#Louis has trained us for this

[sunshineandlyrics]

This was at the AFHF at Crystal Palace on 30 August 2021, well before we knew the title of LT2 👀🔎

[closetdbisexual]

couldnt figure out what terrier that is but i found these dogs theyre soooo cute i want one and also want to be one

[rosieposiepie]

Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.

What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera's hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they're getting arrested, and gets called out by the police for her tone.

And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there's a shot where the words are in full display in the background). And while they say, "Grover is upset because he doesn't like it when people hurt animals," they explicitly depict America's colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole "Pan is missing" - it's not just about Climate Change. It's about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say "humans" are bad, but they're showing us Western/American colonizers.

Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum's commodifying and glorifying of American colonization is "not what the arch is actually about, it's about architecture and math," but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.

Anyway, idk. Maybe I'm overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.

[is-the-thing-actually-jewish]

is Jewish Voice for Peace actually Jewish? I've heard a couple different things about that but no sources

@gryphistheantlerqueen also asked:

Whooo boy. So this has been sitting in the inbox for a few months, I wrote up a draft, and then it just sat... until this past week, when some new JVP BS hit the fan and gave me the kick to finish it.

Sooooo...

Verdict: Not Actually Jewish

(updated verdict after finding out about the “self-managed conversion” and “teacup mikvah”) Jewish, technically, and that "technically" is doing a lot of heavy lifting, and is actively debatable without access to a detailed breakdown of JVP’s actual membership rolls. 

In general summation, JVP is a far-left radical antizionist group that is headed by a few visibly antizionist Jews and whose membership rolls are either a strong minority or outright majority of non-Jews, based on variable statistics that they've released. Although they claim that the “majority of their members and staff are Jewish”, this seems to be both statistically unlikely and actively suspicious due to their noted tendency to instruct even non-Jewish members to speak #AsAJew on social media, and their instructions to do “self-managed conversions”.  However, due to their title, they are very popular with people who want a Jewish Stamp Of Approval for demonizing Israelis and Zionist Jews as a result. In effect, they are Jewish in the same way that people like Candace Owens and Hershel Walker are Black—as self-tokenizing minorities who throw the rest of their ethnic group under the bus in exchange for power and political access.

And despite the claims that they are “inspired by Jewish values and traditions” (as put on their website) and “oppose anti-Jewish hatred,” JVP routinely engages in antisemitic rhetoric, up to and including blood libel and antisemitic conspiracy theories, and acts as a shield against non-Jews who also engage in antisemitic rhetoric so long as the non-Jews in question remember to shout "For Palestine!" first. This is not an exaggeration. 

The primary example of their in-house antisemitic rhetoric is their "Deadly Exchange" program, where they explicitly and conspiratorially blame Israel as being responsible for American police brutality and militarization. However, for all of their fearmongering and blame-casting on the subject—as if American cops needed outside help in brutalizing minorities or gaining military-grade handmedowns from the Pentagon, both of which are explicit claims of the "Deadly Exchange" program—they have a hard time actually identifying specific deaths associated with the international training seminars they're holding up as responsible.

One of the the closest they've come to a specific allegation is claiming that "former St. Louis County police chief Timothy Fitch trained with the Israeli military three years before Michael Brown’s killing and the Ferguson uprising." (Note: this was in a video that appears to have since been made private.) But Darren Wilson worked for the Ferguson PD, not the St. Louis PD, and Fitch retired months before the killing. So he was in a completely different police department, and this is the closest JVP comes to pointing to specific deaths or acts of brutality that they blame on Israel. Everything else is literal fearmongering--up to and including the classic conspiratorial tropes of "secretive Jewish governmental influence".

JVP has also happily supported the words of white supremacists like Richard Spencer, taking his “You could say that I’m a white Zionist in the sense that I care about my people," statement at face value, using it as the basis for entire articles where they compared Zionism to White Supremacy as a deliberate misrepresentation of the ideology that is common on the extreme political Left (you can compare that treatment again with how Candace Owens treats the word "Woke" on the Right). Even when the Charlottesville "Unite the Right" march happened, JVP wasted no time in comparing Zionism with the very ideology fueling the people chanting "Jews Will Not Replace Us," saying that Zionism is "Jewish racial supremacy" and calling for a universal condemnation of the ideology as a form of White Supremacy... which was the exact sort of message that many of those same White Supremacists would have happily agreed with.  So JVP is essentially siding with literal White Supremacists,  even as they claim that "Jews are not the primary victims of White Supremacy."

JVP also engages in Holocaust revisionism, such as with this lovely quote from Cecilie Surasky, the deputy director of JVP, “I believe it is critical to situate the genocide of Jews in a broader context, and not as an exceptional, metaphysically unique event. Some 6 million Jews died, but another 5 million people were also targeted for annihilation.”

(another quote, from an article by Surasky, which compares Netanyahu to Hitler.)

This is just straight revisionism of the entire Holocaust and the unique fixation the Nazis had on the Jews. Literally, even when they were losing, they were diverting resources from the war just to kill more Jews. Quote Hitler himself, "Jews must be prevented from intruding themselves among all the other nations as elements of internal disruption, under the mask of honest world-citizens, and thus gaining power over these nations." The very basis of the Nazi ideology paints Jews as an existential threat to the human race's peace and security—a far cry from JVP's claim that the Jewish suffering in the Holocaust wasn't unique or exceptional.

Additionally, JVP ignores or re-envisions Mizrachi Jewish history. They call the very term Mizrachi “Zionist rhetoric,” and refer to Mizrachi “immigrants,” (“Deadly Exchange,” pg. 16-17), and claim “the Israeli government facilitated a mass immigration of Mizrahim” (“Our Approach to Zionism”) as though those weren’t the direct result of the mass expulsion of and violence against Jews in MENA countries. These weren’t immigrants, these were refugees. 

And as for the question of “Are they Jewish?”, well...

Statistically, they are not representative of the Jewish population as a whole, 90% of whom identify as some degree of Zionist in the sense of “Supporting Jewish self-determination.”  One does not need to be Jewish to join JVP, as they proudly state on their website. Their membership rolls are also extremely obfuscated, and the fact that they encourage their followers, whether Jewish or not, to post and speak “as Jews” on social media makes it even more difficult to figure out what percentage of their membership is actually Jewish.  Furthermore, they have instructions for their members to engage in “self-conversions” that are not acceptable to Jewish law or tradition, and misuse/appropriate other sacred Jewish traditions to the point that “blasphemy” is an accurate description, with their instructions on the mikvah (a sacred bath) being outright offensive.  

(note that one has to be completely nude and bare of any adornment or makeup to use the mikvah, which is a pure pool of collected rainwater to be immersed in, for context on the above... misuse.  Trying to claim this as being “in line with sacred Jewish tradition” is like trying to claim to be Catholic while also saying that the Pope is the Antichrist and that using beer and a doughnut for the Eucharist is acceptable. For more information on mikveh, see: The Jewish Virtual Library, Aish, myjewishlearning, or Chabad.

There's also no altar.

The irony of asking people not to appropriate while doing this is astonishing.)

It’s also telling that they straight up say they are “claiming” the practice as their own.

Furthermore, JVP has hosted panels on “antisemitism” in the past... headed by people who are not only not Jewish, but who have been credibly accused of antisemitism in the past.  

JVP has also endorsed The Mapping Project Boston, which was a Boycott, Divest, and Sanction (BDS) subsidiary, listing every “Zionist” organization in Boston, Mass. This included Jewish schools, elder homes, community centers, disability centers, and more; all of them painted with scary and misleading “links” to non-Jewish organizations to insinuate Jewish control of the state and city governments, invoking age-old antisemitic tropes of a conspiracy of Jews as they did so:

(first image is the Mapping Project, the second is a 1938 Nazi political cartoon)

The Mapping Project also, and this is my personal favorite, accused Harvard University of doing “racist science” for engaging in archeological and genetic studies of Jews and Jewish history.  Tellingly, BDS actually disavowed The Mapping Project (albeit for bad optics, not for the rank antisemitism they were promoting)... but JVP has not, even though the Mapping Project’s entry for the ADL reads as follows:

Masquerading as a “civil rights” group, the ADL is a counterinsurgency and espionage organization whose mission is to protect the mutual interests of the US and Israeli governments, and to eliminate solidarity among oppressed peoples, especially concerning Palestine. The ADL spies on and criminalizes activists (using its connections to governments, police, schools, and corporations) while undermining their work by pushing its own state-sanctioned, pro-“Israel” agenda. And while the ADL claims to represent Jews and to fight “antisemitism” on their behalf, the organization has supported anti-Jewish state violence and sanitized Nazis. The ADL cannot be reformed: it must be dismantled and whatever resources it has should go towards repairing the many harms it has done. (Emphasis added.)

Of course, JVP has also engaged in similar conspiracy-toned antisemitic dogwhistles, such as this fun bit from their first Deadly Exchange video:

So clearly (to me at least), they have no problems with The Mapping Project’s tone and presentation.  

And this isn’t even going into JVP’s routine promotion of blood libel, their egregious double standards, their approving of pogroms, their active support for Hamas terrorists and demonization of Hamas’ victims, their attempted revisionism of Jewish history, their abject rejection of Jewish culture, and their other actions that show not just bias, but outright hatred for 90% of the world’s Jews.  

As one commentator put it, JVP as an organization is very much like Autism Speaks is to Autistic people--a thinly disguised hate group that views the people they’re supposedly speaking for as the problem, and themselves as promoting the Solution.  To this moderator, they’re the equivalent of the Association of German National Jews, who were also known as the Jews for Hitler; they wanted to abandon Judaism and embrace Naziism... and they got sent to the gas chambers anyway.  

Mod Joseph

Sources:

www.adl.org/resources/backgrounder/jewish-voice-peace

www.jewishvoiceforpeace.org/wp-content/uploads/2017/11/Mikveh-Guide-for-Jewish-Voice-for-Peace-Outlined.pdf

(and also just... a general experience/exposure to them on social media, where even the most progressive actions taken by Israel, such as the recent ruling regarding queer Palestinians being able to claim sanctuary in Israel, being labeled as “pinkwashing”)

[hotvintagepoll]

What are some screwball comedy pairings you wish had been a thing? Can definitely be gay ones :)

Okay finally!

One of the reasons I made this blog in the first place is that few things bring me as much blinding rage as imagining the movies we could have gotten, if old Hollywood had stopped being racist/homophobic/anti-everyone for ten fucking seconds. There were so many talented hotties working through our tournament era who only got cameo spots or no-budget movies! for no reason beyond white supremacy! there were so many stories that didn't get told because heaven forbid we acknowledge gay people! If this blog has a mission statement, a big chunk of it would be about highlighting all the amazing hotties who never got what they deserved in their heyday.

So! Let's tear Louis B. Mayer a new one and make some better movies.

Diamond Eyes (1946)

Harold Nicholas, the bored but fabulous son of a Manhattan millionaire, decides to take himself off on a transatlantic cruise to recover from the boredoms of socialites, constant martinis, and west side glamor. When working girl Rita Hayworth snags him into a fake dating scheme to throw off a jealous ex (Cesar Romero), he doesn't mean to fall in love with his false fiancé—or to set the ex up with his scheming accountant (Tyrone Power).

To the Tune of Millions (1945)

Ann Miller and Lena Horne are conwomen besties who use a fake dance act to get into casinos, which they then promptly rob. Unfortunately, an over-enthusiastic talent agent (Gene Kelly) sees the act and thinks they're legitimate, hiring them on the spot as the lead number in a newly opened but already failing musicale review. Who can they hustle at a theater that's barely bringing in a dime? The two ex-cons fall in love with show business, Kelly and Horne smooch at the grand finale, and Miller has an intense will-they-or-won't-they sparring relationship with the hot stage manager (Ethel Waters—and they will).

Untitled Three's-a-Crowd Film (1942)

Cary Grant, Jean Arthur, and Ronald Colman are running interference on a corrupt justice system while trying to keep up the act that they are all simply cohabitating in a shared AirBnB and definitely not falling in love with each other. Wait. This is actually The Talk of the Town. This movie actually exists and does veer this hard into polyamorous romance.

Tomatoes and Toast (1928)

Anna May Wong and Greta Garbo eat sandwiches for three hours. It's riveting.

