#also go read the articles they are excellent | Explore Tumblr Posts and Blogs

ask-the-prose · 9 months

Text

Do Your Research

This phrase is regularly thrown around writeblr and for good reason. It's important to research what you are writing about to know what to include, what can be fudged, and how to depict whatever you're writing. I see "do your research" most thrown around by well-meaning and highly traditionally educated writers. It's solid advice, after all!

But how do you research?

For those writers who don't already have the research skills necessary to write something comfortably already downloaded into your brain, I put this guide together for you.

Where do I even start?

It's a daunting task, research. But the best place to start is with the most basic, stupidest question you can think of. I'm going to talk about something that I already know a lot about: fighting.

When researching fight scenes, a great way to start is to look up what different weapons are. There are tons out there! So ask the stupid questions. What is a sword? What is a gun? How heavy are they?

Google and Wikipedia can help you a lot with these basic-level questions. They aren't great sources for academic articles, but remember, this is fiction. It doesn't need to be perfect, and it doesn't need to be 100% accurate if you don't want it to be. But knowing what is true to life will help you write well. Just like knowing the rules of writing will help you break them.

You may find in your basic research sweep that you have a lot more specific questions. Write them all down. It doesn't matter if they seem obvious. Write them down because they will be useful later.

How To Use Wikipedia Correctly

Wikipedia is a testament to cooperative human knowledge. It's also easy to edit by anonymous users, which means there is a lot of room for inaccuracies and misleading information. Wikipedia is usually pretty good about flagging when a source is needed or when misleading language is obvious, but Wikipedia itself isn't always the most accurate or in-depth source.

Wikipedia is, however, an excellent collection of sources. When I'm researching a subject that I know nothing about, say Norse mythology, a good starting point is the Wikipedia page for Odin. You'll get a little background on Odin's name and Germanic roots, a little backstory on some of the stories, where they appear, and how they are told.

When you read one of the sentences, and it sparks a new question, write the question down, and then click on the superscript number. This will take you directly to the linked source for the stated fact. Click through to that source. Now you have the source where the claim was made. This source may not be a primary source, but a secondary source can still lead you to new discoveries and details that will help you.

By "source-hopping," you can find your way across the internet to different pieces of information more reliably. This information may repeat itself, but you will also find new sources and new avenues of information that can be just as useful.

You mean I don't need a library?

Use your library. Libraries in many parts of the US are free to join, and they have a wealth of information that can be easily downloaded online or accessed via hardcopy books.

You don't, however, need to read every source in the library for any given topic, and you certainly don't need to read the whole book. Academic books are different from fiction. Often their chapters are divided by topic and concept and not by chronological events like a history textbook.

For example, one of my favorite academic books about legislative policy and how policy is passed in the US, by John Kingdon, discusses multiple concepts. These concepts build off one another, but ultimately if you want to know about one specific concept, you can skip to that chapter. This is common in sociological academic books as well.

Going off of my Norse Mythology example in the last section, a book detailing the Norse deities and the stories connected to them will include chapters on each member of the major pantheon. But if I only care about Odin, I can focus on just the chapters about Odin.

Academic Articles and How To Read Them

I know you all know how to read. But learning how to read academic articles and books is a skill unto itself. It's one I didn't quite fully grasp until grad school. Learn to skim. When looking at articles published in journals that include original research, they tend to follow a set structure, and the order in which you read them is not obvious. At all.

Start with the abstract. This is a summary of the paper that will include, in about half a page to a page, the research question, hypothesis, methods/analysis, and conclusions. This abstract will help you determine if the answer to your question is even in this article. Are they asking the right question?

Next, read the research question and hypothesis. The hypothesis will include details about the theory and why the researcher thinks what they think. The literature review will go into much more depth about theories, what other people have done and said, and how that ties into the research of the present article. You don't need to read that just yet.

Skim the methods and analysis section. Look at every data table and graph included and try to find patterns yourself. You don't need to read every word of this section, especially if you don't understand a lot of the words and jargon used. Some key points to consider are: qualitative vs. quantitative data, sample size, confounding factors, and results.

(Some definitions for those of you who are unfamiliar with these terms. Qualitative data is data that cannot be quantified into a number. These are usually stories and anecdotes. Quantitative data is data that can be transferred into a numerical representation. You can't graph qualitative data (directly), but you can graph quantitative data. Sample size is the number of people or things counted (n when used in academic articles). Your sample size can indicate how generalizable your conclusions are. So pay attention. Did the author interview 300 subjects? Or 30? There will be a difference. A confounding factor is a factor that may affect the working theory. An example of a theory would be "increasing LGBTQ resources in a neighborhood would decrease LGBTQ hate crimes in that area." A confounding factor would be "increased reporting of hate crimes in the area." The theory, including the confounding factor, would look like "increasing LGBTQ resources in a neighborhood would increase the reporting of hate crimes in the area, which increases the number of hate crimes measured in that area." The confounding factor changes the outcome because it is a factor not considered in the original theory. When looking at research, see if you can think of anything that may change the theory based on how that factor interacts with the broader concept. Finally, the results are different from the conclusions. The results tell you what the methods spit out. Analysis tells you what the results say, and conclusions tell you what generalizations can be made based on the analysis.)

Next, read the conclusion section. This section will tell you what general conclusions can be made from the information found in the paper. This will tell you what the author found in their research.

Finally, once you've done all that, go back to the literature review section. You don't have to read it necessarily, but reading it will give you an idea of what is in each sourced paper. Take note of the authors and papers sourced in the literature review and repeat the process on those papers. You will get a wide variety of expert opinions on whatever concept or niche you're researching.

Starting to notice a pattern?

My research methods may not necessarily work for everybody, but they are pretty standard practice. You may notice that throughout this guide, I've told you to "source-hop" or follow the sources cited in whatever source you find first. This is incredibly important. You need to know who people are citing when they make claims.

This guide focused on secondary sources for most of the guide. Primary sources are slightly different. Primary sources require understanding the person who created the source, who they were, and their motivations. You also may need to do a little digging into what certain words or phrases meant at the time it was written based on what you are researching. The Prose Edda, for example, is a telling of the Norse mythology stories written by an Icelandic historian in the 13th century. If you do not speak the language spoken in Iceland in 1232, you probably won't be able to read anything close to the original document. In fact, the document was lost for about 300 years. Now there are translations, and those translations are as close to the primary source you can get on Norse Mythology. But even then, you are reading through several veils of translation. Take these things into account when analyzing primary documents.

Research Takes Practice

You won't get everything you need to know immediately. And researching subjects you have no background knowledge of can be daunting, confusing, and frustrating. It takes practice. I learned how to research through higher formal education. But you don't need a degree to write, so why should you need a degree to collect information? I genuinely hope this guide helps others peel away some of the confusion and frustration so they can collect knowledge as voraciously as I do.

– Indy

2K notes · View notes

boxboxlewis · 2 months

Text

Daniel finds out about Max’s divorce from a Google alert.

“FORMER F1 CHAMPION NEWLY SINGLE, SEEN HITTING THE BARS IN MONACO.” Journalistic excellence from the Daily Mail, as always. But when actual newspapers start reporting on it, Daniel decides to reach out. He texts Max a cat meme. Subtext: sorry about your failed relationship, also I know you like cats. Max texts back Are you trying to cheer me up, and then 😂. It’s unclear if he’s 😂 at the cat or the notion of Daniel attempting to comfort. While Daniel is trying to figure this out a third text comes in. Stop reading stupid shit by dumb assholes who don’t know anything.

Nah it’s all good, I can’t read, Daniel replies. He hesitates, and then adds I am like. Sorry about stuff with kelly or whatever though.

Max thumbs-up reacts the message, and doesn’t reply.

Daniel figures Max’ll probably just start dating another exquisitely beautiful, exquisitely groomed woman with a disconcerting resemblance to his own mother. They’re ten a penny in Monaco, where Max still for some reason lives.

He’s not prepared for the next tranche of articles his Google Alert brings him. “MAX VERSTAPPEN SEEN LEAVING GAY BAR.” “VERSTAPPEN REFUSES TO ADDRESS RUMOURS.” “VETTEL COMES TO VERSTAPPEN’S DEFENCE: ‘HE HAS A RIGHT TO A PRIVATE LIFE.’” Like… people go to gay bars sometimes, even if they’re straight. But do straight people let Seb Vettel defend their honour in the media?

Daniel opens his text thread with Max and types Hey, are you. You know.

He deletes it, obviously. He’s got a lot going on in his own life. Brand ambassadorships out the ass, his film production company, his vineyard. He sends Max another dumb meme and calls it good. Max is just doing Max stuff. It’s some belated F1 champion rumspringa, probably, because when he was an actual teenager he was psychotically focussed on racing. He’ll settle down soon enough.

Daniel really isn’t expecting him to announce live on Dutch television that he has a boyfriend. The clip is in Dutch, obviously, but someone has added English captions, and Daniel watches over and over again. RIP his YouTube algorithm. It’s some daytime talk show, the kind of thing Max hates, the kind of thing he’d never do unless someone was twisting his arm about it. The host asks all sickly sweet if there’s a special someone in Max’s life. Max says, “Well yes of course there is my boyfriend.” The “of course” in Dutch sounds like naturally. Naturally, naturally. “And my family I am very close to, as well.” The camera dwells with voyeuristic glee on the talkshow host’s face as she tries and fails to pick her expression up from the floor. “Your boyfriend?” she manages. Max nods, impatient. Daniel rewinds the clip. Your boyfriend? Your boyfriend? Your boyfriend?

Daniel decides to visit Monaco. Not because of Max. It’s summer and the swing of the season is funnelling him that way, that’s all, towards the parties and the glittering people dancing on yachts, getting high, bright and beautiful, living that good life. He doesn’t have an apartment there anymore, but Max does, because Max never left: still has his custom penthouse with its views of the harbour. Unless—it’s a weird thought—unless Kelly kept it in the divorce. But when he texts Max to invite himself to stay, Max doesn’t mention anything about a new address.

Max also doesn’t sound, like, super enthused, but that’s just how he is. It’s his natural Dutchness, most likely. Fine you can come then. You are lucky I don’t have plans is probably just the Dutch way of saying “Yeah sounds great, looking forward to reconnecting.” You are very annoying is probably how people from the Netherlands express affection. Daniel texts back Love you too my brother 🤘🤘

He gets his hair touched up before he goes, a little bit of tattooing at the roots in the front. He does a spray tan, and gets his face dermaplaned (not in that order). You can’t go to Monaco and not look good, that's all.

It always feels kind of weird, flying into Nice in a non-F1 context, first class instead of private, but Daniel fits, still: gets asked for his autograph at the airport, and then on the concourse, and when he stops to put petrol in his rental car (a sweet little Porsche, nice). He tosses his keys to the valet at Max’s building and the valet goggles. That’s right, baby: twelve-time Grand Prix winner Daniel Ricciardo is in town. Daniel winks and the valet turns gratifyingly mauve.

Max, when Daniel pushes into his apartment, is less enthusiastic. “Daniel. I really do not know why you’ve come.”

Daniel ignores him in favour of crouching down, trying to pet Jimmy or Sassy. “Hey, little guy,” he croons. “Or girl. What’s up? Do you remember Uncle Danny? Am I in town to show your daddy a good time? Yeah I am! That’s right. That’s right.” Jimmy or Sassy scowls at him and swipes with one needle-tipped paw. All right, drama queen. Daniel stands back up and grins at Max. “I mean, mostly I wanted to meet your boyfriend,” he says, for some reason. What the fuck, Ricciardo. He keeps grinning, styles it out. “Gotta give him the old shovel speech, right?”

