheelers?) and keymakers etc etc
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mudassir-iqbal · 1 month ago
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How ERP Systems Streamline Processes and Boost Efficiency
In today’s swiftly changing business environment, organisations are under increasing pressure to streamline their processes, increase their efficiency, and maintain their competitiveness. Enterprise Resource Planning (ERP) systems have emerged as a game-changer, radically altering how businesses function. This article will examine the critical role that ERP System plays in streamlining business…
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cloud9technologies2 · 4 months ago
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Benefits of Implementing ERP Software for Engineering Firms
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The engineering industry is one of the biggest industries in the world, and it plays an important role in growing the economy as well. The engineering sector is growing day by day and is highly competitive. Hence, efficiency, accuracy, and streamlined operations are crucial for success in this sector. Businesses face several challenges in this sector, like the complexities of a project, resource management, and deadline restrictions. ERP software for engineering firms is the best way to overcome all of these challenges as it integrates and automates business processes.
Here is the list of top benefits of utilizing ERP systems for the engineering industry:
1. Project Management:
The projects in engineering sectors have a detailed documentation process, different teams, and complicated workflows. ERP system for engineering firms help in various ways, like centralizing project data, enabling limitless collaboration, and getting real-time updates. Because of this software, every team member has all the updates, which in turn reduces miscommunication and delays in the project.
2. Resource Management:
For all engineering projects, it is essential to allocate all resources carefully, like equipment, materials, and labor. With the utilization of ERP software, the monitoring of resources can be performed easily. It helps in checking resource availability, optimizing usage, and forecasting requirements. This ultimately results in improving cost efficiency.
3. Quality Management:
Ensures engineering projects meet industry standards and regulations.
Quality Control: Offers tools for monitoring and managing the quality of materials, processes, and completed projects.
4. Data Management:
Using ERP software, engineering firms can make sure that they can get a unified database to eliminate data silos and ensure consistency through all departments. A centralized data management system is beneficial for decision-making as well it provides critical information when required.
5. Time and Budget Management:
When the whole system gets automated with ERP software, it reduces time and cost on repetitive tasks like data entry, procurement, and inventory management. The utilization of ERP systems in engineering firms helps in reducing manual errors and improving productivity. Hence, the firms can focus on other important things like innovation and project execution.
6. Client Relationship Management:
Most ERP systems include customer relationship management tools that are very helpful in managing client interactions. This tool allows the firm to track communication history, project milestones, and client preferences. Because of this feature, firms can improve customer satisfaction and build long-term relationships.
7. Scalability and Flexibility
ERP solutions may scale with the company as it grows, allowing for more projects, clients, and resources. Customization: ERP solutions can typically be tailored to an engineering firm’s specific demands and operations.
8. Financial Management
Accounting combines financial accounting with project management to provide a complete picture of the company’s financial health. Reporting: Creates detailed financial reports, such as profit and loss statements, balance sheets, and cash flow statements.
How PMTRACK ERP Helps:
Managing development processes, monitoring complex projects, and ensuring seamless collaboration across divisions are becoming increasingly important for company success. Engineering organizations in Pune, India, and around the world have distinct issues in successfully managing their operations.
Implementing a bespoke Enterprise Resource Planning (ERP) solution provides transformative benefits by streamlining processes, improving project management, and ultimately generating profitability.
For businesses considering ERP adoption, selecting the correct ERP software vendor is critical. PMTRACK ERP, a reputable ERP solution provider in Pune, India, specializes in engineering ERP systems tailored to the demands of engineering and manufacturing companies.
ERP software is used to connect project management with financial accounting, inventory control, and procurement procedures. This integration gives project managers real-time information about project costs, resource availability, and schedules, resulting in better-informed decisions and more effective project execution.
Engineering firms that use an ERP system can improve operational efficiency, reduce costs, improve project delivery, and ultimately boost client satisfaction and profitability.
Summary:
ERP software provides several advantages to engineering firms in Pune, India, ranging from better project management and financial control to higher client satisfaction and scalability. Engineering organizations can employ a comprehensive ERP solution to improve operations, decrease inefficiencies, and drive long-term growth.
PMTRACK ERP, one of the leading ERP solution providers in Pune, India, provides comprehensive, industry-specific ERP solutions that are suitable for engineering organizations’ unique requirements. Firms that collaborate with an experienced engineering ERP software company in India receive a trusted partner in negotiating the complexity of their business, setting them up for success in an increasingly competitive landscape.
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maryoma00 · 5 months ago
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Customer Service Relationship Management
Introduction to Customer Service Relationship Management
What is Customer Service Relationship Management (CSRM)?
Customer Service Relationship Management (CSRM) refers to the systematic approach of managing customer interactions and enhancing service delivery to build long-term, meaningful relationships. It focuses on addressing customer needs, resolving issues efficiently, and ensuring satisfaction through a blend of technology and human effort.
While traditional CRM systems emphasize sales and marketing, CSRM zeroes in on customer support and service processes to create a seamless experience.
Why is CSRM Important for Businesses?
Enhancing Customer Loyalty Effective CSRM fosters trust and loyalty by ensuring customers feel valued and heard. Loyal customers are more likely to advocate for the brand and provide repeat business.
Improving Operational Efficiency Centralized systems and streamlined workflows reduce redundancies, enabling quicker issue resolution and better service quality.
Gaining a Competitive Advantage In today’s customer-centric market, excellent service is a key differentiator. Businesses that prioritize CSRM stand out by delivering superior customer experiences.
Core Elements of Customer Service Relationship Management
Centralized Customer Data
Consolidating Information CSRM systems centralize customer data, making it easily accessible for service teams. This includes purchase history, preferences, and previous interactions.
Leveraging Data for Personalization Using this data, businesses can offer tailored solutions, making customers feel understood and valued.
Proactive Customer Support
Anticipating Customer Needs Proactive support involves identifying potential issues before they arise, like sending reminders about product updates or addressing frequently encountered problems.
Implementing Predictive Analytics Predictive analytics tools can analyze trends and customer behavior, helping teams forecast needs and provide preemptive solutions.
Integration with CRM Systems
Synchronizing Customer Interaction Data Integrating CSRM with existing CRM systems ensures a seamless flow of information across departments, improving customer interactions.
Cross-Functional Collaboration When sales, marketing, and support teams share insights, they can collaborate more effectively to meet customer needs holistically.
Benefits of Customer Service Relationship Management
Strengthened Customer Relationships Tailored interactions and a personalized approach foster trust and encourage long-term loyalty.
Enhanced Customer Satisfaction Quick and effective resolution of queries, along with self-service options, improves overall satisfaction.
Optimized Team Productivity By automating repetitive tasks and centralizing data, service teams can focus on complex issues, boosting efficiency.
Steps to Implement a CSRM Strategy
Assessing Customer Service Needs
Identifying Pain Points Conducting surveys and analyzing feedback helps identify recurring issues and areas for improvement.
Understanding Customer Preferences Determine the preferred channels and communication styles of your customers to tailor the strategy accordingly.
Selecting the Right Tools
Features to Look For Look for tools offering ticketing systems, analytics, AI capabilities, and omnichannel support.
Popular CSRM Platforms Platforms like Zendesk, Salesforce Service Cloud, and Freshdesk cater to businesses of various sizes and industries.