One Soul, Two Bodies (1948)

Farley Granger and Vincent Price star as Alexander the Great and Hephaestion in this sword-and-sandals period piece. Though clearly made on a studio backlot with a budget of $3, the dashing romance grounds the chariot races and cardboard sword battle sequences.

Grand Central Station (1931)

Interconnected narratives of Josephine Baker, Joan Blondell, Dolores del Río, and Fredric March all vying for the last seat on the 5:45 train out to Poughkeepsie. When they realize they're jostling to sit next to the same sugar daddy who's been stringing all of them along, the four decide to unionize. Pre-code thrills; the four-in-a-bunk Pullman car scene remains notable for a reason.

I have more but I think I've gone a bit delirious.

[atlabeth]

dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.2k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake. 

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 

“Great,” Prentiss mutters. “How bad is it?” 

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 

“Our guy probably isn’t trained in anything, then,” Rossi says. 

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes. 

“Maybe he thinks he’s doing them a favor,” Reid says. 

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs. 

JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 

-

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 

They’ll find whoever did this. That’s what gets him through it. 

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 

“What has he been charged for?” 

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail a little less than a year ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs. 

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 

“Remember,” Prentiss says as they come to a stop together, “be nice.” 

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock. 

You don’t live in St. Louis. And your last name certainly isn’t Hartford. 

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says. 

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 

He nods. “I had a change of heart.” 

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Louis area.” 

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts. 

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 

You glower at him, but you stay silent. 

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”��

“Ask away,” you say. “Doesn’t mean I’ll answer.” 

“Lucas Hartford,” Prentiss starts. “He’s your brother?” 

You nod. “He lives with me.” 

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 

“Why is that?” Hotch asks. 

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 

“What about your parents?” she asks. “Surely they’re a better option than this.” 

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 

“Really?” 

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 

And he didn’t even know when she died. 

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went last year.”

“I’m sorry for your loss,” Prentiss says. 

You nod your thanks, the notion a bit numb. 

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 

“I take it this was as much of a surprise for you as it is for me.” 

Hotch nods. “We came here looking for your brother.” 

“Does your team know about our history?” you ask simply.

“No.” 

“Do you want them to?” 

“…No.” 

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 

“Pass that along to your brother, too,” Hotch says. 

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 

Prentiss nods. “Thank you again. Have a good day, and stay safe.” 

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 

“Garcia?” Prentiss asks after she picks up. 

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 

“On it,” Garcia says. “I’ll call you back when I’m done.” 

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  

You’ve changed a lot. So has he. 

And now your brother is a murder suspect, and you could be covering up for him. 

That’s the only thing that should be on his mind. 

-

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 

Mia draws out a mirthless laugh. “You are not accusing me of this.” 

“I don’t have anyone else to accuse!” Cleo shouts. 

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 

“You have no idea how happy I am to see you,” you breathe. 

“What’s going on in there?” Aaron asks, amused. 

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss. 

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 

“You keep saying things like that, and I might not mind,” Aaron muses. 

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity. 

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 

Falling in love with Aaron Hotchner has been the easiest thing in the world. 

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

- 

You had sky-high aspirations when you were younger. 

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 

All you’ve ever wanted to do is help people. 

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 

Because god— what are the odds? 

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 

If the cops want to invade your privacy even further, they can get a goddamn warrant. 

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 

You wonder what he sees when he looks at you. 

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 

“Not one for small talk,” you remark. 

“I never have been.” 

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 

You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.” 

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.” 

“And home is?” 

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 

“We prefer to get our information from the source,” he says. 

“Sources can lie.” 

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 

You swallow the memory. It still tastes as sour as the day it happened. 

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   

“None of those sound like questions,” you say. 

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 

“I don’t know,” you admit. 

“You don’t know,” he repeats. 

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I stay out of his business.”

“And you’re telling me you haven’t questioned it?”

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 

Aaron’s eyes sharpen. “What did you say to him?” 

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 

“You didn’t tell him—” 

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 

“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 

“Please,” you scoff. “He won’t hurt me. He never has.” 

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 

“That’s an awful lot of faith to put in someone who hasn’t earned it.” 

“I’ve gotten good at that over the years,” you reply. 

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 

“And you’re wrong, by the way.” 

“About what?” he asks. Again, unshaken. 

“I don’t have a law degree,” you say. “I dropped out.” 

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 

“Why? You were only a year out. You had stellar grades.” 

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. You know he already knows it, but it still seems to have some effect on him. “Went a couple months after I was meant to graduate.” 

“…I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 

You huff a mirthless laugh. “Excellent profiling.” 

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 

“You know th—” 

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 

The room feels a lot colder all of a sudden. “Sure.” 

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 

“The profile—” 

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 

“I suppose we’ll find out,” he says evenly. 

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 

You have to be right. 

The room feels even colder. 

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 

You wonder the kind of things they’ve come up with about you and him. 

-

Morgan whistles when Hotch walks out of the interrogation room. 

“She does not like you.” 

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 

And Hotch knows your past is your business—he just can’t believe you never told him. 

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 

“Other fathers to take his place,” Morgan realizes, and he nods again. 

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch… 

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 

Hotch doesn’t get why a side of his brain still thinks this way about you. 

“They sent a new one in,” you say. 

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation. 

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 

Time doesn’t always heal all wounds, he thinks. 

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks. 

“The more we learn, the more I suspect him,” Morgan says. 

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet. 

But for your sake, he hopes his gut feeling is wrong. 

-

Spring has finally sprung in DC, and you couldn’t be happier. 

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s chest as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 

Aaron says your name, and you hum. 

“Are you listening?” he asks. 

“Of course,” you say. 

“Your eyes are closed.” 

“I don’t need my eyes to listen,” you say wryly. “What’s up?” 

You feel him tense for a moment, feel him adjust his position slightly. 

“I got a call from Haley,” he says carefully. 

Your eyes open and you frown. 

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 

“…Okay,” you say slowly. “Do you want to see her?” 

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask. 

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 

You chew on the inside of your cheek, trying to think as you look at Aaron. 

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 

“Go for it,” you finally say. 

He frowns, like he was expecting the worst. “Really?” 

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 

“Thank you,” he says. 

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 

“I love you,” he says. It feels more like a reminder than anything. 

You entangle your fingers together and press a kiss to the back of his hand. 

Sometimes you need reminders. 

“I love you too.” 

-

“Four more bodies,” Prentiss mutters. “God.” 

“You can say that again,” Morgan murmurs. 

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 

No one expected this to happen so soon. 

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 

He sees Jack in every single one. He can’t help it. 

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.” 

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 

“You think he’s devolving,” he says, catching on. 

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 

-

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 

“What are they?” Hotch asks. 

“He was on the road all night when the third happened,” Reid says. 

“And how do we know?” Prentiss asks. 

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 

“What about a second unsub?” Morgan suggests. 

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 

“Maybe we’ll figure something out in questioning,” Reid says hopefully. 

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  

“And?” Hotch asks. 

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 

Hotch frowns. You? 

“You’re sure?” he asks. 

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 

“And you’re sure about that, too?” Hotch asks again. 

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died a year ago from liver failure. Hartford got out of jail nine months ago after a six year stint.” 

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 

“He’s trying to get back at his dad,” Prentiss says. “We know that.” 

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods. 

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 

“His next crime will probably be his last before he goes out himself,” Reid says. 

“You think it’ll be a murder-suicide?” Morgan asks. 

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 

“The last victim,” she says as she starts following him. “The one person he never managed to save.” 

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  

“What’s up, sugar?” she asks. “Got anymore leads?” 

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 

“What would I do without you?” he asks. 

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 

“Always,” he responds, and he hangs up. 

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 

“We’ve got an extra one for you,” Reid says, reading his mind. 

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  

And he does. 

-

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 

A shiver runs through you, the weather only partly to blame. 

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 

Of course you have to deal with this now. 

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 

“You’re already packed.” 

You shrug. “I’m nothing if not efficient.” 

“I could’ve helped you with all this,” Aaron says, frowning. 

“Why do you think it’s done already?” you ask. 

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 

“You didn’t have to do that,” he says. 

“You know what they say about a clean break,” you intone.  

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 

His lips pull into a taut line. “I didn’t cheat on you.” 

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 

“That’s not what happened,” he says, but you’re already shaking your head. 

You take the box from him and smile thinly. 

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

-

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 

“They haven’t been back, have they?” 

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 

He huffs, and you can practically hear him roll his eyes, but he stops. 

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit. 

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 

“I agree with you,” he says. 

“That’s it,” you muse. 

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 

“…Of course,” he says, and he takes it back. “Glad I could help.” 

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.” 

You roll your eyes. “I know I told you about him when I visited you while we were together.” 

“I remember you telling me how he broke your heart,” Luke says. 

“That’s not what I’m saying.” 

“Then what are you saying?” 

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 

“What have they said about me?” he asks. 

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 

“Don’t worry,” he says. “I’m careful.” 

“I doubt that,” you say wryly. “Still, though. I worry about you.” 

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 

“I worry about everything,” you say. “It’s my thing.” 

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before. 

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 

Then, there’s nothing. 

-

Hotch has been breaking every speeding law there is. 

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 

His hands tighten on the steering wheel. 

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters. 

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 

It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  

Aaron Hotchner is not going to let you die. It’s as simple as that. 

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 

And now… 

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 

“Thank you,” he says. 

“Good luck, Hotch,” Garcia says softly. 

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 

-

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 

And if there’s ever been a fucking time to be persuasive, it’s now. 

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 

He shakes his head. “I know you. You’d run.” 

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 

“…You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 

“I’ve always believed in you,” you say. 

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.” 

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother was dead, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 

“I wouldn’t dare,” you say weakly. 

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 

You refuse to die here. Even if you have to claw your way back through the gates of Hell inch by inch—you will not die here. 

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 

“I didn’t,” you insist. “They’re profilers—they figure things out.” 

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 

“Put the gun down, Lucas,” Aaron says. 

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats. 

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 

“Trust me,” Luke says. “I’m not losing her.” 

He flicks the safety off and you flinch. He’s going to kill you. 

“Put the gun down,” another agent warns. 

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think. 

“Really?” Luke chuckles. “You think you hold the cards here?” 

“It’s okay,” Aaron says. “Go.” 

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 

“Wow,” Luke muses. “They really trust you.” 

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 

“No,” he whispers. “No—we can’t.”  

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 

And then it happens so quickly you barely process it. 

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 

The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 

“You were shot,” he says with your name. “We have to get you to a hospital.” 

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 

And as the world goes black around you for the second time, you see his lips form your name. 

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 

-

You wake up in the hospital alone.  

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 

The real surprise is that you wake up at all. 

Lucas is dead. 

He tried to kill you. You thought he succeeded. 

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 

And you can’t stop playing it all over in your mind. 

He was going to kill you. 

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 

Had it not been for Aaron Hotchner. 

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 

“How long have you been here?” you ask, your brows furrowing ever so slightly. 

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 

“And how long have I been here?” 

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask. 

Aaron glances away. “You died on the table. They managed to bring you back, but…” 

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 

He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 

“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 

“And I just don’t know what to do,” you repeat, barely a whisper. 

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 

“Aaron,” you start shakily, but he continues. 

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together. 

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 

Aaron shrugs. “I make time for the things I care about.” 

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 

“Okay.” 

And he stays. 

This time, he stays.

[sirfrogsworth]

Meeting my longtime artist and good friend, Chris, IN REAL LIFE!

So, I hadn't been to a restaurant in over a decade. I can't even remember which restaurant since it was so long ago. But in the past few weeks I've now been to TWO restaurants.

I am becoming a social butterfly. 

And it is exhausting.

But also good.

First I reconnected with my high school best friend, John.

And that went great.

But then the opportunity to see my friend Chris (a.k.a @whosthewhatnow ) came up only a few days later. And this close proximity of social events scared me a bit, but I have been feeling much better since they figured out my heart thing, so I decided to try and do both things even though they were only a few days apart. 

The key to this was strategic resting. As soon as I got home from seeing John, I got in bed and I didn't get out of it until it was time to see Chris. And that was just enough recovery time to pull this off. Typically a short outing requires 2-3 days of rest after. 

