#Sound Processing Technologies

[helthcareproducts]

Cortexi Revolutionizing Hearing and Brain Health

[eat-your-milk]

hiiii, for the ask game

🔪 ⇢ what's the weirdest topic you researched for a writing project?

congrats on your six month anniversary with ao3!!!! you are amazinggggg💕💕💕

Thank you!!!! 😭 You are amazing as well!!!! ❤️❤️

Hmmm... I definitely have searched some bizarre topics, but for some reason they aren't coming to mind at the moment, so ill just go with some I've been actively researching! :P

Research on various reptiles body parts (among other things) has probably been the weirdest. I'm trying to get an idea of dragon biology (you can probably figure out why) and how much certain parts are worth.

Its been genuinely interesting but its lead me to some...weird (and probably illegal) sites. I'm probably on a list somewhere now lmao. But hey! I know a lot about reptiles now!

[orcelito]

Wild to me that people choose to be in whatever field ever and here I am accidentally an IT person. Like some people went to school to be dentists. And what do I do? Look at computers, I guess. It doesn't feel like much of a specialty.

[extraplugins077]

FabFilter – Timeless 3 Version full 100% free download

Plugin Overview: FabFilter Timeless 3

Version: 3

Developer: FabFilter Developer

Website: FabFilter

Format: VST, VST3

Bit Depth: 64-bit

Tablet: Cured (Install and Run) | FLARE

System Requirements: Windows 10, 8, 7, or Vista 64-bit VST 2/3 host

FabFilter Timeless 3 is a highly flexible tape delay plugin designed for versatile sound manipulation. From simple echoes to intricate modulations, it offers a range of features to cater to your creative needs.

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Interactive Controls: Well-thought-out controls and interactive delay and filter displays make programming custom delays straightforward.

Modulation System: Unique drag-and-drop modulation system allows easy adjustment of effects like ducking, wah, flutter, dynamic diffusion, and more.

Versatile Modulation: Create new modulation connections effortlessly by dragging and dropping with the mouse.

FabFilter Goodies: Includes FabFilter's signature features - perfectly tuned knobs, MIDI Learn, intelligent parameter interpolation for smooth transitions, interactive tooltips for help, CPU optimization, and more.

Ultimate Sound Processing Machine: With its unique effects, filters, patterns, and unlimited modulation possibilities, Timeless 3 can transform into the ultimate sound processing machine.

Verdict: If your plugins folder has been missing a delay effect, FabFilter Timeless 3 is the perfect solution. With a verdict of 10 out of 10, it's praised for its vintage sound, versatile modulation system, and the inclusion of FabFilter's signature features. Whether for simple echoes or intricate modulations, Timeless 3 is a highly recommended addition to your plugin arsenal.

[captaingimpy]

Thoughts on Cinema: Finding the Middle Ground Between Film and Digital Filmmaking

As someone who has spent a significant amount of time working with audio and video production—and as a long-time moviegoer—I’ve noticed a troubling trend in the film industry: we seem to have fallen into an all-or-nothing mindset when it comes to film versus digital. It’s like there’s this unspoken war between purists who champion celluloid as the only “real” way to make a movie and the…

[chris-ostkreuz]

Why Analog Gear for Mastering? Because Digital Can't Hug!

In the ever-evolving world of music production, the debate between analog and digital gear rages on like a two-headed monster with a penchant for sound. While digital technology has revolutionized the way we create and manipulate audio, there’s something undeniably charming about the warmth and character of analog equipment—especially when it comes to mastering. If you’ve ever felt that your mix…

[mostlysignssomeportents]

Amazon annihilates Alexa privacy settings, turns on continuous, nonconsensual audio uploading

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in SAN DIEGO at MYSTERIOUS GALAXY on Mar 24, and in CHICAGO with PETER SAGAL on Apr 2. More tour dates here.

