#and I'm like yeah I feel fine

[soliusss]

Me realizing I can't gaslight myself out of a ptsd disorder

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[localcryptic]

if i think too hard about marshal steel i'm gonna end up on the news. he is making me actually insane. dog dad of the year. hated your guts when he met you. a kind and gentle lover. has made unforgivable mistakes. has also made charming stupid jokes. i can't tell if i want him to have a good calm life or if i want his guilt to devour him from the inside out. and on top of it all hes gay. happy pride month 🏳️‍🌈

[sunnymainecoonx]

And errr whatever this guy is

[uncanny-tranny]

I think one of the most surprising parts of transition, specifically going on testosterone, is just how... normal it felt to me. When I was watching other people go on testosterone and describe how they felt, I anticipated that I'd feel the huge emotions, the spark, I guess. But I didn't. If anything, I went from being a neurotic mess to being... normal. Almost painfully normal. It's like I've gotten a cloth and dusted off this thing I call my body.

I honestly think it's interesting how natural I feel on testosterone. I never really thought I could feel this normal, but I do. It's like I can stand in a crowd and not feel like eyes are watching me, like ants crawling on a log.

[yugiohz]

the way everyone laughed about this corny wishful thinking but each epilogue chapter made this person's speculation look better and better this is so insane

this might be a corny ending but it's still MCUH better aligned with bnha's themes and progression than whatever horikoshi is doing in this epilogue, we can only laugh i guess

[thesylverlining]

Oh boy, I'm excited/nervous to share this - I wrote a song. About Tech Bad Batch.

I just had... so many feelings about him, and how his life/'death' (as an amazing, actually freaking groundbreaking autistic character, done quite dirty by the narrative's conclusion) was handled, the story choices and the fan reaction to them. Feelings of anger, betrayal, loss, utter confusion due to frankly bizarre story structure and simply falling into fog (where we can't see him) -

Anyway. It's been a lot. For a lot of us. 💚

So this is me processing... All That. And coming to the conclusion that even if aspects of it hurt me, ultimately, stories and the people in them belong to all of us, and our feelings about them are ours and real, even if the characters aren't. Much love to this show and fandom, always. And yes, I feel better now. This was therapy.

(Obligatory: this isn't an invitation for debate or discourse. It's an expression of art, and arguments/drags will be futile. Nice words, however are very welcome. 💜 Also, this song is on Bandcamp, and probably elsewhere soon!)

Lyrics under the cut!

Never thought I'd catch a glimpse of someone like you

Sees the universe and life the way that I do

And best of all, they let you shine

Galaxies illuminate in your rare mind

And you think like me

I knew that you feel like me

When I ran the numbers they all told me you'd stay

Logical conclusions pointing only one way

I never could take much on faith

Always needed evidence no one could shake

But I believed in you

I let myself believe in you

But now you're gone

The story's all wrong

I feel like such a fool!

They told me you would come back

Always supposed to come home

Even waiting for you seemed like a game

Waiting just to see your face

I'd see your shadow every day

But fate gets twisted

And I can't see you.

Playing back the memories time after time

Every place they told me I misread the signs

And every time they'd hint and tease

I laughed along, but the joke's on me

If you had to go,

Why am I the last to know?

But we lace our boots and pick ourselves off the ground

Standing side by side in the joy we've found

Who cares if stories break my trust

When they belong to all of us?

Can you see us all,

Standing by to break your fall?

We've all been told

How the story unfolds

But rebels live on hope!

Hoping that you'll come back

Waiting till you come home

But even if you never return

I don't regret a thing

You would be so proud to see

How we remember

And we still see you.

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[deoidesign]

Wait wait wait, I saw in your tags that's Time and Time Again is ending soon? But I've only just found it! (through the animation you did, it and your comic are so well done)

Ah, yeah.

So by "soon" I really mean "sooner than I think I would like" and it feels much sooner to me as the writer than I think it will to you all as the readers.

But, Time and Time Again is pretty much exactly 2/3 of the way through right now. Webtoon gave me the end date before I even finished my first season, and I've been trying to fit in all the things I wanted to get into the story before it ends...

It's why my hiatus has been taking so long, I'm trying to write to get as many moments and as much development as I possibly can, with really limited time! And... also admittedly to prolong how much longer it's sort of "around" in my life.