I had never met Chris in real life. He has done nearly all of the artwork for my website and comics over the past decade. And he was a main character in my CRAPPRnauts series.

We know each other so well and it is crazy that we've never seen each other with our very own eyeballs.

He is such an amazing artist. He works fast and he adds so many cool extra details that you can stare at his comic panels multiple times and catch a new joke or easter egg each time. He is a dream to work with and my Corg Life series was only successful because he did such a wonderful job bringing Otis to life in comic form. 

So we decided to meet up at a restaurant with his friend Michael and then I was going to take a nice portrait of him after dinner. Chris had never had a professional photo taken of himself and I decided to fix that.

I told him I had a mobile photography setup. Which, in reality, is a trunk full of lights and stands and other various camera gear that I definitely won't need, but bring anyway. It's "mobile" in that it all fits in my car if you are good at Tetris (which I am).

The restaurant was downtown and I had visions of St. Louis's famous Gateway Arch in the background of Chris's portrait. I thought that would be such a cool shot. I could see it in my head and I even dreamed about it.

So I got in my car and headed downtown and my GPS told me to exit at 249B. But I kept looking and I couldn't see the sign for 249B.

This is how much road I had left when I finally was able to see the exit for 249B.

So I ended up taking 249A and going straight to East St. Louis.

Which, if you believe the headlines, is not a place you ever want to be.

Google Maps and I have been having issues lately. They also tried to get me to take the spooky way home that night, but thankfully I actually knew the non-spooky way back from when I used to go to Cardinal games with my parents as a kid.

My short term memory was trashed by shock therapy. And so was a lot of my long term memory. But it finally came through in a pinch and remembered something useful.

I only had to loop around and cross a bridge so I didn't really do anything but touch the edge of East St. Louis. I was mostly concerned about being late for dinner more than its scary reputation. Usually those news stories about a place being "dangerous" are actually just racist and hurtful to people stuck in poverty. I mean, technically my house is in a "dangerous" neighborhood, and we do have trouble with petty crime in some spots, but aside from a few dinged-up mailboxes, I've never felt unsafe in my home.

On the way back to regular St. Louis I could see the Arch on the horizon at sunset and it was kind of magical. And I wasn't able to get a good shot of it, but it sure looked pretty from my point of view. 

My photos kind of remind me of the beginning of movies like Training Day where they are trying to show you gritty, dutch angle shots of the city out of the car window to give you a sense of the location.

As I approached the restaurant I invented a new genre I call "stoplight photography." The sky was orange and the streets of St. Louis were just asking to be photographed. But I wasn't willing to die to get neat photos, so I just took them at every red light.

The big trick was trying to edit the dark area at the top of my windshield out of the photos to make it look like I didn't take these pictures from my car.

After a 15 minute detour through Illinois I arrived at my destination—a Mexican place called Rosalita's. It had a beautiful sign, so I took that literal sign as a metaphorical sign it was a nice place to get a quesadilla. 

Dinner was great. Both signs were right and their quesadilla was very tasty. Chris and I both got one, so we are quesadilla twins. The waitress was one of those "I can remember your order without writing anything down" types. And I am one of those, "I get anxiety when things aren't written down" types. And, to her credit, she did not forget our orders. But she did forget to give us silverware and napkins. So I still feel like my anxiety was valid. 

We told sad stories of the pups we lost. But we also had a lot of fun and laughed and I got to meet Michael who turned out to be an absolute mensch. I sometimes have trouble meeting new people with my social anxiety, but he was very affable and made me feel comfortable with his presence almost right away. He was a fan of Otis and mentioned he still has a Super Otis shirt. I always get choked up hearing that Otis is still loved. Hopefully we get to meet again. 

Dinner ended and it was picture time.

I asked Chris if he wanted the high effort photo or the low effort photo. Either we figure out how to get to the Arch or we find a spot near the restaurant and just take his portrait there. Chris and Michael had a driver because they were coming from a big conference and getting to the Arch would have been complicated. So we decided to go with the low effort option. 

I found a cool shop nearby that had an LED wall that changed to all sorts of different colors. And I thought that would make a neat background and give a colorful edge light on Chris's face. I pulled my car near that spot and started unloading my trunk full of photo gear.

I think Chris and Michael were a little overwhelmed when I started pulling camera gear out of my trunk like a clown pulling an endless handkerchief out of his mouth. But as far as photo setups go, it was actually pretty minimal. 

Light, giant battery, light stand, umbrella, tripod, camera, rolling walker with seat.

My dad's old rollator came in clutch because I wanted to shoot from a low angle and it is hard for me to bend down. In fact, I think I'm going to look into getting an all terrain version so I can do more outdoor photoshoots.

I started shooting in the middle of a downtown sidewalk. And I was super anxious. I could not focus (my brain, not my camera). I was very distracted with all of the people walking by and staring. I was not sure if any of the photos were turning out. I wasn't even sure if they were in focus (my camera, not my brain) because I had not yet had my lens calibrated. But down the street there was a guy with an old school boombox playing random music. His music helped to drown out the ambient noise and gave me some comfort.

I had no clue if the photos were any good, but when I got home and checked them on my computer, I realized I have 12 years of experience and muscle memory built up. I probably should have just trusted myself because the photos all turned out great.

I think Chris can now officially say he has had a professional portrait taken of himself.

This photo has been officially loved by Chris's girlfriend and mother.

There is no greater seal of approval and I am honored.

I was able to comp in any of the colors the wall displayed from other shots in case Chris is feeling a little more green in the future.

A literal rainbow of options.

I also liked this one, though it is a little more "environmental portrait" than regular portrait.

And I got some nice photos of our little group to help us remember the night. 

And I got a bunch of photos of Chris making silly faces like Calvin at his school photoshoot. 

I love this woman's reaction to our little impromptu sidewalk photo shenanigans.

After we said our goodbyes and I gave my friend a hug, I was a little bummed I didn't get to photograph him at the Arch like I had dreamed.

But then I realized I had my own car and it was capable of taking me places. (I actually haven't gotten used to that after not driving for nearly 15 years.)

So I decided to drive a few blocks over to Kiener Plaza—a park with a view of the Arch. 

TO BE CONTINUED...

[1d1195]

Ding - Round 2

Read Ding here | ~6.2 k words

WARNING/spoiler there's a scummy guy in this part that tries to be forceful with our MC to go with him back to his place when she doesn't want to. Nothing will happen and nothing will be described in detail but be kind to your mind and heart ♥, trauma, anxiety, pining, and fluff.

From me: I actually know VERY little about boxing and even less about throwing a punch. I do however feel I'm well-versed in sprinkles so do with that what you will. Some parts of this got a little away from me again. I hope you like it 💕

Summary: Harry and Cupcake are both really busy and haven't seen each other in two months. But when Cupcake gets into trouble, she has no choice but to run into Harry.

Harry learned to fight when he was ten years old. He didn’t have his dad around much to teach him. Mum and Gemma may as well have been pacifists and as such, they weren’t much help when it came to defending himself. Harry watched his little girl friends get teased by boys. The same boys that told him he was weird for liking girls when they had cooties. Even if he didn’t (always) like them like that and was just merely defending them. Mum and Gemma may have been pacifists, but they taught Harry to be a respectful young boy. Especially toward girls.

One too many mouthfuls of sand at recess was enough to make him finally do something about it. He was angry. Angry because the girls didn’t like him because he was a boy (although they tolerated him since he was protecting them). Angry none of the boys in his class wanted to be friends with him because he was being nice to girls filled with cooties. Angry that he didn’t have a dad to teach him how to be a boy’s boy.

For a ten-year-old, he was really angry.

Mum took him to a gym—an introductory class to kickboxing. Just to get some of his anger out in an appropriate manner (and so he wouldn’t be sent to the principal’s office during recess again). Harry took a liking to the punching bag. He cried the first time he used it with the help of an older kid who was helping him learn to punch the right way. The poor teen watching him get so frustrated that his punches and kicks weren’t landing right—even though it was his very first time throwing a punch—saw something in him. Alerted his boss, encouraged Harry, worked with Harry every time he came in. He was a great mentor and even though he left only a couple years after meeting Harry to go to university and all that, Harry was forever grateful.

His first amateur match was at fifteen. Then there were only ten rounds at most, and he won by a landslide in five. By then he met Louis—someone who saw the same thing that teen kid saw in him and offered to be his manager. It wasn’t anything serious at the time. Harry was still in school and only using his time after school to get better at boxing. Louis was only a few years ahead but knew enough to help him be great.

By the time he turned eighteen, he had won three state-titles and people were watching him. At least in a way that those who cared about boxing did. Throughout university he trained and got better and won more and more.

Now Harry was twenty-five. He had to be nearing at least a hundred thousand punches since he was ten—eitherthrowing them at someone or at least in training against the punching bag he loved so much. Maybe more. He couldn’t even begin to think or count how he would figure out that number. Harry’s whole life was training, working, and fighting.

The only joys he had outside of boxing were his car and the sweet little niece that Gemma had kindly brought into his life—but that was only a recent change.

Only one other very recent change had left him a bit tongue-tied and flustered. Harry didn’t get flustered. Not since he was ten and knew he could beat the crap out of someone. There was no ringing bell to prepare him to make eye contact with a complete stranger and just feel like he had never ever felt before.

Was it love? Who could say, really. Harry had never loved anyone in his life that wasn’t his family or his friends. It made his stomach flutter like the first time he fought in a ring for something other than a trophy. A mere two hundred dollars on the line, all to get punched a whole bunch of times. Now he was still getting punched a few times over for a decent amount of money, but the thought of that pretty girl and her sprinkles made him unbelievably excited. Knowing she was there really made him feel different.

He knew next to nothing about her, but he was certain he was going to fall for her given half a chance. Even if she gave him a half a chance—a quarter!—he would do everything he could to have her in his life. If anyone else had damaged his car, he might have lost his shit, but there was something about her kind face, her doe-eyed expression in the rainy lamplight that made him rethink his entire life in the span of twenty seconds.

But whatever it was that he felt for her, he knew it started with her ringside. Beside his best friend waiting for the end of the fight that never seemed to end.

Normally, Harry’s matches finished in an average of nine rounds. But he was seated in the corner, sipping water like a hamster from the bottle, while Louis put Vaseline on his face where the cut on his eyebrow split between the tenth and the eleventh. “How you doing?”

“Is she impressed?” He asked.

“Who?”

“Cupcake. She’s sitting next t’Niall,” he was breathing heavy. Good as he was, it took a lot of energy to punch someone for a half hour as it was.

“Who?” Louis repeated, then thought better of it. He shook his head in frustration. “Can you focus on what you’re doing, Harold?!”

Louis didn’t get it. Harry rolled his eyes and sighed. To be fair, she was probably the reason it was taking longer than normal. Not that he minded. As long as she was impressed by the end, of course. Harry was on his feet, shadowboxing briefly with Louis, that boyish smile on his face. “What the fuck is your issue?” Louis hissed at him. “You’re acting like a lunatic!”

It seemed like a cliché to say he was in love, so he refrained from doing so. He felt it spared Louis further frustration as well. Cupcake, Cupcake, Cupcake. It was the only thing his brain could think. Fortunately, the bell rang, signaling the beginning of the next round and knocked a bit of the sense back in his head that had floated away from him on the thoughts of the pretty girl nearby.

His opponent was just as tired (although Harry believed his opponent was more so) as himself. He could see the exhaustion setting in as he held his gloves up near his face blocking a few jabs Harry threw to get the excitement of the new round going. He was waiting, searching, nearly taunting for a window of opportunity. Right as his opponent swung aiming for his face, Harry dodged his punch; smirking as he did. A blinding weak spot, his guard was down for only a fraction of a second but that was all Harry needed.

Poor guy didn’t stand a chance.

Ding.

*

Harry looked like he was going to fall asleep sitting there in the bakery kitchen. He was a bit cut up; his eyebrow, the corner of his mouth, and his cheekbone had little cuts. Soothed with Vaseline, but it didn’t seem to bother him. His eyes were droopy. “Is Niall still around to drive you home?” She asked.

He shook his head. “I can drive,” he murmured.