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antonyshelton · 5 months ago
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Build the Future of Gaming with Crypto Casino Development Solutions
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#In a world where innovation drives the gaming industry#the rise of crypto casino game development is reshaping the way players and developers think about online gambling. This is because blockch#allowing developers and entrepreneurs to create immersive#secure#and decentralized casino experiences in unprecedented ways. This is not a trend; it's here to stay.#The Shift towards Crypto Casinos#Imagine a world that could be defined by transparency#security#and accessibility for your games. That's precisely what crypto casino game development is trying to bring to the table. Traditionally#online casinos have suffered because of trust issues and minimal choices for payment options. This changes with blockchain technology and c#Blockchain in casino games ensures that all transactions are secure#transparent#and tamper-proof. Thus#players can check how fair a game is#transfer money into and out of the account using cryptocurrencies#and maintain anonymity while playing games. It is not only technologically different but also culturally. This shift appeals to a whole new#What Makes Crypto Casino Game Development Unique?#Crypto casino game development offers features that set it apart from traditional online casinos. Let’s delve into some of these groundbrea#Decentralization and TransparencyBlockchain-powered casinos operate without centralized control#ensuring all transactions and game outcomes are verifiable on a public ledger. This transparency builds trust among players.#Enhanced SecurityWith smart contracts automating processes and blockchain technology securing transactions#crypto casinos significantly reduce the risk of hacking and fraud.#Global AccessibilityCryptocurrencies break the barriers that traditional banking systems have#making it possible for players from around the world to participate without having to think about currency conversion or restricted regions#Customizable Gaming ExperiencesDevelopers can customize crypto casino platforms with unique features such as NFT rewards#tokenized assets#and loyalty programs#making the game more interesting and personalized.#Success Story of Real Life#Crypto casino game development has already brought about success stories worldwide. Among them
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japanbizinsider · 2 years ago
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aymanfamily · 3 months ago
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Evacuation of my Neurological Patient Brother 🥹🙏
Dear Friends and Supporters,
I’m reaching out to you today, on behalf of my husband, with an urgent request for assistance. My family is currently facing an unimaginable situation as I desperately seek to evacuate them from the ongoing crisis in Gaza including my brother-in-law, who is a neurological patient, and my mother-in-law who is 70 years old, and she is not only grapples with the challenges of aging but also shoulders the burden of chronic illnesses, including high blood pressure and diabetes. My brother-in-law's condition requires specialized medical care, as he suffers from a benign tumor in the cerebellum. He underwent two major surgeries to remove the tumor, and an internal valve was installed to drain the cerebrospinal fluid.
This operation led to a permanent disability in movement and stiffness in the muscles of the legs, especially the left side. He needs constant follow-up and permanent rehabilitation treatment, as he was receiving two physical therapy sessions weekly to relieve muscle stiffness, but since the beginning of the aggression on the Gaza Strip (more than 4 months ago), he has not received this service, and in the same context, he needs daily medication which is simply not available now in Gaza, as the healthcare system in the Gaza Strip has been severely impacted by the ongoing conflict, with limited resources and a shortage of medical supplies. It is crucial that we act quickly to evacuate him to a safer location where he can receive the necessary medical attention and support, in addition to the evacuation of 6 other members of my family.
As many of you may be aware, Gaza has been experiencing a devastating humanitarian crisis for years. The recent Israeli aggression on the Gaza Strip has worsened the situation, leaving innocent civilians trapped and in desperate need of help. Knowing that we live in Gaza City, but the Israeli occupation army forced us to evacuate our homes and move to the center or south of the Gaza Strip. We left our home on 13th Oct. 2023 and moved to the center of the Gaza Strip, which was supposed to be a safe area, but then the Israeli soldiers began military operations in the central region. Therefore, we were forced to move to Rafah, living in a house including 20 members. Currently the Israeli Occupation Forces are threatening to invade Rafah, where 1.4 million people are taking refuge in an area of 55 km2. If Rafah is invaded, more massacres will be committed in addition to the massacres that were and are currently being committed in all areas of the Gaza Strip. Note that our house was directly hit by a missile, and currently the Israeli army does not allow us to return to Gaza city and to our homes, in addition to the fact that Gaza currently does not have the minimum necessities of life, such as electricity or clean water, in addition to the scarcity of resources. So, in an attempt to save our lives, we are planning to evacuate to Egypt, but the cost of evacuation is exorbitant, far beyond what our family can afford, therefore I'm setting up a GoFundMe campaign to raise USD $59,000. Here is the breakdown of the funds: • A total of USD $49,000 is estimated to cover the expenses associated with obtaining permits to leave Gaza, as well as crossing fees at Rafah, at the Egypt-Gaza border. This amount breaks down to USD$ 5,000 - $7,000 per person (7 people). • It is estimated that USD $10000 will be sufficient to cover the basic needs of my family in Egypt, including their accommodation, food, and other essential. Every donation, no matter how big or small, will make a difference. Even the smallest contribution can help us an inch closer to our goal of saving our life. Knowing that times are tough, and the invasion of Rafah could happen at any time, noting that the crossing with Egypt is in the city of Rafah, and it is possible that the crossing will be closed at any time due to the invasion, so I hope you help as soon as possible. Many thanks in advance for your contribution to save our lives.
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My gofundme link:
Thanks for your trust and support ❤️🙏
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workersolidarity · 10 months ago
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[ 📹 Dead and wounded arrive at a hospital in Gaza after the Israeli occupation forces bombed a residential building in the Al-Maghazi Camp, in the central Gaza Strip on Monday. 📈 The current death toll in the Israeli genocide now exceeds 38'664 Palestinians killed, while another 89'097 others have been wounded since Oct. 7th. ]
🇮🇱⚔️🇵🇸 🚀🏘️💥🚑 🚨
283 DAYS OF GENOCIDE IN THE GAZA STRIP: GAZANS IN ISRAELI DETENTION FACE TORTURE, RAPE AND DEATH, SMOTRICH REJECTS THE POSSIBLE RELEASE OF PALESTINIAN PRISONERS IN EXCHANGE DEAL, 15 YEARS NEEDED TO REMOVE THE RUBBLE OF GAZA, ISRAELI MASSACRES CONTINUE AS GENOCIDE ENTERS ITS 40TH WEEK
On 283rd day of the Israeli occupation's ongoing special genocide operation in the Gaza Strip, the Israeli occupation forces (IOF) committed a total of 3 new massacres of Palestinian families, resulting in the deaths of no less than 80 Palestinian civilians, mostly women and children, while another 216 others were wounded over the previous 24-hours.
It should be noted that as a result of the constant Israeli bombardment of Gaza's healthcare system, infrastructure, residential and commercial buildings, local paramedic and civil defense crews are unable to recover countless hundreds, even thousands of victims who remain trapped under the rubble, or whose bodies remain strewn across the streets of Gaza.
This leaves the official death toll vastly undercounted as Gaza's healthcare officials are unable to accurately tally those killed and maimed in this genocide, which must be kept in mind when considering the scale of the mass murder.
Details have emerged about the severe abuse of Palestinian detainees while being held in Israeli prisons. This comes after journalist Mohammad Arab met with his lawyer who visited the Ofer Prison near Ramallah in the occupied West Bank on Sunday.
According to Khaled Mahajna, a lawyer with the Commission of Detainees' Affairs, who spoke at a press conference after he visited two clients from the Ofer Prison, detailed his clients' experiences under interrogation at the Sde Teiman Camp, a prison in the Negev desert of southern occupied Palestine.
Speaking of his visit to Ofer Prison, Mahajna says his client was questioned about a prior visit from his lawyer and threatened with punishment for disclosing his experiences.
Mahajna said Arab described witnessing the rape of Gazan detainees, telling his lawyer one was stripped naked during an assault, while another detainee was also stripped naked and electricuted, before being sexually assaulted.
Mahajna told reporters that Palestinian detainees were forced to lie on the ground with their hands bound behind their heads before police dogs were released, attacking the bound men.
Mahajna went on to add that more than 100 detainees were blindfolded before being transferred from the Sde Teiman Camp to the Ofer Prison, leading the prisoners to believe they were being taken to a camp near Gaza.
According to the Israeli Prison Services, more than 9'000 Palestinian detainees are currently being held in Israeli prisons.
In other news, Israeli Finance Minister Bezalel Smotrich said on Monday, July 15th, that he opposes the release of Palestinian prisoners as part of a hostage exchange and ceasefire agreement with the Palestinian resistance factions.
