#We just don't know the specifics of why and I want to know

[satorusugurugurl]

The idea of yandere gojo and geto (both at the same time) plotting against their darling reader using geto's cursed spirits to make her on them gets my mind reeling for nights 👀 wonder if my favorite writer has any thoughts on this

Perfect Prey

Characters: Yadere!Geto Suguru, Yadere!Gojo Satoru,FAB!Reader

Warnings: yandere!Geto/Gojo, manipulation, dub! con read is unaware that the boys are manipulating her! (consent is vital for me!!) double penetration, smut, mentions of wounds, cursing

Word Count: 3,404

A/N: Ah! thank you Nonnie! This made me smile! Oooh, this, this was fun. I loved getting into this! I hope y’all enjoy it!! (I really enjoyed writing for Suguru 🥵)

“I finally got my own mission!” Geto and Gojo glanced up at you as you proudly walked into the first-year's classroom. “Took years, but I think they finally realized I’m fully capable of destroying a curse or two by myself!”

Geto gave you a warm smile, resting his chin on his fist. “Is that so? Funny, I thought we made it clear one of us was supposed to accompany you on any mission.” He shut his eyes, tilting his head slightly to the side.



“Oh, that’s a good one, Suguru!” You excitedly plopped down on Gojo’s desk, kicking your feet back and forth. “All jokes aside, they did want to send one of you with me.”

“Wanted to send one of us?” Satoru questioned, dipping his chin to watch you.

The two men watched you closely as your pretty head nodded. “Yaga said,” you tilted your chin at Satoru, “You were assigned to come with me, Satoru. But seeing as you just returned from your mission, I insisted that I could handle a couple of curses on my own.” Gojo scoffed, his head turning to give Suguru a look of disbelief. “Oh, don't look at him like that!” Sure, the duo were best friends, but their silent communication between stolen glances made you feel left out.

“I don't think me coming back from a mission, which I handled easily because I’m Gojo Satoru, of course. Means I can't come with you. They assigned us this together.” The white-haired man’s time was thick with annoyance. “For a specific reason, I’m assuming.”

You cocked an eyebrow, eyes darting between the two men. “Why would the Gojo Satoru be needed to exorcise a handful of low-grade curses?” Looking at Gojo, you could almost hear the wheels turning in his head. “You know what—why do they even send you both you're Special-grades?” Before you could question them, Geto chuckled, soft and rich.

“Ignore Satoru; he’s just being clingy. Congratulations on your first solo mission.” Pride swelled in your chest at his acknowledgment. You happily kicked your feet faster as Geto reached over, ruffling your hair. “Just promise to be careful, and if you need any help, please know we’re but a phone call away.”

“Thank you.” The condescending tone of your voice has Satoru clenching his jaw. “I’ll get this mission done so fast, you won't even notice I’m gone!”

Geto pulled his hand back, nodding, dark hair swaying as you slid off the seal. “Be safe; we’ll see you at home.”

“I will! See you both later!”

Geto smiled, waving until the door shut, and he could no longer hear your footsteps down the hall. The instant he was confident that you weren't around, his smile fell, eyes narrowed at the door. Gojo was fuming, pulling his blindfold down, letting it pool around his neck. Between the two men, their anger could freeze Hell over.

“This is problematic.” Geto rubbed at the pulsing sensation in his temple.

“Problematic? No, this is a disaster if she gets through this mission, which we know she will! She's going to get more solo missions. Solo missions turn into group missions, with other sorcerers, other men.”

“And we can't have that. No one is good enough to protect her, let alone breathe the same air.”

Gojo sat on the edge of the desk, watching as his best friend tapped his thumb against the center of his forehead. Between the two of them, they would find a way to fix this sticky situation. Their solution had to be clean. They couldn’t have you finding out that they were the ones responsible for your lack of solo missions. The two pulled strings to ensure you were always with them.

Some might call them possessive and obsessive. But they didn't see it like that. They just knew no one on the face of the planet would ever be good enough for you. You were their darling little princess. The keywords are theirs and theirs alone.

“We could tell Yaga to pull her off, tell a white lie like maybe she changed her mind.”

“No, no, that would look suspicious. She went through all the trouble, convincing him to let her go alone. After all that, for us to ask that, she would start asking questions. We can’t have her knowing we’re responsible for her lack of solo missions.”

“Okay, do you have any ideas?” When Geto said nothing, Gojo sighed, exasperated, feeling Geto’s eyes on him. “It would be easier if we showed her how ‘dangerous’ these solo missions can be.”

A lightbulb went off in Geto’s mind. “Satoru~” he purred, “that’s a brilliant idea.” The other man furrowed crisp white brows in confusion. “She thinks it’s just a handful of curses, right?”

“Yeah?”

“It would be a shame if there were more curses than she could handle,” Geto smirked, specks of black forming behind his shoulder, his curses coming to life, revealing his intentions.

Satoru grinned wide with a sharp laugh. “That truly would be a shame, wouldn’t it? Poor sweetheart will have to call us to help.” Geto nodded, motioning for Satoru to follow.

“Come on, we got shit to do.”

Later that night, you were scrambling off the ground, wincing as the fifteen curses chased you around the corner of the abandoned building. “Fuck! Fuck! Fuck!” You screamed, palms bleeding, knees scraped up as you stumbled back to your feet, barely avoiding the sharp teeth of the curse behind you.

This was supposed to be a simple job! One where there would be maybe two or three curses to take out! Three were okay! You were able to handle that on your own. But after you took them out, you suddenly found yourself surrounded by dozens of curses. All of them ranged from different grades, from four to two, but a couple gave off a darker presence, possibly special grades, which was not good.

How the hell did three curses turn into three dozen?! How could the intel be so off?! And how the hell were you going to get out of this?!

A low snarling snapped you out of your frantic thoughts before the curse in front of you swiped at your stomach with very long and very sharp claws. You dodged, falling back onto the ground, watching it close in on you. This was not good, not in the slightest, and it didn’t help that you were all alone!

Scrambling back, you pushed yourself off the ground, ducking into a room, slamming the door. “Goddamn, fuck me.” Pulling your phone out of your pocket, you called the two strongest men of the modern age. Sure, there was a one hundred and fifty percent chance they'd boast about how they were right, how you needed to listen to them, but that didn’t matter right now! “Pick up! Pick up, pick up!”

The phone rang and rang and rang. Just when you thought it would go to voicemail, the line clicked. Gojo yawned on the other line without a care in the world. “Hello~?” He cooed, listening to the raspy breathing.

“Satoru!” You gulped down breaths of air. “Toru, I need help!” You screamed as a curse slammed against the door.

Gojo covered the receiver, snickering as Geto eyed the building you were in. “What was that? You need our help?”

“Yes!” you cried out, “Satoru! Please help!!”

“Are you sure? I mean, I am considered a Special Grade; low-grade curses are something I shouldn’t worry about, right?”

Geto’s curse smashed through the door, dashing at you. He swore he could hear your scream through Satoru’s phone. His poor princess is getting chased around by his curses. This could have been easily avoided if you didn’t insist on taking on this mission alone. Unfortunately for you, the choices you made led to this outcome.

Your heart was hammering against your rib cage as you slipped and maneuvered around the curses slowly surrounding you. This was way out of your league, and you were beginning to regret now bringing one of the boys with you. Plus, Satoru wouldn’t drop everything and come running to your rescue, not after everything you’d said earlier.

“Toru, please.” Pleading was something you rarely did, but Satoru’s ego had been bruised, so you had to do what needed to be done. “Please, I'm begging you.”

Both Gojo and Geto exchanged a look with each other. “You beg so nicely,” Satoru commented, listening to a loud crashing sound followed by your curse. “I suppose I could come, maybe bring Suguru too.”

“Y-Yes! Yes, please!”

“On one condition.”

Despite the fact dozens of curses were chasing you, you stopped dead in your tracks. “Condition?! What fuckin’ condition?!”

“You never take a solo mission again.”

After this endeavor, he didn’t even have to ask you to do that. “Y-Yes! I agree. Just fucking hurry!” In the blink of an eye, the tall white-haired man teleported before you with Geto by his side. The curse that had been charging at you slammed hard against Gojo’s infinity before being forced back as the white-haired man stepped forward.

You fell to your knees, panting heavily as Geto peered down at you from over his shoulder. “Are you alright?” You just nodded your head, glancing down at your bleeding hands. “You don’t look alright.” You could smell the woodsy musk

as Geto knelt in front of you. “Give me.” He gently grabbed your hand, examining the scraps on the heels of your hand.

”Tsk, tsk, tsk.” Gojo chastised as he grabbed you and Geo, teleporting the three of you back to their apartment. “Guess your first solo mission didn’t quite go as well as you planned now, did it?”

There was no retort or sharp comeback because he was right. Even if the intel had been wrong, you couldn't handle this mission on your own. You had failed after you insisted that you could handle this mission without any hiccups. Now, that confidence was replaced with shame and disbelief. You had to call on your colleagues for assistance. After they warned you that this is something you wouldn’t be able to handle.

The two men who had orchestrated this scheme watched you with unreadable expressions—on the outside, their demeanor seemed unnerved, while on the inside, they were swelling with pride and excitement. Seeing you so distraught and broken had their pants tightening at the almost broken, blank look in your eyes.

“Oh, don’t be embarrassed,” Suguru announced, lifting you and ushering you towards the bathroom. “There’s nothing to be ashamed about. You’re not the only sorcerer who isn't capable of handling three dozen cursed spirits on their own. Not everyone is as strong as Satoru and I.”

Suguru moves to the shower, turning it on as you remain still, the events of the evening replaying over in your mind. “Suguru’s right. Not everyone would have handled a situation like that. You should be grateful, though. You’re lucky enough to have us willing to come to your beck and call.” Satoru is moving in front of you, holding your hands over the sink, running hot water over the wounds. “If we hadn’t shown up when we did, you could have died.” The truth of his words had your head jerking up, meeting crystalline eyes.

“I-I could have died.” The monotone repetition of his own words had Satoru’s cock throbbing at the broken throaty words that left your mouth.

“You could have.” He agreed, pressing his lips against your neck. “But you didn’t because we saved you.”

“I-I know.” You whispered as Geto joined your side. “You saved me.”

Hands, hot and rough, ran over the mounds of your breasts, gripping your hips, manhandling you in ways they had done in the past. There had been nights when the three of you had been so bored you just decided to hook up or when they just needed a little stress relief. This time, however, felt monumentally different. Like they were holding their breath, holding themselves back. Their stoic bodies jittered with anticipation, waiting to see what happened next.

To you, it was them being pent up, maybe the adrenaline rushing through their systems. Because if you were being honest with yourself, you felt just as pent up. Almost dying had you wanting to cave into your raw human desires. While the men standing on either side of you shared one of their infamous knowing glances. They weren’t driven by the adrenaline and passion of what had happened. Not in the slightest. No, their desire was driven by pure, unfiltered joy.

They finally had you right where they wanted you. Broken. You had lost a fight you knew you could have won. Due to them, your confidence in your abilities was clouded by a fabricated series of events.

First, you’d be broken, not taking missions alone any further. The next phase would be to distance you from the school slowly. Trying to convince you that you didn’t need to worry about working, the two made more than enough money to provide for the three of you. If all went according to plan, you would be their perfect little live-in girlfriend in no time.

What made all of this ten times better was the fact that you had no idea tonight's events had left you in their web of lust and desire. They were the spiders, and you were the poor innocent fly—a fly about to be devoured in the most primal ways imagined.

“Thank you for saving me.”

”Nu-uh.”

“We did save you, so you need to thank us properly.”

The men pressed lips against you, hands trailing over your body. You melted against them, gasping as hands cupped your breasts, hard cocks rubbing against your hips as they ground against you. They did save you, didn’t they? They went above and beyond to stop what they were doing and come to your aid.

“Y-Yeah, I think I will.” You whispered, turning to kiss each man on the mouth before sinking to your knees. “Please, let me thank you.”

Two thick long cock were suddenly in your face, throbbing and leaking pre-cum from angry, flushed tips. Seeing as your hands were scrapped up and ran, you took turns sucking and licking each man's cock, while they jerked off. Your tongue flicked, swirled, and lapped the two cocks, until their cum spurted over your face coating your lips and cheeks. Your appreciation didn’t stop there. You pulled both fully clothed men into the shower with you, tugging their clothes off and discarding them over the shower door.

Satoru and Suguru both help you, lifting you, your legs wrapping around Satoru’s waist as Geto’s wet, chiseled chest pressed firmly over your back. Both cock’s teased your wet cunt’s entrance, rubbing over against each other as you whined softly, tilting your head back. Their cocks both pressed past the tight opening of your pussy, stretching your walls in a painful yet pleasurable way, leaving your cock drunk the deeper they sunk into your wet heat.

