#and just the tragedy of them both wanting a happy life together and it not working

[timbourinedrake]

Reading Batman: Son of the demon and crying over what we could've had,,,,,,they were so happy together,,,,,

And then getting absolutely devastated by these panels

I will never emotionally recover

[arolesbianism]

Thinking abt how much I love oni's writing again... In particular, "a seed is planted" continues to be one of if not my favorite logs because despite the troubling details and implications that come with it, it's the one thing in the entirety of the decaying corpse of gravitas that genuinely leaves us with a grain of hope (a seed if you will) and makes oni as a whole a lot more bitter sweet as while earth may not have survived, the dupes did, and after their horrible origins and the shit that many of them went through, in due time they'll finally get to just live, they're free now, and even if Olivia's sleep is end of a tragedy, the world will keep moving forward with or without those who've been lost

[amuseoffyre]

I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.

It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.

When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.

It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.

Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now. 

At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.

But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.

So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.

The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.

[lizzieheartsfanclub]

The most effective thing about Ever After High is that every student has their own personal struggle that adds another element to just how life-ruining the destiny system is.

Apple is so terrified of what will happen to her if she doesn’t follow her destiny, that she is willing to compromise everyone else’s happiness to make sure it happens. This disregard for other people is only encouraged by the influential adults in her life.

Ashlynn has to be a servant to an abusive family and live knowing that the ultimate end to her supposedly happy ending is dying to set the stage for her daughters traumatic backstory, starting the whole cycle over again with no chance for any of them to escape.

Blondie feels so pressured to fit in to a deeply classist/monarchist society and ashamed of her parentage that she constantly presents a fake version of herself to everyone she knows, even her best friends.

Briar has to spend her whole life waiting for the moment her destiny comes and she falls asleep for a century. She knows that when she’s woken up, she will be forced to marry a boy dozens of years younger than her who she’s never met and live knowing that everyone she ever loved is dead and gone, the very things that she watched cause her mother’s emotional breakdown.

Cedar’s father was so afraid of watching her repeat his mistakes that he overcorrected, making it impossible for her to ever learn lessons for herself. She is also forced to share incredibly personal details with anyone who asks her questions, and can’t be trusted by her friends with any of their secrets, and it’s all because of her father’s past trauma.

Cerise has to hide who she truly is and never gets to see her family together and happy despite the fact that her parents have potentially the most healthy and mutually beneficial marriage in the whole franchise.

Daring was groomed from birth for a destiny that ends up not actually being his at all, leaving him aimless, feeling as though he has no purpose and has wasted his entire life.

Darling is forbidden by patriarchy and destiny to become a knight, the only thing she really wants, and at which she would be better than both of her brothers. She has to hide who she is and what she loves from everyone she knows

Dexter lived his whole life never knowing what his destiny would be but also knowing that whatever it was he’d have to commit to it forever the moment he discovered it at Legacy Day.

Duchess has spent her whole life knowing that the story she’s commited to living out ends in tragedy for her, and then had to watch the very people she’s been jealous of for years because of their seemingly happy endings give up those endings, while Duchess, loyal and rule following Duchess, is still stuck with her tragedy.

Faybelle tries so hard to commit to what she sees at her destiny that she’s never had a real friend in her life. Even still, no one recognizes her for all that effort and all she’s given up to be a suitable villain. Everyone is more afraid of Raven, who doesn’t even want to be evil.

Hunter has to constantly go against his moral compass to fulfill his destined role as a Huntsman and to try and make his father proud of him.

Kitty has been taught over and over again to value her Mother’s approval over all else, even at the expense of her friends. Her destiny is to create mischief, but how much more mischief can a dissolving world take before it’s too much?

Lizzie finds it almost impossible to express love or care for anyone else due to her mothers excessive conditioning that’s nearly akin to brainwashing. The saddest thing might be that her mother is actually, in her own way, trying her best to prepare Lizzie for a world that will only ever see her one way—as a villain. Now she lives in Ever After, princess to a kingdom that might not even exist for much longer, having given up everything for a destiny that may soon be impossible.

Maddie is a refugee forced from her home into a world she barely understands at a tender age. But she cannot express any angst or negative feelings about this circumstance, because to do so would go against her character. She lives in a world obsessed with destiny and stories while not even knowing if she’ll ever be able to return home and live out her story.

Raven is judged by almost everyone around her for her mothers crimes, many of which were required of her by destiny in the first place. She is nearly forced to commit to becoming a tyrannical megalomaniac (and almost falls into it herself, several times) who would be sentenced to lifelong punishment and torture for committing acts that weren’t even her idea in the first place, and the one punishing her would have been the very girl who begged so often for her to stop being so difficult and just follow her destiny.

[junkdrawerfics]

Broken Pieces Put Back Together

Jasper Whitlock X Reader

Summary: You get turned by Maria a short time after Jasper. Life in the coven is not what you expect though, as Maria quickly realizes you have a useful ability and you end up outliving the other newborns. At least you have Jasper, though. Until you don't.

Word Count: 3361

Warning: Depression, a short bit of suicidal thoughts, canonical violence. It gets rough in the middle y'all.

Lots of hurt but it has a happy ending, I promise.

---

You and Jasper were close to fast friends when you were forced to join Maria’s army. At first, you were terrified of the blond and his scar-ridden skin. Word reached you quickly of all he’d done, the countless lives he’d taken. How could you not be scared?

But then one night you found him on his own, standing outside the abandoned barn you called home, looking up at the stars with such a broken expression. That night, something drew you to his side. The urge to comfort, the need to ease his pain, was the first feeling to overcome the overwhelming sense of bloodlust constantly burning in your throat.

Not a single word was spoken that night. You didn’t know what to say, not to this man who had lived through so much more than you, and he didn’t offer anything in return. You both just stood there, still as statues, looking up at the stars.

That night you learned that Jasper Whitlock is not all that he appears to be.

It’s also the night Maria learned of your ability, and decided you might be of more value than she originally thought. You hadn’t even realized you were doing anything. In that moment, all you wanted was to keep him safe, hide him for just a little bit so he could breathe. And apparently you had done just that. You both disappeared, from everyone’s perception at least.

And so you lived. Outlived.

Your new reality was much crueler than you thought it could be. You realized that when your friend, a young girl changed the day after you, was deemed no longer useful.

That night, Jasper was the one who came to you.

“(Y/n).”

You don’t look away from the sky, the bleeding colors of the sunset dull in comparison to the flashing colors of fire behind your eyes. You can smell the smoke clinging to his clothes as he gets closer. It burns your nose, makes your chest ache as a fresh wave of pain sweeps through you.

“It was you, wasn’t it?” You ask quietly, voice like a broken set of bells.

Jasper sets his jaw, looking down at his hands. He nods slowly, an unfamiliar lump forming in his throat. He’s never felt guilty for following orders, he always thought it was for the best, that Maria knew better than the rest of them.

But then you look at him, your eyes swimming with tragedy, and it makes something inside of him ache. There’s no anger, no hatred, like he expected, just an ocean of grief.

 It clogs your throat, burns behind your eyes, leaves you shaking. You rest on the edge of tears, suffocating in that horrible, sinking feeling, but always unable to cry. And you hate it. You hate it. You hate it. It’s like walking a tightrope, always off balance, yet never falling.

But you shatter when a hand rests gently on your shoulder.

A dry, ugly sob breaks past your lips as you turn into Jasper’s body. He curls his arms around you wordlessly, wishing he could hold all your pieces together. And even though his hands are the ones that did it, even though you know he’ll have to do it again and again and again, you can’t help but soak up every ounce of comfort from his rare embrace.

Slowly the sadness lifts, until it's bearable, not crushing you but not completely gone. His ability. Usually you’d scold him, tell him your emotions are yours for a reason, but right now all you can do is hold onto him tighter.

He’s all you have left, now.

Something changed after that night. You and Jasper got even closer. He protected you and was your rock when Maria turned your ability into a weapon. And on nights when she would go hunting alone, the two of you would perch on the roof of the barn and just look at the stars, talking about anything and everything. 

You loved hearing stories of his human life. He would tell you about his time in the army, about the pressure he faced to join when he got old enough. His family didn’t have much, especially after the war started. You could tell he loved them, just by the soft smile he would get any time he talked about them.

You would take turns sharing stories. You told him about your siblings and their mischievous games. You were the oldest, so it often rested on you to watch over them, which usually ended with you covering up their shenanigans. You loved it though, taking care of them, teaching them.

That urge was still somewhere deep inside you, a motherly instinct you can’t quite shake. It made it all the more difficult to distance yourself from the fresh newborns in the coven. Before, you would take them in, calm them down, make sure they had something to drink to ease the pain of their thirst.

You couldn’t experience that again, though. That loss. So you kept your distance, spending most of your time with Jasper anyways. The man’s threatening aura kept most of them away. 

Except one. 

A newborn, a little too confident, a little too high on his new strength, decided he just couldn’t leave you alone. For the most part, you ignored him. In your human life, you dealt with more than enough  unwanted attention, so you thought you were used to it. He was as stubborn as he was arrogant though.

Until Jasper nearly killed him for making a move on you (a little too aggressively).

Luckily Maria wasn’t there for that.

“Are you alright?” Jasper ushers you outside, red eyes frantically scanning over you, as if you could be battered and bruised. 

“I’m fine, Jas,” you breathe, brushing the dust from your pants, “I’m more worried about that guy you just ripped the arm off of.”

“I should’ve killed him for touchin’ you.”

You glance at him, amusement quickly replacing the mild panic that filled you the moment that man laid his hands on you, “You know you wouldn’t. Maria would get angry if you did that.”

Jasper’s lips draw into a thin line. It shouldn’t matter. You’re the only one who treats him like he’s still human, his only friend. He wants to say that he will always protect you, even if he has to fight Maria herself. But the words don’t come. Deep down, a part of him knows they aren’t true, and that leaves behind a bitter taste in his mouth.

“Don’t look like that.” He blinks when you touch his cheek, your fingers soft and light, unlike Maria’s. You smile at him, just as gently, voice resigned, “I know how you think, Jasper Hale. You’re a loyal man, and that’s okay. You don’t have to explain yourself to me.”

As you say it, a sadness wraps around you, one that Jasper doesn’t understand. It doesn’t match your smile, or the soft creasing of your eyes as you look up at him. Why does it make you so sad?

You don’t let the feeling linger though, reigning it in the moment you notice the slight furrow of his brow he sometimes gets when he is trying to focus on your emotions. You don’t need him figuring out why. Why his loyalty to Maria makes your chest ache so painfully.

Falling in love with Jasper Hale was as easy as breathing, which says something considering you don’t even need to. Behind the tough, military face of his, was a man who was charismatic and gentle, who liked to laugh and remembered the name of every horse he’d ever ridden. 

He was loyal to a fault.

That’s why he could not see Maria’s true nature for the longest time. It became clear to you rather quickly once you got closer with Jasper. Close enough that she took notice. Close enough that she decided to do something about it.

It started with small things.

Whenever you would go to talk to Jasper, she would call him over for something unimportant.

She started sending you on little tasks, just to keep you out of the barn.

Even on the days she would go hunting, the days you looked forward to most because you and Jasper could be completely alone, she started taking Jasper with her.

And each time, she would give you one of those vicious smiles. Like she won. It did not take long to realize it was all on purpose. In her own way, she was telling you loud and clear that she wanted you nowhere near Jasper and anytime you tried, she’d be there to show you just how little you mattered.

What hurt most, though, was how Jasper always listened to her. Every time, he would follow after her like a good soldier, casting you a guilty look over his shoulder. You didn’t blame him though. You couldn’t. Not when you knew the alternative.

So you got used to being alone for the first time in your life. The sadness, the one that Jasper kept at bay all that time, slowly crept back in, filling every nook and cranny of your being. Day after day, it got harder to stay, to listen to Maria’s direction. Even when you did listen, she treated you like a pest, contempt burning in her eyes. 

You couldn’t bring yourself to leave though. The thought alone made your heart ache, because that would mean leaving Jasper. No amount of distance could dampen those feelings that came so quickly. They were branded in your heart, a part of you now and probably forever. A simple look from him and you would resign yourself all over again to stay. 

Even if it got you killed.

Some days were too hard though, watching him follow on Maria’s heel, doing all she asked. It had been months since you talked, actually talked. Months since you heard him laugh or felt the comfort of his touch, no matter how small it was. And it hurt.

The pain made it hard to drink. You’d go weeks without blood, finding the burn of the hunger was better than the empty feeling in your chest. It made you weak, your skin turning almost translucent, the circles under your eyes growing darker and darker.

Jasper hated it. He had to watch as you fell into depression, your emotions like a dark cloud around you, so strong even the newborns walked on eggshells around you. He hated it, yet he could never do anything about it.

He wasn’t as oblivious as you thought him to be. He was aware of Maria’s resentment towards you. Jasper knew that if he showed his concern, even an inkling of it, she would lash out at you. At least by her side, he could temper her emotions and protect you.

His efforts could only go so far, though.

As you grew weaker, your ability weakened as well. And Maria noticed.

You wanted her to notice. 

Leaving wasn’t an option, but the pain of staying was becoming too much for you to bear. Death seemed like the only way out of this eternally lonely existence. You just hoped Jasper wouldn’t have to be the one to do it.

Maria never liked the easy way, though. Loyalty must be proven.

You felt it as soon as you stepped foot outside the barn one night. The air was warm and dark clouds covered the sky, blocking out any light. Something sank in your gut and you just knew.

If you were going to die, you were at least going to die somewhere you could be surrounded by good memories. So you trekked to the hill where you first stood with Jasper, the one where you spent many nights watching the stars, and that’s exactly where he found you.

You perch yourself on a rock, watching as lightning flashes in the clouds. The air is heavy with static, but not a single drop of rain falls. It’s like the world can’t decide how it feels, a mess of storms not ready to break, but needing to, the tension rising and rising. Until something gives.

You hear Jasper before you see him. His steps are uncharacteristically heavy, the brush whispering as he walks through it. The air grows impossibly heavier when he comes to an abrupt stop just feet away from you.

It’ll be quick, you think. You hardly have the strength to keep yourself upright, the burning in your throat like hot coals. With what energy you have left, you keep your chin up and slowly turn your gaze away from the clouds to the man behind you.

And you smile. Because it’s Jasper. Your Jasper. Looking just as broken as the first night you stood by him. 

Jasper’s knees practically buckle when you look at him, a wave of fondness warming the air around you. How can you still feel such a thing for him? After all he has done. You must know why he’s here. He doesn’t deserve it, he doesn’t deserve the trust in your eyes.

“Don’t look like that,” you murmur, smile going sad. You can’t stand the guilt twisting those features you love so much. 

Jasper shakes his head, teeth gritting together so hard, his jaw creaks. He doesn’t want this. He can’t. Not with you looking at him like he’s hung the moon. No fear, no hatred. You should despise him.

“It’s not your fault,” you whisper, as if hearing his thoughts.

“Darlin’-” 

He chokes on all the words he wants to say, everything he’s been waiting to say. How he wishes you could see the ocean, like you’ve always wanted. How he wants to be right there with you, just to see the way your eyes light up. How his eternal life finally seemed to have meaning when he met you.

