#at this point. i have no idea

[canon-gabriel-quotes]

wear headphones :)

Transcript:

As much as I'd love to witness more of your prowess, I'd very much like to have that body of yours.

Is that a strap-on?

Machine, I'll cover you in more than blood.

Fuck. *exhale* Shit. Fuck-God! mmmm-ohohoho. fuck. fuck. h-Harder, Machine. Mph! *whimper* Hah... Come on!

End transcription

Sorry for this. I promise this is the worst thing I'll ever post. Unless he somehow manages to do something worse.

I can't really provide the audio sources in a neat way because this is 6 clips stuck together.

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[nerdpoe]

Danny needs a few...odd things. A few dietary and emotional requirements unique to his physiology. Meat is one of them.

But like, raw meat. He doesn't have to eat it often, maybe twice a month, but it does need to be completely raw.

He also needs to eat non-sentient blob ghosts, which are very different from sentient ones. Same amount, maybe twice a month.

He's weak to hot temperatures, where most humans require some sort of positive contact he needs to fight, if he gets too much sunlight his dopamine levels drop, and oddly enough as he got older milk or products with a lot of milk started to affect him like alcohol affects humans.

Now that he's made it to college, hiding most of these things is easy enough.

He chose Gotham, because of minimal sunny days and naturally cold weather. He regularly goes for walks at night, to fill his need for fighting. He says he has a milk allergy, and avoids milk products.

The blobs and the raw meat are a little uh. Those are a little hard.

He's taken to ducking into a bathroom stall to just swallow the blobs whole. But the meat...

He decides to sear the outside and leave the inside entirely raw. Does this detract from the nutrients by cooking them off? Yes. Does it mean he needs to eat raw meat four times a month instead of twice? Yes. Does it mostly hide that he's doing this in front of humans? Kind of.

Until he got a vegan roommate.

Said roommate is far too sharp-eyed for his own good, and now the guy is being weird.

Or: Damian's roommate is a meta who clearly has dietary restrictions outside the norm. It's fine; Damian understands that like animals in the wild, people have different diets. But the cuts of meat Fenton is eating are...subpar. Damian isn't sure how to be...civil, or appear polite, or not be a "snob" if he suggests Fenton allow him to procure farm fresh cuts of steak from cows raised in an open pasture and were well taken care of.

[floccinaucinihilipilificationa]

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[pricklenettle]

inspired by this post, Danny’s lost in the ghost zone and comes across pariah dark’s keep. I had to draw it and had The most fun with the spooky green ghost zone

[ninjasmudge]

doodles of a lamb and their horrible cat

[comradekatara]

“the runaway” where everything is the same except when sokka says he can’t even remember what his mother looks like, katara angrily stomps all the way into town to make a purchase, then stomps all the way back up the cliffside, and just indignantly holds up a hand mirror to sokka’s face.

[poppedbubblgum]

I’ve always liked the headcanon that Raph has trouble with his sight after getting krangified.

[novelconcepts]

The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.

[batshaped]

trick(xie) question

[zephyrchama]

It was dinnertime in the House of Lamentation. Conversation petered out as everyone focused on the hot food in front of them, leaving a quiet lull interrupted only by clinking silverware.

“I’ve always wanted a traditional church wedding,” you said, entirely unprompted.

The clinking came to a stop as the seven brothers processed what you had just said. They turned their eyes towards you.

Beelzebub was the first to break the silence despite his mouth full of food. “Huh?”

“I just always thought it would be nice. A quaint wedding in a nice little church. Maybe a chapel.”

Leviathan briefly choked on what he was chewing.

“Oh I totally get it!” Asmodeus empathized. “Rows of pews with white flowers, those high arched ceilings, the evening light of the human world sun shining on us through a beautiful stained glass window as we kiss? Oh!” He clutched his shoulders, “it gives me chills just imagining it!”

“Asmo, we can’t enter churches,” Satan stated matter-of-factly. The knife handle gripped in his fist started to bend.

“Hah!? What? Lucifer, is that true?” Mammon slammed his fork down and just about jumped out of his chair as he shouted at the oldest.

“Sit down, Mammon.” Lucifer rubbed his temple and tried to perform damage control before the inevitable headache set in. “What brought this on suddenly?” he asked you.

Keeping a straight face was immensely difficult but you pulled it off. “I was just thinking about weddings and stuff, y’know. It’d be nice. Ever since I was little I thought a church wed-”

Belphegor interjected with “You’re not even that religious.”