A minute was all they allowed you to take to attempt to adjust yourself to the sensation of having two cocks buried inside of you. They were bullying inside of you. Satoru’s cock kissed your cervix with each thrust, While Suguru rubbed against your g-spot in the most heavenly way. Perhaps if you had been a good girl and just left everything as it was, they would have taken it easier on you. Regretfully, in their eyes, you had almost ruined their carefully constructed ploy to make you theirs in every sense of the word. Due to that, you were going to be punished severely.

Their thrusts were hard, deep, and almost painful. Fucking into you as if you were just a sex toy rather than a human being. Satoru’s teeth dug painfully into your shoulder, leaving indentations in his wake. Suguru’s mouth trailed kissed over the nap of your neck, mouth gentler than Satoru but his hands were as cruel as the white-haired man's. He pinched and pulled at your nipples, yanking them until you cried out his name before releasing his grip. The relief never lasted long; as soon as the dull, stinging sensation subsided, Suguru returned to the painful teasing.

The kisses, touch, and thrusts weren’t the only way they were mean to you. Their words stung just as bad as the scrapes on your hands and the abrasions to your knees. If you hadn’t been crying from the mere overstimulation of pained pleasure, their words might have had your eyes watering just as much.

”Our stupid dirty slut, getting herself into such a fucked up me.”

”Yes, dragging us both out to save her.”

“Then, on top of everything we did. Going out of our way to save her after she blatantly told us she was fine, she still gets fucked good like the whore that she is.”

”Yeah, she might not be able to take on a cursed spirit, but she’s sure good at taking two dicks at the same time.”

Their words had your skin flushing in shame and need, your mouth dropping into an ‘O’ as the abdomen in your lower abdomen started to tighten. “Oooh, fuk, please, ha—ah fuuck.” You were so close, so damn close to either passing out or having the most intense orgasm of your life. If you were lucky, which didn’t seem likely after all the mishaps today, maybe, just maybe, you could experience both. “G-Gonna cum, please.”

”You hear that Satoru, our little cock slut wants to cum.”

Satoru’s hips began to jerk faster, the head of his cock slamming into your cervix thrust after thrust. “Does she even deserve it?” He continued, leaving pain over your skin, his tongue brushing over the marks.

“P-Please, oooh god, please don’t tease”

“Hm, what do you say, Suguru? Nngh fuck—“ Satoru hammered his hips into you, thrust after thrust, drawing you closer and closer to the edge. “Should our precious girl cum?”

“Aaahh yes~ let her cum, make her take both our loads, then once she catches her breath, we fuck her even more.”

Reaching between your bodies, Satoru rubbed your clit, making your walls twitch around the two monster cocks inside of you. Their pace matches the others, working in harmony to send you over the edge. A scream, one that had never left you before, echoes inside the steamy shower. “C-Cummin! Cumming!” You screamed over and over until both of you stiffened, ropes of thick hot cum filling you.

“Take it bitch, take every last drop, milk me dry.” Satoru was always more vocal, nipping and sucking at your ear as his whiny groans invaded your mind.

“P-Princess, mmmhm, fuuuck.” Unlike Satoru, who was all about talking and heaving his voice, Suguru was softer, moans deep and feral, but he didn’t feel the need to announce it to the entire apartment complex. “Fillin’ you up so good~”

They both did; their hot cum leaked out of you, running down their softening shafts. In the shower, you hummed, listening to the tittering splatter in the water washing over you. The peaceful moment lasted for but a second as both men pressed kisses on your shoulder.

“You belong to us.”

“Do you understand?”

As their wandering hand dug into your skin, you nodded. Rocking slightly against them with a helpless whine. “Yes, yeah, I belong to you both!” The two friends shared a cold, knowing smirk as you began thrusting into you harder, making your eyes roll back into your head as loud moans wrecked through you. Little did you know how serious they both were.

You belonged to them in every way, shape, and form, whether you liked it or not.

[usereddie]

explain couch theory for dummies please

alright!!!

basically, couch theory started last season in 6x01. we got a snippet of the script for the buckley diaz scene at the beginning of the episode, where buck, eddie, and christopher are all having dinner together, and christopher teases buck for not having a couch.

buck is upset that bobby didn't consider him for interim captain and goes "i just wanna know what these other candidates have that apparently i don't."

christopher goes "buck, you don't even have a couch."

buck explains that the last two couches came with girlfriends (to which eddie replies "i think you mean the last two girlfriends came with couches.") because ali picked his couch when he got the loft, and they kept taylor's couch after she moved in, meaning that when she moved out, she took the couch with her.

the theory REALLY starts, though, when eddie points out that buck and taylor broke up months ago, he could've replaced the couch by now.

and buck gets a soft look in his eyes as he looks at eddie and goes "well, maybe i don't want to pick the wrong couch again."

that's kind of the root of the whole couch theory.

there's another scene in 6x01 where buck mentions not having a couch to bobby and saying he doesn't want to make a mistake again, referring to life experience.

essentially, the couch metaphor is actually something that happens in canon throughout season 6. the couch theory is the spin off of that metaphor, where it's very obvious that eddie is the damn couch.

throughout the season, there's this theme of buck searching for the right couch. it continues at the very end of the coma episode (6x11), when the buckley parents ask buck why he doesn't have a couch after they come home from the hospital.

we find out in this scene that maddie is aware of the couch metaphor because she goes "oh, that story is too long to tell while standing."

we then get a scene in the following episode (6x12) while buck's in recovery, of him trying and failing to get comfortable on his couch.

in this episode, the 118 and co are showing up to buck's apartment to keep him company, a system created by maddie to make sure buck is fine and that he's not by himself while he recovers from the lightning strike and coma.

buck doesn't want all this attention, though, and, eventually, gets fed up and goes to eddie's house.

where he immediately gets comfortable on his couch, and falls asleep before eddie even brings the beers out.

it did make the fandom lose it, thanks so much for asking.

not directly related to the couch theory, but after buck wakes up on eddie's couch, they talk about the shooting for the first time since it happened.

couch theory kind of continues throughout the season. there's a scene that's essentially a beat by beat parallel of buck falling asleep on eddie's couch with christopher falling asleep on the couch, and the buckley diaz family implications went crazy with that one.

seriously, i'm not kidding. beat by beat.

the writers, actors, producers, etc were all aware of what the fandom thought about the couch theory and how it related to buddie, also. couches were mentioned in interviews, tweets were liked, it was a whole thing.

but, i'm assuming whatever oliver says in today's (april 25th) article about the couch theory is gonna be a little more....buddie specific than anything was during s6.

anyway, after buck falling asleep on eddie's couch everyone sort of hoped for a continuation of the couch arc that involved eddie, because obviously eddie was the couch. you have buck, who didn't want to pick the wrong couch again, who couldn't even get comfortable on the couch his parents bought him, immediately fall asleep the second he sat on eddie's couch?

insanity!!!!!! it was crazy!!!!!

i don't remember if anything happened between 6x13-6x17 that was directly in canon. obviously the fandom kept going with the couch theory, speculating all the ways that the couch could mean buddie canon (there's a lot of fic from s6 that's full of couch metaphors and couch mentions)(my fics, too).

kameron gives birth to the sperm donor baby on buck's couch, also.

i forget that detail.

anyway, end of 6x18, buck and natalia are sitting on his balcony and he turns to her and asks if she wants to go buy a couch.

people died that day.

that's more or less it. i'm sure there's more that i'm missing, but essentially, the couch theory is the idea that eddie is buck's couch, the couch representing a romantic relationship.

or, not just a romantic relationship, but the right one. buck's couch is buck settling down, finding someone to spend the rest of forever with, a family, a home.

and then he got that in eddie's house, but he was too blind to see it.

alright. i think that's it! hope it made sense :)

let's pray today's interview doesn't kill us all

[shadowtraveled]

would love to know your thoughts on rinsha dunmeshi. or on rin and kabru :-)

OH!! i love rin honestly lightning damage and unaffiliated spellcasters will get me every time.

i would have loved to see more of her, but i do really enjoy kui's style of storytelling where she gives us the information about a character that will tell us exactly what she wants us to know. it reminds me of the way someone described suzanne collins' writing as surgically precise—she has more information about characters and the world, but she included what would get her story across most effectively. kui gives off a similar impression, and i think rin is a good example of that.

sorry readmore because that was getting long already.

rin's backstory is really interesting to me because it helps us to extrapolate so much more about the world and the other characters in it.

for what it's worth, i don't think it's terribly likely that her parents were practicing ancient magic. they were immigrants of a visibly different ethnicity, though, and they were magic users, which othered them doubly in the northern continent, and that otherness cost them their lives. this is sort of a running theme in dungeon meshi overall ofc, but i think a lot of discussion surrounding dungeon meshi discrimination focuses on the elves. which is fair, since they seem to be the most significant world power and they're weird race elitists as elves in fantasy frequently are, but the story does not want us to forget that discrimination is complex and so is otherness. tallmen may not be respected by long-lived races, but in communities where they do have power, they're still perfectly capable of leveraging it against others. they seem to have a particular bias against magic, but really anything people deem weird or creepy is enough to land you in trouble: laios faced constant rejection and, in some cases, severe harassment just for being autistic; kabru's eye color was enough to push his mother to the fringes of society and get her accused of witchcraft, suggesting that "weird or creepy" is regularly conflated with "magic" in tallman societies; and falin's affinity for magic led to her isolation and ostracism as her mother frantically tried to suppress it. rin's parents, meanwhile, were outright executed. the nature of these reactions to anything unfamiliar or non-standard are definitely meant to convey something about tallman societies in the world, but i think rin and kabru's situations specifically lend some explanation as to why falin is so forgiving of her parents. they didn't really know what to do with her, and some of the things they did to her were harmful, but she seems to see them as trying their best to protect her, perhaps because she knows the emergence of her magic could have put her in immediate physical danger but didn't.

with that being said, i'm surprised rin doesn't have more of an aversion to tallmen, but maybe kabru made enough of an impression on her that she developed some hope for them.

her dislike of elves, meanwhile, is entirely understandable—her interactions with them seem to be framed as emblematic of how they treat short-lived races in a way we don't really see with the others. milsiril objectifies short-lived races but does seem to... kind of care, otta fetishizes them but seems to... kind of care, mithrun's squad only get to be patronizing for a bit before it becomes apparent they bit off way more than they could chew, and mithrun isn't invested in these designations anymore. but the elves that found rin treated her like evidence, then like a toy, and then they got bored and ignored her, and then she was evidence again, and then she got adopted out to elves who kept her like they would a pet. miserable fucking experience, and a very thorough and efficient way of expressing just how little the elves are socialized to consider the humanity of the other races.

as for her relationship with kabru... i'm glad they had each other around. it's impossible to be surprised that she latched onto him in her circumstances, and i think it's sweet that she was the one he stuck with (despite the implication that milsiril was raising other children alongside him that he ostensibly would have spent more time with).

i also love how apparent their closeness is! rin gravitates to kabru, and if i'm remembering right, most of the time she speaks it's to him. that immediately established to me that she is uniquely comfortable with him, and interestingly it goes both ways! it's less apparent with kabru, because he's a lot more social than she is, but vitally, he lets the mask slip with her. she's the only character he goes out of his way to tease, and sometimes he takes it a little bit into "alright that was kind of mean" territory, which sucks of him but is kind of the point. kabru's interactions with rin are the earliest ones where we see him fuck up or be a little bit of an asshole, and that's almost certainly because she is a person he feels comfortable enough with to not try to game every conversation. kabru being a little bit of a bitch is the first time we see him not trying to be charismatic. and she gives it RIGHT BACK lmfao it really conveys the feeling that these two are kind of "safe people" for each other, even if they're bantering a little meanly. very charming, top-tier childhood friend dynamic, no notes.

editing to add:

^ YEAH THIS IS IT thank you @gerrykeay i think this really captures the spirit of her revulsion with regard to things like magic school (and its graduates), etc... she seems to think of magic school as this sort of lofty opportunity only people with a certain level of social standing are able to access (which seems to hold a level of truth) and reject it on the basis that something like that is fundamentally incompatible with who she is as a person, and that's probably the same reason she remains unaffiliated despite knowing practicing magic without organization ties is potentially dangerous for her. these systems rejected and failed her family and her, so she rejects them in kind.... god i'm so obsessed with the way practically every character has a main character backstory and motivations this really is like a ttrpg lol

[colourme-feral]

Random notes on the translation of Kare no Iru Seikatsu / Living with Him ep 3

This much is fine; Kazuhito kun is here after all.

He can do whatever he chooses to do.