“It’s okay, Jasper. I’m okay.” You reach for him, wanting nothing more than to just take his distress away. That’s all you’ve ever wanted. He gives in, allows you to take his hand, pull him closer. For you, he convinces himself, despite the selfish comfort he finds in your touch. “I know it’s not your decision. This has nothing to do with you,” you hesitate, squeezing his hands softly with a sad smile, “but I’m glad I got to talk to you one last time, at least. It’s not so scary if it’s you.”

“Stop.” His voice cracks like thunder, desperation bleeding into his eyes.

But there’s one last thing you need to say.

“I love you.”

Your eyes drift shut and you tilt your face back to the sky.

A drop of rain traces down your cheek.

Now you’re ready.

“I can’t.”

What?

You peek your eyes open, looking on in shock as Jasper kneels in front of you, face set in the most determined look you’ve ever seen. What’s happening?

“I can’t hurt you. I won’t,” he declares, red eyes set on you without a hint of hesitation.

You gape at him, head suddenly spinning, “But Maria-”

“I won’t let her hurt you either.”

“But Jasper- How- What-”

“Run away with me.”

You blink. And blink. And blink. If you had a working heart, it would be beating out of your chest at this point. Has he lost his mind?

“We’ll go to the States, to the ocean just like you want, leave all this behind.” The words spill out of him, the dam finally broken. Each word makes your eyes go wider, the sadness receding as hope sparks in your chest. “Please, darlin’. Give me a chance to make you happy.”

“Oh, Jasper.” You touch his face, drawing him just close enough to press a kiss to his forehead. Jasper’s eyes flicker shut, your love washing over him like the rain. Your next words seal the rest of your eternity, “You’ve always made me happy. We can go anywhere. As long as I’m with you, I’ll be the happiest woman in the world.”

And for the first time in forever, that smile slants over his lips, bright and warm and gorgeous.

You missed that smile so much.

That night, the two of you disappeared into the storm. You don’t know if Maria ever searched for you. If she did, she never found you.

Jasper kept his word. As soon as you crossed the border, you traveled to the west coast. You saw the ocean, which was more than you ever expected it to be, and that’s where you stayed for a while. Until you met the Cullens, at least.

You were nervous at first. Large covens were rare outside of the armies, so you didn’t trust them at first. There was no way you’d do that ever again. But you missed having a family, and looking at them, you couldn’t help but want for what they seemed to have.

“What do you think, Jas?” You ask your mate as you curl into his side.

He wraps an arm around you, lips pressing against your forehead softly, “Whatever you want, darlin’. They’re intentions seem honorable.”

“Would you be okay going vegetarian, though?” You love the idea. It’s always bothered you, having to kill innocent humans. Even feeding from the bad ones leaves a bad taste in your mouth. 

“I’ll manage,” Jasper chuckles, eyes creasing.

“And the moving around?”

“We already do that, sugar.”

“Oh yah.” The Cullens move around far less than you, actually. You can’t believe they can stay in the same place for months, years even. The thought fills you with anticipation. Maybe you could finally settle down and have a normal life with Jasper.

“Maybe we could get a dog,” you hum, a slow smile spreading across your lips.

Jasper snorts, drawing you closer to press a kiss to your temple. You glance up at him, eyes bright with unrestrained excitement. And just like that, it’s decided.

“Let’s join them.”

“Alright! Oh! We could call him Cowboy! Can you imagine it? Cowboy the dog. It’d be perfect.”

“Anythin’ you want, darlin’.”

And that’s how you ended up with the Cullens.

---

“...wow.”

You grin at Bella, “I know, it’s a lot. But it all worked out for the best! I can’t imagine my life any different.”

“And I can’t imagine my life without you.” Your smile goes even wider when a familiar pair of arms wrap around your waist from behind.

You look over your shoulder at your mate, eyes practically lighting up with affection, “Good, cause you’d be hard pressed to get rid of me at this point.”

Bella watches the small interaction, surprised to see the blond vampire without his usual stoic facade. He’s like a completely different person, practically melting into your touch, and smiling. Actually smiling. And you look just as lovestruck.

“You guys make a cute couple,” she says, feeling a bit awkward when you turn your gaze back to her.

“Thanks Bells. You and Eddie make just as cute of one. I can’t wait to go to your wedding.”

The brunette flushes what must be the darkest shade of red possible, successfully mimicking a cherry. She shuffles away with some muttered excuse, and you can’t hold back a giggle.

“You’re evil, darlin’,” Jasper murmurs, shaking his head.

You flip around in his hold, arms wrapping around his neck, “What! You know it’s going to happen. Edward’s completely smitten with that girl.”

“Still doesn’t mean you have to torture the poor thing,” he chastises, though he can’t hide the mirth in his tone.

“Fine. I guess I can take it easy on her,” you sigh dramatically, earning another chuckle from your mate.

“That’s my girl.”

You tuck yourself into his chest, hiding a truly ecstatic smile in his jacket. To this day, you still can’t believe that this is your life.

You really wouldn’t change anything about it. Not the bad things, not the start, none of it. You like to think your love is stronger because of it. And it will only continue to grow stronger every day for the rest of your eternity together.

You can’t wait to see where the two of you go.

---

This was not meant to get so edgy, but here we are. I never really know what I'm writing until it's finished.

Anyways! I hope you guys enjoyed the angst, hurt and comfort! A really fluffy fic will be coming next, and I am SO excited about it.

[flightlessangelwings]

His Strength

Din Djarin x fem!reader

Word count- 3.8k

Dialogue prompt- “ hey! get away from them! “ and “ don’t worry about me; are YOU okay? “ Action prompt- [ SACRIFICE ]: sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.

Warnings-s.mut (18+ ONLY!), fwb to lovers, protective!Din, bounty hunter reader, injury, brief violence, brief torture scene (not super descriptive and no needles or anything like that), light angst, happy ending, mutual pining, feelings, no use of y/n, ambiguous on where in the timeline it is but razor crest lives

Notes- We made it, this is the last of my Year of Protectiveness @yearofcreation2023! I actually had a different idea at first, but after some personally tragedy, I wanted to write something a little more angtsy. Don't worry tho it's still a happy ending and no major character death! Thanks so much to those who have supported this year theme endeavor with me!

@flightlessangelwings-updates is my update blog so feel free to follow that and turn on post notifs to stay up to date!

~

When you first partnered with a Mandalorian bounty hunter in the guild, you never expected how much it would change your life. What started as a one time alliance for convenience turned into a partnership built on mutual respect for the other. And everything changed even more the day Mando came to you asking for help with a child he had taken in. He had told you what happened, and how he made the decision to save the child instead, and it awoke something within you that day. Even as he rescued the child from the Client, you stayed by his side and as the two of you traveled the galaxy, you felt the dynamic shift between you two.

It changed the Mandalorian that day too. From under the armor, he had always respected you, but seeing you with the child made him feel something he had never felt before. He found that his gaze lingered on you when you weren’t looking, and he found himself wondering what life would be like if you and the child could stay with him forever… as a family. 

Neither of you were sure when it happened. You were just partners one moment, and the next, became something more. There was never a whisper of it spoken out loud, though, just both of you knew something shifted. Even if it was simply for release, it changed everything between you two. He even murmured his real name to you in the throws of passion- a gift you treasured and kept safe in your heart. 

*

Sweat lined your brow as you writhed beneath the Mandalorian. His low grunts echoed from under his helmet while you bit your lip to stifle your moans. Din, as always, never took anything off, only freed his cock. You stayed mostly covered as well, something you wondered if he did to keep things feeling leveled, as if he didn’t want to feel like he was overpowering you. Only your bottoms came off, and even then they stayed around your ankles.

It started fast, heated, and fiery. The first time you and Din slept together was quick, as if you were both concerned with the moment running away from you. He just pushed your pants down enough and took you against the wall. And even with the rush, it was still a more intimate connection you had ever felt in your life. You couldn’t tell at the time, but Din felt the same way.

Over time, it moved from the wall to Din’s bunk, and from hot and hurried to slow and sensual. Din at times handled you with sure care that you wondered if he thought you would break. The way he caressed every inch of you made your heart flutter in your chest as you looked at him with a glazed over expression. Neither of you were sure when exactly it happened, but something changed as the two of you came together time and time again.

You felt it with every thrust of his cock. Though you never saw his face, you felt the emotions behind his movements and his touch. You looked into the darkness of his vizor, locking eyes with him behind it. A louder moan escaped your lips as he rocked into you again, filling you to the brim.

“Din…” you murmured as you ran your hands across his chest.

“I’ve got you,” he groaned in a low tone that went right to your core.

You whimpered at the care that lined his voice. Moving before you could second guess yourself, you let go of his broad shoulders and reached down for your own top. You grabbed and pulled it over yourself in one swift movement, exposing more of your body to Din.

He paused as his helmet nodded up and down as he soaked in the sight of your bare chest, “You’re beautiful,” he groaned as his hands wandered across your breasts. 

Mirroring your action, Din surprised you by quickly removing his gloves so that he could touch your bare skin. Both of you gasped when his large hand cupped your jaw first, then trailed down to your breast. He remained inside you yet stayed still as both of you froze in the moment. Din’s thumb brushing across your nipple was the only movement save for the way both your chests expanded with your heavy breaths.

A whimper escaped your lips as Din caressed your breast, gently pinching your nipple as he fondled you. He worshiped your body with his touch and you could hear the heavy breaths from under his helmet. Heat rose between the two of you as he kneaded your breasts.

Din murmured your name as his hand trailed up your chest and along your arms until he took your hand in his. Leaning forward, Din pressed his forehead against yours as he covered your body with his own and resumed his thrusts.

This time, you couldn’t hold back your moans. Between the way he pounded into you and the emotions that came with the intimacy of the moment, you couldn’t help the way you cried out. Din’s cock hit spots deep inside you that you never felt before, and it brought tears to your eyes.

“Fuck… Din…”

“I know,” he groaned, “Me too…”

His hand clasped around yours as he sped up his thrusts, rocking into you with abandon. You arched your back into him as you squeezed his hand right back, and your eyes fluttered shut as you felt your climax quickly approach. 

“Din… I’m…” was all you could get out before your orgasm hit you. Your entire body trembled under his beskar-clad one as you came hard on his cock. Your cries echoed in the small space as you felt Din hit your sweet spot over and over again, making you feel a pleasure unlike anything you ever experienced before.

Din growled your name as his hips became more erratic until he too hit his peak. He dropped down onto his elbows, all while never letting go of your hand as he felt wave after wave of pleasure crash through him as he spilled himself deep inside you.

Heavy breaths filled the small space between your bodies as Din rode out your orgasms together. With one final deep thrust, Din groaned as he stilled himself for a moment until he pulled out of you completely. You let out a soft whine at the loss as you felt your body pulse from the aftershocks of your powerful climax.

He gave your hand one last squeeze before he finally let go, and Din immediately grabbed your shirt so that you could cover yourself.

Mumbling a hushed “thanks,” you maneuvered yourself in the tiny space to dress yourself, slipping your shirt on before shimmying your pants back up. Vaguely, you felt Din’s gaze on you as he helped you move around on the cot. For a moment, you didn’t dare look at him. The emotions were too overwhelming after what happened. Something changed in the air between you two, but neither of you were sure how to address it.

That was when you noticed his hand still lingered on your body, holding you tightly. “Din…” you started in a whisper.

But you were interrupted when a coo from a distance made you both look up. Grugu babbled happily as he made his way outward the bunk and climbed in, settling himself in between you two.

You smiled brightly as you finally looked at Din, “We didn’t wake him did we?” you asked in embarrassment.

“I hope not,” he replied with a soft laugh in his tone, “I’m sure it’s fine,” he reassured you. 

You couldn’t help but giggle as the little child made himself comfortable between the two of you. Faintly, you heard his laughter with yours and it made your heart soar.

Din tilted his head affectionately, “Rest now,” he cradled your face, “We all need some sleep.”

Swallowing hard, you nodded. Wiggling your way around where Grogu already made himself comfortable, you laid down on your side and exhaled deeply. Din did the same after you were settled and he placed himself so that he could wrap his arm around both you and the child, holding you both close, keeping you both safe.

“Goodnight,” you murmured before you drifted off. Surprisingly, it took you no time to fall asleep, perhaps because you were warm and comfortable… and safe.

The Mandalorian, however, laid awake for some time, just listening to you and Grugu sleep. Everything he could ever want in the galaxy was tucked safely in his arms, yet it all felt so far at the same time. He knew neither you nor the child were truly his, yet he felt like the three of you were already a family. If you only knew just how much you meant to him… 

*

“I have a bad feeling about this,” you mumbled.

Din glanced over at you, but said nothing. He placed a hand on your shoulder and gave it a reassuring squeeze before he stepped in front of you. 

The alleyway felt like it closed in around you. Dim lights led the way as you, Din and Grogu tracked the fob and the bustle of the city faded into the distance. It was quiet, but not calming. You couldn’t put your finger on it, but something felt wrong, and everything in you screamed to turn around.

Din's presence anchored you, though, and you stayed at his side as you carefully made your way toward where the fob guided you. With each step, it beeped louder until you all turned down one last alley that led to a small shack.

“Careful,” Din hissed under his breath to you.

You and Din each hovered your hands over your weapons, ready to strike. Din scanned the area, and when he found no movement, he nodded to you and opened the door slowly. You held your breath as the two of you pointed your blasters into the small space, ready for anything. However, as you inched closer, you noticed that the target laid still. Scrunching your brows, you reached a hand out to check, and with a sigh you turned back to Din, “He’s already dead.”

Din let out a soft grunt. You were right- something was off about this. But, before he could even reply, an explosion knocked both of you off balance. He shouted your name as he instinctively tried to reach for you, but you were knocked too far away from him.

A yelp escaped your throat as you found yourself thrown against the nearby wall. You groaned as your body ached, but you forced yourself up onto your elbows. Grogu’s pram was pushed next to you, and through the smoke in the distance where the front wall used to be, you saw numerous shadows appear. Din laid on the ground on the other side of the space, groaning as he too pushed himself back up.

Acting quickly, you shot up to your feet and grabbed onto the pram, “Get out of here, Grogu,” you told him and you gathered your strength, “Get out of here and get help,” you strained as you pushed the pram as hard as you could, sending it hurling out the window and into the darkness. You watched it disappear for a moment before you turned to your companion, “Din,” you breathed.

He looked over at you, but before he could even say your name, another figure appeared behind you and knocked you unconscious. Din yelled, both in fear and in anger, and attacked the enemies with everything he had, fighting until he too found his world completely black.

*

You felt the pain before you opened your eyes; your entire body ached. Faintly, you heard voices and clamoring around you, and it took you several seconds to blink your eyes open. When you did, you found yourself in a brightly lit room with several men around you. Gasping, you tried to move, but you found yourself strapped down- your wrists were bound at your sides and your ankles were tied at the end of the table you currently laid on.

“You joined us just in time,” a sinister voice spoke.

Snapping your head in the direction of the voice, you saw a tall man with a rod in his hands. The rod sparked at the end, and you knew immediately what it was for. You spat a curse at him as you struggled to get out of your binds, but that only amused him.

“She’s feisty,” he commented, “I see why you keep her around, Mando,” he moved aside to reveal Din behind him, also bound but in a different way.

The Mandalorian was on his knees, his wrists cuffed together in front of him, and several men strained to keep him in place. His shoulders rose and fell with deep breaths, and you could hear the snarl in his breathing.

“Maybe now you can tell us where the child is,” the man continued as he stepped towards you, the rod pointing right at you.

“Get away from her!” Din shouted, “Let her go!”