Even by Amazon standards, this is extraordinarily sleazy: starting March 28, each Amazon Echo device will cease processing audio on-device and instead upload all the audio it captures to Amazon's cloud for processing, even if you have previously opted out of cloud-based processing:

https://arstechnica.com/gadgets/2025/03/everything-you-say-to-your-echo-will-be-sent-to-amazon-starting-on-march-28/

It's easy to flap your hands at this bit of thievery and say, "surveillance capitalists gonna surveillance capitalism," which would confine this fuckery to the realm of ideology (that is, "Amazon is ripping you off because they have bad ideas"). But that would be wrong. What's going on here is a material phenomenon, grounded in specific policy choices and by unpacking the material basis for this absolutely unforgivable move, we can understand how we got here – and where we should go next.

Start with Amazon's excuse for destroying your privacy: they want to do AI processing on the audio Alexa captures, and that is too computationally intensive for on-device processing. But that only raises another question: why does Amazon want to do this AI processing, even for customers who are happy with their Echo as-is, at the risk of infuriating and alienating millions of customers?

For Big Tech companies, AI is part of a "growth story" – a narrative about how these companies that have already saturated their markets will still continue to grow. It's hard to overstate how dominant Amazon is: they are the leading cloud provider, the most important retailer, and the majority of US households already subscribe to Prime. This may sound like a good place to be, but for Amazon, it's actually very dangerous.

Amazon has a sky-high price/earnings ratio – about triple the ratio of other retailers, like Target. That scorching P/E ratio reflects a belief by investors that Amazon will continue growing. Companies with very high p/e ratios have an unbeatable advantage relative to mature competitors – they can buy things with their stock, rather than paying cash for them. If Amazon wants to hire a key person, or acquire a key company, it can pad its offer with its extremely high-value, growing stock. Being able to buy things with stock instead of money is a powerful advantage, because money is scarce and exogenous (Amazon must acquire money from someone else, like a customer), while new Amazon stock can be conjured into existence by typing zeroes into a spreadsheet:

https://pluralistic.net/2025/03/06/privacy-last/#exceptionally-american

But the downside here is that every growth stock eventually stops growing. For Amazon to double its US Prime subscriber base, it will have to establish a breeding program to produce tens of millions of new Americans, raising them to maturity, getting them gainful employment, and then getting them to sign up for Prime. Almost by definition, a dominant firm ceases to be a growing firm, and lives with the constant threat of a stock revaluation as investors belief in future growth crumbles and they punch the "sell" button, hoping to liquidate their now-overvalued stock ahead of everyone else.

For Big Tech companies, a growth story isn't an ideological commitment to cancer-like continuous expansion. It's a practical, material phenomenon, driven by the need to maintain investor confidence that there are still worlds for the company to conquer.

That's where "AI" comes in. The hype around AI serves an important material need for tech companies. By lumping an incoherent set of poorly understood technologies together into a hot buzzword, tech companies can bamboozle investors into thinking that there's plenty of growth in their future.

OK, so that's the material need that this asshole tactic satisfies. Next, let's look at the technical dimension of this rug-pull.

How is it possible for Amazon to modify your Echo after you bought it? After all, you own your Echo. It is your property. Every first year law student learns this 18th century definition of property, from Sir William Blackstone:

That sole and despotic dominion which one man claims and exercises over the external things of the world, in total exclusion of the right of any other individual in the universe.

If the Echo is your property, how come Amazon gets to break it? Because we passed a law that lets them. Section 1201 of 1998's Digital Millennium Copyright Act makes it a felony to "bypass an access control" for a copyrighted work:

https://pluralistic.net/2024/05/24/record-scratch/#autoenshittification

That means that once Amazon reaches over the air to stir up the guts of your Echo, no one is allowed to give you a tool that will let you get inside your Echo and change the software back. Sure, it's your property, but exercising sole and despotic dominion over it requires breaking the digital lock that controls access to the firmware, and that's a felony punishable by a five-year prison sentence and a $500,000 fine for a first offense.