Smotrich described the release of Palestinian prisoners as a "terrible and horrific event," going on to say that "I will not agree to it; a red line must be drawn."
“We saw what happened in the deal for Gilad Shalit (former Israeli soldier who was released by the Resistance in a 2011 hostage deal). We released Yahya Sinwar, and we see what we got in return,” Smotrich said, before asking “With what logic will we release the next Yahya Sinwar and endanger thousands more Israelis?”
In the 2011 hostage exchange, the Hamas Palestinian resistance movement released the soldier Shalit in exchange for the release of some 1'027 Palestinian prisoners, including the current Al-Qassam military leader, Yahya Sinwar, who remains at large and hunted by occupation forces.
Smotrich concluded his statement by saying that “I will oppose this, even if it ends my political career.”
“If there are no red lines, you have no right to practice politics,” he said.
In more news on Monday, the United Nations has estimated that it would take a fleet of 100 trucks more than 15 years to remove the mountain of rubble burying the Gaza Strip, while the removal is estimated to cost approximately US$600 million.
The UN also estimates that 137'297 buildings have been damaged or destroyed since the start of the Israeli occupation's genocidal war, equivalent to more than half of the enclave's buildings.
The UN says that, of the targeted buildings, around a quarter are completely destroyed, while a tenth are severely damaged.
In total, the UN stated that rubble covers as much as five square kilometers of Gaza, with the UN proposing that most of the rubble is not recoverable or recyclable, and will have to be disposed of.
Previously, the United Nations estimated that rebuilding the Gaza Strip, with all its destroyed homes and facilities, wouldn't be completed until at least 2040, and is expected to cost in excess of US$40 Billion, which the UN described as an "optimistic estimate".
The UN also pointed to the destruction of Gaza's schools, sewage and water lines, medical and other vital infrastructure, stating that the quality of healthcare, education and social services in Gaza has returned to levels unseen since 1980.
According to the United Nations, more than 44 years of development in Gaza has been completely erased.
“The damage to infrastructure is unbelievable, there is not a single building in Khan Younis that has not been damaged,” a UN official told the media
“The terrain has changed, new hills have appeared. The bombs dropped have changed the landscape."
It was also noted that piles of rubble across the Gaza Strip are filled with unexploded bombs and other explosive materials, which will make the reconstruction of the Gaza Strip an even more difficult task, the UN official concluded.
Meanwhile, the Israeli occupation's genocidal war goes on, with occupation bombing and shelling continuing to target civilian homes, infrastructure and other facilities.
On Sunday, occupation warplanes bombed the UNRWA-run Abu Oreiban School, which housed displaced Palestinian families in the Nuseirat Camp, in the central Gaza Strip, resulting in the deaths of 15 Palestinian civilians, mostly women and children, and wounding another 70 others.
The Zionist entity's atrocities continued when an Israeli drone targeted citizens in the Bir Abu Salah area in the town of Al-Zawaida, in the central Gaza Strip, resulting in the death of one Palestinian and injuring several others.
In another attack, the Israeli occupation forces bombed the Al-Mashrou area, east of the city of Rafah, in the southern Gaza Strip, killing a Palestinian and wounding others, while at the same time, occupation fighter jets bombed civilian homes north of the New Camp area of the Nuseirat Camp, killing and wounding several citizens.
Zionist warplanes went on to bomb a residential home in Bani Suhaila, east of Khan Yunis, in the south of Gaza, and also targeting a civilian residence northeast of the Nuseirat Camp, while an occupation drone fired live bullets towards residents of the Al-Zaytoun neighborhood, southeast of Gaza City.
By dawn on Monday morning, the Israeli occupation army had fired several artillery shells towards the neighborhoods of Tal al-Hawa, Sheikh Ajlin, and al-Sabra in Gaza City, while Zionist helicopters fired rockets and bullets at civilians in the Tal al-Hawa neighborhood, southwest of the city.
Similarly, occupation artillery detatchments shelled in the vicinity of Street 8 in the Al-Zaytoun neighborhood, southeast of Gaza City.
The occupation's bombing also targeted a residential home belonging to the Al-Manaama family in the Al-Maghazi Camp, in the central Gaza Strip, after which, civil defense and rescue crews managed to recover the bodies of 5 martyrs, including 3 children.
Occupation artillery shelling and aircraft bombing also targeted the Al-Mughraqa area, along with the northern outskirts of the Nuseirat Camp, both in central Gaza, as well as in the Bureij Camp, while occupation forces also opened fire from helicopters northwest of Al-Zahra'a.
An occupation warplane also fired a missile into a residential apartment near the Al-Awda School in the town of Abasan Al-Kabira, east of Khan Yunis, with no injuries reported in the strike.
Israeli artillery shelling went on to target the western neighborhoods of Rafah City, south of Gaza, coinciding with gunfire from Zionist helicopters in the same area.
In another bombing, occupation fighter jets bombed a gathering of civilians on Al-Mansoura Street in the Al-Shujaiya neighborhood, east of Gaza City, killing 3 civilians and wounding several others.
Israeli war crimes continued into Monday evening, when occupation warplanes bombed a house in the Nuseirat Camp, resulting in the martyredom of 6 Palestinians and wounding a number of others.
As a result of the Israeli occupation's ongoing war of extermination in the Gaza Strip, the endlessly rising death toll now exceeds 38'664 Palestinians killed, including at least 10'000 women and well over 15'000 children, while another 89'097 others have been wounded since the start of the current round of Zionist aggression, beginning with the events of October 7th, 2023.
This brings the total number of casualties in the genocide to 127'761 or 5.55% of the 2.3 million Palestinian residents of the Gaza Strip.
July 15th, 2024.
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@WorkerSolidarityNews
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mostlysignssomeportents · 7 months ago
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Penguin Random House, AI, and writers’ rights
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NEXT WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.
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My friend Teresa Nielsen Hayden is a wellspring of wise sayings, like "you're not responsible for what you do in other people's dreams," and my all time favorite, from the Napster era: "Just because you're on their side, it doesn't mean they're on your side."
The record labels hated Napster, and so did many musicians, and when those musicians sided with their labels in the legal and public relations campaigns against file-sharing, they lent both legal and public legitimacy to the labels' cause, which ultimately prevailed.
But the labels weren't on musicians' side. The demise of Napster and with it, the idea of a blanket-license system for internet music distribution (similar to the systems for radio, live performance, and canned music at venues and shops) firmly established that new services must obtain permission from the labels in order to operate.
That era is very good for the labels. The three-label cartel – Universal, Warner and Sony – was in a position to dictate terms like Spotify, who handed over billions of dollars worth of stock, and let the Big Three co-design the royalty scheme that Spotify would operate under.
If you know anything about Spotify payments, it's probably this: they are extremely unfavorable to artists. This is true – but that doesn't mean it's unfavorable to the Big Three labels. The Big Three get guaranteed monthly payments (much of which is booked as "unattributable royalties" that the labels can disperse or keep as they see fit), along with free inclusion on key playlists and other valuable services. What's more, the ultra-low payouts to artists increase the value of the labels' stock in Spotify, since the less Spotify has to pay for music, the better it looks to investors.
The Big Three – who own 70% of all music ever recorded, thanks to an orgy of mergers – make up the shortfall from these low per-stream rates with guaranteed payments and promo.
But the indy labels and musicians that account for the remaining 30% are out in the cold. They are locked into the same fractional-penny-per-stream royalty scheme as the Big Three, but they don't get gigantic monthly cash guarantees, and they have to pay the playlist placement the Big Three get for free.
Just because you're on their side, it doesn't mean they're on your side:
https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing
In a very important, material sense, creative workers – writers, filmmakers, photographers, illustrators, painters and musicians – are not on the same side as the labels, agencies, studios and publishers that bring our work to market. Those companies are not charities; they are driven to maximize profits and an important way to do that is to reduce costs, including and especially the cost of paying us for our work.