He ignored him, the rod hovering just above your skin, “Let’s hear how pretty you are when you scream,” he hissed.

“No!” Din struggled in vain as he tried to break free.

The searing pain from the rod against your skin made you scream before you could fight it. Pulse after pulse of electricity shot through your entire body, and it was the worst pain you had ever felt in your life. Your eyes snapped shut as you tried to wriggle away, but it was no use. You were trapped, and there was nothing you or Din could do.

Your screams went right to Din’s chest, “Stop!” he shouted. Fueled by his rage at seeing you hurt, Din finally broke free of his captors and with a grunt, knocked them out. “It’s me you want. Leave her alone,” Din panted, “Don’t hurt her.”

Din smashed the binders that held his wrists together, shattering it, before he grabbed his small vibroblade that he kept hidden. The room turned into a frenzy as the other men attacked him, but he fought them off until he reached the leader, the one who hurt you.

Amused at the scene, the leader pulled out a blade of his own and countered Din's attack, “Is this… love, Mandalorian?” he asked as he parried Din's attack.

The Mandalorian just growled as rage consumed him. He went blade to blade with the leader a few times, but he soon made a mistake. Din glance over at you, still bound to the table with tears in your eyes. He hesitated for just a moment as the sight of you like that broke him, and that was when the leader stuck, stabbing Din right between the plates of his armor.

“Has a woman made you soft?” he teased in a low voice as he drove the blade deeper, "How sweet," he spat.

Your eyes went wide as your mouth opened to let out a scream, but nothing came out. Instead, all you could croak out was a hushed, "Din..."

Tears fell from your eyes as you wailed and thrashed in your binds, desperate to do something. Maniacal laughter filled the room as Din slumped down, the blade still in his body. You whimpered as you tried to fight through the pain that coursed through your body and free yourself, but it was no use. This was the end. And you didn’t even get to tell him…

Suddenly, the wall on the far side burst open in an explosion and dozens of Karga’s men flooded into the room. They fought off your captors in a heated fight. And through the flames and blaster fire, you saw the familiar outline of the child, who waddled over to you. It was the last thing you saw before you passed out from the pain. 

*

Din woke with a gasp. The last thing he remembered was getting stabbed, hearing you scream and then an explosion. He had no idea where he was, but he did notice that his hands weren’t bound anymore. And the pain had dulled to an ache in his side. But, more than his own injuries, he was more concerned with where you were. Thankfully for him, your voice was the next thing he heard.

“Din,” you gasped, “It’s alright, we’re ok,” you were right next to him.

Din laid back down with a groan as the pain suddenly intensified. But it didn’t matter, you were here, and you were ok. He whispered your name, “What happened?”

“Grogu found backup,” you sounded tired, “Karga and the others found us just in time.”

He groaned, “Grogu?! Where is he?”

“Shh,” you tried to calm him, knowing how much the kid meant to him, “He’s alright. He’s resting in the next room. It took a lot out of him… healing us…”

“Are you alright?” was his next question after a pause.

Your eyes went wide, “Don’t worry about me. Are you ok?”

Din cupped your face, “As long as you and the kid are alright…”

“Don’t say that,” tears filled your eyes before you could stop them. You let out a shaky breath before you added, “Din, you… You sacrificed yourself… For me…” your voice trembled. 

He groaned as he slowly pushed himself up to sit. You mumbled incoherent concerns as you helped him up, and once Din was upright, he found himself almost eye level with you due to the height of the cot. Din let out a heavy sigh as his heart skipped a beat in his chest at the way you looked at him. Though he hated to see tears in your eyes, he noticed the care and concern that highlighted your features.

“Din…” you breathed as he cupped your face once more.

As he gently cradled your face in his hand, Din murmured, “Keeping you and Grogu safe,” he hissed slightly from the pain, “Is all that matters to me. You two are all that matter to me.” Din spoke in a sincere voice.

Fresh tears filled your eyes, but not ones of sadness. You longed to hear him say those words, and now that you heard them, the emotions became overwhelming. “I care about you too, Din,” you whispered as you leaned into his touch, feeling his thumb brush across your cheek, “You and the kid… You’re my family. My everything.”

Din let out a deep breath, “I trust you,” his tone was soft, “Do you trust me?”

“Yes,” you breathed without hesitation.

He slid his hand up your face to rest over your eyes. Your mouth dropped open as a sigh escaped your lips, but you said nothing and made no attempt to move. You put yourself completely in his hands, knowing you were safe in them. But, you gasped when you heard the hiss of his helmet, and felt the gentle breath from Din’s own lips.

Din leaned in and tenderly placed his lips over yours, using his free hand to keep his helmet covering the rest of his face. You both moaned softly into each other as you savored the feeling of your lips together for the first time. The kiss was soft and sweet, yet it held all the emotions the two of you held close to your hearts. Now that everything was out in the open, though, you and Din both felt like you could share this vulnerability with each other.

You tilted your head to the side as you placed your hands on Din’s armored chest and parted your lips in a silent invitation. Din eagerly took it and deepened the kiss by darting his tongue past your lips. He groaned into you and pushed his chest more into your body as the taste of you sent a jolt of electricity through his veins. A tear of his own slid down his face as he memorized the taste of you and the feeling of your face against his.

As much as neither of you wanted to break away, you needed air. Reluctantly, you both parted at the same time, sharing the air that you both inhaled. Din carefully pulled his helmet down and covered your eyes, taking a moment to admire the subtle features of your face as you kept your eyes closed.

“Look at me,” he said gently.

You blinked your eyes open, and knew from the way he tilted his head to the side that he was admiring you. Your heart fluttered in your chest as you felt his eyes stare at you through the darkness of the visor. “Thank you,” you whispered, “For saving my life,” you slid your hand in his.

“You never have to thank me, mesh’la,” Din murmured as he squeezed your hand and moved his free one to cup the back of your head, “I’ll always protect you,” he continued in a low tone as he guided your head closer to his until your foreheads touched. Din knew his love for you and Grugu didn't make him weak, despite what the leader said. In fact, it made him stronger than ever, it drove him to fight harder to protect you both.

You let out another deep breath as your eyes closed and you cherished the moment. Being held by Din made you feel safe and warm, even with the cold armor he wore. You felt the warmth of his touch, the warmth of his love, even through the beskar. “Let’s go see our kid,” you broke the silence with a smile in your tone.

Din let out a soft, amused huff that told you he was smiling too, “Yeah,” he murmured, “Let’s get our family back together.” 

[ordinaryschmuck]

Here's an interesting take about Fionna and Cake that I kind of love.

In Fionna and Cake's universe, now dulled by Simon's sane mind, everyone is totally fine living their dull and mundane life.

Gary might not be a rich prince and Marshal might night be a badass vampire, but they're content with the lives they have and the possible future plans they could share together.

Characters like Hunter, Ice Queen, Flame Prince, and several human reflections of the people in the Land of Aaa might not be as magical as they once were, but they have jobs that are perfectly fine for them and they have no issues living life as is.

And Ellis might be a trash hobo...but that's probably no different from his magical life if it's in anyway similar to LSP's.

The only people who have problems with their mundane life are Fionna and Cake. They're fine with their world and the friends they have in it (at least in Fionna's case), but they're both dreaming for MORE. It's as if, despite EVERYTHING changing, Fionna and Cake still maintained their thrill for adventure and lust for a magical life, which sounds so perfect. I mean, they were the protagonists of their own epic stories, only to now live a life where everything's the same and perfectly mundane. It's as if despite this massive, universe change, Fionna and Cake still has something deep inside them that reminds them exactly who they are and what they SHOULD be.

Also--And this just occurred to me--I love how Fionna and Cake are living the EXACT lives Simon wants and vice versa. As the Cheers theme song perfectly conveys, Simon wants to go to a place where everyone knows your name and the people are the same. Instead, he's forced into a magical world that he feels he doesn't belong in, despite there being people still in his life that gives it meaning. Simon doesn't want more, he wants LESS, acting as a perfect opposite towards Fionna and Cake.

This results in a dynamic of the three of them searching for what they want, only to realize that it's not what they NEED for a happy life. Simon NEEDS to learn that he can live a normal life despite its tragedy. Fionna and Cake NEED to learn that they don't need adventures and magic to be happy. It's only through each other and the adventures they go on that they can learn this, and if that's really where the show's going, I'm ALL in.

[imtryingbuck]

Forty

Pairing: Bucky Barnes x fem!Reader

Summary: Bucky comes from a well respected family, he falls in love with a girl who prefers the simple things in life. Follow their journey through the years.

Word count: 3,748

Warnings: angst, heavy use of pet names. fluff. swearing. death. mentions of domestic abuse and child abuse.

A/N: No description of reader other than she has curly hair.

Masterlist   Series Masterlist

When she was released from the hospital, Jamie was a month old. She was released two days before Georgias fifth birthday which made the little girl happy, she finally had her mommy back at home with her.

Her birthday party was magical, Y/n was a tiny little bit jealous if she was honest. The bouncy castle, the face painting station that Wanda was manning, the fairy lights set up all around the backyard that Bucky and Sam put up. There was even a costume station for all the kids to play dress up that Nat had brought with her. It was something that she would have loved when she was younger.

Georgia made Y/n put on fairy wings so they could be fairies together, she tried to put on a pirate hat on her baby brother but because it was too big for his tiny head it kept falling off making the five year old giggle.

All the children that came enjoyed it, so did some of the parents.

Georgia had truly been spoiled.

Three months after Jamie turned two years old they were at George’s and Winnie’s house having Sunday dinner, Jamie was in his granddads arms giggling to the funny voices George was talking to him in when all of a sudden George handed Winnie their grandson and started to clutch his chest.

By the time the ambulance arrived it was too late.

George had died of a heart attack.

The turn out to his funeral was huge, family friends and strangers had gathered to celebrate the life of the greatest man anyone had the pleasure of meeting.

Y/n held Bucky late at night when he cried. Her tears dropping on his fluffy hair as she did.

George Barnes was an incredible husband, father, grandfather and friend to all. He was deeply missed.

Then tragedy struck again, a year later on the very date of George’s passing. Winnie took her last breath.

It was Y/n who had found her, the family arrived at the house to have dinner and to release balloons for George. Bucky had let them all in with his key finding it odd that his ma wasn’t already waiting for them. Y/n said she would check upstairs, she knocked on the door to the spare bedroom that Winnie had moved into, not wanting to sleep in the same bed she shared with her husband. Getting no response she opened the door but found the bed empty, still till this day she doesn’t know why but she went to the master bedroom and that’s where she found her surrogate mom, her mother in law.

Winnie had passed away in her sleep.

Bucky struggled with the death of his ma, he snapped at everyone, pushed his wife, children and friends away. And at first Y/n allowed it as he was grieving but when he shouted at Jamie when he tried to show his dad the drawing he had made, making the three year old cry and stumble backwards. That was it. She snapped at Bucky, she told him she knew what he was going through but there was no need to make their son cry which had Bucky shouting that Maria wasn’t even her real mom, as soon as those words left his mouth he slammed his lips shut. Regret already evident in his eyes, an apology on the tip of his tongue but it was too late. She told him to get out of the house.

Both of them thought that because this was their first serious argument that they were going to have to get divorce. A thought that terrified the both.

Y/n never knew how to ride a horse before until she was twenty eight, Bucky paid for horse riding lessons which were… amusing to everyone other than Y/n. She lost count of how many times she fell off the god damn animal, or how many times Lolly the mare just wouldn’t listen to her commands finding eating the grass more better than listening to the woman sat on her back.

Bucky kept his promise that he made when he was just eleven years old. He proudly brought her a horse that she named Squid. Squid was gorgeous in every sense of the word truly he was.

*eight years ago*

“Bun can you remember what you asked Santa to get you for Christmas when you was eleven?”

“Of course. I asked for a pony, told him I didn’t care what colour or gender it was and I promised I’d look after it forever but I told you after that I wanted a horsey instead, why?”

Chuckling as she remembered exactly what she wrote down on her Christmas list he took her hand and walked down the street, ignoring her questions about what was happening. “I promised you that I would get you a pony, didn’t I? Well go over to that stable and meet your new friend” Bucky gestured to where a woman was standing smiling.

Giving her a slight push when she wouldn’t move, her eyes wide and head turning to face the woman and back to Bucky. With his gentle push she walked over to where the woman stood. Inside the stable laid a gorgeous brown and white spotted body of a pony.

“You didn’t? Ducky! Yo-you got me a pony?” She cried not taking her eyes off her fury new friend.

“Well it’s not a pony but a horse because I knew you wanted one instead, but I can always get you a po-“ Bucky get cut off when Y/n jumps into his arms and starts kissing him all over his face.

“I love it! I love you! Thank you Ducky”

*present time*

Eight years later Squid and his wife Penelope - another horse Bucky brought her and yes Y/n married them - were in their stable together as Penelope was giving birth. “Ducky! Ducky quick it’s happening!”

“Bunny baby I don’t want to see it!”

“Don’t be rude come on, oh-it’s-oh that’s a bit gross-I mean it’s beautiful Duck” Bucky stood on the other side of the stable wall rolling his eyes as Y/n gags yet trying to tell him what was happening was beautiful.

A few minutes later Y/n came out of the stable with tears in her eyes. Bucky’s heart dropped thinking something was wrong. “It’s a girl Duck, a beautiful baby girl”

“What are you naming her?” Bucky asked wrapping his arms around his wife looking at mom and dad cleaning their baby up.

“Would you be mad if I named her Duck?”

“After me?”

“Well yeah, you were the one that said Loopy was pregnant in the first place so…would you?”

“Not at all crazy woman”

Watching the love of his life excited to meet the foal Bucky knew that he had done amazing when he surprised her all those years ago with Squid.

Y/n didn’t think that she would be nearing forty years old with two one year olds, a five year old and a ten year old but that’s what she was doing.

She found out she was pregnant once again and because she was older she was more nervous about the pregnancy than she was when she was pregnant with Georgia.

When the nurse told them that there was two heart beats Bucky was ecstatic, of course he was he wasn’t the one that was going to be giving birth to them.

Two healthy baby boys were born three days before Y/n’s birthday.

Stevie Thomas Barnes and Sammy William Barnes.

Steve and Sam burst out crying when they heard the names of their nephews.

“Bunny?”

“In the twins room”

Hearing the heavy footsteps bounding up the stairs she watched the boys as they slept. Smiling when she felt Bucky’s arms wrap themselves around her waist.

“You being a perv again?” Bucky asked her as he placed a kiss to her temple.

“Obviously. Are the kids with Tony?”

“Yeah, you should have seen Jamie when he saw Peter. He ran straight over to him and his girlfriend and jumped straight on Peters head”

Laughing at the image of her five year old jumping on his cousins head “He is his favourite cousin, you know this”

Peter was a teenager that Tony had saved from the streets, he and Pepper found out that the boy didn’t have any family left after his aunt had passed away. They adopted him which Peter was happy and shocked about. He was such a lovely kid, perfect with the kids especially Jamie.

“Little man’s never subtle with letting everyone know who’s his favourite is, is he?”

“Nope never”

“So…are you ready to be turning forty?”

He knew for a fact she wasn’t.

“Forty? Don’t you mean thirty?”

“Nope Bunny you’re getting so old no-ow-your old now-ow Bun, baby stop elbowing me”

“Stop calling me old then”

“But it’s the tru-“

“Your forty one so shut up”

“I know” he sighs dramatically “I’m so old, I think you need to change my dipper”

“Your an idiot”

“Ah yes but I’m your idiot.”