The Echo is an internet-connected device that treats its owner as an adversary and is designed to facilitate over-the-air updates by the manufacturer that are adverse to the interests of the owner. Giving a manufacturer the power to downgrade a device after you've bought it, in a way you can't roll back or defend against is an invitation to run the playbook of the Darth Vader MBA, in which the manufacturer replies to your outraged squawks with "I am altering the deal. Pray I don't alter it any further":

https://pluralistic.net/2023/10/26/hit-with-a-brick/#graceful-failure

The ability to remotely, unilaterally alter how a device or service works is called "twiddling" and it is a key factor in enshittification. By "twiddling" the knobs and dials that control the prices, costs, search rankings, recommendations, and core features of products and services, tech firms can play a high-speed shell-game that shifts value away from customers and suppliers and toward the firm and its executives:

https://pluralistic.net/2023/02/19/twiddler/

But how can this be legal? You bought an Echo and explicitly went into its settings to disable remote monitoring of the sounds in your home, and now Amazon – without your permission, against your express wishes – is going to start sending recordings from inside your house to its offices. Isn't that against the law?

Well, you'd think so, but US consumer privacy law is unbelievably backwards. Congress hasn't passed a consumer privacy law since 1988, when the Video Privacy Protection Act banned video store clerks from disclosing which VHS cassettes you brought home. That is the last technological privacy threat that Congress has given any consideration to:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

This privacy vacuum has been filled up with surveillance on an unimaginable scale. Scumbag data-brokers you've never heard of openly boast about having dossiers on 91% of adult internet users, detailing who we are, what we watch, what we read, who we live with, who we follow on social media, what we buy online and offline, where we buy, when we buy, and why we buy:

https://gizmodo.com/data-broker-brags-about-having-highly-detailed-personal-information-on-nearly-all-internet-users-2000575762

To a first approximation, every kind of privacy violation is legal, because the concentrated commercial surveillance industry spends millions lobbying against privacy laws, and those millions are a bargain, because they make billions off the data they harvest with impunity.

Regulatory capture is a function of monopoly. Highly concentrated sectors don't need to engage in "wasteful competition," which leaves them with gigantic profits to spend on lobbying, which is extraordinarily effective, because a sector that is dominated by a handful of firms can easily arrive at a common negotiating position and speak with one voice to the government:

https://pluralistic.net/2022/06/05/regulatory-capture/

Starting with the Carter administration, and accelerating through every subsequent administration except Biden's, America has adopted an explicitly pro-monopoly policy, called the "consumer welfare" antitrust theory. 40 years later, our economy is riddled with monopolies:

https://pluralistic.net/2024/01/17/monopolies-produce-billionaires/#inequality-corruption-climate-poverty-sweatshops

Every part of this Echo privacy massacre is downstream of that policy choice: "growth stock" narratives about AI, twiddling, DMCA 1201, the Darth Vader MBA, the end of legal privacy protections. These are material things, not ideological ones. They exist to make a very, very small number of people very, very rich.

Your Echo is your property, you paid for it. You paid for the product and you are still the product:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Now, Amazon says that the recordings your Echo will send to its data-centers will be deleted as soon as it's been processed by the AI servers. Amazon's made these claims before, and they were lies. Amazon eventually had to admit that its employees and a menagerie of overseas contractors were secretly given millions of recordings to listen to and make notes on:

https://archive.is/TD90k

And sometimes, Amazon just sent these recordings to random people on the internet:

https://www.washingtonpost.com/technology/2018/12/20/amazon-alexa-user-receives-audio-recordings-stranger-through-human-error/

Fool me once, etc. I will bet you a testicle* that Amazon will eventually have to admit that the recordings it harvests to feed its AI are also being retained and listened to by employees, contractors, and, possibly, randos on the internet.

*Not one of mine

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/03/15/altering-the-deal/#telescreen

Image: Stock Catalog/https://www.quotecatalog.com (modified) https://commons.wikimedia.org/wiki/File:Alexa_%2840770465691%29.jpg

Sam Howzit (modified) https://commons.wikimedia.org/wiki/File:SWC_6_-_Darth_Vader_Costume_(7865106344).jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[sbcdh]

In 1967 the government discovered that specific syllable structures combined with specific vocal tones and ultra-low-frequency sounds could speed up the process of unconscious internalization by over 1500%. This became particularly useful for teaching low-level employees large amounts of information, as "hypnophonic learning" could be done while the subject was asleep.

