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#and of course the story
cascadingrays · 2 years
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All art assets (c) @nopanamaman
Original video: Convergence
Go watch the above video! It's so good it made me want to do a poster about it!!
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Some spins on the "mostly male team with a token woman" trope:
The woman is trans and stayed in her old circle of bros even after transition
The woman is the only one in her circle of "girls" who didn't turn out to be a trans man
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liquidstar · 7 months
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If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)
At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.
Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.
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wasabi-gumdrop · 18 days
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local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6
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devsgames · 4 months
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I saw someone be like "It's still as good a time as ever to take a risk and make your indie game into a breakout success, just look at Lethal Company!"
Let's just be clear that "massively unpredictable viral success making an ungodly amount of money" does not equal "realistic and attainable benchmark" for almost any other indie dev.
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“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 
Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”
–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.
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elexuscal · 4 months
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Danny Phantom, The Show:
geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!
Danny Phantom, the Fandom, After 19 Years of Fermentation:
a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!
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nerdpoe · 5 months
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Due to Danny's ghostly nature, he misunderstands a bit when his DOOMED buddy in Gotham complains about his little brother.
The guy is clearly just blowing off steam, talking about how can he trust the little demon when he'd literally been stabbed, thrown off a banister (danny was pretty sure he was gonna say something else), got Mufasa'd (dropped from the roof and barely managed to save himself), and talked shit like, constantly.
And Danny, with all of his ghost instincts only partially tucked away behind human skin, can't help but coo.
"Aww, he must really like you man."
"...He's tried to kill me."
"But not really? Dude, why aren't you picking up on this?"
"Picking up on what? That he wants to be an only child?"
"No, dude; that he wants to fight you. Like, in a learning way, with only a little bloodshed. Man you're bad with kids. Of course he's trying to stab you, he wants to play."
His friend pauses, the character he's playing stopping midfight.
"You...aren't human, are you?"
Fuck.
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salemoleander · 7 months
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I am BARELY resisting going full red-strings-corkboard on this season. And by barely resisting I mean not resisting at all here is an extremely long list of the events those pins would be marking out.
BigB getting a Task that was a different color than everyone else's. It's not just a randomly assigned Hard Task, bc Scar rerolled for a Hard Task and his was also just a white envelope. It's fundamentally different.
That task taking BigB away from socialization, and seemingly being an incredibly time-consuming and dull request. Of profound disinterest to any watchers.
The phrasing of his Task!!
Dig a big hole. All the way down. At least 3x3. Make it your base if you want.
Everyone else's are direct and formal - the only one with more than one sentence was Skizz's, with the rule clarification of "One attempt only." Bigb's Task is four short abrupt sentences. It is also the only Task to contain extraneous information, 'Make it your base if you want.' The requirements (at least 3x3) feel like an afterthought to mimic the numerical/specific demands of the other tasks.
Evo symbol on the face of the Secret Keeper statue.
The fact that there's a statue at all; the fact that there is a physical representation of what is assigning tasks that everyone must complete, when previously everything was always handled via commands and unseen RNG.
Grian talking to the statue, and (bc of his Actual Role as game organizer) acting as a mediator for the impartial decisions handed down, speaking for it.
Grian making one last bad joke and saying he doesn't know if it counted or not- depends on whether we the audience laughed.
Grian asking for task recommendations from the audience. The watchers are making the tasks. The Watchers are making the tasks.
Again I could be off-base, and I'm not usually even that smitten with bringing in Evo lore. I don't want a Big Bad really...but. It feels like something very unusual and intentional and cool is happening in this series. And I'd guess we'll know if theres something going on once we have more than one data point.
My largely unfounded suspicion is that there is another being (maybe Listeners, maybe something else) trying to reach out to the Players via decoy Tasks, and BigB was the first recipient. Get them alone, make them of disinterest to the watchers, and tell them something we don't get to know.
