#Long post my bad

[jxsterr]

back at it again but this time i’m worked up thinking about zelink and sleeping as a way to deal with all of the trauma of immediate post calamity.

because, realistically, they are both going to be beyond exhausted. that fight took everything they had within them and more—link had been preparing for it for months on end without so much as a proper night’s rest, and zelda had been slaving away for the better part of a century using every ounce of energy within her to keep this beast at bay. so it’s pretty reasonable that the first thing the pair of them are going to yearn for is a bed and some damn good sleep now that blood moons won’t be knocking on the window every few days.

but just hear me out. for the first couple of days going on weeks link’s only priority is making sure zelda is okay. he cooks for her, makes sure she’s drunk enough water, and keeps the bedsheets clean and comfortable for her to collapse into them whenever she wants. she’s essentially bedbound for the first week, only ever able to really sit up to eat for a bit before the waves of exhaustion call for her to come crashing back down against her pillow—whether or not she wants to. she’s in no fit state to do anything, bless her, and he recognises that. he’s exhausted beyond reason himself but someone has to be the one sat beside her bed, ready to soothe the night terrors that inevitably creep their way into her unsuspecting mind. he doesn’t really care either. the woman who has haunted everything he’s come across in this world, whose presence has touched almost every memory he can conjure up, whose spirit he just can’t seem to shake because he knows there’s something there, a reason as to why he can’t help but heed her call no matter what he does, has just returned to him. the only surviving remnant of his past, the only face he so desperately wanted to see smile again for reasons he couldn’t dig up—of course nursing her back to health is his first priority.

but she worries about him too, about her knight turned friend who just won’t stop doing things for her despite the fact that she can see the very consequences of his fatigue etched deep into his skin. she wants so desperately for him to stop for a moment and sit with her and let her do something in amongst it all. he’s so much lighter than he used to be before he died but by hylia herself has he not shed the skin of a warrior. he laughs more, talks with a little less restraint, and pulls out all sorts of ridiculous things he’s accrued across his travels for her to marvel at while sat up in bed—all for shadows to have set so deeply under his eyes and his face to have lost a little bit of that roundness she’d grown so fond of. she can see how much he needs to sleep too, to rejuvenate again even though he would simply argue that all he’s done is sleep. she sees it when she peers over the loft banister and finds him, face against arms, asleep at the kitchen table, or when she wakes up and realises he’s fallen asleep sat on the floor with his head against the mattress again and all she can do is feel guilt that she has his bed and not him.

so one day she has enough. she waits until she’s settled into bed with him on a stool at her side, book in hand, otherwise he’ll fall asleep himself, and she plucks it unceremoniously from his hands and discards it on the bedside table. she waits until he looks at her thoroughly bewildered for her to finally muster up the courage to say, “i need you to sleep, link. i see how exhausted you are, i see how much you push yourself. i feel awful for being the only one in this bed, so please, do me a favour, and sleep beside me,” and stares at him with enough conviction to move mountains that her own eventually concedes and climbs in next to her.

it’s nothing more than two bodies sleeping next to one another for the first few days, but it’s enough that it makes a visible impact on the pair of them. zelda sleeps better, more soundly, with a considerable dip in the number of night terrors, while link himself finally just sleeps for the first time in what feels like years. it does them wonders. so much so, in fact, they sleep away the first two days entirely. link wakes up, groggy, and turns over with the intention of getting out of bed because goddess knows what time it is and she probably needs something to eat—but a sleep-ridden hand moves quick enough to land on his shoulder with something mumbled about ‘don’t leave’ and it’s so sincere and desperate that he gives in and turns back over, only for said hand to only still once it nestles itself against the palm of his hand. he’s too drowsy to even think much of it so he just curls his hand around hers in return until that signature hum of hers rings out to signify that her wants have been quelled.

it continues like that, small increases in physical affection, until it’s the norm to absolutely entangle themselves in one another. until zelda is able to do more around the house but potters down the loft stairs in search of him to tug gently at his arm and tell him that she’s tired—a silent ask to come to bed with her even if it’s the middle of the day—and he obliges every time. it’s nice, being this useless to the world, enough where they can gather as much of themselves as they need to by merely sleeping the days away. until their mornings are signified by the raise of the moon and the slow bleed of pinks and oranges into the sky signalling their retreat to bed.

every nap goes the same, too. zelda scoots herself into the inner side of the bed and lays with arms outstretched, waiting for her knight to come clambering in between them so she may wrap them tightly around his warm body and pull him close until his face is nestled deeply into her chest, protecting him the way she’s always wanted to. she may not be able to wield a sword, but she can protect his open heart for as long as her hand weaves through his locks until she feels his body go slack against her. she likes her corner, he likes the safety of her arms, it works perfectly.

impa doesn’t appreciate just how long it’s taken them to realise they’ve been sleeping away the days for over a month now, and thus are visiting late, but it’s hard to object when her princess is sparkling and link looks more like himself than he ever has.