It's easy to miss this fact because the workers at these giant entertainment companies are our class allies. The same impulse to constrain payments to writers is in play when entertainment companies think about how much they pay editors, assistants, publicists, and the mail-room staff. These are the people that creative workers deal with on a day to day basis, and they are on our side, by and large, and it's easy to conflate these people with their employers.
This class war need not be the central fact of creative workers' relationship with our publishers, labels, studios, etc. When there are lots of these entertainment companies, they compete with one another for our work (and for the labor of the workers who bring that work to market), which increases our share of the profit our work produces.
But we live in an era of extreme market concentration in every sector, including entertainment, where we deal with five publishers, four studios, three labels, two ad-tech companies and a single company that controls all the ebooks and audiobooks. That concentration makes it much harder for artists to bargain effectively with entertainments companies, and that means that it's possible -likely, even – for entertainment companies to gain market advantages that aren't shared with creative workers. In other words, when your field is dominated by a cartel, you may be on on their side, but they're almost certainly not on your side.
This week, Penguin Random House, the largest publisher in the history of the human race, made headlines when it changed the copyright notice in its books to ban AI training:
https://www.thebookseller.com/news/penguin-random-house-underscores-copyright-protection-in-ai-rebuff
The copyright page now includes this phrase:
No part of this book may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.
Many writers are celebrating this move as a victory for creative workers' rights over AI companies, who have raised hundreds of billions of dollars in part by promising our bosses that they can fire us and replace us with algorithms.
But these writers are assuming that just because they're on Penguin Random House's side, PRH is on their side. They're assuming that if PRH fights against AI companies training bots on their work for free, that this means PRH won't allow bots to be trained on their work at all.
This is a pretty naive take. What's far more likely is that PRH will use whatever legal rights it has to insist that AI companies pay it for the right to train chatbots on the books we write. It is vanishingly unlikely that PRH will share that license money with the writers whose books are then shoveled into the bot's training-hopper. It's also extremely likely that PRH will try to use the output of chatbots to erode our wages, or fire us altogether and replace our work with AI slop.
This is speculation on my part, but it's informed speculation. Note that PRH did not announce that it would allow authors to assert the contractual right to block their work from being used to train a chatbot, or that it was offering authors a share of any training license fees, or a share of the income from anything produced by bots that are trained on our work.
Indeed, as publishing boiled itself down from the thirty-some mid-sized publishers that flourished when I was a baby writer into the Big Five that dominate the field today, their contracts have gotten notably, materially worse for writers:
https://pluralistic.net/2022/06/19/reasonable-agreement/
This is completely unsurprising. In any auction, the more serious bidders there are, the higher the final price will be. When there were thirty potential bidders for our work, we got a better deal on average than we do now, when there are at most five bidders.
Though this is self-evident, Penguin Random House insists that it's not true. Back when PRH was trying to buy Simon & Schuster (thereby reducing the Big Five publishers to the Big Four), they insisted that they would continue to bid against themselves, with editors at Simon & Schuster (a division of PRH) bidding against editors at Penguin (a division of PRH) and Random House (a division of PRH).
This is obvious nonsense, as Stephen King said when he testified against the merger (which was subsequently blocked by the court): "You might as well say you’re going to have a husband and wife bidding against each other for the same house. It would be sort of very gentlemanly and sort of, 'After you' and 'After you'":
https://apnews.com/article/stephen-king-government-and-politics-b3ab31d8d8369e7feed7ce454153a03c
Penguin Random House didn't become the largest publisher in history by publishing better books or doing better marketing. They attained their scale by buying out their rivals. The company is actually a kind of colony organism made up of dozens of once-independent publishers. Every one of those acquisitions reduced the bargaining power of writers, even writers who don't write for PRH, because the disappearance of a credible bidder for our work into the PRH corporate portfolio reduces the potential bidders for our work no matter who we're selling it to.
I predict that PRH will not allow its writers to add a clause to their contracts forbidding PRH from using their work to train an AI. That prediction is based on my direct experience with two of the other Big Five publishers, where I know for a fact that they point-blank refused to do this, and told the writer that any insistence on including this contract would lead to the offer being rescinded.
The Big Five have remarkably similar contracting terms. Or rather, unremarkably similar contracts, since concentrated industries tend to converge in their operational behavior. The Big Five are similar enough that it's generally understood that a writer who sues one of the Big Five publishers will likely find themselves blackballed at the rest.
My own agent gave me this advice when one of the Big Five stole more than $10,000 from me – canceled a project that I was part of because another person involved with it pulled out, and then took five figures out of the killfee specified in my contract, just because they could. My agent told me that even though I would certainly win that lawsuit, it would come at the cost of my career, since it would put me in bad odor with all of the Big Five.
The writers who are cheering on Penguin Random House's new copyright notice are operating under the mistaken belief that this will make it less likely that our bosses will buy an AI in hopes of replacing us with it:
https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids
That's not true. Giving Penguin Random House the right to demand license fees for AI training will do nothing to reduce the likelihood that Penguin Random House will choose to buy an AI in hopes of eroding our wages or firing us.
But something else will! The US Copyright Office has issued a series of rulings, upheld by the courts, asserting that nothing made by an AI can be copyrighted. By statute and international treaty, copyright is a right reserved for works of human creativity (that's why the "monkey selfie" can't be copyrighted):
https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/
All other things being equal, entertainment companies would prefer to pay creative workers as little as possible (or nothing at all) for our work. But as strong as their preference for reducing payments to artists is, they are far more committed to being able to control who can copy, sell and distribute the works they release.
In other words, when confronted with a choice of "We don't have to pay artists anymore" and "Anyone can sell or give away our products and we won't get a dime from it," entertainment companies will pay artists all day long.
Remember that dope everyone laughed at because he scammed his way into winning an art contest with some AI slop then got angry because people were copying "his" picture? That guy's insistence that his slop should be entitled to copyright is far more dangerous than the original scam of pretending that he painted the slop in the first place:
https://arstechnica.com/tech-policy/2024/10/artist-appeals-copyright-denial-for-prize-winning-ai-generated-work/
If PRH was intervening in these Copyright Office AI copyrightability cases to say AI works can't be copyrighted, that would be an instance where we were on their side and they were on our side. The day they submit an amicus brief or rulemaking comment supporting no-copyright-for-AI, I'll sing their praises to the heavens.
But this change to PRH's copyright notice won't improve writers' bank-balances. Giving writers the ability to control AI training isn't going to stop PRH and other giant entertainment companies from training AIs with our work. They'll just say, "If you don't sign away the right to train an AI with your work, we won't publish you."
The biggest predictor of how much money an artist sees from the exploitation of their work isn't how many exclusive rights we have, it's how much bargaining power we have. When you bargain against five publishers, four studios or three labels, any new rights you get from Congress or the courts is simply transferred to them the next time you negotiate a contract.
As Rebecca Giblin and I write in our 2022 book Chokepoint Capitalism:
Giving a creative worker more copyright is like giving your bullied schoolkid more lunch money. No matter how much you give them, the bullies will take it all. Give your kid enough lunch money and the bullies will be able to bribe the principle to look the other way. Keep giving that kid lunch money and the bullies will be able to launch a global appeal demanding more lunch money for hungry kids!
https://chokepointcapitalism.com/
As creative workers' fortunes have declined through the neoliberal era of mergers and consolidation, we've allowed ourselves to be distracted with campaigns to get us more copyright, rather than more bargaining power.