Because that's the really, really fucking cool part (if my wacky theory is remotely right): We're the bad guys. We're the ones giving out tasks - hell, we're the ones actively brainstorming harder and crueller tasks in Grian's comments!
If they actually made a story where the Players have to keep secrets from us I will be delighted. Bc that is the same genius bullshit that made Evo Watcher lore so fun
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ashfae · 9 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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aalghul · 1 month
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once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that’s puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.
and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots
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kjscottwrites · 7 months
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And, importantly, share some recs!
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Why doesn't the justice league know about Amity Park?
Okay so it's been a bit sonce I watched the show but one of the things in DpxDC is the anti-ecto acts, which I love, but correct me if I'm wrong, I THINK ??? they only show up in reality trip? SO: What if Danny, when using the gauntlet to undo everything, also got rid of the Anti-Ecto acts? but this is babys first time editing reality so he uh Fucks Up A Lil'. As a result when Danny used the reality gauntlet to wipe the AEA from existence he accidentally wiped Amity Park from perception. A big 'nothing matters over here' jedi mind trick, and now no ones looking at Amity. So, the Justice League actually WERE looking into and monitoring the situation in Amity, but when the perception filter closed them off, all of that suddenly went ignored.
This is noticed when someone (Alfred, Dick, Tim, literally anyone) realises theres just. A BIG dusty pile of case files semi abandoned somewhere in the cave when going through a (time period)ly cave cleaning.
They put it down because it's Not Important.
They come back to finish the cleaning the next day and do the exact same thing, but there's nothing to actually distract them this time and it pings as weird. Because why would case files be not important? They are by definition important, because only things flagged as important go into case files.
They try to get someone else to read it, because as long as they don't read the information in the file, they don't put it down.
That person goes to read it, gets a line in and then says something like 'that isn't important' and goes to leave. Person A pushes it and person B ALSO catches on.
Que the Batfam trying to figure out hey, what the fuck actually?
Meanwhile, how is Amity fairing? Canon compliant everything's going alright? Or have knock on effects to No One Look Here started to show?
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egophiliac · 10 months
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swipes everything else off of the table to yell about diasomnia flower bookmarks
(I gave Silver one too :D)
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#art#twisted wonderland#twisted wonderland spoilers#white rabbit festival#me: oh boy i wonder what excitement will happen in this new part#characters: now it is time to buy souvenirs :)#me: oh god#jk jk even when the filler is kind of painful i do enjoy the little character moments#like everyone screaming as loud as they can into silver's watch#deuce busting out his suzy izzard impression#SMASH IT WITH A HAMMER!#and of course silver assigning flowers to the other dias and getting all sappy over lilia. god. delicious.#you don't understand this ten second long scene is everything to me#though we all know the real highlight#the knowledge that 1) deuce used to have an extremely silly edgy badass nickname#2) he almost certainly gave it to himself#3) he harassed epel's extended family to the point that they told horror stories about him and he was briefly epel's personal idol#epel: i heard he once killed three men with but a look#deuce: what no i never...i mean...ha ha sounds weird nothing a model student like me would know about#also deuce: if you fuckers don't apologize to my mom right now i'll fucking kill all of you (sees dilla) uhhh i mean#deuce: i challenge you to a children's game#black bunnies leader: (strapping on his duel disk) i accept#meanwhile silver is running full speed at a group of children screaming to them about donuts#we aren't going to talk about what ortho did with that fantasy-gregg's sausage roll#so glad that we've reached the 'what the heck is even happening' portion of the event#anyway i completely screwed up the resolution of these so here's hoping they don't look terrible!#whoops!
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cowardlykrow · 2 months
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“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus
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lomlompurim · 5 months
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respost separated from the og post bc I really liked this silly little thing I made
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And a little extra of my own
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little binghe has a goal in this life and it only gets worse once he mets sqq, no one dares to threaten his position as sqq's future wife, he literally was born to be his spouse!!
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