[porcubus]

no hard feelings personally to whoever I saw but I keep seeing a take that rodya and gregor don't like and are annoyed by eachother and everyone is misreading their relationship when it's actually bullying and it baffles me to be honest

it does make me want to post about rodya and her relationship to gregor more though(Though I'm definitely not a writer and bad at getting my ideas across)(This is not that though this is more just me talking)

i feel like, it's pretty core to rodyas character to understand why she teases gregor (And how this isn't bullying or generally an act of malice)

while rodya is generally a laid back person and playful but kind to the other sinners I do think she still has issues with expressing true closeness or affection... I won't pretend sometimes her comments can come off straight up mean or that she's incapable of being kinda rude thats part of her too

but also I just think friends tease eachother and that's just a normal thing that they do. looking to how gregor and rodya are consistently pointed to and used as the example of sinners bantering/getting along or getting closer.. I can't imagine the moments where gregors a little fed up with her jokes as being what you hone in on as the core of their dynamic.

I understand rodya is a little unpopular and kind of not looked into and thus among thee most mischaracterized of the main cast and easy to get wrong, but I don't think "Gregor and rodya are friends that banter:)" is part of that

id say actual misunderstandings of their character and relationship that I've noticed are that gregor is a super cranky tsundere or that rodya is some overtly horny mommy dom. Both of these things are pretty popular in rodigor art from what I see and i think could be helped with looking more at their individual characters.. but they are friends..They are shown to be the closest on the bus from the very start id say. rodyas started using dear/darling with more of the cast but it started with gregor. I genuinely think hes important to her and vice versa

[frozenocarina]

I am increasingly frustrated over fanon characterization of shen qingqiu because yes he does his best to act calm cool and collected but that doesn’t mean his default facial expression is flirty and seductive. Like the man is not wired for that at all. He spent so much money on sitting in his room paying to bitch about a web novel and choked on a potato chip. The donghua got his character so right so there’s that at least. He freaks out over an exposed shoulder, interacts awkwardly with people who he only ever though of as incredibly not real, badly plays a game he may have never heard of before, eats snacks in a car, thinks “I’ll take two days to rest” and proceeds to take 5 years off, doesn’t think to just ask binghe into the abyss, can’t recognize flirting, holds onto a seemingly random item “because I might need it laterrrr there’s no way I’ll throw it out”, like who and why is anyone seriously drawing this man with the “fuck me” eyes and the fan outspread seductively. When he opens his fan? It’s to hide himself because he doesn’t know what the fuck he’s doing. His brain is like a squirrel spinning around a bird feeder, desperately holding on, it’s not on a stripper pole. Please go rewatch and reread because goddamn it makes me so disappointed to see a sqq who isn’t in line with the character. This man would play Genshin impact and needs to touch grass, there is no way he has a flourishing sex life. It reminds me of the early yoi fandom and the yaoi fans around that time and the hypersexualization of gay and Asian men, but to a much more niche degree. There’s a connection to write about but I can’t articulate it at this moment, someone come bother me later and I’ll write a dissertation

[satin-the-long-furby]

Unfortunately for me but I can't draw but I'll type it out, sorry for the long post. my welcome home oc is a cat who loves photography. Her fur is purple and she wears a yellow dress with big blue and red spots. Has a collection of cameras but uses an Olympus 35 sp the most (yes, I looked it up. I wanted to use a camera I really have, but it came out in 1976 2 years after the final air date, so meh) anyways, she's smaller than most of the cast. She's shy but tries to put herself out there, and if givin the chance, she'll talk your ear off about photography. She takes photos of plants and animals that's she comes across. Her name is Halina (another camera brand around the time).

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[hinamie]

long way home

[lazylittledragon]

you know what fuck it we’re doing dadstarion

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[pineapple-frenzy]

Book 2 au: sparring sessions and short hair katara

They like to have sparring sessions in order to keep their bending skills sharp. They allow themselves to go all out and not hold back at all cause they know if anyone got hurt, Katara could just heal them

But anyways, wouldn't it be kinda funny if Zuko accidentally burned Katara's hair tho? Aofkqldkkajfjd

The "I think we can save the hairloops" line is from @linnoya-writes thank you for that!! :>>

[vasira96]

once upon a time there was a railroad line

the Fates

Hermes, Persephone

Orpheus and Eurydice

Hades

[vidkun]

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[icantdothistodaybruh]

What a terribly dull ending this is.

[snotbuggle]

A couple of criminals (they’re best friends)

[ropes3amthoughts]

This is such a mess but do you guys get my vision