Max is doing the blank-eyed stare Daniel remembers so well from their racing days. It’s wildly disconcerting coming from this Max, who looks. Different, that’s all. He’s thick, still fit and well-muscled but heavy with it now, t-shirt stretched over the layer of hard fat covering his abdomen, face softer. He’s a bear of a man, he could—he could do lots of things, obviously. It’s fine. It’s just that part of Daniel still expects him to be the gawky teenager Daniel loomed over.

Max says, “What do you want to say to my boyfriend about shovels,” and for a bewildering moment Daniel has no idea what he’s talking about.

“Oh, no, it’s like—it’s a saying, or whatever, when someone starts dating someone. I mean, usually dads say it, I guess, but like—the idea is if he mistreats you I’ll…” Daniel trails off as he realises he’s not actually sure what “shovel speech” means. “Uh, hit him with a shovel? Or I guess potentially, like, use it to bury his corpse. Whiiiich is a joke! Not actually going to bury anyone.” No, weird comment, Daniel’s not actually going to bury anyone t-shirt is raising a lot of questions et cetera. Hastily, he adds “As long as he behaves!” and then stands there mentally kicking himself while Jimmy/Sassy yowls soulfully near his ankles. He's never like this, he never loses control of a conversation like this. It's agonising.

Max stares at him for a long moment, and then cracks up. “Daniel, you are still so weird,” he says. It sounds kind of affectionate.

“You know it, baby,” Daniel says. “So, where’s the boyf?

Max’s cheeks go a little red, it looks like. Maybe Daniel’s imagining it. “Ricardo is at the gym,” he says.

Daniel has to have misheard that. “Sorry, what’s this dude’s name?”

“Ricardo,” Max says grumpily. “My boyfriend.”

“Right, yeah, of course.” Once again Daniel decides, against his better judgement, to style it out. “Uh, is he Australian, by any chance? And devastatingly charismatic?”

Max sighs, as if Daniel is being really annoying. “He is from Melbourne. And yeah, he is okay I think. Maybe you won’t like him though, because you like always to be the funniest one. Come on, I will show you to your guest room.”

Daniel manages a casual-sounding, “Haha, you got me.” They’re walking through the apartment, now, Max leading the way. For a moment Daniel just watches the sunburned back of his neck.

#my fic #DO straight people allow seb vettel to defend their honour in the media?#maxiel #mv33 #dr3 #getting back on the posting horse please clap #divorce era one of the most interesting of the potential eras imo #future fic

429 notes · View notes

eyrieofsynapses · 4 months

Text

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

743 notes · View notes

nolita-fairytale · 10 months

Text

burn your life down | chef luca x fem!reader | chapter one

summary: leaving your old life behind, you move to copenhagen to follow your dream of opening a restaurant. almost a year after opening, luca's quest for inspiration brings him right to your doorstep.

warnings: fluff, eventual smut, eventual angst not use of y/n, second person pov, swearing, danish inaccuracies, very little connection to the world of the bear.

word count: 2500

a/n: remember when i said we'd get pastry chef luca fanfic whether we liked it or not? well, it seems i can't be normal about anything bc i have an outline of (potentially) 10 chapters right now based on this headcanon. while i try to keep reader characters pretty neutral so that you can picture yourself, i have this reader creating food from her own life experiences/cultures so do what you will with that. also, i tagged some peeps from my headcanon post, but please let me know if you'd like to be removed.

masterlist | part two

He’s in search of inspiration when he finds the restaurant – your restaurant.

It’s an American stagiaire and a single conversation that makes him realize that he’s missing something – that he’s been in need of something fresh, a new perspective– setting him on his quest.

The best things are inspired.

Luca stares at a blank piece of paper for what feels like hours, writing a few things down, sketching up an idea, before viciously crossing them out, hopelessly stuck on new ideas for the new menu. After a few half-baked ideas that go nowhere, It occurs to him that he may be in need of a little inspiration himself. He can’t think of the last time he’s taken his own advice, mulling over the carefully-chosen words of wisdom imparted to Marcus a couple of weeks ago, and he’s determined to change that.

A review in the paper, an old colleague’s recent trip there, and a glowing recommendation from a close friend are what bring him to the restaurant.

He’s not sure what to expect – having forgone any interest in cuisine described with the words trendy or fusion a long time ago – but Luca reminds himself that it’s the writer’s word choice, not the chef’s, when writing the article.

When Luca steps into the small home-turned-restaurant, he’s immediately inundated with a warmth, a homeyness, that takes him by surprise. From the open kitchen, to the golden lighting, it feels vastly different from the classic Danish-style, fine dining establishments that have swept the country.

But Luca reminds himself that the announcement of noma’s 2024 closure, has shifted the conversation around dining culture in Denmark, and already, he can feel that this is the breath of fresh air that he’s been looking for.

Luca’s seated quickly with care and hospitality by a highly-attentive host, which he only assumes is a symptom of the fact that he read somewhere that you’re an American. While Danish, the host is boisterous, as if he’s known Luca since childhood. Luca smiles politely in response, graciously thanking the man and his chocolate brown curls.

The menu is small, indicating that each dish receives enough care to be excellent and he likes that, despite being described as trendy and fusion-focused, your menu is creative. It’s different. It’s inspired.

He chooses the special of the day: the mapo tofu bolognese – a traditionally Italian concept done from an Asian perspective – and the suggested wine pairing.

It doesn’t take long for him to receive his glass of wine, or his food, and he’s pleasantly surprised by how efficient service seems. Stealing glances through the open kitchen, he watches as you and your sous lead dinner service with a kind of compassionate leadership and playfulness that warms him from the inside out.

“We recommend mixing the whipped tofu into the dish for a creamier sauce. Skal,” his waitress greets, with a warm smile on her face as she sets down the bowl of noodles.

“Cheers,” Luca replies, his eyes savoring every single detail of the dish.

It’s somehow elevated, thoughtful, and elegant, yet comforting all at once.

Luca picks up his fork, using it to collect a little bit of everything – a perfect noodle twirl with just enough sauce, and ground pork before running his fork the whipped topping – raising the fork to his lips for his first bite.

As the flavors hit his tongue, he closes his eyes, and it’s as if time has stopped, just for a moment.

The wheat noodles are perfectly al dente while the whipped tofu is almost ricotta-like, transforming into a silky smooth addition to the dish, cutting the tingle and heat of the Sichuan chili peppercorn-based sauce.

The corners of his lips turn up as he takes a breath, opening his eyes as he savors the delicate layers of flavors. With a crooked smile on his face, he decides that he’ll most certainly be back next week.

-------------------------------

You make peace with the fact that tonight is one of those nights – a slow night – as you finish washing your hands. It being a slow night, you’d encouraged your staff to up the hospitality at the pre-shift meeting. Treating guests with the utmost personal touches in an effort to build genuine connections would be the focus of tonight’s slow service. In fact, you and Mathilde, your sous chef, had been running dishes out this evening – something you rarely had the luxury to do.

“You should go say hello,” your sous encourages, nodding towards the dining room through the expansive window of the open kitchen.

“Thought it was your turn,” you reply in a casual tone, paying no attention to who she’s referencing.

“No, I think you should take this one,” Mathilde nudges you, causing you to look up. You shoot her a funny look, your eyes flickering over the mischievous expression she has on her face, to where she’s gestured towards.

“To-?” you begin to ask, before seeing exactly who she’s talking about.

“Ehm. Tall, blonde, and tatted!” she emphasizes in a whisper yell.

You don’t really need the description as you glance over at the dining room, easily spotting the man seated at a two-seater near the front window.

“You’re right. He’s become a bit of a regular,” you agree with a curt nod that means all business, no pleasure, as you move a few things as you walk and talk around the kitchen, tidying up.

“That’s not what I meant,” she scoffs with a playful eye roll.

“You know, Jesper thought he was Swedish because… look at him… but he’s apparently a Brit,” she gossips with you, her eyes stealing a glance his way. “We’re slow tonight. He’s here every week. Sure he’d appreciate a direct thank you from the chef!”

“I-,” you hesitate, wondering why she’s so damn insistent on this. “... yeah, alright. I’ll go.”

“That’s my girl!” Mathilde cheers, in a sing-song voice, she hands you the beautifully plated bowl of pasta to take out to the dining room.

As you walk over towards his table, you make a note that it seems as if the mystery man has made this a bit of a routine. He shows every Saturday at exactly 7 pm, week after week, for the past month or so, as if it’s a standing date he has with himself. After his first visit, you half-expected him to bring a date when he returned, or bring a group of friends, or for something different to happen.

But it hadn’t and you’ve watched him come in, week after week, with a different book each time. He always orders the special of the day and whatever suggested wine pairing Jesper’s recommended that week.

Most Saturday nights you're busy leading a kitchen or cooking on the line – having little to no time to fixate or wonder curiously over your weekly diner – but tonight’s pace affords you the luxury to spend more time at the front of house. Truthfully, you know it’s the thing that sets you apart. Sure, the hospitality here in Copenhagen is excellent, but you bring an American hospitality-style to this restaurant – and above and beyond mentality – that feels welcoming, personal, even, as if your restaurant itself is just an extension of your home.

You’ve heard your staff – front of house and back of house – whispering about him, all seemingly enamored and enchanted by the charming Brit. All any of you knew about him was that his name was Luca and that he’s always more than kind to your front of house staff.

He doesn’t say much when he comes in, you’ve noticed, but every Saturday at 7 pm, he’s pushing his way through the front door with punctuality and a gentle ease.

The whisperings from your staff had all revolved around who your mysterious regular must be: whether he was Danish or Swedish, that someone that good looking must already have a partner, that he doesn’t wear a ring.

You hadn’t paid much attention to the gossip (or at least that’s what you’ve told yourself) more focused on running dinner service then trying to piece together the story of your handsome, mysterious regular.

“Hello,” you greet him warmly. “I just wanted to come introduce myself and say thank you for becoming one of our regulars. Your support means a lot to all of us.”

“Hi, I’m Luca.”

You share your name with a smile as he shakes your hand.

Luca turns his attention down to the bowl you’ve put in front of him, his eyes taking in the beautiful presentation hungrily.

“Wow, this looks… incredible,” he marvels, returning his gaze back to you.

“Thank you. I’m sure my front of house already walked you through this but if you’d like for me to-,” you begin.

“Yes, that’d be great, thanks,” he interjects, a crooked smile on his face that makes your heart skip a beat.

You have to pull your attention away from him, hoping he doesn’t notice that you’re quite possibly gawking at him.

He’s kind, charming, and he’s easy on the eyes (easy on the eyes, really being an understatement here).

“Today’s special was inspired by a childhood favorite of mine,” you begin, walking him through each component of the dish.

Crispy Rice. Caramelized marinated trumpet mushrooms and charred broccolini. Your mom’s sauce approached with classic French techniques, courtesy of your sous, Mathilde, a classically French-trained chef.

It’s a marriage of your story. Of the people around you. It’s your heart and theirs, put into a dish.

“You’re the chef?” he asks, unable to hide the surprise in his voice.

“Yes,” you answer, trying your best to get a read on him.

He balks, and you’re unsure of how you’re supposed to respond. Was he surprised that you’re a woman? That he’s been eating your food the whole time and expected a male chef? Before you can overthink it, Luca clarifies with:

“I’m sorry. It’s just-, I can't think of the last time I saw a head chef work front of house, let alone with this much care.”

Oh.

You let down your guard, wondering why you’d assumed the worst when the man’s been nothing but kind to you and your staff so far.

"We're a little short staffed tonight. And I love getting to talk to diners… especially on nights like this,” you explain, trying your best to sound like you hadn’t just assumed that he was a sexist asshole.