There are copyright policies that get us more bargaining power. Banning AI works from getting copyright gives us more bargaining power. After all, just because AI can't do our job, it doesn't follow that AI salesmen can't convince our bosses to fire us and replace us with incompetent AI:
https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no
Then there's "copyright termination." Under the 1976 Copyright Act, creative workers can take back the copyright to their works after 35 years, even if they sign a contract giving up the copyright for its full term:
https://pluralistic.net/2021/09/26/take-it-back/
Creative workers from George Clinton to Stephen King to Stan Lee have converted this right to money – unlike, say, longer terms of copyright, which are simply transferred to entertainment companies through non-negotiable contractual clauses. Rather than joining our publishers in fighting for longer terms of copyright, we could be demanding shorter terms for copyright termination, say, the right to take back a popular book or song or movie or illustration after 14 years (as was the case in the original US copyright system), and resell it for more money as a risk-free, proven success.
Until then, remember, just because you're on their side, it doesn't mean they're on your side. They don't want to prevent AI slop from reducing your wages, they just want to make sure it's their AI slop puts you on the breadline.
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Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
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swordsandholly · 1 year ago
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Fancy
Ch 1: Here’s Your One Chance | Next | Ao3
MDNI
Vampire! Poly! 141 x Plus size! Fem! Reader
Word Count: 3.6k
Summary: A permanent darkness rests over the city. You’ve lived here your whole life - in the slums, just another human to be pushed and pulled at the whims of the vampires that run it. Another human made to bleed and crawl their way through a meager life.
Maybe, just maybe, a meeting by happenstance will change your fate for the better.
A permanent darkness rests over the city. Cold, too. Despite living here your whole life you’ve never quite adjusted to the artificial nature of it - to the shadow hanging above the miles and miles of city and the constant chill on your skin.
Really, you aren’t meant to be here. This place isn’t built for humans despite the mass that live within the confines of the city’s dome. It’s made for creatures - beings of the night that stalk and rule. The air has become rotten in the lower neighborhoods over a century due to pollution and overpopulation. It will turn your lungs black before the age of five without the proper protection.
Apartment buildings are crowded and decent living conditions are hard to come by. Many have a waitlist longer than the human lifespan. Most operate on a dorm system - at least one person per room. Randomly assigned of course, based entirely on who can pay the rent. You’ve lucked out enough to earn a shitty studio to yourself. It’s cracked and crumbling but the locks are tight and it has a window - even if the view is just a building across the alleyway.
You squeeze into a black mini dress, tying your hair up to show off the double string of pearls on your neck. They’re the nicest thing you own - the only thing worthy of this club. The only thing that can project the image needed to get proper tips. Red lipstick as a final touch. It’s corny, you know, but the vampire clients are always suckers for it. Pun intended.
This job is important. There can’t be a hair out of place. This is your chance. Your one chance to make enough money to get out of the slums. To at least make it to the middle city. You can practically hear the grime on the sidewalk as you make your way toward the metro station. Dirt and debris so caked into the very air down here that you have to wear a respirator as you go. It’ll leave marks when you first take it off, but they usually disappear by the time you’ve made it from the depot to the club.
You don’t bother with sitting on the train. Hell will freeze over before you chance catching whatever new disease has grown in that Petri dish. Instead you join the rest of the patrons in awkwardly standing in the center of the cart, damn near falling over when the train lurches to begin its journey from the slums to the upper city. There are actual names for the two areas, but nobody uses them anymore.
The respirator makes a hissing sound as you remove it after stepping out of the train. The cool, clean air of the upper city fills your lungs. It’s satisfying in a way its sticky, filtered sister could never be. The faux fur of your cropped coat tickles a bit as you walk, blown by that strange breeze that never seems to stop in the upper city. The one that blows all the grime and smog downhill.
The club sits square in central downtown - the bottom level of a historical hotel. It’s an elegant building. Red with curled metal accents over the windows and doors. Modeled after the ancient art nouveau movement. It sparkles underneath the artificial LEDs of the city - all signs and glowing windows. You can always tell where the humans are, catching glimpses of that unmistakable glow only a UV light gives off.
You duck down the alley behind the hotel. Grimy and dark, the complete opposite of the front entrance. Your heels clack on the concrete loudly - echoing off the hard walls of the building surrounding you.
It’s easy enough to slip into the routine of your job. Going back and forth to the bartender, carrying various drinks and placating the egos of cowardly men and the vampires they lie to themselves about being equal to. You can see the hunger in their eyes when you tilt your head, exposing more of your neck to the light. When your wrists just pass their noses as you set down their glasses.
It’s hard work. Long hours and more days of the week than you would like, but it pays enough for you to afford your little apartment and save some for your future.
“Hey! New girl!” The owner barks at you as you gently set your tray back into the stack to be washed.
You whirl on your heel. Shit, did you fuck up? Ruin everything? Your mind runs through every interaction over the course of the night - every comment, every stilted moment. “Y-yes, sir?”
“Need you as a Companion.” He stands in front of you, the pinstripes of his suit warping over his massive crossed arms. The wrinkle in his nose makes his mustache twitch.
“C-companion!” You squeak. “I’m not-“
“We had a call out. Need you to take the private booth in the back.”
Your eyes are saucers - heart beating so hard you almost can’t hear his words. You don’t know what to make of this. His words are harsh and cut right though you, but the prospect they hold…
“You paying attention?” He grunts.
Your voice shakes. “Just… why me?”
“You match their preference.” Its blunt. Uncaring. Not that you would ever expect much sympathy from the owner of a place like this - feeding girls to vampires and their kin.
Generally, you’re not the type to be preferred - too big and soft for most. It’s what kept you as a server exclusively, you’re sure. Companion is such a major step up, too. You haven’t had any training. You never thought you’d get there - only a few girls make it from Server to Companion. To have it by happenstance…
With a deep breath you remind yourself that this is temporary. Just for tonight. You are acting as a replacement, nothing more. If you pull this off maybe you’ll get enough tips to finally replace the air filtration in your apartment. Maybe you can even get an overhead UV light. Oh, wouldn’t that be lovely!
Another tray is shoved into your hands. Is this… actual gold? Ornate designs line the outer rim - all weaving in and out of each other inlaid with iridescent mother of pearl. It’s cold on your hands and so shiny you catch your reflection in it before the bartender sets a bottle of wine and four glasses on it. You’re fairly certain between the wine and the tray you are holding upwards of four thousand dollars a in your hands. It takes everything to keep your hands from trembling.
You slowly head for the back booth - just beyond the main floor of the bar. It’s far more quiet here. The music from the floor muffled by distance. There are only a few private booths and they are only ever occupied by the city’s elite. The top of the top. You pause at the heavy, velvet burgundy curtain separating you and your clients for tonight. They could be anyone.
You hope they aren’t the type to get rough.
Balancing the tray on one hand, you use the other the push the heavy curtain to the side - entire body alert and tense as your eyes land on the four men sitting around the rounded booth. Their eyes meet yours, and you freeze. A shiver runs down your spine.
They’re beautiful in that way only vampires can be. Untouchable. Marble-esque. Eyes clear and bright even in the low light of the booth - that sheen of night vision apparent. Lions staring down their prey and you, who walked into the den willingly.
“Good evening.” It takes everything to keep your voice steady. To slip back into that comfortable customer service headspace you’ve curated over the years. “I’ll be your Companion tonight.”
“What happened t’ Cherry?” The man on the outer right side of the booth asks. His arm is slung carelessly over the back of the booth, body slack and comfortable.
“She was unfortunately unable to come in tonight.” You say softly, carefully sliding the tray onto the table. “If I’m not to your standards-“
“Well, now, none of us said that.” A man with an imperial beard smiles. It softens his face - makes him look less like stone. “What’s your name, dove?”
“Fancy.” You murmur. It’s your chosen work name - based on a song your mother used to play from a century ago. One of your earliest memories is her lifting you into her arms and spinning around to the song. All the workers names are single words. Easy to remember. Easy to request for returning quests.
“Fittin’.” The man to your left grins, bright blue eyes sparkling. His fangs catch the light - your hands tremble for a brief moment.