Because I know once it is over, I'll move on to the next comic! and 3 years just doesn't feel long enough to have Adam and Steve in my life haha

But, yeah. it's getting "close" in a way that it's starting to make me sad. like this time next year it'll probably be over.

It's okay of course, it's the nature of stories that they will end. I'm working really hard to make it satisfying despite Everything, and I'm really proud of everything I've done so far.

And my next comic will be even better for what I've learned here!

So, sorry to everyone, but I promise I'm gonna make it worth it.

[couldnt-think-of-a-funny-name]

it's pretty funny that catholicism gets the brunt of the blame for like trauma and craziness in religion because in all honesty it's like. pretty chill. I'm generalizing here but no more than anyone else who talks about religion. like the craziness people associate with christianity is generally not coming from catholics lol. not saying there aren't bad people in the church but on the whole catholics are mostly just vibing

[niinnyu]

Here's why I think jjk 261 is bad writing and wasted potential.

I've tried to separate more objective stuff and my opinions so I've made them into separate sections.

1. Jjk 260: I've already stated my issues with how jjk 260 ended and this applies tenfold now with this chapter. Buildup to sidestep to something completely different nullifies your buildup and is jarring to read. You also cannot blame villains in the story for undermining a character if you, as the author, keep doing it.

2. Okkotsu Yuuta's character: Yuuta's plan and willingness to use Gojo's body if he dies feels incredibly ooc and very uncompelling.

Yuuta is one of the few characters who's been able to see glimpses of the slightly more human side of Gojo "The Strongest" Satoru (he was my one and only/love is the most twisted curse of all). He has *just* seen the catastrophic consequences of a body used by someone else as a weapon. He was willing to go against a villain purely so that Gojo wouldn't have to.

You're telling me the same Yuuta was that ready to use his sensei's body and brought to anger when someone questioned the ethics of it?

Yuuta saying 'if no one else has the guts to then I will' means nothing becauseif his idea of becoming a monster includes using Gojo's body then he is the only one who can do it. All while implying cowardice of the others for "not having the guts to do so" (while being in Maki's presence and with Yuuji's absence, both of whom have been not self described as monsters).

Yes this is him stepping up to the task of being the strongest. But it doesn't feel like the big sacrifice of his humanity he says he doesn't care it being, if he's okay with it the moment the possibility of having to do so comes into light.

It just comes off as cocky and inhumane. And if that *is* Yuuta's character now, show me reason to believe this shift in personality in him specifically.

Also if Yuuta gets so mad at Gojo for being the "monster alone", why is his solution to do exactly that.

The easiest way to have the same events play out, but keep characters intact and have it be much more compelling would be:

Yuuta is presented with the plan of using Gojo's body. Have Meimei or Kusakabe, who've never really interacted with Gojo in any meaningful way to see him as more than his power, bring it up. Or maybe while brainstorming with everyone he comes to theconclusion himself with a lot of dread.

Yuuta immediately rejects the plan because he wouldn't do that to his sensei. Him having to throw his humanity away isn't his issue. He won't allow something like this happen again. And especially not to Gojo whom this was used against firsthand. He plans to kill Kenjaku himself.

Yuuta is reminded that if push comes to shove they still might have to if Sukuna continues to pose a large threat, but since he's the only one who can, it'll finally be only his decision. A panel of internal dialogue shows that Yuuta knows this is true.

Yuuta gets the formality "permission" from Gojo. Gojo says "who cares what happens to my body once I'm dead" and Yuuta *then* gets angry because Gojo of all people knows that he should care. Yuuta notices how Gojo also sees himself only as a weapon for others and calls him out on taking the burden all by himself (being a monster alone).

Fast forward to when Yuuta is dying and being kept alive by Shoko, Nitta, and Amai, Yuuta knows that Sukuna is still going strong and he has no choice but to use Kenjaku's CT against all his hopes because he knows he needs to.

Not only does this align with Yuuta's character a bit more, as someone who cares a lot for the people in his life including Gojo, and abides by his concern people at large, it also gives us a moment to see how heavy an ask it is of Yuuta, and forces the reader to be much more sympathetic of the choice he's had to make. How he'd rather not have done this and only went through because he's desperate.