He's really the most perfect of perfect. On top of that, he even took part in Koshien (notes here)

Damn/wow, he's even mentally tough. 'Perfect (this)', 'perfect (that)'. You're saying that too much

Ryo kun, are things are going well (with Kazuhito)?

But I absolutely don't want to force things. I want to prioritise how you feel.

It's not that I need an answer or anything like that. I'm just letting you know that this is just how it is for me. That's all it is.

Even though this is how I am feeling, I don't even understand it very well.

But maybe it's because we're close and all...

So (I) said (we) wouldn't *It would be closer to: I told you we wouldn't (kiss), didn't I? Note: Japanese leaves out a lot of words and favours context, as the sentence above shows

If you (Ryota) are fine with it, I don't mind things as they are Note: Japanese relies on context and leaves out subjects, so Kazuhito says そのままで, which means as things are, but it isn't specific about what exactly that is.

I wasn't planning on saying anything, but (I got) found out anyway *That was subject free 🤡🤡

Wait, before sleeping, shall we do it? What? Note: Much like in English, the verb, 'やる', which means do, can be used in an innocuous way or to suggest sex, which is why Ryota is taken aback

This type of relationship where I have nowhere to escape to; I've already told you I like you... (Kazuhito is going through things thanks to his unrequited feelings and Ryota's attempts at making Kazuhito feel better or things less awkward between them are just making it harder for Kazuhito who is unable to get away Ryota, whom he lives with, or from his feelings for Ryota.)

(... I mean,) things are hard for you too, huh... Note: Ryota says "つか", which is kind of a continuation of a thought or conversation in this case, which relates to how put together and perfect Kazuhito tries to present himself.

What is this half asleep behaviour? Note: A closer translation may be 'what are you half asleeping', which makes little sense.

Kare no Iru Seikatsu / Living with Him language notes・Other language notes

[freyjas-musings]

"Elegant, feminine, and utterly wild. Warm and steadfast—unbreakable, his queen.

Sarah J. Maas, Queen of Shadows

The author literally writes stories about characters not needing to fit into any specific box yet somehow some people in this fandom keep building the narrative that

Being a trained warrior automatically implies the character is not soft or feminine? Please spare us the BS .... Nesta is soft and feminine , Feyre is soft and Feminine, Gwyn most certainly is Elegant , graceful and feminine..... them being warriors doesn't exempt them from being elegant or soft or feminine 🙄.

Being a SA survivor doesn't automatically confine you to specific rules.... whether it's sexual preferences , whether to want to be in a relationship, the choice of clothes , choice of career .... stop reducing characters to their trauma , when the author literally writes stories of females who don't let their trauma define them. I am not going dignify the lunatic discourse around consent to be shipped with a counter... its stupid at an elemental level.

That a male character is not allowed a trauma response that's unsavoury. Why? We can all empathise with Nesta acting out or Feyre withdrawing but Azriel we have conveniently reduced to a fuck boy ? The guy has 500 years of unresolved trauma and doesn't understand relationships... all he wants is to be loved and accepted for who he is ... he was tortured and locked away .... what does it make you when you disregard that? HOFAS clearly shows there is so much more to Az that's endearing and adorable.... yet people are hell bent on only letting him be a fuck boy? Same with Lucien..... he is an abuse victim and yes he does make a mistake with Feyre but that could be result of his trauma too ... yet that guy deserves to die alone , can't be trusted and God knows what else ? What are you guys even talking about ... do you even understand how characters are written?

Its almost sad that we belong to a fandom of an author who literally writes stories and characters that have always defied the odds and have refused to be put in set boxes only to fight people who do just that with her characters.

Guess what ..... Aelin was both a queen and an assassin.... Nesta was an absolute queen owning her sexuality while also preferring modest clothing without revealing much skin.... Azriel is both a torturer and someone who believes there is salvation in the mothers embrace .... Gwyn can be whoever she wants and we can all hope to see her however the hell we want without needing to put her in a box only because she is a survivor.

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

[aloneinthehellfire]

Chapter Seventeen: Don't Forget Me

Gates Of Hell

Word Count: 9.2k

Warnings: mentions of death, violence, claustrophobia, lotsssssss of angst - i am the real monster, gun use,

steve is adorable as usual and y/n is... she needs help, my girl is going through it

[A/N: It's 3am and I thought it was a great time to rewrite the ending so if it's bad, that's why. In all seriousness, I am so thankful to everyone who has an insane amount of patience. I am currently on my last few months of uni so it's been hectic but I do still love writing this fic, I just haven't had time :( I hope the weeks of waiting were worth it?

To sum up this chapter... I have officially decided I am incapable of happiness... anyways, enjoy!]

Don't Forget Me

The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me. The pattern is me.

Ever since those words slipped from your mouth, the realisation was striking the remaining tethers to your sanity.

The radio had cut out a while ago, leaving a long strand of frustrating static in the air. You couldn’t find yourself to care about that right now. Something wants you here. Why?

As it turns out, you weren’t the only one wondering.

“This monster is running around making gates, and following you? Why you?” Steve had attempted to reclaim the radio signal once it had blared incomprehensible static, but he had no such luck. Instead, he turned back to you, feeling sick at the haunted look on your face.

“I don’t know.” You say quietly, staring down at the damp map lying on the rocky floor in front of you.

“It doesn’t make sense.” Steve states, squinting at the small building your finger currently rested on.

“I’m aware of that.” You sigh, rubbing your temple.

“But you still think you’re the pattern we can’t quite figure out?”

“I don’t know, Steve!” You suddenly snap before the colour drains from your face. You didn't mean to do that. “Sorry. It’s just… it’s too specific to only be a coincidence. I just don’t know why.”

Steve slowly nods, cautious of the way you were tucking your hands into your sleeves, obviously trying to hide their uncontrollable shaking.

“Is it to do with the virus?” He asks, the question tasting like poison on his tongue.

The virus is almost covering you now, creeping up your jaw. You couldn’t hide it if you tried, and Steve had already seen it. Already the venom was influencing you more than you had expected.

“I don’t think so.” You shake your head, mindlessly flexing your fingers.

“Then what’s different?” He looks at you with a soft frown, a look you’ve seen more in the past few days. “If not the virus, what else could it possibly want with you?”

You start to shrug, conditioned to feel like you were in the dark. Since finding the others in the lab, it had become increasingly clear that you were an outsider to their heroic group. You weren’t there when El was first discovered, completely unaware that the small girl adopted into your family was a superhero in her own right. You didn’t fight a demogorgon, or protect the kids from danger, and you especially didn’t save the world.

But this wasn’t about them anymore. This was about you. Your connection. And with all you’ve been through in the last month, you’re the only one who could solve this mystery.

Your breath catches in your throat and Steve finds your eyes, questioning.

“The dust…”

The giant shadow of a monster you had seen before was looming over what used to be the police station. It didn’t have eyes, nor even a face, but you knew it was looking directly at you.

And you felt paralysed.

You watched as it held out an arm… or was it a leg? Whichever, it pointed at you, something fluttered around its shape. Some kind of dust. Black dust.

Everything in you told you to run, but you couldn’t move even if you wanted to. The dust approached closer, slithering along the ground like vines. And you stared, heart jumping into your throat…

Wisps of wind trailed past your ears, unheard from the heartbeat thrumming against your eardrums until it became louder. It wasn’t just wind… it was voices. Incomprehensible murmurs swirling around you.

Until it wasn’t so incomprehensible any more.

“Tell her”

“Dust?” Steve frowns, tensing his shoulders. “You mean the Mind Flayer?”

“That night the shapeshifter separated us.” You start nodding, absent-mindedly moving closer to him. “I remember escaping the arcade and then…”

“Then?” He prompts, a hushed tone to both of your voices despite the privacy of the rocky ledge.

“I saw the Mind Flayer.” You say and he feels a chill run down his spine. “It- I couldn’t move. And these, like, scary images were in my head before I had this really intense nightmare. The next thing I knew, you were there and I wasn’t stuck anymore.”

“You were in some kind of trance. It took me a while to get you out of it.” He recalls, nodding slowly. Even the memory made his stomach clench. “What did you see? The images?”

“Hawkins.” You lower your eyes, slumping back against the hard rock, “It was… it was like it was on fire. Nothing looked the same. There was this giant gap and-and so many monsters. People… bodies.”

“An apocalypse.” Steve finishes for you and you nod your head, eyes squeezed shut.

“If we don't stop whatever it is opening these gates, Hawkins is going to burn.”

Your words struck a chill down his spine, the fear in your eyes evident even as you try and avoid looking towards him. There was a scared determination in the way you started down at the map. It was almost as if Steve could feel the waves in your brain radiating with an idea.

That's cute, Steve thought as you bit your lip in concentration. Adoring you felt better than the dread of an apocalypse.

“I'm going to the motel.”

Steve’s head almost snapped off his neck in the miniscule amount of time it took him to react, staring at you like you were crazy. You are crazy.

“Are you crazy?!”

He expected some sort of retort, or an ounce of an amused grin on your lips. But you only nodded.

“We know this thing is there. If I can catch it, kill it, whatever, I can save whoever is left. This is my chance to stop it.”

You were being reasonable, offering a calm take on the situation with a decision you were ready to face. Steve, on the other hand, took your proclamation as an act of war.

“If you think for one second I’m gonna let you get yourself killed, you’re outta your mind.” He says with a stern face, prompting your brows to scrunch together.

“Funny, I don’t remember asking for your opinion.” You shot back and he shakes head in disbelief.

“Y/n, this isn’t just some fun little holiday where you can do whatever you want. You’re gonna walk into a literal death trap!” He didn’t mean to raise his voice, but the panic was already settling in and taking control.

“There is something there that’s been following me, following us! Don’t you want to figure it out? End all of this?!”

“Whatever it is has been managing to rip a gap between worlds with its mind! It’s mind, Y/n!” He stressed, expressing himself with his hands, “I don’t want to be on the receiving end of that and neither do you!”

“What does it matter? I’m dead either way!”

You can see him pale in front of you, sucking in a breath.

“Don’t say that.” He whispers out, a quiver in his bottom lip and you hate yourself. Why did you have to hurt the people you loved?

“It’s true, Steve. I’m already out of time.” You tilt your head, a clash of lightning above illuminating the veins that slithered along your jaw. “I want to find whatever it is poisoning our town and I want to destroy it before…”

“Before what? It spreads to other towns?” He frowns, running a hand through his hair. “It’s made it pretty clear it only wants Hawkins-”

“Before it gets you.” You finish, staring up at him. If you looked in his eyes any longer, you would see your reflection, a reminder of what he was scared to lose, but that you were willing to sacrifice.

“We know there’s a pattern. And now we know it’s me. And… and I don’t know why, but it wants me. This virus is barely hours away from reaching my brain and honestly now is the perfect time to finally figure all this shit out and face it.”

“And if you get killed?” His voice cracks and you bite your lip, pretending like you didn’t know the answer when all you could think about for the past three weeks was the inevitable.

“Like I said,” You gulp, forcing yourself to hold eye contact. “I’m already out of time.”

“What about your dad? Robin? All of those little shitheads who clearly adore you-”

“They don’t need me, Steve.”

“I do.”

“No you don’t.” You shake your head, tears pooling in your eyes. “You’ve been doing this shit long before I was ever in the picture. If anything, I’ve just ruined it-”

“Why do you do that?” He cuts you off, flickering between your eyes with a look of concern. “Act like you aren’t someone important, when you most definitely are.”

“Steve-”

“No, I wouldn’t have survived this thing without you here. Neither of us would have survived...”

When his voice trails off, you watch him scrunch his face and take a deep breath. He walks away from you, running a hand through his hair. He was thinking, struggling to make a decision. But he always did, and it was always the right one.

“You’re not going to listen to a word I say, are you?” He asks, glancing over his shoulder. You silently shake your head, seeing no reason to prolong this fight. “Fine.”

“Fine?” You repeat, unsure you heard him right.

“I can’t stop you.” He shrugs, sniffing back the emotions lingering at the back of his throat. If he couldn’t convince you, he would just have to make sure you knew you weren’t alone. “But I can help.”

“Wait, no-”

“What? You want me to just sit around on this rock wondering if my girlfriend’s gonna make it back alive or if that’s the last time I’ll ever see her?” Steve lets out a breathy laugh, clicking his tongue. “No, I’m going with you. We do this together or there’s no point doing it at all.”

A flash of surprise hits your face as Steve breathes heavy, not giving you another second to try and convince him to let you go. You had to understand that he couldn’t. He couldn’t let you go. No matter how many times he lived through that scenario in his head, replaying the scene as if you disappearing would leave his heart intact, he just couldn’t do it. Steve knew it was foolish to expect a different ending, but surely he was allowed to have hope.