Nodding at his statement they left the sleeping babies alone.

Y/n knew that Bucky had been up to something for months but couldn’t quite figure out what it was. His office doors were locked which was something that he had never done before.

He would get phone calls and always took them outside, at first she thought he was having an affair but shook that idea away out of her mind. She trusted him with her life.

On the day of her birthday she woke up to Georgia and Jamie bouncing on her bed screaming ‘happy birthday’. Bucky handed her the twins as she sat up and left the room with Georgia, coming back five minutes later Bucky holding a tray containing her breakfast and a fresh hot cup of tea, and Georgia dragging in a big bag behind her before she let go of the handles and ran back out, when she returned she had five huge bouquet of flowers in her arms.

“Happy birthday mommy these are for you” Georgia shoved all the flowers into Y/n’s face.

“One from each of our little rugrats and one from your very handsome Ducky” Bucky told her as he set the vases out, already filled with water. She didn’t even notice that they were there.

“Thank you my precious babies and thank you my very handsome Ducky” giving him a kiss both Georgia and Jamie saying ‘ew’ in the background.

The second she finished her last bite of food Georgia was putting presents in her hands. Each present she loved, they were all from her children.

Only one present from Bucky. A gorgeous diamond necklace.

After the presents were opened and the wrapping paper was binned she was told that she needed to have a shower and get dressed, Bucky told her that they had a day planned for her.

Three hours later cleaned and dressed Y/n went down the stairs finding it suspicious that it was noticeably quiet.

“Duck?”

“Living room my love”

“Where are the kids?”

“Nat and Bruce came to kidnap them. Have I ever told you how much I love you?”

“Daily” she smiled. Bucky took her hands in his and started dancing with her. “There’s no music Buck”

“Never needed music to dance with you my love, god I truly am the luckiest man in the world to have you in my arms. And I swear you get more and more beautiful as time goes on”

“Until you see the scars and stretch marks and I’m hid-“

“Don’t even think about finishing that word Bun I swear to god!” His voice dropped low, hating how she thinks that about herself when he’s always found her beautiful inside and out, scars and stretch marks, his wife, his Bunny was the most prettiest woman in the world. “Baby you are stunning”

“I love you James Buchanan Barnes more and more everyday”

“And I love you Y/n M/n Barnes more and more everyday”

Kissing each other passionately and deeply as they continued to dance together it was Bucky who pulled away first. “Come on my Bunny we’ve got places to be”

“Where are we going?”

“That my secret that you have to try and find out”

Bucky helped Y/n in to the car once she was settled in he got himself situated behind the wheel, he pulled out of the driveway once the gate opened the moment he was on the road he took her hand in his. Just like always.

The familiar street of where George and Winnie’s former home sits came into view, Y/n looked over at Bucky noticing that he had a small smile on his face. Her heart ached when she saw a moving van parked in the driveway of her parents in laws home, Bucky and Rebecca had decided to sell their childhood home, their way of moving on and they knew that their parents would have wanted a new family to make happy memories just as they did.

The new owners were husband and wife with two children, a boy and a girl.

“Buck?”

“Hold on pretty girl”

He drove up the same side road that he took her up on their first date. However it was a lot different now that the very large piece of land had the trees cut down by the state, they had plans to build on the land but with the lack of funding it never happened.

If she squinted in the distance she could see the ruined remains of her childhood home.

“Ducky this is private property…”

“I know, but I won’t tell if you don’t” she rolls her eyes as he winks, he notices and laughs.

“But we’re going to get into trou-“ the words die on her tongue when she sees balloons, tables and her family standing there with huge smiles on their faces.

“Happy birthday my love”

“Du-Ducky this is…”

Getting out of the car shakily with the help from Bucky she laughs when Georgia and Jamie along with her nieces and nephews come running over screaming ‘surprise’.

“Happy birthday angel” Howard says giving her a hug and a kiss on her cheek.

Everyone wishes her a happy birthday, presents were opened and she thanked every single one of them, protesting when she opened checks containing quite a substantial amount of money, they just smiled at her.

Nat handed Sammy over to his uncle Sam and ran over to her car with Bruce returning with a huge cake. Y/n laughed when she saw the candles. Thirty.

They sang happy birthday with the children running around clapping and cheering when she blew the candles out. Music started playing and everyone started dancing, laughing at each other’s dance moves. Y/n was dancing along with Nat, Wanda and Peggy gasping loudly and grabbing Wanda’s arm when she saw Billy dancing with Georgia, her shy little Billiam leant in and kissed Georgia on her cheek. Both of them blushing violently.

“Oh. My. God. Y/n it’s happening!” Wanda squealed as quiet as she could.

“I can’t believe he ran off afterwards” Y/n laughed.

“That’s what Vis did after he kissed me for the first time” Wanda shrugged.

A few minutes later Y/n went off to find Billy, finding him kicking a stone near the pond. Sneaking up on him she made him scream.

“Auntie Y/n!”

“Gotcha monkey”

“You scared me”

“I would say sorry if I was but I’m not so” sticking her tongue out at him after he does it first.

Billy sat down and looked up at his favourite aunt, patting the ground next to him Y/n made him laugh as she bowed to him. He always thought she was weird but that was just his auntie and he loved her.

“What brings you over here Billy Bob?”

“It’s nice over here. I like it”

“Can I let you in on a little secret?” Nodding excitedly at the prospect of being in on a secret he watched her pick up a twig off the ground and start to drag it through the dried mud.

“I use to come here all the time when I was a kid, it was my safe haven”

“Really?”

“Yeah” smiling at the memories of spending the majority of her childhood at that very same spot. “I met uncle Bucky in the woods when I was six and I brought him here to this very pond”

“Did you live in the woods?”

Laughing she shook her head “no, I-I use to live over there” she points in the direction of her former home.

“Why did you come here? Wasn’t your parents worried? Mom and dad always gets worried when I go down to the lake near home”

“That’s just because they care about you Bill, they worry incase you get hurt and they aren’t there to help you”

Billy wasn’t stupid, he knew she had avoided his questions so he asked again.

“Well…my real father was very mean and my mama was always working, she never knew that I came here”

“Why was he mean?”

“I don’t know, I always wondered that too”

“D-did he hurt you?”

“He did, badly” his eyes went down to his hands and started to twist his fingers, she noticed straight away. “Billy look at me, come on let me see that handsome face of yours-there it is-I’m okay now, grandad George and Howard and grandma Winnie and Maria saved me. And I’ve never been hurt since”

“B-but why would he hurt you? You was a child like me and my mom and dad don’t hurt me, you and uncle Bucky don’t hurt Georgia or Jamie or the twins so why did he do it to you? It’s not fair”

Her heart squeezed at the fact that an eleven year old could tell that it wasn’t fair for a child to be subjected to abuse by a parent. Like he said she was a child just like he was and he couldn’t understand why it happened. Neither did she.

“Because some people can be very mean and can’t tell the difference between right and wrong, your mom and dad are good people Billy and they would never hurt you because they love you so so so much. And for Bucky and I, we couldn’t never hurt our children no matter what because we love them.“

“I’m not mean am I?”

“You? Oh god no Billiam, you are the sweetest person I have ever had the pleasure of knowing”

“I’m scary though”

“Oh the scariest!” Laughing with him when they both knew what they had just said was a lie.

“Auntie Y/n c-can I tell you something?”

“Of course you can monkey”

“I-I-I kissed Georgia”

“You did?”

“Yes on her cheek” he confessed, smiling shyly.

“Do you like Georgia?”

“I do, she’s so pretty”

“She is isn’t she?”

“Yeah. D-do you think she l-likes me back?”

“I’m not sure monkey, she’d be stupid if she didn’t”

“Bunny? Ah I found you. You kidnap my wife Billy?”

“I guess”

Laughing at his reply Billy stood up and held his hand out for Y/n to help her stand. Ever the little gentleman.

“Come on Bun, we’ve got one more present for you. Come on Bill” Hand in hand with his wife and godson he leads them to where everyone was waiting. “So Bun, your last present comes from both me and your dad”

Howard steps forward leaning heavily on his walking cane in one hand and in the other hand was an envelope. Handing it to his daughter he smiled. “Open it angel”

Doing as her dad told her to do she opened the envelope and pulled out the papers now in her hand. Furrowing her eyebrows in confusion she looks up at Bucky and Howard.

“I-wha-I don’t get it…”

“Me and your dad brought the land-“

“No I get that but why?”

“You remember a few years back when we was talking and you said that you’ve been wanting to open up a safe haven for women who suffer from domestic abuse and children who are abused?”

“Yeah…it was-wait do you remember that?”

“Of course I do Bun. When we heard that this area was being destroyed to build houses which obviously never happened, I told your dad about your dream. So we brought the land. We already have builders and contractors at the ready, they’re just waiting on you to give the go ahead”

“I-I-really?”

“Yes angel, everyone’s been working secretly for three years-“

“Three frigging years!”

“Yes” Howard laughs “been getting things that you’re going to need, furniture, clothes, things that will be needed”

“Three years?” Everyone laughs as she asks how long again, they’d been keeping a huge secret from her for so long and she didn’t even know.

“So…Bunny what do you say? Are you going to give the go ahead on creating a safe haven for women and children?”

“Yes! Frigging sugarplum yes!”

Even at forty years old she still refuses to swear.

“Buck they don’t have any floor plans and they don’t know what I want and they-oh my god it’s not going to work Ducky! Money…do we have enough money to do this whilst having four children and a house and what about materials? We don’t have-“

“Bunny calm down! Baby look at me, everything is fine. I found your drawings on how you wanted it to look, if you want to change it that’s okay as they’ve got to do the ground first. And knock down the hous-“

“I want to do that. Please Ducky”

“Then it’s done”

“Really? And money and materials Bucky it’s not going to work”

“Really. Y/n it is. We have enough money, more than enough and all the materials are already ready to be used. It’s going to work baby I promise”

For the past five years Bucky watched as his wife’s spark lessened as the months went by, it crushed him. If having to lie in bed next to the greatest love of his life listening to her ramble about the plans she has and showing him her designs at five past one in the morning than that’s what he’s going to do and do it with a smile on his face. For the first time in five years his Bunny has that spark back in her eyes, the very same he fell in love with all those years ago.

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[mcyt-trios]

PROPAGANDA:

Eclipse Federation:

i dont like them. they ruined my life. Subz and Vitalasy had already partnered in previous seasons but this one, Vitalasy ended up leaving for a few months, leaving Subz alone, and Zam ended up getting close to him after immense trauma at the hands of his former teammates. Zam has done SO many wrongs, including to Subz himself and Subz STILL took him in and made him join Eclipse Federation after Zam died 14 times in a row and got banned then revived by the same player who's been killing him all this time. And it could've been perfect but no, Zam had betrayed his previous team due to them using dupes via exploits, and now Eclipse Federation ALSO has exploits! And he decided that yeah his morals were more important than being loved! And so he murders Vitalasy when he's at his most vulnerable point, lets everyone gaslight him into thinking Vitalasy is an irredeemable evil monster who will never change, even as Vitalasy SAID he was ready to change before the betrayal even happened, Eclipse threw out their whole revenge plans because of Zam's positive influence and he just broke everything. Subz couldn't be with Zam but also couldn't see himself at Vitalasy's side, leaving him alone. Vitalasy hated Zam and yet never killed him or hunted him down, despite Zam acting like he did. And when Vitalasy left, banning himself off from the server, Zam had some time alone to think and realized he fucked up SOOOO bad. And Subz revived Vitalasy and told him to kill him. And ban him. His last wish. His Deliverance. And to make up with Zam. And Vitalasy tried, and they kind of did make up over Subz's death, but then Zam was like "actually im going to kill everyone and destroy the server now. because i want subz back and also because i always do extremely drastic things when i don't need to because i have unchecked mental illnesses i refuse to get help for". And surprisingly when Subz came back he didn't like that! And they ended in tragedy! Eclipse is fucked up. It's a trio that's always about the absence of one person, it's a team that could only happen in one timeline and it was doomed from the very start. But the love was there. It made everything worse, truthfully. But it was there. And that matters. Also as a fun fact Zam himself on twitter has referred to eclipse as a throuple, which is not canon but that's pretty funny. he also stated on stream he didn't want to get therapy because it'd ruin his lifesteal character. and there was a saga where they would "marry" (challenge lost kinda shenanigans) and zam was the only one happy about it. he's not normal. there's something wrong with him. love that for him though sorry for the block of text. I really dislike them. They're my beloveds :3

Big Eyes Crew:

best gas station owners you've ever seen

they started a business together and had beef with Boatem where Tango built a giant eyeball over their base which dispensed ravagers onto them. also they're called Big Eye Crew because Keralis and Bdubs both have massive eyes on their skins but Tango DOESN'T so he made big round red glasses for them all to wear and they're iconic frankly.

SILLY GUYS DOING SILLY THINGS

They made a gas station franchise so powerful there was a location on the moon

[another-lost-mc]

hey so im not the anon who requested the guys going to see barbie but i had legit just watched the movie today and it will mess you up emotionally like i am not kidding i almost started crying at the end some of the guys would be in LITERAL tears and then (maybe) laugh at the last moment quip they pulled at the end

A/N: I really want to see that movie, I’ve heard so many good things. 🥺 I will say, it was whiplash going to the movies with the Oppenheimer crowd and Barbie crowd mingling together. I would’ve preferred to see Barbie, but it wasn't my turn to pick the film. lol

When Movies Make Them Cry

THE DEMON BROTHERS & THE DATEABLES

0.5k words | SFW | gn!Reader

Content: Luke is mentioned in a platonic sense only, the other relationships can be read as platonic or romantic. Mostly emotional hurt/comfort.

Lucifer will cry watching movies but he hides it well. The giveaway will be his wet lashes and the slightly red, puffy skin around his eyes. Most of the tear tracks are wiped away before the lights come back on. He’s more likely to cry in private with you but not in a public crowd.

Mammon screams at horror movies, belly laughs at comedies, and sobs at tear-jerker moments—especially anything involving romance or tragedy. He often pictures you and him together as the romantic leads in the film, and that can be good or bad depending on the film.

Levi gets a little choked up but doesn’t usually cry. If he does cry, it’s in the privacy of his room when he thinks about the movie later on.

Satan and Asmo will both cry at touching romance or gut-wrenching tragedy. Satan comes prepared with tissues and Asmo dabs his face as delicately as he can so he can attempt to salvage his eye makeup (it doesn’t always work).

Beel might get choked up, but emotional movies linger in his thoughts for a while. He reflects on what he can learn from it to avoid more heartbreak in his life (he thinks they’ve all suffered enough).

Belphie might cry, but he cuddles into your shoulder so he can wipe the evidence on your shirt. He chuckles and pokes fun at his brothers for being so whiny but it doesn’t sound very convincing when his own voice sounds a little thick. (He won’t make fun of Beel if he cries.)

Diavolo’s the type that will cry at happy or sad endings. He doesn’t feel ashamed by it either, and he compliments movies that can draw out that type of reaction in him. He’s one of the first to offer you a comforting hug if you look like you need one. He also offers you tissues (he seems to have an endless supply).

Barbatos rarely cries at movies but similar to Beel, the emotional weight can linger with him for a while after. He has several packs of tissues to pass to the others should they need some (aka Diavolo’s endless supply of tissues).