He shakes his head in disbelief, looking down at the picturesque bowl, then back to you.

Luca is impressed, and he has no intention of hiding it.

He picks up his wine glass by the stem, raising it to you.

"Cheers,” he says. “And thank you. This is a really beautiful dish.”

“Of course. Enjoy,” you reply, giving him a polite smile, before heading back into the kitchen.

-------------------------------

“Good service tonight, everybody!” Jesper, your front of house manager, announces while clapping a few times to signal to staff that it’s time for a post shift meeting.

As you all gather in the pristine front of house space. Some of your cooks have taken their aprons off, others haven’t had a moment to unwind from the shift yet – business picking up in the last hour or so of service.

Jesper goes through his nightly wrap-up notes, celebrating the wins of tonight, and making sure to celebrate how everyone rallied to pick up pace when business spiked. He’s gregarious, larger-than-life, the kind of person who can talk to anyone about anything, making him an excellent front of house manager, and even better sommelier. You really lucked out with the twins, you think to yourself – with Jesper and Mathilde – when they were more than eager to work with you on opening this restaurant.

“Oh, and before we go, a client left a gift… table number four,” Jesper says, in reference to Luca’s table. He pulls a tan-colored pastry box from another table, setting it down on a table where everyone can take a look.

“As a thank you. He requested for me to share. So have it and let’s make a note next time he’s in to really treat him like a VIP.”

One of your most-talented servers opens the box, eliciting a chorus of gasps, giggles, and excited whispers as soon as the assortment of croissants and pastries are revealed.

You and Mathilde exchange a look as everyone else busy themselves with unpacking the pastry box. Mathilde raises an eyebrow and you’re not sure what to say. Witnessing your silent exchange, Jesper makes his way over to the both of you, before extending his arm to reveal the card he’s holding.

“And this, my dear…” he begins, exchanging a look with his sister. “...is for you.”

“What do you-, just me?” you ask as you take it, hesitantly.

“I think so, yeah,” he nods, confidently.

To the Chef, the front of the card reads.

“Jesper, let’s check out some of these pastries, yeah?” Mathilde suggests, not so subtly hinting towards her brother.

He nods, giving you a little space so that you can read the card Luca’s left for you.

As your staff divvy up the box of laminated pastries, sighing with joy as they taste the decadent, hand-crafted sweets, you take a few steps away to open the note. His handwriting is pristine – perfectly neat in every way, like he’s written over carefully measured invisible lines.

Chef,

Thank you for all of the great meals. I'd like to return the favor, that is, if you're open to it.

Tomorrow. 5 pm. Dronningens Tværgade 2, 1302

While Luca’s gift has been more-than-generous, you find yourself overwhelmed by questions. Was he a chef too? And why had he not said anything? And what was this gesture all about anyways?

You read the card a few more times, turning the words over in your head as you try to make sense of it.

Mathilde can see your overwhelm, your eyebrows knitted into one confused expression as she saunters back over to you.

“What does it say?” she asks, curiously. “A love confession perhaps?”

“Mathilde, you really have to stop reading all of those French romance novels!” you tease her. “It’s giving you too many ideas.”

“It’s the only way I keep up with my French!” she defends herself with a lackadaisical shrug, earning a laugh from you.

“Uh no… it’s actually a thank you card… only I think he… wants to feed me,” you share with her, holding the card out so that she can take a look.

“He’s a chef too?” she asks, taking the card from your hands.

“I think so, yeah,” you reply, letting out an exasperated laugh.

“Oh shit!” Mathilde exclaims, as soon as she sees the address that Luca’s written down.

“What?” you ask her, wondering if there’s something you missed.

“The address… that’s AOC. I think he’s a chef at AOC, babe,” she gasps, shaking her head as she hands the card back to you, sending a ‘you lucky, bitch’ look your way.

Oh shit, is right.

#chef luca #will poulter #luca the bear #the bear season 2 #the bear headcanon #luca x reader #the bear hulu #the bear fx #the bear fanfiction #chef luca x reader #pastry chef luca #burn your life down

1K notes · View notes

mostlysignssomeportents · 6 months

Text

Uncle Sam paid to develop a cancer drug and now one guy will get to charge whatever he wants for it

Today (Oct 19), I'm in Charleston, WV to give the 41st annual McCreight Lecture in the Humanities. Tomorrow (Oct 20), I'm at Charleston's Taylor Books from 12h-14h.

The argument for pharma patents: making new medicines is expensive, and medicines are how we save ourselves from cancer and other diseases. Therefore, we will award government-backed monopolies – patents – to pharma companies so they will have an incentive to invest their shareholders' capital in research.

There's plenty wrong with this argument. For one thing, pharma companies use their monopoly winnings to sell drugs, not invent drugs. For every dollar pharma spends on research, it spends three dollars on marketing:

https://www.bu.edu/sph/files/2015/05/Pharmaceutical-Marketing-and-Research-Spending-APHA-21-Oct-01.pdf

And that "R&D" isn't what you're thinking of, either. Most R&D spending goes to "evergreening" – coming up with minor variations on existing drugs in a bid to extend those patents for years or decades:

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3680578/

Evergreening got a lot of attention recently when John Green rained down righteous fire upon Johnson & Johnson for their sneaky tricks to prevent poor people from accessing affordable TB meds, prompting this excellent explainer from the Arm and A Leg Podcast:

https://armandalegshow.com/episode/john-green-part-1/

Another thing those monopoly profits are useful for: "pay for delay," where pharma companies bribe generic manufacturers not to make cheap versions of drugs whose patents have expired. Sure, it's illegal, but that doesn't stop 'em:

https://www.ftc.gov/news-events/topics/competition-enforcement/pay-delay

But it's their money, right? If they want to spend it on bribes or evergreening or marketing, at least some of that money is going into drugs that'll keep you and the people you love from enduring unimaginable pain or dying slowly and hard. Surely that warrants a patent.

Let's say it does. But what about when a pharma company gets a patent on a life-saving drug that the public paid to develop, test and refine? Publicly funded work is presumptively in the public domain, from NASA R&D to the photos that park rangers shoot of our national parks. The public pays to produce this work, so it should belong to the public, right?

That was the deal – until Congress passed the Bayh-Dole Act in 1980. Under Bayh-Dole, government-funded inventions are given away – to for-profit corporations, who get to charge us whatever they want to access the things we paid to make. The basis for this is a racist hoax called "The Tragedy Of the Commons," written by the eugenicist white supremacist Garrett Hardin and published by Science in 1968:

https://memex.craphound.com/2019/10/01/the-tragedy-of-the-commons-how-ecofascism-was-smuggled-into-mainstream-thought/

Hardin invented an imaginary history in which "commons" – things owned and shared by a community – are inevitably overrun by selfish assholes, a fact that prompts nice people to also overrun these commons, so as to get some value out of them before they are gobbled up by people who read Garrett Hardin essays.

Hardin asserted this as a historical fact, but he cited no instances in which it happened. But when the Nobel-winning Elinor Ostrom actually went and looked at how commons are managed, she found that they are robust and stable over long time periods, and are a supremely efficient way of managing resources:

https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions

The reason Hardin invented an imaginary history of tragic commons was to justify enclosure: moving things that the public owned and used freely into private ownership. Or, to put it more bluntly, Hardin invented a pseudoscientific justification for giving away parks, roads and schools to rich people and letting them charge us to use them.

To arrive at this fantasy, Hardin deployed one of the most important analytical tools of modern economics: introspection. As Ely Devons put it: "If economists wished to study the horse, they wouldn’t go and look at horses. They’d sit in their studies and say to themselves, ‘What would I do if I were a horse?’"

https://pluralistic.net/2022/10/27/economism/#what-would-i-do-if-i-were-a-horse

Hardin's hoax swept from the fringes to the center and became received wisdom – so much so that by 1980, Senators Birch Bayh and Bob Dole were able to pass a law that gave away publicly funded medicine to private firms, because otherwise these inventions would be "overgrazed" by greedy people, denying the public access to livesaving drugs.

On September 21, the NIH quietly published an announcement of one of these pharmaceutical transfers, buried in a list of 31 patent assignments in the Federal Register:

https://public-inspection.federalregister.gov/2023-20487.pdf

The transfer in question is a patent for using T-cell receptors (TCRs) to treat solid tumors from HPV, one of the only patents for treating solid tumors with TCRs. The beneficiary of this transfer is Scarlet TCR, a Delaware company with no website or SEC filings and ownership shrouded in mystery:

https://www.bizapedia.com/de/scarlet-tcr-inc.html

One person who pays attention to this sort of thing is James Love, co-founder of Knowledge Ecology International, a nonprofit that has worked for decades for access to medicines. Love sleuthed out at least one person behind Scarlet TCR: Christian Hinrichs, a researcher at Rutgers who used to work at the NIH's National Cancer Institute:

https://www.nih.gov/research-training/lasker-clinical-research-scholars/tenured-former-scholars

Love presumes Hinrichs is the owner of Scarlet TCR, but neither the NIH nor Scarlet TCR nor Hinrichs will confirm it. Hinrichs was one of the publicly-funded researchers who worked on the new TCR therapy, for which he received a salary.

This new drug was paid for out of the public purse. The basic R&D – salaries for Hinrichs and his collaborators, as well as funding for their facilities – came out of NIH grants. So did the funding for the initial Phase I trial, and the ongoing large Phase II trial.

As David Dayen writes in The American Prospect, the proposed patent transfer will make Hinrichs a very wealthy man (Love calls it "generational wealth"):

https://prospect.org/health/2023-10-18-nih-how-to-become-billionaire-program/

This wealth will come by charging us – the public – to access a drug that we paid to produce. The public took all the risks to develop this drug, and Hinrichs stands to become a billionaire by reaping the rewards – rewards that will come by extracting fortunes from terrified people who don't want to die from tumors that are eating them alive.

The transfer of this patent is indefensible. The government isn't even waiting until the Phase II trials are complete to hand over our commonly owned science.

But there's still time. The NIH is about to get a new director, Monica Bertagnolli – Hinrichs's former boss – who will need to go before the Senate Health, Education, Labor and Pensions Committee for confirmation. Love is hoping that the confirmation hearing will present an opportunity to question Bertagnolli about the transfer – specifically, why the drug isn't being nonexclusively licensed to lots of drug companies who will have to compete to sell the cheapest possible version.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/19/solid-tumors/#t-cell-receptors

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

547 notes · View notes

dungeonpuppykai · 14 days

Text

|| Back To Black ||

Description: When the Winter soldier experiments go wrong on your fiance Crown Prince James Barnes and he ends up crippled and unstable, you call the engagement off and your family proposes that the alliance can still be on if his family pairs you up with his twin brother Nick instead. All seems to be fine and dandy until James breaks out of the lab one night and comes straight for you, razing everyone who stands in his way.

Pairing: Dark!Winter Soldier James Bucky Barnes | Morally Gray Princess!You.

Disclaimer: I do not own James Bucky Barnes, Nick Fowler or any of the MCU characters mentioned (sadly). This story contains dark and mature content. Minors do not interact.

Warnings: Dubcon, morally gray!reader, opportunistic reader, smut with plot, dark!Bucky, angst, winter soldier, exhibitionism, choking, hair pulling, slapping, humiliation, degradation, dumbification, manhandling, unprotected p-in-v, biting, missionary and doggy style, breeding kink, creampie, fear kink, power imbalance, Bucky's metal arm (?), pet names (rosey, baby), Daddy kink, sir kink.