He wasn’t really looking at her, but her look and tone screamed skeptical. “You look too tired to drive.”

“Mm,” he hummed. She was busy bustling back and forth through the kitchen. Cupcakes were in the oven. She only made a dozen, but Harry didn’t seem to notice it was a small amount. He was sitting at the big table in the middle of the kitchen. A seat dragged in from the office. She had her laptop open in her office running the report she needed while Harry held his head propped in one hand. She busied herself with prepping dough for scones and pastries while Harry tried not to loll off to sleep. She smirked at him.

“I could call you an Uber if you wanted,” she offered. “You don’t need to stay with me.”

His eyes were hardly open. “I’ll get a second wind in a minute,” he yawned. “S’jus’ the adrenaline wearing off,” he explained.

“Does that hurt?” She asked gesturing to the cuts on his (otherwise really perfect) face.

He shook his head. “Stings a little.”

“Will you be sore tomorrow?”

“A little. Stiff really... Why y’want t’give me a massage, kitten?” He smiled flirtatiously. Maybe she should have felt uncomfortable, alone with a man she only just met. But honestly, she thought Niall might be her new best friend and if Niall could vouch for Harry, then she wasn’t all that worried about him. Regardless of him knocking out his opponent with one punch. Truthfully, it was nice of her to walk her to the bakery. It was later than she expected and while the town they lived in was pretty safe, the college safety tips of never walking alone flooded her mind each time she did walk alone. She blushed at his forward assumption, but fortunately she was prepping something and stuffing it in the fridge, so he didn’t get to see. Plus, his exhaustion probably made him even flirtier.

“Thanks for being m’good luck charm, Cupcake,” he murmured sleepily.

“I didn’t know you didn’t need one.”

“Can never have too much luck.”

She smiled, continuing her prepping quietly. Harry watched her for a while. Eventually, his arm dropped to the table, and he rested his head on it. After another moment, a soft snore escaped his lips, and she smiled a little brighter. Only for herself, really, since Harry was asleep. She continued working. She was used to late nights. Maybe he really was going to get a second wind—honestly, she couldn’t imagine boxing and punching someone for almost forty-five minutes with only one-minute breaks in between rounds. Sometimes while she was baking, she would try to do other tasks while the timer counted down to take the treats out of the oven. It always surprised her how long and how short a minute could feel in the same breath.

But while she worked, she was mindful to not make too many loud noises. Harry needed sleep it seemed. She prepped for nearly an hour while waiting for the cupcakes to cool long enough to scoop out the middle and fed the sugary raspberry filling into the empty space. Frosting a dozen cupcakes took all but ten minutes then she packaged them in two half-dozen plastic containers with A Pinch of Sprinkles label taping it shut. Gently, she put her hand on his upper arm, and she really shouldn’t have been so surprised by how taut his bicep was beneath her hand, but she was. He was unbelievably strong, and she was in slight awe and shock of touching him—and he wasn’t even flexing. But rather than be creepy, she gave him a gentle shake. “Hey, Harry... Uh...it’s late. I’m gonna get going,” her voice was soft.

Harry startled almost jumping out of his seat and rubbing his eyes with the heels of his palms. “Sorry, sorry. Wow,” he turned his neck to the left and then right. “M’sorry I dozed off there.”

She shrugged. “Probably needed it,” she assured him with a gentle smile. She pushed the dozen cupcakes forward, across the table. “For you.”

He blinked then looked up at her. “Did you make these for—”

“Well, yes, I made them. You were unbelievably kind to me even though I dented Clay. Plus, you won so it’s like a job well done, you know?”

“You made me cupcakes,” he repeated, his gaze unmoving from her face.

“We really need to work out this whole repeating what the other one says thing,” she felt her cheeks warm as he stared at her, but she smiled, only feeling slightly awkward.

He turned his attention to the two plastic boxes and tilted his head at them. They were identical. His fascination with her precision was immense. “What kind are they?”

“The raspberry filled ones. You said you liked them.”

His gaze went right back to her, and he felt hungry, but not for cupcakes.

Well, at least not the baked good kind of cupcake.

“Thank you, Cupcake. That was sweet of you. I hope it wasn’t too much trouble.”

Her smile seemed to transcend to a feeling of relief. “Not even a little...um... I just have to grab a couple things. Would you... mind walking me to my car? Unless you need to leave right now. I know it’s crazy late. I’ll be okay. I walk to my car on my own usually but it’s always a little creepy. But I feel bad I made you—”

“’Course m’gonna walk you t’your car,” he rolled his eyes. “Besides I don’t want you t’ding Clay again,” he winked to ensure she knew he was kidding. Because yes, he loved his car.

But rapidly, when it came to her, the car didn’t matter in the slightest.

*

She hadn’t seen Harry in two months.

It wasn’t like she was avoiding him. Part of her knew he was a mere social media friend request away. In fact, she was trying her hardest to not stare at the pictures of him on social media, the PR plug for his matches, and all the things that she saw Niall, Louis, and all his other friends shared. But she didn’t want to come off too forward. It seemed weird to be so into a man she only talked to for no longer than ten minutes total.

Besides...she had her routines. Work, family, and more work.

Also, if Harry was really infatuated with her the way Niall alluded to, he knew where her bakery was—he easily could come and find her here. But she did notice there was a tag to her shop on Instagram with raspberry filled cupcakes in the picture. (All it would take is for her to press the Follow button and wait.) While she didn’t know Harry all that well, she assumed he was probably just as busy. Her brief cyber-stalking showed that Harry was often at the gym—although she wasn’t sure which one. He was also an amazing uncle. That much was clear. It warmed her heart, and she would never want to tear Harry away from that kind of time. Family was extremely important to her. She wholeheartedly understood how much his free time was probably monopolized by the little baby.

But it was so strange that she didn’t know him yet there was some part of her that wanted to see him. It was bizarre. She never got all up and arms about a guy. There was work and there was her family. That was it. That was all she could afford to balance. She didn’t need a guy to mess with her routines or upset the balance of her life.

However, every time she walked alone to her car at night now, she wished that Harry was with her to assure her safety—even though she had done it hundreds of times before. The night they met, he walked her in silence, opened her door and made sure she was safely tucked inside. “Good night, Cupcake,” he smiled almost dreamily.

“Good night, Harry. Congratulations,” she responded with a smile too.

Harry’s smile grew and he looked away briefly before patted the top of her car and turned to Clay, put his cupcakes on the passenger seat and moved to the driver’s side. He gave her a wave and pulled out of his parking spot.

It was two months ago.

But after just one month, it was hard to deny she didn’t miss him.

That had to mean something. Just one brief night—not even a date. Most of that night was spent with Harry in the ring or asleep at her kitchen table. Hell, she got to know Niall more that night. But it was Harry’s smile that plagued her thought—crooked and perfect. The way his eyes glittered as he convinced her to follow him with a picture of his niece.

“Are you baking something in here or burning in here?” Maeve asked.

Maeve was her best employee—her right hand nearly every day. More importantly, her best friend. Shaking her head of the thoughts surrounding Harry, she sighed and turned to the oven where her fudge brownies were surely overdone. “Shit,” she whispered.

“I don’t think you’ve ever burned anything. Are you okay?” Maeve asked gently. It was a loaded question. It took a lot of time to dig the answer out of her friend, but Maeve did. She knew asking if she was okay was probably the wrong thing to say.

But if it was, she didn’t mind. Of course she didn’t. Her very best friend was sweeter than all the treats in the display case. “Just a little distracted,” she mumbled grabbing the tray and setting it in the sink to cool off (and hopefully so she didn’t have to scrape the bottom of the tray later).

“Harry on your brain?” Maeve giggled.

She rolled her eyes but felt the way her cheeks warmed at Maeve’s (correct) assumption. Maeve was shocked to learn that her strong-willed friend was convinced by a stranger to go see a boxing match. She couldn’t believe it. Granted, once she saw the picture of Harry, she couldn’t disagree. I think I would let him punch me in the face if he wanted to.

She decided keeping Maeve as far away from Harry as possible was probably necessary.

Rarely did she and Maeve work together. As her best employee and best friend, it was like asking her to hold her child when Maeve was on shift. There was no one she trusted more. So, when Maeve wasn’t there, she often was and vice versa. But every so often, usually at the shift change, Maeve got to see her best friend in her element. “Well, the good news is, you can go think of him at home,” she winked at her.

She didn’t even look at her. “You’re disgusting,” she deadpanned.

Maeve snorted. “That’s not even what I was insinuating. Your mind went directly to the gutter. Good for you. I bet he thinks about you while he’s doing it too.”

“Jesus Christ,” she was blushing brightly now. “I just want to fix the display case and then I’ll go.”

“Any fun plans for tonight?”

She hesitated briefly. “Uh yeah...actually. I have a date,” she mumbled.

“Oh!” It was silent for a long beat. Rarely did she go on dates. There were only a few since she moved into town three years ago. Mostly because the bakery took up so much of her free time. The remaining bit of time she had and didn’t go on dates was because of the guilt she felt. Maeve’s surprise was palpable. It made her cheeks turn pink and she bit the inside of her cheek. “Good,” Maeve smiled encouragingly. “Online?” She asked.

She nodded. “We’ve been messaging back and forth for like...” she shrugged. “Two weeks.”

“Are you excited?”

No. “Yes,” she sighed softly. “Been a while,” she smirked. There was a huge part of her brain that told her she didn’t want to go because it wasn’t Harry. It was like a neon sign had been posted in her frontal lobe reminding her that it was pointless to even consider this date. She should have just requested to follow Harry and be done with it—he would probably drop everything if she asked him on a date. “Just...nervous.”

“It’ll be good!” Maeve said reassuringly. “Share your location with me and text me when you get to where you’re sleeping,” she wiggled her eyebrows suggestively.

“I will be sleeping at home,” she promised snorting through her laugh at her best friend.

Maeve smiled heading to the front and leaving her to finish with her burned brownies.

*

The front of the bakery was dark in color; she was aiming for warmth. The floors and baseboards were dark walnut brown. It contrasted sharply with the wall she wall-papered by hand with a white and brown marble pattern behind the display cases. It made the black chalkboard menus with the same walnut brown frames stand out. The lights were always set to dim when they were on. Her goal was to recreate the feeling of her childhood home—particularly the den where her father set up the most beautiful Christmases. The bakery lacked a fireplace (she joked with Maeve that it was an oven or a fireplace, and the oven did a better job at cooking croissants evenly).

The front of the bakery wasn’t massive. There were five little tables to sit and enjoy their treats if people wanted but it was really a grab and go kind of place. The back had more treats stored so the main room didn’t look overwhelming. The front display cases still contained more treats than anyone could think of eating. I wish I could buy one of everything was heard frequently from the line. Eventually she wanted to invest in coffee but for the time being she liked just her treats and was happy to recommend the coffee place down the road. If she ever got a hold of more space, then she would consider buying all the machines for coffee.

The bakery was honestly warmest when it was rainy. Which was frequent. She was reorganizing the main cupcake display, a tower of three tiers with one of each type of cupcake she made. The raspberry filled cupcake was the one that had been on top for the last two months. Each time it was bought, she replaced it with another. While people raved about her brownies, cakes, and even the croissants, it was the cupcakes that people came for; and so, she took care of the display as much as possible.

“Which one do you recommend?” She turned to the voice and saw a mom and little girl waiting patiently. She smiled fondly.

“Raspberry filled,” she pulled it from the top tier and handed it over. “Try it,” she offered.

“Oh, we don’t want to get you in trouble,” the mom said quickly while her daughter grabbed for it almost immediately.

She laughed. “Don’t worry, I know the owner,” she promised. “Maeve! I’m leaving!” She called but was delighted by the little girl’s approval. Silence, cake and filling on her cheeks immediately, and a delightful look in her eye.

“Have fun!” She called back.

“Enjoy the cupcakes. I also like the lemon vanilla ones.”

“I think raspberry filled is the winner,” the mom smiled.

She nodded, unable to keep herself from grinning back. “A fan favorite.”

*

She should have stayed home. The bad weather should have been an omen. But maybe it wouldn’t have been because she met Harry in bad weather, and everything was fine that night. It soured her mood and made her feel infinitely worse to think about the comparison.