Simeon is more likely to cry at happy endings than sad endings. He’s experienced so much heartache that it’s like a familiar friend rather than a shocking event. It’s the overwhelming love or joy characters share that touch him the most because he desperately wants to feel that for himself.

Luke cries but tries not to. He naturally gravitates to you or Simeon for comfort but tries not to be obvious about it—he doesn’t want the others to think he’s a baby.

Solomon is a mix of solemn contemplation after sad endings and joyful tears after happy endings. It’s difficult to find things that can touch those deep emotions in him after so much of his long life has passed by in a blur.

m.list | Related reading:

When They Go to the Movies [fluff] When Lucifer Watches Hachiko [emotional hurt/comfort] When Mammon Watches a Tragic Romance [angst]

[vidavalor]

Ah, I remembered!

My question was: what are your thoughts on Crowley saying ‘I lost my best friend’ when he’s directly talking to Aziraphale’s non-corporate ghost in season 1? I always thought that line was strange. Is it that he can’t say ‘I lost you directly’ because others might be listening?

Hi @procrastiel ooh, nice! I *love* this scene so I'm super happy to share an opinion on it. Thank you. :)

Meta on the meanings behind what they call each other, what they intentionally *don't* call each other, how they actually said they loved each other and came up with a shorthand for it in 1941, and why they still don't just use those damn words already...

This goes everywhere, just FYI lol. I think I started with "no nightingales" and took a scenic route through 1600, 1941 and bits of S2 before coming back to the scene you asked about but I've been told it makes sense. Thanks for indulging me. :)

There are certain things that Crowley & Aziraphale feel that they can't call one another and can't say to one another directly. It's not just because they could be overheard if they're in public, though that's always a concern. They don't say them when they're alone, either.

It's because it hurts too much.

They've always tried to be optimistic about surviving Armageddon and being able to be together somehow but they're terrified that they won't and the odds, in their minds, aren't great, being that it's the whole will of God and all. As a result, they've lived their whole relationship expecting it to end in tragedy. They could both live for all of time, forced apart by Heaven and Hell. One of them could die and leave the other alone for eternity with nothing but the memory of the other. Meanwhile, in the now? It's not a great situation, either.

They can't really be together. They are together but not openly and they can't promise each other everything and they absolutely would if they could. Heaven and Hell could literally murder them if they got caught together so they have to be careful and keep it a secret. This means that even as the human world they live in opens up and starts to change to a point that queer humans like them are living more open lives with one another, Crowley and Aziraphale still cannot at this stage in the story.

So, it all becomes then an unspoken question of: what would make this easier? (As if it could ever really be made easier?) They don't wish to cause each other any additional pain. What would make it easier, they think, is if they don't say certain things so that what they can't have now or what might be lost to them in the future is and will be easier to bear.

This is delusional but they're doing it anyway because it gives them some measure of control over things they can't totally control.

They think it is easier to deal with not being able to be together if they just never say directly aloud what they are in terms that are surface-level undeniable. They speak in a coded language with one another and they say all the things in those words. But the doublespeak gives them some cover. Not to ever deny any of it but it softens the edges of it.

It's also because they live with the fact that they can't fully be together but they also both are fundamentally optimists and want to think that maybe, someday, they could find a way to have what they want to have with one another. That's also why they don't say the things fully. A part of them thinks that if they just don't right now and they wait until some time comes when it seems like they could have a life together, then they still get to have those moments. They're almost saving some of it for a life they hope they get to have but aren't sure if they will.

As a result, they are romantic as all fuck towards one another but they don't use words like romance or love aloud. If they do find they have to talk about it, they've shorthanded it in a way that they both understand because it's based on their past together. We already can see bits of it uncoded-- nightingales, dining at the Ritz-- but there are more than that that we can see if we deep dive a bit here so let's do that...

What's evident in the scene in 2.06 wherein Crowley decides to try to abandon the doublespeak is how deeply ingrained this way of speaking is for both of them. Also, how they don't abandon it when they're alone (the 1967 scene also illustrates this.) Crowley actually reverts back to their doublespeak *three sentences* into his proposal. He doesn't get much further than establishing that they've both been on this planet for a long time before he starts evoking coded messaging. He flicks his hands between them during the "you and me" line in a way that is echoing how Aziraphale gestured at him to mean "couple" in 1941. He winds up using coded language all over the place, peaking with the "no nightingales" moment that is actually coded language twice over because of "nightingales" being their word for romance and the asking Aziraphale to listen for birds evoking the Job minisode and the moment in the courtyard when they came up with the doublespeak.

Part of why Crowley can't get through the proposal without it is because he doesn't want to do it like this. Both the doublespeak and the idea of someday loosening it a bit mean things to them. They like their private language. Maggie and Nina are not exactly correct in assuming that they never say how they really feel. They're not wrong, either, but they're not fully right. Crowley and Aziraphale do talk. They just do it in a way that hurts them less because they can't bear to hurt each other because they're batshit crazy in love with each other. Maggie and Nina are correct in saying that Crowley and Aziraphale don't say how they truly feel if saying how you truly feel means using traditional language but they are wrong to say that they don't express these feelings at all because we have literally been watching them do so this entire time.

Notice how Crowley, even risking more with breaking their code in 2.06, still doesn't say some things. Amazing how he said all of that and he didn't say I love you, isn't it? He could have. He is, in what else he's saying, but the words they don't say are still there on the table. Aziraphale, later in the scene, almost does. He almost does because he is a mess over the situation and he wants to give Crowley something but then he doesn't and he spits out a self-aware I forgive you instead. That horrid, complicated version of it that he's used before and is code they both kind of hate. He's angry that this is all happening the way it's happening because it's taking some of the things they leave unsaid for hopeful, better days and it's saying them in a less than ideal moment.

That they both leave out that I love you, though, is the most I love you thing they could have possibly done.

They think it will be easier to not be free to be together and unafraid in the present-- and to maybe lose one another in the future, if they eventually have to-- if they pretend they're not a team or a group of the two of them and one way to do that is to never say words like the one we were all silently screaming at Crowley to say in that scene in 2.06 lol: "couple."

Are they a couple? Yes. Are they lovers? Yes. Are they partners, the term Nina used? Yes. Do they refer to their relationship using any of the terms in this paragraph? Oh God no...

That is why Crowley freaks out when Nina tries to get him to use uncoded, normal, human person language to help her understand what Crowley and Aziraphale's relationship is. She calls them partners and this is Crowley:

We're in agreement with Nina then when she responds with:

Nina isn't wrong here. She's just from a different world than Crowley. Nina lives in a world like ours in the year 2023 and she's puzzling Crowley and Aziraphale out through that filter. She doesn't know at this point that they are an angel and a demon who could be murdered by Heaven/Hell for being together. Her best rationale for why she's never seen Crowley and Aziraphale in her cafe together and didn't know until this week that the bookseller has a fella is her theory that Crowley is married and that he and Aziraphale are having an affair. To her, it explains why they've got chemistry for days but they're secretive. Crowley denies that-- defending Aziraphale's honor like the good old fashioned lover boy he is :)-- but the reason why he quickly denied that he and Aziraphale are partners, even if they absolutely are, is twofold. They are used to hiding it, it's dangerous for them to get caught out, and he probably feels uncomfortable with the idea of telling someone what they are exactly without talking with Aziraphale about it first-- that's all one reason.

The other reason is that he and Aziraphale don't use that word. It's not that it's an inaccurate one; it's probably the most accurate one, actually. They have a word, as we'll see, but partners isn't it because partners is the same thing as a couple and these are embargoed words to them. They don't use those phrases, even if that's what this is, just as they don't say I love you because if they don't call it love directly, they'll never lose that love, in their minds. If they don't know what it's like to hear the other say it, they don't ever have to bear the pain of never hearing it again. Better to hold those words back and only use them if they ever can somehow really be fully, openly together without fear. If Crowley doesn't use those words with Aziraphale, then he's not about to use them with the Coffee Shop Human he's only just recently met.

Along these same lines, they refrain from traditionally romantic terms of endearment on the surface. No my love, no darling, no sweetheart. Angel was there at the start and it stays because while it's always really angel (romantic), it's also angel (species/occupational), so it works well enough with their code. But its equivalent in reverse is Crowley. It's intimate, in the sense that only Crowley and Aziraphale know what it means. Only they were there in Job's courtyard. That's the coded layer of it-- it's Crowley's name to everyone else on the surface but it's that and a pet name to Aziraphale. It's why Aziraphale just calls him that constantly. Crowley changed his name to something only Aziraphale also really understands, making the use of it by Aziraphale then a way of expressing affection. When Nina asks them both separately about their relationship, both Crowley and Aziraphale actually revert to using what they call one another in an effort to explain it, even though they know that it doesn't translate fully in human terms without more words. Crowley says Aziraphale is an angel he knows; Aziraphale says:

Ironically? They are actually making it all *more* intimate by speaking in their own, private, coded language. They can't give each other everything but this they can, right? The language is their own, little world and not being able to explain their relationship to humans that well in 2023 doesn't mean they don't know what they mean to one another, which is more important. Since they can't make each other promises of forever that they can't keep and they can't have a life in the present that they'd choose for themselves, something they can do is use their little language to be sweet towards one another and they do. By having to work a little harder at conveying meaning through doublespeak, they wind up with something ironically actually at least as romantic as the traditional words, if not more so.

Anyone can call a lover darling and it can be lovely but can just anyone make my dear fellow romantic? Aziraphale can. This one was all him. He loved standing there in front of a dozen deadly human soldiers in the Kingdom of Wessex in 597 A.D., getting away with a pet name under the guise of stealing the "old sport"-style of male, moneyed, British speak and turning it romantic. This scene is great with the pet names because it opens with Aziraphale being a bit of a tease with "is that you under there, Crawley?" which he only does so that Crowley will roll his eyes and correct him. Aziraphale loves that Crowley changed his name to something coded between them based off of the moment they started their doublespeak. It was very romantic and this scene shows that Aziraphale sometimes, in earlier days, would call Crowley the old name just to get Crowley to correct him, which is all just a coded way of getting Crowley to say that, yes, he still feels the same way and yes, he still wants Aziraphale to call him that. This same scene, a few sentences later, then has Aziraphale's my DEAR fellow-- heavy emphasis on the 'dear'-- which is then answering Crowley's admission by just skipping any and all of Crowley's names entirely lol and calling The Black Knight my dear in front of a bunch of bloodthirsty soldiers and mercenaries.

The my [] fellow is perfect in their little language because of how it sounds all "I say, old chap!" on the surface but contains words that are romantic to them in their doublespeak. It's intentional that it's *not* "old chap" or "old sport" that they appropriated for their own purposes, it's my [] fellow. Fellow as in human, which is how they see their relationship (because it is) and that's something that comes up when Crowley uses a variant of this in 1941, which we'll get to in a second. My adds an intimate element to it of admitting that they are each other's in whatever ways they can be.

Aziraphale, like we said a moment ago, will sometimes sauce Crowley with the pet names a little and he does in S1 when he calls Anathema my dear when reassuring her in a scene in which he and Crowley are having a playful coded argument over Crowley's driving. Aziraphale miracles a bike rack onto the back of The Bentley and unnecessarily codes the word "bicycle" ("a perfectly normal velocipede"), smirking when Crowley grumbles "bicycle" at him. It's joking with him a bit at the lunacy of their little language *in* their little language. (Crowley playing back during this sequence is also calling Aziraphale angel (romantic) in front of Anathema, which was also a strategic decision to signal to her that he might look like a murder hornet but he's really just long-suffering gone on the sunshine-y one. Very we're just an old gay married couple, hen. We won't hurt you. in tone.) Anyway, Aziraphale using my dear with Anathema-- and his little smirks towards Crowley around it-- was really just underlining the way he uses my DEAR fellow with Crowley by using the same core phrase with a human in normal, uncoded, human conversation.

Other than this and the big one we're going to get to, there are really only two other things we've seen them use to refer to one another. In S1's Eleven Years Ago/2008, there's the moment when Crowley and Aziraphale have arrived back at the bookshop and Aziraphale is flirting with Crowley and says this, tongue firmly in cheek:

I mentioned this in another post about the wall slam in Tadfield but this is a very much intentionally blasphemous specific sexual request that is more at home in the sex meta post you all have me working on lol but for the purposes of this conversation, "foul fiend" is Bible for "wicked demon", so this is Aziraphale just kind of flirtily, jokingly calling Crowley a wicked demon in the one area in life where Crowley would probably happily own that description lol. It also has the other layer of humor in it in that Crowley calls Aziraphale angel (romantic) all the time, more often than he uses Aziraphale's actual name, and you'd think he wouldn't want to because Heaven hasn't exactly done right by Crowley and he's not especially fond of it. By calling Aziraphale angel with love behind the meaning of it, he's calling Aziraphale a good angel. He's saying that Aziraphale is what an angel is *supposed*to be, something that Aziraphale struggles with. It's both sweet and reassuring at the same time. As a result, Aziraphale has never just started calling Crowley "demon" for the same reasons-- he thinks if being a demon is being demonic and truly evil, then Crowley is a terrible demon because he's a lovely person. He is, however, positively wicked in bed, and Aziraphale likes to mock their whole situation with blasphemous Bible innuendo when requesting a little hellfire.

The other thing to briefly mention before we get into the friend discussion is a scene not long after the one we just talked about, when they're both smashed in the bookshop in S1. When he's drunk and attempting to say "bouillabaisse", Crowley gets distracted staring at Aziraphale for a moment and calls him baby before going back to his attempts at saying a word (in French, their romance language, per S2) and we get the "fish stew-- anyway!" segue back into the rest of the scene. Aziraphale was too drunk to notice enough to react so this opens up the question of whether or not the rules can get slightly more lax in bed. Does Crowley call Aziraphale baby in more intimate moments or does he just want to and it slipped out when he was drunk? It's a fairly normal phrase so it both would and would not be a surprise either way but it's still something of a question mark by the end of S2.

But there's one thing that they use that pertains to your question from the Discorporated!Aziraphale scene (told you we'd start to get here eventually lol) and that's how they use the word friend.

The rules of their language apply-- what is said on the surface is what one of the meanings of what they are saying is. It has to be what it sounds like on the surface to also be a coded thing. Aziraphale is Aziraphale's name and angel is what he is and Crowley is the name Crowley chose for himself. That angel and Crowley have hidden meanings-- that angel is given a tone that turns it from referring to Aziraphale by his species and more into angel (romantic); that Crowley is the name everyone calls Crowley now-- from angels to demons to humans alike-- but only Aziraphale knows that it's an in-joke referencing Crowley having to playact at being demonic and evil to hide his truer, sweeter nature... this is what makes these terms acceptable in their mutual language. My [] fellow is then also meeting the rules of the language because of the humor of taking a non-romantic phrase and using it for this romance of theirs that they don't refer to as one. It sounds like a perfect common thing for British men of any kind of relationship to use in conversation on the surface but it's romantic to them underneath.

