#at the end was heartbreaking

[psalm40speakstome]

Three times! I watched Bae In Hyuk die THREE times!

[dreamaboutwhathappens]

i love the…. almost horror aspects of this album. all the references to ghosts and death…. and sonically, the unexpected shrieking in WAOLOM and the banging and screaming during “old habits die screaming” and even the way the tension subtly builds across the sixteen tracks and by the end you’re so stressed and shaken it’s like! losing your sense of self and feeling like you’ve become a monster is horror. and i’m sooooo glad she leaned into it

[astrhae]

"I'm very good at forgiveness. It's one of my favorite things."

[fantasticgothicpeachsludge]

Bernard: i lied. i don’t like sex. put your clothes back on babe and watch my power point presentation about What The Fuck Is Going On Between Batman And Twoface

Tim: …

[bisexualmultifandommess]

I find it so funny but also adorable that Malakai waited until Amerie was finished with her list to question why she’s dressed as a frog lmao

[benevolenterrancy]

finally in the process of reading the Guanyin Temple scene and holy shit if WWX isn't the protagonist of all time. We're in the Big Final Confrontation and so far my man has done fuck all except cuddle in LWJ's lap while everyone else is losing their shit and when he DOES finally do something he summons an army of naked, writhing, moaning sex corpses that even his allies just desperately wish Were Not There. stupendous, no notes

[sugaldean]

Posting this here as well

[sukunasweetheart]

Thinking of breakup angst with sukuna...

Thinking of the build up towards it, the way you have been fighting over the littlest things for months now

It leads you to think about how self centered he can be, how you always feel like you loved him more than he loved you and how crushing it felt to have that realisation fall upon you every time

He can be so career focused sometimes, with the long business trips, work parties, etc. always working vehemently to get higher, threatening to leave you behind

And one particular night, the argument gets so heated that you dont get a wink of sleep afterwards, only staring blankly at nothing as you try to calm the chaos in your head. Sukuna heads out without a word the next morning, and you make the final decision in your head, alone, by yourself.

By the time sukuna comes back home with the intent of reconciliation, he finds that youre packing the remainder of your belongings into a suitcase in the bedroom, ready to move out of his home.

"what the fuck is all this?" he asks, his tone coming out harsher than he means it to be.

"what do you think? i'm breaking up with you. i'm moving out," you can barely stop your voice from wavering. you've cried too much this week.

"oh, come on. you know you don't mean that," he reaches out to grab your arm, but you withdraw away from his hand so fiercely that it even surprises him.

"don't you talk to me like that," you speak firmly, "like i'm being dramatic. why won't you ever treat me seriously? i am leaving, sukuna."

you continue your work, neatly folding up some of your shirts. you're already almost finished. he looks around, and the house looks half empty.

oh. you really mean it. you're really trying to leave.

"no, you're not. you're not leaving. not after everything we've been through together," he tells you defensively, grabbing your wrist, stopping you from folding your last shirt, trying to get you to look at him again.

"like what? constantly yelling at each other until our throats are sore? i'm really sick of it. and i'm sure you are, too."

"don't put words in my mouth. i may have gotten sick of our fighting, but i've never gotten sick of you," sukuna hisses, refusing to let you continue packing your things. you feel yourself getting swayed by his words.

"well, i am. i've gotten sick of you," you say quietly through gritted teeth.

"oh yeah? say it to me properly then. look at me dead in the eyes," he demands, voice getting lower.

"you heard me. i don't need to say it again." you pull away from his grip and try to get this last shirt folded. he grabs you again, by the hand this time, and the piece of clothing unravels once more.

"no, i didn't hear shit. convince me that you really want to leave me - and i'll let you go."

in a fit of anger, you turn to face him completely, but your resolve crumbles away when you see his expression. not the one you'd assigned to him in your own mind, but his true features, under the bright bedroom lights.

he looks serious. he looks concerned. he's asking you to tell him it's not true. tell him that you want to stay.

"...let me go. i'm leaving..." you say, voice finally breaking. like a broken faucet, your eyes begin leaking tears relentlessly and your throat closes up in that painful way that you hate, but nothing compares to the pain in your heart at the thought of really breaking up with this man here and now.

he lets you go...

and calmly takes your things out of the suitcase to put them back. you didn't miss the relief in his eyes that showed up for that split second.

"bring it back! i hate you," you attempt to raise your voice, but really, it's only just your ego speaking.

"you can't even say that you hate me in the correct tone. we're not breaking up," he mutters, hanging up your coats and putting them into the closet.

having been defeated, your legs give way and you sit down on the side of the bed, sobbing.

through the blur of your tears, you watch as he meticulously goes through your suitcase, putting everything where they belong. and you sob harder. he knows too much. he arranges your creams, perfumes and accessories in the perfect order on the dresser. he spends a good fifteen minutes, putting all of your belongings back where they should be.

and by the time he gets back to you, he's like a different man. the mattress dips from his weight as he sits next to you, bringing a box of tissues with him to wipe your tears away.