Was it hope?

Or was it something he refused to see for what it truly was?

A delusion.

“If this thing is really opening the gates, why don’t we, like, make it open another one?”

Steve’s question hangs in the air when he shakes the thought away, realising the obvious answer before the last word even left his lips.

The ground coughed out a soft crunch beneath your footsteps, trailing beside Steve through the twisted crops of Merril’s farm. Even in the Upside Down, the field didn’t differ visually from the real thing. You remember when the crops started to degrade, Merrill grumbling about his neighbour poisoning them. The dispute had been entertaining to you. But now you knew the truth, it didn’t seem so funny anymore.

“Shit.” You curse under your breath as you trip over a vine, managing to regain your balance.

“What’s wrong?” Steve is by your side at an instant, brown eyes laced with worry scanning you.

“Nothing, just tripped.” You dismiss, frowning at the vine behind you. A shudder rolls down your back when you think you can see it moving, but the clash of lightning above was probably playing tricks with the light.

As you go to take another step, your vision blurs. You try and blink it away, rubbing at your eyes. There’s an unsettling rush of heat beneath your skin, scorching your nerves. It should be cause for panic. But you’ve been through this before. Your only fear was knowing you weren’t hiding it anymore.

“Woah, woah, woah.” Steve quickly grabs onto your shoulders and you blink as he catches you before gravity took you victim. You didn’t even realise you were falling. “Hey, you okay?”

No. Steve already knew that. How could you possibly be okay when the virus was slowly closing in on you?

“Just… give me a minute.” You catch your breath, trying every technique to stabilise your heart rate as you fall into a squatted position. You hated that this thing was slowing you down, and you hated being out in the open like this, knowing that because of you, the both of you were going to be in more danger than necessary.

Steve stands by your side, slowly sliding the bag from his shoulder to fish out his bat, hand wavering over the metal weapon resting below. No. That was for emergencies. This was just his paranoia setting in.

“Nice day, huh?” Steve offers when the silence became unbearable, making you laugh. He smiles. He loved making you laugh.

“I’ve seen worse.” You reply, standing back up and taking another breath, slow and easy. “Okay, I think I’m good.”

“You sure?”

“M-hm.” You nod, a small smile gracing your face as you adjusted your bag and found rhythm between your footsteps once again.

It was getting scarier, the time between your virus lapses decreasing more and more. You weren’t ready to turn into one of those things. No one could be.

How would I stop myself from killing?

Your eyes drift over to the boy next to you, his admirable determination guiding you both through the farm like it was his life’s mission.

What if you took his life?

You snap your head away, focusing on your breaths. One breath in. Hold. One breath out.

Will I have to watch myself murder innocent people?

One breath in. One breath out. One breath in-

“Y/n?”

Sometimes the dim light of the Upside Down was a blessing. The low exposure shielded you from seeing the way he looked at you; with concern, sadness, pity. You found it hard to be so vulnerable like this. You didn’t want anyone’s sympathy. You barely allowed yourself to be perceived unless it was for all the wrong reasons.

It was a stupid stupid habit to bear such hatred towards yourself for feeling. But this is how you been for years now. You weren’t sure how to be any other way.

“You’re suspiciously quiet.” Steve comments, attempting to lighten the dreary mood. “Not that I’m complaining. Finally, some peace.”

“Rude.” You reply almost instantly, unable to resist the smile pulling at your lips.

Steve hated how dark it was in the Upside Down. Without much light, he was unable to study your features in times like this, to watch the joy return to your eyes after weeks of torment.

But even in the dark, he knew exactly how much hurt you were hiding beneath that worn-out mask of yours.

“Seriously. What’s on your mind?” Steve asks you as he scrunches his face in disgust as the tip of his shoe brushes against the pile of inedible black mush that once was a pumpkin.

“Other than monsters, the apocalypse, and my general state of being?” You smirk at him, but he already sensed your hesitancy.

“Yeah, the important stuff.” He shrugs with a chuckle.

I’m scared if you don’t run away, I might hurt you.

You shake your head free of intruding thoughts, focusing on the ones that sparked unusual butterflies in your stomach.

“What? You want me to just sit around on this rock wondering if my girlfriend’s gonna make it back alive or if that’s the last time I’ll ever see her?” Steve lets out a breathy laugh, clicking his tongue. “No, I’m going with you. We do this together or there’s no point doing it at all.”

“Um, you said something earlier. Back at the quarry.” You force yourself to keep walking, trying to hide the smile in your voice.

“Like what?” He blinks innocently. A jolt of anxiety rushes through your brain.

Oh god, what if he didn’t mean it? He could have just gotten confused, or caught up in the intensity of it all and you were about to embarrass yourself for ever thinking differently.

As painful as it is, that option was probably the best one. Maybe then it’ll make it easier when the virus destroys you.

“You, um… you called me your… girlfriend.” You almost cringe trying to finish what you started.

Steve almost trips, looking like a deer in headlights.

“Oh. That.” Steve lets out a nervous laugh, running a hand through his hair. “I, uh… you know, it was just, uh…”

“Heat of the moment?” You offer quietly and he clears his throat.

“Yeah, right. Heat of the moment.”

“Yeah, of course. That’s- that’s what I thought it was.” You shake your head, wanting to move on from this subject as quickly as you could. “Just wanted to be sure.”

“Would it… would it be so bad if it wasn’t just the, uh, heat of the moment?” Steve suddenly asks.

You go quiet. Too quiet. And Steve clicks his tongue.

“Oh.”

“No, I didn’t mean-” You scrunch your eyes shut, footsteps slowing to a complete stop. “It just doesn’t feel right to say it.”

“Doesn’t it?”

Of course it does. Nothing has ever felt more right in my entire life, you want to scream, seal it in stained ink. But you had to look at the reality. You were going to die. You just wanted to make it as emotionally painless as you could.

“We’re not… we aren’t meant to be together, Steve.” You lie straight through your teeth, avoiding his eyes.

Steve scoffs, a hand on his hips as he looks at you in disbelief. “Yes, we are.”

“No. We’re not.” You say with a little more conviction, shaking your head. “This. Us. It’s not… how do we even know it’s real?”

When you avoided his eyes for a little too long, his hands find your face, cupping your cheeks to gently tilt your head to look at him. You just softly take them away, but he never lets go of your hands.

“If the gates hadn’t opened that day in detention… we never would have even looked at each other again.” You say, sadness coating your voice.

“But it did happen. And I’m looking at you right now. We got through it. Together.”

“We survived together. We- we relied on each other because we literally had no one else to.” You frown, shrugging it away as if your own words weren’t hurting you. “We went through literal hell and that’s what we bonded over. We don’t- How can you say this is real when we’ve been faking it all since day one? Let’s just be honest, it’s not gonna go any further so let’s save us both some time-”

“You’re doing it again.” He interrupts, his gaze on you unwavering.

“I’m not doing anything-”

“You’re pretending like you don’t care.”

You don’t respond.

“I care. A lot. Probably too much for it to just be a- a survival bond or whatever you said. And it’s definitely not fake.” He lets out a soft laugh, heart racing faster. “Actually… I’m pretty sure I’ve never felt something so real with someone before. It’s like- like breathing. You know? I can’t breathe without your stupid cute little face in my head or your annoying voice making me feel calm, or-or even this right here, your delusional belief that someone can’t possibly be in love with you which makes me want to just shake it out of you because it’s true, Y/n. It’s real. I’m in love with you, okay?”

Your mouth parts in silence, just looking at him, stunned. You were only trying to convince some excuses, to try and make it easier when it all inevitably ends. But you hadn’t really taken into account how much you both felt. And now everything was going to be so much harder.

“So, uh, yeah.” He clears his throat, releasing you from his hold and shrugging. “Just accept it.”

You both stand there for a moment, reliving his words. I’m in love with you. Steve doesn’t regret it, but he starts to feel nervous the longer you don’t say something.

“Can you… can you promise me something?”

Steve holds his breath. He knows what you’re going to ask. And he knows that no matter how many times he runs through that scenario in his head, he never pulls the trigger. He won’t take your-

“Don’t forget me.”

It wasn’t the promise he was expecting, brows furrowing with the intention of your words. He just wants to hold you, yell at you until you understood he couldn’t leave you behind, he wouldn’t let the virus take you. He’d find a cure, make one if he had to.

But he didn’t have time to figure out where to start because he was suddenly very aware you were both out in the open. And something was rustling the leaves, watching.

He quickly raises his bat, eyes focused. He can just make out a shadow, making him squint. Probably just another demodog, nothing he hadn’t dealt with before.

Except it’s taller. Almost… human?

And then he sees the glowing eyes, the gaping mouth. It was the screaming monster from the Radio Shack.

“Steve?” You frown once you catch it too, looking at him, waiting for his call.

“Once it screams, we run. Every monster and their mother is gonna hear it, and we need to get out of the open, fast.” He hisses between his teeth as he watches the creature weave its way through the trees, drawing closer.

“And lead them all straight to the motel?” You whisper back at him, and his face pales. There goes that plan.

“Shit.”

“What about that house?” You suddenly ask, tilting your head to your left. “The huge one on that hill? It’s the opposite direction from the motel and the closest thing-”

“Oh, god, no.” Steve breathes out, shaking his head with determination. “Remember what Robin called it? You do not enter a house called the murder house. Especially when you’re being chased by murderous flesh-eating monsters!”

“It’s pretty much our only choice right now.” You stress, the small hairs on your arm prickling the closer the creature gets. “We run through, slip out the back, and tail it to the motel before it’s-”

If Steve had any objections, you never heard them. All you heard was the terrifying scream rippling from the unhinged jaw of a ghostly woman.

“Run, run!” You yell, already feeling the effects of an ear-splitting pitch.

Steve immediately grabs your hand and you run, blindly trusting the boy you had assumed your enemy for 4 years of your life.

He wasn’t sure if you’d both be able to get inside in time, fully away of the hoard of monsters emerging from the shadows and chasing you down. It was a risky bet, this house. But you were right. It was the only option.

If Steve wasn’t so adamant on moving fast, he might have felt the soft tug of your arm as your body struggles to keep up, the stretch of the hill proving the laws of physics were never your friend. As long as your hand was in his, you were going to be fine.

The harsh creak of rotten floorboards as Steve barrelled into the room echoed menacingly in his ear. He quickly dropped your hand, pulling you behind him and making haste of tugging a tall and heavy cabinet down so it blocked the entrance. It wouldn’t hold forever, but it would give you both enough time to slip out unnoticed.

“That should keep them back, we gotta-”

Steve expected to find your hand as he reached back for you, but the space was bare. He spins around, stomach lurching when he finds you’re already sat against the wall, looking worse every second.

“No.” He drops to his knees and cups your head in his hands when you struggle to keep it up, swallowing his anxiety, “No, hey, sweetheart, hey. Look at me.”

Your weary eyes meet his and his breath hitches. The black veins were now creeping up your cheeks, spreading quicker in the past few hours than they ever had before.

A sudden chorus of thumping snapped his attention, the barricade against the front door almost shattering under the weight of its attackers. It wouldn’t hold much longer. He knew you weren’t in any state to run to the motel, and he had to think fast.

Steve loops his arm around you and pulls you to your feet, muttering a string of apologies as you wince. His eyes catch the bleeding moonlight from above, enticing an idea.

It felt like your whole body was on fire, any movement contracting your muscles to pain until you could nearly faint. But you had to try, you had to move. For him.

He could sense your determination as he moved you both up the staircase, your legs wobbling but making it to the top in a timely fashion. His admiration would have to come later. Right now, he needed you both safe.

The hallway was long and dusty, Steve’s eyes barely adjusting to the darkness. He’s unsure where to go next, a lengthy display of doors scattered either side of him as he helps you walk further into the house. Maybe there was another-

A giant crash echoed out in splintered waves, dread flooding his body.

They were here.

Picking the closest door, he drags you both inside and takes care to shut it as quietly as possible, knowing one loud sound could be the end. His nerves were on high alert, struggling to make the life-saving decisions his friends usually expected from him. But the stakes were different this time. There was no one to bail him out if he makes the wrong move, no Nancy or Jonathan to come save the day. It was just him, protecting you.

The door had apparently led to a bedroom, his eyes scanning for a chair or a dresser to block- No. No. That would just make more noise- But what if they got in?

Hide. You need to hide.

Pulling you close to him, he spots a large closet on the other side of the bedroom. That would have to do.

It omitted a soft creak, making him grimace. He carefully lowers you down, noting how you were forcing yourself to breathe in even intervals. You were fighting it as best as you could, and that was all he could ask for.