I’m home. Not a great date. I’ll tell you later. She wished she had gone to Maeve’s. Maybe she would have doted on her. But she didn’t want to fall apart the way she planned on in front of her.

:( sorry babe. Sleep tight. Talk to you tomorrow :(

She locked her apartment door and checked at least fifty times that it was truly locked before she moved to her bathroom. Her heart was still in her throat and her eyes felt raw with tears. Maybe she was overreacting.

No.

The rational part of her brain reasoned against her handwaving casualness. She had good instincts. Obviously. If this same situation happened with Harry, then maybe she would have considered it her own poor judgment. It was more reason that someone as terrifying as Harry could have be sweet as her cupcakes that it was her good judgment that helped her get out of there tonight.

She hurried to get out of her clothes. Part of her considered throwing them away. She didn’t want them any longer. She wasn’t sure she would ever wear them again. She turned the shower on as hot as she could stand it and pushed it a little further.

He didn’t hurt her physically. He tried. It was obvious his intent was to force her into the car... or worse. Which was disgusting in its own right. Until that moment in the dark, rainy parking lot, it was almost identical to her moment with Harry. But it wasn’t. Harry didn’t make her feel unsafe. Harry didn’t make her feel threatened. Harry gave her an out even though he wanted to hang out with her. She knew she could leave at any moment and Harry wouldn’t have blamed her.

She rubbed her arm so hard with her loofa in the shower stream it burned for a new reason. Tears blurred her vision and she felt so stupid. So completely idiotic. How could she let it get that far? That was so dangerous. So close she could have been hurt in so many ways that she didn’t want to think about, ever again. She closed her eyes and let the water wash the night away, feeling completely alone and dreadful.

She never wanted to date again.

*

She finished her shower, sniffles plaguing her, and she got into her comfiest pajamas. Her heart was still beating too fast as she crawled under the covers. She felt so ashamed. It felt like her fault. All of it.

There was a tiny rattling in her brain that Harry could have prevented it all. She should have just requested Harry on social media when she met him. If she had, she would have had his number by then. He would have helped her for sure.

Without thinking, she scrolled on her apps, and clicked on the various follow buttons. Every platform she could think of to request his social media friendship—looking like a lunatic be damned. Almost everything had a phone call button now, she could use it as backup if she needed. For good measure she requested Niall too. It was nearing midnight, and she couldn’t bring herself to care. She was scared. Nervous. Heartbroken.

Yet, within moments, Harry returned the request along with a direct message in her inbox.

Thinking of me at midnight, hmm?  😉

She snorted despite her uneasiness. One sentence and she melted. But she couldn’t let him know that. 🙄 it was nice while it lasted. Just going to unfollow you...

Aw, c’mon Cupcake 🙁

Oh alright... No, not really... just can’t sleep. Popped up on my people you may know while scrolling. It wasn’t a complete lie, and she was glad she wasn’t having a phone call. He would have heard her sniffles and then she wasn’t sure she would have been able to stop herself from inviting a total stranger over. Right now, she didn’t trust her judgment fully.

Been dying to press that Follow button, Cupcake. Didn’t want to come on too strong after that first night.

She couldn’t help but smile. The contrast between the night she met Harry, and her present night made her sad but relieved at the same time. I see you enjoyed the cupcakes.

Louis made me run laps for two hours because of you. I ate all twelve in less than 72 hours. Do you put drugs in those? They’re addicting.

Lol, no drugs. Well... sugar. So, pick your poison I guess, right? 😇

Well, thank you, Cupcake. That was delicious. I hope you liked the match too. We didn’t get to talk much. I know I fell asleep 🤦‍♂️ I was really happy you were there.

Her heart felt so warm already. Despite how much she didn’t want it to. Thank you for inviting me. Because she was nothing if not polite. It was really exciting! I don’t know much about boxing. But it’s obvious you’re very good—not that you need me to tell you that. Were you really going to make me look like an idiot and not tell me you were undefeated?

You’ll make me blush, Cupcake. Didn’t think you’d come with me if you knew.

Sneaky... 👀

Just... wanted you there, kitten. I promise. Nothing more... I know I came off a little too strong and I know I was a little...pushy. I would have let you go to your store if you really wanted to... But...

The three dots on his message disappeared and reappeared a few times over.It was cute to imagine him holding his phone thinking about what to type, erasing it, typing it again.

I can’t explain it, Cupcake. I’ve been going CRAZY these last two months. Niall’s calling me a stalker and I haven’t even SEEN you. The sentiment doesn’t give her any bad feelings. Because despite how much she wanted to be guarded, especially after her evening, she couldn’t help but believe him. Trust him, implicitly.

I swear something in the universe pulled me to you... I woke up just in time to see you blowing up my phone tonight 😍😍

She snorted and felt her body warm with his kindness, his gentle adoration through her phone no less. You’re insane, Harry Styles.

About you 😍

Oh my God... Now she really was blushing, but she couldn’t help but notice she felt so much better chatting with him. Well... we can talk tomorrow if you want.

Oh?

I’m assuming you’re tired and I’ve already hogged more than enough of your time at midnight, as you pointed out.

Oh, no.

No way, Cupcake. I’ll stay up all night to talk with you ❤

Her heart felt so heavy. It was unfair. How could she be so stupid? Her dad would have killed her for being so naïve. It was his worst fear while she was growing up. It was everything he always talked her through when she was going through puberty and telling her about boys teasing her. Her dad reminded her constantly that a man has no right to make her feel scared or fragile.

But she could feel his grip on her arm trying to coerce her back into his car. She shook her head of the thoughts, refusing to let him poison any more of her time than he had. She was talking to Harry. She was okay. It was alright. It didn’t happen. She got in an Uber, and she’ll never see him again.

Harry was talking to her. Harry made her feel safe. Harry didn’t make her stomach unsettled with a bad gut feeling. Here’s my phone number if you want it.

Within moments, she had a new text message alert. This is better than an undefeated record 😍

*

The following morning, she felt less terrible about herself and her stupidity, but she never wanted to feel that way again. She was also so tired from texting with Harry for hours. It was nearly three in the morning catching up on all the things he did in the past two months before she wished him a good night. There wasn’t much to report about their lives. They both seemed to be workaholics, but he did offer her some really cute baby pictures of his niece (and a pretty cute picture of Niall falling asleep on Harry’s couch after an intense workout).

While she sipped her coffee—staving off the sleepiness, she Googled self-defense classes. Her dad would have approved. He wanted her to do it back when she was in college, but she refused for whatever reason. She regretted that too.

It was telling that she debated whether she was overreacting for several minutes. If she was overreacting, she would have brushed off the idea of self-defense classes like she did in college. But this wasn’t something to overreact about, right? Before she could overthink it any longer, she paid for the class. Honestly, in that parking lot she was smart to do this. Worst case scenario, for one reason or another, it was the smart decision.

She cycled through the next stage of grief feeling angry and bitter that he made her feel this way. She was incredibly lucky it was raining and slippery and she managed to get away from him in the chilly spring air. He left her so rattled. She was defenseless, so a class was needed.

God, she missed her dad.

Fuck, she missed Harry.

She never wanted to feel that helpless again.

With the class paid for, she put an apron around her waist and headed to the front of A Pinch of Sprinkles and turned the closed sign to open.

*

The following Monday, after a full day of flour, sugar, and plenty of customers, she headed to the gym.

It felt awkward. She hadn’t been to a gym since her college days, and she was already frustrated from her horrific night out. She and Maeve told each other they would go together but they were terrible influences on one another and opted for shopping trips with the promise they would pretend their shopping bags were dumbbells.

When she arrived, she headed to the front desk and introduced herself. She even admitted she felt awkward and the woman behind the desk smiled encouragingly. “I’m Sarah. Let me show you around,” she came from behind the desk and headed toward the side room. “It’s safe here,” she assured her, like she knew. The assurance made her throat tight with emotion and she nodded stoically. “This is the locker room; you can change in here and you can leave your stuff locked up or in the front cubbies and I can watch it. Whatever makes you more comfortable,” she smiled kindly and glanced her up and down briefly. “Do you own that bakery downtown?”

She smiled and nodded, looking at the flour handprint on the thigh of her pants. “Thought I got all the flour off,” she brushed at it with a chuckle. “Yes, I do.”

“My husband is going to think I met a celebrity today,” she laughed. “We love your blueberry scones. They taste like heaven.”

“Aw, thank you so much, that’s so kind. I’ll bring some next time,” she promised.

“Oh stop, I’ll divorce him,” she laughed and headed back for the front desk.

She quickly changed, feeling safe and relieved once more. She brought her belongings to the front and sat in one of the seats across from Sarah’s desk. “Kickboxing is just wrapping up and your instructors will be right over,” there was a group of several other women milling about. Obviously, they at least knew how to be in a gym by themselves. A few came as a small group. Maybe she should have brought Maeve.

While waiting, she scrolled through emails from her landlord, her college alma mater group, and all the coupons she had ever subscribed to. “I have got to unsubscribe,” she murmured to herself. She scrolled through photos of the beautiful little area she lived in now, and as sad as it was to get here, it was nice. Her shop was nice. Despite how scared she was over the weekend, things were good.

The only thing that wasn’t nice was that stupid, awful man.

“Holy shit, he’s hot,” she heard someone whisper. It was peripheral. She didn’t even register it really because she was sending Maeve a picture of the sale that was happening at their favorite clothing store on Thursday. If she paid attention, she might have noticed sooner.

“Ladies, self-defense class, this way please!” The voice was familiar, but she couldn’t place it. Maeve sent about ten heart eyes to her, and she smiled, stuffed her phone in her bag, and waved to Sarah.

“Blueberry scones,” she repeated with a firm nod and followed the line of women. She sipped from her water taking in the banners around the gym and realized too late why Louis’ voice sounded so familiar.

He stood at the front of the room, along with another familiar face.

“Oh shit,” she whispered to herself and turned immediately back toward the desk.

She bumped into another woman who steadied her and kindly looked her over. “Sorry—are you alright?” she was nearly motherly in her demeanor and her head felt woozy. She couldn’t do this. Harry would know.

Why was Harry attending her self-defense class?

“Yes, yes, sorry,” she shook her head. “Wrong—”

“Hey,” Harry’s voice was right there. She stepped out of the room trying to get more air to her lungs and head.He wasn’t attending. He was teaching. This was his gym. The boxing rings in the main room should have been a clue. The sound of Louis’ voice. Oh, you stupid idiot, her brain scolded.

“Cupcake?” Her head responded to the nickname instinctively. Harry’s suspicious green eyes gazed back at her. “What are you doing here?”

--

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[m0chisenpai]

maitress

˚｡⋆ the vampire armand x black!fem!reader

in which armand may be the maitre, but every king needs a queen.

The troupe bustled and moved in organized chaos. Electricity filled the air it tickled her veins, tonight was special. Claudia couldn't explain it, the blood sabbath felt intoxicating. The acting was on par with what was held at the royal opera. Was someone of importance watching?

She did not know and as she made her trek up the wooden steps from the Wet Room, the room went still.

“Beautiful work in the previous night my children, my heart might have leapt for a moment.” The velveteen voice wrapped around a Claudia’s mind. She closed her eyes, she could feel the owners voice as though she were next to her. And it seemed her voice was made known to all, because the room went still.

It was as though her presence were in the center of the room. Claudia could see her, but not, her face unknown to her. Her eyes cut to Louis, but they are glossed over, looking and searching for this source of comfort.

She could feel her arm hold her into her side, like a mother. Her hand settled on the back of her neck, finger playing with a curl and letting it bounce free. “And I have no doubt our young new puce is hard at work as well, we need more bright young minds here. Dear Claudia.”

"I look forward to seeing each of you all for tonight's hunt, I've a special treat for our American friends."

Then it was gone. Santiago let out a low groan placing his hand onto his chest, “her voice does wonders. I could listen to it for the rest of my days.”

Armand clapped his hands together snapping them out the trance. “You heard the maitress! Let us not disappoint and puce I hope her words lit an inspiration in you as well.” Claudia bowed her head, leaving through the wings and down the steps.

Claudia buffed and shined the casket of the acting troupe, her ears trained onto the post-show critiquing taking place above. She huffed sitting back on her knees. She was so close, just a little more enduring and she would join the theatre. And with a little persuasion her companion would join.