Hypnophone use became standard for new employees of the IRS and SEC, as it made large scale memorization of tax code and financial law significantly cheaper and easier than traditional conscious education.

However, long term use causes the subjects long term memory to atrophy, requiring nightly repetitions of hypnophone use. Some enterprising employees found that the effects could be counteracted with low dosages of LSD to preserve neuroplasticity.

Roughly 1 in 7 employees encountered a strange phenomenon: Mild financial clairvoyance.

One in roughly 50 employees experienced more significant effects, generally those ensconced in large isolated IRS warehouses, which seemed to replicate the monastic lifestyles of historical sages, depriving subjects of ordinary stimuli in favor of becoming attuned to minute changes in the sub-finantial background grid.

Once it was learned that these "enlightened" employees could predict market trends before they happened, the technology was bathed in funding, patented, and made the soul property of the IRS.

Now, these "Plutophants" are kept in nigh-perfect sensory deprivation at all times, fed a constant hypnotic fugue stream of psychic conditioning in the form of "radiosonic neuro-induction" which contains a special form of the United States Tax Code modified for recursive hypnophonic induction, as well as a ticker tape wired directly into the users spine.

The effects achieved are nothing short of stunning. The invisible hand is no longer invisible to us. The market can be fine tuned with surgical precision. The price of bread has maintained a perfect 0.002% +/- variance for over 25 years now, and those who attempt to disrupt the guidelines are regulated by the SECs crack psychonautics division, who are now able to hunt market manipulation via their disruption in the financial dreamscape.

Very rarely, a Plutophant can become so attuned to the guidelines that they achieve a sort of catastrophic neuro-depatterning, their synapses begin to produce a counter-signal to the neuro-induction frequencies; jamming, and eventually overpowering the machine. Study is still ongoing, but it is believed that they somehow perpetuate their own neurological fingerprint into the financial causal background grid itself, literally becoming "one with the market."

Study is ongoing.

[elodieunderglass]

And one amang, an Iyrysch man,

Uppone his hoby swyftly ran…

WAIT HANG ON - slamming the brakes on drawing this stupid picture - do you nerds even KNOW the etymology of the word “hobby”? The thing you do for pleasure? The thing you have too many of? The thing you spend too much money on and share with your friends? The thing tumblr probably is to you? Those hobbies?

It comes from a now-kind-of-extinct breed of Irish pony-horse. It was called the Irish Hobby. Supposedly the hobby got its name from the Gaelic word obann, or swift. They definitely were. They’d obann your pants clean off.

Fast tough little bastards, built for rough terrain and renowned for their speed and stamina, hobby horses belonged to the Celts, and their highly annoying style of mounted warfare. but their conquerors liked hobby horses a lot, kept them, used them for themselves, and found them useful enough, despite the fact that they also had famously useful things like mounted knights or horse archers. A lightweight Irish warrior, mounted on a hobby horse, was called a hobelar.

Reportedly and in depictions, hobelars rode without stirrups. Or saddles. Or bridles. Or - well - this is all sounding very improbable, because the hobelars COULDNT have just been charging around basically bare-assed on naked ponies, screaming, and somehow in the process undoing the composure of actual mounted armoured knights. Knights who, I remind you, had stirrups. Stirrups are useful! It’s quite likely the hobelars had some gear. And clothes. and weapons. And the ponies probably had some tack - I am picturing a bellyband that you could at least hang a saddlebag on, and a neck rope for catching the bloody thing, even if not a saddle. But the overall impression, somehow created by people on darling little ponies, was apparently quite striking and fearful.

I mean. God Forbid People Have Hobbies.

Anyway after a while, whatever people became the British had eventually conquered all of the rough terrain that hobbies were best at, and horse archers just got sexier, and mounted knights became aristos, and all the bog and forest people had been subdued, so it was time to sunset the hobelars. but WAIT! Hobby horses are still tremendously fun and appealing! They’re so fast! and you can ride them without a saddle! Sure, they’re not up to the weight of a mounted knight, or indeed a lot of guys… but surely we can still find a use for a hobby or two? In the back garden? Somewhere?