As he joins you, he manoeuvres you so you were situated between his legs, knowing this would be the only way to ensure you both fit in the small space. His bat is digging into his side as his arms are wrapped around you, his back pressed against the side of the closet as he watches the bedroom door through the crack of light, holding his breath.

He couldn’t hear anything, but that was the scary part. He had hoped to hear the creatures crash through the ground floor and somehow be tricked back outside, relieving his mind with the knowledge he made the right decision.

The space was becoming all too small, even with the door cracked open. And that’s when the fear came creeping in.

What if a demogorgon found you?

What if it tracks your scent, follows the trail up the staircase, opens the third door on the left?

What if it stalks into the room and starts listening closely, hearing his quickened breaths of panic?

What if the last thing Steve saw was the thing ripping open the closet doors, a set of giant claws caging you in, knowing there was no escape?

What if you both died in here?

He exhales a long breath, fading back into reality when he feels something gently squeeze his hand. Your hand. You had intertwined your fingers with his, head laying back against hisshoulder, sensing his anxiety.

Steve had known he was claustrophobic for a while now. As a little kid, he remembers when he and his friends would play in the woods, a hollowed tree trunk on the ground marking the final destination of their adventure. That was the first time he felt fear, he thinks, curled up halfway through the tight space as his shirt was caught on protruding bark. He remembers his friends laughing and leaving to go find his parents when it became all too serious, assuming they had abandoned him there.

The tunnels were far worse than his 7 year old self’s nightmares. When the demodogs came barrelling towards them, his sudden realisation that he would be dragged back into those tunnels and left for dead, he had never felt so hopeless. He couldn’t even fight, not really. He could only attempt to shield Dustin with his body, and pray they made his death quick.

He never really knew how to get himself out of these situations. His parents had enticed him out with harsh words and false promises, eventually dragging him out by his arms when his mind couldn’t stop imagining the tree collapsing in on him. The demodogs hadn’t attacked in the end, sparing them with pure luck and giving him no time to reflect on his darker thoughts, the kids needing him more than he needed closure from himself.

But one single touch of your hand changed everything. No words, no rush. Just a reminder he was still here. And you were here with him.

He felt your body tense the moment the floorboards out on the hallway creak, just quiet enough to let him know the creature was trying to be silent. Something was looking for you.

The virus had taken its toll on you, the past few minutes of your life flashing by in a blur. You don’t even remember climbing into the closet, waiting in suspenseful agony for a sign that the coast was clear. But all of a sudden, you had finally returned to reality, feeling Steve’s erratic heartbeat on your back.

You almost flinched when you heard something bang against the bedroom door. It was sudden, ricocheting an echo of vibration through the floor. And then it was complete and utter silence.

You must have been shaking because Steve holds you closer, forcing you to take a few quiet breaths. You’d be okay. It will be okay.

Another sharp crash blares out, but it’s further this time. Whatever it was outside of that door was leaving, finally. But that didn’t stop you both from sitting there for a little while longer, afraid to move from the safety of the wooden walls.

It was you who made the first move to leave, shifting in his arms and pointing to the door. You had caught your breath now, shaking away the virus’ side effects with strength Steve could only respect.

Steve pushes the closet door open and you are finally back on your feet, offering a hand to pull him up with you.

“That was close.” He breathes out with a nervous chuckle, running a hand through his hair. He retrieves his bat from the wardrobe and turns around to see you’re stood still with a guilty expression on your face.

“I’m so sorry.” You whisper out, shaking your head. “We could’ve- it’s my fault.”

“What? No.” He crosses the room and pulls you into a hug, one you definitely needed. “No, it’s not your fault. None of this is.”

After a moment, he pulls away, sucking in a breath. “Now let’s get the hell out of here because this place is giving me the creeps.”

You nodded to his words, shivering as you observed the room you stood in. It looked like a master bedroom, possibly decorated for a couple to reside in. Everything was either covered in dust or cobwebs, a pang of sadness hitting your chest.

You knew the rumours of this place; a man going crazy and killing his entire family, their ghosts now haunting the place ready to collect more victims. But right now, you didn’t feel haunted.

A family had died here, the home clearly decorated with care and love from the people who never got a chance to live in it. And it has just been left like this, to wither and rot away.

Steve poked his head out of the door and listened out, making sure you weren’t just walking into a trap. He did the same as he leaned over the banister, clocking the wide open front door, now adorned in malicious claw marks.

“Fastest route?” He asks as you join him at the back of the house, squinting into the horizon.

There were only two options; along the road and out in the open, or through the woods with little to no light. You tried to think back to when you originally thought of the plan, retracing your steps.

“I’m thinking, uh…” Your voice suddenly cuts off and you turn to stare at him, a hint of a smirk on your lips. Steve frowns. “Do I remember you calling me sweetheart earlier?”

Heat rushes to Steve’s cheeks. “What? No. That would be weird. I don’t have a pet name for you. Or any name, actually. Other than your actual name. Maybe ‘asshole’. Not- not sweetheart- right, we’re cutting through the woods this way.”

He marches off before he becomes any more of a mess than he already is, hearing your laughter as it trails behind him.

“So… where the hell is this mysterious gate maker gonna be?”

You were both stood in the parking lot of Motel 6, eyes scanning each room as if a source of light would illuminate the monster you were hunting. If your theory was right, and it was all originating from here… how long has it been right under your noses?

“Maybe it’s like the gates.” You offer, shrugging. “What did Dustin say? In the heart, or something. The middle.”

“I hope not.” Steve states and you turn to where he was suggesting.

The heart of the hotel wouldn’t be one of the rooms, nor the office. And you had a suspicion Steve had thought correctly.

The basement.

Staring down at those two daunting metal doors, you feel your skin prickle. You take a glance over your shoulder, frowning.

In all three weeks you’ve been down here, you’ve never encountered a single monster at the motel. It had been a last minute resort for safety, ensuring you weren’t followed, picking room 303 as if it mattered. You were pretty good at sneaking around the place, but you never realised how truly odd it was that no monster ever followed you.

Maybe that answer was waiting for you behind those basement doors.

“Wait,” Steve gently places a hand on your waist as you move towards it, staring down with brown eyes of deep concern. “Are we sure we really wanna do this?”

“There isn’t another choice.” You say, yet you were still hesitant as you walked up to the doors, forcing each step you took.

No locks, no obstacles. Just a pair of metallic blocks on hinges. That felt worse somehow.

“If I had a nickel for every time I had to go down into a cellar to look for a monster…” Steve sighs to himself, catching your curious look. “Uh, I’d only have, like, two. But still. That’s two more than I should have.”

You can only nod in agreement, your breath caught in your throat.

Are we sure we really wanna do this?

The unsatisfying creak of metal echoes across the parking lot, Steve letting out a low whistle as he stares down into darkness.

“I’m sure this won’t be creepy at all.” He comments, taking the first step down before you had the chance. You’ve noticed that about him, always the first to enter an unknown room. A protector.

Light bleeds through a small window on the other side of the cellar. There was more space than you were expecting, but the strangest part was the fact there was nothing in here. Like it had never been used to store anything.

“It’s empty.” You announce, stood dumbfounded in the middle of the room.

“Maybe the landlord kicked it out.” Steve shrugs, silently relieved. He catches your fallen expression and places a hand on your shoulder. “Look, we’ll find another way.”

And then the basement doors swing shut, the sound rattling through the dark cellar at an alarming pitch.

“Shit!”

Steve drops his bat and rushes back up the steps to push against the metal doors. Nothing. He drives his shoulder into it. It doesn’t budge.

“How is it locked?!” He grunts, giving it one last try before backing away, shaking his head. “There wasn’t any lock on it!”

Your stomach drops.

You both freeze, turning once again to the singular door at the end of the hallway, a snarl vibrating through the wood of it.

The door you had walked through swung itself closed with a loud bang.

Spinning around with no intention of being here any longer, you reach out and pull the handle towards you.

It didn’t budge.

You grab the other handle in your spare hand and pull harder, the doors rattling under your force, but never opening.

“Billy!” You yell, but he’s already pushing against the doors, eyes wide. “It’s locked! How is it locked?!”

“Shit!” He hisses, turning to ram his shoulder against it for extra strength, but he couldn’t keep it up forever.

It was all happening again.

You had just walked into another trap.

“It’s here.”

As soon as the words leave your mouth, Steve is on high alert, frantically looking around the basement. But it’s still empty.

“Nothing is here, Y/n.” He frowns.

“Not on this side.” You gasp when something suddenly echoes in your ear. You look at Steve, startled, but he doesn’t share the same expression.

“What?”

“You didn’t hear that?”

“Hear what?”

You start moving around, trying to find a spot to make the incomprehensible whispers clearer. Steve’s heart is pounding louder.

“It’s that voice again.” You mutter to yourself.

“Voice? Y/n, you’re scaring me.” Steve manages to catch you for a split second, and you meet his eyes. His face drops.

The veins were creeping up your face, laying just beneath your eyes. He places a hand on your forehead. You’re burning up.

“Y/n, you don’t look so good.”

“It has to be here.” You shake your head out of his hold, stepping back. “The map- it has to be here!”

And then you hear it again, the voice. Except, this time, it’s so much clearer.

“Tell her”

You suddenly stop, letting out a gasp and Steve’s anxiety is sky-rocketing. You were both trapped inside this basement with something he couldn’t see.

He tries the doors again, thumping his fist against it like it would dislodge something. Nothing. Glancing over his shoulder, he clocks the window. Maybe…

Steve sprints over, dropping the bag off his shoulder and onto the floor beside him as he fumbles around for some kind of latch. Something rattles and he smiles. Bingo.

“Hey, we can get out through the window. Wasn’t rocket science, but I’m still a genius.”

He turns back to look at you over his shoulder, smiling. You’re currently near the far corner, your back facing him. You don’t seem to have heard him, breathing in odd intervals as you stare down at your hands.

“Y/n.” He tries again, louder. Your head twitches. Steve releases the latch on the window, fear flooding his entire body.

That same familiar feeling starts twisting in his gut, the same he always had when something is really really wrong. He never ignored it, never wanted to, because it was always right. But he didn’t want to believe it this time.

He slowly steps away from the window, his eyes permanently glued to the back of your head, feeling like he couldn’t breathe.

Trying again, his voice cracks under the pressure of speaking your name like it would warp the vicious reality he was living in.

“Y/n?”

You snap your head to him, and the colour drains from his face.

“No…”

He lost you.

The world bled to grey as tears start trailing from his eyes, staring into yours. Except, they weren’t yours. They were darker, soulless. Black blood was dripping from your chin, staining your lips.

Lips he had once kissed.

Lips he would never kiss again.

“Don’t do this.” He begs, unable to find the force to speak louder than a whisper. “Y/n, please. It’s not- I can’t hurt you. You know I can’t hurt you. Y/n...”

You snarled at him this time, your mannerisms unnerving. It wasn’t you anymore.

His eyes slowly drift to his bat, making him clench his jaw. It was closer to you than it was to him. He wouldn’t be able to reach it in time.

But he knew he wasn’t completely defenceless. He just wasn’t sure if he had the strength to use it.

You suddenly lunge at him and he instinctively dives for his bag, rolling away from your attack in the last second. He unzips it, staring down. He couldn’t do this.

Snarls and hisses spit from your mouth as you scramble up from the floor, blinking rapidly as you search in the dark.

Click.

Your whole body snaps to him in one sharp movement.

With a shaking hand, he stares directly into your eyes.

“Y/n, please.” He sobs, “Please, you have to be in there.”

Not even the mournful pressure against his chest felt as heavy as the gun in his hand, tears rolling down his face.

It was your idea to take a pistol from the cabin, knowing you couldn’t use it unless it was in moments of emergency, afraid the rippling sound of the bullet would alert every monster in the town. You both swore you’d never have to use it.

And here he was, pointing it directly at your head.

“Steve?” Your small voice prickles his hearing and he moves his gaze from your hands to your eyes, darting between the pupils in silent study. “If I… if it-”

“No.” He immediately shakes his head and you could almost sob. For what felt like days, you’ve been trying to have this conversation with him, but he always shuts it down, pretending like it wasn’t needed.

“You need to listen-”

“I am not killing you.” He says with conviction, and he feels your fingers slip out of his reach. “That’s not happening, Y/n, you can’t expect me to-”

“And what then?” You cry, standing taller, making his head crane to look up at you as you wrap your arms around your torso. “You’re just gonna watch me turn into a monster and let me stay that way?!”

“This isn’t just some sort of favour you’re asking for!” He frowns, shaking his head. “You want me to kill you. To end your life!”

He knew this was coming. You knew this was coming. You’ve been trying to warn him for weeks now, pleading to him. And he never listened. He never wanted to.