"we can talk tomorrow since we're both tired today," sukuna tells you as he dabs your eyes with the tissue, "i'll take the day off." you just sit still without responding. now that he mentioned it, the fatigue seems to fall upon you suddenly, like a brick. he coaxes you under the sheets.

soon, you find yourself in bed, in his arms. it's been a while since the two of you had cuddled so intimately. you feel oddly shy, the same way you did all those years ago when you first started dating him. there's a special kind of warmth that sukuna's body emits - and you're surrounded by it under these blankets.

"i'll try to do better... so don't go anywhere," he speaks with a softer tone.

because, it's true, he can't imagine living a life without you.

those are the last words you hear before you drift off to sleep.

the next morning, he's still in bed with you, and you're pleased to see he kept his word about taking the day off. checking the mirror, you're horrified and embarrassed about your swollen eyes from all the crying last night.

sukuna takes a look at you and chuckles without ill intent. but in your flustered state, you slap his arm until he's saying "my bad, my bad" in between laughs.

there's still some awkward tension between you and him, but going through breakfast together seems to melt some of that away, until you're ready to bring up yesterday's event.

it goes better than you'd expected, and after the discussion, the only thing that's left is to wait and see whether things will change for the better or not. whether his promises are empty or not.

"i didn't realise that you were so lonely. 'm sorry," he apologises as he plays with your hand, "i may work a lot, but you're always on my mind, doll."

it's like a huge weight off your shoulders.

and he begins to be more like his playful self again, after the talk.

"i'll need you to tell me that you love me today. since you told me you hated me yesterday," sukuna says with a smirk, hugging you from behind.

"well, you need to earn it," you shoot back, rolling your eyes.

"alright. will you say it back if i say it first?"

"sure."

"i love you."

"..."

"now that's not fair, is it?" he tickles you without mercy.

you burst out in laughter, thrashing around uncontrollably, trying to push him away.

"okay, okay! i love you!" you tell him in between breaths.

seemingly satisfied, he lets you go and pushes his face into the crook of your neck. he'll never let you go.

the following day after work, sukuna comes home earlier than usual, and he doesn't wear a grumpy expression in front of you. he greets you with a hug and kiss. it's a small gesture, but it makes you happy.

and slowly, the relationship begins to rekindle itself.

[ricky-mortis]

Holloweane… save me…

[silent-insanities]

If the world ended tonight, would I be the last thought on your mind?

[sexy-sapphic-sorcerer]

thinking about "it's unreasonable to assume that a character knows what genre they're in" and how in series 1-3, Merlin (and the audience) thinks that he's in a fantasy adventure comedy. no one realises that he's in a tragedy until it's too late.

[hairmetal666]

Eddie's supposed to be writing. The guys, they all agreed they'd each come to practice armed with two whole new songs they could pick from to add to their set list at the Hideout. And he's got his pen, and he's got his most recent trusty Composition Book, and all his lyrics are fucking bullshit about golden tanned skin and honeyed eyes and tracing constellations in freckles and moles, pathetic lines about being twisted in bed sheets, and the hopeless love he found himself in.

For the fifth time in an hour, he rips out the offending page, crunches it into a tight ball, and throws it across the room.

He can't write about Steve Harrington for the rest of his life; spend his nights aching for the boy who established himself as a fixture in Eddie's life and then just disappeared.

The worst of it--the very worst--is that Eddie knew better. Steve was never his, not in any real way, no matter how many times they fucked. He's Steve Harrington. Straightest guy in Hawkins. Popular. Rich. Whole fucking life laid out for him on a silver platter. And Eddie fell for him. It's the Munson curse, he supposes; always wanting what you can't have.

It started the way these things usually do, "got any weed?" and "come back to my place, Harrington" and "I got this stupid job at the mall, meet me there?" and lying "hey, guys, can't make band practice, gotta help Uncle Wayne" and "Munson, I really want--can I kiss you?"

In every other fantasy Eddie's ever had, it ends there. Steve gets his kiss and they never see each other again. But Steve Harrington--he's full of surprises. It catches Eddie off guard, makes him want, makes him trust. Because it's not just kisses. It's hands and mouths and "anything you want, Eddie. Let me make you feel good."

Maybe it wouldn't have hit so hard--maybe Eddie could've stopped from falling--if Steve hadn't been so good. Bitchy, sure, but genuine and kind. Had this whole gaggle of junior high kids he babysat, like what the fuck. Would hang out with Wayne and shoot the shit about whatever sports nonsense was on tv. Harrington never was as mean, as spoiled, as superficial as Eddie suspected.

