#Time Lord comic series

[horrorlove14]

His Shy Bookworm - part 01- The Sandman

Pairing: Morpheus x Shy! Reader

Cute fluff, mutual feelings and awkwardness

You got hired by Lucienne as an extra librarian and caretaker for the Dreaming after becoming an immortal by some chance.

You happily accepted the job as you're a total bookwork at heart but you're also shy and clumsy at the same time.

Little did you know that the King of Dreams himself has become intrigued by you.

He would often watch you from away as you do your job which allows him to get to know you better from your hobbies to your life story as a former mortal back in the waking world.

He would also go out of his way to help you out whether it's getting a book from a high shelf and making sure that you won't trip or fall due to your clumsiness.

He also went to Lucienne for advice on how to capture your heart which she happily does as she sees you as the perfect lover for him.

Meanwhile, you find yourself blushing and getting flustered due to your shy nature whenever he's around you because you're developing genuine feelings for him.

Eventually, as time goes on, you and Morpheus start to spend a lot of time together, reading books and chatting about various topics at the library until the late hours of the night every single day.

On that fateful day, it is you and Morpheus alone at the library as Lucienne went out for the day.

You are just doing your job as always, organising books into the shelves until you end up slipping on the ladder you're on after missing your footing when you're trying to climb down.

Luckily, Morpheus has managed to catch you in time to break the fall. You ended up blushing a lot since you were in his arms before he put you down on the ground.

"Y/N, are you alright, are you hurt?" he asked with a look of concern on his face as he doesn't like to see anyone he cares about getting hurt.

"I-I-I'm alright, my lord and thank you for your help," you say with a nervous tone in your voice before covering your face with your hands to hide your embarrassment.

He comes closer and gently wraps his big arms around you and places his cheek onto your head before letting out a sigh from his mouth.

"Y/N, I'm going to say this out loud because I want to tell you how I feel about you. I've been in love with you ever since you came into the Dreaming and you brought something out within me that I haven't experienced for so long.

As you listen to him, you slowly uncover your face as you can feel your heartbeat and his together as proof that both of you have mutual feelings together.

He parted himself enough to see you and lifts your chin with his slender fingers. You can feel his thumb brush against your lips, waiting for him to kiss you.

"My lord, I must confess that I am in love with you too because you let me be myself around you without any judgement. I may be shy, awkward and clumsy at times but my feelings for you are genuine and I want to be by your side until the end of time."

Morpheus is very delighted to hear that you feel the same way as himself so he leaned forward to kiss your lips which he had been dying to taste as if it was an exotic treat from another world.

You return the kiss as you wrap your arms around him because he's your very first kiss and you want to savour it as much you can.

After what felt forever, Morpheus breaks the kiss to place his forehead against yours and cup your face with his hands before letting out a sigh of relief .

"Y/N, you belong to me and I don't plan on ever letting you go because you're so precious to me and I can not stand the idea of you being gone from my life," he said with his deep, husky voice that you came to love.

"Don't worry, my Lord, I don't plan on ever doing that because I'll love only you because you're my darling mister sandman and king of dreams for me," you said with such tender love in your voice which brings him much relief that he needed to hear from you .

He couldn't help but smile at you because he simply adores you before kissing you again since you're simply too irresistible for him.

You return the favour and this is the start to a beautiful love story for both of you.

‐------‐-------------------------------------------------------------

End of part 01. I'll start writing part 02 where you and Morpheus are officially lovers and stay tuned.

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A/N: This is my first writing something for one of my favourite fandoms. I'm practising my writing skills and hope to write more content for my favourite fandoms in the future.

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Tag list

@moonmaiden1996

@layla2-49

[theoryofwhatnow]

HAPPY SANDMAN DAY EVERYBODY!!!!

[maxiwaxipads]

Arupek sets off to leave Tuxedo Sam's Kingdom! What's left is preparations before continuing the journey!

Tuxam - “…Restocked rations. Check! Clothing…? We shouldn’t be too careless. Here. I’ll put extra layers for you.” Arupek - “I guess there isn’t harm with a few more layers!” Aurpek - “But Tuxam, aren’t you going to be cold as well?” Tuxam - “Me? I’m quite used to the cold at this point!” “I’ll be fine even if I had minimum clothing on.” Tuxam - “If it’s fine with you, I’d like to accompany you until we’ve reached [Route 1].” “The SEEDs surrounding milord’s territory are dangerous and aren’t the kinds to take alone!” Arupek - “But what if SEEDs attack the kingdom while you’re away?” Tuxam - “That’s why I’ll take you from [Route 1].” “The SEEDs rarely make it across the kingdom, but that doesn’t mean I should be careless.” “I’d take you further… But after recent events, I shouldn’t…” Tuxam - “It isn’t too far from the kingdom, and if I sprinted, I could likely make it in time.” “But if you’re underestimating this kingdom, I’ll abandon the thought of helping you in the first place!” Arupek - “I’m thankful for your help!” Aurpek - “Let’s go fishing the next time!” “I want to try the fish in your kingdom.” Tuxam - “With… Me?” Arupek - “Who else am I talking to?” “You’ve been so reliable, and helped me so far!” Tuxam - “I’ll have to find time in my schedule!” “Send me yours, and let’s see what we can do.” Arupek - “It might be hard right now…” Tuxam - “N—Not now! Later!” “Let’s go already!” Tuxam - “(But… Am I sure he’s only interested in the fish or…?)” “(No! Now’s not the time!)”

(Additional Information/Tangents):

I like to imagine Tuxedo Sam’s kingdom sits in a snowy landscape, with the capital being a walled city that protects itself from SEEDs (physically sturdier than most, but weaker against magic).

I like to think the answer to Tuxam’s question is both! Arupek genuinely admires everyone in Noir Bouquet and isn’t afraid to express that.  A really passionate guy! Arupek wants to meet Tuxam on a better note and also try the local fish in the region.

"[Route 1]" is a placeholder because I don't have a name, and it'll probably never have a name... or maybe it's an unintentional pokemon reference...

Arupek - “I know! We should go ice fishing!” “At your lord’s kingdom! Wait—Wait! Maybe we can even invite Lord Pekkle and Lord Tuxedo Sam as well?” Tuxam - “Hm… I’m not against the idea, but it might be cold.” “Are you sure?” Arupek - “How can I not be?” “This is time we can spend together!” “Oh!” “What are you thinking, Tuxam?” Tuxam - “There’s a place I’ve been thinking about…” “Have you heard of the Tuxedo Sam comics?” Arupek - “I’ve heard of it!” Tuxam - “You have!?” “That’s amaz—Ahem. In comic issue #37, Tuxedo Sam and the Hidden Lake; milord, Tuxedo Sam stubbles onto a lake upon accident.” “To much of his surprise, the fish there are purely yellow and resemble gold!” “It is greatly described in detail and said to be quite exceptional in taste!” “Finding this lake… I always wanted to do it!” Arupek - “A hidden lake with golden fish with exceptional taste!?” “I’m drooling!” Tuxam - “Wipe it with this.” (Hands a handkerchief) Arupek - “Oh! I didn’t mean it like that, but I’ll produce a little bit of drool so it can be of use.” Tuxam - “Make sure to return it clean the next time.” Arupek - “I will!”