Three weeks ago, Steve would have shot you in that school hallway if you had turned after the bite, the memory bitter but his heart still intact.

Three weeks later, Steve would rather shoot himself then live with the memory of putting a bullet between the eyes of the girl he was in love with.

It can’t end like this. It can’t.

“It’s me.” He tries again, hoping his voice could break you free from the virus. “It’s me. Steve. Remember?”

He should have known hope was never his friend.

A voice completely alien to you rips out a screech from your throat, and hell comes to bludgeon him with the worst it had to offer.

Steve watches in horror as the skin starts peeling from your face, tearing it into pieces like a flower and its petals.

Like a demogorgon.

It was too late. You weren’t coming back to him.

You run at him, sharp teeth bared, mind forever gone.

Steve’s eyes shut…

… and he pulls the trigger.

“STEVE!”

Your throat was sore from relentless screaming, sobbing with your entire chest.

Steve had rushed over to the window just after you heard that voice. You had turned your back on him, distracted by what you thought was a shadow hiding in the walls.

You heard him call your name. But when you turned around…

His eyes were rolled back, stood deathly still.

“Steve! Wake up!” You keep trying to shake him out of his trance, watching as a trail of red bleeds from his nose. “No! No, wake up! Steve!”

More and more whispers echo around you, building up until all you heard were the same repeated words.

“What do you want?!” You scream into the dark, cheeks stained with relentless tears. Steve was dying, and you couldn’t do anything about it.

In a desperate attempt for help, you crouch down by the window and start rifling through his bag, batting the gun to the side to grab the radio.

“Hello?! Is anyone there?! Please!!”

You cry out in frustration when all that responds is the piercing static.

“That won’t help you.”

The radio slips from your hand in shock, clattering against the concrete as your wide eyes fixate on the image in the corner.

Something was forming from the shadows, pulling together pieces of the dark like it was dust. Your body floods with ice. The basement had never been dark. You were just surrounded by the same black dust that haunted every single nightmare.

Your shaking hands swipe the bat from the ground and grip it tight, shielding Steve’s body with your own. You hear his breaths become shallower.

“You were never meant to find me.” It spoke in a dark voice, fading in and out like a weak connection.

A gasp slips from your mouth when the particles build its final form. A silhouette of a man, featureless yet distinctive. Of all the creations you had envisioned, you didn’t expect the monster to be so… human.

A man.

“What do you want?!” You yell at it, raising the bat like it would scare it away.

“I tried time and time again to get you to understand.” He spoke, drifting closer to you. “I gave you the future. Visions. A simple task.”

Something like a sob escapes Steve’s lips and you whip your head to him, feeling completely and utterly helpless. You weren’t going to defeat the monster like you said you would. And now you were going to watch him die, knowing you were the only reason he was down here with you.

“It was the only way to make sure you listened.”

You turn back to the monster, a scowl twisting onto your face.

“Let him go.” You warn, but you knew your threat was meaningless.

“You have no power here.” He states, and you could almost feel the shadow smiling at you with malicious intent. “I make the rules.”

Goosebumps return to their path along your skin, trailing up your arms and prickling at your neck, making you shiver.

“I will let him go… Once you carry out one important task.” He nods, closer once again. You shift your body protectively in front of Steve, holding your breath.

“What…” You blink away tears, feeling suffocated by his presence.

You understood why the other monsters were so afraid of the dark.

Your arms didn’t feel attached to your body when they suddenly start to lower themselves, a shadowed hand reaching for your face.

“Bring me the girl.”

You frown, shaking your head. Girl?

As if he heard your thoughts, he leans close to you, speaking one word.

“Eleven.”

“El?” You gasp, and he steps away from you, observing. “Why- what do you want with her?”

“Bring her to me, and I will let him go.” The figure doesn’t answer your question, tilting its head. “Once you leave this place, you’ll find her, and you’ll bring her to me. That is all I want.”

“And if I don’t?” You raise your chin, regaining the feeling in your arms.

He slowly raises his hand, pointing it to the boy behind you. At first, nothing happened. And then you watch in despair as Steve’s body starts to slowly lift from the ground, a strained yell of pain.

“Stop!” You beg, and the shadow obeys, Steve’s feet touching the ground.

One little action and it was so simple it was terrifying. If you don’t bring El to him, he’ll kill Steve.

This monster knew you. It had been following you around since the dust you encountered, observing the things that made you tick, the things you loved, hated, needed. He knew exactly what would make you listen to him.

He was the Voice that had been haunting you for weeks.

You look back at Steve, almost crying out when you notice he’s lost more blood in the time you’ve taken to decide. You couldn’t do that to El.

But you also couldn’t watch Steve die.

“Fine.” You sob, nodding. “Just let him go.”

“You’ll know where to find me”

And then the shadow is thrown back into the darkness, hitting a wall and sinking back into it, dispersing the dust in scattered patterns on the surface.

Steve gasps behind you, and you spin around to catch him as he stumbles forward.

“Steve!” You cry in relief, wrapping your arms around him as he struggles to catch his breath.

“Y/n?” He sounds surprised, almost sad, observing every little detail of you as if he couldn’t decide if you were real. “Wait, you’re… what happened?”

“I-”

You try to reply when a loud hum starts building behind you, your attention needed elsewhere.

The middle of the wall starts to burn away, splitting apart and blackening at the edges. The humming only became louder, a dark red hue casting your shadows.

The Voice was creating a gate. For you. To pawn your sister’s life for Steve’s. Once you stepped through it, you’d be signing a death warrant.

If you stepped through it.

“What the fuck is happening…” Steve blinks at the gate, aware of the tightened grip your hand had on his.

In his vision, he had shot you. He had committed the most unspeakable act he had time and time again refused. The worst part of it, was he thought it was real. He made that decision.

But it was all a lie, and you were here, holding his hand with a look on your face he couldn’t decipher.

“You have to go.” You say to him, your words hazy to his ears. He still wasn’t entirely sure he was back in reality, struggling to make sense of the walls around him. “Steve, listen to me. You have to go.”

“No.” He shakes his head, trying to focus. “What about… what about you?”

A booming chorus of thumps against metal suddenly arose from the basement doors. Your stomach dropped.

The creatures weren’t afraid of the dark anymore.

When the gate had spread into a human-sized portal, you start pushing Steve towards it. His sneakers were just touching the edge before he realised what was happening.

“Hey, hey! No!” He stops, and you’re not strong enough to overpower him.

“Steve, you have to go! They’re gonna break through any minute!” You cry, watching the ever-growing dents in the metal above the staircase. “Please, you have to go!”

“I’m not leaving you, Y/n!”

“It’s already too late.” You sob, wiping away your tears. Tears that felt hot, burning against your skin.

The skin littered with black veins.

“I’m gonna turn any minute now.” You place your hands on his cheeks, making sure he was listening to your every word. “And I don’t want my last memory to be crossing back into our home knowing I won’t make it 5 steps before the virus kills me. Okay? So, you’re gonna go through the gate and you’re not ever gonna look back. Please. Don’t come back for me.”

“I can’t-” He cries and you bring his forehead down to rest on yours, nodding.

“I know.” You whisper, leaning forward to leave a feather-light kiss on his lips.

His eyes are still closed when you pull back, studying him one last time.

“Which is why I’m sorry.”

Steve’s eyes snap open just in time to watch your hands find his chest and shove him as hard as you can, his body ripping through the gate faster than he can experience.

His back hits solid concrete, making him groan. It takes a second for him to blink away the dots in his vision, slowly sitting up. He can see your figure clearly, your sad eyes, the smile gracing your lips.

And then the gate starts to sew itself shut.

Steve scrambles to his feet, tugging at the dangling pieces of membrane to try and stop the process.

“Y/n!” He yells at you, the unwelcome fear striking his nerves when he hears a loud crash from the other side.

Judging by the look on your face, it was exactly what he thought it was.

“No! No! Y/n!”

The gate is getting smaller, but his screams are only getting louder, fingers desperately trying to pry it open like a set of doors. But it was useless.

He can just make out a rush of silhouettes, your retreating form.

And then he was clawing at a concrete wall, body shaking with the intensity of his tears.

“No, no, no, no!” He yells in rage, his fingers scraped and bloodied.

For the last three weeks, all he wanted was to be on the other side. And now he was here, without you, it felt worse than hell.

He barely heard the creak of metal doors open behind him, or even saw his shadow suddenly cast onto the space he lost you forever.

Steve didn’t notice anything until a voice calls out behind him, causing him to turn and squint against the beaming light.

“Steve?” Hopper frowns, squinting. “Steve.”

He rushes down those steps and drops the flashlight, both hands on the boy’s shoulders.

“Hey, kid, you alright?” He asks, but Steve can barely speak. “Kid, look at me.”

Steve looked at him, a torn and broken version of the boy Hopper had seen last. He can feel Hopper’s hands tighten, a look of horror clouding his eyes.

“Where’s Y/n?”

Don’t forget me, you had said to him. A bittersweet promise of a memory.

Steve wasn’t ready to make you a memory.

“She’s still back there.” He finally said, swallowing the bitter lie that was about to coat his tongue. “We got separated.”

He lowered his eyes, unable to look at him, trying to ignore the guilt eating away at his chest. It was cruel, to lie to a father so desperate to get his daughter back. But he was afraid the truth would show you were like your father in more ways than one.

Steve needed to do this. No matter the consequences.

“She wants us to find her.” He finally says, nodding. “She wants us to bring her back.”

To be continued...

[A/N: GOH will return for yet another installment! I'm separating the story into parts so I can trick my stupid brain that only gives me writers block into thinking it's only a short story. I honestly plan for this to last forever. Or at least until I run out of ideas lmao.]

taglist:

@toomanyfandomsimfanvergent . @sheisjoeschateau . @kthomps914 . @curled-hair-red-lips . @nix-rose .

@palmtreesx3 . @kryztalglear . @sattlersquarry . @hey-barnes-stole-a-jeep . @sadslasher13 .

@iliveonteaandbooks . @innercreationflower . @newyorkangelbaby . @totally-bogus-timelady

[twst-rose-prisms]

Twst boys and their respective Vocaloid songs

As the title said, I've been wanting to assign some Vocaloid songs for the twst characters as there are quite a lot of songs that specifically fit them! I'll include some lyrics part as of why I think it fits along with a small analysis + song link! I'm letting my Vocaloid braincells taking over this time hehe 🌹❤️

Shout out to my bestie @twst-megane for helping me out a bunch once again!!

Characters: All NRC students Warning: Some of these songs contain angsty/dark themes or imply self-harm, however it's nothing too much as that's the nature of Vocaloid songs in general and I recommend you checking them out if you guys can!

Part 1 | Part 2

🌹 Heartslabyul 🌹

Riddle: Bitter Choco Decoration

Pretty self-explanatory from the lyrics if you remember Riddle’s backstory with his strict, controlling mother. His entire life up until he became a student has been under his mom’s influence and it ended up him being too strict even to himself and his emotions - just like the meaning of the song too.

“Bitter choco decoration I long for the ideal that everyone wishes for Bitter choco decoration I reduce my individuality and my emotions to ashes Bitter choco decoration Kill your desires and ego, and bury them all underground Bitter choco decoration I've finally grown up, mama” “Surely, tomorrow, and the days after This hell will continue on and on. Alas, so please, just for now Let me keep the feelings I had when I was but a child And be the naked me.”

-----------------------------------

Ace: Lost One’s Weeping

Being a rebellious person, I’m thinking this song fits Ace the most as it’s about questioning the flawed system, questioning one’s being and purpose and that if we have to keep living under some sort of authority for the rest of our life. As you can already see how he acts in Book 1 towards Riddle - defying authority, questioning it, and being rebellious about it.

“Can you say the formula for area ratio? Can you say the dreams of your childhood? Who threw those dreams in a ditch? Hey, who was it? You know who it was! When are you going to grow up!? What is a grown-up anyway? Do you know who has the answers? Hey, what should I do? I don't care anymore!”

-----------------------------------

Deuce: RAD DOGS

I picked this song for Deuce because of the lyrics, but also the beat and the meaning. The strong, powerful beat with the fast rap part really fit him don’t you think? The lyrics speaks of the struggle of going against the grain and choosing a life of freedom, although it comes with an effort and the ability to face everything life throws at us. We need to take a leap of faith and not settle for anything less than what we truly want, emphasizes the importance of taking a risk and restarting, not worrying about the reason or justifications for doing so, just like how Deuce acts in general with his goal and dream.