So when they say friend, by their own rules of this language, it has to first contain the surface meaning. It has to be true on that level to reoccur in their language. So 'friend' does mean 'friend' in a friendship sense. They are friends. They are good friends-- best friends. Using the word is an admittance that they are each other's closest friends, which is both lovely in its own right and healthy in a romantic relationship. You want to be friends with your romantic partner. It doesn't mean you can't have other friends, of course, but if you're not friends with your partner, it's not really going to be a terribly satisfying relationship and since that is what they are-- the longest-running of long-term relationships lol-- that they are friends is important and a good thing. It's also a big deal for them to admit to it, since they are actually *supposed* to be mortal enemies. Their whole enemies-to-lovers thing never really got off the ground because they adored each other on sight but that they're friends despite the danger and the conflicts is a big thing in its own right.

But that's not the *only* meaning of friend to them, so let's look at how they evolved that bit of their language.

From what we've seen so far, it started in 1600 in The Globe Theatre scene with this:

In 1600, Burbage drops some human, queer coding into the secret language. Friend, the way Burbage is using it, is something that's actually implying lover. The surface word is technically related to friendship but the tone changes the meaning of friendship in this context to be that of a sexual relationship. Burbage's tone implies that he thinks Crowley and Aziraphale are fucking (which Crowley, laughing, silently agrees with is obvious, since he's been ignoring Burbage in favor of buzzing around Aziraphale and clearly trying to flirt his way into his bed).

Burbage is pissed that these two-- who, as we know, are basically the entire audience-- have been ignoring his monologue in favor of flirting with each other so when Aziraphale tries at a modicum of politeness (that somehow is even bitchier subtly than Burbage lol-- "I love all the... talking" is the best he can come up with), Burbage slings back by trying to drag Crowley into it by calling him Aziraphale's friend, with that loaded tone that makes the question really: 'and what does your lover think?'

Aziraphale gets the innuendo-- he's not exactly a novice at this in 1600-- but his immediate response is just to panic at the idea of anyone noticing him and Crowley together and, as Aziraphale does when stressed, he lies in increasingly absurd levels of untruth. (See also: the scene with Shax in The Bentley in S2, when he spirals up into ludicrously claiming to *not even know who Gabriel is* in an effort to say that he has nothing to do with his disappearance.)

Crowley is bemused by Aziraphale's increasingly desperate attempts to deny what is abundantly obvious to everyone around them and by Burbage's attempt to make a thing out of them to try to assuage his bruised ego. He chooses a little violence with this particularly amusing bit of go fuck yourself, you insecure little twerp:

Anyway lol what this scene then does is give us a moment in the story wherein we see them in a situation where friend (loaded) is defined as friend used euphemistically for lover and they both know it. This isn't coding they came up with but that they will wind up appropriating from the humans around them and repurposing for themselves, though they won't for awhile still to come yet.

What's worth noting here is that friend (loaded) in this human code is euphemistic for a pretty wide array of loaded friend relationships. There's no separation in it for friends with benefits versus someone you're seeing but aren't comfortable admitting that versus someone you've been with for awhile versus the person that is basically your secret spouse, etc.. All of these things are friend (loaded) in human code because the main purpose of it is to identify a pair of people who are involved as such without directly saying so on the surface, even if it's implied heavily via tone.

So what happens when Crowley and Aziraphale eventually decide to repurpose it for themselves?

They've got to be clear on what it means. They'll need to define it more specifically amongst themselves in order to use it.

For awhile still after 1600, they just aren't defining their relationship. They don't need friend (loaded) because they have things they call each other, right? They've got angel and Crowley and my dear fellow and the like. They're not usually around a lot of other humans together that are going to do what Burbage did and try to force a definition of it. (This changes, as we know, in the modern era-- especially S2-- but back in the day, it was true for them.) As a result, they've never had to define this and that's absolutely fucking perfect, as far as they're concerned.

Not defining this? Lovely. Yes. More of that. Makes the fact that they can't just call each other my love hurt a lot less, they're convinced. It helps now for sure and it'll make it less painful if they lose each other. They totally will not at all continue to spend thousands of years wondering what it would sound like if they said the things. They don't each have fourteen million fantasies about being able to use the traditional words and how they'd do it-- absolutely not lol. *Not* using the traditional words isn't at all making both the allure of those words-- and the ones they *do* use-- hotter and more romantic or anything. Not in the slightest...

So then we eventually get the Holy Water Arc, right, and in the middle of that scene, we see them run into a definition problem. In 1862, what actually causes them to fight isn't the holy water request. It's Aziraphale giving it all a word and that word being "fraternizing." First rule of We Don't Say It Club is that we don't say it... but it's also that if you're going to say a word that means the two of you and what you have, maybe don't use the one that Heaven would-- the one that means 'socializing with the enemy.' In Aziraphale's defense, they're both a mess and half-broken up in this scene and there's more going on it than we're going to get into here but the point is that suddenly not having a word caused big drama and caused the whole holy water conversation to de-evolve into an argument that broke them up for the eleven or so minutes that they can stay broken up.

But they still hadn't really resolved the whole holy water argument debacle by 1941, even if there is evidence in the show that they saw one another between 1862 and 1941, and the reason why they haven't is because holy water is irretrievably linked to defining what they are.

Crowley asking for it meant they had to consider what they are to one another and talk about it and 1862 proved their language didn't have words for that at the time. There is a level of panic to it because the request contains a certain level of acknowledgement about how they feel about each other. Aziraphale jumps onto holy water being a suicide pill not just because he's terribly worried that that's why a visibly anxious and depressed Crowley wants it but because if it's not what Crowley wants it for, then Crowley is saying he wants it for defense and whose defense, right? Not just his own, potentially. It's very much saying that he wants it to protect not just himself but Aziraphale from Hell and now we're talking about Crowley being willing to risk the wrath of Hell and maybe get himself killed trying to protect Aziraphale from harm and now, we're closer than ever to that I love you under the surface and they panic and they avoid it for 80 some odd years entirely until World War II...

...and then we arrive at The Blitz in 1941. We are now a scant one hundred years or so until 6,000 years being up since the creation of Earth and Armageddon was always going to happen in "*about* 6,000 years" so, for all they know, this is it... and Crowley in 1600 told you how he feels about sad endings:

So while rescuing Aziraphale is nothing new, Crowley turned up in 1941 with the intent of making a better ending, in case they had now found themselves at the start of the end of the world. They were almost out of time either way and he didn't want it all to end without them having said the things but also they didn't know *for sure* if this was it... and they still can't be together if it isn't... so Crowley can't just show up and be like so, angel, I've been meaning to tell you in the actual words for the last six millennia-- I'm madly in love with you. He has to find a way to do it in their language of doublespeak. And so, here's Crowley using friend (loaded) in front of the Nazis in 1941:

By using my friend in the church, Crowley is then actually euphemistically calling Aziraphale my lover by calling back to The Globe Theatre and stealing the human coded term that Burbage used. Crowley does not care what the Nazis think. The comment isn't for them; it's for Aziraphale. So is letting Aziraphale find out about his first name, which is also calling back to The Globe Theatre. ("Anthony", pronounced "Antony", as in Shakespeare's 'Antony and Cleopatra', the play in which Shakespeare put the love poetry he stole that Crowley wrote for Aziraphale.) So is referencing the unguarded holy water in the church, which is then trying to talk about it a little by connecting it to this romantic grand gesture here and acknowledging why they panicked over it all those years ago. It's all saying I'm in love with you in their little language in the best way Crowley can in this moment.

But what did we say about friend (loaded)? We said they have to define it, right?

Because it can mean different things. Crowley isn't wrong to use it and Aziraphale understands it the way he does in the church. He understands it to euphemistically refer to them as lovers, which they are. It's just that all of this combined with Crowley saving the books then makes Aziraphale realize that it's one thing to say my friend (loaded) but if you say it and then there's holy water referencing and then there's more of the Shakespeare scene in there with Anthony and the little "you don't like it?" pout and then there's the entered a church for you and... you put all of that together with little demonic miracle of my own and saving the books...

...and Aziraphale realizes that Crowley is taking the thing that they always were-- my friend (loaded)-- and using it in the middle of saying that he's in love with him.

Crowley is trying to give it a word.

The word he's using meets all their language rules. It's from a moment in their past. It has a true surface meaning and a loaded undertone and subtext for days. He's not asking Aziraphale to use it. He's not saying the actual thing, as that would be breaking their rules, but he is absolutely saying it in their language.

He's not asking Aziraphale for it in return. He's just saying that this could all be over soon and he needed Aziraphale to know and in some ways, it's an apology of sorts. He's sorry they fought. He's sorry they lost years over it. He's sorry for the pain of it. He was in love, you see. The sex while pining got to be a lot. All of this got to be a lot. You get it now right, Aziraphale? Yes? Good. Lift home...

The phrase my friend (loaded) takes on a different meaning after Crowley saves the books and after their conversation inside and outside The Bentley. That's the point of the two "shut up"s-- the one from Part 1 and the one right after it where Part 2 picks up. Why have this conversation twice? Because it's actually two different conversations.

The first one outside The Bentley is Aziraphale in a love stupor, just telling Crowley that saving the books was a nice thing and Crowley responding with a half-effort "shut up" while he cleans his glasses. It's the only scene in the entire series to date in which Crowley is cleaning his glasses and he is in this moment to give Aziraphale his eyes for a moment. But The Blitz, Part 2 shows us this again... and then gives us the scene in The Bentley with what starts out sounding like the same conversation on the surface to start. It is, though, not the same conversation *under* the surface...

There's a reason why Aziraphale says a second time that saving the books was a nice thing. They're now in The Bentley, which is a little more private, and Aziraphale can't let this drop because he needs to know for sure what Crowley is saying with this and if Crowley's sure he wants to be saying what it seems like he's saying. This is basically Aziraphale's version of Crowley's "are you sure? are you sure you're sure?" in the magic shop later on. Aziraphale knows Crowley just said he's in love with him but Aziraphale also knows *Crowley*, right?

He's been with Crowley for a long time. He knows him very well. He knows that Crowley is anxious and emotional and hopelessly romantic and that the world is literally ending around them as they're driving through bombs raining down over London and part of Aziraphale is thinking of the fact that even in this seemingly apocalyptic Armageddon that could be starting here, Crowley was coded in what he just did. He left the traditional words on the table. He said the things in their language and that is, in some ways, even more romantic, but he's left them the things they leave out of hope for a better future, just in case. There's a caution to that and while Aziraphale appreciates the caution, he also can sense that Crowley was nervous about doing this. He is a little concerned that Crowley's going to have said he loved him and then regret it and pull away from him again and Aziraphale can't do the first bit of the Holy Water Arc all over again. He's really wanting to start to move into a lighter era here lol. He also really wants to be sure that he's understanding what Crowley is saying entirely.

And he wants to hear it again.

If Crowley isn't going to shut down on him entirely now, Aziraphale very much liked all of this and would like more of it but he first has to be sure he knows for sure what Crowley means and he can't just ask directly or he's both saying the things they leave unsaid and he'd be undoing Crowley's effort so he has to find a way to ask without directly asking and in such a way that an already sensitive about all of this Crowley won't take offense or be embarrassed and that gives them a way back from this if Crowley shows signs that he feels like he might have gone too far.

So Aziraphale offers Crowley an out.

He tells him again that it was such a nice thing Crowley did for him. He means this and it was a nice thing but this is also saying that he heard that I'm in love with you that Crowley was saying by saving his books and that he liked hearing it, that it was nice, that it was okay that Crowley did that, but that it's also okay if he feels like he made a mistake with it.

Crowley's response to again being told that it was nice is to again tell Aziraphale to "shut up", this one a bit more emphatically than he did outside The Bentley a few moments before. It's unclear to what extent this language, at this time, is sexualized, but by 2019/S1, this back and forth of Aziraphale calling Crowley "nice" and Crowley responding with some bite is a self-parodic sex game that they're playing in Tadfield.

Much of what happens in Tadfield is playing on other parts of their story-- think about the paintball bit with the gun but now with knowledge of The Bullet Catch in The Blitz, Part 2-- and there is a big difference in the ways Aziraphale calls Crowley "nice" in 1941 and in 2019. In Tadfield in 2019, Aziraphale is literally smirking in a way that implies that this is a little game they play and he's saying a series of things that he knows will prompt this intentionally outsized reaction from Crowley, who is playing it with him. The game is likely tied *to* this bit of 1941 that we see in The Blitz, Part 2 in S2, in that it's referencing it a bit (if very obviously going in a different direction lol), but also because Aziraphale's phrasing and tone in 1941 is not smirking. It's softer and quieter and not designed, through their language, to prompt a certain response out of Crowley. It's not yet a sex game, it's still a kind of conversation they've had in the past that will serve as inspiration for said sex game in the future.

While it's a bit unclear if a version of this already existed in 1941 or if 1941 is part of the evolution to what it becomes by 2019, there's a tone to it in The Bentley in 1941 that says that, at the least, Crowley suspects that Aziraphale is trying to lure him towards sex by calling him nice and that's reinforced by the next thing Aziraphale says, which continues it, but is also doing so to provide Crowley with an out to his confession of love, in case Crowley wants to take it.

Aziraphale's out comes in the form of offering him sex, which is absolutely what this is:

Oh, gee, Aziraphale, whatever could you do in this moment here in The Bentley? You aren't at all telling him you'd do literally anything he says he wants right now, right here, in his damn car, are you?

But while Aziraphale would so absolutely yes because lawd, 1941 Crowley is sldjwkejele... look at what he's *really* saying as well...

What he's saying here is we can pretend you just did all of that for sex, if you want to. I know you didn't and you know you didn't but we are good at pretending and if you're silently having an anxiety attack behind your glasses over there, we don't have do this...

Crowley's response?

The quiet "forget it, will you?"

Meaning: I don't want to take it back. I'm in love with you. I wanted to say it. I meant to say it. Everything might be going to go pear-shaped and I wanted to have said it somehow. I don't need you to say it. I don't know what I expected but I also maybe kinda didn't want the response to be 'aww, you're sweet... do you want a blowjob?' so maybe let's just drop this. We're going to never speak of this again now. Moving onto spreading the demon drink...

Crowley turns down Aziraphale's offer to make it about sex and, in doing so, Crowley says indisputably that it's about love. If he had taken up Aziraphale's offer in that moment, then it would have been agreeing to pretend that he's never said he's in love with Aziraphale and to instead pretend that the romantic-looking things were all an effort to get into Aziraphale's pants. When he turns down sex, Aziraphale smiles softly because, to him, *this* is then really the moment that Crowley said he loves him.

Aziraphale knows for sure now what Crowley was saying and my friend (loaded) now has a definition between them that means the whole deal. Since Crowley said the thing that meant lovers euphemistically as part of saying he's in love with him, then my friend (loaded) is now forever part of the night during The Blitz in 1941 when Crowley said he was in love with him, which means that they can't use any version of friend (loaded) with each other without that being part of it. Friend (loaded) always meant lovers (sexual partners) but now it also means lovers (romantic partners) as well. It's not that they just suddenly became romantic partners because it's been a romance all along but now they're acknowledging it in a way they can't go back from and they do so by giving what they are to one another a word in their secret language.

Aziraphale then wants to return the feeling. Crowley is saying that he doesn't need him to by telling him to forget it about it and wanting to move on from it but Aziraphale can't accept that. Crowley might be right-- this could be it-- and like Aziraphale's going to let Crowley potentially soon go to his grave without telling him he's not alone in how he feels. That's not happening. However you think the events happened to give Aziraphale the opportunity to rescue Crowley from the wrath of Mrs. H-- divine fate, Aziraphale miracling the bottles broken, The Bentley shipping it and helping Aziraphale, all of the above, etc..-- he gets the chance not ten minutes later and he takes it... and, of course, what does he use?