(Weeks Later)

Tuxam - “What is… That?” Arupek - “A cooking set!” “If we’re set to eat yellow fish with a golden look with exceptional taste, we have to eat them in every way possible!” “You know. Grilled. Poached. Steamed. Cured. Raw.” “So I brought a cooking set!” Tuxam - “Every way… Possible?” Arupek - “Yup!” “Oh—Wait… No. I was thinking we could make sushi for Badobarm, but we don’t have rice.” “Do you think it is already too late…?” “Hm. You think if I ran fast enough, we could buy rice in your lord’s kingdom?”

Tuxam, who sits there not expecting this

[cedricsnotdead]

another chapter of the book of elements is out!

panel kindly provided by @cronachediwitch who saved this post while all my comics are in the moving boxes

btw that coffee in the white plastic cup with the transparent stick literally screams italianness

[kaythefloppa]

Would you believe me if I told you that the Lion King hyenas are canonically cannibals?

[todayisafridaynight]

shoulda known sawashiro was a freak enough to puncture a guy's eyeball in when i realized he wears a leather dress shirt

[brave003]

The Baron and his Daughter -Time Tower

The spirit of KALAGA The wise Baron had never once put his daughter to test though was astonished by her vivid sense of discretion in choice that only made him proud of his princess. Dan and Stella ��� Time Tower The Baron and his Daughter -Time Tower A twist to the tryst- Scammer Alert Elon Musk’s Neuralink Launches Search for Second Brain Chip Test Subject KALAGA is BACK KALAGA questions…

[bluepeachstudios]

So. Cass' Apocalyptic Series by @somerandomdudelmao just ended.

I have many emotions none of which I can properly convey through words or anything. CAS itself has been a continuing beacon of creative light that's been lovely to see progress, and has inspired me through so many things, and I could go on about it but I cannot get into it without crying so I won't, I hope the sentiment comes across.

Cass did fanart of Ghost in the Shell HERE. It was like. I dunno. The third or fourth drawing of GitS I'd gotten from someone else? And the fact that Cass of all people had done it was like, wild to me at the time. I was still kind of reeling from the fact that people even liked my work at all? But Cass said it was good and I was like "oh damn must be good then" and kept writing. She also did THIS animation of Ghost which I still cry at whenever I watch it it's fine.

THEN THE PEEPAW POLLS HAPPENED. OH LORD. I made so many friends. I met so many people through that. I've never. In my life had this many people I could just talk to at any time. I never knew what to say either so I ended up just hanging out and getting dragged wherever the wind took me. It got me into doing polls in general!

Ghost made it to the FINAL ROUND??? Still confused about that. Then Uncle Tello won and Cass did a comic and I wrote something and I cried when I read the comic and I was still kind of processing so I ended up drawing something as well.

Then the next time GitS and CAS met was at the TMNT AU competition. It happened. Like almost DIRECTLY after Uncle Tello died in CAS so I was processing again and I do that through Ghost apparently so I drew a lil comic and wrote a lil somethin.

And then they never met again! But I like to think that some version of Ghost somewhere got to see the end.

GitS Part 2 has been kinda hard for me to write. I had to take a big break from it due to health stuff, and getting back into writing it wasn't as easy as before. And even after Part 2 is over, I still have the movie to do. My interest in TMNT is never going away, even after GitS I have other projects I want to finish, and that I've wanted to work on while writing GitS, but. y'know.

I'm determined to finish it. Drawing an x on my wrist. I really want to give Ghost the ending I've been imagining. And Cass has been someone really cool to look up to while I've been working on that.

So. Yeah. If Cass can get to the good ending, maybe I can do it too.

Love you Cass. Thanks for everything!

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[fumifooms]

The Nakamoto household - facts & theories masterpost

Table of contents:

the hierarchy & general situation

The parents

The Maizuru situation

The siblings

The other retainers

Izutsumi

Toshiro

Conclusion

I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing bc that’s his actual name & Shuro isn’t even a nickname he likes, for accuracy’s sake. The servant girls have real names but are typically called by their code/given names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.

The general situation

To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.

The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.

Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、 距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.

Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).

From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "

Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.

Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.

From what we see and with who we see, the hierarchy is:

Father (head of house, his word goes)

Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)

Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)

Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)

Benichidori (trained bought servant. Two dots)

Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)

I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.

The parents

I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.

The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.

Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."

Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.

This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…

We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.

Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.

It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.

The Maizuru situation

Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.

The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.

Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.

It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.

On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.

With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.

Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.

Time for the second elephant in the room!!

Maizuru’s magic

Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.

If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"

From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar

… MAIZURU WHAT THE HELL

As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.

This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.

Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.

Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.

The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.

Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.

Ok speaking of her name. Maizuru is the name of an existing japanese city (舞鶴), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released.

So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.

The siblings

Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.

Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.

The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.

When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.

The other retainers

Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:

Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up in the Nakamoto with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja.

Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.

Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.

Their approval rating of their leader. The highest total score from all the parties.

Izutsumi

Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.

She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.

This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.

Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.

Toshiro

God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.

His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.

Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.

He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".

When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.

Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.

And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles

Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.

But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.

Laios & Shuro and the whole mess coming to a head

I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.

Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.

Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.

And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.

Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.

It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.

And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.

Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.

Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.

Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.

Conclusion

The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.

Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.

As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread the first chapter with them to try and notice the hierarchy at play more, sigh, and Izutsumi’s end of the Toshiro-Izu dynamic as well.

Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Ah although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.

Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.

[yupekosi]

dp x dc prompt again bc i am plagued with blorbo thoughts. should i make this a series?? anyway

so we all know that Jason 'Pride and Prejudice' Todd-Wayne is a nerd, right? no amount of muscle can hide that this fridge of a man was once the dorky little kid that was so excited to go to school he skipped out on Robin patrols to do homework.