Note: I think this sounds a bit unserious and somewhat goofy aah but this was exactly my idea and I don't think I could have done it any different. Please let me know what you think <3

You rolled your eyes with a scoff at something your now fiance and ex brother-in-law to be, Crown Prince Nick Barnes, said. The night was cool and you had ordered for the lights of the garden that your balcony faced to be turned down. Your silk nightgown that was dark blue in color -Nick's royal color- hung from your shoulders in the most comforting way as the skirt bit of the article swayed with the gentle breeze. You heard Nick's chuckle on the other end of the video call and before you retorted with something edgy because that was just the kind of Princess that you were, you shifted against the railing to make yourself more comfortable while still holding the phone in such a way that he could see you.

His demanding nature was not one you particularly fancied but you supposed that was the kind of liberty that came with being an actual heir. Though you couldn't help but be reminded of how although his brother -the older twin- was a much better crown prince than Nick could ever be and yet he had never made you feel inferior in status by imposing his will on you.

It was impossible for you not to muse on the possibility that if your older sister, The actual Crown Princess of your kingdom, had been chosen by his brother instead of you, Nick would still treat her the same way and if she would put up with having to be subservient.

"All things considered, Your Royal Highness, we are still not having a dozen children" the title never failed to sting your tongue due to how you had never had to use it for your original fiance.

But Nick was just one of those people.

His snort made you want to roll your eyes but you knew better than to disrespect him as the two of you shared a rather formal relationship that was quite terse around the edges. Perhaps, his brother had spoiled you too much. "I always find it amusing that you think you have a choice in–" you were busy watching the stars because you could not bear to look at him when he behaved like this. But then he abruptly changed the topic and you didn't care to express concern by glancing at the screen, "I thought you said you excused your ladies, little one" he did not appreciate being lied to; something he shared with his identical brother.

"I did, Your Excellency" when he sighed in disapproval, you had to avert your eyes from the sky to look down at him on the screen with an air of annoyance about you. "I really–"

"Then who is that behind you?" Nick had also been busy reading away on a tablet as he traveled somewhere -probably back to the Palace- in a vehicle but now he narrowed in on his screen.

Your eyebrows remained flat and you resisted the urge to roll your eyes. "Ha ha, Your Highness, very funny" he had a thing for making silly jokes when he was in an agreeable mood, or at least moving towards one.

"Y/n, I am serious" there was an urgency in his voice as he leaned closer to get a better look. "Turn around right now and tell me who is–"

"You even wear his color now, huh rosey?" Your body took a good few moments to register the voice behind you and you nearly failed to recognize it at first. Though when your brain finally managed to make the association, your heart dropped into your stomach and your blood ran ice cold.

You spun around on your heels so hard they ached, coming face to face with James Barnes; the original Crown Prince and your real fiance. The man who had chosen you over your sister; giving preference to you for once, the brave warrior who had surrendered his body to his country; so they could make the best protector possible out of him, the honorable fool who only wanted to do good; a hero too noble for this wretched world.

Your phone that now blared with Nick's alarmed yells slipped through your numbing fingers but James caught it before it could break against the ground. "What the hell are you doing here?" You harshly whispered as if in a defensive autopilot, overwhelmed by how he had grown three times his size. Your eyes unintentionally traveled to where his arm had gotten mutilated on an expedition and you found a metal one glinting up at you in its stead. Maybe your reaction could be considered foolish in hindsight, but the knowledge that you were utterly at this unstable man's mercy and had nothing to defend yourself with against his monstrous stature terrified you. That in turn caused you to act in the only way you thought was appropriate as you desperately hoped for your facade to affect him in a helpful way.

"Did all those years mean nothing to you, rosey?" His face was covered in stubble and his dark hair was long as it obscured most of his features, deep voice animalistic as his black leather clad form seemed to expand and contract with each heavy breath. Your throat tightened in on itself and your breath hitched. What the hell had they really done to him?

"You shouldn't be here, James" you looked around for your guards– anyone but found the area to be eerily silent. How had you not noticed this ominous shift in your environment before? "That is against the rules as you're endangering the future Queen and many other people" he was all about rules and that was what you had disliked most about him. "Go back" your heart was on the verge of exploding but you pushed on with as much a semblance of composed firmness as you could muster.

Nick's threats and curses melted into the background as James coldly snorted before snatching you by your hair, fingers snaking through a tangle of the strands, the action causing you to wince. It was only when you tried to fight him back and the bustle caused the two of you to inch closer to the lighting of your chambers did his face really come into your view. Your eyes widened in horror as your hand went to clamp over the hold he had on you defensively.

His pale face was covered in blood splatters and his glossy teal eyes seemed to shake, their blown pupils crazed.

"So it was always about the crown then, huh, rosey?" You would never have expected him to sound as hurt and betrayed in this maddened state as he did.

"You know it was" you lied through your teeth to try and get his stance to falter like it always did when you counterattacked to his affectionate advances with hostility; the only thing you had known all your life. "Nothing matters more than the crown" the world functioned on power. So you had always used and abused that you had over him; over his heart.

"I see" except, it didn't seem to budge him much today. Your eyes desperately scanned your dark surroundings again, this time for a weapon albeit still in vain. "In that case, you should be with me, then" your eyebrows furrowed in confusion as you whimpered at how his fingers tightened around your neck.

"James!" And then you were getting dragged back into your chambers.

Once he had approached your bed, he placed your phone on the bedside table so a fuming Nick could clearly see whatever was about to unfold.

Your flailing form was yanked back in frame and then held tightly in place by the clasping of his metal hand over the deep neckline of your nightgown. "Because I am all fixed up," your eyes turned to look at him in horror as he chuckled dryly, "and back to take all that's mine" you screamed and hot tears finally rushed down your flushed cheeks when your compressed breasts sprang free in the air upon his tearing a thick valley between the front piece of your gown. James only snickered into the camera while his brother screamed at him to not dare damage what was his amongst other profanities.

But wasn't James simply repossessing what had always belonged to him in the first place?

He had finally corrected himself in the way the world deserved.

Now he would only live for himself like everyone else was.

He was done getting played for a fool by all.

"Please!" Your words fell on deaf ears as the man proceeded to further rip his brother's color off your body furiously until nothing remained in his hold except for your nudity, strong jaw nearly ticking broken due to how it was clenched as he did so.

"Tell me, dear, did you also let him have you?" You were nearly petrified at this point both by shame and fear as he manhandled you onto the bed before crawling over you like a predator and trapping your limbs under his. "And if you dare lie to me then so God help me" his metal hand roughly fondled your breasts as his other hand tightly restrained your limp yet determined wrists above your head.

"S- Stop!" Your back arched and you turned your face away in disgust when he started sniffing you all over like a hungry hound.

"Hm, what about this little pussy of mine down here" a chill ran down your spine at how the crevices of his metal hand felt against your nether lips when he stroked them. "Has she forgotten her Daddy, hm?" He was the stark opposite of the man you had been engaged to and that in addition to how you had last seen him slashing at the lab assistants while speaking a language you did not understand as well as how semi-liquid crimson particles covered his face caused for a wave of pure terror to rush over you. But it was nothing compared to the chilling fact that his body heat and touch -regardless of its fashion- had awakened that one familiar feeling only he could evoke in you.

Nick went silent at James' words and you felt blood rush to your tear stained cheeks.

Contrary to popular belief, you were not the chaste future Queen saving herself for her wedding night and King like the royal protocol demanded.

But in your defense, the then future King, James, himself was the one who had defiled you because you were already his. And you had let him for you could act all high and mighty as you desired in front of him as well as others due to how comfortably open he had always been about his feelings for you hence presenting a very vulnerable perhaps even a subservient part of himself to you on a silver platter, but also because the man knew how to fuck.

You were addicted to how he felt against you and though you had never brought your suspicion to your lips, you had wondered for the entirety of the time your betrothal had changed to Nick whether the younger twin would ever be able to come even close to his brother.

"Would you look at that?" His coo sounded out of place and ominous due to how the pretend softness stood out from the menace of his tone. "It doesn't seem like she has," your fingers instinctively clawed the air to try and take a hold of his hand to deal with the feeling of his bionic digits invading their way between your petals. "She still weeps and blinks up dumbly at me like a stupid slut all the same" horror filled you as you became hyper aware of Nick's eyes on you, and yet your skin began to buzz at the filthy words that still scratched you in that one way regardless of everything. "Rosey…?" It was chilling how he playfully raised an eyebrow like he wasn't covered in blood and flesh of the people that he had torn apart on his way to you, instead giving you a lazy grin as he spread your privates apart with the back of his hand. "Be honest for once and say, you didn't let him touch you, did you?" Your loins sparked to life when the tip of his finger ghosted over your entrance. "I mean, I know how demanding a whore you really are, common ways can't satisfy you and you don't waste your time on lost causes" James bent down to inch his grin closer to peer down at you and you had to turn your eyes away with a clasping shut of your lids. You had been caught. "The crown matters more than anything, huh?" Your eyes further clenched at his taunt and a shiver reverberated through you when his hot tongue darted out to swipe across the tear stains on your cheeks.

He had promised you during your courting period that he would never allow a single tear to fall from your eyes. It seemed so that even in this state, he was determined to keep it. This way or that.

"I- I belong to someone else now." Having always been treated inferior to your sister, you refused to let go of your only chance at power. So jutting your chin out determinedly you refused to look at him and falter in your stead, for you knew it would make you cave as his face was still that of your protector and pursuer.

Because even if a woman had not the slightest preference for her admirer, the mere knowledge that she was fancied earned him a place in her heart still.

"No, you don't" his words were stern and determined. "You were mine and you are mine" his lips trailed their way down to your neck to mark you his while one of his metal fingers penetrated your intimate band of muscles, causing you to bite back a moan as your pussy clenched defensively; hence intensifying the pleasure. "It's not your fault, really. Your little girl brain is too small to remember the difference between me and him for too long since we are identical, huh baby?" You hated how your traitorous hips betrayed you and began to move in sync with his finger. "But you don't have to worry your pretty little head about that, my sweet rosey…" His lips ghosted over your ear, hot breath fanning your alarmed skin. "I'll just claim you again to remind you" his teeth were sharp and unforgiving against your skin that had faded out the marks of his passion. "And I'll put my heir into that little womb of yours so whenever your tiny mind tries to get too silly again, my child will remind you who you belong to" he refused to acknowledge your protests at that and plopped his fingers out of you just long enough to undo his pants. "Besides," his hard cock easily found its way to your entrance, as always, "isn't procreation one of the duties of the King and the Queen?"

It was then you realized that his transformation had been physical in every sense.

Your eyes widened as your body jolted upwards in shock, lazed out hips now sparking up to life to almost try and get away from the cruel impaler that threatened to intrude it in a manner so devastating that the band feared a ripping of the lining.

James snorted when your pussy refused to accept him and clenched in on itself defensively to shut him out, your petals nearly trembling in fear. "Aw, baby. How cute, you did stay faithful to me after all, huh" shaking his head when you only sobbed in response, he grunted as his huge shoulders moved to attempt an invasion yet again only to be denied. "Tsk, tsk, never learns her lesson, does she?"

"Plea–" your words were cut off by a harsh smack resounding against your pussy lips and you jerked up and into his chest.

"Bad pussy" he seemed to be immersed in a world of his own amusement and lust, ears deaf to your pleas while his dark eyes drank up every last drop you had to offer. "Always playing around with her Daddy" the force of his metal hand was cruel against your tender flesh when three short paced slaps came down on it in quick succession. "Thinking she has a choice, tsk" the next hit was hard and heavy. "It seems she needs to be reminded who calls the shots around here" two concluding slaps later, you were being braced for his cock again and surprisingly enough, your tense little pussy was much more compliant with receiving him this time.

That, and the embarrassing amount of slick that had seeped through your petals as a product of the brief disciplining session.