But Louis was 'fine' with sitting behind the scenes.

Claudia allowed her hands to wander the vanity, covered in treasures. The bottles of perfume glistened in the lights, and a bouquet of deep red roses sat nestled with note inside. scattered sheets of plays more covered in red than actual written words filled the space. A photo of Armand tucked in the mirror beside another note, the ink clearly fresh. She went to open it, to see just who was-

“Puce!” She jumped back dropping the letter back onto vanity. Sam now stood behind her, a scowl on his face like many nights.

“That is for maitress” the apprentice playwright breathed, lovingly looking up to the portrait as thought it were God himself up there. Though Sam was a brilliant playwright, the man was a horrible gossip. If you knew the right words, knew how to get him started then all you’d need is to sit back and let him spill his guts.

“How long has she been here?”

“She was one of the first to be chosen by maitre. No one knows how, but they say her first role was a testament to her story” Sam dropped his voice to a hush looking up. Santiago was wrapping up. So he lured the young puce in.

“Some say, she is the maitre’s one and only fledgling.” Claudia’s eyes widen. And before a slew of questions could come out, he swept the stack of papers in his arms smacking them on the cluttered wooden table.

“No more gossip for you puce! Make sure her area is well kept and don't touch her writing, she bit my finger off last time.” Claudia quickly went to work putting the make up and perfumes in the right places of the vanity.

She made her way to deposit the costumes to the be cleaned when her eyes catch a figure, lying across Armand's bed.

Her eyes concealed by a tinted round pair of fold rimmed glasses, and hands moving with her speech. She wore a pair of high waisted slacks with a dark red blouse tucked in. Her hair was thick and pulled to sit an simple updo with a patterned scarf tied.

Back and forth she paced the small room with a script in hand, taking the frames off to toss onto the cluttered desk along with the script.

"Santiago really needs to stop screwing Estelle, you can tell he is. He gets so boring on stage" she grumbled, holding her hand out to receive a cigarette from Armand and standing still for him to light it.

"The little American beauty is adorable" She called out, by now Armand has begun to smoke from his own cigarette, moving to stop her in her steps and pull her atop his lap on the bed. "I wish I could have seen their arrival."

"Yes she has that bite you had in your early years here." Her maroon lips turn upward as she cups his jaw.

"But your words cut deeper," his voice whispers now holding her hand to press into his cheek. Gentle kisses upon her wrist make her eyes flutter shut until he bites. As he feeds, her eyes look outward. Locking with Claudia's wide ones

Her blood is sweeter than anything he has tasted. Armand would drink from her alone for the rest of his existence if he could. He moves her off to lie among the pillows.

Her throat bared to him. His body covers her, his face face now buried in her neck where he bites her high enough where no shirt may cover.

"I suggest you finish your chores now, puce."

Claudia quickly steps away, her heart pounds against her chest as she quickly makes her way into the costume room. She would never forget those cold green eyes, staring into her own.

Back in the bedroom, she slips Armand onto his back. Straddling His waist. There is no protest in his eyes. Only a burning desire, had she demanded his heart in this moment he’d give to her at any moment. She gazes down at him, with a tilt to her head.

"You know I prefer to be on top, my beautiful Arun."

"Yes, maitress."

[snaileer]

Dare to Live (Part 1/2)

DPxDC

The first they see of the mysterious figure is barely a flicker above the battle. Only a few of them really spot it and the rest only see it due to footage from the bat plane.

Any other footage after it is the equivalent of child’s colorful finger-painting regarding the figure.

Superman doesn’t even pause to evaluate the flicker in his peripheral before he goes back to trying to push the newest alien ship away from Metropolis.

Why was it always Metropolis?

Why not St. Louis? Or, or Fountain, Mississippi? Or literally anywhere in Canada! He has nothing against Canada, he would just like to go farther than his city borders to stop an alien invasion, just once. For some variety, you know?

Just as Batman’s plan starts working, and they’ve finally got the mothership on the edge of Metropolis, Clark’s grip goes light.

For a moment, he panics, worried they have kryptonite or some shield or repelling ray, but when he’s still able to fly backwards he realizes that’s not possible.

Instead, he stares in awe at the figure stationed above them, above the heroes, the ship, all of it.

The man is large, at least as big as Clark, with one hand stretched out to the ship, and there’s just enough time for Clark to see a large skulled ring on the man’s hand before he swipes downwards and Clark watches as the entire mothership crashes downwards with it. Hull crushing inwards as if gravity itself has increased upon it.

Clark looks back up at the man, taking note of the large glowing green crown above his head, and the starry black cape that sways gently behind him despite the winds that sheer against Clark’s face. His hair flows gently as well, giving off the same glow as the crown, even though it shouldn’t be visible in the midday sun.

In fact, the man’s entire figure seems to glow, only getting brighter as he holds his arms out and streams of sickly green light seem to stream towards him from around the city, around the battle site, all absorbing into the man with a green flash.

Clark only spares a glance to Batman to get an affirming nod to check it out before he’s flying up to him, hesitance growing as he watches the figure survey the damage with eyes of pupiless green.

The figure smirkes as he approached, meeting him in the middle but saying nothing, only serving to increase the tension in the air around them.

When they were even, Clark chose to take the first step of diplomacy, “I am Superman, Protecter of Earth. Thank you for helping us, But..Who are you?”

The figure stared at him for a long time, eyes boring into his skull with an intensity not unlike Batman’s. The feeling of judgement being passed weighed down on his shoulders before, finally, they spoke,

“I am High King Phantom of the Infinite Realms of the Eighth Dimension,” Power radiated through his voice, “The Great One, Feller of the Tyrant Pariah Dark, Tamer of Vortex, Conquerer of My Future Now Past, Keeper of Death and Life, Wielder of the Ring of Rage, Bearer of the Crown of Fire and The One True Balance.”

Superman felt an icy grip around his heart as he took in everything those titles could mean. And if his experience with extra dimensional beings was anything to go by…

“You are well met, Superman, Protector of… Earth.”

The king seemed to hesitate on the planet, indicating maybe an unfamiliarity with it, but then why would he be here?

Superman composed himself, remembering the diplomatic training of the league, “And.. Your Majesty is here because…?” Words seemed to escape him as he stared into those eyes.

Silence reigned between them again, tense and still, not even the king’s cape seemed to move anymore until the his voice broke it.

“You will find out all in due time, Superman of Earth,” He paused and glanced around them, eyes suddenly clarifying to just two Lazarus green irises, “But for now, I am here simply to observe.”

Without pausing, the king began to fly down to where Clark could see the other heroes congregating.

Superman followed just in time for Batman to step forward and ask him for an introduction and more importantly, information.

Clark jumped in to avoid the amalgam of ominous titles, simply saying, “Batman, this is King Phantom of the Eighth Dimension. He’s.. visiting?”

Batman raised a patented bat glare at him, “Eighth dimension, is that at all related to your troubles with a certain fifth dimensional imp?”

That’s exactly what he’d thought but by Rao he hoped not. Just as he was about to reply though, King Phantom cut in with a flare of his glow.

“Watch your tongue, Man of Bats, accuse me of being a fifth dimensional pest again and we shall see how long you last in no dimensions at all,” the king paused to look down at him, “Mortal.”

[fandomsandfeminism]

This is a post complaining about the lack of feasible travel options in the US beyond car or plane.

I live near Austin, Texas. I have family near Albuquerque, New Mexico. This is about 700 miles.

This is a shitty drive in a car. About 11.5 hours (not including stops), and that slog through west Texas is rough. It's a lot of wear and tear on the car, and even in the hybrid, a lot of gas.

When we need to get there quickly, we have generally flown. Southwest has some direct flights, about 1 hour and 45 minutes, for about $175. (Plus renting a car when we get there.) But airport security sucks and is a bit of an environmental disaster. You spend more time in the airport than in the air. It's annoying, but is a decent tradeoff for time when that's important.

Riding a Greyhound bus is CHEAPER than flying (about $120 a ticket) but you are either going to Dallas, waiting for a new bus, to Amarillo, waiting for a new bus, to Abq (21 hours), or To Dallas, to Oaklahoma City, to Abq (25 hours.)

But Rosie, you might ask, why not take *the train*?

More environmentally friendly, and it can't take LONGER than driving, right? Or maybe a liiiitle if we are going to Dallas first? So it cant be longer than the BUS right? And it's a train, how fun!

This is a map of Amtraks tracks.

Suggested route 1: 30 hours

You can take a train to Ft. Worth, change to a different train to Oklahoma city, then take a bus to Kansas, THEN a train to Abq. $250 a ticket.

Suggested route 2: 54 hours

Take a train to ST LOUIS, then a BUS to Kansas City, then a different train to Abq. $300 per ticket.

And you still have to rent a car when you get there.

Listen, I know this isn't like... Amtraks fault. Amtrak has been intentionally sabotaged again and again, but holy Jesus. I *want* to ride the train. I would gladly *double* my travel time if the cost was reasonable and the route didn't involve having to switch to a bus halfway through?! But how can I justify 2 hours/$175 vs 54 hours/$300 AND A BUS TRANSFER?!

Again, not Amtraks fault directly.

[suzannahnatters]

Let Your Knights Weep

One of the big things I've had to train myself out of when writing medieval historical fiction?

The stiff upper lip.

This used to really bewilder my editor, who for some time attempted to nudge me away from having my grown men weep and wail and blubber, but for me it's an essential part of the setting. Whether in grief or fear, medieval people did not hold things back.

Here are some of my favourite quotes to explain.

First, a couple from two great 20th century medievalists:

CS Lewis in his Letters put it this way:

“By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we?”

Dorothy Sayers, in her fabulous Introduction to her translation of THE SONG OF ROLAND, speaking of Charlemagne discovering Roland's body on the battlefield:

Here too, I think we must not reckon it weakness in him that he is overcome by grief for Roland’s death, that he faints upon the body and has to be raised up by the barons and supported by them while he utters his lament. There are fashions in sensibility as in everything else. The idea that a strong man should react to great personal and national calamities by a slight compression of the lips and by silently throwing his cigarette into the fireplace is of very recent origin. By the standards of feudal epic, Charlemagne’s behaviour is perfectly correct. Fainting, weeping, and lamenting is what the situation calls for. The assembled knights and barons all decorously follow his example. They punctuate his lament with appropriate responses:

By hundred thousand the French for sorrow sigh; There’s none of them but utters grievous cries.

At the end of the next laisse:

He tears his beard that is so white of hue, Tears from his head his white hair by the roots; And of the French an hundred thousand swoon.

We may take this response as being ritual and poetic; grief, like everything else in the Epic, is displayed on the heroic scale. Though men of the eleventh century did, in fact, display their emotions much more openly than we do, there is no reason to suppose that they made a practice of fainting away in chorus. But the gesture had their approval; that was how they liked to think of people behaving. In every age, art holds up to us the standard pattern of exemplary conduct, and real life does its best to conform. From Charlemagne’s weeping and fainting we can draw no conclusions about his character except that the poet has represented him as a perfect model of the “man of feeling” in the taste of the period.

OK, now let's dig into some quotes that I found just in Christopher Tyerman's Chronicles of the First Crusade and Joinville's Life of St Louis:

Truly you would have grieved and sobbed in pity when the Turks killed any of our men....

As for the knights, they stood about in a great state of gloom, wringing their hands because they were so frightened and miserable, not knowing what to do with themselves and their armour, and offering to sell their shields, valuable breastplates and helmets for threepence or fivepence or any price they could get....

When Guy, who was a very honourable knight, had heard these lies, he and all the others began to weep and to make loud lamentation....

They stayed in the houses cowering, some some for hunger and some for fear of the Turks....

Now at vigils, the time of trust in God’s compassion, many gave up hope and hurriedly lowered themselves with ropes from the wall-tops; and in the city soldiers, returning from the encounter, circulated widely a rumour that mass decapitation of the defenders was in store. To add weight to the terror, they too fled…

In the course of that day’s battle there had been many people, and of fine appearance too, who had come very shamefully flying over the little bridge you know of and had fled away so panic-stricken that all our attempts to make them stay with us had been in vain. I could tell you some of their names, but shall refrain from doing so, because they are now dead.