I propose that Danny 'I Wanna Be an Astronaut' Fenton Phantom is also a fucking nerd. he gets good grades, when he's not having to juggle school, sleep, and secret ghost fighting, and he takes to engineering like a ghost to ectoplasm. he's also the exact kind of space-obsessed geeky kid that would absolutely devour every sci-fi show and book he could get, and I say that as someone who was that space-obsessed geeky kid.

so, as young teens, both boys spent a lot of time in online fandom spaces, and eventually become internet friends. Jason's into classic lit and Lord of the Rings while Danny's into comic books and Star Trek, but they get on surprisingly well. They're chatting on forums and beta-ing each other's fanfiction, that sort of thing... and then Jason vanishes.

he just stops responding to messages, he stops posting, all his accounts are abandoned. Danny is very concerned, of course, but this happens right around the time of his accident, so he has more city-destroying things to worry about than an online friend going MIA. and eventually, as he gets older, he sort of forgets about Jason, only occasionally thinking back to the kid he used to talk to, wondering whatever happened to him.

so time passes, and Danny, now a young adult, ends up meeting the Batfam for whatever reason. is he part of the Justice League? in Gotham for a Wayne Enterprises internship? superhero shenanigans? Ghost King Summoning? secret twin/son/clone bullshit? up to you!

any way, he's hitting it off with the Batkids, and at some point Jason subconsciously quotes something from one of his old, unpublished fanfics from his Tumblr days.

and Danny's jaw drops. the Batkids stare at him; you can see the gears turning in his head before he blurts out;

"You're WingingIt02???"

and something deep in Jason's brain, buried under layers of death-trauma and Pit Rage clicks.

"Holy shit, AstroloGhost??"

[once again, not planning to make this a fic, but feel free to run wild with the prompt! just give credit if you do, please! :3]

[snekberry]

future!jon waiting for his martin to arrive

post MAG-200 tma time travel au series

[ID: A four panel comic about Jonathan Sims from the future interacting with Jon and Martin from season 1 of TMA. Future Jon is a thin, brown-skinned man with long, greying dark hair in a ponytail, and various scars. He wears a green “What the Ghost” hoodie. Jon from the past has short hair with less gray, and wears glasses, and a white button down shirt with a black tie. Martin is a large, pale man with red hair and glasses, and wears a blue sweater over a white collared shirt.

The first panel shows Future Jon lounging in a chair, while drinking from a mug. There is an arrow pointing to him that reads “borrowing past! Jon’s spare clothes”. He is grinning with his eyes closed and saying “I’m waiting for my boyfriend to arrive in this timeline.”

The next panel shows Jon and Martin from the past. Past Jon is sipping from his own mug, and looking at Future Jon with interest, as he thinks “I get a boyfriend in the future?” Martin is also holding a mug, and smiles pleasantly as he asks “Oh?”

The next panel shows them again, as Martin gets jealous, and tightens the grip on his mug until it begins to crack under his hands. His expression is still pleasant as he asks “Who’s your boyfriend?” Past Jon notices Martin’s mug and reacts with shock, saying “Good lord!”

The last panel shows Future Jon again, sitting forward a bit and grinning slyly at the pair of them, looking highly amused. He says “Oh, you’ll see.” End ID.]

Thank you @/coulson-is-an-avenger for the ID!!

[princess-tulip-writes]

azriel’s habits while doing it

a/n: this was requested to me so long ago, and I feel horrible for taking so long but alas, here it finally is. I plan on making this a series with the bat boys and maybe the vanserra bros too.

I think azriel is a switch; dom leaning.

he’s mainly a soft dom but alternates to a hard dom sometimes too. he can be submissive, but only if you ask or he needs to be taken extra care of.

azriel tends to baby you during sex; calling you pretty nick names, caressing your skin, kissing you all over, making sure you’re feeling just as good as he is.

speaking of nicknames, he has the best ones for you that make your pussy clench just from him calling you them.

princess, angel, bunny, and sweet girl are the most common, but they never really stop. he always finds new titles to make you flustered and wet.

pussy eating is a daily routine for him. never once has he sinked his cock in you without getting a taste first, making you cum at least once beforehand.

he just loves the fucking taste of you so much, the days that he doesn’t fit eating you out in his busy schedule are always bad ones. it’s comical to you, but if you giggle about it, you’re in trouble.

punishments are never mild with azriel. spanking sessions are long and harsh, your ass is definitely a shade of purple and blood red once he’s finished.

he’ll carve his initials in you if you need reminding of who’s pet you are too. but that’s only if you’d gone too far to make him jealous.

overestim and edging are big ones for him when you’ve done something minor.

he’s the type to eat you out, but stop as soon as your right on the edge then go about his day. he won’t fuck you before bed that night either to teach you a lesson.

with overstimulation, he’d keep lapping at your clit until your sobbing for him to stop, then fuck you for hours until you’re both soaked in squirt.

making you a squirting mess is his favorite thing ever btw.

this male has SUCH a dirty fcking mouth. like seriously, you can’t get him to shut up.

“what a pretty girl.”

“fucking love this cock don’t you?”

“tell me who’s fucking you this good, princess.”

“gods, I love the way you say my name, angel. keep screaming it for me.”

sigh, I need him.

his hands love wander all over your soft curves, squishing your chub adoringly as he stares into your teary, fog filled eyes. he always whispers to you about how you feel like paradise in his hands.

cum! rings!

he loves looking at the way his cock disappears inside of your lush cunt, then comes back with a white, creamy ring at the base from how much you’ve came.

his kisses are hot, and filled with such passion that it could make the cruelest lords fold under him, and it makes your knees buckle and walls clench every time his lips find yours. his tongue is everywhere in your mouth exploring. the smell and taste of him is intoxicating and you savor every bit as his fucks you.

omg okay, wingplay.

it’s the absolute death of azriel, let me tell you

usually, when you want to expel the prettiest whines and moans from him, you would drag your fingertips along the curves and bones of those glorious wings.

and boy, no matter what mood he is in; weather he’s pissed at you and pounding you so fucking hard, or feeling so loving to you— the second your graze the sensitive membrane, he’s a goner.

“fu-fuck, beautiful.” he’d whine before sinking his lips to yours and moaning against them as you keep tickling him.

also, wingplay definitely helps you when you’re in a lot of trouble— if your hands are free that is.

which gives me an idea: kissing his wings.

you usually only do this when you’re making love or you’re the one in control. either way, it makes him crumble instantly.

a few opened mouth kisses and some licks to the underside can get him desperate and ready to cum so fast. he actually starts to buck his hips in the air because he just wants to finish so bad.

when he cums, which is in a fairly decent amount of time; not too quick, but not too slow. you usually cum once or twice on his cock before he finishes inside.

he cums ropes too.

the fucking sounds this male makes—

im talking whimpers, beautifully dark whimpers and moans as he fills you up. his wings flutter softly and shake, his thighs and abs clench and he usually seeks out your shoulder or bottom lip to bite.

aftercare is always a top priority !!!

sometimes he runs you a bath immediately, others he just stays with you and holds you close while telling you how good you’ve been for him, how much he loves you, how pretty you are as he peppers soft kisses all over your face.