At which point an English king decided to keep hobby horses just for fun. No military application. No further development of the technology. Not for fun. Just as expensive, pleasurable, pets. Just for the joy of the thing.

And that is how hobby (activity done purely for pleasure) comes from hobby horse (small horse) possibly from obann (swift.) they’re very interesting and you should look all this up for yourself! because it sure sounds like Elodie doing a bit, doesn’t it?

Today, Irish Hobbies are functionally nonexistent. References for drawing include the Kerry Bog Pony, the Connemara, and (I personally think) Dartmoors and Exmoors. They’re said to have lent their speed to the Irish Hunter/Sport Horse and from there to the Thoroughbred, but every damn horse in the world claims relation to the Thoroughbred, and they can’t be THAT thoroughly bred.

At any rate - you can never have enough hobbies. Just be glad that yours aren’t expensive beasts with minds of their own, eating their heads off in the pasture! …Unless they are. In which case, you’re part of a proud tradition.

[heron-knight]

consider: a story that seems at first to be a standard mech pilot rehabilitation short story. Picked up from a crashed mech, a street corner, an official adoption program— goes through the early stages when they can barely move or eat or do anything that isn’t a direct order. Slowly relearns to speak, to develop hobbies, to live as a person again. Has that moment when their caretaker hugs them and tells them it’s going to be okay eventually, no matter how long it takes.

however throughout the entire process, the former pilot still can’t believe that they’ll ever be able to fully live as a person again. They still think that too many parts of them have been taken for them to ever be anything resembling whole again. No matter how much they hear that it gets better, they just aren’t able to believe that they’ll ever be as functional as their caretaker.

But there’s something strange. The caretaker seems to know a lot about this for some random citizen that just happened to find a discarded weapon on a street corner one day. There are guides online. There’s research that can be done on how to help something become someone again. But even that can’t tell you about how it feels to have a purpose. A purpose that causes untold destruction, and slowly unravels you until you’re nothing more than the organic CPU of a machine. A purpose that you once hated every moment of, but then loved because no matter what you were doing, no matter what it was doing to you— it was all that you were. It was your purpose as a weapon.

And then you lost it.

But the thing is, the caretaker knows. Knows exactly what it’s like to lose that purpose. To lose that part of you that millions of dollars of military technology had made sure was the only part of you. She knows what it feels like. She knows exactly how to recreate the sound of a mech hangar by splicing together downloaded sound samples. She knows the voice of the mech AI, and mimics it to calm them down when they wake up from a nightmare. It doesn’t make sense how a civilian could know this.

until they see the scar on her neck where a serial number was lasered off, and realize that she used to be a pilot too

[txttletale]

What I don't get is that other your support of AI image generation, you're SO smart and well read and concerned with ethics. I genuinely looked up to you! So, what, ethics for everyone except for artists, or what? Is animation (my industry, so maybe I care more than the average person) too juvenile and simplistic a medium for you to care about its extinction at the hands of CEOs endorsing AI? This might sound juvenile too, but I'm kinda devastated, because I genuinely thought you were cool. You're either with artists or against us imho, on an issue as large as this, when already the layoffs in the industry are insurmountable for many, despite ongoing attempts to unionize. That user called someone a fascist for pointing this out, too. I guess both of you feel that way about those of us involved in class action lawsuits against AI image generation software.

i can't speak for anyone else or the things they've said or think of anyone. that said:

1. you should not look up to people on the computer. i'm just a girl running a silly little blog.

2. i am an artist across multiple mediums. the 'no true scotsman' bit where 'artists' are people who agree with you and you can discount anyone disagrees with you as 'not an artist' and therefore fundamentally unsympathetic to artists will make it very difficult to actually engage in substantive discussion.