"You feel that, baby?" His eyes finally looked up into yours as he aligned himself along your entrance. "She's all fixed up for her Daddy now" and then he pushed in.

"Oh!" Your back arched before you could respond since he bottomed out rudely at once, biting down on a sensitive patch of your neck the same time as when he intruded your insides.

The thing was, it wasn't that James wasn't an experimental lover, no. The two of you had done things that you felt mortified to even think about for too long. But it had always been with proper care and vigilance because the then crown prince was very soft on you as he referred to you as his heart. So you treated him like a pet dog and trampled all over his feelings and the liberty you had found in his treatment of you; something you had never been allowed before. You were used to pulling at his strings like a puppeteer.

But now, the way he pulled and twisted you in whatever fashion that he desired…

You never expected the rush of hot need that waved its way over you and the thick arousal that gushed out of your womb to slick his cock to be the result of his manhandling you like you were no more than a doll for him to play with.

And then his touch that you had been deprived of for months was further blocking your intellectual faculties amongst other things.

James' eyes fluttered close as his metal hand reached for your throat to squeeze out the remnants of your refusals. A grunt left him as he let himself reminisce as well as get overwhelmed by the velvet texture of your splotched walls. He brought his face closer to yours and groaned before pressing it into one of your cheeks to press hard, sloppy kisses all over it as his hips moved but only to press harder up your womb.

It was James' custom invented way of getting you completely stretched out for his cock.

… That had grown thrice its size because of his serum procedures.

And the man had already been way bigger than the average.

"J- Jame-s!" You gasped out, struggling to breathe. His stiff tip felt like it was beginning to penetrate something else. "P- Plea-se!"

"What do you want, huh baby?" Your features scrunched together in discomfort as you flexed your fingers again. They needed to be freed so they could hold onto something to cope with the overwhelming penetration.

"Move…" A smirk pulled his lips apart and he opened his dark teal eyes to peer down at you, silently grunting as he pushed deeper at that. "P- Pl-ease–" your tears were starting to become hot and you could feel your nerves bulging against your forehead from the lack of oxygen.

"Will you behave if I do?" Your toes curled as you hissed, the knee that you wanted to bring up as a way to deal with the pain trapped under his heavy thigh.

You timidly nodded because there was not much else left for you to do. It hurt, and you wanted him to move to ease the pain almost as much as you needed him to fuck you.

James clicked his tongue in disapproval and bit down on one of your nipples in a punishing manner, making you jolt upwards in pain. "Use your words, honey." A surge of pure pleasure overwhelmed you and you moaned loudly with satisfied nods, letting him know that you were in the process of complying.

Like you always did when he was buried balls deep in your cunt.

"So you were fucking him when he was courting you, weren't you?!" Nick was furious on the other line, feeling like a lied to fool as you had denied it when he had asked you about it. "I fucking knew it you stupid slut!" The words caused you to clench harder around James' girth as you bit your bottom lip. "I am–" he went to cut the call but a gun entered the frame to press into his temple as his car seemed to come to a halt. You heard a faint 'watch' being told to your fiance.

But for some twisted reason, the way in which Nick's livid eyes now watched you with a quiet rage caused the desire in your hips to only bubble hotter. He didn't have a choice for once and you could go against him all you pleased "I w- will behave… p-lease!" Your eyes had stuck on your fiance so James patted your cheek to redirect your attention to him.

"Eyes on me" the demand was followed by his letting go of your wrists to snake his arms under your waist to hoist you up and in a more convenient position for his cock. You moaned as your fingers found his long hair to hold on to.

"Y- Yes… sir" his leather jacket was coated in blood and human and you did not want yours to add to the mix. So you raked your mind and you raked it hard. "T- Thank you, sir" you rather prided yourself on your opportunistic wit.

James chuckled darkly as he began to reel his hips back, your cavern making a loud decompression sound as a result. You found yourself sighing in relief when his hard skin unglued from yours because for a second it had begun to feel like he was stuck in your channel.

"So fucking clever even with that little brain, aren't we, baby?" Of course you could never truly fool him regardless of how good you were.

"BUCKY! OH!" A vile whine loudly left you when he kissed your chin only to sink down his teeth into it next as his hips snapped against yours to fuck you upwards. He didn't halt this time and pulled out again to back thrust in, his movements slow but visibly desperate to speed up. "FUCK!"

"Ah, there is that girl I raised on this cock and its milk" your chin stung when he finally let go to close his mouth on one of your cheeks now, causing you to shiver from how overwhelmed you felt by the pain in your face and the pleasure that bloomed in your pussy that was inching closer and closer to a proper pounding as result.

"Please fuck your child in me!" It had been far too long. "Please! I need it so bad! Please fuck me full of your children so I can always remember who I belong to!" You liked how Nick watched– had to watch. It almost felt like revenge; a slap you had wanted to hit him stupid with for the longest time for making you feel so low when his brother, who was twice the man he could ever hope to be and your real suitor, never had. James' cock felt just right as he fucked you so good that you began to see neon stars. You didn't care anymore. Or at least, not in the moment. It felt as though your life depended on this release.

Perhaps… it did.

Besides, the silence in your surroundings and gun next to Nick meant James had it covered in some way. Not that it was much of a surprise. His Kingdom had the greatest army to date and those soldiers were loyal and compliant only to him.

"You know what's the best part about this, rosey?" Your mouth was agape as you panted and moaned through it alike, tugging at his silky strands as his ballsack clapped against the beginning of your ass before sliding into your cunt each time, the primal smell of slick, sweat and sex floating in the air around you.

"What is it, my King?" You were shameless with it, as you had always been. "Please tell me" the fake way in which you unclasped your fingers from his hair to scratch one of his cheeks with your nails made him clench his jaw as he squeezed one of your tits, pistoning his cock in and out of you even faster.

"I know you don't mean any of this" you froze momentarily and his crooked smirk morphed into a grin. "But you will before the year's end" you went to speak but his metal hand found your clit just in time and your eyes rolled to the back of your head, nails digging into the stubble of his cheek. "I know you will" him promising you that you'd return his feelings one day wasn't anything new. He had always told you that. However, normally your response would be a roll of your eyes or simply a change of topic. But today, something dangerously final lingered in them and you had no clue why but you found yourself answering;

"Yes, sir! Thank you, sir! I will, sir!" One of his thick nerves twitched against a particularly sensitive spot in your walls the same time his tip found your special bundle of nerves and brutally collided into them, tearing out incoherent screams from deep within you. "Oh- I am– I am–"

"Don't cum" his hand disappeared from your clit and your eyes that you had subconsciously closed flung open as you begrudgingly tugged at his hair with a needy whine. "You don't deserve it" your body violently jiggled up and down in his arms as you vehemently shook your head.

"NO! PLEASE!" If there was one thing he didn't appreciate, it was you raising your voice at him. But you couldn't help it, your build up was nearing its edge and the fear that it would topple over all wrong after such a long time scared you. Because once an orgasm was ruined, there was no coming back from it. James had taught you that one night after a ball when you had danced with someone a little too frankly.

"No?" He was panting himself as he hugged your waist closer to his, the feeling of his cock's imprint pressing against both of your stomachs only making him slam you down harder and harder. "So you deserve it?"

You quickly shook your head as your boobs flew about, pussy trying to close on itself out of sensitivity when his metal fist closed around your throat again. "N- No! No! I don't, sir!" Your voice altered in a humiliating manner when he squeezed and your dry throat pressed in on itself, making you cough.

"That's right" his hand parted from your neck long enough to slap you. "Think you can just say your pathetic little pretty please and I'll forgive you for forgetting my existence the moment I wasn't good enough for you?" You sobbed out of frustration, willing your hips into squeezing themselves closer together so you could hold on from falling over.

"No!" He slapped you again, the force causing your head to turn sideways this time around. "No, sir!" Desperately reaching for the artificial hand you pressed humiliating kisses all over it. "But it's been so long! Please, my King!" Your back arched from the strength it was taking you to keep yourself from cumming. "I need you so bad! I need it so bad!" In your confusion and oversensitivity you dropped your head against his, your knees trembling. "Only you can make me cum! I tried for months! So many times in so many different ways!" The tears of embarrassment were hotter than those of need that you had been weeping all this time. His movements faltered a little at your confession. "But nothing worked! Only you do! So please! Please let me cum! I don't know what I will do if you don't! Please let me cum and give me your babies!"

"Only I work, huh?" His voice was eerily quiet, a new kind of dark exploding in the air about him. You vigorously nodded, genuine for once in your life.

James' chuckle was the only thing your hazy mind registered before you were moved, twisted, turned and bent faster than you could keep up with.

The next time your consciousness caught up with the present you were facing your phone, on your knees like an animal as your build up slowly subsided. Though your vacant pussy was plunged full soon after, your legs getting pulled apart before being hoisted up in the air by James' hand, your elbows the sole support of the upper half of your body now.

"Tell him how badly you want to be stuffed full of my children and I'll let you have it" blood rushed to your face to bubble under the skin when your eyes locked with those of the stoic male at the same time but before you could hesitate, James cock began to move inside you although torturously slow. "You might want to hurry up, rosey. I don't have all night" the spank that his words accompanied sparked you into motion like someone pressed a button on you.

"Please, Nick!" The thrusts sped up and your claws dug into the mattress. "I want James' children so bad!" There wasn't much emotion on the male you faced but the bright red of his ears and neck even in the dim lighting of the car indicated that he was both furious and humiliated. Perhaps even more so than you. "Please! Please ask him to stuff me full of his babies!" The more slaps rained down on your ass as your pussy expanded to welcome James balls deep inside you with each brutal thrust, the more your mouth ran on the most vile autopilot. "All I want in my life is to be fucked swollen and heavy with his children with my body wrapped up in his color while I nurse the other ones!" James cursed before his hand reached for your front to dip between your legs and you moaned before your arms gave out and you fell face first.

"You heard her, now tell him that" as your cheek rubbed against the mattress everytime you were pounded into it, you heard a man speak to Nick. The Prince tried to protest but something– probably the gun pressing against his head caused him to stop before he gritted out a few seconds after;

"... Fuck your children into her and wrap her swollen body in your colour, James" the man reminded him that it was King James, for whatever reason and Nick sighed before correcting himself. "Please, King James" you couldn't help the whimper that forced itself out of you at his menacing tone.

Your back arched when the frantic circular motions of his fingers became too much for your cunt to handle and you clenched around his girth again, shuddering as you prepared yourself to get in trouble for the orgasm you were about to have.

But then your dependable luck did its thing. "Cum," the vibration of the spank buzzed through your whole body, "cum for me" as your tense muscles relaxed and you closed your eyes to let go, you felt James' hot seed explode within you, the force of his thrusts causing the cum to go flying all about.

Your eyes fluttered shut and the only two things you registered for the next few minutes were shaking profusely while limb paralyzing pleasure exploded through you and the rapid rubbing of your cheek against the soft bed covers which was result of the brutal pounding you were receiving from behind.

When he was done with you, he slowly untucked himself from you and left you trembling on the mattress while he fixed himself up. "Natasha!" Your ears perked up at the name of his second in command and you trembled at his volume. The heavy doors to your chambers opened and closed after the woman in question.

The red head clicked her tongue as she approached the bed, the heels of her boots faintly clicking against the floor as she walked. "Could've done better…" You jumped from how close she sounded when she spoke. "Because she's still awake" the hair on the top of your head was fisted into his metal arm to pull you up and you had to hurriedly scramble to cover your blushing jizz covered ass.