[the-writing-goblin]

I am once again thinking about how good the story of the second age is, and all the fun things you could do with an actually decent adaptation. Consider:

Galadriel should be exactly the same as she is in Lord of the Rings. She is older, weirder and more powerful than any elf other elf in Middle Earth. Other elves are just as unnerved by her as mortals, and dealing with her is stressful at the best of times.

Elrond should be an absolute infant. Just, complete baby face. But everyone treats him super respectfully and he has a lot of power and influence. The energy should be the same as when the super ancient and powerful vampire or faerie or whatever looks like a ten year old girl.

ALSO there should be a tall, menacing elf with visible tattoo and facial scars who just. Stands behind Elrond looking intimidating all the time. The least elf-looking elf ever. All the other elves are uncomfortable around them. Elrond should treat them like their an Aunt or Uncle. The elf is one of the few surviving hard-line Feanorians, all of whom follow Elrond. The longer you can go without explaining this, the better.

Gil-Galad is very tired, and spends a lot of time balancing one of the most famously unstable political systems in all of Arda. Galadriel and Elrond both have factions they support to strongly to be relied on to be impartial. The reason he doesn't worry much about what Celebrimbor's up to is that he's the one member of the family who is highly unlikely to attempt something batshit nuts, and his followers are mostly moderate.

Celebrimbor and Annatar/Sauron should spend the whole series playing complicated mindgames with each other.

Annatar is playing four-dimensional chess from the beginning. For him, this is an all or nothing gamble. If he can't make the rings he won't have the power to seize control on his own. He should spend a lot of time having Light Yagami-level monologues where he tries to figure out what game Celebrimbor is playing while outwardly pretending to be harmless and normal and only succeeding at this about 75% of the time.

Celebrimbor should start of thinking the stakes are considerably lower. Like... is Annatar hiding something? Yea, but he figures Annatar doesn't actually have permission from the Valar to be here or something. Not, ya know, Annatar is secretly Satan in disguise. In the first act there should be an almost comical disconnect between the amount of energy Sauron is putting in to these mind games versus Celebrimbor.

Bonus points if as Celebrimbor figures out the truth, you intersperse more and more of his family backstory. The guilt he is still carrying for a lot the things that happened in the first age. Early on bring in the fact that Finrod went into Sauron's jaws alone and it was Curufin's fault, use this as angst material. And then as he figures out who Sauron really is, drop Maedhros and Thangorodrim in like a nuclear bomb.

Because Celebrimbor has seen this play before, and he knows what Sauron does to people. It wasn't even personal then, what Sauron is going to do to him will be so much worse.

And Celebrimbor chooses to forge the three rings anyway. He doesn't give up their locations, even with everything Sauron does to him at the end. And that should be devestating.

[melzula]

North and South

part three

pairing: zuko x princess!reader

notes: we’re finally at the end! i hope you guys like some of the changes i made to the original comic storyline :)

summary: with Gilak in jail and the Northerners gone you assume the worst is over, but the festival incident was just the tip of the iceberg when it comes to how far the man is willing to go

~ part of the fire lilies series ~

You don’t understand how everything has gotten so out of control.

What was meant to be a wonderful celebration of your friends’ return home had quickly been ruined Gilak’s ambush, and if not for Katara’s ability to heal Hakoda woukd have lost his life tonight. Tensions are high in the South, and you find yourself overwhelmed with worry for the future of the Water Tribe. If your people can’t even get along with each other, how will you ever be able to connect with the other nations?

“I don’t know what to do,” you admit in defeat as Zuko watches you pace back and forth from his place on your bed. “I know Gilak doesn’t speak for everyone, and for the most part everyone has been onboard with the changes we’ve made to the South, but there are still some Southerners who share his sentiment, and I don’t know how to fix it so that everyone is happy.”

“That’s the thing, y/n,” Zuko corrects you gently, being sure to phrase his words carefully so as to not upset you, “you can’t make everyone happy. It’s impossible. As leader you have to do what’s best for the majority, even if it means not everyone will like it. Just look at the New Ozai Society. They’ll never be happy no matter what I do as Fire Lord, but I don’t let their dislike for my decisions influence how I lead the Fire Nation.”

“I suppose you’re right,” you relent with a dejected sigh, flopping down beside him in defeat and sprawling out onto the blankets. “I just can’t help but feel like I should be doing more as Chief. I didn’t know about Gilak and his army, and I certainly didn’t know about Maliq’s ulterior motives regarding the oil refinery. Shouldn’t I have known?”

“You can’t be everywhere at once. You have to remember you’ve been busy rebuilding an entire tribe from the ground up while also trying to restore a part of your culture that was almost lost forever. You’re doing more than enough, and your people are grateful for all you do,” he assures you with a careful smile as he gently pushes back the hair from your face. “Maliq and his crew are leaving by morning and Gilak is in jail. Tomorrow will be better.”

“I’m so glad you’re here,” you express earnestly as you pull yourself up and press a kiss to his cheek. “I don’t know how I’d get through all of this without you.”

“Well it’s a good thing you don’t have to,” he smiles before sweetly brushing his nose against your own. After the chaos of the day, it’s nice to finally have a moment to settle down with your boyfriend, and you’re appreciative of the comfort Zuko always manages to bring you no matter how stressful the situation.

“Did you at least have fun at the festival? You know, before the whole drill incident,” you ask with a sheepish smile as you begin to carefully remove the braids you’d styled into Zuko’s hair for the party.

“I did,” he breathes out in a laugh, immediately melting at the sensation of your careful fingers combing through his hair. “It was a wonderful festival.”

He says nothing more as you continue to brush through his locks; it’s gotten longer since the last time you’ve seen him, and you enjoy the change. You’ve always loved his hair, and you appreciate the fact that he allows you the intimacy of brushing it for him.

“Do you think the conference will go well tomorrow? I’m afraid it might be too soon to start our work with the Earth Kingdom and Fire Nation if we can’t even seem to get along with the North.”

“You can’t wait for progress,” Zuko notes thoughtfully. “Making connections will only improve the South’s rebuilding process.”

You hum thoughtfully in response, but your mind begins to wander. You’re trying to see things from an open perspective, making changes that will benefit your people without forgetting about their past, but you haven’t been completely open to Hakoda’s suggestions. You were quick to shut down the idea of the oil rig despite its benefits, and though you’d been proven right about the problems such a project could cause, you also knew that not using available resources would also stunt the tribe’s growth. Zuko says you can’t wait for progress, but how do you know when the time is right?

“We should rest,” you suggest after finishing your work. “We have a long day ahead of us tomorrow.”

“I guess you’re right,” he relents with a sigh before rising from his seat on your bed. “I’ll see you in the morning?”

