#SO I COPE WITH FAMILY

[nanbaka-82]

Yes I WANT Klee and Albedo to feel at home in Dawn Winery after the amounts of time Kaeya drags them there. YES I want Albedo and Diluc to have a 4 hour chess match with their little siblings rooting for them (Or, Kaeya rooting for Albedo and Klee for Diluc cus Pyro Solidatary). Y E S I want Albedo and Addie to get along and bond over Klee (and making fun of Diluc and Kaeya), Albedo teaching her how to tuck her in and all the special little things she likes for when he's too busy to do it himself or when she's at the winery with the brothers. YES I want Diluc to teach Klee to channel her vision through a sword, and I want her to teach him how to make Diluc shaped bombs. y e s I want the entire household to be chaotic in the morning, Diluc yelling because where the fuck did all the hair brushes in the mansion go, Kaeya running around trying to find Klee's bag, Albedo running after Klee to brush her hair (he has the brush), and Adelinde calmly ignoring everything and making tea and breakfast. Oh my GOD I want them to be a family holy SHIT

[biggest-gaudiest-patronuses]

anyone else have multiple traumatic memories associated specifically with holidays/family vacations? because that is a topic I never see discussed in all the So You Had A Shitty Childhood, Now What? self-help books i've been reading. but for me, it was a significant thing. and the more i think about it the more it seems like this would be an (unfortunately) common experience. would be grateful to hear if this matches other peoples' experiences...

[bonerot19]

I know we like writing fics where Jason is all "I'm not the kid you lost" and "he died and I'm all the worst parts of him that came back" and whatever. but lately I've been thinking about a Jason that's angry bc everyone thinks he came back wrong, because to him, he's the same as he's always been. sure, he's more upset and angry and traumatized, but he's still Jason.

I've been thinking about a Jason that spent most of the time since his death underground and then catatonic. to him, hardly any time has passed at all. to his family, three years have gone by. and Jason knows he looks different than he did, and he knows he's sharper around the edges, now, but he's still Jason. he's the same kid that died and now he's back and why doesn't anyone see that?

they're the ones that changed, not him

[crismakesstuff]

happy memories , happy family

redraw of these two images from the show !

The first one is from s2 and the other is from s1 (I hope we get to see a better quality version of it one day)

[owlssin]

au where anakin doesn’t turn evil and lives his best life with padmé and the twins on Naboo

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[hahahafangirl]

gotta put my thoughts down before i forget it but the thing that did it in for me is how spy x family is ultimately and uniquely a “children-focused” work, where the major stakes require that we pay attention to the lives and dynamics of young children so that — specifically — we have to genuinely engage with and invested in their inner lives, motivations, desires, thoughts, emotions, etc.

i think this is a very unique focus in the shounen sphere, where the audience and creators are centered about adolescent boys (the shounen genre, in its name) and thus have a very wide scope of focus that nonetheless has “aged” past “childhood”. usually media about children and childhood are sequestered in its own genre (children’s shows like doraemon, magical girl anime like precure series, etc.) aimed at a different target audience who are in the same demographic as the main characters in the shows. this is, obviously, not a bad thing. but i appreciate the “genre-breaking” focus that spy x family have because it inspires a sort of empathy to children, who are often not the most favorite group of people for the typical demographic of shounen readers, that is specifically vital in today’s climate. (can’t say much about japan itself, who historically has been dealing with declining birth rates, but oh i can speak for the american individualism— ironically where sxf is also very popular in) another thing about this is it’s drive home how intertwined the family life is, and should be. agent twilight and thorn princess’s plot-lines are clearly shounen-esque (a spy fighting for world peace, an assassin weeding out traitors) but they are nonetheless inextricable from the family- and anya-focused story, because by choice or circumstances they are anya’s parents. they’re a part of a larger societal fabric that embedded them in relationships to others — children being one of them. i think that’s pretty neat.

another thing, specially about the depiction of children in sxf: they are fictitious yet realistic enough to portray real children and inspire sympathy for them. a lot of asian home media in general have the problems of portraying young children as “problems”: annoying, loud, privileged, dumb, ungrateful, etc etc. these are such complaints about children that are unfortunately way too common and way too ungenerous and mean-spirited; none of these tropes are present, even in a media full of scions and heiress. complaints about them being brats (red circus bus hijacking arc) was rightfully framed as unsympathetic and unreasonable (they’re children! they can’t help where they were born into— it goes both ways.) i think the crux of this beautiful balance sxf struck in portraying nuanced, dynamics children is sympathy. they can be loud, they can be whiny, cry at the drop of a hat, has too much energy, gross, have bad grades, clingy, inconsistent, academically unmotivated, ran off randomly— and that’s fine, because we know why they do it, we are given space into their inner thoughts, something so rarely afforded to real life children at times. but they can be motivated, they want world peace, they want to have genuine friends, they want their friends to be happy, they have crushes, and most of all they love their parents and they love the people around them.

i think regardless of everything sxf is a work that understands that children are full of love and the majority of the things they do are out of love. i think that alone makes it incredible in the current socio-econo-political climate where sympathy is spared so little and humanity spreads so thin children barely gets what they deserve. i suppose that’s the sort of war we are entrenched in.

[nosfelixculpa]

You have nothing to protect? There's no one like that. THE DEVIL JUDGE (2021)

[nowshesdoingitallthetime]

AHHHHHHHHHHHHHHHHHH

[seasicksilver]

good old times

[peanutseagle]

y'all i found my very first sxf drawings (tap to see full pics)

[thisisadonaldduckblognow]

i messed up my formatting but my point stands

[hatred-rage-and-repression]

Deep down I wanna be worse because I deserve it... I don't wanna be happy, safe, or loved. They are such alienated feelings to me... I deserve to live a life full of misery, because I am evil.

[scary-monsters]

trying to decide which of these diego's to finish is impossible 😭

[kaiiscottage]

꒰when the adopted daughter raised by queer parents grows old <3꒱ྀི

[markantonys]

i have spilled so much ink about gawyn but really i only need 2 passages to explain why he is Like That

1. My blood shed before hers; my life given before hers...That was the oath he had taken when barely tall enough to peer into Elayne's cradle. ... Gareth Bryne had had to explain to him what it meant, but even then he had known he had to keep that oath if he failed at everything else in his life. (LOC prologue)

2. From Morgase, Queen of Andor, to her beloved son, Gawyn. May he be a living sword for his sister and Andor. (ACOS prologue)

like yeah, no wonder he does what he does in AMOL. people will be like "gawyn is so stupid for not thinking about the fact that his death would hurt egwene" as if he's being maliciously stupid and careless, when in fact, he has such little self-worth that he genuinely does not consider himself a valuable human being whose loss would impact anyone or anything. his life given before hers. a living sword. this has been his mindset since toddlerhood and nobody ever noticed it enough to try and counteract it. gawyn is exactly what rand would have been like at the last battle if he hadn't had a mental health intervention.