I could go on looking for quotes in all the other medieval literature I've read, but that would be beyond the scope of this Tumblr post.

In the meantime, this leads me to make some comments on how trauma was perceived.

In Jonathan Riley-Smith's The First Crusade and the Idea of Crusading, the author discusses the mental breakdowns suffered by the first crusaders during the second siege of Antioch, which caused many of them to flee at the moment of direst need:

In these stressful circumstances it is not surprising that the crusaders were often very frightened. At times, indeed, they seem to have been almost paralysed by a terror that they themselves could hardly comprehend. … When the crusade was bottled up in Antioch by Kerbogha's relief force it was gripped by such blind panic that there was the prospect of a mass break-out and on the night of 10 or 11 Juney 1098 Bohemond and Adhemar had the gates of the city closed. It is worth noting that many of those whom later chroniclers, writing after the events in comparative comfort in Europe, vilified for cowardice and desertion seem to have been treated more charitably by their fellow-crusaders, who must have understood what pressures they had been under.

--

In conclusion: the way we feel about things today in the English-speaking isn't necessarily the way people felt about things in the past (and this goes for other cultures, real or imagined, too). I'm continually catching myself writing people with stiff upper lips and emotional reservations, and having to remind myself that the culture was different back them. If a grown man wanted to weep, he could. That's a good thing. (Oh, and my medieval historical fantasy? Check out the Watchers of Outremer series on Amazon or wherever books are sold!)

[joanquill]

How Touching

How Albert would react to a reader who doesn't like physical intimacy at first in the modern era.

Albert James Moriarty

A/N: Sorry for the long absence, a lot has happened and writer's block has made a home in my head rent-free at this point it's almost homophobic :) (as you can probably tell with this one so advanced apologies!) late happy pride month! 💕🏳️‍🌈🏳️‍🌈

Tag/s: One-Shot with Headcanons, Modern!AU, Long (2.2k words)

Warning/s: Slightly Suggestive(???)

When you first joined the Moriartys with their plan to abolish the class system, the group welcomed you with open arms.

Quite literally with how Bonde tried to hug you as a greeting.

You evaded him smoothly, surprising the man and the others.

But you explained how you were uncomfortable with physical touch, and everyone respected your boundaries.

Despite the awkward start, everyone still welcomed you.

And as time passed, you slowly grew closer to everyone in the group.

But especially with the oldest Moriarty, seeing as your job usually involved assisting him.

Whether being his partner on missions or attending parties with the rich, you two are usually seen together.

It also doesn't help that you were mostly in charge of maintaining the manor in London when Louis and Master Jack were away.

Because of this, you also tend to stay with him in London while William and the others are back in Durham.

This leads to you and Albert sharing chores in London.

While Albert is a master when it comes to cleaning, you always make sure he's nowhere near the kitchen or at least have you there to supervise.

The first time you tried his cooking, you were out of commission for three days.

Because of how much time you spend together, you two started to get closer.

And this didn't go unnoticed by your housemates.

"(Y/N), have you seen my-?"

"-It's in your coat pocket," 

"And the-?"

"-It's already in your suitcase,"

"And did you already inform-?"

"-Yes, Director Holmes is aware of your return to London tonight," you answered as you showed him the email you sent to the director.

Albert chuckled as he loosened his collar, "What would I do without you?"

You smirked at his remark as you fixed his loosened collar and necktie.

"Well, aren't you just a perfect match," Sebastian commented from the couch, watching you two blankly.

You froze at his words as you turned away, making sure your expression remained neutral. 

"It's almost freaky, to be honest..." he shuddered, making you chuckle.

"Don't you have a chimney to sweep, colonel?" Albert reminded, earning a glare from Sebastian as the doors burst open, Bonde running inside the room.

"You're really leaving already? We planned to go to that new restaurant this afternoon," Bonde asked as he walked in, seeing you and Albert grabbing your coats.

"Yes... The director suddenly called saying it was an urgent matter, so our plans will have to be rescheduled," you explained, much to Bonde's disappointment.

You smiled softly at him as you gave him a gentle hug.

"Don't worry, I'm sure we can go there some other time," you reassured as you pulled away, seeing a shocked expression from the three men.

"...What?"

"You hugged him..." Sebastian pointed out, making you raise a brow and smile.

"Yes, and what about it?" you teased, hugging Bonde again, surprising them for a second time.

"What the-?!"

"Awww, (N/N)!" Bonde smiled as he hugged you back tightly, cherishing the moment as you laughed.

"No way..." Sebastian breathed out a smile, "To think Bonde would be the first..." he smirked, looking over to Albert, who held a faux smile as he walked up to you and Bonde.

"(Y/N), I believe it is about time for us to leave?" he reminded, making you gasp.

"Right! I'll go call a cab," you hurriedly walked out of the manor, hoping you wouldn't miss the last train back to London.

Sebastian laughed wholeheartedly as the door behind you closed, hitting Albert's back while Bonde kept a hand over his mouth, hiding a proud smile from the oldest Moriarty.

"Didn't expect you to be the possessive type!" Sebastian snickered, making Albert lightly scoff and swatted Sebastian's hand.

"I don't know what you're talking about," Albert denied as he grabbed the bags.

"(Y/N) is a reliable comrade to all of us,"

"Then why don't you let them stay in Durham with us?"

"Because their skills are needed in London,"

"But what if William asks them to stay with us?"

"Then there's no helping it, I suppose,"

"Oh?" William's voice cut through, catching everyone's attention.

"Then you finally agree to have (Y/N) stay with us for this weekend?" he asked, but Albert stayed silent as he kept facing away from the group.

"You seemed quite adamant about having them join you back to London mere moments ago when we were discussing in my office," William added, making Albert sigh as Sebastian and Bonde grinned from ear to ear.

"My, my, Al. How unprofessional," Bonde teased as he tried to see Albert's face, now contorted in irritation as he kept his smile.

"It seems (Y/N)'s skills are needed here in Durham more than in London," Sebastian added, wrapping an arm around Albert's shoulders,

"Such a shame..."

William chuckled as he walked up to the group, giving Albert a piece of paper.

"Here are the details for your and (Y/N)'s next mission in London. It seems (Y/N) is more needed in London after all," William innocently smiled, making Albert sigh.

"...I will make sure to visit again next week with them,"

"Thank you, Nii-san. And do not worry about (Y/N)'s affections," William commented, perking Albert's ears.

"I'm certain they also consider you one of their closest companions. But you must be more proactive if you wish for them to see you as something more," he reassured the oldest Moriarty, catching everyone's attention.

"That is not-"

"-The cab's here!" you announced as you hurried back inside, seeing everyone gathering around Albert.

"...What? Do we have another meeting before leaving?" you questioned, making the others share a look as they left, saying their goodbyes as Albert walked up to you with your bags and coats.

"What were you discussing while I was gone?" you questioned as Albert gave you your coat and scarf.

"Just..." Albert replied, looking down at the paper William gave him,  "Have courage"  written on it, "... Just the details for our next mission," he smiled, pocketing the piece of paper as he helped you with your scarf, careful not to touch you.

"...I shall tell you later,"

During the trip back to London, you noticed Albert has grown quiet, deep in his thoughts.

As you tried to ignore the man's change of behavior, he suddenly called your name and asked what you thought of everyone in the group.

Confused by the sudden question, you shrugged it off and answered honestly, seeing everyone as a trusted companion, possibly even family.

"Really?"

"Yes. Don't you see me as one?" you jokingly asked, making Albert smile widely.

"...No, I cannot say the same," he answered, shocking you. You quickly turned to him and saw him looking at you with straightforward eyes.

"You may have started as one of my most trusted companions, but I never saw you as family," he explained, straightening himself up as he grabbed the end of your scarf.

"But as a lover," he clarified, gingerly kissing the end of your scarf as he kept his eyes on you.

After his declaration of love, the trip back to London felt excruciatingly long.

Nonetheless, you admitted you felt the same you both agreed to take it slow.

Albert was a true gentleman in the whole relationship, making sure you were comfortable with everything.

He makes sure to spend time with you, whether it's just at home or out on a date, giving you gifts, and words of reassurance.

He would never make you feel you were lacking or guilty about taking the relationship slow.

He also never tried to touch you or force himself on you.

He might feel jealous whenever you and others hug, such as Bonde, Fred, or your close friends, but he won't force you to do the same to him.

"You will be gone for three weeks?" you repeated in disbelief as Albert nodded dejectedly.

"Yes, which is why we discussed that you should stay in Durham with the others in the meantime,"

"I see... If that's the case, I need to see some things before I leave," you muttered, trying to plan your sudden leave as you looked around the manor.

Albert breathed out a laugh as he let out a dramatic sigh, catching your attention.

"How cold... And I thought you would miss me more," he teased, opening one eye at you with a playful smile.

You scoffed as you walked up to him, cradling his cheek.

"You will be coming back home to me after, are you not?" you questioned, making him smirk.

"Always," he reassured, taking your gloved hand and kissing your knuckles.

You smiled as you interlocked your fingers with his, clasping it.

"Then I have nothing to worry about,"

"(N/N)!" Bonde beamed as he ran up to you, giving you a hug as he squeezed you tightly.

You giggled as you hugged him back, returning the same affection.

"You should go on more overnight trips, Al," Bonde joked, making Albert roll his eyes with a smile as he put on his hat.

"Next time, I shall bring (Y/N) with me," Albert mused, kissing your gloved hand again.

"Take care, Albert-nii-san," Louis smiled as Albert waved goodbye to everyone.

"Goodbye,"

"Take your time~,"

"Be careful...!" you warned, sighing at the memory of Albert returning home in a bloody uniform.

"Aww... Miss him already?" Bonde teased with a toothy grin, making you scoff and lightly push him off.

"Come on... I remember Louis saying we're doing some spring cleaning in the manor?" you reminded, making Bonde and Sebastian freeze. 

"Oi! Keep your mouth shut...!" Sebastian shouted in a whisper as he grabbed your head, making you grin.

"That's right..." Louis started, a dark glimmer shining from his glasses, "I hope you two are done with your portions?"

It's been two weeks since Albert's trip, and he has been calling you every night and leaving short, sweet texts throughout the day.

But, you couldn't help but feel uneasy.

"Hey, (Y/N)!" Sebastian called out, snapping you out of it.

"Y-Yes?"

"William's calling everyone for a meeting," he reminded, raising a brow at you.

"What's wrong with you?" he questioned, making you shake your head.

"It's nothing," you faked a smile as you walked ahead, unsure if it was a topic you could bring up to the man.

As you walked ahead, Sebastian couldn't help but let out a sigh as he followed you along.

"Lovebirds... What a pain,"

"Well! This is new," Bonde smiled as he swirled his martini while Sebastian downed his third whiskey for the night.

"I didn't think you would be the type to offer free drinks, (N/N),"

"I'm not," you sighed, nursing your cup of water, "But I would like to talk to you both in private..." you muttered, looking around your booth for any familiar faces or peeking heads.

"Since you two seem the most... acquainted with this subject..." you added, fiddling your fingers as you stared down at your drink.

Sebastian raised a brow while Bonde furrowed his brows, looking at each other as if trying to figure out what you were alluding to.

"So... What is it?" Bonde asked, taking a sip of his drink while Sebastian tried to catch the attention of a nearby server.

You felt your face burn as you took a deep breath, gathering up all of the courage you had.

"How do you know when's the right time to be physical with your partner?" you asked in one quick breath with your eyes shut.

Sebastian froze while Bonde choked on his drink, making him cough.

"A-Are you all right, sir?" the server Sebastian called asked Bonde, who dismissed him.

"Y-Yes... I'm fine," Bonde coughed as you tried to give him your drink while Sebastian asked the server to just bring more whiskey.

"Thanks..." Bonde sighed, clearing his throat as he looked at you.

"(Y/N), by... physical, you mean...?" Sebastian asked in a hushed tone as he and Bonde leaned to you across the table.

You felt your face flush as you looked away, hiding behind your hands.

"L-Like kissing, and such..." you clarified, stunning the two men.

They both sighed as Sebastian leaned back in his seat with a hand over his eyes while Bonde had his face in his hands.

"That's what you meant..."