“You will,” you assure him before gifting him a kiss goodnight and watching him exit your room. Now alone, you collapse back onto your bed with an exhausted sigh.

“Tomorrow will be better,” you try to remind yourself.

But you’re not sure if you entirely believe that.

~~~

The day is calmer now that the construction crew is gone and Gilak is locked away. There are a handful of protestors outside the palace gates who demand that all foreigners leave the South, but they don’t seem to speak for the majority of your people, and for that you are grateful. Sokka and Toph manage crowd control while you prepare for the arrival of King Kue and the conference that is to take place today. Things are normal for the most part and your plans are back on track, so you try to remain positive and focused on the tasks at hand.

“Are you sure this conference is a good idea, y/n?” Katara asks after pulling you aside to express her concerns with you privately, the uncertainty clear on her features. “After everything that’s happened maybe the South just needs to handle things on its own first before starting to work with other nations.”

“I understand your concern, but with most of the Northerners gone we basically are on our own now. There are just some things the South can’t do by itself, so collaborating with other countries will not only give us connections but possible resources as well. I have to look at the bigger picture here.”

Katara is silent for a moment as she digests your words, but after a few moments of contemplation she finally gives you a nod. “I trust you’ll do what’s best for the tribe. I just don’t want us to end up becoming a cheap imitation of the North or lose our identity by inviting other Nations into our home.”

“Do you remember the conflict that arose during the Harmony Restoration Movement when the Earth King tried to separate the colonies?” You ask her with a faint smile, continuing when she gives you a puzzled yes as an answer. “We realized keeping the Fire and Earth people apart would do more harm than good for the future of the world and decided we needed to work together to build peace. Our entire friend group is composed of different nations, and our relationships too. My future with Zuko is dependent on our homes working together, on our people connecting with one another, and so I ask that you try to view this situation the same way you viewed it then.”

“I guess I never thought of it that way,” the water bender admits guiltily, your words obviously having struck a nerve with her. Who was she to pick and choose who got to work together and who didn’t? You had a point, and it was making her question how she truly felt about the changes occurring in her home.

“Chief y/n,” Hakoda calls from the doorway, promptly ending your discussion with Katara, “King Kue has arrived.”

The Earth King enters the meeting room with a look of awe as he observes the interior of the chamber and admires the Southern architecture of the building, and you promptly bow in respect in his presence before offering him your hand to shake.

“King Kue, it’s my honor to have you here in the South. We greatly appreciate you taking the time to attend this conference.”

“I’ve been wanting to visit the South Pole for years since meeting you all! It’s wonderful albeit freezing,” he admits with a sheepish chuckle while taking your hand.

“We’re happy to have you here, and after the conference I’d be glad to give you a tour,” you sincerely assure him before guiding him to his seat.

With all of your friends and the king present, you’re able to begin your presentation alongside Hakoda. You let him and Malina take the reins for the first half as they detail their plans to create an updated harbor for the South. They explain the logistics and the benefits of the project before allowing you to take over and explain the diplomatic prospects.

“Our hope is that this harbor will give the world a chance to visit our home and partake in our commerce as well as educate themselves on our history. Through outreach we hope to build stronger connections with our neighboring nations and establish an era of harmony and peace,” you explain with a pleased smile, eager to convey your ideas for the other leaders to hear. This is definitely the biggest thing you’ve done as Chief so far, and you briefly wonder if your father would be proud to see how far you’ve come.

“Chief y/n also came up with the idea of establishing embassies in both of your nations as well as allowing you to do the same here to further outreach between our people. However, as advisor I must note we don’t necessarily have the funds to enact this plan,” Hakoda states plainly, exchanging glances with you before looking to Zuko and Kue, “and that is why we’ve invited you here. We would be thrilled to have your partnership to make this vision a reality and strengthen the bond between our homes.”

You hopefully scan the room to gauge their reactions, and for the most part everyone seems to be open to your plan- well, everyone but Katara. It isn’t easy to ignore the subtle disapproval on her features and her obvious hesitance to opening up the South to the world, and it diminishes your optimistic mood. You recall what Zuko had said about not being to make everyone happy, but it’s hard to do when it’s one of your closest friends that seems to disapprove of your choices.

“You can count the Fire Nation in,” Zuko says proudly while directing his gaze from Hakoda to you. “Your people have suffered so much destruction at our hands, and we are grateful for the opportunity to help you rebuild.”

“Thank you, Fire Lord Zuko. Your efforts are greatly appreciated,” you express sincerely, taking extra care to be professional when speaking to your boyfriend in front of your peers.

“I’m sorry that the Earth Kingdom can’t offer our support so readily. We have so many of our own needs at home,” King Kue states sullenly with obvious disappointment clear in his tone. “But if I could show my advisers that the Southern Water Tribe is going to make measurable, concrete progress toward civilization-“

“Excuse me?!” Katara butts in harshly. The offense is clear in her tone, and her outburst takes everyone by surprise.

“Oh dear, please forgive the clumsiness of my words, Katara! I should have phrased it differently,” he quickly interjects in a panic. “We would simply want you to achieve a higher form where the South becomes a cleaner, safer, nicer-“

“King Kue,” you interrupt gently as you do your best to remain calm despite your displeasure at his words, “please be mindful when speaking about our home. You are a guest here, and just as we treat you with respect we expect the same.”

“Of course! What I meant to say was-“

“Chief y/n!” A voice interrupts as one of your guards bursts into the room. His tone and features are full of urgency as he approaches. “We’ve just received an alert from the prison! Gilak and his army-“

You cry out in horror as the man is swiftly knocked unconscious by a boomerang, and all your friends quickly jump up from the table in preparation to defend themselves from the oncoming threat. Zuko is by your side in an instant, guarding your figure with his own so that you’re kept away from the danger. He knows you can handle yourself, but after what happened with Koa he isn’t taking any chances this time.

Gilak and his men flood through the doorway, his malicious gaze focused on Hakoda who stands in the center of the room and protectively shields Malina from the group.

“Look at you, Hakoda. So eager to sell our tribe to foreign masters! And you,” he says in disdain as he points his boomerang in your direction, “so easy to be brainwashed by your advisor and your ash maker boyfriend. So easy to manipulate and fool. Perhaps Koa was right about you, y/n. What does a little girl know about running a tribe?”

“You watch your mouth!” Sokka cries out harshly in defense of you and his father.

“You watch it, boy. We’re taking over this meeting.”

“For the tribe!” Gilak’s soldiers cry out before all chaos breaks loose. Two of his men charge towards you only for Zuko to shoot flames towards them in retaliation.

“Stay back!” He commands fiercely, but your own safety is the least of your worries at the moment.

“Protect the Earth King!” You call out as you send a blast of snow into the gut of an attacker before they can reach Kue. Another soldier tries to strike you from behind, but you’re able to quickly dodge their attack before encasing their feet in ice so they can longer attempt an attack on you or your friends. “You swore an oath to serve the royal family and the people of this tribe! How dare you turn against me?!”

“It’s not us you should be worrying about, Chief,” the woman glowers scornfully. “It’s that no good Hakoda and your Fire Lord boyfriend you should be looking out for. They’ve made you forget who you are.”

“I know who I am,” you utter lowly before raising your hands to lift the ice so it encases her entire body. “Maybe you should think about who you are while you wait for the ice to melt.”

Your attention is pulled away from the guard at the sound of a loud crash, and you barely manage to catch a glimpse of Gilak narrowly missing Zuko as he brings his whale tooth blade down into the table. Gasping, you quickly maneuver the water around your arms to form tentacles that wrap around the man’s torso and lift him into the air before slamming him back down again. The impact is forceful enough to disable him of his weapon, and Zuko quickly kicks it away from his grasp.

“Thank you,” he breathes out in relief, clearly overwhelmed from the sudden chaos. You don’t have time to reply as more of Gilak’s army begin to break through the windows and wreak havoc on the palace. You’re completely surrounded, and despite your best efforts to fight them off you can’t ignore the fact that you’re outnumbered. You briefly remember to thank the spirits for the fact that your mother is out visiting Kanna and Pakku and not here in the midst of the danger.

Gilak gets a hold of Hakoda while the rest of you are distracted fighting his warriors, and your friends are quick to rush out after him. You follow in suit only to hesitate when you realize someone must stay behind to guard Kue. You trust in your group’s ability to handle Gilak on their own, but you don’t exactly trust the King to take care of himself. Without anyone noticing, you slip back into the meeting room in search of the monarch.

“Your highness! Your highness, we have to get you out of here!” You call out while frantically scanning the room for him. The chamber is dead silent and questioningly empty considering it had just been teeming with invaders, and there isn’t a single sign of Kue.

You hear the crunching of glass behind you and quickly pivot your body towards the noise, and the sound is enough of a distraction for you to be ambushed by chi-blockers who quickly disarm you of your bending and let your body fall to the floor with a thud.

“Not so high and mighty now, are you, ‘Chief’?” One of them taunts before moving out of the way so another can scoop your limp figure off the ground.

“Where is King Kue?!” You demand as you your eyes look around the room in a panicked hunt for the man.

“Relax, that oaf is fine,” the girl brushes you off with a dismissive wave of her hands. “He’s hiding in a closet somewhere like the coward he is. Besides, it was never about him. We knew you’d be stupid enough to come back for him, and you took the bait.”

“What do you mean?” You say in disbelief as they begin to sneak you out through one of the hallways before your friends can notice.

“You’re the problem with this place, you’re the one who let the outsiders in. We need someone new in charge, but we can’t do that until we get rid of you and Hakoda first.”

Dread fills your stomach at her explanation, and you’re able to do nothing but hang limply over the man’s shoulder as they take you to their hideout. For the sake of the tribe you hope Hakoda and your friends are okay, and you hope they can find you before it’s too late.

Outside of the palace, Gilak and his men have vanished and Hakoda has been returned safely to his children. It seems the chaos is over until Zuko looks to his side and notices his Princess is nowhere to be seen. Panic immediately fills his gut as he rushes back into the palace and begins his feverish search for her.

“Y/n! My love, where are you?!” He calls out, and after finding no sign of you anywhere his worry begins to morph into anger. “No… No!”

“What’s wrong, Zuko?” Toph demands after hearing his enraged roars. The group looks to Zuko with concern in their gazes as he lets out a vengeful blast of flames from his mouth. The Fire Lord is seething, and there’s only one cause for his fury.

“They took y/n.”