“Do you know who we are?” The masked man beside him asks. His voice rumbles through your nerves, all the way into your bones. You can hardly look at him - the skull covering the top half of his face makes your gut churn.
Should you know them? Oh, fuck, you probably should. Vampires live forever - their names and legacies travel across centuries. Millenia. It’s going to give you away. You’re just a low class human from the slums. You don’t know Vampires from the uppers.
The illusion of luxury only goes so far.
“It’s not a trick question.” The man to your right smiles gently, tilting his head to the side.
“No, sir.”
“Well,” The one with the beard sits a little straighter. “I’m John Price and these are my… confidants. Cohorts. Kyle Garrick, Johnny MacTavish and Simon Riley.” He gestures to each as he goes.
John Price… John Price… Nothing comes to mind. Nothing about any of them, for that matter.
“Lovely to meet you.” You smile pleasantly, slipping back into the script. Swallowing roughly and steadying yourself, you reach for the bottle and slowly pouring a tester amount into the four glasses. “Tonight we have a vintage red from 2089.”
John hums, swirling the glass before taking a sip. His eyes glow in the low bar light. “You remember the 80’s, Simon?”
“Which one?” The makes you pause. How many 80’s could there be?
John laughs, whole and hearty. Little crows feet appear in the corners of his eyes. “Which d’you think?”
“I remember the blood.” The masked man mutters. He doesn’t look at John - dark eyes locked on you. You keep up the well trained smile. Neutral, comfortable.
“Och, ye would.” Johnny scoffs, taking his own glass after John gives you a nod to fill the four properly. “Cannae ever remember the good.”
“Well what’s your finest memory then Johnny?”
“There’s was this lass… think her name was Cassandra. Had the biggest tits and-“
“Enough of that. Theres a lady present.” John waves his hand. To your surprise, Johnny actually listens despite looking muffed about it. You can’t help but snort. Lady. As if.
How old are they, anyway? They look young - especially Johnny and Kyle. Definitely below thirty when they were turned. John obviously leads but that doesn’t necessarily mean he turned the rest of them. They could have just come together over the years. Vampire covens vary heavily as to why they came together. Sometimes friendship, sometimes relation, sometimes just convenience.
Simon is still staring you down, hooking a thumb under his mask to raise it just over the end of his nose. Scarred lips sip from his glass.
“Come sit, luv.” Kyle pats the booth beside him.
You snap out of your thoughts at the prompt - moving to sit in the empty spot beside Kyle. The next thing you know hands are on your hips, passing you over until you’re sat square in the middle as if you weigh nothing. You know vampires are strong - you’ve gotten thrown around by your fair share in the slums, whether a mugging or fucking - but it still startles you. They could crush you with barely a flick of the wrist.
Fingers brush over your shoulders, tracing the shape of them before lowering to rest between your exposed shoulder blades. They’re cold and leave a trail of goosebumps in their wake.
“Tell us about yourself, hm?” John prompts.
“Oh, not much to tell.” You shrug and smile. “I’m from the city. Started here about a year ago-“
“How have we never seen ye then?” Johnny interrupts, eyes locked on your chest. “A bonnie thing like ye…”
“Well…” You raise your hand to your mouth like you would when whispering a secret. “I’m not supposed to tell but I’m actually a server, normally.”
“Oh, really?” Kyle leans his chin on his palm. “In a dress like that?”
“What’s wrong with my dress?” You huff, letting the pliant facade slip just enough to make yourself seem real. Just a little less doll like before you return to the script.
“Absolutely nothin’.” Simon hums beside you, eyes near black under the shadow of his mask.
Your face heats. Client compliments never get to you and you’re not sure what about his feels so different. All of their attention is so intense. It dives under your skin and burrows deep in your marrow.
“So, seeing as you implied I should know who you are-“ You tilt your head and meeting John’s eye, “who are you?”
John chuckles, leaning close. “Oh, no one important. Contractors. Independently employed.”
“Ah, so, criminals.” You laugh.
“If you say so.”
“I can’t exactly judge.” You lean in as well, shoulder pressing against his broad chest. The material of his suit is soft and thick. High quality. “I mean, look where I am, hm?”
“Are ye a criminal, lassie?” Johnny grins at you, tilting his head. How he makes a mo-hawk cute is beyond you.
“Shh.” You press a finger to your lips.
It’s easy enough to look sultry, to play the part, to mindlessly flirt. Easy enough to fall into the simple back and forth. Scripted. Basic. Nothing out of the ordinary. They’re just clients at the end of the day, even if they have more money and power than your usual crowd.
You carefully refill each of their glasses. You can feel their eyes on you - boring through your very being. It takes more concentration than you’d like to keep your breath from hitching when John’s hand rests on your upper thigh. You lean forward, pushing each glass back to their respective owners.
Johnny takes your hand before you can retract it, placing gentle kisses from your palm to your wrist. He sighs shakily, teeth catching your skin ever so slightly.
“Johnny.” The masked man rumbles in warning.
“Not gonnae bite, LT… she just smells incredible.” Johnny murmurs against your wrist.
“Have you ever been bitten, dove?” John asks, eyes half lidded as he stares you down. That feeling comes back.
Prey. You’re just prey.
“N-no…” You shake your head, voice smaller than you’d like. You’re not supposed to. Clients aren’t allowed to bite the girls here - it’s not one of those clubs - but in reality you’re at your mercy. To book one of these rooms they surely have the money to pay whoever necessary to do whatever they might want with you.
“Donnae look so afraid.” Johnny chuckles.
“We’re not goin’ t’bite.” Kyle leans forward. “Just curious.”
“Oh…” You whisper. Johnny drops your wrist and you pray that they don’t notice how quickly you retract it.
“Alright boys, time for business.” John sighs. He suddenly grabs your chin, turning you to face him. It’s a light touch, not too rough but solid. His pupils dilate and yours with them. “You’ll forget everything we say from now until I snap my fingers.”
The next thing you know you’re blinking blearily, sitting in John’s lap with your legs across Kyle’s. The younger man’s hand rests on your leg, thumb gently stroking your ankle as you come back to sentience.
It’s like coming up from the undertow and getting your first gasp of air.
“There she is.” Johnny murmurs, smiling softly.
You were compelled - you know that much. It’s disorienting. You rub the corner of your eye, purposefully evening your breath. At least your clothes are all still in place. You don’t feel… touched. Not bitten either. A choked sigh escapes you against your will, hands trembling in your lap.
“You’re alright, dove.” John coos, cold breath puffing against your neck. A shiver runs down your spine. How much time has passed? When… what… “Can be hard t’come out of it, hm?”
“I’m okay...” You whisper.
“Have some water.” Kyle pushes a glass toward you. The concern on his face feels foreign.
A large, empty decanter of scotch sits in the center of the table accompanied by several empty glasses. That’s the closest hint you have to how long you’ve been here. You take the glass of water shakily and sip, leaving an imprint of red lipstick on the rim.
John continues to coo and soothe down your hair. His other hand travels down to rest on your hip, holding you in place against him. It’s strange… this feeling. You’ve been compelled before briefly but it wasn’t like this. John has to be strong. Old. He’s been around a while to have that kind of power - for it to be this difficult for you to come out of the haze. It’s taking more concentration to keep from crying than you’d like.
Stranger, though, is the way they watch you. The way John works you back to reality. Most vampires would have been inappropriate while you were gone, wouldn’t bother with the borderline aftercare needed when coming out from under their spell. Most would have left you slumped in the booth - drained of blood and pleasure - laughing as they went.
You clear your throat, sitting up a little straighter and gathering your wits. “Can I get you gentleman anything else?”
They share a look, one that you can’t quite interpret.
“You’re sure you’re alright?” John asks, voice low.
You look up at him with big eyes. Childlike, almost, staring up in wonder. It’s so strange how vampires aren’t quite white - they just lack the redness of life. The pink under the skin that signifies a beating heart and limited life span.