3. i've stated my positions on this many times but i'll do it one more: i support unionization and industrial action. i support working class artists extracting safeguards from their employers against their immiseration by the introduction of AI technology into the work flow (i just made a post about this funnily enough). i think it is Bad for studio execs or publishers or whoever to replace artists with LLMs. However,

4. this is not a unique feature of AI or a unique evil built into the technology. this is just the nature of any technological advance under capitalism, that it will be used to increase productivity, which will push people out of work and use the increased competition for jobs to leverage that precarity into lower wages and worse conditions. the solution to this is not to oppose all advances in technology forever--the solution is to change the economic system under which technologies are leveraged for profit instead of general wellbeing.

5. this all said anyone involved in a class action lawsuit over AI is an enemy of art and everything i value in the world, because these lawsuits are all founded in ridiculous copyright claims that, if legitimated in court, would be cataclysmic for all transformative art--a victory for any of these spurious boondoggles would set a precedent that the bar for '''infringement''' is met by a process that is orders of magnitude less derivative than collage, sampling, found art, cut-ups, and even simple homage and reference. whatever windmills they think they are going to defeat, these people are crusading for the biggest expansion of copyright regime since mickey mouse and anyone who cares at all about art and creativity flourishing should hope they fail.

[ariyan24]

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[wifemoon]

hoping and praying that the new sims 4 expansion pack lets us build our own apartments

[chaoticwriting]

Old Friend

It's been a few years since Danny became Phantom and now that he is 20, Vlad finally lets him take over the position of CEO of Vlad co. Of course that is after extensive therapy from multiple therapists including Jazz. Apparently, his mental state is the worst by medical standards, almost at the level of the Joker.

But anyway, now that he is healed and sane, he decides to do one last thing before he goes into retirement, preferably somewhere in the Infinite realm. And that is to visit his old friends.

First and foremost is to visit Jack and Maddie. Here, they reconcile and Vlad exposes himself as Plasmius. Jack and Maddie are shocked but after Jazz vouches for him, they accept and apologize to him for not realizing his problem before.

Danny also takes the opportunity to reveal himself. This time though, it is a bit tougher for his parents. Not only did they almost always attack their child, the realization that Danny has died because of their lab negligence falls heavy on their shoulders. After some discussion, they finally settle down now that no more secrets are to be kept.

Later on, Vlad goes around the world meeting his old friends from college and high school when suddenly, Danny receives a call from Vlad. Apparently, he wants him to join him at a gala hosted by one of his old friends. He can bring a plus one but considering that Jazz has work and Ellie is somewhere in the Middle East, Danny is really the only available person left.

Since Vlad asks nicely, Danny accepts the offer and prepares to fly to Gotham. Vlad has already prepared everything he needs and is just waiting for him to arrive. That night, they go to the gala as a pair of black and white. Vlad wears a clean white suit with a red necktie while Danny wears a sleek black suit with a green necktie.

As they enter, Vlad explains to Danny the people attending the gala just in case he ever needs the connection. He also tells him about their scandal and some blackmail materials he has on them. Hearing that some of them are straight up criminals, Danny can't help but be shocked.

Vlad: It's fine. Most of the people I'm going to introduce to you are at most worth a year or 2 in jail. The ones with more severe crimes I either already sent them to prison when I take over their business or in a ditch somewhere in a ravine.

Danny: That's surprisingly ethical of you.

Vlad: Eeehh, at that time I wasn't as insane as I get later on. It actually got pretty bad after I met you.

Danny: Are you saying I make you go crazy?

Vlad: Oh no, what I mean is that you just speed up the process. Each defeat I take causes me to go more insane.

Just as they are chatting, a big happy voice sounded behind them.

????: Vladdy! It's good to see you after so long. How are you doing?

Vlad turning around gives out the most genuine smile he has seen since the reconciliation with his parents.

Vlad: Bruce! I'm doing great. Sorry I haven't contacted you for so long. I'm quite busy with certain things. Anyway, let me introduce my godson. This is Daniel Fenton. I'm thinking of giving him my position as the CEO after I retire.

Bruce: You're retiring already? You are so young. Anyway, good to see you Danny. Let me introduce you, this is my daughter, Cassandra Cain-Wayne. And this is my youngest son, Damian Wayne.

What both Bruce and Vlad don't expect however is the sudden hostility between two of the kids.

Danny: Cain.

Cass: Fenton.