~~~

You sit in an empty room tied to a chair with Gilak as your only form of company. For a long while neither of you speak, both of you locked into a staring contest as his eyes of contempt meet your own indignant ones.

“It didn’t have to be this way,” he finally says to break the silence, slowly beginning to circle around your chair like a shark. “I tried to get you to see things from our perspective, but you were just too stubborn. You didn’t want to see the danger in front of you, and even when Maliq disrespected you in front of the entire tribe you still went ahead and invited outsiders into the South.”

“What is so wrong about working with others?” You demand fruitlessly, unable to comprehend how he can be filled with so much hatred. “Not every outsider is bad, but you’re too full of resentment to see that! We’ve been able to accomplish great things because of the help of our sister tribe, and with the help of the Fire Nation-“

“The Fire Nation?!” Gilak bellows angrily, and you can’t help but to flinch in fear at his outburst. “They burned down our outer villages, desecrated our water benders, took our Chief from us! They are the reason we must rebuild in the first place! And yet you invite the Fire Lord onto our land simply because you let your love for him blind you of his true nature.”

“The Fire Nation did horrible things, yes. But Zuko is trying to right the wrongs of the past. There is good in his heart as there is in the hearts of other Fire Nation citizens. I’ve witnessed it firsthand. We cannot remain stuck in the past if we wish to build a future.”

“There is no future for the Southern Water Tribe with you and Hakoda in charge, and that’s why I’m taking matters into my own hands,” he says menacingly before signaling for two of his guards to remove you from the chair and bind your limbs together so you can be transported out of the tunnels.

“What are you going to do?”

“I’ve sent a letter to Hakoda asking him to meet me at the Bridge of No Return. He’s under the impression he’ll be trading his life for yours, but once he sets foot on that bridge and meets you in the center I’ll cut the line before either of you can make it safely across.”

“No…” you utter in disbelief, panic beginning to settle in your gut.

“The South will finally be rid of its problem, and then we can truly begin to strengthen our tribe.”

You’re able to say nothing more as a cloth is tied around your mouth to keep you from speaking. The last thing they want is for you to try and warn the others of their plan once you get to the bridge.

