Me, trying to force myself to reread PJO slower: I know! I'll read a long and complex book that I'm very interested in and motivated to read, which has nothing to do with children or Greek mythology and is related to the books I read in college, so obviously I will get through it quickly and and enjoy it, then I can pick back up in Percy Jackson.
Me, a week later, having read maybe three chapters of said other book but trying not to give up: I would have finished the last three PJO books already if I had just read them.
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Reading Queen of the Damned rn and I am ON. THE. FLOOR. at this fucking 500yo grown ass vampire painstakingly feeding individual paper towels to the garbage disposal at 1am. Daniel. Hello, Daniel. Wake up, I need you to purchase some more food coloring for me Daniel. I saw an interesting recipe for glitter slime on the TikTok which I am interested in trying. And then I shall put it down the Garbage Disposer and listen to the delightful sound. Daniel please
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Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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Tell me what y'all think of this headcanon:
CCs get their own quarters, but sometimes they'll sleep in an empty bunk in the barracks.
It's an unspoken thing. CC will check the logs and see which squad might have a space open, which happens on occasion. Regs say that clones can't be swapping bunks and rooms all the time, but this is one of those things that a command clone is kind of above.
Getting your own quarters is a privilege. The privacy is novel. The silence can be unbearable.
The clones spend almost their whole lives falling asleep to the sound of their brothers breathing. So sometimes a commander will bunk with a squad. I headcanon that after Teth happened and the 501st went from a formidable foe to just six men, Rex and those six men all slept in the same barracks.
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it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.
and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.
but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?
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