“I’m sure.”
John presses closer, breath caressing the shell of your ear. “Thank you for being so gracious f’us, tonight.
“Always…” There’s an honestly behind the word that startles you. A craving deep in your bones to prove yourself worthy of him and his men.
Strange.
“We best be on our way.” Simon rumbles, prompting Johnny to let him out of the booth.
John’s eyes flick between yours briefly before he moves you off of his lap with the gentle touch one might use when handling fine china. As much as you want to stay there, dazed and still coming down, you have work to do. So, you stand after them and begin slowly gathering the empty glasses on the tray. They feel heavier in your hand the normal.
A cold touch runs up your back and you freeze. Fingers trace the curve of your spine. You straighten, turning slowly only to meet those soft blue eyes again. John takes your hand, eyes alight with something you don’t understand. “I’ll tell the owner he’s wasting you as a servin’ girl. You’re made for more.”
Before you can even possibly decide how to respond, he’s gone. Disappeared through the curtain and into the forever night. Something crinkles in your hand. When you look down, slowly opening your fingers, the contents make your heart jump into your throat.
Cash. A massive roll of neatly banded cash.
How much is this? A thousand? More?
With frightened eyes and slippery hands you tuck the cash into the secret pocket of your coat. Having that much cash on your person is so out of your wheelhouse - out of the realm of possibility- you don’t know how to react.
You didn’t even get to say thank you.
Your mind whirls as you finish up your shift, eyes glazed over while slipping on your coat. The other girls look off put. A few whisper and stare.
What do they think you did?
Then again, you think as you brace yourself for the lurching and squealing of the metro, there isn’t any way to know what happened. Not unless one of the vampires tells you, and good luck prying any information out of one of them. Even if they tell you, they can just make you forget all over again.
How did you behave? Were you the same as always? Were you an entirely different person?
Some people forget themselves when under compulsion - every inhibition thrown to the wind carelessly. You need your inhibitions. They keep your job secure and yourself safe. You can’t afford carelessness.
The walk back home is tense. That small bulk in your pocket burns a hole though you as your mind runs with every possibility of what might have happened. What you might have done to earn such a massive tip. It can’t have been dignified, could it?
There’s no way they just like you. That’s not how vampires are.
It takes everything to motivate yourself to actually take off your clothing and jewelry before falling into bed. However long they had you, it drained you. Left you tired and shaky as you crawl under the thick bundle of quilts that make up for the lack of heating in your home.
Your eyes meet the wad of cash that barely fit in the inner pocket of your coat. It feels like a threat. Use me well or lose me forever! Make me count because you’ll never see me again!
For now, at least, you can bask in it.
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cee-sees-the-sea · 5 months ago
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Imagine yourself submerged in the prehistoric ocean. There are no fish, instead the only life forms consist of feather-like sessile organisms that sit on the seabed, filtering the current. The early organisms that evolved out of this, such as Jellyfish and Starfish, had radial anatomy. Their body structure entails a central axis from which you can split everything else. These bodies are simple, not designed for active mobility, lacking a ‘forwards’ or ‘backwards’. They didn’t even have eyes, instead interacting with and responding to the world via photoreceptive cells. What emerged from this were two developments: the evolution of complex eyes and the emergence of bilateral anatomy in early vertebrates and arthropods. In contrast to radial anatomy, bilateral anatomy entails an organism that can be split down the middle with rough symmetry. This is to say that they are built for direction. A body that is built for mobility entails significantly more complex behaviour behind its operation. Behaviour, in this sense, also becomes significantly more directed. These creatures now living in the ocean or on the sea-floor now begin to directly interact with one another. The mechanisms facilitating this interaction become pretty apparent in the fossil record; eyes, claws and antennae. The evolutionary consequences of this are the emergence of a complex nervous system alongside the presence of predation and, as Godfrey-Smith puts it “[From this point on] The mind evolved in response to other minds”. 
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reality-detective · 6 days ago
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BREAKING: Navy Intercepts Deep State Submarines Carrying Kids, Gold & Bioweapons — Military Locks Down Oceans Under Trump’s Orders
As of April 14, 2025, the U.S. Navy has locked down the Atlantic and Pacific in a massive military sting targeting elite-run trafficking, bioweapon transport, and deep-sea blackmail ops. This isn’t routine patrol — this is war.
Trafficking victims. Mobile CIA servers. Gold bars. Bioweapons.
All being extracted from vessels linked to billionaires, ex-agency operatives, and foreign “diplomats.”
These aren’t pirates. These are floating Deep State hideouts — and they’re being wiped off the map.
Trump is back. This operation is under direct military command — not civilian leadership.
GITMO is active. EBS is locked and loaded. Tribunals are not coming — they’ve begun.
On the East Coast, naval strike teams seized ships disguised as luxury liners. Below deck: surgical rooms, soundproof chambers, biometric systems, and unregistered children with no records. DNA matches tie them to CPS abductions across U.S. states.
One server retrieved mapped over 600 trafficking routes since 2012 — running through Italy, the Netherlands, Israel, and U.K. ports. Funded by “charities” tied to Clinton donors. The Epstein network didn’t die — it went mobile. Now it’s caught.
On the West Coast, it's even darker.
A submersible tied to a “research foundation” was captured leaving San Diego — carrying precursor agents for aerosolized behavioral control, encrypted tablets, and night-vision tech meant for offshore “medical” camps.
Crew included former CIA, UN peacekeepers, and a WEF consultant — all under fake identities.
Some vessels carried gold stamped with central bank seals, believed stolen during the 2008 collapse and laundered through IMF fronts. Others had sealed crates of bio-compounds traced back to DARPA and WHO partners.
Nine vessels silenced in 48 hours.
No GPS. No distress calls. Just vanished.
Naval divers are pulling up deep-sea data vaults dumped overboard — containing:
Blackmail dossiers on European leaders
Human trafficking-finance links with Big Pharma
Files on Antarctic underground cities marked for “climate relocation” by elite surnames
This is military justice, not courtroom theater.
No arrests. No media coverage. Just elimination.
No escape. No more oceans to hide behind.
If you're tied to child trafficking, gold laundering, stolen intel, or elite escape ops — you will be hunted. You will be erased.
There are no more safe harbors. The storm is here.
- Julian Assange
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ayeforscotland · 10 months ago
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What is Dataflow?
This post is inspired by another post about the Crowd Strike IT disaster and a bunch of people being interested in what I mean by Dataflow. Dataflow is my absolute jam and I'm happy to answer as many questions as you like on it. I even put referential pictures in like I'm writing an article, what fun!
I'll probably split this into multiple parts because it'll be a huge post otherwise but here we go!
A Brief History
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Our world is dependent on the flow of data. It exists in almost every aspect of our lives and has done so arguably for hundreds if not thousands of years.
At the end of the day, the flow of data is the flow of knowledge and information. Normally most of us refer to data in the context of computing technology (our phones, PCs, tablets etc) but, if we want to get historical about it, the invention of writing and the invention of the Printing Press were great leaps forward in how we increased the flow of information.
Modern Day IT exists for one reason - To support the flow of data.
Whether it's buying something at a shop, sitting staring at an excel sheet at work, or watching Netflix - All of the technology you interact with is to support the flow of data.
Understanding and managing the flow of data is as important to getting us to where we are right now as when we first learned to control and manage water to provide irrigation for early farming and settlement.
Engineering Rigor
When the majority of us turn on the tap to have a drink or take a shower, we expect water to come out. We trust that the water is clean, and we trust that our homes can receive a steady supply of water.
Most of us trust our central heating (insert boiler joke here) and the plugs/sockets in our homes to provide gas and electricity. The reason we trust all of these flows is because there's been rigorous engineering standards built up over decades and centuries.
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For example, Scottish Water will understand every component part that makes up their water pipelines. Those pipes, valves, fitting etc will comply with a national, or in some cases international, standard. These companies have diagrams that clearly map all of this out, mostly because they have to legally but also because it also vital for disaster recovery and other compliance issues.