3. Gojo's influence: This chapter essentially disregards any influence Gojo has had thoughout the story outside of having physical.

The main reason he'd not killed the higher ups waaay before now was because he knew the people who'd take their place would continue to pull the same shit.

Gojo ideology and the reason he went into teaching was to bring about a new generation of sorcerors who would know better. To dismantle the system that doesn't see sorcerors as more than dispensable tools for their power balance purposes, from the inside out.

I've seen people talk about how this ending for Gojo is significant because he isn't an exception to the cruel jujutsu system. Yes! True! He's been facing that his whole life! And that is exactly what he'd hoped to change through his students!

Yuuta using Gojo's body for his power feels like something the higher ups would not think twice about ordering. This was the perfect opportunity to show that the kids Gojo brought up *despite* this system are better than what the higher ups were.

And although throughout his life he too was not exempt as a jujutsu sorceror of being seen as solely his power (he'd also never allow anyone to see him otherwise). He sees, right at the end, these kids that he's helped train, and grow, and keep alive, know just a little better. Know *of* the human behind the power even if they don't *know* him.

OR! If you wanna stay grim about it, show that Gojo failed in this endevour. That the system still continues. Yuuta has made himself a weapon that is used because of his CT and Rika. That Yuuji has only ever been seen as a vessel, he'l he was created solely as one. That Yuuta goes to great lengths to keep his friends safe and Yuuji does so because he's already (kinda) lost them. Show that *they* still hold onto the parts that make them more than tools even if the system still doesn't.

And acknowledge the failure that it is on his part.

Because with this chapter Gojo, even just narratively, continues to be just a weapon.

Below the cut are my pretty coloured opinions about the chapter.

1. Payoff followed by setup and why Shibuya is still some of Gege's best writing: (ended up being long and not specific to this chapter so I'll make it it's own post lol)

2. Okkotsu Yuuta: I am frankly tired by the amount of importance Yuuta has been getting since the culling games ended. The only real narrative significance he has is being a student of and related to Gojo and the previous protagonist. He has no arc, no narrative weight, no personal stakes that other don't have.

He was an interesting character back when he was first reintroduced into the main story. As an unbiased executioner who would be there to kill Yuuji if Sukuna took over, both a threat but also an ally until then. The framing also made him more of a threat against Yuuji than a threat against Sukuna. Interesting!

He also has no personal conflict with the villains. The closest he got was wanting to kill Kenjaku because 'he won't let his sensei kill his Best Friend again', which is personal once removed since it's more for Gojo. Which was also a nullified sentiment because Gojo died before facing Kenjaku anyway.

He is just an overpowered character with no developmental backing. I still won't believe that Yuuta using Gojo's body is stronger than Gojo, because it is still Gojo who had had to condition and train his body to be able to handle the power he wielded. Yuuta has had a lot of groundwork already done for him in Gojo's body so even if he's able to do more damage than Gojo, it's still only because he's standing on Gojo's shoulders. People talking about "are you Gojo Satoru because you're the strongest or you the the strongest because you're Gojo Satoru" will be answered here need to remember this.

And since when has either of them cared about the Gojo clan looking bad to mention this lmaao what?

3. Kenjaku's relevance: Yuuta copying Kenjaku's CT being such a flippant discussion made me so mad lol. Your telling me they were seeing killing Kenjaku as a minor stepping stone to a bigger plan. When Kenjaku has been alive for yeaaarrrs on end pulling who knows what all shit that got all these balls rolling in the first place?

I know it easy to do in retrospect with Kenjaku already dead in current time and Sukuna being the current threat. But that's just undermining the threat Kenjaku posed and the "victory" that killing them was (even as anticlimactic as it was).

Seems like Gege had to do his best to brush off Kenjaku since they was proving to be a much more interesting villain than the Big Bad Sukuna, but man way to make your own rather well written character feel lame.

4. Gojo killing the higher ups: While the panels of Gojo wanting to shield his students from the bloodshed he was about to cause was sweet, I still wish the second years had siccesfully forced themselves in and joined him. It's another place where they could've shown Gojo fostering a generation that follows through with his ideology and plans because they get how messed up the system is.