My good friend (loaded af lol).

They've already just redefined my friend (loaded) by this point, so to turn around and use it is to tell Crowley I feel the same way. I love you, too. This is Crowley's change in expression in reaction in that above gif. It's one thing when Aziraphale volunteers to help-- that is sweet and Crowley's all eyebrows raised in intrigued surprise. His whole expression then slips from that into being stunned when he hears my good friend and he realizes that Aziraphale is now grand gesturing *him*. He's realizing that the bit in the car really was just an offer of an out, not just that plus Aziraphale saying he was uncomfortable with what Crowley had said and needing it to stay a lot more hidden beneath a cover of sex. It was Aziraphale needing to be sure he understood and needing to be sure that Crowley was sure he wanted to make this change in how they are but now that he's sure on those things, Aziraphale is actually all in for it.

Worth mentioning that my good friend (loaded) is a mashup of my friend and my dear fellow, which makes it extra sweet. Just as Crowley started this by calling back to The Globe Theatre by using my friend (loaded), Aziraphale is calling back to the my dear fellow rhythm of what he's called Crowley for centuries. It says I love you and every 'my dear fellow' was not just fondness but an 'I love you', if you didn't already know. I've loved you forever.

It's also quite literally calling Crowley 'good', which is not something that he really believes about himself but is something Aziraphale believes about him. His good friend, as in close friend, but also his good friend, as in good person. He also does nothing to discourage Mrs. H's inevitable understanding that he and Crowley are a couple. He gestures between them to indicate it. He uses my good friend in such a way that it's just the same thing queer humans of the time would have said to someone low-risk (a theatre person) in London during WW2. It's completely inverted from his response to Burbage in a different theatre in 1600, in the moment this whole friend thing became a thing for them, which is also intentional. It's telling Crowley he understood all the things Crowley was saying in the church and he feels them, too.

Then, there's this, once they're back the bookshop:

Here, we're acknowledging what friends means now by pausing and emphasizing it. "That's what friends are for" is not a phrase that would require the pause and the tone on friends if friendship was all "friends" meant to them. It's not now and this is acknowledging that.

Note Crowley's little lip twitch/almost-sad-smile at what Aziraphale is saying. It's agreement. It's assent. This is them confirming that they understand what the other is saying and giving this new word a home in their language.

This is then what they call each other now when they need to talk about it and it's my friend on the surface and it's my love underneath.

There's a sadness to it. How nice it would be to just be able to say it... It's also a moment of realizing that they aren't sure they can use this word all the time. It's good to have a word and a shared understanding of what it means and they have no desire to take back these confessions of love here but while it's lovely to have said this now, it's also a bit heartbreaking.

Aziraphale's heartbreak, his little Crowley move of putting on his (transparent lol) glasses, his brave smile, and then how quickly they both transition from this conversation into The West End, The West End and I'm a lonely G.I... and The farthing *has vanished*! It shows you how accustomed they are to burying the pain under trying to live in the moment for one another.

A few moments after this, Aziraphale will be showing Crowley some of his human magic tricks in preparation for performing on stage and when they get to the point where Aziraphale is telling Crowley about Goldstone's Magic Shop, he then tells him that it's not for him because it's "for professional conjurers only."

This is somewhat unintentional metaphor on Aziraphale's part that Crowley then acknowledges and turns into coded language in his response. Aziraphale's love of human magic is metaphorical for his love of humanity and living in a way as to indulge his humanity in a way that angels have been taught not to do. The reason why Aziraphale's love of magic is this metaphor and not, say, his love of books or music or food, is because all of the other things that Aziraphale likes about the human experiences can be dismissed by him as relating to understanding the human experience *so as to be a better angel.* He's really not a student of humanity just to learn how to better guide them. He admits to Adam in front of Crowley in S1 that he thinks that humans are the ones who get it when he tells him that he hoped Adam would be good and worried he'd be evil but that he's something better than either of those-- he's human incarnate. Aziraphale can justify most of his indulgences as being related to learning human ways to relate to them to help them-- food, books (his home and his book collection can be justified as necessary cover for his angelic embassy), music, etc.... but the love of human magic?

Aziraphale just loves it. It's for him. It's his hobby. He thinks it's a little selfish and probably a lot unbecoming of an angel. He'd completely just want this for a job and he's not supposed to want a job other than to be an angel, which is supposed to be the bestest job imaginable lol. What kind of angel wants a silly human job? What kind of angel with actual magical powers is obsessed with human magic? Aziraphale is. He's endlessly fascinated. It makes him happy. It brings him joy. It's the part of living as a human that he's done in such a way that it's just for him and in such a way that it conflicts a bit with his role as an angel. The only other way Aziraphale loves like this, in this human way? The only other thing he studies at to be a better human over being a better angel?

Crowley.

So when Aziraphale says that he can't go to Goldstone's because it's "for professional conjurers only", Crowley knows that what Aziraphale is really saying is that the shop is "for actual humans only". He knows Aziraphale is admitting that he's sometimes insecure about his ability to be human because of how his humanity is tied to being an angel. Crowley knows that they're talking about Aziraphale and his human magic love on one level but that they're also talking about them and their relationship on another level. This is Aziraphale saying that he loves human magic with a passion but he's not sure he's as good as it as he could be or as he wants to be because maybe he doesn't know everything about being a human in the way that the "professional conjurers"-- humans-- know... and everything we just said he's unsure about with relation to human magic is also how he feels sometimes about loving Crowley.

This conversation is happening in an overlapping way with their friend confessions and Crowley hears that Aziraphale is saying in there that he loves Crowley with a passion but he's not always sure that he's studied enough, that he knows enough, about being human to be what Crowley deserves. He would love to go to this magic shop but he's afraid that it's not meant for him. He struggles, as Crowley already knows, with how he's not supposed to want it but oh he wants and he can't help but love magic and he can't help but love Crowley... all of which prompts Crowley to reassure him, using a now-familiar bit of their language:

"You, my Nefertiti-fooling fellow, are about to perform on the West End stage. If that doesn't make you a 'professional conjurer'... I don't know what does."

Meaning:

You, my human-passing man, are so good at this that you fooled the Ancient Egyptian Queen. You're about to perform your human magic on stage-- to make yourself vulnerable in a way that scares humans. You are always willing to take risks like that and try something new and learn more about being human and that makes you human. It's human to not totally know how to be human, I think. You're doing all of this tonight because you love me. It doesn't matter if you're a good magician or not. This love of ours is human and you're very good at it. You love me very well. If loving me doesn't make you a 'professional conjurer'... I don't know what does.

Crowley uses my [] fellow to emphasize my friend (loaded) by using the term of endearment that Aziraphale himself started that has human connotations to make the point that their love makes them human and to tell Aziraphale that he's very good at their love.

Aziraphale, understandably melting over that:

And then? They just keep using my friend. For decades. Through S2.

What makes it work for so long is the fact that it's human-coded in origin so if they run into a situation where they need to refer to one another like this, they can use it and it doesn't get a lot of questions. After the partners scene with Nina, Crowley uses my friend without thinking twice about it, telling her that she'll be safe in the bookshop because "my friend would never let anything happen to you." Nina already gets that they're friend (loaded) and she doesn't know what using friend means to them because only they know about 1941 but it's a phrase that they can use with the outside world if they need to but that mostly stays between them because only they know that, in their language, my friend = my love.

So when Crowley says I lost my best friend in the Discorporated!Aziraphale scene in S1, he means that he lost his best friend but he *also* really means I lost the love of my life.

The first thing my best friend means is just the actual, uncoded definition-- what the words really mean as they are. Aziraphale is Crowley's best friend. Whatever else they are to one another, they've always been that. The idea that he'd have to go through the end of the world and whatever came after without his best friend devastated him. In a lot of ways, it's sweeter than saying anything else, even if they weren't in a public space, because it's saying that what he'd miss the most is just having his partner in crime in life. The other layer of it is the coded layer. Since they are a couple that uses my friend in an euphemistic way for my love, then Crowley's my best friend in 2019 is the same thing as Aziraphale's my good friend was in 1941. It is my best friend on the surface and it is that but it's also my love beneath it.

This scene is also then the same thing in meaning:

And by S1's present of 2019, they're at a point of using it in an argument, which provides them the means to talk in a way they didn't have in 1862. Yeah, they have their dramatic little breakup spats but this is actually a marked improvement over where they were before the holy water mess. So now watch this bit of the bandstand again here below for the friend (loaded)...

Remember that Aziraphale lies increasing bits of absurdity when stressed and that Crowley knows that. He dismisses what Aziraphale says with that "you doooo" when Aziraphale tries the *utterly ridiculous* "I don't even like you" lol. They're both panicked about the end of the world here in Ineffable Divorce: Round One and Crowley's trying to get them to run away again, which is a terrible idea, but in the process of suggesting it, Crowley is calling them friends (now eternally loaded, as we just spent this meta proving lol) and...

...*how long* have they been friends does he say?

So, how long have they been in love, per their language, per Crowley in the bandstand scene?

Six thousand years.

Since the start.

Vavoom. Sorted. :)

[half-bakedboy]

I always see a lot of buddie truthers with two sides to how they want buddie to get together in canon.

Slow realization and soft oh moment

Passion ignited after a tragedy/terrifying close call

I have a 3rd secret option I really want to see which is just... excitement?

They're both single (this is v important guys.)

Eddie's in action, doing something really cool, really dangerous, and really fun (like scaling a skyscraper... 👀) and he pulls Buck into his scheme because it might not need to be a two-person job, but it's them and they go together.

It's the elevator scene from 2x3 but years later, and the parallels are obvious and important.

They hatch a plan together, with barely any outward communication, just inherently knowing what the other's next move is going to be. I want them just living for the adrenaline rush of propelling down eight stories attached to each other and each other alone. I want them so close to danger so quickly that neither really comprehends how close they were to losing it all. (It's just typical at this point.)

I want them to topple onto the ground together in almost hysterical laughter, checking each other for injury even though they're both fine. I want them to realize that life could be like this for the rest of their lives. They don't have to keep searching for something when it's right in front of them.

Then they kiss like it's second nature, through wide lips and bared teeth and gear that makes it impossible for them to do more than just press their lips together over and over like they've done this a thousand times before.

Knowing that they might have constant close calls like this one that might result in much worse than a tear in their turnouts, but they have each other, so what does it really matter?

They're just. Happy. Happy despite everything they've gone through, despite every moment they suffered to get to this exact moment--grinning in a close-to-collapsing building, trusting each other implicitly, and fearing only the distant possibility they might never have gotten here.

I want them to realize that they pieces of themselves they've been looking for their entire adult lives have been right in front of them since the very beginning. I just think they deserve that.

[twilightarc-gm]

hello :D can you tell me why you like chengxian?

A Non-Comprehensive Guide to Twi's Love of ChengXian

Yes I spent time making this edit. I love them and I'm not an artist so sue me.

Short Answer: I love these two self-sacrificing assholes and their aesthetics and I think they should kiss and get a happy ending for once. If MXTX doesn't want to do it, I'll write it instead! 😤

Long Answer: Click the Read More

"As long as we both live in this world, we'll meet sooner or later." -- Vol1 Chap6

👏 MDZS literally doesn't happen without Yunmeng Shuangjie, it doesn't happen without the huge sense of debt and love and envy and pride and duty that comprises everything about the relationship between Wei Wuxian and Jiang Cheng. They must meet because their stories are so wrapped up in each other that where one ends and the other begins is a blurred line at best.

MXTX put in so much work to separate these two for the happily ever after she wanted and if you think about it too much you start to wonder if the Wei Wuxian we grew to love with this story, that says this kind of line, is ever going to be really happy without Jiang Cheng in his life.

💗It's not incest, but the boys wish it was. I am half-joking about this, but also absolutely serious. The vague labels on their relationship is a very big part of the point!

They are very much the Shixiong/shidi(mei) xianxia/wuxia romance trope. The talented and wonderful shixiong. The shidi(mei) that adores their shixiong but can't be honest about it. Childhood friends to sweethearts. MXTX uses this trope and subverts it by not making it endgame or letting the story just end with the tragedy of the First Siege.

She uses the power of this trope to feed into everything in and around the secret of the Golden Core Transfer. It ends up affecting the entire cultivation world as the greatest token of love, of devotion, of sacrifice, of consequence, of dubious consent, of the crux of the very story itself... which is just incredibly powerful.

And the rest of MDZS flows from that.

He had always thought Jiang Cheng would be the one standing with him, and Lan Wangji against him. He'd never imagined that reality would be the complete opposite.

This is literally errata from vol1 official pg 262 and I swear it wasn't put in the first time because it feeds ChengXian too much. You say that Wei Wuxian thought Jiang Cheng would always be by his side? He couldn't imagine a world where that wasn't true?? That now he's in a reality where it's the opposite??? Omg???? Like this is the sum of the ChengXian tragedy right here because MXTX made a reality where they couldn't be together! 💔😭

Like LOOK!

“When you become the family head, I’ll be your subordinate. We’ll be just like our fathers. Who cares about the Twin Jades of Lan? Our Yunmeng has Twin Heroes! So—just shut up. Who said you’re not worthy of being family head? No one’s allowed to say that, not even you. Say it and you’re asking to get beat.” --Vol3 Chap12

You see for me it's about the strain between love and duty and all the points where those two cross.

My actual favorite romance trope is king/lionheart - lord/devoted - leader/subordinate - patron/agent - master/servant - 知己 (zhiji)

this relationship of knowing is one that is worth dying for

“So when Wei-gongzi returned to seek us out, my jiejie was reluctant to even attempt the procedure, at first. She warned him that writing an essay was one thing, but actually doing it was quite another. She wasn’t even confident she’d have a fifty percent chance of success.

“But Wei-gongzi kept pestering her. He said fifty percent was fine; the chances of success and failure were equal. Even if it didn’t work out and his core was wasted, he wasn’t worried about his future—but that wasn’t the case for Sect Leader Jiang. He was too competitive, too focused on what he stood to gain and lose in this aspect, since cultivation was his life. And if Sect Leader Jiang could only ever be an ordinary, mediocre person, his life would be over.” --Vol4 Chap19

Wei Wuxian was willing to risk his life on a 50% chance if it meant Jiang Cheng would Live. Yes yes Wei Wuxian's patent assholery here about how Jiang Cheng is so competitive etc, classic fooling himself. The point is that Jiang Cheng wouldn't be Jiang Cheng anymore and Wei Wuxian would rather die than experience that. Would rather cut himself apart than fail to protect his shidi.

Speaking of failures...

Perhaps there was this:

“I didn’t get caught by the Wen Clan because I insisted on returning to Lotus Pier to retrieve my parents’ bodies.

“When you went to buy rations in that small town during our escape, a group of Wen cultivators caught up to us.

“I noticed them early and left the spot where I’d been sitting to hide in a corner of the street. I didn’t get caught, but they were patrolling, and they would have surely bumped into you while you were getting us food.

“So I ran out and lured them away.” --Vol5 Chap22

Jiang Cheng never wanted Wei Wuxian to die, let alone die for him. He breaks down at the shrine coming to terms with what he will ultimately think of as his fault. We know this because when he feels at fault he doesn't speak of his good intentions. So, he distracts the Wen-dogs from Wei Wuxian > Gets caught and survives, broken > as far as he knows he's miraculously healed > only to find out that Wei Wuxian was taken by the Wen-dogs anyway 3 months later > Jiang Cheng never speaks of his failures, so will never say how lost his core in the first place > a war and 13 years later he finds out that not only did he fail to protect Wei Wuxian from Wen-dogs, but now also knows unequivocally that Wei Wuxian's descent into heretic cultivation was his fault... again.