"My unseen devotion, sympathy that I don’t feel, and all the things that I can't have What kind of story? Whose story is it? If you don't have something, you'll start to want it, isn’t that right?" "Now, I’ve decided to restart for the first time Just saying “I want to be like you” is all you need, right? Not knowing the reason why, not needing the reason why I'm defying against fate’s rules" "Now, I’ve decided to restart and burst out Just saying “I want to see it” is all you need, right? Let that groovy sound beat, let me hear that heartbeat Since there’s no time to just stand still" "With the tailwind blowing Alright, we keep going forward without looking back"

-----------------------------------

Trey: Ai no Material

Trey gives me a melancholic, casual and mature vibe, like an older brother who you can depend on anytime and he would give you his usual smile. That’s why I picked this song for him, although he always helps out everyone but I feel like he can be lonely sometimes, like perhaps he would need a helping hand or maybe some support. When I read the lyrics I think of him! I want to interpret it as Heartslabyul to Trey, who’s been always working hard for the dorm, and it’s the message that he might want to hear the most!

"(Jump into tomorrow!) It seems that the stars will fall down. (Always) You wear a sparkling smile. (With a smile) But even if it's hard, you hide the pain away, (Want to meet you) and without showing it, you just laughed." "I always want to smile, after all. It's not hard, so I'm going to try harder! I wonder if I've been embracing such a lie tightly, And kept walking all this time." "Fly up more, higher and higher. If it's you, you can do it with a smile. But it's okay even if it's just a little bit, It's okay to quietly depend on me too." "Words like "I'm alright" or saying "I'm okay", While showing your usual smile. I understand those lies you utter, And that's why I tug on your hand."

-----------------------------------

Cater: Phony

I know it might sound like it doesn’t fit him but in my opinion, this song sums up Cater as a character. We haven’t seen much of him in actual depth, but I definitely think he has more than he just appears. This song talks about how a person can mask and deceive themselves in lies, they’re aware of it, but they have to put it up in order to meet societal expectations. A constructed image or persona - the “fake” that they created and now they struggle to reconcile with their true self, and I think he is like that as well. (Aniplex please more Cater content for us we're waiting-)

“There’s no flower in this world more beautiful than an artificial one That’s because everything is manufactured from lies Antipathy world” “The rain of despair pelts my umbrella and Dampens my bangs and the hidden side of my heart Oh, it’s all so troublesome” “Before I knew it, the words had already withered The fruit of the truth is ripening within me Painting lies upon the mirror’s reflection, a “makeup” of the loss of oneself” “Before I knew it, the mimicked cries joined the unpleasant chorus Their eyes, leery, are dissolving you I am missing from the mirror’s reflection. There is only a “fake” that everyone mistook for someone else”

-----------------------------------

🦁 Savanaclaw 🦁

Leona: Meltdown

The song is about one wanting to disappear, wanting to kill their old self and erase everything as if it’s like falling asleep. Though I think this song can be interpreted as having depression - and from what we see going on with Leona, I feel like he does show signs of it, I wish they would dive deeper into his story in Book 2 though! Other than that, I feel like the lyrics in here suit him a lot, especially the “sleep” part in the lyrics.

“I'm like a lighter out of fluid My insides are on fire Sometimes I wish It was all a lie” “I want to jump into the core My memories would melt into brilliant whiteness and disappear If I could jump into the core I feel like I’d be able to sleep again like I used to” “If I jumped into the core I'd vanish, like I had gone to sleep A morning without me Would be perfect All the gears meshing together That's how the world would be”

-----------------------------------

Jack: Night Sky Patrol of Tomorrow

I think this song fits Jack a lot, the vibe is definitely for him but also the lyrics as well. The headstrong vibe, full of uncertainty but also full of hope for tomorrow, despite feeling hopeless at times but what is important is never give up and head forward to the future. The song’s meaning is to convey resilience, independence, and the importance of cherishing the present moment even when you’re uncertain about some things. You could also take this as a JackMC song haha, It just fits him a lot imo!

“I'm a boy who picks out his enemies to fight, Depending on whatever suits my mood. No hopes for the future, I wanted to be drawn in a dream." "And yet I fear the future, Hating tomorrow, wishing towards the past. There's no longer anything I can do, so I shout, "Tomorrow, tomorrow, please, don't come!" "If you want it, then make it come true yourself." Eh... You said that..." "I think about what I want, To go see you again tomorrow night. But I don't know, maybe you won't be there, But even so, we will always be one." "So, see you later, Sky Arrow, let's smile on! I want to be together with you in the future, However short our time may be, so I'll shout out, "Remember this day someday in the future, whoever we are then..."

-----------------------------------

Ruggie: Moonlight

This song fits Ruggie a lot in terms of lyrics, with numerous mentions of rags and junk and collecting them together to the longing of being your own self instead of being in someone else’s shadow and chasing after them. The singer compares themselves to a piece of junk or trash as they think of themselves lowly, just like Ruggie himself. The mention of moonlight here represents the singer’s ideal that they always chase after, like Ruggie’s life goal. Overall, the vibe of the song fit him a lot! (I recommend checking out the Vivid Bad Squad version too!)

“A collection of junk, Covered with a piece of rag, A replica in a hideous shape Words spun by someone else, Tones played by someone else, A fake made by a distorted collage of them” “Even being junks, even a piece of rag In the blood pumped from its heart There was only my own anger In the end, there must be nothing left Love, spun songs, and my name will one day fade away I wonder why? It's stuck in the back of my chest, A loneliness similar to the silence of a winter night” “Whether or not I'm a fake, Looking back now, there was only Those blurred memories” “The irony of being a waste, I'm trying to get out of the cliché, but "Another rehash of someone else’s work?" "Is even your identity a trick?" "Do you want love, even if you have to steal it?" “Even being junks, even a piece of rag After following the never ending dream I'll find my own light, all the way”

-----------------------------------

🐚 Octavinelle 🐚

Azul: Delusion Tax

In my opinion, this is the most fitting song I could think of for Azul. As said in the lyrics, we all have desires of our own, and the person (or in this case Miku) in this song is a genie that can grant any wishes, but in the end everything come with a price, anyone who make a wish with her will have to sell a part of themselves. Sounds just like Azul and his contracts don’t you think? But you can also think this reflects Azul’s own desires once you know his backstory too! (and also, check out this amazing art by my bestie! Her art is amazing!!)

“Turning wishes into reality Right now, buy back your future! Afflicted by so badly wanting to do “that”, consumed by desire Come now, let’s go beyond all this pain” “Existing for your sake alone, mandatory affections and obligated kindness Though you should be satisfied, a voice from within shouts “NO!” We have an idiot on our hands, it seems…” “None of it will come true if you don't pay the price Look, just up and borrow the "desired amount" Reality is a bitter-sweet pill to swallow Come now, let’s go beyond all this pain” “That which you wish for, the person you think of, The past which you hate as well, they’ll all be as you like. The kind of face and chest you desire, they’ll be granted if you pay. “It’s a promise”

-----------------------------------

Jade: SHANTI

I feel like the song is pretty self-explanatory, as you can see with the lyrics. It just fits Jade’s job and his approach to the “targets” and lure them into signing a contract with Azul, but it’s probably just more than the said goal… But you can never tell with that smile of his as his “kind” words accompany his looks. Until you realized you fell into the trap and become one of Azul’s underlings due to the contract (at least, until post-Book 3, but who knows)

“Hey, young man who’s hanging his head Did something bad happen? If you’re fine with me, do you wanna talk about it? I can help you What in the world happened? That sounds terrible, brother I'll give you this, so cheer up, ok You can pay me back next time” “So you came again tonight Was it to your liking? The fee is this much Huh? Huh? Huh? So you can’t pay Then it can’t be helped I’ve got the perfect job for you, so come and follow me”

-----------------------------------

Floyd: Matryoshka

A chaotic, addictive rock song that is very fitting for Floyd. Why though? According to the wiki “Most of the lyrics are nonsensically vague or ridiculous, with a slight hint of pain or sadness, giving the overall song a crazy and psychotic feeling. Therefore, the lyrics have been interpreted in various ways.” Just like the moody guy himself, don’t you think?

“My headache is singing about a package The clock's hand is stuck at 4 o'clock No one would tell me why But the world has begun to rotate in reverse” “Ah, would you please dance even more? Kalinka? Malinka? Just play the strings" "What should I do with these kinds of emotions? Won't you please tell me? The signal reception is good, 5-2-4! Freud? Keloid? Just hit the keys Let's just laugh everything off Hurry up and dance, you group of fools!" "Together let's clap our childish hands To this intentionally deranged rhythm Surely, I couldn't care less about everything The world's temperature is beginning to melt”

-----------------------------------

[battlekilt]

None of us are obligated to ship Captain Rex with any specific character.

Ship him with an OC, if you like. Ship him with a Reader, if you like. Ship him with Anakin or Obi-Wan or—I don't care who. Ship him with someone messy or ship him with someone who has it all together.

People deserve to engage with the character in what makes right to them and what speaks well. I won't like the every choice other people make and that is okay. Nor do I expect everyone to like my Rex ships of choice. We all have our reasons and takes for why and what we ship what we do.

Have fun with your Rex ship. I just want to know that there's room for more Rex (that isn't a character assassination).

I'll be in my corner making him make smoochie faces with the character of my choice.

Have a nice day. :)

[reidfucker]

mitski songs that make me think of reid + a specific lyric

spencer reid is very mitski. but these were the first to come to mind. i do not take criticism.

- working for the knife

honestly, the entire song reminds me of reid, but this in particular:

I always thought the choice was mine

And I was right, but I just chose wrong

I start the day lying and end with the truth

That I'm dying for the knife

- liquid smooth

I'm liquid smooth, come touch me, too

I'm at my highest peak, I'm ripe

About to fall

How I feel this river rushing through my veins

With nowhere else to go, it circles 'round

- class of 2013

Mom, would you wash my back?

This once, and then we can forget

And I'll leave what I'm chasing

For the other girls to pursue

Mom, am I still young?

Can I dream for a few months more?

- i don't smoke

Just don't leave me alone

Wondering where you are

I am stronger than you give me

Credit for

If your hands need to break

More than trinkets in your room

You can lean on my arm

As you break my heart

- abbey

again, the entire song is very reid, but:

I am something

I have been something

I was born something

What could I be?

There is a light that I can see

But only, it seems, when there's darkness in me

There is a dream that I sometimes see

That only appears in the dark of sleep

- i bet on losing dogs

Will you let me, baby, lose

On losing dogs

I know they're losing and I'll pay for my place

By the ring

Where I'll be looking in their eyes when they're down

I wanna feel it

I bet on losing dogs

I always want you when I'm finally fine

- the deal

Then of course, nothing replied, nothing speaks to you in the night

And I walked my way home, there was no one in sight

Save a bird perched upon a streetlight, watchin' me

So, I stopped and let it watch 'til I found that it said

"Now I'm taken, the night has me

You won't hear me singin'

You're a cage without me

Your pain is eased, but you'll never be free for

Now I'm taken, the night has me"

- fireworks

this is perhaps one of the reid-est. here's the particular lyric:

One morning this sadness will fossilize

And I will forget how to cry

I'll keep going to work and you won't see a change

Save perhaps a slight gray in my eye

I will go jogging routinely

Calmly and rhythmically run

And when I find that a knife's sticking out of my side

I'll pull it out without questioning why

- i don't like my mind

again, the entire song is reid, but this is my pick:

I don't like my mind, I don't like being left alone in a room

With all its opinions about the things that I've done

So, yeah, I blast music loud, and I work myself to the bone

And on an inconvenient Christmas, I eat a cake

- first love / late spring

very cliché, but i HAD to include it! here:

And I was so young when I behaved 25

Yet now, I find I've grown into a tall child

And I don't wanna go home

Let me walk to the top of the big night sky

- there's nothing left for you

You could touch fire

You could fly

It was your right

It was your life

And then it passed

To someone new

It'll keep passin' on

Long after you

- nobody

And I don't want your pity

I just want somebody near me

Guess I'm a coward

I just want to feel alright

- because dreaming costs money, my dear

I once lived in the sea

Bring me to your ear, you can hear

The tide where I used to be

Though now I'm but a shell

- a pearl

Sorry, I don't want your touch

It's not that I don't want you

Sorry, I can't take your touch

It's just that I fell in love with a war

Nobody told me it ended

And it left a pearl in my head

And I roll it around every night

Just to watch it glow

Every night, baby, that's where I go

- real men

Real men keep cool in the face of a fire

Go down with the ship

And real men don't eat

'Cause they're above that, damn it

Oh, I'm gonna be a real man

- crack baby

It's been a long, hard 20 year summer vacation

Both these 20 years tryna fill the void

Crack baby, you don't know what you want

But you know that you had it once

And you know that you want it back

Crack baby, you don't know what you want

But you know that you're needing it

And you know that you need it bad

[cowboyspence]

Baby Reid? Baby Reid! (PART TWO)

Summary: Spencer finds out that you're pregnant.