Danny: I see that you are living a good life.

Cass: I am. What about you though? Still struggling to climb a ladder?

Danny: A ladder? I could easily climb mountains now. What about you? Still using ASL when talking to people you don't know?

Cass: Unlike you, I'm quite a fast learner. I don't need any technology to help me in my daily life.

Danny: Oh my god! That is one time. You can't seriously be thinking I use it every time I need to fight.

Cass: Well that one time is the only time I have seen you do it. As far as I am concerned, you might not even know how to throw a punch.

Danny: You know what, Cain? Fuck you and your height. How does it feel to need to look up when you want to talk with me?

Suddenly, Danny's knees buckle down as Cass kicks his knees making him kneel.

Cass: Awww, there is no need for you to kneel to me. I know you feel guilty about the chocolate thing.

With a red face Danny stands up again and flicks her forehead.

Danny: Not as guilty as leaving me hanging alone without notice.

Suddenly, both of them quieten down.

Bruce: So, I'm not really going to interrupt but do you both know each other?

Vlad: Yeah, I was about to ask the same thing. I don't know you know the daughter of my friend, Danny.

Danny: We go way back.

Cass doesn't speak but there is the reminiscent look in her eyes. There is also guilt in her eyes but that is for Bruce to ask later.

Vlad looks at Bruce and Bruce looks at Vlad. After communicating like that for a while, they decide to separate first and meet up later because clearly the kids are not in the mood to hang around with.

Just as Vlad and Danny walk away, Damian eyes Danny. For some reason, he looks really familiar to him.

Part 2

[extraplugins077]

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[lizardsfromspace]

I've looped around from finding the belief that The Wizard of Oz was "the first color film" or "first technicolor film" understandable if wrong to finding it deeply annoying

Like. I get how it feels true - how the transition from sepia to technicolor in the film feels epochal, and how it's a springboard to people imagining how AMAZING and how AWESTRUCK audiences must've been at the time, but it just isn't the case, and no one in 1939 would've thought it was the first color film.

I mean, you've probably seen Snow White (1937) and Adventures of Robin Hood (1938). At the time color features were becoming more common, and they had been common in cartoons and shorts for years.

On a base level, if The Wizard of Oz was such a monumental moment in film history, giving people something they've never seen before, why did it only break even at the box office? By all accounts while not a flop it did decently but not great, and it only became a Cherished Classic thanks to TV airings later on. I mean, 1939 saw what is still, if adjusted for inflation, the highest grossing film ever made, and it wasn't The Wizard of Oz

Here is the actual history of color: most silent films were tinted, most commonly with different scenes being all tinted different colors, but more rarely hand-coloring. But back then people started experimenting with many different "true" color film systems, most of which failed for one reason or another, and there were a couple silent features made in two-strip technicolor, which had a more limited palette. At the start of the sound era, some black & white scenes would have color segments; this stage has been largely forgotten bc in many cases, the color segments don't survive & we only have them in black and white. Then three-strip technicolor began and became the dominant form of color until the late 1950s, with the first full-length three-strip technicolor film being 1935's classic...Becky Sharp. Which did decently, and got one Oscar nom for Best Actress, but didn't really become a classic. And then color films became more common until they became the norm in the 1960s

But it has to be a classic, right? It can't just be some random movie that ushered in technicolor. It has to be a famous movie everyone's heard of. It can't have been a gradual process touched by many individual artists, it has to be something one Great Man ushered in overnight, and the crowds were amazed, bc they had just been waiting for someone to Do Color Film so they could ditch black & white forever. It couldn't have been the case that they rejected many previous attempts at color film bc they sucked. Nothing can ever be the result of many people making many choices in many works of art, it has to be the work of one Great Work of Art that Changed Everything Instantly, and all the little people and failed experiments and less-enduring ones just have to be erased to make way

But it isn't. The transition from sepia to color in The Wizard of Oz did dazzle audiences, and still does, but that's because it's a incredibly well-done visual effect and a creative choice within the story to show the change from Kansas to Oz. We don't have to say it was important bc it was the first to do something technologically; it can be important for just being a really good movie