"For what's going to happen next" you whimpered at his words as you were moved onto your trembling knees by the humiliating hold that the man had on your hair and your whole body shook under the stern woman's scrutinizing glare. Peeking up at the red head through your lashes, you went to cover yourself up but James' scold for you to stay put had you planting your wrists in your lap within the next second. "Hands down" you hurriedly lowered your head too to avoid further increasing his ire.

Some shuffling sounded from above you before James approached you again. "Arms up, baby" the endearment must mean that you would be spared… right? You quickly complied with the utmost obedience and James placed a comfortable black gown on you before stepping back to reach for something else.

You almost gasped when you recognized the brilliant glimmer from your peripheral vision.

His mother, The Queen's, crown.

"There you go" you felt him place it on your head and your heart dropped. "Everything you always wanted placed on that silly little airhead of yours, baby" an embarrassing gasp escaped you when he suddenly pulled you closer by your throat. "Are you happy now, my sweet rose?" Your eyes welled up with confusion and how he suddenly slapped you before pressing his lips against yours roughly.

"He asked you a question, brat" you jumped at how Natasha spoke up suddenly, clearly fed up with you blinking up at him dumbly.

"That's no way to speak your Queen, Nat" your heart warmed up at how he clicked his tongue at the woman disapprovingly. "Tsk."

"Y- Yes. Yes" you nodded, still in a daze of post-orgasm sensitivity and general puzzlement at the absurd turn of events from an already shocking situation. "Yes, sir. Thank you so much."

He was smiling now. "Good girl" before he pecked your lips and held his hand back for Natasha to hand him something else. "You can rule all of them" your face burnt when your mind registered the accessory that he wrapped around your throat next. A collar and a leash embedded with sparkling diamonds. "I just want to rule you" his metal hand rotated in the air as he wrapped the leash around his bionic digits. "Let's go" you nearly fell on your face as you were pulled off the bed before being marched straight to the heavy doors.

Natasha opened them to reveal your entire family and staff standing mortified outside on weapon point of James' army. You whimpered and lowered your head in embarrassment until your chin touched the area between your collar bones, fingers tightening around your gown as you suddenly became hyper aware of the faint dig of the edges of the collar against your pampered skin.

"The King has called the alliance off" Steve, your owner's right hand, announced in his firm and curt voice. "The only reason why he has spared you, I must add just this once, is because you are related to the Queen. Any efforts of contact from here on out will lead to unsavory consequences akin to those his own family has met" a chill raised in your spine as your blood dropped in temperature. Holy fucking shit. They really had made a beast out of this once too noble to be true man. "Lastly, not that any of you really care but if the Queen ever wishes to visit, she will be allowed to do so after she has provided His Highness with an heir, accompanied by some of the best that the army can provide."

The walk out to the numerous sleek black SUVs felt like one of shame despite you wearing the crown you had always fantasized about.

And perhaps that's exactly what it was.

A balancing of the scale.

For betraying the one who loved you so dearly that even in his mindless state, he had known not to hurt you.

At least, not in a way that hadn't made your silly little pussy weep for more.

Tag(s) <3: @identity2212 @tilltheendofthelinepal13 @cjand10 @ihavetwoholesforareason @myfavbuckyfics

#bucky barnes smut #bucky barnes fanfiction #bucky barnes x reader #mcu bucky barnes #james bucky barnes #bucky barnes #bucky barnes x female!reader #bucky barnes x smut #bucky barnes x you #bucky barnes x oc #bucky barnes x female reader #bucky barnes x y/n #bucky smut #bucky x female reader #bucky x y/n #bucky x you #bucky x reader #james bucky buchanan barnes #dark bucky x reader

222 notes · View notes

utilitycaster · 2 months

Note

Do you think part of the D20 journalistic bias comes from D20 being edited? It gives the appearance of much more effortless play and lets them control the pacing in a way unedited play like CR simply can't do. They get to (potentially) hide a lot of stuff people would jump on as flaws while CR has no choice but to let it all play out. I greatly prefer CR's approach, despite it biting them in the ass a bit through no fault of their own.

Answering these both together to group cause and my opinions, and I do want to note this is specifically about journalism/press coverage, not their respective fandoms even though there's obviously some overlap.

I think there's a couple things, but I do want to note this was actually prompted by Daggerheart, not Critical Role. The response from several prominent voices in the Actual Play journalism community, whom I will not name here but whom I do not respect intellectually, really was, within hours of the open beta (which as far as I know they didn't have early access to - more on that later) "um it could be better, I don't like xyz and also it's sooooooo important to have criticism" and again, it is important to have criticism, but also you act like D20 has never had a mediocre moment and that Kollok is brilliant, so.

This...got away from me a bit. I'd say I'm sorry but actually I adore writing thousands of words about actual play and it will happen again but I'm putting the detailed answer below a cut. The short answer is I think a lot of Actual Play journalists actually sort of fell into their jobs through being vaguely involved in nerd spaces and aren't actually equipped to talk intelligently about TTRPGs and actual play as a medium that should, at its best, be a perfect fusion of narrative and mechanics. So instead they're distracted by flashy edits and bright lights and cool noises and some abstract concept of "novelty" and write only about that. Also Critical Role is the 700 lb gorilla in the AP space (though not, actually, the TTRPG space) and doesn't give them early access and that's meaaaaaan. Indeed, for all I think a lot of their coverage of D20 and Worlds Beyond Number is obsessively fawning, I also think it's extremely surface level, frequently factually wrong, and fails to get at what's truly excellent about those shows either.

I think, honestly, the biggest one is that I don't actually think a lot of Actual Play journalists watch series in full. I was looking for Polygon coverage of Fantasy High Junior Year and they have one glowing article but it's more about Fantasy High as setting and institution and D20 "changing the game" (also more on this later) to the point of outright contradicting the pull quotes they used from interviewing Brennan Lee Mulligan (also more on this later). So I started looking through their coverage and actually, quite a number of their write-ups are based on only one episode, or half a season. Clearly, they haven't read the full open beta (nor have I, but I think their complaints about the character build process belie a profound misunderstanding of what TTRPGs are, also more on this later). So editing is certainly part of it because it's really easy to see cool special effects and sound design within one episode and shit out a hacky article about it, whereas actually getting to the substance - character relationships, cohesive narrative, storytelling - requires work that I do not think they're doing. And on the one hand I do kind of get it, because yeah, if journalism is your livelihood then you perhaps do not have the time to watch 4 hours of D&D a week for 2-3 years if you're only going to get one article every six months out of it. But I don't think the answer is "focus intently on Microsoft Powerpoint-esque scene transition tricks while ignoring that nothing occurring at the table is actually fun to watch." For more on this, see this post.

The second, which is very relevant to Daggerheart but also is actually a big gap in D20 and WBN coverage in my opinion, and which I put in the tags, is that I actually don't think a lot of journalists have a solid understanding of TTRPGs nor of most genres. And I think Critical Role has a particularly good understanding of both these things, actually, if one skewed towards collaborative storytelling that is not rules-light. I think one really big example is that one person within the space is mad at the Daggerheart questions for the character archetypes because what if your character doesn't fit these. I think this is dumb as shit. I actually think that a common criticism of D&D - that you can't play ABSOLUTELY ANYTHING - is not valid, or rather, it's a valid opinion to hold but if you want to play a character who doesn't fit into the available archetypes perhaps you need to find another game. We all inherently understand that Blades in the Dark characters will be members of a criminal organization in a relatively low-magic setting, correct? That you can't show up to BitD and play a lawful good wizard prince because that's not the story being told? Or like, how in Honey Heist, you are a bear and you are trying to get honey, and you cannot play a human child investigating the old abandoned house at the edge of town, but there's a cool game called Kids on Bikes that will let you do that? Great! Why is this suddenly so hard to understand in the realm of heroic fantasy, that you will fit into specific archetypes? Why do people's brains, if they have them to begin with, vanish suddenly? I know I just did a big old rant that included this within it but genuinely I think a lot of people are deeply ignorant of heroic fantasy, or don't like it, and either is fine, but then they get mad at the heroic fantasy game for having heroic fantasy archetypes when the answer is "maybe this will never make you happy because it's not for you." (Frankly, I think this is also why they love D20, because it doesn't really do straight-up heroic fantasy, and that's fine, but they do keep acting like doing a Game of Thrones pastiche is equivalent to the invention of the wheel.) Like...I remember in the Midst Q&A that Xen said they tend to not like playing typical D&D classes, but their solution was to, you know, create Midst instead of sitting around going "actually, because D&D doesn't support cyberpunk narrative and the character archetypes within very well it is an utter failure." (I could go on forever about how actually TTRPGs are not a showcase for your already extant OCs to prance around but that's a totally separate post).

Mechanics and story are inherently intertwined, is what I'm trying to get at (sorry I'm really tired and have a lot to do but I'm passionate about this answer, it will be rambly, she says like 3 pages in) and I really don't think most actual play journalists get this. At all. And I do think that CR, and Daggerheart, and the people working for it, and especially Spenser Starke, Rowan Hall, Matt Mercer, and Travis Willingham, get this more than almost anyone else in the field. I also think Brennan Lee Mulligan and Aabria Iyengar get this, and the thing is, for all the praise showered upon them, much of which I think is deserved and most of what I think is undeserved is not because they are lacking but because the person writing about them is an idiot crediting them for things they (Brennan and Aabria) would never claim to have invented, their mechanical prowess is rarely if ever written about well. Fantasy High Junior Year's downtime mechanics actually fill in a famous gap in D&D, namely, downtime, and provide an excellent marriage of story and mechanics in my opinion, and I haven't really seen any discussion, because that would require watching the part of the TTRPG show where they play the TTRPG, and knowing the vague word on the street about D&D criticism that isn't just "*nods sagely* capitalism is the BBEG."

And finally: related a bit to the edit but Critical Role used to not be able to provide any early access to press, because it was literally a live show, and I suspect they never broke the habit, and I think that is for the best. As discussed a lot of D20 coverage actually feels like they watched the press screener and then never returned to the show. And I do not know the politics about them, but given that several of these publications (notably Polygon, but some others) have been shitting on Critical Role for several years, and just generally given the way CR's leadership vs. how D20's leadership respond to fandom pressure, I suspect Critical Role does not give these journalists a ton of early or increased, if any. Honestly, why should you, if you're getting interviewed in Variety? And I think the journalists are mad, because they think they're special and should get treated as such.

I do want to wrap something up, and I want to thank @captainofthetidesbreath for talking a little about this in game design/ttrpgs and giving me the idea, but in story, you should be challenging your audience, expanding their horizons, and being new and interesting. In the actual playing of TTRPGs, especially a new one, it is vital to be inclusive and easy to understand and patient and provide points of reference. I really feel like many Actual Play journalists and some TTRPG ones as well have this equation flipped and are looking for challenging concepts that most people will never be able to get a group to be willing to play, and bells and whistles in production, but leave story as an afterthought. Critical Role designs games to actually be played and to be used specifically to tell good stories, and puts story before production, and I think that undercuts those journalists' whole deal.

#answered #Anonymous #long post #cr tag #anyway though i am going to go lie down and try to take a nap bc the daylight savings got me but good.