Pairing: Spencer Reid x female reader

.

.

.

"You're actually pregnant?!" Spencer questions, rising his voice a bit.

"Don't be so loud! I don't want everyone to hear!" you whisper shout at Spencer. "When did you find out?" your husband asks. "Last Thurday" you reply hesitantly "Last Thursday? " "Yes."

You didn't tell him even thought you've known for 6 whole days now.

"Why didn't you tell me?" your partner questions.

You’re not even sure yourself.

"I don't know, Spence..I know that I should have told you. I'm sorry..." Spencer gives you a sad smile. He knows something is bothering you. He's your husband. He always knows when something is wrong. "It's okay, baby. Just tell me what's going on in that pretty head of yours." Spencer reassures you. "I just thought that you would be unhappy about me being pregnant."

"Unhappy?"

"Mhm."

"Why did you think that I would be unhappy about something like that?" he asks, feeling a bit hurt by your mistrust.

"I know that we have talked about kids quite a few times, but we never talked about a specific time and I just thought you wanted to wait... because... I don't know what exactly I thought to be honest." you answer honestly.

"Oh baby... I would love nothing more than to start a family with you. I've known that I wanted to have kids with you since I first saw you." Spencer says.

"That's cheesy." you say, smiling at him.

"I thought you like my cheesy side?" Spencer gives you a cheeky grin.

"I do." you tell him while admiring his beautiful face.

Spencer leans in and kisses you softly.He loves you and he's so excited about starting a family with you....

[starsoftheeye]

Heres how samalicelia can still win guys

after sam and alices conversation alice decides that because it will both fuck with sam and be extremely funny, shes gonna start flirting with both sam and celia at the same time

both of them know shes joking, sams a little annoyed by it but he "really doesn't care what she does", celias just along for the ride and thinks alice is just Like That cause of how she speaks to basically everyone at the OIAR

one by one, the three of them all realise that it might not be a joke anymore

alices flirting starts to sound more genuine, making more specific comments to the both of them, sam starts rolling his eyes less and less over it and, to his horror, starts getting flustered, celia starts playing into the jokes more and more

eventually, sam and celia have a conversation that basically goes like "i can't stop myself from getting affected by it and i know shes messing with me and that makes it worse somehow" "why dont we mess with her back then"

so sam and celia both start flirting back, to alices surprise/horror/delight/confusion

this goes on for a while, to the point where literally everyone else at the OIAR can see the obvious and the three of them can't

this then gets to the point where one day gwen has enough and goes "oh my god why don't you join their relationship at this point please just stop flirting at work" (jealous much?)

that kind of stops it for a while, none of them at all willing to address the implications of alice joining the relationship, until sam and celia have a conversation where they realise neither of them would mind having alice in their relationship

so they talk to alice about it

at first she takes the piss out of it, thinking theyre just taking the joke really far, until she realises theyre being serious

she doesnt know what to make of it at first, and theres still the doubt in her mind that theyre just making fun of her, but she knows she wants it and she bites the bullet and says yes

then they experience the horrors together as the right of passage for all podcast relationships <3

[longing-for-rain]

you know what i noticed about kataang shippers is that, they have made multiple blogs (even titled in the url) fully dedicated to bashing zutara. like whole blogs full of nothing but hating zutara and everyone who ships it.

i don't see the reverse. yes, there are zutara blogs with lots of aang/kataang critical posts. but these blogs also have content that's focused on zutara (posting about the ship you actually do like! imagine that!) and most are content creators as well. i can't think of any blogs that are purely anti-kataang or even mostly anti-kataang.

idk to me it just seems like zutara shippers are better about staying in our lane and enjoying what we like instead of devoting *that* much energy to hating ✌️

Oh definitely, I think in the past few years I’ve seen two blogs called something along the lines of “Zutara isn’t canon” and post nothing but angry anons whining about people shipping Zutara. And of course, the “fandom police” guy who is very obviously a right winger poorly applying social justice concepts in an attempt to win ship discourse, and who thinks anything non-canon is stupid.

It’s funny because how do you miss the point of fandom this badly? It’s transformative. There are only so many ways to tell the exact same story. There is a reason why it’s very common for non-canon ships to be more popular among fans than canon. It taps into the creative aspect that so many of us enjoy.

And for Zutara specifically, I’m actually glad it isn’t canon. I like that it’s open-ended and that I’m free to write it however I want, because to be completely honest, I think the creators would have completely botched it if it was canon. I mean, I actually like Maiko quite a bit too but I don’t like how rushed their ending felt. I don’t like how it felt like Mai reappeared to be Zuko’s prize. And given the straight up creepy things I’ve heard the creators say about Zutara over the years, I have no doubt they would have made me hate it via poor writing.

Plus you’re right, at the end of the day, fandom is about enjoying what you want to enjoy. Making entire blogs dedicated to telling people they’re stupid because they don’t adhere to canon as if it’s a religious doctrine doesn’t seem like you’re enjoying yourself too much. Sure, I’ve made posts critical of tropes, characters, relationships, etc. that I don’t like, but ultimately I spend my energy on what I actually do like.

[misc-obeyme]

what kind of face do you think Barbatos would make if he learned I microwave my tea? i need a constant stream of tea usually and microwaving is the fastest way to get a cup of hot water, if the hot water kettle isn't already going. 1 minute and tea bag and it's already drinkable.

if he told me to wait and went to make me a proper cuppa id probably wither and just beg him to microwave water and a tea bag. do you think he would disown me?

Yes, anon. I do think he would disown you.

I mean, no I don't actually think he'd disown you, but it'd be kinda cute, right? He's so appalled that he just kinda has to take a time out. Can't think clearly about it until he has his own calming cup of tea. And then he feels better and starts brainstorming ideas to help you with this issue.

Now, when you say the hot water kettle are we talking the traditional stove top situation? Because you know they make electric kettles, right? They're muuuuch faster. You can also get a Keurig type situation.

Why does this matter? you may be asking. It all makes water hot, right?

Yeah, technically. But in order to steep tea correctly, your water has to be a specific temperature. And you can't really get a specific temp with a microwave. Whereas most Keurigs and electric kettles either automatically heat the water to the correct temperature or you can change their settings so they do.

This is so your tea isn't too bitter.

And if you want my honest opinion, I doubt Barbatos uses tea bags, either.

He strikes me as a loose leaf only kinda guy, maybe using a tea bag if he's in a pinch or something.

However, I think Barbatos is likely to just... make you a whole pot. He'll put the loose leaf tea directly into the pot, followed by the water already heated to the right temperature, then let it steep the correct amount of time depending on the type of tea. Then he'll have a little strainer for you to catch the tea leaves in as you pour the tea from pot to cup.

A pot will last you a lot longer than a single cup. And I'd be really surprised if he didn't have a spell for keeping the pot warm until the tea is gone.

And then he'd just make sure you never run out.

Of course, if you have any interest in iced tea, you wouldn't need to worry about any of this. Because you can cold brew any type of tea. Leave a pitcher of it in the fridge over night and bam - tea all day.

HOWEVER. Since you did ask me what kind of face he would make, I'm going to subject you to my terrible art skills to demonstrate how I think it'd go. Now you can all see why I'm not an artist.

He's upset.

I mean, I would be too if someone drew me so badly. I'm sorry, Barb. My MC is an artist, but I'm not, I'm afraid. I just realized I forgot to give him a nose. I MEAN that was totally on purpose, it's a style choice. Anyway, I hope the frown at least conveys how sad he is about you microwaving your tea lol.

[magnet-lattice]

(Lifesteal s5 spoilers for my understanding of The Players' plans, from catching incomplete sections of streams and osmosis. I do not think this is spoilers for any of them but I am not keeping up very well, so please correct me if I am wrong and I'll edit this. It's a little bit rambly, sorry.)

So, aside from the unrequited pitchflirting, my understanding of the Players' main finale plans are that they want to remove all of the buildings and restore the server or at least the main areas to looking the way they did at the start of the server, before anyone built anything. And this has some justification about like being a fresh start to the world, aside from the fact that it's a cool dramatic thing to do, but also!

It's really neat how the thing it does is specifically making the server look as though nobody ever played on it. Because the Players' whole thing, their primary conflict with primarily Jumper and Minute (I don't think they have a team name?) is that they're the only people willing to play heel, to do cool evil dramatic shit that other people can make content by fighting against, and almost everyone else (no offense intended to Squiddo or Wemmbu but they haven't been on much lately?) is either neutral, inactive, or insistently playing face?

And in the arguments between the players and Jumper and Minute, it has come up that the opposing side wants to end the server without conflict, and the Players' argument in favor of what they're doing is that it's interesting content which creates a reason for the other players to log on and participate. (This has consistently been their motivation since early in the Abyss arc)

And I think that in addition to the other justification, restoring the world to look untouched is a pretty powerful statement of "This is what you're advocating for the world to be: one where nobody ever logs on and does anything or fights or builds things that matter."

(In the interest of fairness, I know Minute was talking about like, getting people onto the server by having temporary mods during the sessions, and Branzy does have his carnival, and I do enjoy this content, but... at least to me, the fundamental strength of Lifesteal content qua Lifesteal (Minecraft's deadliest SMP), as a reason to be watching this rather than something else-- like a modded or survival series that happens to be made by the same people-- is the social effects of a bunch of people who are mostly tryhards in a competitive environment that encourages conflict and teaming and subterfuge and paranoia and big dramatic clickbaitable gestures?)

(I do in fact think it's fun and interesting when there are some people on Lifesteal who care about morality and want to do the nice thing! This is a fun source of conflict! I just... think it's more fun when that's not the majority of people who are logging on and doing anything, because then there's the risk of them uncomplicatedly winning, or successfully preventing or mitigating or discouraging the majority of the dramatic evil/annoying stuff, and then nothing happening? Lifesteal content is primarily about conflict. It's maybe a little more fun when the people involved have in-universe justifications that are not just "it's for content", painting the fourth wall with a thin veneer of "it's because it's cool and asserts our power" or some galaxybrained self-serving philosophical/metaphorical justification explaining why this supervillain stuff is the real moral thing to do, or whatever? But it's still fun as long as people are like, logging in and doing stuff and fighting or arguing with each other, and maybe having some big feelings? and at least one person is live or making videos so we can see what's happening)

[citrusbusiness]

Hey it's time for me to rant about mildly annoying things about society and being aro/ace! (Long post warning)

Okay so when I was eating dinner with my parents today and we were talking about our grandparents for a bit. Specifically, my grandma getting sick, and how my uncle traveling around all the time but living with them did not help that. Anyway then I was thinking about him, because he's unmarried with no kids and so is my other uncle. So then I brought up the fact that I have no first cousins, making my one joke about the topic that I'm the onliest only child ever. And we laughed about it for a bit, but then my mom said something else.

“See that's why –and I feel a bit like Jane Austen saying this– that's why you have to get married”

And my aroace brain already did not like that, but obviously I wasn't going to tell her that because I'm not out?? And then my dad then butted in with a joke about the reason being that the family line would end if I didn't, which annoyed me, but interestingly, my mother brushed that aside.

Instead, she said “because when you get old you won't have any siblings or cousins to help you.”

I... Had not been expecting that. So I sat there, not liking where the conversation had gone but not doing anything about it. I just put it aside to rant about later (this is that) and moved on with my evening

But I've come back to it now.

I'm not mad at my mom for telling me that I have to get married. I'm annoyed at my situation and our society for existing in a way where she's right.

I don't have siblings or cousins I'm close with who could help me. The only people I have are my friends, and who knows if I'll still be friends with them? Also, I have maybe one actually aro friend, all the others are highly likely to get into romantic relationships and maybe have children. They'll have their own people to be taking care of. I'm just going to be lower priority, that's how our society works. Hell, with the internet the way that it is, there's no guarantee that I would even live in the same area as most of my friends.

And this isn't even just an old age thing. What happens if I need a serious surgery? What person, with their own job and family and life, has the time to spend taking care of their friend for an extended period of time? I mean, I might, but I don't have the whole romance thing getting in the way.

I realize that I'm being pessimistic and that I should probably have more faith in both my friends and the way the world works. I'm just frustrated that because we place so much more emphasis on romance than we do friendships, once people start pairing up the friendships get left behind a little bit. I'm frustrated that you could make an argument that I might have to get married, not because I truly want to, but for the sake of my own health and comfort in the future. I'm frustrated that someone can say something as uncomfortable to me as “you have to get married,” and still have a decent point.

Again, I'm being a pessimist and I'm not mad at my mom. Or my dad.

…I need more irl aro friends.