A flood of complaints washed over the table as everyone started loudly protesting.

“You… You’re not allowed to get married anywhere without me!” Leviathan shouted.

“Does it have to be a church? What about a restaurant instead?” Beel suggested, looking worried. “I know a lot of pretty ones.”

“We could build a mock church in a studio and get married there,” Asmo fantasized. “The stained glass could be you and me as cherubs, we can ask Luke to be the flower boy. He’d be so cute in a little tux!”

“You wouldn’t even need a ceremony with me,” Belphegor said. “If you really want one, we can have it outdoors under the stars.”

Satan’s knife was bent at a 90-degree angle. “What a stupid thing to say. Libraries are just as quiet and nice as churches. Probably. They sure suit you better than a church.” 

“The restaurants also have in-house catering,” Beel continued.

“That ain’t gonna happen!” Mammon bounced his knee, shaking the entire table as he lamented, “I ain’t lettin’ my human get married in some church! We can go anywhere you want! Anywhere else!”

”There’s a church in my game!” Leviathan gasped. He thought an in-game wedding would be just as good as a real one. “I can show you! We can go now! Lets make you a character!”

Lucifer cleared his throat once. Then twice. The third time was a warning that got lost amid all of the whining. “Enough,” he finally growled. The room went silent for him. “You’re not getting married in a church. End of discussion.”

“Oh.” Weird of him to decide that on his own, but you were at your limit. A wide grin had already spread across your face. “Yeah, ok. By the way this roast you made is delicious.”

[soonysy]

Day 98 — You were the SUN and I was just the MOON

Shall I leave the desert?

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 2: Indocktrination

(Part 1, Part 3)

[sarasade]

One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post. 

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

[bet-on-me-13]

Steph's Year of Recovery

So! Danny noticed that a new face had made it's way into town. Two new faces actually, an older lady known as Dr Leslie, and a girl about his age called Steph.

He first met them when he was at the hospital for one of his parents. They had stood too close to an explosion again, and he met them while he was in the waiting Area.

Dr Leslie was a strict but obviously caring older woman, who seemed to be the one taking care of Steph as a kind of maternal figure, or maybe more like an Aunt. She greeted him simply and then walked away to talk with the Secretary, leaving him to talk to Steph.

Steph was a blond girl in a Wheelchair, and he could see bandages piking out of her clothes as he talked to her. She explained that she had been in an Accident a few weeks ago that left her wheelchair bound for a while, and that she had come to Amity for their surprisingly good Medical Centers.

He and Steph got along really well, and by the end of it he asked her for her Number so they could continue talking later. They stayed in touch, and when she was finally permitted to leave the Hospital, he introduced her to his friends. They all got along like a House on Fire, both figuratively and in one memorable case very literally (Vlad had pissed them off okay!)

Eventually Steph recovered enough that she moved from a Wheelchair to Crutches, and their shenanigans got even more chaotic (Vlad hadn't even pissed them off, this time was just for fun)

The only thing Danny could complain about was the fact that Steph was hiding something from them.

She said that she had been in an Accident a while ago, which was why they had come to Amity in the first place. But Danny knew it was more than that.

He could sense lingering traces of Death coming from her after all.

...

Steph honestly loved her current life.

Sure she had lost everything, her home, her health, her friends, her life, but she had gained new things too! Like Danny and the Gang! They were honestly some of the best friends she had ever had, and for some reason they just clicked with her instantly.

Danny was interesting and funny, Sam was vegan and a badass, Tucker was smart and witty, they all fit with her personality perfectly! It almost felt like she bad been friends with them for years. (She ignored the way her heart skipped a beat when she saw them)

But she still couldn't shake the sense that they were hiding something from her.

She knew it had something to do with the Ghost Problem in the town. And wasn't that a kicker, there was a whole Supernatural Ghost Outbreak in this Town and nobody knew about it. Dr Leslie had said that Amity was off the map enough to hide from Bruce, but she hadn't mentioned it was hidden from the Justice League itself!

Danny, Sam, and Tucker definitely knew more about it than they let on however. Whenever a Ghost Attack would happen, at least one of them would rush off with some practiced excuse and return after the Ghost Attack was over all dirty. She could guess what was going on, and she really didn't like it.

(This had killed her, she had died doing what they were doing, she didn't want to lose them)

Eventually she had to confront them, coincidentally on the same day they decided to confront her.

"Are you Vigilantes?" / "Did you die?"

"..."

"What?" / "What?"