The guards carry you away, and you desperately try to come up with a plan of escape before it’s too late.

~~~

Zuko is anxious as he makes his way up the mountains. While fruitlessly searching endless tunnels hadn’t brought you back to him, receiving the letter from Gilak detailing your whereabouts didn’t exactly ease his nerves either. You were in danger, and if for some reason Sokka’s plan failed your life could be lost tonight. The thought almost sends him reeling, but he reminds himself to stay focused on the task at hand. He needs to be at his best if he plans to get you back safely- he promised your distraught mother he’d return you to her alive, and that’s what he planned to do.

“There she is!” Sokka exclaims as he points to your sullen figure across the way. Your arms are completely bound and a cloth is wrapped around your mouth to keep you quiet, and the sight has Zuko fuming. How dare they treat you so disrespectfully? He begins to rush forward only for Sokka to halt his efforts. “Hold on, buddy. I know you want her back safe but we can’t make any rash decisions or this plan won’t work.”

Zuko falters, huffing out a breath of smoke through his nose in protest before backing off. His eyes meet your desperate ones from across the way and his chest aches at the sight. He’d failed to protect you, and now you were a captive being used as bait for Gilak’s plan. He shouldn’t have left you behind, he shouldn’t have taken his eyes off of you, and he shouldn’t have let this happen.

You watch helplessly from across the way as Gilak sends his chi-blockers towards your friends and wince on their behalf as they receive the paralyzing blows. You let out a muffled cry of alarm as one by one they collapse to the ground, but you’re unable to do anything as the man gives you a harsh shove from behind.

“Get moving, Princess. Your time is up.”

You stumble forward onto the rickety bridge and take cautious steps in fear the wood falling out from beneath you. Hakoda meets you halfway before carefully pulling down the cloth from your mouth. Your features are frantic as you immediately utter jumbled pleas for him to leave.

“Hakoda, they’re going to cut the bridge! You have to get off,” you urge him desperately, tears welling in your eyes as you try to shove him back. The man rests his hands upon your shoulders to stop your movements before reaching down to remove your binds.

“I know,” he says softly as he gives you a reassuring smile before looking across the way. “I promise you we’re going to be okay.”

You follow his gaze to see Malina using her bending to stop Gilak from cutting the bridge. On the other side, your friends have risen from the ground and are busy taking out his army of soldiers. His plan has failed, and Hakoda quickly begins to usher you across the unstable structure.

The bridge begin to tremble as more weight is added onto it, and behind you Gilak angrily chases after you and Hakoda with a torch in hand. He doesn’t plan to give up so easily, so consumed by hatred that it’s made him crazed.

“I’m not letting either of you get away with this! You need to be punished for what you’ve done!” He roars angrily before charging at you both. “I’m going to take you down even if it means I have to go with you.”

“Are you mad?!” Hakoda cries before shoving you behind him to keep you out of Gilak’s reach. Another jolt shoots through the structure as Malina attempts to stop your attacker, but her efforts only cause him to involuntarily light the bridge aflame with his torch. As the two struggle for control over one another, Zuko dashes onto the bridge and uses his bending to put the fire before it can spread.

“Zuko!” You cry out in relief at the sight of him, only wanting his comfort after everything you’ve been through in the last twenty four hours. He meets your eyes and smiles in relief at the fact that you’re okay, but his features quickly morph into ones of dread as the burnt rope snaps and the bridge collapses. Your stomach drops as your feet lose contact with the ground beneath you, but the Fire Lord is quick to reach out and capture you by the wrist before you can fall.

“Hold on tight!” He tells you, making sure your hold on his forearm is secure before he propels the two of you upward using the streams of flames he releases from his feet. You land safely on the fresh snow below you, and you’re more than grateful to finally feel the ground beneath you again.

“Oh, Zuko!” You breathe out in relief before throwing yourself into his arms and holding him tight. His warmth soothes the chill in your bones from being so close to death, and he’s quick to return your embrace.

“I’m here,” he assures you as he carefully strokes your back. “I’ve got you.”

“Where’s King Kue?” You ask as you rapidly scan the area in search of the man. “Is he alright?”

“He’s fine, Pakku and your mother are looking after him. Are you okay?” He reiterates before pulling out of the hug to get a look at you. Indents have been left behind on your cheeks from the cloth that had been tightly wrapped around your head, and Zuko carefully looks you over for any other signs of hurt.

“I’m okay,” you promise him with a quick nod. “The chi-blocking wore off, I just feel tingly from being tied up is all.”

“They tied you up?!” Zuko exclaims angrily only to calm down when he sees the abashed look on your face. “I’m sorry, I didn’t mean to raise my voice. It just makes me so upset to think that someone would want to hurt you. I’m sorry I didn’t protect you.”

“It’s not your fault, Zuko,” you correct him with a slight frown. “If it weren’t for you I would have fallen of that bridge.”

“Speaking of which,” Sokka interrupts urgently as he directs your attention to the collapsing structure, “it’s about to give! How are we gonna get them back up here!”

“I can go back down and get them,” Zuko insists only for Sokka to wave him off.

“Your weight would make it collapse before we could save anyone.”

“I’ll try to keep it stable!” Toph offers as she uses her earth bending to support the structure. “You guys are gonna have to work fast, I’m not sure how long this will hold.”

You watch as Katara and Aang spring into action to gather the others, and the Avatar is able to grab hold of them right as the bridge finally falls apart. He struggles to bring them up, and you watch anxiously as he flies his guider back towards the cliff top. Gilak isn’t making it an easy task he makes a last ditch attempt to lash at Hakoda, but the man only succeeds in losing his grip in the process and falling towards the bottom of the cliff.

“Gilak!” You cry out in horror, turning away so you don’t have to watch the man plummet to his death. Despite all he’s done, you’d never wish for death on anyone, and so you’re torn at the fact that this is how the conflict will end.

“There was nothing Aang could do,” Zuko says in an attempt to comfort you, but you’re not sure if it helps. Hakoda and Malina are brought to safety, and you’re left to deal with the aftermath of all that’s occurred.

“How did you all overcome the chi-blocking?” You ask as your mind begins to process all that’s occurred. You couldn’t compute how your friends hadn’t been susceptible to the blocks like you had.

“Metal armor!” Sokka explains proudly while showcasing you his invention. “It was my idea, but Toph made it a reality.”

“Sokka, you genius!” You laugh, throwing your arms around him in a hug full of gratitude for his help. “I can always count on you to figure out a solution to every problem.”

“Thank you, y/n, I am a genius.”

“Please don’t make his ego any bigger than it needs to be,” Katara teases before taking your hands in her own and giving them a gentle squeeze. “I’m glad you’re okay, and I’ve been thinking about what you said, about changing my perspective. I think you’re right.”

“I’m happy you see it that way,” you tell her with a careful smile before looking to her father and Malina. “And I think it’s time I did the same. If you both can come up with a revised proposal for an ecofriendly oil refinery that will benefit the South, I’d be happy to give it another look.”

“Thank you, Chief y/n,” Hakoda says gratefully, sharing an excited glance with Malina, “we appreciate your openness.”

“We need to get you back to the palace,” Zuko tells you while resting a careful hand on your back. “Your mother is probably worried sick waiting for you, and I promised I’d bring you home safely.”

“Spirits, you’re right,” your murmur fretfully before taking hold of his hand and quickly beginning your descent down the mountain.

“They’re good for each other, aren’t they?” Hakoda notes to your friends as he watches your figures disappear over the hill.

“They are,” Katara agrees with a faint smile, her mind beginning to imagine what your future will look like. The embassies will provide a good foundation for the relationship of the Water Tribe and Fire Nation, and the project will be a testament to what you and Zuko had proved long ago.

The fate of the nations are in good hands.