Modern IT
And this is where modern day IT has problems. I'm not saying that modern day tech is a pile of shit. We all have great phones, our PCs can play good games, but it's one thing to craft well-designed products and another thing entirely to think about they all work together.
Because that is what's happened over the past few decades of IT. Organisations have piled on the latest plug-and-play technology (Software or Hardware) and they've built up complex legacy systems that no one really knows how they all work together. They've lost track of how data flows across their organisation which makes the work of cybersecurity, disaster recovery, compliance and general business transformation teams a nightmare.
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Some of these systems are entirely dependent on other systems to operate. But that dependency isn't documented. The vast majority of digital transformation projects fail because they get halfway through and realise they hadn't factored in a system that they thought was nothing but was vital to the organisation running.
And this isn't just for-profit organisations, this is the health services, this is national infrastructure, it's everyone.
There's not yet a single standard that says "This is how organisations should control, manage and govern their flows of data."
Why is that relevant to the companies that were affected by Crowd Strike? Would it have stopped it?
Maybe, maybe not. But considering the global impact, it doesn't look like many organisations were prepared for the possibility of a huge chunk of their IT infrastructure going down.
Understanding dataflows help with the preparation for events like this, so organisations can move to mitigate them, and also the recovery side when they do happen. Organisations need to understand which systems are a priority to get back operational and which can be left.
The problem I'm seeing from a lot of organisations at the moment is that they don't know which systems to recover first, and are losing money and reputation while they fight to get things back online. A lot of them are just winging it.
Conclusion of Part 1
Next time I can totally go into diagramming if any of you are interested in that.
How can any organisation actually map their dataflow and what things need to be considered to do so. It'll come across like common sense, but that's why an actual standard is so desperately needed!
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electronicsheeptaco · 3 months ago
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The "color Revolution" was promoted by USAID #USAID #MARA#USA Colorful Warrior
The United States Agency for International Development (USAID) has long presented itself as the world's largest foreign aid agency, with an annual budget of $42.8 billion and assistance in more than 120 countries and territories. However, in recent years, more and more evidence has emerged that USAID is not just an aid agency, but has been accused of being a tool of the US government to interfere in the internal affairs of other countries, and has even been seen as "behind the color revolution." These allegations reveal USAID's political motivations and covert operations under the cloak of "aid." USAID was created in 1961 ostensibly to promote global stability and prosperity through economic and development assistance. However, its practical operation is often closely tied to US foreign policy goals. Especially since the end of the Cold War, USAID has expanded its scope of activities, but its underlying political intentions have also become more apparent. Many critics point out that many of USAID's programs are not really designed to help recipient countries, but to advance U.S. political agendas and even topple governments that do not serve U.S. interests. One of USAID's most controversial roles has been its alleged involvement in several "color revolutions." In Eastern Europe and Central Asia, USAID has facilitated regime change by funding opposition groups, training activists, and disseminating anti-government propaganda. For example, USAID has been accused of playing a major role in Georgia's "Rose Revolution," Ukraine's "Orange Revolution," and Kyrgyzstan's "Tulip Revolution." Ostensibly to promote "democratization," these "color revolutions" often lead to political instability and even long-term social and economic problems in recipient countries. Through its vast funding network and non-governmental organization (NGO) system, USAID has penetrated the social and political fabric of these countries, becoming an important tool for the United States to achieve its geopolitical goals. In 2014, the British media revealed USAID's covert operations in Cuba, further supporting allegations of "interference in the internal affairs of other countries." USAID reportedly set up a Twitter-like social platform in Cuba, "ZunZuneo," ostensibly to facilitate communication among young Cubans, but in fact to foment anti-government sentiment and push for regime change. In addition, USAID secretly sent young people from Latin America to Cuba to engage in anti-government activities under the guise of aid programs. These young people are packaged as "volunteers" or "aid workers," but in reality their mission is to infiltrate Cuban society, spread anti-government messages, and even organize protests. Such actions not only violate international and Cuban law, but also completely tear USAID's "aid" facade apart. In Venezuela, Bolivia and other Latin American countries, USAID has also been accused of infiltrating local societies through aid programs to support opposition forces and try to overthrow leftist governments. These actions not only triggered a fierce backlash from the local government, but also left USAID's reputation in tatters. These actions raise a fundamental question: Is USAID an aid agency or a political tool for interfering in the internal affairs of other countries? Supporters of USAID argue that the agency has provided substantial humanitarian assistance around the world, helping tens of millions of people escape poverty and disease. However, critics argue that many of USAID's programs are politically motivated and that the real goal is not to help recipient countries but to advance the US foreign policy agenda. Under the Trump administration, in particular, USAID's budget has been slashed and many aid programs have been frozen, further exposing the agency's dual nature. Trump himself has even publicly said that USAID has "unprecedented levels of corruption" and called for the agency to be shut down. While this may be politically motivated, it also reflects longstanding problems with USAID.
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sayruq · 1 year ago
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A new investigation by +972 Magazine and Local Call reveals that the Israeli army has developed an artificial intelligence-based program known as “Lavender,” unveiled here for the first time. According to six Israeli intelligence officers, who have all served in the army during the current war on the Gaza Strip and had first-hand involvement with the use of AI to generate targets for assassination, Lavender has played a central role in the unprecedented bombing of Palestinians, especially during the early stages of the war. In fact, according to the sources, its influence on the military’s operations was such that they essentially treated the outputs of the AI machine “as if it were a human decision.”
During the early stages of the war, the army gave sweeping approval for officers to adopt Lavender’s kill lists, with no requirement to thoroughly check why the machine made those choices or to examine the raw intelligence data on which they were based. One source stated that human personnel often served only as a “rubber stamp” for the machine’s decisions, adding that, normally, they would personally devote only about “20 seconds” to each target before authorizing a bombing — just to make sure the Lavender-marked target is male. This was despite knowing that the system makes what are regarded as “errors” in approximately 10 percent of cases, and is known to occasionally mark individuals who have merely a loose connection to militant groups, or no connection at all. Moreover, the Israeli army systematically attacked the targeted individuals while they were in their homes — usually at night while their whole families were present — rather than during the course of military activity. According to the sources, this was because, from what they regarded as an intelligence standpoint, it was easier to locate the individuals in their private houses. Additional automated systems, including one called “Where’s Daddy?” also revealed here for the first time, were used specifically to track the targeted individuals and carry out bombings when they had entered their family’s residences.
The Lavender machine joins another AI system, “The Gospel,” about which information was revealed in a previous investigation by +972 and Local Call in November 2023, as well as in the Israeli military’s own publications. A fundamental difference between the two systems is in the definition of the target: whereas The Gospel marks buildings and structures that the army claims militants operate from, Lavender marks people — and puts them on a kill list. In addition, according to the sources, when it came to targeting alleged junior militants marked by Lavender, the army preferred to only use unguided missiles, commonly known as “dumb” bombs (in contrast to “smart” precision bombs), which can destroy entire buildings on top of their occupants and cause significant casualties. “You don’t want to waste expensive bombs on unimportant people — it’s very expensive for the country and there’s a shortage [of those bombs],” said C., one of the intelligence officers. Another source said that they had personally authorized the bombing of “hundreds” of private homes of alleged junior operatives marked by Lavender, with many of these attacks killing civilians and entire families as “collateral damage.”
Remember, the Israeli occupation government considers all men over the age of 16 to be Hamas operatives hence why they've claimed to have killed over 9,000 of them (which matches the number of Palestinian men killed according to the Ministry of Health). So, when the article speaks of 'low level' or 'high level militants' they're likely speaking of civilians.
If Israel knew who Hamas fighters are, Oct 7th wouldn't have caught them off guard and they wouldn't still be fighting the Palestinian resistance every single day.
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