232 notes · View notes

sunsetkerr · 2 months

Text

SAMMY'S GIRL (ii) | s.kerr

summary: MORE headcanons on your relationship with sam, read part one here.

pairing: fem!reader x sam kerr

notes: getting out lots of little headcanons because they're just so much fun to do. sammy's girl is my favourite of all my girls (completely bias, sorry) but if you want to see what other 'wags' are in my lil universes, check out my masterlists!! each 'wag' is also going to get their own tag, so check those out for little file facts, or ask questions/send thoughts so we can add to them all!! lots of love

as previously established, you’ve grown up with sam right

you’ve known her through every little phase and every weird obsession she’s ever had

you know her deepest secrets and she knows yours

its honestly quite jarring because you both know each other better than you know yourselves

you’re not at sporty as sam, only relaly dabbling in school netball for carnivals and stuff when they needed extra girls

but sam would try and include you as much as she could in all aspects of her career

if she was having a solo gym day, or just going on a walk

guess whos coming with!?!!!

its you!!!!!!

if she wants a swim at the beach for recovery

she is making sure that you tag along

(not just to see you in your bathers, its for recovery, have some professionalism please)

sam has spent half of her life without you and having to settle for seeing you through a screen

so once you’re in london with her permanently, she is making the most of that

she needs to shower? you’re passing her body wash

she’s hungry? shes making two servings and you’re eating with her

she wants a coffee? youre heading to your favourite spot

you are always around

and sam isn’t having it if you’re not

when she does have to go away?

youre getting texts from guro, erin and millie complaining about her

‘omg she wont shut up about you’

‘if sam doesn’t stop talking im gonna clock her y/n, i won’t be held responsible for my actions’

‘she’s at a new level of pathetic, please come get your girl’

but they understand, they love you too

the entirety of the chelsea squad know you’re at every game

they have a dedicated seat for you in the family and friends section

everyone is away that it’s your seat

millie’s fiancée wards people away from it

he once had to face the consequences of sitting in your seat

he wouldn’t wish an angry emma hayes or sam kerr upon anyone

but its not all about sam

she is just your biggest cheerleader

you were able to finish your degree online and were lucky enough that your credentials in australia carried over to the uk

so you started working there

im picturing sports journalism???????? you were forced to be around sport your entire life that it kinda just became a natural thing

you were so well-informed on so many different sports it was crazy

sam loved plugging anything you were writing

you posted a new article? she’s sharing that shit on her instagram story

you won an award for a piece? she’s at the ceremony

you’re working overtime to get a project finished? she’s ordering you dinner to the office

as much as sam is a professional and very famous athlete

she’s still just sammy to you

and she’s never forgotten that

but to her, you are the best thing to ever happen to planet earth

and she makes sure that everyone knows

living with sam is lots of fun

you relish in all of the time you get to spend together

call it making up lost time

sure, she leaves her stuff everywhere

but you’re guilty of that too

you still hold each other accountable

‘sam you didn’t do the dishes’

‘okay and you didn’t hang out the laundry’

‘… fair enough’

making dinner together is just chaotic

sam can only cook breakfast, she excels at smashed avocado

so she really lets you take the reins on dinners

she succumbs to the sou-chef life

you force her to watch movies with you

she argues and says that tv shows are better

(even though you know she’s completely invested in whatever film you’ve chosen)

you have a little brother who just idolises sam

and he has since the day he was born

he was a classic accident child, a real surprise for your parents

but watching him grow up was just the best

hes the biggest women’s soccer fan you know

he’s up-to-date on all of the woso drama

definitely can tell you the entire timeline and drama of the mcfoord relationship

so when he’s old enough

sam flies him over to the uk all the time

he just loves sam so much

he wears her jersey to every game, saying he doesn’t want anyone elses

(maybe maccas, but that’s a different story)

and sam is estatic to have him there

definitely walks out with him as her mascot on multiple occasions

sam isn’t super touchy feely in front of others

but when shes drunk, she can’t help it

she just wants to hold you and she doesn’t care who’s around to see it

sam really loves watching men at bars or in clubs try to hit on you

just to go and ruin their fun

it’s her favourite pastime really

sam’s extra sappy and clingy when tired

after a big night or a tiring game, she wants to curl up next to you and have you hold her until she falls asleep

sometimes it’s a foreign feeling for you

sam is almost always the big spoon

so you really drink in the feeling whenever she feels vulnerable enough to let you hold her for a change

sam is also extra attentive when you’re not feeling well

she’s so doting and always checking in on you

if shes around, you’re being waited on hand and foot

‘are you okay? do you have a temp?’

‘let me get you some water’

‘i don’t like the sound of that cough, y/n’

if she’s away for a game, your phone does not stop ringing

she’s always texting when she has a spare minute

and if she has more than ten minutes to spare, she’s calling you to see how you are

sam just adores you

the fans adore you even more

the amount of tiktok edits of you and sam are crazy

the one of you in the stands after her goal against england in the world cup went viral

the way you jumped out of your seat and almost threw yourself over the barrier was on the news the next day

the clip continuing as sam ran over to your section, as you both shouted in celebration to each other

or the clips in the matildas doco series of the two of you

the lesbians went feral for that shit

everyone wants what you have

everyone wants you

you are that bitch

sam knows it too

and she’s not afraid to let people know just who you are

because you’re hers

forever and always

#headcanons . * • .#sam kerr x reader #sam kerr imagine #sam kerr one shot #woso x reader #woso imagine #woso one shot #sammy's girl . * • .

193 notes · View notes

ofmdtereomaori · 11 months

Text

I'm begging you, please stop italicising te reo Māori words in your fics.

There's a really excellent article by Khairani Barokka on why italicising non-English words in general is not a great idea. (tl;dr: it's very othering)

For te reo there's an additional reason, which is that most of us in Aotearoa stopped italicising te reo decades ago and now when we see it it looks fucking weird. It feels like you're holding the word with tongs; like you're saying "hey I found this weird foreign word and I don't really know what to do with it!"

Which is a pity, because there's some really good fics out there exploring Ed's Māori identity, and the italicising makes them look less good than they are. (I'm planning a specific recs post, but want it to be 100% positive, also there's stuff I haven't read yet.)

I don't want this to be a call out post, because I hate that shit, and I know that everyone's coming from a good place. If you've been italicising te reo words, you're probably doing what you were taught was the right thing, and I genuinely don't want you to feel bad about it. This is just a learning experience; go forth and use italics as they should be used in fan fiction:

"Oh. Oh."

PS I can't write about italicisation and te reo without mentioning the brilliant Alice Te Punga Somerville and the especially her poem Kupu rere kē.

#te reo maori #language stuff #fanfic #our flag means death #Māori Edward Teach #italics #writing

544 notes · View notes

evilcokito · 5 months

Text

Captain and Lieutenant of Squad 9

" Protect the Soul Society AND THE CAPTAIN at all costs! ".

Requested by: @mediocremelatonin235 Thank you! As there are two characters at the same time, the illustration is a little more elaborate has an insane amount of love and work it was very entertaining to do this as a Lieutenant-Captain team!!!

☀️ 🐍 Curiosities: ok, this is going to be long.

Even though Kalim is the Captain, he never fights or has been seen fighting. Therefore, Jamil is VERY close to the power that a captain can have. He also acts like one most of the time and subordinates follow his orders. They think that their lieutenant is very honorable to do that... but Jamil believes that he has no choice.

The lieutenant and subordinates of this squad are in charge of defending Soul Society, therefore, they are always prepared for battle. Anyway they are easily distracted if someone attacks or goes directly Kalim.

They are also in charge of writing a magazine that is used as communication media in the Soul Society. All Captains, Lieutenants and Shinigami can participate. It is much less serious than it seems: Trey publishes recipes, Idia "Video Game Guides", Crewel fashion and trends, Malleus articles about gargoyles, Sam gossip... etc.

☀️ Captain Kalim Al-Asim ☀️

One day he simply appears as the new Captain. Nobody knew where (except Jamil) but since he's nice, they didn't hesitate to accept him.

Very calm and happy. He does not give direct orders to his subordinates.

He knows Jamil from before. More than a subordinate, he treats him like a friend or brother. Also to the other shinigamis.

Their lack of Authority is notable among other captains, they do not know how that squad works.

He has an excellent relationship with everyone in Soul Society. Is also usually invited to other scuads.

He is not a captain who is going to attack, prefers to talk.

Kalim seems to have powers related to the element water.

Kalim was never seen fighting, but this is actually because SOMEONE always fights for him.

He doesn't seem to excel at any particular Shinigami ability.

Asim family specializes specifically in "something", which is why there is a unique sword that belongs to them (It is inherited).

🐍 Lieutenant Jamil Viper 🐍

Jamil is very good at his job, but hates everything related to the famous "magazine".

"THE CAPTAINS REALLY WANT TO PUBLISH THIS??!!"

From reading all this crap, Jamil is usually very well informed. Proclaims not know... but knows all the shinigami gossip.

Publishes a series of Articles under different names. Jamil flatly denies it. It has not yet been discovered which one it is specifically.

Excellent in all Shinigami skills, especially Kido (Spells that require a certain level of power and skill). Usually uses mainly the fire type, and without need of incantations.

He is also very athletic and an incredible planner.

Jamil hates people who enter a fight quickly... but he is the first to attack from behind.

"Honor in a Battle? Dont make me laugh."

One of the lieutenants with a Bankai, along with Lilia and Cater.

Formidable and powerful Shinigami, could even be a great enemy for Soul Society... but he is too busy taking care of his Captain and Scuad.

He was the one chosen to be captain of his squad before Kalim arrives.

Jamil: ... *adjusts the kimono of a subordinate shinigami* don't be sloppy. Shinigami:Thank you mom. Jamil: ... *stare* what did you say? Shinigami: NOTHING

#twst #TWST Bleach Au #twisted wonderland #kalim al asim #jamil viper #twst kalim #twst jamil #THANKS FOR THE REQUEST

195 notes · View notes

mamapyjama · 1 year

Text

I’ve been rereading the current anime arc in the manga, and finally got to The Apology™️, and I wondered what words Katsuki used before translation.

Disclaimer: I’m sure others must have posted about this before but I couldn’t recall reading it myself. I do remember there was a lot of talk about the way he used “gomen” as the Japanese fandom were saying how cute and childlike it sounded, so I thought I’d see if there was anything else interesting there.

Oh, my sweet sweet baby boy…

So, just before he says ‘Sorry for everything’ (ima made gomen), he says:

言ってどうにかなるもんじゃねェけど

本音だ

出久

“Itte dōnika naru mon ja nē kedo… Honne da…Izuku”

Which in the English translation, gave us:

And “speak my truth” is lovely and all, but the word from the original that stuck out for me was ‘honne’.

I’m not sure how familiar most people are with honne–tatemae (I only know about it because I go way way too in-depth when researching for my fics lol), but it’s a concept that every Japanese person is deeply aware of, and underpins much of their society.

Here’s the Wikipedia intro:

Ohhh, that is some extra juicy context for Kacchan’s speech. Essentially, he is saying that everything up until now has been his tatemae, a public façade to protect his own position (strong, powerful hero etc), but that he can’t keep that up and he wants Izuku to see his honne, his true, private self.

Excuse me while I melt from the cuteness.

But WAIT! There’s more!

How much do you know about second-person pronouns in Japanese? (Nope, this isn’t about ‘kare’ again this time hehe).

You’ve probably noticed in the anime that Kacchan says “Temee” a lot, and you may have also noticed that it tends to get translated as cursing. So it actually just means ‘you,’ but like a really rude way of saying it, such that the only way of reflecting that in English is to replace ‘you’ with something like Bastard or Asshole.

Again, have an expert explain:

This and the below are from a very excellent article about second-person pronouns and how they are used for context and drama in anime specifically. I’d recommend reading it as the context is really interesting!

So although pronouns aren’t actually commonly used or necessary in much spoken Japanese, when they are used, it’s a deliberate way to tell you about the relationship dynamic between two characters.

But why, you may ask, am I talking about pronouns again?!