~~~

The South has settled back into its normal routine. With the death of Gilak and arrests of his army came the end of the protests, and reconstruction was able to resume without the threat of unrest or discontent among your people.

You stand inside the museum with Zuko by your side, your hands interlocked as you stare at the wall before you. You’re in the hall of royal families, an area full of photos and relics of all the people from the past and present. You’d ventured into the Princess exhibit and were now staring at your wanted poster hanging on the wall of your section. You’d swiped the scroll from a Fire Nation market place while in disguise with the Avatar and his friends, and you felt it was an important piece of history to include in your exhibit.

“That’s the prettiest wanted poster I’ve seen,” Zuko comments with a small smile. “It’s strange to think how much has changed since this poster was made.”

“The past is a strange place,” you agree quietly before looking to your boyfriend. “Now that the war is over, do you ever find yourself thinking about the future?”

“Always,” he says, a familiar spark in his eyes as he stares down at you.

“We’re living proof that a strong connection between nations is possible. We always have been, and yet it scares people like Gilak.”

“People like Gilak fear change,” he murmurs lowly, the mere mention of the main leaving a bad taste in his mouth. “They fear going against tradition, and we are far from being a traditional couple.”

“Yeah, but I like it that way,” you say with a smile before reaching up to press a tender kiss to his lips. Zuko’s hands find their place on your hips as he pulls you in close to savor the feeling.

With peace in the South having been reestablished, you now have a good feeling about what awaits you in the future. It’s going to be complicated, there’s no arguing that, but you’re willing to face whatever challenges arise if it means getting to be with the boy you love.

You and Zuko are the hope for the future of your nations, and if your relationship has been able to withstand all the difficulties and heartaches that have come over the years, then there’s no doubt in your mind that your people will be able to do the same.

Water and fire are opposing elements, and yet you both work so well together. You’re two halves of a whole, and no one will ever be able to break you apart again.

| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @livelaughlovekuni @lovialy

| fire lilies tags: @emberislandplayers @kikaninchen-2 @music-geek19 @thia-aep @thyunnamed @haylaansmi @nataliahaslosthershit @idkdude776 @aangsupremacy @thirstyforsometea @ihaveaproblem98 @brown-eyed-thang @xapham @misnmatchedsox @chewymoustachio @that-bucket-hat-gal @chilifrylizard2 @kyomihann @kaylove12 @kiwihoee @freggietale @moon-spirit-yue @bubblegum-bee-otch @cipheress-to-k-pop @potato87123

| atla tags: @sirkekselord @niktwazny303

[triptychgardener]

Hello sorry if this is a bother but I am asking in good faith where is the reading for transmasc nepeta. I’m asking this cuz of your last ask (the June one) and I see aradia Dirk and Jane. Thoes all I have seen post and analysis about. But I have not really seen anything about nepeta.

Okay so first thing you gotta understand is that gender in Homestuck, for lack of a better way to say it, can be understood in how characters reflect and relate to each other. That being said to understand Nepeta's gender, we gotta understand the gender of at the very least one other person.

Dave.

And more specifically.

Davepeta, Homestuck's very own first(ish) trans character.

Davepeta is noted to be a sort of platonic ideal of existence for both Dave and Nepeta. Somehow, through a strange series of cosmic coincidences, these two end up making an odd sort of parallel. Both having a strange relationship to a man who loves him some goddamn horses. The whole Akwete Purrmusk thing. I mean, Dave canonically engaged in semi-nonironic furry roleplay with Nepeta offscreen, and given what we know about what becoming a furry in Homestuck means, it's not a leap to describe this as their ideal form.

But, although we don't see a lot of Nepeta's character arc, we do see a lot of Dave's. He struggles his whole life under an incredibly oppressive masculine force (both of Bro and, indirectly, Lord English), and once the game is over ends up deconstructing and largely rejecting that.

So when Davesprite, who's also probably been thinking about this for even longer, bereft of purpose or identity, finds a kindred soul in a spunky catgirl... well the rest is Davepeta.

And similarly, there are points in the story where Nepeta acts kind of uncomfortable with how others see her as exclusively something to be protected. The whole "Dear, sweet, precious Nepeta" grates on her early on, as Equius uses it as an excuse to control her actions. The whole of moiraillegience as it is originally explained (i.e. one party helps to calm down an especially brutal and violent person from outbursts of anger, and in turn that person will protect the more docile, even-tempered soul from external harm) even kind of FEELS like the way heterosexual relationships are portrayed in a lot of conservative spaces, where women are nuturers and caretakers while men are protectors. And Nepeta is supposed to, in this situation, be the person who helps Equius manage his emotions, which she feels some consternation at!

Now, over the course of Hivebent, their relationship appears to evolve and get a bit more balanced, but it still carries these overtones of "I will protect you, and you will handle my outbursts." Notably, when Equius goes to seek the Highb100d, and leaves Nepeta behind.

And of course not after roleplaying as each other.

Which. I mean come on.

But notably, Nepeta doesn't just stay put! She doesn't really want to be protected all the time! And when push comes to shove, she leaps out to defend, or at the very least avenge, her best friend.

And then, we don't really see Nepeta for a while!

Until we get to the end of the comic.

During their whole "date", Nepeta seems a little uncomfortable with Jasprose's affections. She may be a bit flattered, but Jasprose also fully admits later that she was frankly looking for any girl she could fall in love with after the tragic death of her girlfriend and possible more tragic untimely resurrection.

But then the pivotal handshake happens, and we get to see who is perhaps the most happy being in all of Homestuck.

Then we get into some of the only actual discussion of gender in Homestuck. We don't get much besides that, for both of their lives, Dave and Nepeta both felt something was missing. Something felt wrong that they couldn't quite place that made them both miserable. I don't think it's a massive stretch to say this could be gender dysphoria.

And when they combine, they feel the fullness of the gendered experience they were missing, melded together like a two-piece puzzle.

Now while the abovementioned "strong identities as a boy and a girl" might throw you off, I would point to what Victoria Lacroix said about this passage: note the lack of the word "respectively." I rest my case.

Now full disclosure, my personal headcanon for Nepeta is genderfluid transmasc. The whole affinity for roleplaying lends itself to a more shifting identity and I just think Nepeta, given more time, would love exploring the little nooks and crannies of gender.

This isn't going into the more complicated shit with Gender when it comes to Equius and Dirk and all that other stuff. Here's a quick summary so you can see exactly how my brain is broken.

Anyways, thanks for the question! I hope I answered my thoughts on the topic adequately! If other people have more to say about this, please feel free to add on!