When the higher ups were initially shown to be killed before Gojo vs Sukuna, the chapter had Inumaki and Yuuta talking in the hallways of the higher ups' hq. The implication that they'd also done it in the month of preparation made it feel like everyone was joining in and getting shit done. Yes it's satisfying knowing that Gojo got to go through with something he's wanted to do for a long time, but almost everyone has the same beef with the higher ups. Give everyone or a representation of everyone a slice of the action.

5: Shoko hate: Completely unfounded. People expecting her to suddenly have so much more agency than Gege has ever given her just because they're sad about their fav is stupid. And if you need to be angry direct it at Gege's writing that chose to use her opinion for comedic purposes.

Also question why you care about her ability to do something only when it comes to your fav male characters are facing difficult situations. Remind yourself she's the only overworked bloody doctor/ healer assisted by only a 15/16 yo underskilled underprepared child (Nitta) in a society that is still facing the effects of Shibuya. Also go away stop pretending you care.

I have more issues but whatever. Jjk fans who's favs are dead and never mentioned again be glad!! They're safe!!

[friend-crow]

Hey, please know that I say this from a place of love and compassion:

Sometimes what looks like a clique is just a group of friends having fun together and not actually like an exclusive club. As somebody with horrible social anxiety, I can understand feeling left out and frustrated when you see a tight knit group that you aren't part of, but sometimes these things are really not all that exclusive. There is room for more friends.

With that said, I do think that when you have posts that end up being circulated a lot, it's hard not to put on blinders for some of the interactions coming from strangers. Sometimes this means literally muting notifications for a week or two when something breaches containment, or just deciding that you can't put the time and energy into replying to every response to one of your posts. I'm genuinely sorry if I've made people feel like they're being purposely ignored or excluded. In the vast majority of cases it's not personal. It's just a matter of bandwidth.

Believe it or not there are other prominent tumblr friend groups that I'm too intimidated to interact with much. They are not deliberately excluding me, I'm just awkward and don't really know how to initiate friendships.

[falderaletcetera]

the thing about post-rose ten is he IS casually cruel. he tells donna to her face that she's not clever, not special, not important - and gets slapped for it, which to my mind is kinda the reason the doctor-donna relationship works. he tells martha's coworker not to waste his time, to stay behind, she'll only hold them up. leaves her crying. and like, devoting his energy to the problem at hand (the hospital is on the moon, there's an alien situation going on, everyone here and possibly everyone on earth is at risk) is the practical move at the time. but there's an obvious casual cruelty to it that he wouldn't have stooped to before.

and I'm just reminded of the way donna forgot all her loudness and bluff and immediately snapped to empathy when there were people hurt. you're a doctor, you can help. I remember her watching in horror as the doctor presided over the execution of children and the destruction of a species - and telling him he can stop now. I remember her saying that yeah, her ex-fiance, the man who poisoned her and used her and secretly looked down on her all this time, he didn't deserve to die like he did, which is a pretty big admission given the freshness of that betrayal. she has a good heart. and I can see why she would be good for this new, cruel, forgotten-his-kindness-in-all-his-pain doctor.

and I'm just so, so sorry that martha had to know this version of him in the meantime.

[mxtxfanatic]

Remember how I made this post (a continuation of this thought) about how Wei Wuxian never visiting the ancestral hall post-fall of Lotus Pier was probably because the next thing he wanted to tell the former Jiang leaders was also the last thing he wanted to say to them: that he was officially leaving? Well, after deep-diving into this, I wonder if I'd actually unintentionally hit the nail on the head and that Wei Wuxian avoiding the ancestral hall was a sign that he had actually already emotionally checked out of viewing himself as a part of the Jiang sect once he fulfilled the debt pressed on him by Jiang Fengmian and Madam Yu.

I mean, the man in the three months after the fall of Jiang Clan sacrificed his golden core to the next heir, liberated Lotus Pier, and successfully wrought vengeance against the Wen who killed them. Everything after that—attending the conferences Jiang Cheng needs him to, showing off the might of the clan during competitions, etc. etc.—feels like him just going through the motions in an attempt to get his thoughts to align with his actions, to fool himself into being alright. But the fact that he could never quite work up the desire to step foot into the ancestral hall to honor his martial ancestors until his second life? Sounds like his attempts at acceptance proved unsuccessful until he experienced the true support of the loved ones in his second life.

[ridl]

jolly cooperation (ganqing dark souls au)