Then Starcourt. That's when it all changes. Steve stops coming around then, in the aftermath. It hurts, but Eddie tells himself it's for the best. Now, he knows it would have been.

Two weeks with no contact, and Steve shows up at his door in the middle of the night. Eddie winces at the healing bruises and cuts on his face, can't imagine how much worse they were to start. He steps aside, lets Steve in, plans to say that he can't be whatever they are anymore.

Steve kisses him. It's a hot, needy thing, wild with teeth and tongue, nothing like before. Eddie is helpless to it, helpless to the way Steve grinds against him, already hard. He should slow it down, check-in that Steve is in the right headspace for this, but Steve is moaning low in his throat and Eddie can't think.

They're in Eddie's bed and Steve says, "fuck me, Eddie?" and Eddie says "are you sure" because he can't stop himself. Steve rolls his eyes (beautifuly bitchy), says, "I need to feel you inside me, baby."

How can Eddie say no?

Eddie's never done this before, but it doesn't matter. It's everything--Steve is everything--he could ask for.

The next morning, he expects Steve to be gone. Thinks they'll never see each other again. But he finds Steve in the kitchen, in his boxers and Eddie's Iron Maiden shirt, making eggs and talking to Wayne like it's the most normal thing in the world.

The next month and a half are the best of Eddie's life. He and Steve spend more time together than they do apart. Nights at Eddie's trailer, in Eddie's bed. Days lounging at the Harrington pool and driving around the nothing that surrounds Hawkins. Sometimes they'll stop in the middle of nowhere, climb on top of the van, and just--be. Steve takes his shirt off, and Eddie traces their names in the sun-soaked freckles, thinking maybe he really gets to have this, have Steve.

It ends as quickly as it started. One morning in September, Steve is cupping Eddie's neck, pulling him in for a goodbye kiss, saying, "sorry, baby, gotta get home for my parents. I'll see you later tonight, yeah?"

Except Eddie doesn't. Eddie doesn't see Steve that night, or the night after, or the night after that. He stops coming around and all Eddie is left with is a broken heart and these piss poor excuses for songs.

He rips out the latest page, waxing lyrical about the wonders of August, and time slipping away, and the boy he'll never forget. Crumples it into a ball and bats it into a pile of junk accumulated in the corner of his room.

Eddie needs a break.

He flies into the living room, snatches up his keys from the floor by the coffee table, and flees his house and all those memories of Steve. It's not like he has anywhere specific to go, so he drives around town, with his windows down and his music up.

His tires screech as he rounds the corner to the video store and arcade. He's not planning on stopping, but honestly, maybe a few rounds of Space Invaders is exactly what he needs.

The van hasn't even come to a stop in the parking spot when his eyes fall on Steve Harrington. He's standing in the middle of the parking lot surrounded by a gang of kids (including some of Eddie's new little sheepies) and Robin Buckley. Steve wears a sunny yellow sweatshirt, tight jeans, and his hair is perfectly coifed, falling in an elegant wave. His hands are on his hips, mouth and brows pinched stern. He's gorgeous, perfect.

It's an assault, an attack, Eddie's entire body shakes as the months they spent together crash over him. He has the van in reverse before he consciously thinks to do so, flooring it out of the space hard enough to burn rubber.

The noise, the speed, it draws the entire group's attention to him.

His eyes meet Steve's.

Time stops and so does he, idling in the middle of the parking lot. For a second, one moment in time, Steve's face falls. His mouth loses that grumpy pinch, his eyebrows drop, his beauty transformed by grief, by fucking longing.

Steve takes a step forward, and Eddie hits the gas, van screaming out of the parking lot. He watches the group shrink in his rearview mirror, sure that he imagined the sorrow in Steve's face, anyway.

They're nothing to each other.

Never were.

By popular request: Part Two

[ourg0dsal]

“She felt movement behind her, but she was faster.”

This line fucks my shit up every time. that Harrow figured out what Gideon was gonna do but was still powerless to stop it.

[kvtnisseverdeen]

But first, there is a visitor for Miss Penelope. BRIDGERTON | 3.03 "Forces of Nature"

[manichewitz]

sam and frodo’s relationship is so crazy theyre like what if we had a homoerotic adventurer’s bond that was so strong it overcame the power of supreme evil, saving not just the world but one another, and the only reason we were able to survive the violence around us was through sheer love for each other, and although we’re not canonically lovers our relationship is so much more intimate and tender than acceptable norms for male/male relationships that we transcend easily definable labels and thus become queer irregardless of whether our attraction is platonic, romantic, or sexual…and we were both hobbits

[anopuff]

thanatos