As tears streamed down his face, he hissed through gritted teeth, “…Why…why didn’t you tell me?!”

And he begs to know why Wei Wuxian would do this!

“Consider it a repayment of my debt to the Jiangs,” Wei Wuxian added.

Jiang Cheng raised his head and looked at him with bloodshot eyes. “…To my father, my mother, my sister?” he asked in a hoarse voice.

Not him. Wei Wuxian won't admit it's for Jiang Cheng--the shidi he meant to protect as a good shixiong, the master he was meant to support, the heir and symbol of the clan and sect he loved so much he would readily lose a hand to protect.

The way Wei Wuxian tortures Wen Zhuliu by leaving him whole and standing while his charge Wen Chao is torn up bit by bit... The delicious parallels of -- you made me a failure, now see how you like it, watch the one you are meant to protect be torn asunder.

...

Hold on I need a moment...

...

How about some cute stuff?

Wei Wuxian waved him off and then hooked his arm around Jiang Cheng’s shoulders. -- Vol1 Chap4

He put his arm around Jiang Cheng’s shoulders and dragged him over to the veranda railings to sit down.

[...]

Jiang Cheng was quiet, but he seemed to have calmed down a little. Wei Wuxian put an arm around his shoulders again. --Vol3 Chap12

💗Wei Wuxian is always all over the person/s he likes and loves. Jiang Yanli might have been the first to carry Wei Wuxian but Jiang Cheng's were the first shoulders he chose to hang off of. Jiang Cheng stands so straight because he is used to bearing Wei Wuxian's weight! (Also he's of the gentry, and you can make arguments about a rod in places where the sun doesn't shine, but Wei Wuxian benefits regardless!)

Among all the kicks and shoves and rough housing and sparring, they are just so tactile.

Gif from this post.

… Jiang Cheng, walk slower, you’re gonna throw me off.”

Not only did Jiang Cheng want to throw Wei Wuxian off, but he practically wanted to bash his head into the ground to create a human crater. “So fussy even though I’m carrying you!”

“I didn’t tell you to carry me,” Wei Wuxian reasoned.

Jiang Cheng flew into a rage. “If I didn’t carry you, I think you’d hang out at their ancestral hall all day, rolling around on the floor. I can’t afford this embarrassment! Lan Wangji took fifty more strikes than you, but he walked away on his own, and you’re not embarrassed, pretending to be an invalid? I don’t want to carry you anymore. Get the hell off!”

“No, I’m wounded,” Wei Wuxian said. --Vol1 Chap4

💜 Yes I am bringing back this quote from my Jiang Cheng appreciation post.

Hnng, I am trying to be more concise, but like one of the things I also enjoy in romance is how two imperfect people choose to be together and that choice that they make is the gold and solder that fits the pieces together into art. Sure MDZS didn't want to go there even though that's where it started, but to me it will only ever be the story of Jiang Cheng and Wei Wuxian.

Honestly even Yi City arc is YMSJ | CX to me.

Song Lan = Jiang Cheng

Xiao Xingchen = Wei Wuxian

Baoshan Sanren is involved

Eyes = Golden Core

Baixue Temple = Yunmeng Jiang

GUILT

RUNNING AWAY

Xue Yang = Yuan Qi (Resentment) Modao/Guidao

CORRUPTION

A-Qing = lwj being obsessed with WWX and fighting his use of guidao like a-Qing is distrustful of XY and XXC being friends with him.

XXC kills SL = WWX kills JC (figuratively, JYL's death destroyed the last of the JC from their childhood and all the trust he had in WWX (you cannot tell me that WWX doesn't feel like he caused JYL's death (he couldn't control the corpse that hurt her, he didn't sense the sword coming for him and she had to protect him)))

XXC's suicide and shattered soul is thus my grounds for headcanon to what actually happened to WWX at the First Siege, just sayin'

...

Anyway that's a bunch of canon stuff how about the realm of fanfiction/art?

Meme Format Reasons Twi is unwell about ChengXian:

From this post (yes that's my same edit)

Art Commissioned (So Far, more on the way and some I can't share yet) for ChengXian:

Happy ChengXian with Wei Wuxian in Purple by @robinade

Supportive ChengXian in pretty clothes! by Sugar_Shoal

Some more points for consideration:

💗 Point 1: They can't be normal about each other, due in large part by the people who raised them being unable to be normal about them either.

💗 Point 2: Their opposing ideologies, duties, and priorities make for the best drama, but in a better narrative, would balance each other.

💗 Point 3: Martial sibling romance ➡ tragedy! They fought together! Thought the future would be them together always! Then everything in the narrative tears it apart and all they're left with are the ashes of their choices and the lies that buried them.

💗 Point 4: Every AU where they end up happy instead!! 😭 I can't wait for @twinclownsoflotuspiers next CX Happy Ending event! Thankfully there is also @omiixcx coming up this APR 21st-27th! 👀 Yes that was a promo and prod.

💜 Point 5: ChengXian Pros = Zongzhu-shidi getting to love and protect his shixiong fully and truly without restraint.

🖤 Point 6: XianCheng Pros = Overprotective shixiong merciless in his affections for his Zongzhu-shidi.

💗 Point 7: Ship them for tropes based on miscommunication, acts of service, there was only one bed, boundary issues, genderfuckery, soul bound by choice, bickering, bantering, finishing each other's sentences, married-divorced-never-were, childhood shenanigans, cutting oneself on the other and denying the blood ever was...

...

I am not even getting into the monster/monster-maker aspect, am I? They are both at the same time!

JC makes WWX a monster by being the recipient of the golden core and believing WWX has control of guidao so encourages its use.

WWX makes JC a monster by lying to him until their relationship is broken irrevocably at the Bloodbath and years after JC is known for hunting demonic cultivators.

If you want to get really dark with it, there's also the cannibalistic aspect. WWX becomes a part of JC with the transfer. JC unwittingly consumes WWX and his fortune. The golden core is in the lower dantian, the belly, behind and below the navel. The symbology..! XianCheng is really good for the more gothic themes of the ship.

Let's be real, the vibes are straight up Wuthering Heights in multiple facets. MXTX recently admitted to that novel was one she read so insert conspiracy theory red string board meme here!

...

I spend a lot of time readdressing the themes introduced with the YMSJ dynamic and are exacerbated by the golden core transfer and the way Wei Wuxian handles and fails to handle that situation. I like how destructive they are about each other. There's a lot of potential there to create something together as well, but they were never given the chance.

Ideally, after the Jiang parents were gone and not influencing them anymore, or if they aged up enough to just stand on their own—and Wei Wuxian has his cultivation intact... Well in that scenario they could have easily stayed the Twin Prides/Heroes of Yunmeng and they would have been so happy being in the home they both loved and making the most of their lives one step at a time and arguing the whole way.

...

That's what fanfiction is for! 💜💗🖤

Hey, you made it to the end! I hope that was entertaining at least there is so much going on with this ship sometimes my brain just goes brrrr about it, y'know? Take care! Happy CX thoughts to you!

[kimi240302]

Prologue Come back to me

A/N: Before you read this, I want you to know that my native language is different. So I am very sorry for any mistake. Nevertheless, I hope you will like my story and enjoy it.

Summary: The love story between Alec Volturi and Y/N Swan, was an unexpected one. Both didn't know what to make of each other when they found out they were soul mates. But they worked on it and created a beautiful strong love that not even Bella's hatred for the Volturi could destroy. But as in any good love story, tragedy was impossible to avoid in theirs. It came as unexpectedly as their love itself, and made the Cullens and Bella seem to win, while Alec and the Volturi were losing their light in the darkness.

A/N2.0: I know it's a bit short and also not that good, but I didn't know exactly how to start and I promise everything that comes after is better and longer

Main Post / Twilight Masterlist / Come back to me Masterlist

Alec Volturi x Swan!Female!reader

TW: Description of drowning and death

-------------------------------------------------------------

"When my time comes around Lay me gently in the cold, dark earth No grave can hold my body down I'll crawl home to him" -Hozier

Rustling was the first thing Y/N noticed when her strength gave out and she could no longer continue to fight death.

Cold was the next thing she felt. It lay over the skin of the young girl like a coat. A coat that grew tighter and tighter until Y/N could feel the cold in her bones.

Darkness, it was surrounding her and swallowing the young girl more and more.

Her arms were stretched up above her head in a desperate attempt to get back to the surface. But her opponent was an element that she could not overcome. For what made water so dangerous was its speed. The coldness it radiated took away the strength of your muscles to fight, its darkness took away your hope, and its noise put your mind into an unsettling silence.

Y/N did not know how she got into this situation. She only knew she wanted to get back into the arms of the man she loved. She wanted everything to be the way it was just a few days ago. She wanted to get to the point in her life where she knew she would get her happy ending and not stay here. But the deeper she sank and the more water filled her lungs she knew her future was lost. With that realization, the last spark of hope left her. Y/N, who had tried to hold her breath, opened her mouth, hoping that death would deliver her faster. Because here the time seemed to come to a standstill.

She closed her eyes and instantly she saw Alec's face in front of her.

Alec Volturi the love of her life. She saw the moments, both good and bad, they had spent together that had made them the special inseparable couple they were today. She saw the Volturi who had become her family. It was like her own personal little movie was playing out before her eyes.

Y/N knew she would leave them all alone and something broke inside her, something that not even death itself could break in her. But she had no more strength to fight, not even for those she would leave behind, that had taken the water from her.

The last thing the drowning girl thought of was a silent prayer, "His voice, please don't let me forget his voice, not even in death."

[kekisu]

a very popular headcanon people have (i Think its popular. at least a lot of my twitter mutuals agreed with me a while back) is that joker comes from inaba, and if youve played p4 you know that theres literally nothing to do there

so a big headcanon that i used to be obsessed with is that he would spend a lot of his days skateboarding or biking around listening to music and exploring old dirt roads.. and he ended up getting a special interest in bugs and reptiles because hed come across so many during his little solo adventures. hes also very well versed in fishing its not a fixation or anything but just something hes pretty good at

this is why i tend to draw joker like some sort of skater boy. i think hes always stood out a lot in this small town even before the false assault charge, like he wasnt disliked or bullied but he just didnt really fit in. and this didnt bother him. i think he only realized how boring his life was when he became a phantom thief and got all these new friends in this new big city that understood him despite the circumstances that led him here. like man i really used to live like that and see nothing wrong with it? i didnt yearn for more?

it makes it even more painful when he has to leave and they naturally drift apart. because they all have dreams and ambitions, and the best years of their lives are waiting for them around the corner. but joker is back in this small town where theres nothing to do but hang out in some food court or poke around in the woods. i imagine this newfound loneliness is really hard on him, not to mention the guilt for feeling like hes somehow to blame for. well, whatever happened with goro

to me personally i think goro lived. i think he mustered up the perseverance to bite and claw his way out of shidos palace after seeing that even someone like him has a chance at being loved, he just didnt really remember this in marukis reality because it was all a blur. so both goro and joker were completely clueless as to what his fate would be if they went back to their true reality, which is what was so scary. the uncertainty. he could very well be dead but how could they know for sure? i just dont like the thought of him dying before he could truly live, even though i understand the tragedy of it can be poetic, i just cant stand for him going out like that because i relate a lot to his struggles. and i think it would go against the overall positive message of p5r. sure not everybody gets to have a second chance or a happy ending, but. man. anyways

joker fully believes goro is dead though. he wouldnt be crazy to assume this considering how they parted ways in shidos palace. but it eats away at him and maybe he really does go crazy. maybe his life feels like its stuck in time and while his old friends are out chasing their dreams, hes stuck. broken and shattered over feeling like he couldve done something to save him, knowing jokers savior/martyr complex

im running out of steam and i didnt mean to ramble on about my post-p5r headcanons but, to wrap it up: goro is in rehab somewhere and has a service dog to help with his dissociation and mood swings. and a couple other stuff. he feels like if he walks back into jokers life itll mess something up like joker will just break down or something. so he keeps his distance until they cross paths again. im just very obsessed with the idea of goro getting his life together vs joker wanting so badly to chase that high of phantom thievery again but failing and being actually so depressed

man morgana must be exhausted

[raven-at-the-writing-desk]

lilia and madame red

OKAY, BUT LIKE.

Does anyone else get vague Madame Red backstory vibes from Lilia in book 7??? 😭 PLEASE SAY IT ISN’T JUST ME, I SWEAR THERE’S PARALLELS HERE

Madame Red (real name: Angelina, which is what I’ll call her going forward in this post) was best friends with her sister, Rachel. Angelina considered Rachel the “sister [she] loved she most”.

Let’s think of this friendship like Lilia and Mallenoa, his princess and Malleus’s mother. He would complain about her callousness and her selfishness, but it’s clear from the way he jokes about her personality that he knows her well and considers her a good friend in spite of the trouble she causes him.

Later on, Angelina and Rachel meet Earl Vincent Phantomhive, and they both fall in love with him. Ultimately though, Rachel is the one that marries him. Angelina was heartbroken and conflicted about the matter, describing it as “the sister I loved the most was going the marry the man I loved the most”. They even have a child together. She was happy for their happiness, but was also always longing for something she could never have.

Now, while we don’t know for sure what the timeline is between Lilia meeting Mallenoa and Lilia meeting Levan/Revan, it’s clear that they all knew one another at some point. Lilia at least knew them both since childhood (which must be hundreds of years). Then his two best friends marry and produce an egg. The conflicted feelings that Angelina experienced only really have a direct parallel if you headcanon that Lilia was in love with either Mallenoa or Revan, but we don’t necessarily need romantic feelings here for the parallel to work. It could be that Lilia feels a little lonely because his friends have less time for him since they have each other and important duties to tend to (plus, let’s remember they also dump some of their tasks onto Lilia). However, I will concede that this point in the timeline is the least mirrored with the story of Angelina; we don’t actually know a lot about Lilia’s feelings concerning his friends’ romance and how that impacted their relationship with Lilia.

Then (I’m skipping over a lot of things that happened in Madame Red’s backstory to get to the relevant parts) her beloved sister and brother-in-law perish in a fiery blaze, and she’s powerless to stop it. All that’s salvaged from the burning building is “the child of the sister she loved most and the man she loved most”.

A similar tragedy could have befallen Lilia and Malleus’s parents, given the current direction of book 7. Levan/Revan goes missing, and Mallenoa is all but guaranteed dead at the hands of the invading human forces led by the Dawn Knight. Where does that leave Lilia once his two best friends are gone? He’s been left behind and forced to pick up the pieces of what little remains of a country ravaged for its resources, burdened with an unborn child to look after in their stead.

I would say the main difference between Angelina and Lilia is how they coped with the aftermath of the horrific events in their life. Angelina becomes angry at the world and envious of those that take what she cannot have for herself for granted. Those feelings manifest in violent murders. Meanwhile, Lilia, the man who has been fighting and killing all this time, becomes wise and accepting of humans, wishing for a time and place where all races can join hands and the children of tomorrow can live in harmony 😭

“It’s the world Mallenoa and Levan would have wanted for their son. The world I would want for my own son. A world of peace, not war.”