'It'll come naturally, huh...'  you thought, remembering your conversation with Bonde and Sebastian.

You sighed as you focused on your chores and hoped for the best, just as they advised.

As you fixed the dinner table, you heard the front doors open, making you gasp and look back.

"I'm back," Albert announced, wearily putting away his coat.

You instinctively ran out of the dining room and to the entrance.

As Albert caught sight of you, he immediately smiled as you kept running up to him.

"(Y/N), I found-" you wrapped your arms around him tightly, sighing as your body eased up at his warmth.

Albert, on the other hand, was stunned as you kept hugging him.

"(Y/N)...?" he called out as he hovered an arm around you.

You breathed out a smile as you looked up at him, squeezing him lightly,

"Welcome back," you greeted as you cupped his cheeks, kissing his lips.

Albert blinked in surprise before wrapping his arms around you, deepening the kiss.

When you pulled back, you felt Albert leaning to you before opening his eyes, and smiling at you.

"I missed you too,"

[parmahamlarrie]

Welcome back to another post for the directory of fic recs on my blog! If you would like a specific theme or trope, let me know! As always, these are all fics I have read and loved, not all the fics out there. You can find more Fluffy fics here! **This post will be updated as I have more fics in this theme to recommend!**

Of Mates and Men || @bananaheathen || 630.4k Weddings, Strangers to Friends to Lovers, Hurt/Comfort, Fluff

knock, knock, I love you || beautlouis || 86k College AU, Virgin Harry, Fluff

With My Body and Soul, I Want You More Than You’ll Ever Know || BoosBabycakes || 58.8k   Strangers to Lovers, Mpreg Lou, So Fluffy

Homegrown || casuallyhl || 51.4k  Strangers to Friends to Lovers, Gardening, Fluff!

The Boys of Summer || @afirethatcannotdie || 45.2k Summer Camp AU, Secret Relationship, Fluff

Nothing Else But Us Right Here || supernope || 35.3k   Kid Fic, Single Dad Louis, Teacher Harry, Fluff

With A Little Kindness || @jacaranda-bloom || 33k KidFic, Mpreg Harry, Single Parent Harry, Rich Louis, Valentine’s Day, Fluff Frankincense-ational || @londonfoginacup || 31.5k Christmas, Librarian Harry, Firefighter Louis, Fluff and Humor

Has the Ocean Lost Its Way || @kingsofeverything || 28.3k Surfer Louis, Photographer Harry, Fluff, Slow Burn, Australia

daydream about me || louistomlinsons || 21.5k  Girl Direction, Famous/Famous, Fluff, Coming Out (sorta), Idiots to Lover

pink like the paradise found || @disgruntledkittenface || 18.4k  Girl Direction, Fluff/Smut

Everywhere and Nowhere || @2tiedships2 || 16.5k   Omegaverse, Neighbors AU, Courting, Fluff, Strangers to Lovers

balance between you and me || @beckydoesthings || 15.4k Omegaverse, Fluff and Humor, Courting Rituals, Demisexual Louis

The Sorority AU Series || louistomlinsons || 14.7k  Girl Direction, Sorority AU, Fluff and Humor

a picture of love, that’s this house || theprincessd || 13.5k KidFic, Domestic Fluff, Canon

Soup? || trackfive || 13.3k Canon, SickFic, Fluff

Mistletoe, Memories, and Mayhem || @jacaranda-bloom || 12.6k Established Relationship, Fluff, Humor

The Checkout || @silverstuff50 || 12.2k Omegaverse, Alpha Louis, Omega Harry, Awkward Flirting, Fluff

Bambi Legs || @disgruntledkittenface || 11.5k Girl Direction, Fluff, Coming Out, First date

Stumbling Into Your Arms ABO verse || @sunshineandthemoonlight || 11.3k - 2 parts Omegaverse, College AU, Train AU, Fluff

Faith and Trust and Pixie Dust || kotabear24 || 10.5k KidFic, Fluff, Meet Cute, Strangers to Lovers

Like a Picture Print by Currier & Ives || armadillosunset || 10k Christmas Fluff, Established Relationship, Knitting

Just the Start || @littleroverlouis || 9.6k Older Harry and Louis, Hair Stylist Harry, Fluff and Humor, First Dates

Find Me in the Kitchen || @neondiamond || 9.2k Omegaverse, Cooking Lessons, Fluff

Here We Come A-Wassailing || @lululawrence || 8.2k  Childhood Friends to Lovers, Christmas Fic, Fluff, Pining

Sun-Kissed Hurricane, Perfect Storm || iwillpaintasongforlou || 7.6k Nerdy Harry, ADHD Louis, Badboy Louis, Pining and Fluff

The Coach Tommo Universe || @enchantedlandcoffee || 6.8k Omegaverse, Kid Fic, Fluff and Smut, Bakery Owner Harry

I’m sticking to you like glue || peanutbutterapple || 6.2k  College AU, Sick Fic, Halloween, Fluff

I’ll Keep You Warm || @parmahamlarrie || 5.9k Neighbour AU, Winter Storm, Fluff

Won’t You Please Come Around || @allwaswell16 || 5.8k Meet Cute, Fluff, Strangers to Lovers

Everybody Wants You (And I Don’t Mind the Gold Rush) || @sunflouwerhabit || 5.3k Ice Skating, Fluff, Flirting, Meet-Cute

Love Mail || @neondiamond || 5k Neighbours AU, Fluff, Stress Baking

Stealing Flowers || @lululawrence || 4.8k   Strangers to Lovers, Meet Cute, Fluff and Humor

touch my neck and I’ll touch yours || gravitycentered, wigglesjoon || 4.5k Friends to Lovers, Roommates, Fluff, Intimacy

All I Need || @tommokat || 4.1k KidFic, Single Parent Harry, Therapy, Fluff

Somersault || @sun-lt || 4k Established Relationship, Comfort, Fluff

Wordplay 2023: there his charming nest doth lay || @bottomhaztoplou || 3.8k Omegaverse, Established Relationship, Nesting, Domestic Fluff

The Wrath of Gucci || louisunflower6 || 3.7k   Canon, Just fluffy, Some domestic bliss

Just a little taste || @lunarheslwt || 3.6k Vampire Harry, Established Relationship, Hurt/Comfort, Fluff

I’ve Been Running with the Wolves || RealityBetterThanFiction || 3.3k Werewolf/Shifter Harry, Human Louis, Established Relationship, Kidfic, Fluff

Just for you || @gaycousinlarry || 3.1k Canon, Fluff, Comfort

All The Way Home I’ll Be Warm || @justanothershadeofblue || 2.9k Friends to Lovers, Holiday Cards, Fluff and Humor

living love in slow motion || ashavahishta || 2.7k Canon, Fluff, Domesticity If Wishes Were Dishes || @londonfoginacup || 2.6k Domestic Fluff

Thesis Management || LadyLondonderry || 2.6k Werewolf Louis, Established Relationship, Fluff, Crack Fic

‘cause I built a home for you || angelsueavenue || 2.3k Omegaverse, Mpreg, Fluff, Nesting

Crowd Work || @littleroverlouis || 2.1k Stand Up Comedy, Banter, Fluff and Humor

Bless You! || @neondiamond || 2k Established Relationship, Kidfic, Fluff

The Wolf Wash || @haztobegood || 1.8k  Werewolves, Kid Fic, Fluff

Goodnight, Moon || @andtheywerebandmates || 1.6k Kid Fic, Established Relationship, Fluff

Wrap Your Legs Around Me || @evilovesyou || >1k Canon, Fluff, 2 Week Rule

[simulatedstyles]

Louis-XV-Inspired Robe De Cour

A Maxis-Match Formal Court Gown

Hello my sweeties! I'm so proud to release this gown for all of your 18th-century saves. This has been in my WIP folder for so SO long, and after a bit of a hiatus from creating, I'm so happy I could finish it for you! This gown was inspired by the many portraits of King Louis XV's daughters in their formal court attire.

As usual, I've created different overlay accessories to maximize your customization options in-game. Through different combos of gown color and overlays, there are literally over 100 billion unique looks for this dress... 🤯 I cannot WAIT to see what you can come up with!

Here's What You Get:

70 Swatches in @anachrosims Georgian & Federal Palette

BGC

Teen-Elder, Female-Frame, Disabled For Random

Includes all LODs, morphs, shadow map, specular, normal map, & custom thumbnails

Mesh & Textures entirely from scratch!

* Disclaimer: given the sheer size of this mesh, along with the detailing of the sleeves, this content is much higher-poly than my previous content! (16k to be exact, but still lower-poly than some other alpha cc) ** Disclaimer 2: true to historical accuracy, the skirt is quite large on this gown! I've done my best with sims' arm placement, but please expect some clipping now and then.

70 swatches each in matching palette

All located in Facial Piercings category of Head Accessories

Only compatible with Robe De Cour

When using these overlays, the original swatch color chosen for the full body outfit remains as the main color of the bodice and train. You can then fully layer these overlays for different combinations of bodice detail color, bow color, petticoat color, bodice/train damask pattern, and/or petticoat damask pattern.

Download either the Individual Package Files or Merged Package File

[applesaucesims]

His heart was beating in his chest as if it was trying to run away from him, as Louis joined warmup with the rest of the first-year ballet students. Some of the other kids were already stretching their muscles, while others were practicing some exercises at the barre, and then some were simply talking and waiting for the teacher to arrive.

Said teacher announced her arrival with the clicking of her heels on the polished floorboards and a loud tapping of her walking stick as she stood in the middle of the room. The students quickly walked to form a line in front of the barre, facing their teacher who introduced herself as Miss Lambert.

As Louis stood there, listening to the teacher's introduction of the academy, his nerves were not going down at all. He had been taking children's ballet classes for some time now, but he was not sure whether it was enough to truly meet the skillset expected from him. Looking over at the other children lined up next to him who seemed to already know what the next steps would be, he could not help but feel a bit lost. He knew he wanted to dance more than anything in his life, but was it really what he was cut out for?

Though he tried pushing his worries deep down, it seemed obvious to him throughout the rest of the day that he was far below everyone else's level. Whether it was just his mind telling him that, remained to be seen.

[TRANSCRIPT]

*indistinct chatter* *tired student noises*

*click click*

*tap tap*

Miss Lambert: "Good morning, new students! Please stand and form a line."

Miss Lambert: "My name is Miss Lambert and I'm one of the dance teachers at this academy."

*shuffle shuffle shuffle*

Miss Lambert: "You'll have most of your classes with me, particularly the girls. At those times, the boys will be with Mr. Booth, whom you'll meet tomorrow."

Miss Lambert: "You'll be learning your academia here, too, of course. But we all know that's not what you're really here for. You're here to dance! And I'm here to show you how."

Miss Lambert: "Since, you've made it to the academy, I'm sure you already know the basics. I expect you to know a bit more than that, actually. I'm aware your current skills will be at different levels. But here's where we'll truly see who's got the most talent and discipline!"

Erin Branch

- grew up on a small farm

- practiced dancing with the farm animals since age four

- made it here with talent alone - and a scholarship

César Roques

- from a long line of dancers and choreographers

- pretty much born dancing

- trained with some of the most famous names in ballet

Rozaliya Fortova

- daughter to a couple of successful travelling dancers

- speaks five languages

- visted ballets in every country she's been to

Kavi Gupta

- a boy of many talents

- supposed to take over the Gupta Shipping Co.

- his parents still think dancing is just a hobby - though they do support it

Sophie Welles

- middle child of five of a wealthy automobile business owner

- taught dance and other arts by the family's nannies

- her two older sisters are already academy alumni

Zachary Turner

- lives with his aunt and practices with her daily

- disowned by his lawyer father for choosing dance

- dad's still waiting for him to "come to his senses"

Celine Walton

- top of her children's ballet class three years in a row

- daughter to the mayor of Brindleton Bay

- used to always getting what she wants and being the best

Louis McGregor

- newest at dancing of the whole class

- still wondering if he would have made it without his father's fame

- has no idea what he would do if dancing does not work out

Miss Lambert: "Well? Let's get on then!"

Miss Renée Lambert

- head ballet teacher at the academy

- had a promising career as a prima ballerina herself, until it was foiled by an ankle injury