Because, dear friends, throughout the first half of his speech, Kacchan uses ‘temee’ as usual to describe his past with Izuku. I’ve highlighted it below, and pls also note the shaky speech bubble showing his nerves during the ‘honne’ section. 🥺

HOWEVER, straight after he says he wants Izuku to see his Honne, Katsuki switches pronouns from ‘Temee’ (v rude), to ‘Omae’ (very casual/familiar). Below is the page after the apology.

Considering we now know pronouns are not necessary to convey meaning, that’s a hell of a lot of omaes on one page!! Boy cannot get enough of saying it.

If you want more about the different pronouns, see below for a helpful table of common uses for both. And please indulge my shippy heart for highlighting the second usage (but, like ‘kare’, you never know)…

Katsuki is showing Izuku immediately and repeatedly that this is who he wants to be to him and how he wants the world to see them. His honne, his inner desire, is to be close to Izuku, to treat him as an equal.

He’s not just saying sorry, he’s showing that—at least from his perspective—things are going to be different from now on. But, like, also, that this was how he felt about him in private the whole time?! GAHHHH.

So there you go, the apology that was already a massive turning point in their story/relationship was actually even deeper and more beautiful than we all thought. Yet again, Japanese conveys nuance and intention far beyond what can be translated. 😭💕

#mha 322 #bkdk #bakudeku #deku #bakugou #mha #bnha #Japanese wins #kacchan loves deku #the apology #izuku #kacchan #pyj obsesses

837 notes · View notes

chiprewington · 5 days

Text

Character Analysis on Chip Revvington, the Chainsaw Consultant.

Genuine Long Post Warning, as well as a LOT of images. This is going to cover literally everything we know about Chip and my take on what's provided In Canon (being his Cogs Ink profile, his Interview, the 1.3 News Article, and In-Game). This is my first try at an In-depth Character Analysis. Screenshots used are from the official Wiki.gg, In-Game, and from the Corporate Clash News Archive.

Prior to being brought on to lead the Deforester Force, it's shown he's clearly a confident Suit, and has a genuine passion for his line of work as a consultant. With his personal statement alone this can be seen on full display with how he writes about himself, including noting how he's not swayed by bribery in any manner. (also the fact he outright pokes fun at one of the bribes will never not be funny to me)

Not to mention his lack of discipline records throughout his 19 months having already worked for C.O.G.S. with his usual job as an external consultant, this plus the fact he has "positive remarks" from his previous places of work shows he's probably in very high demand and really does excel at his job.

This is also shown in his interview, where he also equally shows a lot of passion for his job and genuine interest with answering questions relating to it. Before we get into that though, I feel like it's important to also point out a couple other things that I think about a lot with his profile.

This, being referred to as the "Temperamental Terminator" in the 1.3 trailer, and considering the average age of a Consultant is ~40+ years (and I personally hc him as 48), I think it's safe to say Chip just always was a quick-tempered individual throughout his life. It's one of his less favorable traits that I personally find charming.

And these read to me like Chip's always been considered "scary" among other suits. His behavior isn't the issue (yet) though, he's just a massive guy who happens to have a chainsaw for a snout.

Which. Makes this very interesting. Jennifer, stated something similar above, but I feel as if her intentions are more... unaware than the actual company's. Jennifer sees a guy with a big Chainsaw and thinks "Oh! He can cut down trees with that!" Jennifer ily. The company on the other hand probably has had this idea of what Chip could be a candidate for. They hired him to lead the Deforester Force. His job consists of him sitting in an office. Nothing relating to physical labor in cutting down trees, he just oversees the process. "Chainsaw apparatus will be helpful [...]" suddenly takes on a much darker meaning, in my mind.

Which is how we get here. Chip being modified with a clearly experimental hardware which we all know as the Personality Override. The fact that it was only "partially successful" is a very fun thing to consider.

Note the fact that from a canon standpoint the Override was implemented "2 weeks ago". This will be important later.

(The toon who got the above screenshots is not mine!)

Another fun side-note is the fact that the Override is experimental. It's experimental hardware. Chip is the only one with it. They are using him like a guinea pig. And not to mention "Dealing with Toons far more efficiently" paired with the above company-sourced "Chainsaw Apparatus will be useful [...]", you can't make this stuff up. They turned this guy into a living weapon likely without him knowing the full scope of what would happen if he did get this position in the first place.

Okay. Now we can talk about his Interview. Which even through glancing at it you can see just how passionate he is regarding his work. He is driven and confident that his plans for the Deforester Force will work. He wants to believe that he'll set an example for the rest of the departments to execute a similar plan.

And then this question comes up. And then I have to remind you it's probably been only a couple days since he's modified. And he already has rumors circulating about him.

And the moment the subject is changed, he perks right back up into being passionate about his work.

I also feel like it's worth mentioning the fact he's been actively requesting and wanting Spruce (who recommended him to begin with!!!) to join him in the Deforester Force and keeps being turned down on it. The way this and something else I'm about to touch on are written feels like he's barely been able to see him. These two have a brotherly bond and they're being separated. He misses his brother, man.

That's not even getting into this. Even as I'm writing this I just realized the implications of something at the end of this and I'm going to have to pace around my house thinking about it. But also you can see that even though just the slightest amount of time has canonically passed since the interview, you can already see the toll the Override's been taking on Chip's behavior. While he was once passionate, he's now actively complaining about his job. It's not even about the job itself, it's about what's happened to him.

Not to mention, I feel it also displays his temper in full swing once again- even if he's justified in this sense.

I also need to pay special mind to this ending bit right here because the implication of this with everything else surrounding it fucking broke me. uugghhhhh.

Now this is something I feel is so, so, so important to his character. He actively does not like toons. He clearly shows a certain disgust for them and views them like Animals. Pests. He doesn't hesitate to proudly state his opinion on them. And then you see him in-game.

He hasn't changed his mind about toons at all. Ignoring the fact that "you critters again" insinuates this isn't even his first contact with toons (will get to this later), he's... Restrained. I don't know, this reads to me like he's actively restraining himself from blowing up. "You don't want to see what happens when I get angry." is a warning to just comply and leave.

And then because he doesn't remember he fired the rest of the Deforester Force (another thing I want to touch on), he actively gets upset and angry at the remaining flunky because of course someone as high-rank as himself wouldn't want a Flunky on such an important team. Once again, additionally showing his active temper. His active temper he just tried to restrain and bottle up.

And that's what breaks the camel's back. The Override most likely activates from excessive anger/distress, something that Chip Actively Struggles With. He has to bottle himself up because if he tries to be his usual hot-tempered self, which is who he naturally is, he's just going to lose himself. Lose himself to cog knows how long as being a lifeless machine that perfectly and efficiently complies with the commands its given.

He begs for help when he's able to partially regain control (emphasis on partially, considering the most he can do is speak and prevent Deadwood from happening), but like. Again, to me this reads as the fact he is currently Incredibly Fucking Terrified because he's completely aware the whole time the Override is active. He can see himself acting against his will. It's mortifying. He's willing to beg anyone for help because the Override is genuinely traumatizing for him.

Which makes this all the more harrowing. He can't keep the Override at bay forever (likely the only reason why he partially regained control is from the sheer amount of pain he put himself in by ripping out one of his bulbs. You can see him brace himself and wince when that happens). Once again, "save yourselves" in this context feels more like he's scared. He's terrified. Because the Override sucks. And the implication of "ALL RAM CLEARED" doesn't leave much room to assume anything other than the Override likely clears out Chip's memories in order to make more processing room for this janky hardware to run at a constant overclocked state. I wonder how much of Chip's memories have been removed because of that thing, honestly.

By the way did you know that a normal chainsaw runs an average of 12,000 RPM. Do you think about how the little RPM icon is his saw smoking as if it's overheating. What the hell is the Override doing to him internally.

Another added touch I think about a lot is how his battle as a whole is, for the most part, very predictable. You control what cheats he does. Even in technical battle terms, everything is out of Chip's control. As long as every gag hits, you're really just manipulating an enemy's AI to to make the most optimal choices to your benefit. The Override perceives "X", and responds with "Y". You're not fighting an actual individual, just a program.

Clearly, whatever it's doing to him, it's painful (not mentioning the agonizing scream he lets out during this). And thank Cog he was able to regain control at the last second because it's way too obvious that the Override's "final fallback procedure" likely involved some kind of lethal force when it lunges at the toons. (The Chainsaw Apparatus will be helpful.)

There's no sorrow in Chip's words, that's what I think. Everything here is bitter. It's numb, to me.

He's clearly been through this song and dance multiple times by now. He's pissed at the toons, at the company, and at himself. But he can't properly let it out. You know what will happen if he does. The most he can do is throw a chair and scream into the air. (which that line gets its own custom voice clip, fun fact!)

It's clear he's been isolated ever since he's been upgraded, and it seems like he's bitterly accepted it. The only thing he has left to lose is Spruce, which is why he tells the toons not to tell him. If he loses Spruce...

I don't think he'd have much left. It'd make sense why he's grown so restrained and numb and stilted in his speech. He's quickly grown to learn that he can't let himself express anymore, all because of the override.

The fact that everyone else around him views him poorly doesn't help. His employees fear him. Most of them probably don't realize something is wrong, spread rumors about him, or outright attack him through hatemail. Written in Cipher.

"Chip has some anger issues. I would be careful around him. Don't worry about the Cogs though, I'm sure they'll be fine. Might get demoted back to their initial tier, but that's what happens when you work with Chip. Good thing that Toons can't get fired-- or wait, they can, can't they? Do Toons LIKE getting fired? I will never understand those animals. And you seen Spruce around lately? I haven't. I wonder how his deforesting expedition is going. There is a secret message up ahead in Chip's room. Can you find it? If you are stuck, have you considered looking around your surroundings?"

"I can't stand Chip anymore. I know I'm a Yesman, but I have to say NO. He used to be cool up until his sensors flared off. After what he did to my fellow coworker, I don't know if I can continue working under him. Sure, he's one of the most organized managers I've ever worked with, not to mention the flowing passion he has for the Deforester Force. His personality issues can single-handedly cause all of our projects to collapse. One of my former coworkers had raised concerns about Toons taking over our buildings and ultimately undoing all work that was done on our end. That poor Pencil Pusher overstepped his boundaries with Chip when he admitted his failure to secure "our" project from the Toons. Up until this point, I have never seen a Cog fire another Cog. With a cannon."

"It grinded my gears when I saw that happen. Him and I worked nonstop for days straight, while this pile of bolts just sat there doing his paperwork. I wouldn't be surprised if he was just doing crossword puzzles or writing letters to his little buddy. If you are reading this Mr. Revvington, you are the reason for our decline. We are running out of Deforester Force members because of you. As someone who has gone through close-call battles with the Toons, I hope you experience what it's like to have boulders and anvils fall from above you. You can try to fire me with that shoddy cannon of yours, but you would have to track me down first. I've already left the area and was recruited to a new organization far more stable than you will ever be."

------

...I genuinely love Mr. Revvington. He's a Suit who's been dealt the worst hand he could possibly ever get in life. He was just like anyone else, and then everything happened ever since joining C.O.G.S.. He's isolated, he's temperamental, he's pissy, he'd genuinely be someone hard to get along with because of the fact he's struggling with all sorts of issues and would be incredibly difficult and annoying to even start talking to and forming a bond with unless you're both stubborn and have patience. He's awful, and I love him for it.

I genuinely believe he's one of the most complex, beautifully written, and depressing characters in Corporate Clash. Maybe I dive way too deep into things about him, maybe he's not that deep at all. But I like to think about him. He makes me emotional, but he also makes me happy. Thank you for making him exist.

#toontown #toontown corporate clash #corporate clash #chip revvington #corporateclash #ttcc #toontowncorporateclash #chainsaw consultant #character analysis #long post #image heavy #headcanons

113 notes · View notes